Eddy Barrows

Superman Stuff #35: August Reviews

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It’s time once again for a healthy helpin’ of reviews. Here are most (if not all) of the Superman-related comics that hit the stands in August, including the first half of the epic crossover event Kingdom of Zod!

Absolute Superman #22
Title: Get Brainiac Part One: Metallo
Writer: Jason Aaron
Art: Juan Ferreyra
Main Cover: Rafa Sandoval & Ulises Arreola

Don’t you just love how DC stamps “A New Story Stars Here!” on the cover any time a new story is starting in an Absolute book? It’s a grand practice and I wish they’d implement it across the line. And with a book like this one, it’s almost a necessity. Even someone who reads the book each month like me might be a tad confused without that label there, because the story leaps right into the action feet-first. As the story begins, Superman is in Argentina facing off against a brutal, powerful cyborg that we soon learn (in case you didn’t guess it from the title of this issue) is the Absolute Universe version of Metallo. But as befits the Absolute line, although Metallo is familiar in many ways, when Superman gets a peek beneath the helmet, the face underneath turns out to be a very unexpected one.

The Absolute books, in my opinion, always are at their most interesting when they take the formula of the regular DC Universe and give it a twist, rather than those parts where they go off and do their own thing entirely, kind of like how Ra’s Al Ghul has been an arch-foe for Superman instead of Batman. Metallo is somewhat similar in that respect. Although the basic concept of a man rebuilt into a cyborg and sent off to fight Superman is intact, the man beneath the mask is a surprise and puts a very different spin on the dynamic between him and our hero. 

Jason Aaron and artist Juan Ferreyra give us other twists as well. The flashback scene where we see Brainiac breathing life into this Metallo, for example, plays less like a scene from a superhero comic book and more like a segment of a horror movie. The darkness in certain corners of this world is so severe that it makes Superman stand apart all the more whenever he lets his light shine through. 

I like some of the ways Ferreyra plays with the layout in this issue as well. There’s a two-page spread, for instance, of Superman and Metallo clashing with one another in outline, the panels appearing in the shapes of their bodies to tell the story. It helps not only make the pages stand out, but improves the pacing as Superman tries (in true Superman fashion) to attempt a dialogue with Metallo before either of them winds up beating the other to death. The last couple of pages are a nice emotional capper on the episode, and leave you with all the questions you need about where the rest of this storyline is going to take us.

Adventures of Superman: Book of El #11
Title: The Garden of the Promethean Giants
Writer: Phillip Kennedy Johnson
Art & Main Cover: Scott Godlewski

As we spiral into the final battle between the forces of Kryx-Ul and the heroes of the House of El, Superman finds a new ally, and in the way only Superman can, he tries to reach out to his enemy before it’s too late.

The frustrating thing here is that, after 10 issues that I’ve felt were somewhat lackluster, this penultimate chapter is the first one that I’ve actually found engaging. Maybe it’s a Lord of the Rings thing, but I’ve always had an affinity for scenes of our heroes girding for the “final battle” (as is promised on the cover), getting ready to fight for their lives, preparing to face impossible odds. When it’s done well, I often find it to be the most inspiring part of the whole story, and it’s the kind of thing that really stirs up the emotions just when you want them stirred up the most.

I also like how Johnson brought the story back around to Otho and Osul-Ra, although I’m more worried than ever that if there’s to be any lasting repercussions from this series, it’s going to be to shunt those two off to comic book limbo. It would be a shame to take them off the table, but as Johnson is the one who brought them into the mythos in the first place, it seems like he’s being the one that’s gearing up to put them off to the side. 

I do feel like I’ve been harsh on this series, and although I do my best to be fair in these reviews, I don’t know if I’ve entirely succeeded here. This is a series that almost certainly will read better in its collected form than it has one chapter at a time (not unlike Kennedy’s original run on Action Comics, with the Warworld story that preceded this one). After it’s all said and done, I do intend to take a little time off then come back and read it as a whole to see if that improves my attitude towards the series. And if it does, I promise I’ll tell you all about it.

If it doesn’t, I’ll just keep my mouth shut. 

Supergirl: Survive #3
Writers: Ethan S. Parker & Griffin Sheridan
Art & Main Cover: Rod Reis

Having escaped the destruction of Krypton, Kara and little Kal-El have been recovered by representatives of the Lantern Corps, a peacekeeping organization made up (in this universe) of agents of all the different colors of the emotional spectrum. When Kara learns that the Lanterns plan to take the two of them to a place called Oa, she and Kal-El escape again, taking with them the means to recreate their home.

There’s a lot of good in this issue. Kara’s attempt at protecting Kal-El is pretty clever, and very much in keeping with the sort of solution a teenage girl would come up with in these circumstances. That said, there are limitations inherent in her plan, and Parker and Sheridan do a nice job of addressing them. We also get introduced to a new player in this issue, a different take on a classic Superman character that seems primed to play a larger part in this story. The Guardians’ interest in the Els is also intriguing. There seems to be an obvious logic behind what they’ve got in mind, particularly considering that the Lanterns were ordered to keep them away from yellow suns, but there’s definitely room for the story to throw us a curve ball.

The timeline is slightly confusing here. There are a few pages of time skips and the narration doesn’t help with keeping track of it, despite there being captions telling us how much time has progressed since “K-Day.” To be fair, the problem isn’t that it’s hard to figure out what order things are happening in, but things clearly happen within those time skips that I feel should have been addressed more directly. I’m not the kind of reader who demands that every single detail be spelled out, and a little mystery could be fun, but the combination of the elements here makes this a bit more perplexing than they need to be.

Rod Reis’ artwork is really sublime. If you look at that cover there, of a Blue Lantern Kara surrounded by…well, you can read what she’s surrounded by yourself. But it looks phenomenal, and with a huge chunk of the issue taking place in this environment, it’s really impressive that the all-blue world feels dynamic and engaging rather than monotonous. Overall, this book has been highly enjoyable. 

Superman: Father of Tomorrow #4
Title: Vexed
Writer: Kenny Porter
Art & Main Cover: Danny Earls & Nick Filardi

After an encounter with Batman and Robin in Gotham City, Superman (Jor-El in this continuity, remember) finds himself facing unexpected adversaries in the American government. Lex Luthor, meanwhile, continues to pillage this universe’s magic users, bringing him into conflict with John Constantine.

I continue to have a complicated relationship with this story. On the one hand, I really like the world-building. Kenny Porter has done an incredible job extrapolating an Earth that has access to Kryptonian technology, and the differences and variations on the familiar DC characters is well-done. I particularly like his characterization of Lex Luthor, drawing on magic in this world to fuel his battle against Superman. Considering that magic is one of Superman’s few recognized weaknesses, it’s actually pretty surprising that the mainstream Lex hasn’t tried this sort of thing.

The motivations still lack authenticity, though. It’s a little better this issue than last, where the world seemed to turn against Superman for no reason. Here, we at least see that Batman is skeptical of Jor-El’s “gifts” because he doesn’t believe that humankind is ready for the responsibility that having such advanced technology will bring to them, an idea that is punctuated by a clever tie-in to his origin. The villains, though – Sam Lane in particular – seem to fall into the old stale “Villain doesn’t trust aliens” plot, up to and including doctoring footage to make the hero seem like the bad guy. It’s a cliche that we’ve seen far too often, and without an interesting twist on it, I don’t really need to see it again. It doesn’t help that the narrative still doesn’t seem to have decided if we, the reader, are supposed to be on Jor-El’s side or not. Hopefully we’ll have an answer to that before this Elseworlds wraps up.  

Batman/Superman: World’s Finest #54
Writer: Mark Waid
Art: Bruno Frenda
Main Cover: Dan Mora

It’s the kind of wild, wooly tale that only Mark Waid can tell, and of course, it begins with the threat of nuclear war. The two countries of Qurac and Bialya stand poised to annihilate one another, and the cries of the damned have grown so powerful that the demon Neron is empowered to act. Abducting a squad of DC’s finest heroes – including, of course, Superman, Batman, and Robin – Neron puts together perdition’s first ever game of baseball. It’s heroes versus demons, and if the heroes lose, the war will be allowed to grow and take over the entire world.

It’s an insane kind of story with a very silver age sort of flavor to it. But Mark Waid being Mark Waid, he takes this ludicrous premise and uses it to tell a nice little character story. Superman is dismayed to find a baseball player he’d idolized in his youth is among the denizens of hell, and he reaches out the way that only Superman can. Hell may be a nasty place, but Waid convincingly makes us believe that Superman can make it better, even there.

I do have some continuity questions, which I know is kind of silly all things considered, but it’s the kind of thing that makes me wonder just how much DC’s history has been juggled around. Neron’s first appearance was in the Underworld Unleashed miniseries, also written by Mark Waid. In that series, it was clearly Neron’s first encounter with DC’s heroes. In this story, which is clearly set before that crossover (as evidenced by the fact that Dick Grayson isn’t Nightwing yet), they’ve obviously encountered them before. Normally I’d be questioning why nobody is paying attention to that sort of little continuity snarl, but it’s Mark Waid. He literally rewrote DC’s history last year. If he’s decided that their first meeting with Neron was earlier than Underworld Unleashed, who am I to judge?

Supergirl #16
Title: Kingdom of Zod Part One
Writer: Sophie Campbell
Art: Joe Quinones & Paulo Villanelli
Main Cover: Guillem March

Kingdom of Zod, the two-month Superman family crossover event, begins here. Picking up immediately from the prologue in last month’s Action Comics #1100, Lois has summoned the Superman family together to investigate the new regime that has taken over the Kryptonite-rich country of El Caldero. Things are off to a rough start, though: although Superboy-Prime has been going through a redemption arc (and succeeding quite well, I have to say), Conner Kent hasn’t forgotten the fact that Prime killed him once, and the two young Superboys butt heads at the worst possible time. The team to investigate El Caldero is assembled, and since some non-Kryptonian operatives are going to come in handy when it comes to infiltrating a country whose riches are based on a literal mountain of Kryptonite, Supergirl summons her pals in the Super Force to lend a hand.

Incorporating an ongoing series into any sort of crossover always requires something of a balancing act, and Campbell’s story deftly walks that tightrope. The story advances the various plots that have been percolating in the assorted Superman titles for months now, primarily the El Caldero storyline from Superman Unlimited, but Campbell hasn’t abandoned the stuff that has made Supergirl fun to read on its own. Incorporating the Super Force doesn’t feel tacked-on or superfluous here, but rather like Supergirl is bringing in her friends because they serve a legitimate purpose in the story. I also quite like the direction Kara’s character is taking. Although the readers know that the missing Superman was found in the aforementioned Action #1100, the Superman Family does NOT, and Kara feels the weight of having to step into her cousin’s boots as leader of this informal team. It’s a good look for her, and Campbell gives it the appropriate amount of emotional weight without tipping into angst the way some writers would take it.

I can’t say as many good things about the artwork, however. Joe Quinones, whose work I quite enjoy, splits the art chores with Paulo Villanelli, whose work I’m sorry to say I find somewhat lacking. Not only Villanelli’s pages not as sharp as Quinones’, but the styles clash in an unpleasant way. I’m sure that a lot of extra hands jumped in to complete this storyline sandwiched between the giant Action #1100 and the one-shot Kingdom of Zod Special from next month that will serve as the bookends for this storyline, but I wish the artwork in this opening salvo had been a bit more consistent.

Action Comics #1101
Title: Kingdom of Zod Part Two
Writer: Mark Waid
Art: Montos
Main Cover: Guillem March

In part two of the big event, the time-tossed Justice League team of J’onn J’onzz, Mary Marvel, and Booster Gold have recovered Superman from the timestream with the help of a Superboy plucked from Clark Kent’s youth. They don’t even have time to catch their breath, though, before they return to a present-day where the Superman family is invading an El Caldero controlled by Zod. As Supergirl’s friends take to the fight, Zod tries to interrogate a captive Lois Lane, but her sheer determination proves that even without the powers she inadvertently took from him, she’s still got a lot of Superwoman in her.

The Zod/Lois scenes are hands-down the crown jewel of this issue. He’s flailing around in rage as she – even while bound and technically at his mercy – expertly prods and antagonizes him into spewing his whole supervillain plan without it coming across as an Incredibles-style monologue cliche. Honestly, how has there never been a story about Lois becoming a Green Lantern yet? Even an Elseworlds?

I would have thought that the mystery of Superman’s time traveling had ended with his return and last month’s exploration of where he’s been in this year’s Superman Annual, but it turns out there’s still more to consider here: namely, why doesn’t he remember this adventure from when HE was Superboy? Waid doesn’t answer the question, but shines enough of a light on it for the reader to be confident that we’re going to come back around to this, and it’s going to be important.

Like the Supergirl issue, the artwork here is the weak point. It’s a darker, less clean look than we’re used to with the Superman titles, and it’s a style that doesn’t particularly suit these characters. Looking ahead, it doesn’t appear as though the regular Superman art teams are playing a big part in this crossover, and that’s a disappointment, because the writing deserves better. 

Superman Unlimited #16
Title: Kingdom of Zod Part Three
Writer: Dan Slott
Art: Rachael Stott
Main Cover: Guillem March

Part Three finally gives me what I’ve been waiting for: Superman for real back in the game. Even as El Caldero is exploding with Kryptonite, and even while the Kryptonite Plague is beginning to affect his non-Kryptonian allies, Superman does what Superman does best and finds a way to fight back against Zod’s regime. 

This issue isn’t entirely about Superman, though, showing that this is a conflict that’s grown to a global scale. Dan Slott allows us to check in on all of our heroes across the planet as we see what’s going on, including the first meeting between our time-lost Superboy Clark and his cousin Kara. It’s a lovely moment that really ratchets up the emotion here, as we see a teen Clark’s reaction to learning he ISN’T the last Kryptonian. Similarly, Superman’s reunion with Lois and Jon is a fantastic moment. It’s quick, and it’s funny, and it plays perfectly into the personalities of all three of them. Rather than wring it out for emotion the way we’ve seen (for example) when Superman came back from the dead, there’s a quick acknowledgement from each of them that they’re together again, with the underlying message being that not a one of the Kent family ever doubted that this moment was going to come.

I make have spoken too soon about the artwork in this crossover. Rachael Stott isn’t the regular artist on this title, but she’s good enough to be. This is the kind of clean, energetic artwork that the last two issues were lacking, with some wonderful “acting” on the faces of our characters that help to build on the foundation of the script, the way good artwork is supposed to do. Just fantastic. I look forward to seeing more from her.

Superman #41
Title: Kingdom of Zod Part Four
Writer: Joshua Williamson
Art: Eddy Barrows
Main Cover: Guillem March

Superman #41 is the last chapter of the crossover for this month, and holy CRAP, does Joshua Williamson throw us some curveballs as we go into halftime! The first half of the issue is concerned with the fight between a depowered Superman and a fully-charged Zod, and it’s as rough and brutal a fight between the two of them. The back half returns to the B-plot about Zod trying to use the Krypytonian technology to resurrect his wife, Ursa, and…well, I don’t want to go any further, but there are at minimum three moments in this issue that made me go, “WHAT?” This chapter takes things into an entirely different and unexpected direction, and once more the pieces on the board have been tossed all over the place.

Eddy Barrows, who HAS worked on this title in the past, is back on board for the artwork, and it’s just as good as Stott’s was on Part Three. I’m keeping my fingers crossed that the problems I had with the first two chapters are resolved when we loop back around to Supergirl and Action Comics in September.

What I really am enjoying about this crossover in general is that, even though it’s a Superman story, it’s more of an ensemble piece. Kara, Conner, Prime, Lois, Jon – every one of them is playing a major role here. Secondary characters like Steel, Lana Lang, and the time travelling Justice League trio may not be showing up on every page, but their contributions are significant. This is a remarkably well-balanced storyline, keeping everybody in play and giving everybody something important to do. I’m enjoying the hell out of it.

Fingers crossed I’ll be saying the same thing in next month’s recap. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #31: July Reviews

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It’s time once again for a healthy helpin’ of reviews. Here are most (if not all) of the Superman-related comics that hit the stands in July, beginning with an anniversary special.

Action Comics #1100
Title: Mission Failure/Superman Meets Superboy (A Reign of the Superboys tie-in)
Writers: Mark Waid & Joshua Williamson
Art: Skylar Patridge, Ryan Sook, & Daniel Sampere
Main Cover: Ryan Sook

Action Comics turns the big 1-1-0-0, and it doesn’t look a day over 872. But the Reign of the Superboys continues here with Clark “Superboy” Kent facing the time-travelling villain Epoch, powerless, with his time-tossed allies from the Justice League missing. Even without powers, though, he proves his mettle, and he’s soon reunited with the Leaguers to finish the mission that started all this – finding the Superman who’s been missing since the end of DC KO. I guess this is technically two stories, but the creators put them together so seamlessly that you don’t even realize it until you get to the credits on the last page. It’s a great little tribute to the character, though, showing Superboy glimpses of his future and culminating in a grand reunion. It does, however, raise a few questions, including a glimpse of a Legion of Super-Heroes that doesn’t quite seem to gel with the reboot that Joshua Williamson is writing in a few months. Curiouser and curiouser. 

The other creative teams of the current Superman comics are also in on the fun, contributing a few more back-up stories.

Title: Game Night
Writer: Sophie Campbell
Art: Dan Mora

The regular Supergirl writer and Superman team up for this story, in which we check in on Lois Lane and the rest of the family during Superman’s absence. The first thing I noticed about this story is that I probably should have read the other Reign of the Superboys finales before this one, because it seems to spoil certain things. Ah well. The important thing here is that we finally get a confrontation between Conner Kent and Superboy-Prime, whom you may remember KILLING Conner back in Infinite Crisis, way before his current redemption arc. It’s a confrontation I’ve been waiting for, honestly, and although it was a little abrupt, I was very amused that Campbell managed to sneak in a little self-deprecating humor via Prime’s fourth wall awareness. I do like jokes like that.

Title: End of Reign
Writer: Dan Slott
Art: Lucas Meyer

The final story in this issue is a neat little adjunct to the El Caldero story that’s happening over in Superman Unlimited. We get a little history of the country that’s building on the riches of its Kryptonite deposits, as well as a couple of chilling revelations.

Overall, the issue works fairly well in advancing and tying together the storylines that have been happening in all of the assorted Superman titles, and the upcoming Kingdom of Zod crossover looming between the four titles (a real one this time, not a thematic one like Reign of the Superboys), it feels perfectly timed.

Superman #40
Title: Prime Time: The End (A Reign of the Superboys tie-in)
Writer: Joshua Williamson
Art: Dan Mora
Main Cover: Dan Mora

Superboy-Prime vs. Manchester Black is not what I expected to be the faceoff of the year, but this arc has been fantastic. With Prime trying his hardest to redeem himself, Manchester Black is hoping to use Prime’s unique status and awareness of his existence in comic books to give himself an upgrade and make the whole DC Universe as nasty and edgy as him. 

This.
Issue.
Rocked.

It’s not just the fight, as good as it was. It’s the heart of the story behind it. Those of us who remember Prime’s first appearances back in the original Crisis on Infinite Earths have probably always felt a pang of regret that a character who seemed to have such potential would fall as far as he did. Williamson has done the impossible – he’s done the hard work to take a character who seemed indelibly tarnished and bring him back from the brink, making him sympathetic, even likable again. The Superboy-Prime in this issue may not truly be worthy of the S-shield that he wears, but he’s trying again. He wants to be. And that’s important.

What’s more, the battle between the two of them hinges on a meta-commentary about the state of comic books and comic book fandom as it exists today. It has something to say, and even the page where Prime gives us a speech doesn’t feel preachy or unearned. It’s a magnificent thing.

We also get a catchup with the rest of what Prime is now calling his own supporting cast, including Witchfire, and I can’t believe how much I hope we get to see these two together again. Prime even hints that it’s coming, but not before Supergirl swings by to pick him up for the upcoming crossover. Ah, a Kryptonian’s work is never done.

If you had told me a year ago that the Superboy-Prime redemption arc would be one of the best things to happen to comics in 2026, I would have thought you were crazy. But even without Superman appearing in this arc, Williamson has made it about Superman and who he is and what he means, and I love that so, so much.

Supergirl #15
Title: Hero of Kandor Finale (A Reign of the Superboys tie-in)
Writer, Art, & Main Cover: Sophie Campbell

It’s the final battle for the fate of Kandor. Supergirl and Luminary face off against the Black Flame and – although I don’t want to spoil anything – I WILL say that, once again, Conner Kent’s presence here was completely superfluous. More than ever, I’m convinced that Campbell was asked to shoehorn him into a story that he didn’t belong in so that they could market this book as part of the “Reign of the Superboys.”

That said, once you get over that little hiccup, it’s a great finale. The ending comes naturally, playing off the character work that Campbell has been putting into this series since issue one. And while Luminary does something here that feels hopelessly naive, I can’t argue that it doesn’t feel appropriate to the character and the path that she’s been taking, so I have to respect that. 

This issue also seems to set up a new status quo for the character and the title, although whether it’s going to be a long-term arrangement or something that’s done away with after an arc or two remains to be seen. I hope it sticks around at least for a little while, because there’s an interesting dynamic that I would like to see played with here. Although I worry that the whole thing might be derailed right off the bat since next issue is going to kick off the whole Kingdom of Zod crossover with the other books, so just how much Campbell is allowed to explore this new dynamic remains to be seen.

Superman Unlimited #15
Title: Save Yourself (A Reign of the Superboys tie-in)
Writer: Dan Slott
Art: Lucas Meyer
Main Cover: Taurin Clarke

At the end of last issue, the truth about the time-tossed “Superboy” was revealed – he’s actually Ultraboy, son of Ultraman of the Crime Syndicate, who was trapped in the same volcano as Jon and tortured the same way. This issue, as Kryptonite threatens to overrun Smallville, the rest of Team Superman (namely Steel, Superwoman, Krypto, and Lois) try to save the day, while Batman and Robin join Tomorrow Man to face an Ultraboy who’s going out of control.

Lots to like here. Again, without giving away how the story ends, Slott pulls a very Superman-like play here, demonstrating that Jon – like his father – has the ability to see the inherent good in anybody, and will fight to bring that good out whenever possible. The confrontation between Damian and Ultraboy works well too. True, the Bat-family in no way suffers from a lack of exposure, but having Damian as part of this story actually makes sense. It doesn’t feel shoehorned in like some Bat-appearances. Jon is his best friend, and he’s taking this whole thing very personally.

One spoiler I WILL let through – I’m surprised but happy that Jon seems to be holding on to the Tomorrow Man name, at least for the time being. I never liked it when they took to calling him “Superman,” not because of the character himself, but because I really hate the modern practice of having multiple people running around using the same code name. I can accept it for the Green Lanterns, as that’s really more of a job description than an actual code name. And I’ll let it slide for the Flash, because how to do you tell any of those guys that they need to step down? Everybody else? Get yer own name, sparky. Anyway, “Tomorrow Man” works just fine.

Dark Knights of Steel II #1
Writer: Tom Taylor
Art: Otto Schmidt
Main Cover: Yasmine Putri

The original Dark Knights of Steel is one of the series that convinced DC it was time to bring back the Elseworlds imprint in the first place, so it’s nice to see that this sequel brings that universe into Elseworlds proper. This isn’t purely a Superman story, mind you, but the main thrust of this universe hinges on the Superman family: Jor-El and a pregnant Lara came to a medieval Earth together. Then…stuff happened. Look, just read the book, okay? There’s a nice little recap page here that tells you the high points of the original series and lets us jump to the main story: the three kingdoms of the League (Metropolis, Amazonia, and the Kingdom of Storms) are planning to defend themselves from an imminent threat by the shape-shifting creatures from Mars. A day of happiness for the three kingdoms turns to tragedy when a treacherous attack from beneath the seas reveals yet another kingdom – and leads them all potentially to war.

Tom Taylor does a great job of bringing new readers up to speed here. I’ve mentioned before that I wish DC Comics would include “previously” pages the way Marvel typically does, but it was really helpful here (I haven’t read the original series since it concluded in 2023 and, frankly, I needed the refresher). There’s a bit of expansion of the world here, but mostly what we get is a reminder of where the major players were at the end of the previous series (specifically Kal-El, Diana, Bruce, and Arthur), with their stories being reestablished and pushed forward incrementally, until the scene at the end changes everything. It’s a great way to begin a sequel, and while I would still recommend anybody interested in this series read the original first, if for some reason you can’t, this book will give you everything you need to know to jump in.

Absolute Superman #21
Title: Moon Fall (Reign of the Superman Finale)
Writer: Jason Aaron
Art & Main Cover: Rafa Sandoval

The epic battle between Superman and King Shazam comes to a conclusion this issue. With Superman and Hawkman facing the former Teth-Adam on the surface of the moon, their allies back on Earth are taking care of other business, particularly seeking retribution against Talia Al Ghul. 

With a serialized story like this one – like most modern superhero comics, really – the end of an arc needs to accomplish two things. It needs to tie up the story that was told over the course of the previous however many issues in the arc, and it needs to lay the seeds for future storylines. Aaron really handles them both well here. The battles against King Shazam and Talia both come to very satisfying conclusions here, and while conclusions are indeed had, they’re the kind of the conclusions that open more doors than they close. A new threat looms on the last page, and Jimmy and Lois both experience shifts in their personal status that lays the framework for more stories in the future.

Superman himself, meanwhile, ends this issue in something of a darker place. Although Kal-El continues to be the bright spot in this Absolute world, as this issue reminds us quite adroitly, most of the people he’s surrounded with are darker than the versions we’re used to seeing in the main DC Universe. By the end of it, it feels as though that’s taken its toll on Superman, and that’s a logical place to bring this arc to a close. 

Adventures of Superman: Book of El #10
Title: So Say the Dead
Writer: Phillip Kennedy Johnson
Art & Main Cover: Scott Godliewski

The members of the House of El face off against Kryl-Ux. Tamarind lies in the balance, and I can’t lie, I couldn’t care less. Ten issues now, we’ve been drifting through a future that has failed to engage me. It’s the same ol’ problem – the reset button is looming, and the idea that this will ultimately be a story of consequence will not take hold. 

In an Elseworlds story, you think about the fate of the alternate reality that you’re dealing with. Here we’re dealing with a world that feels like it’s going to vanish as soon as Superman returns to his proper time. If that DOESN’T happen, then this whole thing will be invariably relegated to an alternate timeline, in which case it STILL will have no consequence. It would be different if I was interested in these characters, if I cared about them, if I felt like they mattered but…I just don’t.

I honestly feel bad being so negative about this book. I know other people are enjoying it, and I would never want to take that away from them, but I simply can’t see it. I don’t get what – if anything – I’m supposed to care about here. Maybe once it’s over, maybe once the final issue hits and the story can be viewed as a whole, I’ll feel differently. I sincerely hope so. But for the time being, all I can really bring myself to do is wait for the end. 

Batman/Superman: World’s Finest #53
Title: Warlords Conclusion
Writer: Mark Waid
Art: Adrian Gutierrez
Main Cover: Dan Mora

Our heroes’ epic journey to Skartaris comes to a conclusion this month. Tyrant Rex has not only ensorcelled Batman and Superman’s minds, but he has stolen Superman’s powers and distributed them among his minions, leaving Robin and Warlord to take them on. This whole story really has been sort of a Robin spotlight. He’s the one who has worked hardest to forge bonds with the people of Skartaris, he’s the one who has to step up with his mentors stolen and pulled to the other side of the chessboard. The story is a nice look at the young man who will eventually be the Nightwing we know today. There isn’t much action going on with either Superman or Batman here, but I don’t mind that. Seeing him get the spotlight is a nice change of pace that still fits well into the framework of this series.

Superman: Father of Tomorrow #3
Title: Machinations
Writer: Kenny Porter
Art & Main Cover: Danny Earls

Having spent years sharing Kryptonian technology to improve life on Earth, Jor-El is beginning to feel pushback from people who feel like he’s going too far. Lex Luthor, as usual, being the most fervent adversary to the House of El, decides to seek magical help from the Tower of Fate. And General Sam Lane is putting together his own team to deal with the problem.

Such as it is.

I feel like the wheels are starting to come off this story a bit. The basic premise is fine – Jor-El is the one who comes to Earth rather than Kal-El. Traumatized from watching one world die, he decides to make his adopted home better by sharing the technology of his planet of birth. The idea that doing so somehow stifles humanity is the core of the conflict. The problem is that nothing in the story actually sells the idea that Jor-El’s shared technology is doing any damage. As presented, the world seems to be a demonstrably better place. Maybe I’m missing something, but the worst thing I can find anyone saying about this altered world is that despite the fact that Jor-El has improved medical technology, hospitals still aren’t free. And as much as it may enrage some people to hear this, that ain’t enough for me to accept that a fascist regime is taking over.

At one point, Martha Kent suggests that Jor-El is behaving like a parent who is doing everything FOR a child rather than teaching the child HOW to do it. Is that actually true? The Kryptonian technology is everywhere, and presumably SOMEBODY out there is manufacturing and maintaining it. Even Superman Jor-El can’t possibly be doing it all HIMSELF, so logically we have to assume that humans HAVE learned how to do it. The message of this book is collapsing rapidly, and barring some sinister secret that Jor-El is keeping that will be revealed in a later issue, I’m not sure how to reconcile the point the author is trying to make with the world that he’s presented us with. 

Supergirl: Survive #2
Writers: Ethan S. Parker & Griffin Sheridan
Art & Main Cover: Rod Reis

After the destruction of their homeworld, Kara and Kal-El are found by a new Corps made of Lanterns of every color. Their safety is short-lived, though, as Lobo and a squad of Czarnians are out for the baby, thirsty for the bounty of a survivor of Krypton. 

I mean, with Lobo as the big guest-star in the Supergirl movie, it’s not surprising that they would bring him in here as an antagonist for this series. And the way he’s being used is pretty logical, making sense for what would happen in a world of this nature, where there are two known survivors of their planet’s destruction. What I’m really interested in, though, is what’s up with the Lanterns. The first issue gave us hints that there was more to the death of Krypton in this world than we were being presented with, and this issue’s conversation with the Guardians of the Universe pushes that narrative forward, spooling out a little more of this mystery as we go along and making me all the more curious as to what the real story is here. This story may be labelled as a Supergirl story, but like some of the best of the modern Elseworlds, it feels like there’s an entire universe here worth exploring, and lots of other characters and corners that are going to be worth looking into and playing with.

Batman/Superman: World’s Finest 2026 Annual
Title: The Hero Trap
Writer: Mark Russell
Art: Clayton Henry
Main Cover: Dan Mora

It’s Father’s Day, and Clark Kent and Bruce Wayne are having lunch with their respective adoptive fathers when a Justice League alert summons them away, leaving Jonathan Kent and Alfred Pennyworth to bond without them.

As a writer, Mark Russell is hit or miss with me. Sometimes I feel like he’s indulging in soapbox writing that starts to get tiresome, but on a story like this one, he knocks it out of the park. The story drifts between the heroes trying to solve the supervillain plot du jour and the conversation between the fathers, and it’s obvious to everyone that the second part is the most important. This is an emotional issue, it’s a story about fatherhood and what exactly that means, especially for fathers of particularly extraordinary sons. But while stories like this one often neglect the other half of the narrative, Russell has a clever trap laid for our heroes and some really entertaining moments as they struggle to puzzle a way out of it. Neither the superhero side nor the fatherhood side of the story is neglected or damaged by the other, giving us a story that’s an absolute joy to read.

Title: Date Night
Writers: Mark Waid & Tyrone Finch
Art: Pat Boutin

Regular World’s Finest writer Mark Waid teams up with Tyrone Finch for this issue’s back-up story, “Date Night.” A spat between Bat-Mite and Mr. Mxyzptylk leads to Bruce Wayne taking Lois Lane on a date to the state fair while a disgruntled Superman is forced to watch from afar. This one is…okay. It’s a silly, lighthearted story with no real stakes, as we all know that Lois will ultimately wind up with Clark Kent and that any flirtation with Bruce by necessity won’t go anywhere. There’s nothing wrong with a strange little story like this one once in a while, but it kind of pales in comparison to the main story in this book. 

Superman 2026 Annual: Year One Thousand
Title: The Return of Superman & Legion Found
Writer: Joshua Williamson
Art: Eddy Barrows & Yasmine Putri
Main Cover: Eddy Barrows

As we all know by now, Superman went missing after taking on the mantle of King Omega at the end of DC KO. In Action Comics #1100, he was found by his Justice League teammates and his own younger self, because time travel. This annual tells us the story of what happened in-between, which means it’s that rarest of animals in this day an age: an annual that’s actually relevant to the ongoing story. 

Shortly after the end of the tournament, Superman discovers that the death of the Time Trapper (whose powers have been added to his own) has left the timestream in turmoil, and something is using that chaos to feed on the destruction being created in its wake. In his attempt to repair the damage to the timeline, Superman finds himself once again encountering Darkseid’s Legion, but a very different Legion than he’s met before.

A few weeks ago, it was announced that the Legion was coming back in their own title, written by Joshua Williamson. As great as he’s been as the Superman writer, I was a bit put off when the description of the book made it seem like the Legion was being rebooted YET AGAIN. (This would be at least Legion Version Six, depending on how you want to count.) But I do have faith in Williamson, and this issue makes me feel like that faith is justified. Without getting into spoilers, it feels as though this newest reboot is part of the story, and that the previous iterations of one of my favorite teams are not being shunted into Comic Book Limbo after all, but may indeed have a part to play. I hope that’s right. I guess we’ll find out when Legion of Super-Heroes #1 hits in a few weeks.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #9: Reviews From Feb. 11-25

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Once again, it’s time to look into the reviews of some of the Superman-related comics that have dropped in the last few weeks, including some pretty massive events. Let’s get right to it.

DC KO #4
Title: Trial By Absolute
Writers: Scott Snyder & Joshua Williamson
Art: Javi Fernandez & Xermancio
Main Cover: Javi Fernandez

The Final Four have made their way through all comers, but before they can turn their attention to one another, four new combatants have entered the fray. Tainted by the energy of Darkseid, the combatants will be forced to fight the Absolute Universe versions of Superman, Batman, and Wonder Woman – as well as Booster Gold who has been possessed by Darkseid himself.

This event has promised us one throwdown after another, and there’s no way to argue that it hasn’t lived up to that promise. This issue is perhaps the most high-octane, brutal battle yet. The fight between the four remaining heroes and villains with their Absolute counterparts is scripted and drawn with incredible energy and brutality, but at the same time, Scott Snyder has not skimped at all when it comes to character and story. In fact, there are multiple twists in this issue that catch you off-guard and send the story spinning into new, unexpected directions. At the same time, the twists all fit the characters – a great twist is one that is a surprise without violating what you already know about the world you’re reading, and Snyder pulls that off. 

For people who are into Superman (know anybody like that?) seeing “our” Superman face off against the Absolute Kal-El is one of the high points of the issue. Neither character is disrespected or nerfed in respect to the other, but there’s also no room for any doubt as to which of the two is the original. I am slightly disappointed at just how the Absolute characters were used, however. Similar to the surprise guest stars from the Boss Battle one-shot, the Absolute heroes are in and out rather quickly. It’s not even clear as to when, exactly, this story takes place in the Absolute timeline – Superman seems to know Batman here, whereas in their respective comics, they haven’t met yet. Although there’s definite promise here for future brushes between the two worlds, it feels like this encounter will mostly be a footnote for the Absolute characters, even as it sets up the conclusion for the Final Four.

I know I’m being deliberately vague here, by the way – I suppose it’s clear that Superman is one of the Final Four (as it should be) but I’m trying to avoid spelling out who else is in that group in case anyone is trying to remain spoiler-free. Considering just how this one ends, though, I don’t know if I’ll be able to keep that up for the finale. So if you’re reading along with these reviews, I would highly recommend being up-to-date with DC KO when I drop my thoughts on issue five. Whenever that might be.

Superman Unlimited #10
Title: Die Laughing Part Two
Writer: Dan Slott
Art: Mike Norton
Main Cover: Dave Johnson

Intergang has set its sights on Metropolis’s new mayor, Perry White, and they’ve contracted the Prankster to take care of the problem. But Oswald Loomis’s nephew is trying to step into his uncle’s role and take over the family business, and the NEW Prankster isn’t quite as funny as his predecessor. 

This is a solid issue. There’s something up with this new Prankster – in these two issues he’s appeared we never find out his real name, and there’s no explanation for his bizarre powers, something Uncle Oswald has never had. I feel like this is just part of a coming, larger story, even as these two issues work perfectly well as a couplet. I also like how a big part of the middle of this story isn’t about the power of Superman, but rather the investigative skills of Clark Kent. Not to say that Superman is entirely absent, but we see more Clark than we often do these days, and I appreciate that.

We also get a quick interlude with Jon, who’s been setting up the new Daily Planet office in Smallville, only to get an ominous warning from an unexpected source. Even more so than the Prankster stuff, this is explicitly setup, especially since DC has revealed their “Reign of the Superboys” initiative that’s going through all of the Super-titles after DC KO ends. If you didn’t know, Jonathan is going to take the reigns of this title for an indeterminate amount of time, and it looks like the groundwork is being laid here.

I’m still really digging Mike Norton’s Superman. I love the way his character works, with the kind of strong lines and clean character work that made so many of the Triangle Era artists stand out, and I hope we see more and more Superman from him in the future. 

Superman #35
Title: Life Secrets (A DC KO Tie-In)
Writer: Joshua Williamson
Art: Eddy Barrows, Eber Ferreira, Julio Ferreira
Main Cover: Dan Mora

The final instalment of this title’s DC KO storyline runs with the conclusion of issue #4 and leads straight into #5. In fact, I wouldn’t be surprised if at least one of the storylines that’s been going through this book turns out to be crucial to the conclusion of the crossover. But that’s not the one that works best. 

We’re following two intertwined threads here. First, the Doomsday/Time Trapper is reeling from the events of issue #4 and trying to gird himself for what must come next. After all, at least part of him is the creature that was created eons ago for the express purpose of destroying Darkseid, and it may be time for that charge to finally come due. Meanwhile, Lois and Superboy-Prime continue their faceoff with Darkseid’s Legion, and it is this latter part that is particularly revelatory. 

From the moment he was introduced in this title, we’ve been building a redemption arc for Prime, and it gets center stage in this issue, where he is faced with choices that he’s made before and is given an opportunity to make better choices this time. I’m not in the business of giving out spoilers, but it should be pointed out that when “Reign of the Superboys” takes over the Superman titles next month, DC has revealed that Prime is going to be the start of this title for the time being. 

There’s also a great face-off between Lois and Darkseid’s Saturn Girl. Just like prime, this series has hinted that the dark Legion may not be completely beyond hope, and that hope spot is further explored this month. I’m really anxious for the final issue of the crossover to drop…which I guess will be today as you read this. Holy cats, why are you reading this blog instead of DC KO #5? Have you lost your senses?  

Action Comics #1095
Title: Pressure
Writer: Mark Waid
Art: Patricio Delpeche
Main Cover: Ryan Sook

The adventures of Superboy in Action Comics continue, although Clark actually takes a back seat this issue. Last month, on a camping trip, Pete Ross happened to spy Clark Kent going into action as Superboy. This issue is Pete’s story, as he struggles with this knowledge and wrestles with whether to confront Clark with what he has learned – and ask why his best friend would ever keep such a secret.

I adored this issue. Mark Waid, human comic book encyclopedia that he is, is doing a phenomenal job of mining the classic tales of Superboy to bring the drama to this series. In the Silver Age this was the status quo – Pete knew that Clark was Superboy (even learned it the same way as he did in Waid’s story, if I’m not mistaken) and chose to keep that knowledge to himself. But as was so often the case with those Silver Age tales, there wasn’t an awful lot of thought given to the implications of this sort of thing. How would Pete feel about learning his best friend was keeping such a gargantuan secret? Doesn’t Clark know that he can trust him? Does anybody else know? And why would Pete choose to keep what he’s learned to himself instead of talking to Clark about it? 

The answer to that last question is because it was the Silver Age, and if anybody in a Silver Age DC story had the ability to have a rational adult conversation about anything 95 percent of the stories would have ended on the second page. But Waid actually finds a way to justify Pete’s actions, draping his decision in a metaphor for a real-world issue and presenting it in such a way that makes perfect sense and somehow makes all of the characters – Pete, Clark, even Lana Lang – come across as behaving in a mature, emotionally intelligent way. How often could you say that back in the 50s? 

Supergirl #10
Title: My Bloody Valentine
Writer: Sophie Campbell
Art: Joe Quinones
Main Cover: Sophie Campbell

It’s Valentine’s Day, and Kara has a date with the mysterious, long-haired, tattooed boy of her dreams. Her friends Lena and Luna, however, are following along, sensing something is amiss. 

After last issue’s slight misstep, this one is more of what I’ve come to enjoy about this series. The “date” is mostly a setup for this issue’s fight scene, but Campbell isn’t having a fight just for the sake of a fight. In the midst of battle we get some good character moments and the ongoing storyline of Kara and her friends (particularly Lena Luthor, in this case) continues nicely. Lena made a mistake in the last issue for which she’s trying to mend fences, and while this issue doesn’t patch everything up in a neat little bow, it also doesn’t cause some insurmountable gap between the friends like books that lean on melodrama are wont to do. Kara and Lena both some some real emotional maturity here, which is particularly funny when juxtaposed against the “date” scene, which works mostly as a parody of gooey Silver Age romance comics tropes.

I have to point out, though, that the recent run of holiday issues is starting to strain credulity a little bit. Literally half the issues of this series have been holiday stories at this point (Halloween, Thanksgiving, Christmas, New Year’s, and now Valentine’s Day) and while comic book time is naturally elastic, it does have its limits. As this issue begins, Lena and Luna are going to visit Kara on Valentine’s Day to try to make up for their screwup at the New Year’s Eve party – so it’s been six weeks since they spoke to one another? Nobody has made any effort to patch things up before now? I’m willing to forgive, because this really is a great book, but I’m crossing my fingers that next issue’s story (part of the “Reign of the Superboys” initiative) won’t be a visit to show us how they celebrate St. Patrick’s Day in Kandor. 

Batman/Superman: World’s Finest #48
Title: Day For Night Part One
Writer: Mark Waid
Art: Marcus To
Main Cover: Dan Mora

Once again, Mark Waid has been let loose in his favorite playground, the DC Universe. In this issue we leave behind our pals Superman and Batman and instead visit their arch Earth-3 counterparts, Ultraman and Owlman, as they begin plans to expand their Crime Syndicate to unprecedented levels, with world conquest as their goal. 

Waid is building out Earth-3 quite a bit here, introducing versions of DC heroes that I’m pretty sure have never showed up in a Crime Syndicate story before (although I could potentially be wrong about that – I’m certainly not the walking encyclopedia of comic book knowledge that Waid is). There’s a particularly amusing sequence that really puts the relationship between Owlman and Talon (his Robin analogue) into focus. All of it works up to a nice last-page surprise that seems poised to set up the rest of this arc. As per usual, I’m very excited to see where this is going to go next. 

Adventures of Superman: Book of El #6
Title: The Warworld Engines
Writer: Phillip Kennedy Johnson
Art: Scott Godlewski
Main Cover: Scott Godlewski

This issue we at last return to Otho-Ra and Osul-Ra, Superman’s adopted children, who disappeared back in the first issue after Superman was abducted to the future. We also come across another clan wearing Superman-like sigils, while our hero is battered and beaten down.

I’m trying, guys, I REALLY am trying to get interested in this book, but it’s just not working. Having left behind the Green Lantern stuff (although future covers seem to indicate we’re not done with it yet), we’ve gotten back to Superman vs. Warworld, which was an era of Action Comics that, if I’m being honest, bored me stiff. Despite his power, “cosmic” Superman stories rarely work for me. The character is all about heart and how he deals with people, and throwing him into deep space against all-powerful entities and sci-fi clans that think he’s just a legend…it’s too far from the things that make me keep reading Superman comic books. It just isn’t connecting with me, no matter how much I wish it was.

New History of the DC Universe: The Dakota Incident #1
Writers: Joseph P. Illidge, Stephanie Williams, Morgan Hampton, & Nikolas Draper-Ivey
Art: Valentine De Landro, Carlo Pagulayan, Stephen Segovia, Jason Paz, Fico Ossio, & Edwin Galmon
Main Cover: Diego Olortegui

Strictly speaking, I don’t feel obligated to review this book the way I do many of the other Superman appearances. He shows up in this book, but his appearance is brief and it’s not his story. That said, I liked this book quite a lot and I wanted to talk about it and it’s my own blog – dammit – so I’m gonna write about this if I want to.

Spinning out of last year’s fantastic New History of the DC Universe miniseries is this one-shot focusing on the heroes of the Milestone universe. As the previous NHOTDCU explained, the Milestone heroes (versions that are fairly close to their original incarnations from the 90s) have always existed in the current incarnation of the DC Universe, but they all vanished from the public eye after something referred to as the “Dakota Incident.” This issue delves into their history, showing the reader just how they fit into the DCU, and the events of the incident that led to their departure.

I’m impressed at how relatively easily they worked the characters into the DC Universe while still keeping their original stories mostly intact. There is one element that’s added to link the origins of many of the Milestone heroes to the DC Universe proper, but that addition doesn’t really change anything about who they are or how their adventures unfolded back then. The issue also places a heavy emphasis on Static, holding him up as perhaps the most significant of these characters. That makes sense – he’s certainly the most well-known and popular Milestone character among the general public (by virtue of his old cartoon show if nothing else), but it also fits with the character of Virgil Hawkins very well.

For fans of these characters, especially the original versions, this issue serves very well to integrate them into the DC Universe, explain their absence, and – most importantly – set the stage for their return. It’s already been teased in various places, not the least of which is the last page of this issue, and I am very much looking forward to seeing the heroes of Dakota rise again.  

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #6: New Releases-Jan. 28 and Feb. 6, 2026

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It’s time for another roundup of recent Superman comics. This week I’ll be reviewing the Superman and Superman-related releases that were released on Jan 28 and Feb. 6. Let’s get into it!

Superman Vol. 6 #34

Title: I, Superman (A DC KO Tie-In)

Writer: Joshua Williamson

Art: Eddy Barrows and Eber Ferreira

Main Cover: Dan Mora

In the arctic, the unusual trio of Lois, Superboy-Prime, and a Superman Robot are fleeing the Fortress of Solitude and the battle with members of Darkseid’s Legion. Meanwhile, the Final Four from the main tournament get a chance to look in on what’s happening back on Earth. It’s a pretty sparse recap, I admit, but the pages are PACKED here with character stuff. 

The surprising redemption of Superboy-Prime continues this issue, as he finds himself confronting a Superman Robot that has many of the memories and personality of the original. The contrast between the two is marked and the way that Prime has to reckon with the way the REAL Superman apparently thinks of him…which isn’t what he expected, but is probably exactly what the reader would anticipate. I like Prime’s reactions quite a bit – he’s got an awful lot to cope with here, and for the most part, Williamson is handling it well. He may be going slightly too hard on the fourth wall-breaking dialogue, though. Prime is carrying around knowledge of the fact that he’s in a comic book universe, which is fine, but we don’t want it to go so far as to turn him into Deadpool.

We also spend time with the members of Darkseid’s Legion, who up until this point have come across largely as mindless stormtroopers wearing the faces of our friends. We get a different look here, a reminder that although they’re from a universe corrupted by Darkseid’s Omega Energy, they’re still fundamentally the same people, and perhaps the notion of redemption that Williamson is playing with here isn’t restricted to Prime himself.

I’m all about Eddy Barrows and Eber Ferreira’s artwork – bold, strong, and proud. They’re also pretty good about drawing a Prime that looks like an actual Superboy. Even at his most villainous, it’s important to remember that he’s still a version of Clark Kent, and there have been artists who occasionally forget that. 

DC KO: The Kids Are All Fight Special #1

Writer: Jeremy Adams

Art: Travis Mercer

Main Cover: Bruno Redondo

The Justice League is strained at the moment, with many of their members caught up in the tournament for the Heart of Apokalips, and most of the others fighting to help evacuate Earth or deal with the dozens of other disasters cropping up all over the place. Jon Kent is given one of the most important duties of all: staying on the Watchtower and keeping an eye on some of the younger heroes, including the Boom, Fairplay, Quiz Kid, and Cheshire Cat. Of course, it would be a pretty short special if the kids just sat around and did what they were told, wouldn’t it? Naturally, they get loose, run into trouble against some of Darkseid’s minions, and Jonathan is forced to call on Cassandra Cain for help.

Jon has been in the last several issues of Titans, working with them as they spearhead the evacuation effort. In March, the book is scheduled to be retitled New Titans with issue #32, and the cover (with several characters in silhouette only) implies heavily that Jon will be a member of the new team. If that’s the case, I’m really quite satisfied with it. The character has been rattling around aimless, for entirely too long, and if making him a member of the Titans actually gives him something to do that makes sense, that’s the best we can hope for. What’s more, I like the group of kids that we see in this issue, the ones that Jon is protecting. I’ve wanted to see more of Boom since she first appeared in the Stargirl: The Lost Children miniseries a few years ago. Fairplay, too, is an interesting character, a very different take on Mr. Terrific that has a lot of promising storytelling avenues. Best of all, there’s a surprise guest-star in this issue that filled me with joy, and no doubt will have the same effect on a lot of other readers. It’s someone we haven’t seen in quite some time, but that DC has been teasing very heavily lately. I’m hoping that this character will stick around in New Titans as well.

Of course, none of that is set in stone. Jon is the only character in this issue whose silhouette appears on that New Titans cover. But covers – especially early solicits – can be deceiving. I don’t expect the heroes we see in this issue to be the new Titans team in its entirety, but I hope that Jon isn’t the only young hero that got a tryout in this issue, because I think there’s a lot to work with here. 

DC’s Supergirl Next Door #1

Note: This is DC’s Valentine’s Day anthology for 2026. There are eight different stories in the book, but I’m only reviewing the Supergirl story.

Title: A Dream of Different Stars

Writer: CRC Payne

Art: Paulina Ganucheau

Main Cover: Amy Reeder

Allen is a new kid in Midvale, struggling to make friends and struggling to fit in. That is, until he meets another new kid in town, Linda Danvers. The two of them form a bond and she opens up to him, revealing just how deeply she misses her old home, and Allen decides to do something to help her.

Short and sweet, but that’s what this story is. It’s a lovely little tale of a couple of foundlings who find solace in one another. CRC Payne is a name I mostly know from her work on DC’s digital comics, such as Batman Family Adventures and Harley Quinn in Paradise. She’s brought the same kind, quiet, reflective tenor she uses in Batman Family Adventures to this story as well, crafting a tale that makes it easy to relate to the characters despite its brevity. Ganucheau’s art has a loose quality to it as well, befitting the more animated style we see in Payne’s other work and fitting very well for this tidy little love story. There’s real charm here that I appreciate. 

DC KO: Boss Battle #1

Writer: Jeremy Adams

Art: Ronan Cliquet, Carmine Di Giandomenico, Kieran McKeown, Pablo M. Collar

Main Cover: Jamal Campbell

Seconds after the end of DC KO #3, the Final Four in the tournament for the Heart of Apokalips are poised for the battle of their lives, but World Forger manages to “pause” the game. They’re not ready, the need more Omega Energy, so he finds a way to generate some by briefly spending the heroes into neighboring realities to have additional battles and charge up, leading to fights against the wildest opponents yet: Sub-Zero and Scorpion from Mortal Kombat, Samantha Strong from Beneath the Trees Where Nobody Sees, Sabrina the Teenage Witch, Vampirella, Red Sonja, the murderous doll Annabelle, and – in the title fight that people have been wanting to see for YEARS, Superman versus Homelander from Garth Ennis and Darrick Robinson’s The Boys.

During the Year of Superman, I included Homelander in the week I wrote about “Superman gone wrong” – characters who are intended to be dark or even evil versions of the Man of Steel. To me, Homelander is one of the most insidious of those. He is what people who never understand Superman THINK Superman should be like. And knowing that Superman is one of the few superheroes that Ennis actually has respect for, from the minute this book was announced, I was looking forward to seeing our boy Clark finally giving Homelander the beatdown he so richly deserves.

The result is…okay.

Look, the concept of this book is fantastic. It’s utterly insane, and the matchups are crazy. (Joker versus Annabelle, anybody? COME ON!) But it’s just too short. It seems like nearly half the book is taken up just with giving each of the champions borrowed from other universes a page of introduction each, then the fights themselves are over and done with far too quickly. I have never said this before, but this is a crossover spinoff one-shot that probably SHOULD have been a crossover spinoff miniseries.

What’s more, it’s kind of inconsequential. It picks up just as DC KO #3 ends, and the final page promises that the story leaps from this book straight into DC KO #4, and it’s structured in such a way that people who are only reading that main book will feel like they haven’t missed anything. I get why they structured it that way, and I don’t begrudge that, but considering that this book is ultimately just a fun little sidestory rather than required reading (like so many of the books from “All Fight Month” were) just kind of makes me lament the fact that there wasn’t time for a little more fun.  

Superman: Chains of Love Special #1

Title: Creepers

Writer: Leah Williams

Art: Ig Guarra

Main Cover: Yasmine Putri

Just in time for Valentine’s Day, we get this one-shot. Livewire is being paroled from prison, but her years away have left her without her audience…until she stumbles into the Creeper, who finds a way to help her climb back to prominence. And then, with love in the air, the sparks fly.

It’s a cute enough story – questions of continuity aside (Livewire says early that she’s “from the 90s,” which feels a little meta), the two characters have an interesting chemistry that actually plays out in an entertaining way. Superman’s presence in the story is minimal however, mostly there for structure in the new environment that Leslie Willis finds herself in. But I guess DC (correctly) assumed that branding this as a Superman special rather than a Creeper/Livewire special would get more readers. 

Title: Bill Zarro’s World

Writer: Dan Slott

Art: Rosi Kampe

Dan Slott and Rosi Kampe also come through with a back-up story in this issue. Bill Zarro is a lowly peon working at the Daily Planet. His boss is a jerk, his wife resents him, his kids disdain him…until one day he wakes up on Bizarro World, and everything changes. This is a short story that’s essentially an extended gag piece that builds up to an unusual and amusing punchline. The ending is funny enough to make the story worth recommending. 

Absolute Superman #16

Title: The Never-Ending Begins Part Two: This Universe Will Break Your Heart, Kid

Writer: Jason Aaron

Art: Juan Ferreyra

Main Cover: Rafa Sandoval

This issue brings us the full introduction of a new Absolute Universe hero as Superman is approached by the mysterious Hawkman. This version of Carter Hall has been around for a long time, and initially doesn’t know what to make of this newcomer with all of the powers. We also see Lois as she tries to find a new direction in the wake of her departure from the espionage game, a new version of another classic character, and the recruitment of Lex Luthor continuing unabated.

Here’s something that I haven’t really said before about many of the Absolute comics: this issue is surprisingly funny. The first couple of pages in which Superman and Hawkman meet in midair are punctuated by Kal-El getting distracted by disasters both minor and major and then zipping off to deal with them and leaving Hawkman flapping his wings. The introduction to this new Hawkman works really well. It can be easy to forget that this “young” universe is still a universe, with a history all of its own, and Hawkman feels like a great opportunity to explore that a little bit more.

The Lois story has some humor as well. For a while it didn’t seem as though this book was going to brush much on the traditional Superman status quo at all, but here we’ve got Lois and Jimmy looking into being reporters, the introduction of the Daily Planet, and the debut of one Perry White. Even there, though, we see the influence of Darkseid on this world. The Planet ain’t the grand old dame she is in the main DC Universe, and although Perry has the same sort of grit you’d want from the character, it comes with more grime than one would usually expect. The way this is structured he may be a one-off character, but I really hope that’s not the case. I feel like there’s a lot of potential here, especially in having him interact with Lois.

Even the Lex Luthor scene is darkly comedic. The Absolute Luthor – with a proud shock of red hair and a burly beard, is a man utterly happy and content in his simple like. The difference between him and “our” Lex Luthor is perhaps more striking than any other Absolute character we’ve met yet, which is amusing, but at the same time, seems poised to bring him to a bitter, heartbreaking end. 

Or not. Aaron has been surprising me a lot with this book.

Juan Ferreyra handles both the line art and colors for this book, and I really like his work. The flashback scenes, showing some of Carter’s adventures in the 40s, have a nice sort of archaic look to them. In the modern scenes, where he and Kal-El meet, he does this really interesting blur effect to show Superman zipping into action. It’s not wholly unique – I’ve seen similar effects from other artists – but his execution is great. I’m also a big fan of the monster designs from later in the issue, and his battle scenes look stunning.

We’re on the second issue of this new story arc, and it’s honestly shaping up to be my favorite from the series so far. It’s brighter somehow, and while that may be a deviation from the whole ethos of the Absolute Universe, I feel like that’s kind of the point. A Superman – a REAL Superman – should always be the bright spot in his world, no matter how dark the world itself may be. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!