superman

Superman Stuff #35: August Reviews

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It’s time once again for a healthy helpin’ of reviews. Here are most (if not all) of the Superman-related comics that hit the stands in August, including the first half of the epic crossover event Kingdom of Zod!

Absolute Superman #22
Title: Get Brainiac Part One: Metallo
Writer: Jason Aaron
Art: Juan Ferreyra
Main Cover: Rafa Sandoval & Ulises Arreola

Don’t you just love how DC stamps “A New Story Stars Here!” on the cover any time a new story is starting in an Absolute book? It’s a grand practice and I wish they’d implement it across the line. And with a book like this one, it’s almost a necessity. Even someone who reads the book each month like me might be a tad confused without that label there, because the story leaps right into the action feet-first. As the story begins, Superman is in Argentina facing off against a brutal, powerful cyborg that we soon learn (in case you didn’t guess it from the title of this issue) is the Absolute Universe version of Metallo. But as befits the Absolute line, although Metallo is familiar in many ways, when Superman gets a peek beneath the helmet, the face underneath turns out to be a very unexpected one.

The Absolute books, in my opinion, always are at their most interesting when they take the formula of the regular DC Universe and give it a twist, rather than those parts where they go off and do their own thing entirely, kind of like how Ra’s Al Ghul has been an arch-foe for Superman instead of Batman. Metallo is somewhat similar in that respect. Although the basic concept of a man rebuilt into a cyborg and sent off to fight Superman is intact, the man beneath the mask is a surprise and puts a very different spin on the dynamic between him and our hero. 

Jason Aaron and artist Juan Ferreyra give us other twists as well. The flashback scene where we see Brainiac breathing life into this Metallo, for example, plays less like a scene from a superhero comic book and more like a segment of a horror movie. The darkness in certain corners of this world is so severe that it makes Superman stand apart all the more whenever he lets his light shine through. 

I like some of the ways Ferreyra plays with the layout in this issue as well. There’s a two-page spread, for instance, of Superman and Metallo clashing with one another in outline, the panels appearing in the shapes of their bodies to tell the story. It helps not only make the pages stand out, but improves the pacing as Superman tries (in true Superman fashion) to attempt a dialogue with Metallo before either of them winds up beating the other to death. The last couple of pages are a nice emotional capper on the episode, and leave you with all the questions you need about where the rest of this storyline is going to take us.

Adventures of Superman: Book of El #11
Title: The Garden of the Promethean Giants
Writer: Phillip Kennedy Johnson
Art & Main Cover: Scott Godlewski

As we spiral into the final battle between the forces of Kryx-Ul and the heroes of the House of El, Superman finds a new ally, and in the way only Superman can, he tries to reach out to his enemy before it’s too late.

The frustrating thing here is that, after 10 issues that I’ve felt were somewhat lackluster, this penultimate chapter is the first one that I’ve actually found engaging. Maybe it’s a Lord of the Rings thing, but I’ve always had an affinity for scenes of our heroes girding for the “final battle” (as is promised on the cover), getting ready to fight for their lives, preparing to face impossible odds. When it’s done well, I often find it to be the most inspiring part of the whole story, and it’s the kind of thing that really stirs up the emotions just when you want them stirred up the most.

I also like how Johnson brought the story back around to Otho and Osul-Ra, although I’m more worried than ever that if there’s to be any lasting repercussions from this series, it’s going to be to shunt those two off to comic book limbo. It would be a shame to take them off the table, but as Johnson is the one who brought them into the mythos in the first place, it seems like he’s being the one that’s gearing up to put them off to the side. 

I do feel like I’ve been harsh on this series, and although I do my best to be fair in these reviews, I don’t know if I’ve entirely succeeded here. This is a series that almost certainly will read better in its collected form than it has one chapter at a time (not unlike Kennedy’s original run on Action Comics, with the Warworld story that preceded this one). After it’s all said and done, I do intend to take a little time off then come back and read it as a whole to see if that improves my attitude towards the series. And if it does, I promise I’ll tell you all about it.

If it doesn’t, I’ll just keep my mouth shut. 

Supergirl: Survive #3
Writers: Ethan S. Parker & Griffin Sheridan
Art & Main Cover: Rod Reis

Having escaped the destruction of Krypton, Kara and little Kal-El have been recovered by representatives of the Lantern Corps, a peacekeeping organization made up (in this universe) of agents of all the different colors of the emotional spectrum. When Kara learns that the Lanterns plan to take the two of them to a place called Oa, she and Kal-El escape again, taking with them the means to recreate their home.

There’s a lot of good in this issue. Kara’s attempt at protecting Kal-El is pretty clever, and very much in keeping with the sort of solution a teenage girl would come up with in these circumstances. That said, there are limitations inherent in her plan, and Parker and Sheridan do a nice job of addressing them. We also get introduced to a new player in this issue, a different take on a classic Superman character that seems primed to play a larger part in this story. The Guardians’ interest in the Els is also intriguing. There seems to be an obvious logic behind what they’ve got in mind, particularly considering that the Lanterns were ordered to keep them away from yellow suns, but there’s definitely room for the story to throw us a curve ball.

The timeline is slightly confusing here. There are a few pages of time skips and the narration doesn’t help with keeping track of it, despite there being captions telling us how much time has progressed since “K-Day.” To be fair, the problem isn’t that it’s hard to figure out what order things are happening in, but things clearly happen within those time skips that I feel should have been addressed more directly. I’m not the kind of reader who demands that every single detail be spelled out, and a little mystery could be fun, but the combination of the elements here makes this a bit more perplexing than they need to be.

Rod Reis’ artwork is really sublime. If you look at that cover there, of a Blue Lantern Kara surrounded by…well, you can read what she’s surrounded by yourself. But it looks phenomenal, and with a huge chunk of the issue taking place in this environment, it’s really impressive that the all-blue world feels dynamic and engaging rather than monotonous. Overall, this book has been highly enjoyable. 

Superman: Father of Tomorrow #4
Title: Vexed
Writer: Kenny Porter
Art & Main Cover: Danny Earls & Nick Filardi

After an encounter with Batman and Robin in Gotham City, Superman (Jor-El in this continuity, remember) finds himself facing unexpected adversaries in the American government. Lex Luthor, meanwhile, continues to pillage this universe’s magic users, bringing him into conflict with John Constantine.

I continue to have a complicated relationship with this story. On the one hand, I really like the world-building. Kenny Porter has done an incredible job extrapolating an Earth that has access to Kryptonian technology, and the differences and variations on the familiar DC characters is well-done. I particularly like his characterization of Lex Luthor, drawing on magic in this world to fuel his battle against Superman. Considering that magic is one of Superman’s few recognized weaknesses, it’s actually pretty surprising that the mainstream Lex hasn’t tried this sort of thing.

The motivations still lack authenticity, though. It’s a little better this issue than last, where the world seemed to turn against Superman for no reason. Here, we at least see that Batman is skeptical of Jor-El’s “gifts” because he doesn’t believe that humankind is ready for the responsibility that having such advanced technology will bring to them, an idea that is punctuated by a clever tie-in to his origin. The villains, though – Sam Lane in particular – seem to fall into the old stale “Villain doesn’t trust aliens” plot, up to and including doctoring footage to make the hero seem like the bad guy. It’s a cliche that we’ve seen far too often, and without an interesting twist on it, I don’t really need to see it again. It doesn’t help that the narrative still doesn’t seem to have decided if we, the reader, are supposed to be on Jor-El’s side or not. Hopefully we’ll have an answer to that before this Elseworlds wraps up.  

Batman/Superman: World’s Finest #54
Writer: Mark Waid
Art: Bruno Frenda
Main Cover: Dan Mora

It’s the kind of wild, wooly tale that only Mark Waid can tell, and of course, it begins with the threat of nuclear war. The two countries of Qurac and Bialya stand poised to annihilate one another, and the cries of the damned have grown so powerful that the demon Neron is empowered to act. Abducting a squad of DC’s finest heroes – including, of course, Superman, Batman, and Robin – Neron puts together perdition’s first ever game of baseball. It’s heroes versus demons, and if the heroes lose, the war will be allowed to grow and take over the entire world.

It’s an insane kind of story with a very silver age sort of flavor to it. But Mark Waid being Mark Waid, he takes this ludicrous premise and uses it to tell a nice little character story. Superman is dismayed to find a baseball player he’d idolized in his youth is among the denizens of hell, and he reaches out the way that only Superman can. Hell may be a nasty place, but Waid convincingly makes us believe that Superman can make it better, even there.

I do have some continuity questions, which I know is kind of silly all things considered, but it’s the kind of thing that makes me wonder just how much DC’s history has been juggled around. Neron’s first appearance was in the Underworld Unleashed miniseries, also written by Mark Waid. In that series, it was clearly Neron’s first encounter with DC’s heroes. In this story, which is clearly set before that crossover (as evidenced by the fact that Dick Grayson isn’t Nightwing yet), they’ve obviously encountered them before. Normally I’d be questioning why nobody is paying attention to that sort of little continuity snarl, but it’s Mark Waid. He literally rewrote DC’s history last year. If he’s decided that their first meeting with Neron was earlier than Underworld Unleashed, who am I to judge?

Supergirl #16
Title: Kingdom of Zod Part One
Writer: Sophie Campbell
Art: Joe Quinones & Paulo Villanelli
Main Cover: Guillem March

Kingdom of Zod, the two-month Superman family crossover event, begins here. Picking up immediately from the prologue in last month’s Action Comics #1100, Lois has summoned the Superman family together to investigate the new regime that has taken over the Kryptonite-rich country of El Caldero. Things are off to a rough start, though: although Superboy-Prime has been going through a redemption arc (and succeeding quite well, I have to say), Conner Kent hasn’t forgotten the fact that Prime killed him once, and the two young Superboys butt heads at the worst possible time. The team to investigate El Caldero is assembled, and since some non-Kryptonian operatives are going to come in handy when it comes to infiltrating a country whose riches are based on a literal mountain of Kryptonite, Supergirl summons her pals in the Super Force to lend a hand.

Incorporating an ongoing series into any sort of crossover always requires something of a balancing act, and Campbell’s story deftly walks that tightrope. The story advances the various plots that have been percolating in the assorted Superman titles for months now, primarily the El Caldero storyline from Superman Unlimited, but Campbell hasn’t abandoned the stuff that has made Supergirl fun to read on its own. Incorporating the Super Force doesn’t feel tacked-on or superfluous here, but rather like Supergirl is bringing in her friends because they serve a legitimate purpose in the story. I also quite like the direction Kara’s character is taking. Although the readers know that the missing Superman was found in the aforementioned Action #1100, the Superman Family does NOT, and Kara feels the weight of having to step into her cousin’s boots as leader of this informal team. It’s a good look for her, and Campbell gives it the appropriate amount of emotional weight without tipping into angst the way some writers would take it.

I can’t say as many good things about the artwork, however. Joe Quinones, whose work I quite enjoy, splits the art chores with Paulo Villanelli, whose work I’m sorry to say I find somewhat lacking. Not only Villanelli’s pages not as sharp as Quinones’, but the styles clash in an unpleasant way. I’m sure that a lot of extra hands jumped in to complete this storyline sandwiched between the giant Action #1100 and the one-shot Kingdom of Zod Special from next month that will serve as the bookends for this storyline, but I wish the artwork in this opening salvo had been a bit more consistent.

Action Comics #1101
Title: Kingdom of Zod Part Two
Writer: Mark Waid
Art: Montos
Main Cover: Guillem March

In part two of the big event, the time-tossed Justice League team of J’onn J’onzz, Mary Marvel, and Booster Gold have recovered Superman from the timestream with the help of a Superboy plucked from Clark Kent’s youth. They don’t even have time to catch their breath, though, before they return to a present-day where the Superman family is invading an El Caldero controlled by Zod. As Supergirl’s friends take to the fight, Zod tries to interrogate a captive Lois Lane, but her sheer determination proves that even without the powers she inadvertently took from him, she’s still got a lot of Superwoman in her.

The Zod/Lois scenes are hands-down the crown jewel of this issue. He’s flailing around in rage as she – even while bound and technically at his mercy – expertly prods and antagonizes him into spewing his whole supervillain plan without it coming across as an Incredibles-style monologue cliche. Honestly, how has there never been a story about Lois becoming a Green Lantern yet? Even an Elseworlds?

I would have thought that the mystery of Superman’s time traveling had ended with his return and last month’s exploration of where he’s been in this year’s Superman Annual, but it turns out there’s still more to consider here: namely, why doesn’t he remember this adventure from when HE was Superboy? Waid doesn’t answer the question, but shines enough of a light on it for the reader to be confident that we’re going to come back around to this, and it’s going to be important.

Like the Supergirl issue, the artwork here is the weak point. It’s a darker, less clean look than we’re used to with the Superman titles, and it’s a style that doesn’t particularly suit these characters. Looking ahead, it doesn’t appear as though the regular Superman art teams are playing a big part in this crossover, and that’s a disappointment, because the writing deserves better. 

Superman Unlimited #16
Title: Kingdom of Zod Part Three
Writer: Dan Slott
Art: Rachael Stott
Main Cover: Guillem March

Part Three finally gives me what I’ve been waiting for: Superman for real back in the game. Even as El Caldero is exploding with Kryptonite, and even while the Kryptonite Plague is beginning to affect his non-Kryptonian allies, Superman does what Superman does best and finds a way to fight back against Zod’s regime. 

This issue isn’t entirely about Superman, though, showing that this is a conflict that’s grown to a global scale. Dan Slott allows us to check in on all of our heroes across the planet as we see what’s going on, including the first meeting between our time-lost Superboy Clark and his cousin Kara. It’s a lovely moment that really ratchets up the emotion here, as we see a teen Clark’s reaction to learning he ISN’T the last Kryptonian. Similarly, Superman’s reunion with Lois and Jon is a fantastic moment. It’s quick, and it’s funny, and it plays perfectly into the personalities of all three of them. Rather than wring it out for emotion the way we’ve seen (for example) when Superman came back from the dead, there’s a quick acknowledgement from each of them that they’re together again, with the underlying message being that not a one of the Kent family ever doubted that this moment was going to come.

I make have spoken too soon about the artwork in this crossover. Rachael Stott isn’t the regular artist on this title, but she’s good enough to be. This is the kind of clean, energetic artwork that the last two issues were lacking, with some wonderful “acting” on the faces of our characters that help to build on the foundation of the script, the way good artwork is supposed to do. Just fantastic. I look forward to seeing more from her.

Superman #41
Title: Kingdom of Zod Part Four
Writer: Joshua Williamson
Art: Eddy Barrows
Main Cover: Guillem March

Superman #41 is the last chapter of the crossover for this month, and holy CRAP, does Joshua Williamson throw us some curveballs as we go into halftime! The first half of the issue is concerned with the fight between a depowered Superman and a fully-charged Zod, and it’s as rough and brutal a fight between the two of them. The back half returns to the B-plot about Zod trying to use the Krypytonian technology to resurrect his wife, Ursa, and…well, I don’t want to go any further, but there are at minimum three moments in this issue that made me go, “WHAT?” This chapter takes things into an entirely different and unexpected direction, and once more the pieces on the board have been tossed all over the place.

Eddy Barrows, who HAS worked on this title in the past, is back on board for the artwork, and it’s just as good as Stott’s was on Part Three. I’m keeping my fingers crossed that the problems I had with the first two chapters are resolved when we loop back around to Supergirl and Action Comics in September.

What I really am enjoying about this crossover in general is that, even though it’s a Superman story, it’s more of an ensemble piece. Kara, Conner, Prime, Lois, Jon – every one of them is playing a major role here. Secondary characters like Steel, Lana Lang, and the time travelling Justice League trio may not be showing up on every page, but their contributions are significant. This is a remarkably well-balanced storyline, keeping everybody in play and giving everybody something important to do. I’m enjoying the hell out of it.

Fingers crossed I’ll be saying the same thing in next month’s recap. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #34: Super Friends-The Death of Superman

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An intriguing side-effect of having children is that your sick days at work are more likely to be used to take care of the kid when HE’S sick than saved for yourself. Such was the case earlier this week when my son came down with a nasty stomach bug that sidelined him and had me calling in to take care of him. But on the plus side, in his illness all he wanted to do was lie around watching MeTV Toons, including Super Friends, which is how I happened to rewatch, for the first time in decades, the 1985 final-season episode “The Death of Superman.” 

You have to admit, he’s looked better.

The final season of the show was titled The Super Power Team: Galactic Guardians, as a tie-in to the then-running Super Powers toy line, and as such most of the characters were characters who had action figures in the line, including the then-new DC hero Firestorm, who is actually the focal character of this episode. It begins in medias res (just like all great children’s entertainment), with the world mourning the shocking death of the Man of Steel. There was a massive funeral procession, ceremonies at the United Nations, and people wearing black armbands just as they would when DC Comics would kill him “for real” seven years later. In fact, I’m wondering now if they were deliberately invoking this episode when the comic book storyline was planned.

Everyone is naturally distraught over Superman’s death, but no one more so than the Super Powers Team’s newest member, Firestorm, who considers himself personally responsible. Firestorm is captured by Darkseid (the Big Bad for the final two seasons) who purges the young hero’s memory of Superman’s death. The two of them were on a mission in space where Superman was seeking minerals to cure Kryptonite poisoning, but Firestorm was distracted and, upon returning to his partner, found Superman dead of exposure to a Kryptonite meteor that Firestorm could have saved him from had he listened to Superman and stayed where he was supposed to be. As Darkseid plans an assault on the heroes, Batman and some of the others go to the Fortress of Solitude, where a Superman robot reveals that Superman had the ability to place himself into a trance to stay alive while being afflicted by Kryptonite poisoning. Hawkman recognizes the posture of the trance as being the same way he was found lying by Firestorm, meaning that he placed himself in the trance and there’s still a chance to save him. The Super Friends recover Superman’s body and revive him just in time to return and save the team from Darkseid, who goes fleeing back to Apokalips.

I have this same reaction any time the McRib goes away again.

This final season episode suffered from the same limited animation as most Hanna-Barbera cartoons (especially of the 80s). Not all of the voice acting is great either, with Darkseid sounding more like Toast from Histeria! than an actual menace. On the plus side, this was the era where they had Adam West voicing Batman, which was kind of cool, and Deep Space Nine’s Rene Auberjonois as Desaad was a treat. But the real surprise of the episode was the way they told the story. The world was legitimately mourning. Firestorm was an absolute WRECK. I watched this show faithfully as a child, and I have vague memories of this episode from back then, but I was surprised at just how DARK it was.

For all the silliness and camp that the Super Friends shows had, I’m actually impressed that with this episode (the second-to-last of the entire series, it should be noted) they told a real story with real emotional stakes. The ending is still a little pat, a little too easy to come by, but they did more with this than they did with 99 percent of the preceding Super Friends episodes, and that is greatly appreciated. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Geek Punditry #189: The Anti-Ranker

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It’s about two weeks into the new school year, and that’s enough time for relationships to begin forming. Routines are being established. If you’re lucky, a highly effective teacher may have learned as many as 47 percent of their students’ names by now. And in my class, this is the time in which the kids get comfortable enough about my blatant nerdity to begin interrogating me about it.

“Mr. Petit!” one of them asks. “Who’s your favorite superhero?”

I look at the four shelves worth of assorted Superman paraphernalia behind my desk while I try to decide if he’s asking the question ironically.

You’re kidding me with that question right?

“Mr. Petit!” another shouts. “What’s your favorite movie out of those?”

I’ve got a 1980s decorating theme going on in my room this year, which includes posters of some of the classics. I look to where Ghostbusters and Back to the Future are hanging next to each other and I say, “It’s between these two. Ghostbusters always gets bonus points the closer we are to Halloween.”

“Mr. Petit!” a third cries, hoping that if they ask enough questions I’ll forget that they’re supposed to be working on the rough draft of their “Story of an Hour” essay, “Marvel or DC?”

There it is.

This question never fails to turn up these days. It’s funny – when I was a kid I was one of maybe three kids in school who even knew that those two entities were a thing, and now it’s as heated a debate as something like the Yankees or the Dodgers. It goes to show you two things. First of all, the geeks really are taking over the world. Second, that’s not always a positive.

“I hate that question,” I say. “I like them both. I like the characters. I like the stories. They share a lot of the same writers and artists, so–”

“Marvel or DC?” he asks again, and I know that he won’t drop this until I give some sort of an answer.

“More of my favorite characters are DC,” I finally concede.

“So you hate Marvel?”

THIS is why I hate that question.

This kind of tribalism, this insistence that liking one thing means that you have to dislike something else, is the kind of debate that you find on the internet, and is remarkably stupid. (But as I always tell my students, you shouldn’t be redundant.) There isn’t the slightest reason that expressing your fondness for one character, one publisher, or one studio should automatically be construed as a distaste for another. I don’t want to draw lines and choose sides – I want to like DC AND I want to like Marvel AND I want to like Star Trek AND I want to like Star Wars AND I want to like Bluey AND I want to like Peppa – I WANT TO LIKE BLUEY. 

Five out of six ain’t bad.

“Batman or the Flash?” one kid asks me, and I sigh. “Are you asking me who I think would win in a fight, or which one I PREFER?” I ask. Because to me, those are different questions, but I find that my kids often conflate the two. Another kid asks me who my favorite Spider-Man actor is, and after confirming that we’re both fans of Tom Holland, he goes on to explain that he’s pretty sure that Holland’s Spider-Man could beat Tobey Maguire and Andrew Garfield in a fight, which is a criteria that couldn’t possibly have less relevance to me.

That’s another method of analysis that I don’t really care about. The answer to who would win in a fight between any two fictional characters is always the same: whoever the writer WANTS to win. It doesn’t matter how lopsided the match-up is, if the writer wants Aunt May to punch out Galactus, the writer will find some way for Aunt May to punch out Galactus. Squirrel Girl’s whole appeal was built on this fact, that the writers thought it was funny for such a patently ridiculous (if adorable) character to keep beating Marvel’s biggest villains over and over again.

Never forget, this is canon.

I like good characters and I like good stories. I don’t care who publishes them or who made the movie. I don’t care which of them has an atomic punch or which one gets “15 hours of prep time.” I just want to enjoy the lore. By way of demonstration: only slightly less known than my love of Superman is my love of Benjamin J. Grimm, the Fantastic Four’s ever-lovin’ blue-eyed Thing. And when I say that to somebody who evaluates things by “feats,” they roll their eyes and tell me that the Hulk is stronger. As if that fact has somehow escaped me in my four decades of reading comic books.

I don’t care if the Hulk is stronger. I’m not judging an arm-wrestling contest. I am a fan of Ben Grimm’s character. Think about what he’s gone through in his life: his best friend persuades him to commit a crime and steal a rocket ship. (In the earliest versions of the story, that persuasion is helped along by Susan implying a lack of manliness on his part, but I don’t think that’s canon anymore.) He rides into space with three other people and each one of them wins the super-power lottery, gaining incredible abilities that transform them entirely. But the other three can turn their powers OFF and continue having relatively normal human lives, while Ben is trapped in a form made of orange rock, permanently cut off from sensation and true human contact. And for years he carries around an anger that defines the character – even in those moments when he is at the forefront of battle, he holds on to a resentment for what his best friend did to him.

But here’s what makes Ben Grimm a great character: eventually (many years and many writers later) he learns to let go of his resentment. He finds peace with who he is and he becomes not only a hero, but an icon. He takes a place in his community, helping the neighborhood where he grew up to become a better place. He finally stops hating himself long enough to accept the love of a woman who has never once judged him by his appearance. They have a family together now. Whereas in the early days Ben called himself the “idol of millions” ironically, in this day and age, in the Marvel universe, it’s the truth. In ongoing, mainstream comics there’s something called the “illusion of change” – the idea is that any sweeping changes that a writer makes will ultimately be swept back off the table by future writers who reset the character to who they were previously. But that hasn’t happened to Ben. He has grown and evolved and embraced the world, and I think that if you look at his life from Fantastic Four #1 in 1961 all the way to the current Ryan North run on the title, you will see a portrait of a man that any one of us would be a better person to emulate.

But more than anything, it’s the dimple.

And if you read all that and started to say, “Well yeah, but the HULK–” let me stop you right there, because you’ve missed the whole damned point. I never said that the Hulk isn’t a good character. I never said that the Hulk isn’t compelling. I said that my favorite Marvel character is the Thing, and one statement does not in any way dispute the other. 

“Mr. Petit! Top five books!”

I don’t like ranking things either. For one thing, it’s just a subset of the tribal mindset that I mentioned before, and many people tend to take offense if your ranking deviates too far from their own. I’m also not good at it, because I find that any rankings I can come up with will shift from day to day, from mood to mood. I mentioned before that whether I prefer Back to the Future to Ghostbusters depends largely on when you ask me. I often watch Back to the Future in the summer, whereas Ghostbusters is more likely to run in the fall or winter (because, lest we forget, Ghostbusters II is a New Year’s movie). The same goes for any other category or ranking you can ask for. Am I CAPABLE of coming up with a top five list? Sure. But if you ask me to come up with the same top five tomorrow, it will almost certainly be different.

“Who’s your favorite writer, Mr. Petit?”

Ugh, stop. I’ve probably read more books by Stephen King than anybody else, but does that make him my FAVORITE? I think Mark Twain is probably the greatest author in American history, but does that preclude me from ENJOYING Isaac Asimov just a little bit more? “Favorite” is a term that, in my experience, inevitably becomes tainted by recency bias. I’ve read It more recently than Foundation, and at the moment I have more thoughts and feelings about It because of that. Does that mean that I PREFER it? I’m not even sure. If it were possible to read two books at the same time (I know a lot of people who have like six books with bookmarks on their nightstand right now, and I don’t know how the hell they do THAT, either) would that give me any sort of definitive, official ranking that I could tell people to satisfy their bizarre thirst for quantifying how much you enjoy things? 

Even when it comes to ranking installments within a series, I struggle sometimes. It’s not as hard if the installments have hard separations. For instance, I can say with confidence that Star Trek VI is my favorite of the movies featuring the original crew, whereas Star Trek V is the worst Trek movie of them all, or at least it was until Section 31. But if you ask me to rank where I would place the books in the Dungeon Crawler Carl series, I might stare blankly, because in my head it’s all one big story, and harder to differentiate. (After much contemplation, it’s still a tie between The Butcher’s Masquerade and This Inevitable Ruin.) 

And the thing that confuses me the most when people come around asking these questions is, why do you care? What difference does it make to you if I like the Flash more than Batman, or if I think Revenge of the Sith is a better movie than Attack of the Clones? Most of the time, the person asking the question is doing so to spark debate. And to be fair, sometimes their intention is a good-natured debate, a debate in good faith, and I don’t begrudge them that. But I’m not looking for a debate. I don’t want to argue over what’s better than something else. I just want to talk about the things that I love.

So if a student asks me what I think about a specific movie, book, character, or performance, I have no problem telling them. I will cheerfully tell them that I thought Spider-Man: Brand New Day was fantastic. I will let them know that Jaws is one of the few movies that I think is better than the book it was based on. And when they ask me why I haven’t seen any of the Avatar sequels, I will even inform them politely that I saw the first one, and that was enough for me. 

But playing “can Robert Pattinson’s Batman beat Michael Keaton’s Batman in a fight?” It’s a fool’s game, and I don’t have time enough in my life to waste it playing fool’s games.

Especially not when I have all these Kate Chopin essays to grade.  

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. He’s also started putting his LitReel videos on TikTok. 

Superman Stuff #33: Blake’s Superman Shelves-Fast Food Friends

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Once again, we’re returning to the Superman Shelves for a peek at just a few of the many, many items filling my collection. One of my favorite subcategories of collectibles is fast food toys. There have been so many different fast food collections over the years, and some of them are far more random than you get in a typical action figure line. You don’t just see action figures, but other sorts of oddities as well. It makes for really weird, different things. (The same thing goes for cereal box toys, it should be noted, but I don’t currently have any Superman-related cereal toys. I’m not even sure if there have been any. If you know of any, let me know.)

I should point out here that none of the Fast Food Friends I’m about to share with you are things that I got firsthand, pulling them out of a Happy Meal Box, although the last one is an eBay replacement for one that I pulled as a child. Most of these came through eBay, from a secondary seller like at a convention, or as a gift. But the fact that they got their start in a cardboard box nestled between a cheeseburger and a sleeve of french fries makes them a little special to me. I’m going to go in reverse order of the most recent toy to be released to the oldest.

“What does God…need…with a starship?” –William Shatner, upon seeing these toys

We’re starting with these two, Superman and Supergirl from Wendy’s “DC Rides” line from earlier this year. (You’ve seen the Supergirl before when I shared “Supergirl Stuff” right before the movie came out, but this is the proper category, so let’s look at her again.) The DC Rides were a cool little line, with figures for five heroes and a “mirror” villain, each with some sort of vehicle or power suit. The line included Green Lantern/Sinestro, Batman/Batman of Zur-En-Arrh, Flash and Reverse Flash, and Superman and Supergirl with their respective Bizarro counterparts. At some point I’d like to add the Bizarros to my collection as well, but one thing at a time.

This next set also came from Wendy’s, this time last year. They’ve twice done these lines of DC Comics miniature figures, which come in packs of three. The three-packs include related characters (usually two heroes and a villain) and mini trading cards as well, and the different figures are also available in multiple colors, which means that collecting the entire set gets particularly difficult if you’re trying to get all the variants. I was satisfied with just the “red” set of Superman, Supergirl, and Lex Luthor. I really like this series, though – the size of the figures and the solid color blocks remind me of the M.U.S.C.L.E. Things toys of my youth, which was a series I had seemingly hundreds of.

The last of the “recent” toys in my collection are this Superman and Supergirl from a Burger King series of DC Heroes that came out two or three years ago. I didn’t know that these even existed until my family stopped at Burger King on a vacation and my son pulled out a Superman figure from his kids’ meal bag. (My son, I should note, is a godsend when it comes to learning about these things. He’s got a very diverse palette – he will eat the chicken nuggets and french fries from virtually any restaurant you can name.) I want to note that I did NOT abscond with Eddie’s Superman figure and put it on my shelf. I am not the kind of father who would ever do such a thing. No, I got these two figures the same way I got the Wendy’s figures I’ve already showed you: eBay. 

Moving WAY back in time, we’re going all the way to my college years and this hanger based (I THINK) on Superman from the Justice League cartoon. I know it originally came from Subway, because a friend of mine who had a much smaller appetite than I did and always got the kids’ meals with the small, round sandwiches pulled this toy and gave it to me, aware of my appreciation of Superman. The original hanger dangled from the rearview mirror in my car for many, many years until the colors were completely warped and the S-shield sticker was bleached to the point of almost being blank. Years later at a convention, I happened to come across a seller with a whole bin full of the things that he was selling for just a few dollars, so I bought a pristine replacement. This guy now stays inside, out of the sun.

From Superman: The Animated Series, this Daily Planet figure is probably the Fast Food item that’s been in my collection the longest. It’s two pieces: the building, and the flying Superman figure, which balances on the top of the building via a precarious pin-shape in his chin. You can spin him around and when it wiggles, it creates a sort of “hovering” illusion. I like this one.

Finally, many years ago McDonald’s did a series of Looney Tunes figures with snap-on superhero costumes. The set included Daffy Duck as Batman, the Tasmanian Devil as the Flash, Petunia Pig as Wonder Woman (I assume because she was the most prominent female Looney Tunes character at the time except perhaps for Granny, and nobody wants to see her in a Wonder Woman bathing suit – were this series to be remade today Petunia would absolutely be replaced by Lola Bunny), and of course, Bugs Bunny as Superman. I had some of these toys as a kid, and a couple of years ago in a fit of nostalgia I got a set of the four of them pretty cheap on…say it with me now…eBay.

Of all the categories of my Superman collections, this is the one I most frequently feel the need to expand upon. Supergirl had a series of KFC figures that coincided with the movie, and I haven’t gotten my hands on any of those yet. And that Daily Planet figure was part of an entire line of Superman: TAS toys, of which I don’t have any of the others. I feel periodically that I should try to amend that, and see what else is out there. There are more, I am 100 percent certain of that, that I could hunt down if the urge took me. Fortunately, we live in a time period where doing such things are easier than they used to be…even if the expense sometimes shuts us out of getting all of the things we’d want. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #31: July Reviews

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It’s time once again for a healthy helpin’ of reviews. Here are most (if not all) of the Superman-related comics that hit the stands in July, beginning with an anniversary special.

Action Comics #1100
Title: Mission Failure/Superman Meets Superboy (A Reign of the Superboys tie-in)
Writers: Mark Waid & Joshua Williamson
Art: Skylar Patridge, Ryan Sook, & Daniel Sampere
Main Cover: Ryan Sook

Action Comics turns the big 1-1-0-0, and it doesn’t look a day over 872. But the Reign of the Superboys continues here with Clark “Superboy” Kent facing the time-travelling villain Epoch, powerless, with his time-tossed allies from the Justice League missing. Even without powers, though, he proves his mettle, and he’s soon reunited with the Leaguers to finish the mission that started all this – finding the Superman who’s been missing since the end of DC KO. I guess this is technically two stories, but the creators put them together so seamlessly that you don’t even realize it until you get to the credits on the last page. It’s a great little tribute to the character, though, showing Superboy glimpses of his future and culminating in a grand reunion. It does, however, raise a few questions, including a glimpse of a Legion of Super-Heroes that doesn’t quite seem to gel with the reboot that Joshua Williamson is writing in a few months. Curiouser and curiouser. 

The other creative teams of the current Superman comics are also in on the fun, contributing a few more back-up stories.

Title: Game Night
Writer: Sophie Campbell
Art: Dan Mora

The regular Supergirl writer and Superman team up for this story, in which we check in on Lois Lane and the rest of the family during Superman’s absence. The first thing I noticed about this story is that I probably should have read the other Reign of the Superboys finales before this one, because it seems to spoil certain things. Ah well. The important thing here is that we finally get a confrontation between Conner Kent and Superboy-Prime, whom you may remember KILLING Conner back in Infinite Crisis, way before his current redemption arc. It’s a confrontation I’ve been waiting for, honestly, and although it was a little abrupt, I was very amused that Campbell managed to sneak in a little self-deprecating humor via Prime’s fourth wall awareness. I do like jokes like that.

Title: End of Reign
Writer: Dan Slott
Art: Lucas Meyer

The final story in this issue is a neat little adjunct to the El Caldero story that’s happening over in Superman Unlimited. We get a little history of the country that’s building on the riches of its Kryptonite deposits, as well as a couple of chilling revelations.

Overall, the issue works fairly well in advancing and tying together the storylines that have been happening in all of the assorted Superman titles, and the upcoming Kingdom of Zod crossover looming between the four titles (a real one this time, not a thematic one like Reign of the Superboys), it feels perfectly timed.

Superman #40
Title: Prime Time: The End (A Reign of the Superboys tie-in)
Writer: Joshua Williamson
Art: Dan Mora
Main Cover: Dan Mora

Superboy-Prime vs. Manchester Black is not what I expected to be the faceoff of the year, but this arc has been fantastic. With Prime trying his hardest to redeem himself, Manchester Black is hoping to use Prime’s unique status and awareness of his existence in comic books to give himself an upgrade and make the whole DC Universe as nasty and edgy as him. 

This.
Issue.
Rocked.

It’s not just the fight, as good as it was. It’s the heart of the story behind it. Those of us who remember Prime’s first appearances back in the original Crisis on Infinite Earths have probably always felt a pang of regret that a character who seemed to have such potential would fall as far as he did. Williamson has done the impossible – he’s done the hard work to take a character who seemed indelibly tarnished and bring him back from the brink, making him sympathetic, even likable again. The Superboy-Prime in this issue may not truly be worthy of the S-shield that he wears, but he’s trying again. He wants to be. And that’s important.

What’s more, the battle between the two of them hinges on a meta-commentary about the state of comic books and comic book fandom as it exists today. It has something to say, and even the page where Prime gives us a speech doesn’t feel preachy or unearned. It’s a magnificent thing.

We also get a catchup with the rest of what Prime is now calling his own supporting cast, including Witchfire, and I can’t believe how much I hope we get to see these two together again. Prime even hints that it’s coming, but not before Supergirl swings by to pick him up for the upcoming crossover. Ah, a Kryptonian’s work is never done.

If you had told me a year ago that the Superboy-Prime redemption arc would be one of the best things to happen to comics in 2026, I would have thought you were crazy. But even without Superman appearing in this arc, Williamson has made it about Superman and who he is and what he means, and I love that so, so much.

Supergirl #15
Title: Hero of Kandor Finale (A Reign of the Superboys tie-in)
Writer, Art, & Main Cover: Sophie Campbell

It’s the final battle for the fate of Kandor. Supergirl and Luminary face off against the Black Flame and – although I don’t want to spoil anything – I WILL say that, once again, Conner Kent’s presence here was completely superfluous. More than ever, I’m convinced that Campbell was asked to shoehorn him into a story that he didn’t belong in so that they could market this book as part of the “Reign of the Superboys.”

That said, once you get over that little hiccup, it’s a great finale. The ending comes naturally, playing off the character work that Campbell has been putting into this series since issue one. And while Luminary does something here that feels hopelessly naive, I can’t argue that it doesn’t feel appropriate to the character and the path that she’s been taking, so I have to respect that. 

This issue also seems to set up a new status quo for the character and the title, although whether it’s going to be a long-term arrangement or something that’s done away with after an arc or two remains to be seen. I hope it sticks around at least for a little while, because there’s an interesting dynamic that I would like to see played with here. Although I worry that the whole thing might be derailed right off the bat since next issue is going to kick off the whole Kingdom of Zod crossover with the other books, so just how much Campbell is allowed to explore this new dynamic remains to be seen.

Superman Unlimited #15
Title: Save Yourself (A Reign of the Superboys tie-in)
Writer: Dan Slott
Art: Lucas Meyer
Main Cover: Taurin Clarke

At the end of last issue, the truth about the time-tossed “Superboy” was revealed – he’s actually Ultraboy, son of Ultraman of the Crime Syndicate, who was trapped in the same volcano as Jon and tortured the same way. This issue, as Kryptonite threatens to overrun Smallville, the rest of Team Superman (namely Steel, Superwoman, Krypto, and Lois) try to save the day, while Batman and Robin join Tomorrow Man to face an Ultraboy who’s going out of control.

Lots to like here. Again, without giving away how the story ends, Slott pulls a very Superman-like play here, demonstrating that Jon – like his father – has the ability to see the inherent good in anybody, and will fight to bring that good out whenever possible. The confrontation between Damian and Ultraboy works well too. True, the Bat-family in no way suffers from a lack of exposure, but having Damian as part of this story actually makes sense. It doesn’t feel shoehorned in like some Bat-appearances. Jon is his best friend, and he’s taking this whole thing very personally.

One spoiler I WILL let through – I’m surprised but happy that Jon seems to be holding on to the Tomorrow Man name, at least for the time being. I never liked it when they took to calling him “Superman,” not because of the character himself, but because I really hate the modern practice of having multiple people running around using the same code name. I can accept it for the Green Lanterns, as that’s really more of a job description than an actual code name. And I’ll let it slide for the Flash, because how to do you tell any of those guys that they need to step down? Everybody else? Get yer own name, sparky. Anyway, “Tomorrow Man” works just fine.

Dark Knights of Steel II #1
Writer: Tom Taylor
Art: Otto Schmidt
Main Cover: Yasmine Putri

The original Dark Knights of Steel is one of the series that convinced DC it was time to bring back the Elseworlds imprint in the first place, so it’s nice to see that this sequel brings that universe into Elseworlds proper. This isn’t purely a Superman story, mind you, but the main thrust of this universe hinges on the Superman family: Jor-El and a pregnant Lara came to a medieval Earth together. Then…stuff happened. Look, just read the book, okay? There’s a nice little recap page here that tells you the high points of the original series and lets us jump to the main story: the three kingdoms of the League (Metropolis, Amazonia, and the Kingdom of Storms) are planning to defend themselves from an imminent threat by the shape-shifting creatures from Mars. A day of happiness for the three kingdoms turns to tragedy when a treacherous attack from beneath the seas reveals yet another kingdom – and leads them all potentially to war.

Tom Taylor does a great job of bringing new readers up to speed here. I’ve mentioned before that I wish DC Comics would include “previously” pages the way Marvel typically does, but it was really helpful here (I haven’t read the original series since it concluded in 2023 and, frankly, I needed the refresher). There’s a bit of expansion of the world here, but mostly what we get is a reminder of where the major players were at the end of the previous series (specifically Kal-El, Diana, Bruce, and Arthur), with their stories being reestablished and pushed forward incrementally, until the scene at the end changes everything. It’s a great way to begin a sequel, and while I would still recommend anybody interested in this series read the original first, if for some reason you can’t, this book will give you everything you need to know to jump in.

Absolute Superman #21
Title: Moon Fall (Reign of the Superman Finale)
Writer: Jason Aaron
Art & Main Cover: Rafa Sandoval

The epic battle between Superman and King Shazam comes to a conclusion this issue. With Superman and Hawkman facing the former Teth-Adam on the surface of the moon, their allies back on Earth are taking care of other business, particularly seeking retribution against Talia Al Ghul. 

With a serialized story like this one – like most modern superhero comics, really – the end of an arc needs to accomplish two things. It needs to tie up the story that was told over the course of the previous however many issues in the arc, and it needs to lay the seeds for future storylines. Aaron really handles them both well here. The battles against King Shazam and Talia both come to very satisfying conclusions here, and while conclusions are indeed had, they’re the kind of the conclusions that open more doors than they close. A new threat looms on the last page, and Jimmy and Lois both experience shifts in their personal status that lays the framework for more stories in the future.

Superman himself, meanwhile, ends this issue in something of a darker place. Although Kal-El continues to be the bright spot in this Absolute world, as this issue reminds us quite adroitly, most of the people he’s surrounded with are darker than the versions we’re used to seeing in the main DC Universe. By the end of it, it feels as though that’s taken its toll on Superman, and that’s a logical place to bring this arc to a close. 

Adventures of Superman: Book of El #10
Title: So Say the Dead
Writer: Phillip Kennedy Johnson
Art & Main Cover: Scott Godliewski

The members of the House of El face off against Kryl-Ux. Tamarind lies in the balance, and I can’t lie, I couldn’t care less. Ten issues now, we’ve been drifting through a future that has failed to engage me. It’s the same ol’ problem – the reset button is looming, and the idea that this will ultimately be a story of consequence will not take hold. 

In an Elseworlds story, you think about the fate of the alternate reality that you’re dealing with. Here we’re dealing with a world that feels like it’s going to vanish as soon as Superman returns to his proper time. If that DOESN’T happen, then this whole thing will be invariably relegated to an alternate timeline, in which case it STILL will have no consequence. It would be different if I was interested in these characters, if I cared about them, if I felt like they mattered but…I just don’t.

I honestly feel bad being so negative about this book. I know other people are enjoying it, and I would never want to take that away from them, but I simply can’t see it. I don’t get what – if anything – I’m supposed to care about here. Maybe once it’s over, maybe once the final issue hits and the story can be viewed as a whole, I’ll feel differently. I sincerely hope so. But for the time being, all I can really bring myself to do is wait for the end. 

Batman/Superman: World’s Finest #53
Title: Warlords Conclusion
Writer: Mark Waid
Art: Adrian Gutierrez
Main Cover: Dan Mora

Our heroes’ epic journey to Skartaris comes to a conclusion this month. Tyrant Rex has not only ensorcelled Batman and Superman’s minds, but he has stolen Superman’s powers and distributed them among his minions, leaving Robin and Warlord to take them on. This whole story really has been sort of a Robin spotlight. He’s the one who has worked hardest to forge bonds with the people of Skartaris, he’s the one who has to step up with his mentors stolen and pulled to the other side of the chessboard. The story is a nice look at the young man who will eventually be the Nightwing we know today. There isn’t much action going on with either Superman or Batman here, but I don’t mind that. Seeing him get the spotlight is a nice change of pace that still fits well into the framework of this series.

Superman: Father of Tomorrow #3
Title: Machinations
Writer: Kenny Porter
Art & Main Cover: Danny Earls

Having spent years sharing Kryptonian technology to improve life on Earth, Jor-El is beginning to feel pushback from people who feel like he’s going too far. Lex Luthor, as usual, being the most fervent adversary to the House of El, decides to seek magical help from the Tower of Fate. And General Sam Lane is putting together his own team to deal with the problem.

Such as it is.

I feel like the wheels are starting to come off this story a bit. The basic premise is fine – Jor-El is the one who comes to Earth rather than Kal-El. Traumatized from watching one world die, he decides to make his adopted home better by sharing the technology of his planet of birth. The idea that doing so somehow stifles humanity is the core of the conflict. The problem is that nothing in the story actually sells the idea that Jor-El’s shared technology is doing any damage. As presented, the world seems to be a demonstrably better place. Maybe I’m missing something, but the worst thing I can find anyone saying about this altered world is that despite the fact that Jor-El has improved medical technology, hospitals still aren’t free. And as much as it may enrage some people to hear this, that ain’t enough for me to accept that a fascist regime is taking over.

At one point, Martha Kent suggests that Jor-El is behaving like a parent who is doing everything FOR a child rather than teaching the child HOW to do it. Is that actually true? The Kryptonian technology is everywhere, and presumably SOMEBODY out there is manufacturing and maintaining it. Even Superman Jor-El can’t possibly be doing it all HIMSELF, so logically we have to assume that humans HAVE learned how to do it. The message of this book is collapsing rapidly, and barring some sinister secret that Jor-El is keeping that will be revealed in a later issue, I’m not sure how to reconcile the point the author is trying to make with the world that he’s presented us with. 

Supergirl: Survive #2
Writers: Ethan S. Parker & Griffin Sheridan
Art & Main Cover: Rod Reis

After the destruction of their homeworld, Kara and Kal-El are found by a new Corps made of Lanterns of every color. Their safety is short-lived, though, as Lobo and a squad of Czarnians are out for the baby, thirsty for the bounty of a survivor of Krypton. 

I mean, with Lobo as the big guest-star in the Supergirl movie, it’s not surprising that they would bring him in here as an antagonist for this series. And the way he’s being used is pretty logical, making sense for what would happen in a world of this nature, where there are two known survivors of their planet’s destruction. What I’m really interested in, though, is what’s up with the Lanterns. The first issue gave us hints that there was more to the death of Krypton in this world than we were being presented with, and this issue’s conversation with the Guardians of the Universe pushes that narrative forward, spooling out a little more of this mystery as we go along and making me all the more curious as to what the real story is here. This story may be labelled as a Supergirl story, but like some of the best of the modern Elseworlds, it feels like there’s an entire universe here worth exploring, and lots of other characters and corners that are going to be worth looking into and playing with.

Batman/Superman: World’s Finest 2026 Annual
Title: The Hero Trap
Writer: Mark Russell
Art: Clayton Henry
Main Cover: Dan Mora

It’s Father’s Day, and Clark Kent and Bruce Wayne are having lunch with their respective adoptive fathers when a Justice League alert summons them away, leaving Jonathan Kent and Alfred Pennyworth to bond without them.

As a writer, Mark Russell is hit or miss with me. Sometimes I feel like he’s indulging in soapbox writing that starts to get tiresome, but on a story like this one, he knocks it out of the park. The story drifts between the heroes trying to solve the supervillain plot du jour and the conversation between the fathers, and it’s obvious to everyone that the second part is the most important. This is an emotional issue, it’s a story about fatherhood and what exactly that means, especially for fathers of particularly extraordinary sons. But while stories like this one often neglect the other half of the narrative, Russell has a clever trap laid for our heroes and some really entertaining moments as they struggle to puzzle a way out of it. Neither the superhero side nor the fatherhood side of the story is neglected or damaged by the other, giving us a story that’s an absolute joy to read.

Title: Date Night
Writers: Mark Waid & Tyrone Finch
Art: Pat Boutin

Regular World’s Finest writer Mark Waid teams up with Tyrone Finch for this issue’s back-up story, “Date Night.” A spat between Bat-Mite and Mr. Mxyzptylk leads to Bruce Wayne taking Lois Lane on a date to the state fair while a disgruntled Superman is forced to watch from afar. This one is…okay. It’s a silly, lighthearted story with no real stakes, as we all know that Lois will ultimately wind up with Clark Kent and that any flirtation with Bruce by necessity won’t go anywhere. There’s nothing wrong with a strange little story like this one once in a while, but it kind of pales in comparison to the main story in this book. 

Superman 2026 Annual: Year One Thousand
Title: The Return of Superman & Legion Found
Writer: Joshua Williamson
Art: Eddy Barrows & Yasmine Putri
Main Cover: Eddy Barrows

As we all know by now, Superman went missing after taking on the mantle of King Omega at the end of DC KO. In Action Comics #1100, he was found by his Justice League teammates and his own younger self, because time travel. This annual tells us the story of what happened in-between, which means it’s that rarest of animals in this day an age: an annual that’s actually relevant to the ongoing story. 

Shortly after the end of the tournament, Superman discovers that the death of the Time Trapper (whose powers have been added to his own) has left the timestream in turmoil, and something is using that chaos to feed on the destruction being created in its wake. In his attempt to repair the damage to the timeline, Superman finds himself once again encountering Darkseid’s Legion, but a very different Legion than he’s met before.

A few weeks ago, it was announced that the Legion was coming back in their own title, written by Joshua Williamson. As great as he’s been as the Superman writer, I was a bit put off when the description of the book made it seem like the Legion was being rebooted YET AGAIN. (This would be at least Legion Version Six, depending on how you want to count.) But I do have faith in Williamson, and this issue makes me feel like that faith is justified. Without getting into spoilers, it feels as though this newest reboot is part of the story, and that the previous iterations of one of my favorite teams are not being shunted into Comic Book Limbo after all, but may indeed have a part to play. I hope that’s right. I guess we’ll find out when Legion of Super-Heroes #1 hits in a few weeks.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #30: Blake’s Superman Shelves-Assorted Action Figures

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Today we’re going to take another trip to the Superman Shelves, the semi-regular feature in which I take you on a tour of some of the many, many pieces of Superman toys and collectibles in my collection. In previous installments, we’ve looked at my Superman LEGOs and various toys featuring Supergirl. This time out, we’re going to look at some of the assorted action figures that line my shelves.

We’re going to start today with some of the in-package figures in my collection. For the most part, these do not go on display, mostly because I don’t have a good way to display them at the moment. I’m not a fanatic about keeping toys in the box, but certain ones (particularly if it’s not a reclosable box) stay in their plastic bubble as a display piece.

The top two figures in this collage are both of the Christopher Reeve Superman. On the left is a retro-style Spin Master figure, and next to him is a DC Comics Multiverse representation. (I’ve also got the Michael Keaton-style Batman from this line.) Below that we’ve got one of the McFarlane “Page Punchers” – figures packaged with a comic book. This one is from the first issue of the 2016 “Rebirth” era of the comic. In the middle is a Spin Master black suit Superman based on the 2015 Lois and Clark miniseries, and at the end is one of the new line of MEGO Heroes replica figures. I definitely don’t have the original.

This next trio are old-school figures: a McFarlane Super Powers Superman in the style of the Fleischer Cartoons, a bendy figure in the same style (that one is out of his box), and a retro “First Appearance” Superman from the sadly defunct DC Legion of Collectors series. I miss that line – getting a box of DC collectibles every other month with no idea what was coming was a great thing.

Here are some of the smallest figures that I have. The top row are all figures from the Mattel “Imaginext” line of toys for younger kids. Don’t worry, I did not steal any of these from my son. I am consistently impressed, though, at the wildly diverse characters in that line – it’s not 200 different versions of Batman. Well…not JUST 200 different versions of Batman. Here we have Superboy-Prime, a Kingdom Come Superman, and Bizarro. The two figures beneath them are steel Mattel figurines from the Dollar Tree – a classic Superman, and the same figure in a black costume, part of a larger set of Justice League figures.

This next set of figures are all based on last year’s David Corenswet Superman movie. Your basic figure comes first (still in package), followed by a Krypto “Mini Chomper.” Next to them is a Thrilljoy figure, given to me as a birthday present by my brother. Thrilljoy is a relatively new player on the market and seems to be making moves to set itself up as the next Funko – in fact, I believe the company was founded by former Funko executives. On the bottom row is a 12-inch David Corenswet figure (my son has an identical one, which he insisted on bringing with us to see the movie), and in the corner is the three-inch four-figure set from the film, which included not only Superman, but Ultraman, the Engineer, and Mr. Terrific. 

These two tall guys are a Noble Collection Bendable figure (which has come out of his package since I took this picture) and a 12-inch “New 52”-style Superman that I got in a gift basket from my dear friend Owen years ago when I was in the hospital for a couple of weeks. There were other Superman things in that basket too, some of which will turn up in later pictures, and a towel that my son now uses. Owen is a great guy.

I call these guys “the Cosplayers.” McFarlane Toys did a line of “action figures” that were really more like slightly articulated statues for Warner Bros’ 100th anniversary a couple of years ago. I got the Bugs Bunny-as-Superman from that line, as well as Sloth from the Goonies recreating that epic moment from the end of the movie. Also in this set is the Neca Ben Cooper Superman costume figure. I love this line of toys, even though this is the only one I own – action figures of kids wearing the classic Ben Cooper Halloween costumes of my youth. There are lots of other ones. My brother gave me this one, too.

Two more from McFarlane: this replica of the old Supermobile, with an out-of-package Super Powers Superman to pilot it.

Then there’s this little oddity from their Qubi line – cubes that “transform” into figures. It’s weird and neat. I got my wife the Harley Quinn from that line, and I’ve got my eye on the Supergirl…

Let’s finish up this tour with two of my favorite pieces: the most unique toy in my collection and the oldest toy in my collection. Back in 2008 Disney launched its own line of vinyl figures called “Vinylmation.” There were hundreds of different designs that were wildly popular for a few years, then kind of faded away. But one of the most popular things in the line  were blank figures intended to be customized into whatever design you wanted. My sister, who is far more artistic than I am, made this Superman Mickey Mouse for me for Christmas one year. It’s still got a place of honor on the shelf.

Finally, this guy here is a MEGO Pocket Heroes Superman. I had one of these figures as a child, and it was one of my favorite toys. I played with it all the time. The thing is, I never knew what action figure line it came from. I have no memory of receiving the toy, it was just kind of always THERE. This preceded the original Super Powers figures, and once those came out, that was sort of the standard for DC figures for many years. I never forgot the old toy, though, and I spent years wondering what it was and where it came from. Then out of the blue, just about a year ago, someone in a Facebook group shared an old advertisement for the MEGO Pocket Heroes (the ad, and some further information about the series, can be found here at the MEGO Museum Galleries website). I immediately recognized the figure as the one I’d played with as a kid, and as it originally came out when I was just two years old, that kind of explained why I didn’t remember its origin. Once I finally had a name for the figure, finding one on eBay wasn’t terribly difficult. I even got a case just for this guy. He’s not particularly expensive, especially in this condition, but he’s a piece of my past that I was absolutely thrilled to have returned to me.

Okay, I think that’s enough for today. Still plenty of other stuff on the Superman Shelves to share with you (I haven’t even touched on the Funko Pops yet), so there’ll be more coming soon. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #29: Incomplete Classics II

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Once again, today we’re going to look at a few of the older Superman comics I rescued on a trip to an antique mall a few weeks ago. Let’s start with a trip back to 1977, then bounce forward a couple of years. 

Superman #314
Title: Before This Night is Over, Superman Will Kill!
Writer: Martin Pasko
Pencils: Curt Swan
Inker: Dan Adkins
Cover: Neal Adams & Curt Swan

As I mentioned last week, picking up comics from bargain bins is a gamble, because you often will get an incomplete story without knowing it until you sit down to read. Such is the case here – the story starts right off with a child begging Superman not to kill his “dog,” only for next page to reveal that the boy is suffering from an alien germ called “Journalist’s Disease” which has apparently been plaguing Metropolis at least since Lois Lane caught it back in issue #311. (A four-issue arc? Rare at this time.) The “dog” is, in fact, an alien creature called Jevik that Superman believes is responsible for the disease. Jevik was sent by another alien – a pirate named Amalak – whose attack is intended as some sort of revenge against Superman as the last son of Krypton.

There were a LOT of aliens who hated Krypton back in the day. I wonder if James Gunn’s movie was on to something.

Anyway, Superman has a way to cure the disease, but needs equipment from the Justice League satellite. Arriving there, he finds Amalak, who claims to have killed Flash, Green Lantern, and Supergirl, and engages our hero in a final battle. 

The story as a whole is interesting for two reasons. First, there’s the alien Jevik. Aliens in comics past often fell into one of two categories: either they were basically human, save for skin color or an odd extra growth and maybe some sort of racial superpower, or they were so bizarre that one can’t even fathom how such a thing could have evolved. Jevik falls into the latter category. Superman’s description of his life cycle is so strange that it makes almost no sense. Fortunately, making sense is by no means a requirement to enjoy a story of this nature.

The other thing that is noteworthy is how infuriating the last page of this issue is. I’m gonna spoil it for you here, because I want to talk about how mad it made me and I can’t do that without telling you what happens, so if you’re trying to remain pristine on a 49-year-old comic book, skip this. After Superman has engaged the cure to Journalist’s Disease and its many victims are on the mend, Clark Kent visits the recovering Lois Lane in the hospital. Shattered at the fact that he almost lost her, Clark asks Lois to marry him. She says she will – IF he will confess to her, right then and there, that he is Superman. And he says he can’t do that and walks away, leaving them both heartbroken.

It was the 70s, I get it. At this time period, the status quo was God and nothing could change. But Mr. Pasko – you expect me to buy that Clark Kent was willing to marry Lois Lane, but was not willing to tell her his identity? 

And look, I know that 15 years later Clark would propose to Lois before she knew he was Superman, but the idea there was that he wanted her to love CLARK, and he would tell her the truth after they were engaged. There was never any doubt that he WOULD tell her. You can say that it may still have been problematic, but this? This is just absurd.

Loved it. Five-star issue.

Superman #366
Title: Revenge, Superman-Style (Story 1), Perry White’s Superboy Scoop (Story 2)
Writer: Cary Bates (1), Bob Rozakis (2)
Pencils: Curt Swan (1), Kurt Schaffenberger (2)
Inker: Frank Chiaramonte (Both)
Cover: Ross Andru & Dick Giordano

An amazing thing about comics of this era is just how much time they spent recapping the story so far. This issue gives us no fewer than four pages to set up the story and recap what happened in the previous issue: Clark Kent is taking another week off work at WGBS-TV because Superman is needed on a mission in space that he fears he may not return from. Supergirl, meanwhile, is worried about him because last issue she was manipulated into attacking him as a plot by what they assume is the Superman Revenge Squad, and he’s off to fight them on his own. He disguises himself as an alien and allows himself to be “discovered” by the Revenge Squad, claiming that Superman recently thwarted him as well. 

I love seeing the home of the Revenge Squad here. This isn’t a group of five or six bank robbers from Metropolis, friends, it’s a legion of evil aliens that Superman has thwarted time and again. They’ve got their own whole alien base. They even make a giant statue of Superman that they daily force to melt by shouting how much they HATE it. George Orwell would approve.

The aliens show off their various techniques to train while one of them secretly scans the newcomers brainwaves to make sure it’s not a trick…and he passes. What? How can this BE? The narrator even asks the same question. Unfortunately, the answer to that seems to come in issue #367, which I don’t have.

There’s a back-up story, though! A tale of “Superman: The In-Between Years,” which was a serial from that era that told stories of Superboy after the death of Jonathan and Martha Kent but before he began his career as Superman in Metropolis. In “Perry White’s Superboy Scoop,” the boy of steel has gone AWOL. Cities all over the country are claiming that he’s moved into town as various disasters are averted and crimes are thwarted anonymously. As people wonder where he’s gone now that he’s left Smallville, Daily Planet reporter Perry White is determined to prove that the kid has taken up residence in Metropolis. Clark Kent, of course, IS in Metropolis, attending college and carrying out good deeds in secret – deeds like saving Perry White from a mob boss. 

Both Clark and Perry catch wind of the fact that some mobsters Perry recently reported on are meeting a rival gang from Gotham City in a baseball stadium, and both seek it out. Superman stops the gangland shooting and Perry White realizes that, despite the hail of bullets the two gangs unleashed upon one another, they were all knocked UNCONSCIOUS rather than killed. He demands Superboy show himself, and…well…he does. Pretty soon the Planet is formally announcing that Metropolis is the new home of Superboy.

Huh?

Okay, I can SORT OF buy that Superboy wanted to play his location close to the vest after leaving Smallville. Maybe he hadn’t totally settled on Metropolis as his new home yet. But first of all, these are the stupidest gangsters in history, so intent on shooting each other that none of them noticed the teenager in blue tights or the reporter with a camera taking pictures of them while they were standing on the baseball diamond of an otherwise empty stadium. And worse than that is Superboy just basically shrugging and giving Perry the scoop. There’s no change of heart, nothing that makes him sure that Metropolis will be his home, he just throws his hands up in the air and announces he’s in Metropolis now. Perry had no proof, just another freak occurrence such as those that had been happening since Superboy went into hiding. It makes no sense whatsoever.

Another timeless masterpiece.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Geek Punditry #184: Finding Freddy

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The news hit like a scream, jolting you out of a peaceful sleep: Paramount Pictures has acquired the rights to do a reboot of the historic slasher franchise A Nightmare on Elm Street. This shouldn’t come as TOO big a shock, of course. The culture of the entertainment business is absolutely OBSESSED with intellectual property – they would much rather take something that was popular at one point and try to resurrect it than put in the work to cultivate anything new. And to be honest, I don’t even object to the reboot in principle. Of all the horror icons of the 1980s, Freddy Krueger is probably my favorite. It was going to be done sooner or later; it’s just a question of whether or not it will be done the right way.

“Didja miss me?”

And that brings us to the real difficulty in doing any kind of Nightmare reboot: finding a new Freddy Krueger. The reason that Freddy is my favorite of the icons is that he’s the most unique – a nasty sense of humor, a quick wit and a menacing tone of voice that isn’t present in most of the other slashers of the era. Michael Myers, Jason Voorhees, or Leatherface can be entertaining, but they’re all masked, silent killers. That’s not to say that they don’t have personalities of their own or that some performers aren’t better than others, but because of the nature of what those characters are, it’s far easier to accept a new actor putting on one of those masks than somebody else playing Freddy.

But Robert Englund, the actor that made Freddy who he is, is 79 years old. Although he’s still a working actor – in fact, he’s poised to play a major role in the upcoming sequel to the classic Behind the Mask – he has made it quite clear that he just doesn’t feel capable of the stunt work and long, torturous hours in the makeup chair that playing Freddy requires anymore (although he HAS said he would be willing to return to voice the character should there ever be an animated version of Nightmare). This won’t be the first time that Freddy was recast, of course. In 2010 there was a remake starring Jackie Earle Haley as the “Springwood Slasher.” That movie turned out to be something of a train wreck, though, and although most of the fans will concede that it wasn’t Haley’s performance that was lacking, they would also rather wipe the slate clean rather than be reminded of it.

Why is it so hard to imagine somebody else as Freddy Krueger? Other iconic characters have been recast in the past. In fact, for some characters it’s outright expected. There have been six official James Bond actors, and when one retires nobody questions IF the part should be recast, but only with WHO. The same thing goes for Superman, Batman, and several others. Granted, there are always people who are adamant that “their” version of the character is the only one, but that’s a really narrow minded point of view. It’s fine to say that Christopher Reeve is your favorite Superman – I ain’t here to argue with you – but to say that he’s the only one who should ever be allowed to play the character is absurd. 

“You fellas have room for one more?” — David, being unfailingly polite.

On the flipside, Marvel fans love to point out that only one actor has played Wolverine in live-action movies, Hugh Jackman. These fans always forget the necessary caveat with a statement like that: “So far.” 20th Century Fox got extremely lucky with Jackman, casting an actor who had the physicality and personality to make the character work for DECADES, not to mention a willingness to keep returning, even after “retiring” once. But had he decided not to come back at the time that they were planning the soft reboot of X-Men: Days of Future Past, the character would almost certainly have been recast along with Cyclops and Jean Grey. And now that the X-Men are finally joining the MCU, everybody knows it’s only a matter of time before somebody else puts on that pointy mask of his. 

This particular problem, this permanent association of a role with a singular actor, is a product of the film era. On stage, there is no presumption that a character will be forever associated with a single actor, no matter how good they are. I think the reason for that is that every theatrical production is a unique experience, something that cannot be reproduced (barring filmed versions of the stage play, of course). That ethereal quality is one of the things that makes theater magical. Movies, however, feel more permanent. If you go into ten different theaters with live performances of the same play, it will be different every time. If you go into ten theaters showing the same movie, it won’t change. If it were possible to go into a theater and watch the same live performance of a play forever, people might still be adamant in saying that Julie Andrews is the only person who could ever play Eliza Doolittle in My Fair Lady rather than immediately associating that character with Audrey Hepburn from the film. 

It would have been a different movie, but you can’t tell me it wouldn’t still be good.

But as so often happens, Eliza Doolittle leads us back to Freddy Krueger. Now that Paramount has announced their intention to move forward with the new film, the question of who should play Freddy has to be asked. And I’m going to say something that may or may not be a hot take – you tell me. If the person suggested is an actor you are aware of without having to look them up, they’re probably the wrong choice for the role. This is a case where we need an actor that can be fully immersed in the character. Putting Tom Holland (to throw out one truly terrible suggestion) in the makeup will not give us Freddy Krueger, it will give us Tom Holland cosplaying as Freddy Krueger. And this isn’t a knock on Holland’s acting abilities, it’s just that he’s too well-known for us to completely lose ourselves in the character.

The best choice for Freddy is probably somebody that nobody reading this has ever heard of before, someone who can embody the character and whom we’ll all accept without the baggage of previous roles or celebrity personality. The cult of celebrity isn’t as powerful as it once was anyway, after all. There are few faces in Hollywood that are guaranteed to open a movie on their own anymore, and those that ARE in that club are highly unlikely to consider the Freddy role. Besides, horror as a genre has never been as obsessed with that as the rest of the industry. That’s not to say that horror fans don’t have their favorite actors – we’ll line up for the likes of Kane Hodder, Jamie Lee Curtis, or Robert Englund himself. But we’re JUST as likely to throw our support behind a movie that has nobody we recognize if the premise, writing, and acting are good enough.

One of the biggest hits of the year was Backrooms, a horror movie based on a creepypasta, of all things. The biggest name in the cast is Chiwetel Ejiofor – a fine actor, and a great addition to any cast, but nobody looking at his filmography would call him a horror icon. The closest thing in the movie to a horror “star” is Mark Duplass of the Creep franchise, but even he’s hardly a household name. 

“Wait, is somebody saying I should play Freddy?”

All of this is to say that while horror fans DO show up for certain names, there are a lot of other reasons they go to the movies too. And in a case like Freddy Krueger, it’s far more important to get somebody who can play the role than it is to get somebody the audience recognizes. What Paramount should do, if they’ve got any sense at all, is cast as wide a net as possible, find the best Freddy out there, and then build the movie around his performance rather than his number of social media follows. 

Do they have that kind of sense? We can only hope so. 

If they do it right, maybe in a couple of years it’ll be hard to get to sleep again. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. He’s also started putting his LitReel videos on TikTok. For more discussion of casting, go into any Dungeon Crawler Carl group on Facebook, ask who they think should play any given character in the upcoming TV show, then hide under a desk.

Superman Stuff #28: Incomplete Classics

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As I’ve mentioned many times, whenever my family takes a trip I like to do a little nerd shopping. Not only do I hit up comic shops whenever possible, but if I can find used bookstores, antique malls, or anything else of the sort, my wife knows that I’m going to want to immerse myself in some back-issue diving. There’s some relationship advice, folks, marry somebody who is willing to be patient with you when you’re elbow-deep in old copies of Donald Duck. 

The interesting thing about doing this is that you never quite know what it is you’re going to find. I like the bargains, the dollar bins, the unsorted pot of gold at the end of the comic book rainbow. Sometimes you get complete sets. Sometimes long runs. But more often, I find, you get utterly random issues that don’t necessarily have anything else to do with anything else in the box. I always like to grab the weird comics when that happens, things that I’ve never heard of before, stuff that I’ve heard of but maybe have never read…and, of course, when I come across a Superman comic that I haven’t enjoyed, I rescue it from the bin.

Of course, this approach to collecting comes with a major complication – not knowing what I’m looking for and not even always knowing what I’m getting, Because I like to approach it this way, I often get incomplete stories. While it’s true that comics of the past were rarely serialized to the extent that they are today, even in the 70s and 80s it wasn’t unusual for a storyline to run for two or three issues, and at the time it was virtually unheard of for them to be labeled as such on the cover. 

When that happens, when I read a comic that’s only a chunk of a story, I don’t necessarily feel like it’s fair to give it a full review. That doesn’t mean that it can’t be fun to talk about it, though. For example, a few weeks ago on a trip to the north shore of Lake Pontchartrain, we hit an enormous antique mall where I scored several cheap Superman books, virtually all of which turned out to be only a part of a story.

Bet you wanna know what’s going on here. Sucker.

Action Comics #507, for example. The lead story in this issue is “The Miraculous Return of Jonathan Kent” by Cary Bates and Curt Swan. Younger folks might not remember this, but until the John Byrne Superman reboot in 1986, most versions of Clark Kent’s adoptive parents had passed away by the time he began his career as Superman. So I’m sure you can imagine Clark’s shock in this 1980 comic when Jonathan shows up to visit him in Metropolis as if it were the most natural thing in the world. Clark is dumbfounded, of course, but is even more shocked when he discovers that Lana Lang, too, thinks it’s perfectly natural for the late Jonathan Kent to be there. Whooshing off to Smallville, Clark can’t find his father’s grave or any other evidence that he died – in fact, there is a preponderance of evidence that Jonathan has been alive and well in Smallville all this time. Superman even finds letters (people used to do that before email) written to Jonathan FROM Clark, in his own handwriting. How is such a thing possible?

What a great question! I assume the answer can be found in Action Comics #508. I didn’t get that issue, though, so I can’t be entirely certain.

Bet you wanna know how this started. Sucker.

Adventure Comics #455 from 1977 has the opposite problem – it’s the end of a story that began in the previous issue. In “I Can’t Go Home Again” by Bob Rozakis with art by Juan Ortiz and Vince Colletta, Superboy begins the issue in outer space looking down on a Smallville that seems to have been somehow inundated with Kryptonite. Although (in this Pre-Crisis era) Kryptonite is harmless to humans, Superboy is trapped outside of town, and a recap of last issue tells us that although he’d captured the Kryptonite Kid, thinking him responsible, the real culprit is Lex Luthor. Superboy switches back to Clark and tries to confront Lex, even though the Kryptonite has left him as weak as a kitten. It goes as well as you might expect, and let’s all be grateful that Pete Ross knew Clark’s secret, even if he didn’t want Clark to know that.

The story isn’t bad, but it makes me want to go back and read the first part which – needless to say – I don’t have. It probably also goes without saying that neither of the books I’m hoping to read are available on the DC Universe Infinite app. I’ve written before about how irritating it is that the “infinite” app has such huge swaths of comics missing from its catalogue. By what measure can we call it “infinite” if there are hundreds of comics featuring Superman that aren’t included in the database? (To say nothing of the missing comics featuring Batman, Wonder Woman, Green Lantern, the Flash, and all the rest?) I get that digitizing old comics takes time and money, but it’s been an embarrassingly long time since there were any more older comics added to the app.

I doubt that they’ll leap onto these two comics that I’ve mentioned here just because I happened to mention it – after all, I’ve been playing this particular song for a couple of years now and DC hasn’t made any real strides to start adding older comics again. But it’s something I find frustrating every time I open the app and look for a comic that turns out to be missing.

Not that this will stop me from picking up the random oldies whenever I come across them, of course. That, if nothing else, is part of the fun. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Superman Stuff #27: June 2026 Review Roundup!

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It’s time once again for a roundup of recent comic reviews! This time, we’re kicking it off with Supergirl’s return to Elseworlds, just in time for her new movie!

Supergirl: Survive #1

Writers: Ethan S. Parker & Griffin Sheridan
Art & Main Cover: Rod Reis

The newest Elseworlds miniseries puts Kara Zor-El in the forefront. Ever since Jeph Loeb brought her back after her death in the original Crisis on Infinite Earths, one of my favorite bits of lore that was added to Supergirl is the idea that Kara is actually OLDER than Kal-El, but was in suspended animation for her trip to Earth, which took much longer for her than her cousin. The result is that when she arrived on Earth she was still a teenager, and now was in the position of seeking big brotherly guidance from the world’s greatest superhero, whose diapers she changed just a few relative months ago. Supergirl: Survive starts from that basic premise. The Elseworlds twist this time is that instead of Kal-El escaping Krypton’s destruction ALONE, older cousin Kara was placed into the rocket ship WITH him.

Then there’s another twist. But we’ll come back to that.

The destruction of Krypton is only in the last few pages of this issue, with most of the book taken up with Kara’s life on Krypton and a schism between her father, Zor-El, and his brother Jor-El. The friction between the brothers is explored, but they manage to come together in the end. We get a few pages focusing on some sort of political unrest on Krypton, although the actual source of it is somewhat unclear (and there’s a bit that feels like a heavy-handed attempt at a metaphor, which I hope isn’t where things are going, but you never know). There’s also a lot of stuff about Kara in school, her friendships, the boy she has a crush on…and to be honest, all of it is a little perplexing. If this was part of the main DC Universe, we’d get some backstory to emphasize the tragedy that’s coming, the dramatic irony of the reader knowing every character Kara is interacting with is doomed. But this is an Elseworlds, and there’s a definite possibility that these scenes are not just flavor to make the cataclysm more bitter. I may be wrong, although I won’t be certain until the series reaches its end, but a lot of this feels like groundwork for future plot points. 

The other thing that makes this interesting is – without getting into too much detail – this is NOT a story about Kara and Kal-El growing up on Earth together, as many people would be tempted to tell with this starting point. No, remember, the title is “Survive,” and the struggle for survival seems like it’s going to take place in space. Although Earth was the intended destination, by the end of this first issue that’s already blown up in our faces, and that’s the thing that I find most interesting here. The writers are using a familiar starting point, but they take a wild left turn immediately afterwards, and I’m looking forward to seeing where it leads. 

Adventures of Superman: Book of El #9

Title: The Battle For Tamaran
Writer: Phillip Kennedy Johnson
Art & Main Cover: Scott Godlewski

As we seem to be moving into the final act of this story, we’re digging still more into the future family of Kal-El, which – okay, it’s the title of the series. But man, there’s a lot going on here, and I wish more than ever that DC saw fit to preface their books with a recap page like Marvel does, because there are so many characters and so many things going on that it’s getting really difficult to keep track month-to-month.

All that said, there was probably more to like about this issue than I’ve seen in this series for quite some time. Although I often find his stories to be hit-or-miss, I cannot deny just how well Phillip Kennedy Johnson understands Superman’s character, the inherent goodness and optimism that makes the character what he is. And best of all, he portrays those traits as infectious. We don’t see too much of that from Superman himself this issue, but rather from Osul-Ra, who has taken his Papa’s lessons to heart and expresses them very well, even as he goes into battle. 

I’m still more interested in Rowan Kent, the “Lantern in the Dark,” than I am in most of the other players in this story, and I again reiterate that I’d read a miniseries just about her. But the final page gives me a little more hope, bringing in a character that’s definitely more familiar and gives the whole story a more solid standing. 

Supergirl #14

Title: Hero of Kandor Part Four (A Reign of the Superboys tie-in)
Writer, Art & Main Cover: Sophie Campbell

When the cover for this issue was released it initially caused a bit of a stir. “Matrix Returns!” the artwork proclaims. And the cover is an homage to a classic Tom Grummet pin-up from the 90s. The return of the Matrix Supergirl, the one from the Death of Superman era and the amazing Peter David run! She was coming back!

Then Sophie Campbell said that the marketing department was being overzealous and the Matrix Supergirl is NOT returning…in THIS issue. But there are plans for her. So I’m excited and I’m not going to hold the marketing against Campbell any more than I’m going to blame her for the editorial-mandated “Reign of the Superboys” stamp that doesn’t really amount to much. 

Here’s what happens: Lena reunites with Kara and Lesla-Lar, on the run from Black Flame, who has stolen the ring that allowed Supergirl to use her powers while in Kandor. Lena has a solution, though, a special suit she’s made that she calls an S-Matrix (get it?) that will boost Kara’s powers and make her a match for the villain. Conner Kent spends the issue unconscious. 

But honestly, that’s gotta be because he was never intended to be in this story in the first place, and what we get with the girls works really well. Campbell’s earlier storylines, which have all been about Kara taking adversaries and enemies and turning them into friends, is really paying off here, with a lot of nice character work and an exciting last few pages that promise a heck of a finale. And if in the mixture Kara gets a new, temporary costume perfect for merchandising and Funko Pops just as her movie is in theaters? All the better for it. Tenuous link to the “Reign” notwithstanding, this has been a great storyline and I look forward to the end. 

Superman Unlimited #14

Title: Hero Time (A Reign of the Superboys tie-in)
Writer: Dan Slott
Art: Lucas Meyer & David Messina
Main Cover: Taurin Clarke

In case you couldn’t tell from the cover, things are really coming to a head with this issue. As the time-tossed Jon Kent and his older self (as Tomorrow Man) face a slew of their father’s old foes (Thaddeus Killgrave, Volcana, Dabney Donovan, etc.), Lois continues to investigate the mystery of her younger son and his missing older counterpart. Although it’s been apparent for some time that something was up with the younger Jon, the revelation this issue works out very well, tying this story in not only with the earlier stories of this run (with the mountain of Kryptonite in El Caldero) but also with a story in another recent Superman title that – at the time – I thought ended rather abruptly. I’m really happy to see that it was a setup for this story, and it promises a slam-bang ending.

The Lois scenes are actually my favorite stuff in this issue. Her gut is telling her that something is off, so she turns for counsel to the only people she can, Jonathan and Martha Kent, who prove that they’re just as great at being in-laws as they were parents to her missing husband. We also get to see not only Steel in action, but Lana as Superwoman, which we don’t get nearly enough of. She’s still got the powers, why doesn’t she use ‘em more often? 

Action Comics #1099

Title: Powerless (A Reign of the Superboys tie-in)
Writer: Mark Waid
Art: Skylar Patridge & Patricio Delpeche
Main Cover: Ryan Sook

A third Reign of the Superboys series hits its penultimate issue as the time-tossed Justice League tries to find a way to restore young Clark Kent’s powers. Epoch’s red-sun blast has stripped him to the level of a normal human, but for some reason, the yellow sun is not restoring his powers as it should. As they try to solve the mystery, the paradox of their presence in the past begins to catch up to them. Meanwhile, Lana makes an unsettling discovery.

Waid is really playing with the time-travel stuff here, and it appears as though in this story we’re playing by Back to the Future rules. A difficult part of time-travel is establishing exactly how the mechanics of it work. As such a purely hypothetical concept, I don’t really mind what the rules of time-travel are as long as they remain internally consistent. This becomes more difficult in a huge shared universe like DC Comics, where there are dozens of time-travel stories with mechanics that flatly contradict the way it’s being depicted in this story. That isn’t really Mark Waid’s fault, but it IS a consideration that creeps into my mind when I’m reading it.

That said, if you’re reading this book just because you want a time travel story, you’re getting it for the wrong reasons. It’s the character stuff that really works here, as we watch Clark go through various levels of grappling with his powerless state. We see him first frustrated at feeling so useless, then watch the pendulum swing in the other direction as he rediscovers the joy of just being a normal kid, then all the way back again when he realizes he’s denying the responsibility that he’s already accepted. It’s a fun sort of roller coaster to put the character on. He’s Superman, we know he’s going to grow up and accept who he is, but that doesn’t mean that he can’t struggle with it, especially at such a young age. It’s more realistic, more relatable.

The subplot with Lana gets more interesting here, and in more than one way. We see basic character stuff, which is nice and sweet. We also get a bit of a mystery that has me intrigued.

Next issue, #1100, has been touted as the return of Superman after being lost in time after the end of DC KO. I hope that doesn’t mean the end of Mark Waid’s adventures with Superboy, because it’s been a fun ride. 

Batman/Superman: World’s Finest #52

Title: Warlords Part Two
Writer: Mark Waid
Art: Adrian Gutierrez
Main Cover: Dan Mora

Last issue our heroes – Superman, Batman, and Robin – travelled to the lost world of Skartaris in search of a missing Air Force pilot. Upon arriving, they discover that due to timey-wimey stuff, the man they’re searching for has become an evil wizard, and in order to defeat him they’ll have to partner with ANOTHER missing pilot, Travis Morgan, the Warlord. With no defense against Tyrant Rex’s magic, Superman is quickly captured, sending Batman on a rescue mission, while Robin tries to piece together the villain’s ultimate goal.

As I’ve said before, Warlord is one of the corners of the DCU that I’ve never been able to really get into, but Waid is using it well here. Superman’s whole problem with magic is actually used appropriately here, rather than treating it as if it were Kryptonite like some people seem to assume, and it suits the story Waid is telling. The issue mostly focuses on Batman and Robin, as Superman is kind of off the table, but Robin serves nicely as an audience surrogate as we get a quick history of Skartaris, or at least as much of it as is relevant to this story. And it all wraps up with our two title heroes getting new looks that are RIPE for action figures.

Am I getting too cynical?  I find myself assuming that every time a comic book gets a new look – even one that’s obviously temporary and only intended for the duration of the current storyline – there’s a marketing wonk somewhere pointing at the cover and saying, “That’s it, we’re gonna TOY that one right there.” I mean, I don’t think that assumption is WRONG, I’m just wondering if I’m cynical in that I constantly feel the need to point it out. Anyway, obviously I’ll get the Funko Pop of both this Superman and the Supergirl in the white-blue-and-yellow costume from above. 

Summer of Supergirl Special #1

The Summer of Supergirl is upon us, and DC is treating us to this one-shot all-star special. I’ll take each story in this one individually.

Title: Man’s Best Friend
Writer: Sophie Campbell
Artist, Main Cover: Belen Ortega

The first story in the book, by regular Supergirl writer Sophie Campbell, picks up shortly after the chaos caused by Supergirl and her movie co-star Lobo (I’m sure that’s a total coincidence) over in Lobo #4. I haven’t actually read that book, but it’s pretty incidental – what you need to know is that there was some destruction and Lobo is sent to rehab, leaving his dog Dawg in the custody of Krypto. Supergirl and Lobo’s daughter Crush take the mighty mutt down to Midvale to hang out while Lobo serves his time. When he comes back looking for his dog, the chaos…well, it resumes.

It’s a simple story. It’s an oddly sweet story, considering the co-stars are Lobo and Crush. But it accomplishes two things very neatly. First of all, it showcases the difference between Superman and Supergirl. Although Superman is pretty much a paragon of hope, and that’s as it should be, Supergirl is less about hope and more about compassion. She feels for people so deeply, but in a different way than her cousin. In the main title, Campbell has spent over a year now telling stories of how Kara has an uncanny ability to turn enemies into friends, and this story showcases that wonderfully.

The other thing this story does is feed the readers into the main title. Although it began in Lobo’s book, the story that snakes through here promises to continue in the pages of Supergirl, and folks who picked this up just for Lobo will get a good taste of what to expect if they decide to follow the storyline into the main series, and that’s all to the good.

Title: Lost Girls
Writer: Gail Simone
Pencils: Emma Kubert
Inks: Sandra Hope

In story #2, Supergirl is going toe-to-toe with a robot menace called Amazonia, one who has a little green friend that might keep Kara on the ropes. Fortunately there’s help nearby in the form of Mary Marvel. Gail Simone is telling a new version of the first meeting between these two girls, and here she leans hard into just how similar they are. Some of the similarities are obvious – they’re both incredibly powerful, both often overshadowed by their more famous relatives. Something that I don’t think anyone has ever really drawn on before, though, is the fact that both of them are orphans. And not in the way that Clark is an orphan either, having grown up on Earth with loving adoptive parents and no real memory of his origin. Nah, Kara and Mary are both girls who lost their families and were kicked around the foster system for a while. Now what with the way each of them have had their origins twisted and changed over the decades, this hasn’t always been true for both of them at the same time, but it is now, and Simone really draws the emotion out of it. The supervillain fight is really just the set-up, what this story is about is two lonely young women who find something they need in one another. It’s really a beautiful story, and I hope that future writers for both of these characters continue to build on the relationship the way it’s depicted here.

Emma Kubert – third generation of the Kubert comic book dynasty – handles the pencils here. I actually haven’t seen a lot of her work here, but I love it. She has a loose style that comes across not QUITE like a cartoon or anime, but not as tight as someone going for “realism” either. It’s the sort of artwork that works for characters like these two, giving us the fanciful but being full of emotion. It reminds me a lot of Campbell’s work on the main Supergirl series or Todd Nauck’s classic run on Young Justice, which is to say I think it’s great.

Title: Who Is Supergirl?
Writer: Mark Waid
Art: Cian Tormey

While the first story in this book is valuable for the ongoing series and the second story is the heart of it all, Mark Waid’s tale at the end is what’s going to make this book important for nerds like me. Supergirl’s history as a character has been…let’s say “tumultuous.” In the early days she was Superman’s “secret weapon,” operating from Midvale Orphanage. As she grew up, in the 70s and 80s, she bounced all over the country from one job to another. She died in that whole Crisis on Infinite Earths thing. And when she returned in the pages of Jeph Loeb’s Superman/Batman, she was treated as though she was a brand new character. How the hell do you reconcile all of that?

You call the man who literally wrote The New History of the DC Universe, that’s how.

Story-wise, what we have here is a case of Conner Kent, Jon Kent, and Natasha Irons cleaning up the Justice League’s files and, in the process, recapping Kara’s history. Functionally, we have a story that explains so much of the tumult. Was Superman REALLY so callous as to drop off Kara at an orphanage? (Waid explains it.) Why did she spend so long going from one job to another, one city to another, one COSTUME to another? (Waid explains it.) And Waid also slips in a tidy retcon, reframing the Jeph Loeb story to be that of Kara’s resurrection after the Crisis, rather than her introduction. If you’ve spent the last couple of decades wondering what the hell was going on with Supergirl, exactly, this is the story you absolutely need to read. 

Superman #39

Title: Prime Time Part Four: Superboy-Prime Versus Infinite Crisis (A Reign of the Superboys Tie-In)
Writer: Joshua Williamson
Art and Main Cover: Dan Mora

Oboy, the main event is finally here! At the end of last issue Superboy-Prime discovered who’s been monkeying with him for the past three issues – Superman’s old foe Manchester Black. Black, as it turns out, wasn’t tooootally dead after Lex Luthor used his powers to wipe the memory of Superman’s secret identity from the world (back in Action Comics #1050) and as a disembodied intellect, he thinks Prime may be just the man to give him corporeal form again, if only he gets back to his reality-punching ways from Infinite Crisis. As readers of this title know, of course, Prime is in the middle of a redemption arc, and doing his best NOT to pull the sort of shenanigans Black needs from him. So to wrench what he needs from the boy, Black is sending Prime on a mental tour of his past and a meta-Odyssey through comic books.

It seems like most comic books that play with metafiction do it in one of two ways. Either they restrict themselves to snarky fourth-wall breaking comments (like Deadpool or She-Hulk) or, eventually, they build to a story where the landscape of comic books themselves become a sort of battlefield, whether that’s literal or metaphorical. (This is the literal kind – for the metaphorical version, go back and read Grant Morrison’s Animal Man again.) Since Black can read Prime’s mind, he knows about his medium awareness and weaponizes that against him.

Here’s the tricky part: you can’t just bounce around to a page that looks like Superman: The Animated Series and then take a left turn into Anime and then make some sort of commentary on reboots. I mean, you CAN, but ultimately that would be kind of shallow and unsatisfying. What you need to do – what Joshua Williamson does perfectly – is frame that journey in a true character piece. This is less a struggle of Superboy-Prime vs. Manchester Black and more a story about Prime doing being forced to face up to himself. That’s a damn sight more compelling. And honestly, if you’re not pulling for Superboy-Prime to come out of this a new kind of hero by now, I don’t know if there’s anything that could convince you at this point.

Absolute Superman #20

Title: Reign of the Superman Part Three: Up, Up, And…
Writer: Jason Aaron
Art: Rafa Sandoval & Vicente Cifuentes
Main Cover: Rafa Sandoval

With King Shazam on the loose, an uneasy alliance forms between Superman, Hawkman, and Steel as they attempt to bring him down. But friction between the heroes makes them almost as dangerous to each other as they are to the villain, and if they can’t get it together, the world may belong to Teth-Adam.

This issue is almost pure brawl – the three heroes fighting King Shazam and, occasionally, each other, on an absolutely massive scale. Sandoval and Cifuentes do a great job of depicting the battle, giving it a scope and a power beyond your average comic book fight. People love to throw around the word “gods” when they talk about superhero comics, using the term to indicate how powerful the characters are supposed to be. This issue doesn’t need it – the art does the job.

The four combatants each get an interesting development here as well. We learn a little about them, we see even more how Superman is being poised to take a place as this universe’s premiere hero. Even the ending, a huge cliffhanger, is the kind of thing that makes him look like a giant among men. (And would make for a hell of an action figure – I’m sorry, I can’t help it.)

Bizarro: Year None #2

Title: Meet the Superfans
Writers: Eric Carrasco & Kevin Smith
Art & Main Cover: Nick Pitarra

Last issue, Jimmy Olsen and Perry White were whisked away by Bizarro to his strange duplicate Earth, there being forced to run his own Daily Planet, which Jimmy (naturally) being in charge, while Perry is tasked with getting coffee. But as they try to piece together the facts about this world that Superman’s imperfect duplicate has created, the two of them start asking questions that may lead to some very uncomfortable answers. 

With Kevin Smith co-writing this story, it would be easy to expect a sort of goofy comedy, as we’ve seen from most of his movies. But people often forget that a good writer is rarely a one-note writer. There’s humor in this book, yes, but towards the end we take a startling turn, and this tale of Bizarro stops feeling quite so fun as we take a turn towards horror. When I reviewed the first issue of this book, I mentioned that it feels like a sort of Bizarro counterpart to Grant Morrison’s All Star Superman. In this issue that becomes even more pronounced – whereas that book is ultimately about the indelible power of hope, this issue is one that explores the potential for terror in a creature with the power of Superman, particularly one whose mind doesn’t work the way that Superman is supposed to.

Nick Pitarra’s Bizarro is really a striking figure. He’s massive, but more wide than we usually see from these characters. His shoulders are broad, but he’s a bit squat, once again contrasting him with the Superman Frank Quitely drew in All Star. I have to believe that all of these choices are deliberate, because they just come together far too neatly for it to be otherwise.

This book was pretty startling, which is a nice trick. It’s going in directions I didn’t expect, but that work nonetheless.

Superman: Father of Tomorrow #2

Title: Parasites
Writer: Kenny Porter
Art & Main Cover: Danny Earls

It’s been twenty years since Jor-El of Krypton was revealed to the world, and in that time, he’s made the Earth of this particular Elseworlds a very different place. Not only has he spent that time as Superman, Earth’s protector, but he’s also been shepherding the planet’s scientific advancements, sharing Kryptonian technology that has transformed the planet. And although he’s surrounded by familiar figures, the shape of this world is turning out to be something quite different than the world we know.

I like how Kenny Porter plays with the supporting cast in this issue. Rather than being “Superman’s Girlfriend,” in this world we see a Lois Lane who has grown to love Jor-El as a father figure, somebody markedly different from her own father, which of course is not a relationship that sits well with Sam Lane. Similarly, we see a Lex Luthor who has worked alongside Superman for years rather than standing as his enemy. Unfortunately, as the Superman of another Earth once observed, there’s just something about Luthor that makes him a poisonous snake, and that doesn’t seem to be any different here. Luthor’s storyline feeds us into the nicely-satisfying last-page cliffhanger, and sets things up for this miniseries to go in a different direction that I find intriguing.

I’m also fascinated with the title of this book and how it’s turned out to be a play on words. Putting “Father” in the title of a story that focuses on Jor-El calls to mind, of course, the fact that his son is Kal-El. But we never see Kal-El in this book, and at one point Jor-El even refers to somebody else as the “closest thing [he has] to a son.” Instead, this is a story about how Jor-El is guiding the future of Earth – he is literally the father “of tomorrow.” It’s a neat little play on words, and I’m a sucker for a good play on words.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!