A few months ago, I blogged about the goofy fan theories that certain TV shows aren’t really over when their last episode airs, that the studios might be holding back a “secret” final episode. This was – and is – an idiotic supposition, because the world of entertainment in the modern age is utterly averse to surprising their audience in any conceivable way. Movie trailers guard no secrets, casting announcements clue us in to what could have been surprise character reveals YEARS before a TV show is released…it’s irritating as hell. But this week gave me a nice reminder that there is, thankfully, one exception to that rule, and his name is Robert Kirkman. This week, Kirkman did something vile, insidious, and totally cruel to his fans…and we love him for it.
The face of Evil.
Here’s a crash course for anybody who doesn’t know the name. Robert Kirkman is a comic book writer who came to mainstream prominence when his two most successful comic books were made into television shows, those being the hit zombie series The Walking Dead and the animated superhero show Invincible. Kirkman has since blown up from being a mere writer to being a serious player in the entertainment world, with those two properties still making waves and lots of other things in the works. He still writes comics, but he also manages his own studio, Skybound Entertainment, which produces (through Image Comics) not only his own work, but works of other creators and a host of licensed comics as well.
Kirkman is one of the few people left in the world of entertainment who actually seems to value surprising his audience, as he has done several times. When issue 193 of The Walking Dead comic book came out, fans were stunned to realize that – unannounced – it was an extra-length issue. We were even MORE surprised when we reached the end and found the announcement that it was the LAST issue. Unlike most comics (or TV shows, for that matter) that make a big deal out of their finale, announcing it well ahead of time to build up hype, Kirkman floored all of us by not telling us the biggest thing in comics was ending. He even had released fake solicitations and covers for issues 194 and 195, knowing perfectly well that those issues would never be published, just to throw us off the scent. It was a zombie story, after all, and just like in a zombie story anyone can die at any time, the same was true for the series.
“Oboy, I hope this sets up another epic, long-lasting story arc for one of my favorite comic books.” –Me in 2019, about to get a shock
This wouldn’t be the last time Kirkman did something like this. In 2020, while everybody was having an existential crisis in the midst of the pandemic, Kirkman decided he was going to have a little fun. Without warning he dropped issue 17 of a comic book called Solid Blood. This was surprising for a few reasons. Not only was it totally unannounced, but the previous 16 issues of the series did not exist. This was a reimagining of the character who eventually became Michonne of The Walking Dead, played up as if she’d been in a science fiction series that had been running for a few years. It was weird and wild, and it came at a time when weird and wild was particularly appreciated.
In 2023, Kirkman pulled off perhaps his biggest surprise coup when he announced a new ongoing science fiction series called Void Rivals. Even though I hadn’t ordered it, when the first issue dropped the manager at my local comic shop (BSI Comics in Metairie, Louisiana, and they deserve the shout out) reserved one for me because he knew I’d want it when the big secret of the book became public, which is another reason it’s important to find a good comic shop with a great staff. Void Rivals was a sort of space opera, with two protagonists from warring races trying to overcome the biases of their respective cultures. Interesting, but nothing world-changing.
Until the last few pages, when the two of them suddenly stumbled upon an enormous robot with a very familiar red symbol on his chest: it was Jetfire the Autobot. It was a Transformer. And Void Rivals, the text at the end of the comic book announced, was actually the beginning of a new publishing initiative Kirkman was calling the Energon Universe. It was part of a shared universe with rebooted versions of the Transformers and G.I. Joe, both of which launched new ongoing comics within the next year. The three titles (and assorted miniseries and one-shots) share a universe, and although each can be read on their own, reading all of them paints a more satisfying, complete picture of the universe. This wasn’t the first time that Hasbro, the toy company that owns the two franchises, had attempted to create a shared universe among their properties, but it has by far been the most successful. The Energon titles have become a sales juggernaut and are driving people into comics shops who haven’t read comics in years, decades, or in some cases, EVER. And plans are in the works for an animated series based on this universe, which will presumably incorporate all three titles, and more.
Only a true imp would dream of this.
Yes, more, because Transformers and G.I. Joe are not the only two toy lines Hasbro owns, and speculation began running rampant about which other Hasbro properties could potentially become part of the Energon Universe. And Kirkman did what Kirkman does better than anybody: he lied. He told us that there were no plans to add any of the other Hasbro lines. But then some of the books, specifically G.I. Joe, began to incorporate characters from Hasbro’s M.A.S.K. series. This wasn’t a huge surprise – M.A.S.K. (although never AS popular as G.I. Joe or the Transformers) has a pretty large following, and there have even been efforts in the past to reboot the Mobile Armored Strike Kommand as a subgroup of the G.I. Joe team, so nobody was TOO shocked when it was announced that M.A.S.K. would join the Energon Universe in June as the fourth series.
Or “Muh-Muh-Muh-M.A.S.K.”, as it’s pronounced in the original French.
This Wednesday, M.A.S.K. #1 came out, and it took part in a current comic book practice that, frankly, I kinda hate. They released it “Blind Bagged,” in sealed plastic, so that you don’t know which cover of the book you’re getting until you open it up. I’m not a huge fan of variant covers in the first place, so I just asked the friendly folks at BSI to put aside the standard, non-bagged cover for me. Alas, do I kind of regret that now. Because the Blind Bags, in addition to having M.A.S.K. #1, ALSO have one of three randomly-inserted BONUS comics in them. Some comics come with an early printing of M.A.S.K. #2. No big deal – I can wait for that issue to come out, since I’ve already got it ordered. Others came with a one-off book called M.A.S.K. Origins, which apparently collects all of the M.A.S.K.-related scenes from the previous Energon titles, for those who like to keep score. Neat, but I’ve already read all of those books, so it’s not really necessary.
But the third book. Oh, the third book. Robert Kirkman, you magnificent son of a bitch.
The third book you might randomly pull in a blind bag is ROM #1.
People who grew up reading this comic are too old to be shocked this way, Kirkman.
ROM is – like G.I. Joe and the Transformers – a toy line that was fleshed out in the 80s by a Marvel comic book series. UNlike G.I. Joe and the Transformers, the ROM toy line kind of fell flat and ended rather quickly. The comic book, however, was a smash hit, outlasting the toys by several years and still being a favorite of a lot of readers today. Unlike M.A.S.K., there had been no indication that ROM would be added to the Energon Universe, making this issue the biggest surprise since Jetfire showed up in Void Rivals #1.
Now, this is not to say I’m thrilled about how this came about. Making the book a blind bag exclusive is certainly going to drive up sales – but odds are most comic shops are ALREADY sold out of these by the time you read this. Copies of the issue are going for $50 on eBay and, much as I would like it, I have absolutely no intention of buying it for that price. (And if my wife is reading this thinking about Father’s Day, I am begging her NOT to spend that much money on this particular book.) If you’re the sort of person who, like me, just wants to READ all of the books in the Energon Universe, it’s somewhat frustrating to know this one is floating out there somewhat out of reach. As of this writing, Kirkman hasn’t announced any plans to reprint the book for a wider audience (although one would think it’d be foolish not to), nor has he said if there will be further issues of ROM, although he says that the character’s story is going to continue in the pages of Void Rivals.
I’m hoping that there WILL be SOME edition of this book that I can get at a reasonable price sooner rather than later.
But even if there isn’t, I find I have to admire Kirkman’s desire to use surprise to create an event. He could have told people ahead of time that ROM was coming back. He could even have teased that it would be found ONLY in Blind Bagged copies of M.A.S.K. #1. But doing it the way he did got people talking in a way that no other announcement could have done.
So now the question is, what’s next for the Energon Universe? There are still plenty of other Hasbro properties that could potentially show up. Another less-remembered toy line, Visionaries, has had its home planet of Prysmos name-dropped in an Energon book – is that a hint that those characters may turn up next? How about the fan-favorite Micronauts (like ROM, a well-regarded series better remembered for its comic book than the toy line), or the U.K.’s G.I. Joe-equivalent Action Man, both of which were part of previous efforts at a Hasbro universe? Honestly, at this point ANY toy line owned by Hasbro feels like it could potentially show up, from Battle Beasts to Jem and the Holograms. (And the only reason I’m not including My Little Pony or Dungeons and Dragons as possibilities is because, at the moment, both of those are licensed to other comic book publishers.)
And it’s not like Energon is the only trick Kirkman has up his sleeve, either. He’s publishing a pair of Invincible spin-offs right now and has a new superhero comic book called Terminal dropping in a few months. What surprises could await us there? Furthermore, his Skybound Entertainment also publishes licensed comics with properties as diverse as Creepshow, LEGO, and the Universal Monsters, and at this point I don’t know what to expect next from ANY of them.
This is why I admire Kirkman. Not because he’s a good writer, although he is that. Not because he’s a good businessman, although he has proven himself quite adept there as well. But because he actually has cultivated an environment in which even someone like me, who reads most of the stuff he produces, can be surprised at ANY MOMENT. That’s exciting. That’s thrilling. That’s the sort of thing that’s got me wondering if I should call up BSI and tell them to put aside a Blind Bag of Terminal #1, if they’re going to do that this time.
Because I don’t know what’s coming next.
And in a world where every movie trailer gives away the whole plot and comic book publishers are announcing the aftermath of their major crossover events before the major crossover event even begins (lookin’ at YOU, Marvel, with your Avengers: Armageddon series), the idea that there’s SOMEBODY out there who finds value in keeping his audience on their toes is actually pretty joyful.
Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. He’s also started putting his LitReel videos on TikTok. Seriously, Erin, get off eBay. $50 is too much.
In the first week of January, 2023, I was in a funk. You see, I realized that I’m happier – in general – when I’m spending time talking about those things I enjoy, an itch I used to be able to scratch through various online outlets. But the rise of Facebook had strangled the forum-based websites I used to write for, the demands of parenting had forced a retirement of my podcast, and none of the alternatives I had tried since then seemed to stick. Then, like a miracle, a voice from above spoke to me:
Hey, dumbass, you have a blog.
So I challenged myself to spend 2023 writing a new piece once a week about something in the world of pop culture that I loved: comic books, movies, television and more. And I’m proud to say that as of this week, Geek Punditry #52, I will have successfully met that goal. And I enjoy doing it, and I have every intention of continuing it in 2024. But the question, then, was how to tie off my first year of blogging about those things I enjoy? The answer was obvious. I’d end the year by talking about my favorites from that year. So this week, my friends, get ready for the inaugural edition of the PUNDIE AWARDS!
Yeeeeeas, that’s right, the Pundie Awards, my hopefully-annual review of those things in pop culture that brought me the most joy over the past 12 months. The categories are entirely decided by what will allow me to talk about what I want to talk about. The winners are determined by a democratically-administered voting process including an electoral body consisting of myself. This ain’t fair or unbiased – this is just me talking about the things that came out in 2023 that I loved the most.
Ready? Let’s do movies first!
Blake’s Favorite Superhero Movie: Spider-Man: Across the Spider-Verse
As much as I loved Into the Spider-Verse, I couldn’t believe how much better the sequel turned out to be. An incredible team of writers, animators, and performers managed to elevate the story of Miles Morales by opening up the multiverse concept from the first film to incorporate not just a handful of Spider-people, but hundreds of them from remarkably disparate worlds. Not only that, but the different worlds often had wildly different animation styles from one another, all of which somehow managed to mesh perfectly.
None of that would have mattered, however, if the movie didn’t have a worthwhile story to go with it. Miles Morales has been somewhat lonely since his last adventure with the Spiders of other worlds, and when he encounters them again it seems as though his dreams are being answered, but the discoveries he makes in this film call into question his entire role in the Spider-Verse. There’s serious character drama mixed up with the superhero action in this movie, and it’s all as compelling as anything I saw on the screen this year. The tragedy is that the writer and actor strikes delayed production on the third film in the trilogy, Beyond the Spider-Verse, and we’re all left dangling from the film’s cliffhanger with no idea how long it’ll be before it is resolved.
Blake’s Favorite Horror Movie: No One Will Save You
I’ve gotta preface this by saying there are several horror movies that I wanted to see this year that I haven’t gotten around to yet, including Evil Dead Rise, The Boogeyman, Saw X, and several others. Out of those I have seen, however, No One Will Save You takes the top spot for the innovative way writer/director Brian Duffield told his story. The movie (a Hulu original, if you haven’t seen it) stars Kaitlyn Dever in a home invasion film where the invaders turn out to be from another world. What makes the film stand out though, is that it is told with almost no dialogue. The film relies on the visuals and the performances of the actors – Dever in particular – to tell the story, including unraveling the secret of why she is separated from the town in which she lives. The reveals in this movie are handled really well, and the ending is one of those conclusions that seriously screws with your brain. If that’s the kind of movie you’re looking for, look no further.
Blake’s Favorite Comedy: Renfield
Some may argue that this should have been included in the “horror” category, but my response to this would be that it’s honestly NOT that scary, it’s VERY funny, and these are MY awards, you jackass, and if you don’t like it, go write your own blog.
Anyway, Renfield. Future Lex Luthor Nicholas Hoult plays the titular character, long-suffering assistant to the king of darkness, Dracula himself (played by Nicolas Cage in a performance that chews so much scenery they must have had to reinforce the walls in the set). The concept of making a comedy about Dracula’s human minion set in modern-day New Orleans is funny in and of itself, but what elevates it is the way it handles the material. The script – written by Ryan Ridley and Walking Dead creator Robert Kirkman – takes the story of Dracula and Renfield and uses it as a metaphor for people trapped in an abusive relationship. Not to say that abusive relationships are funny, of course, but it’s one of those stories that uses humor to shed light on a serious situation by making it seem absurd. Looking at the dynamic between Renfield and Dracula is actually helpful in exploring how someone may need to deal with their abusers, and perhaps help the audience find their way to sympathize with victims of such a situation.
I feel like I’m not making it clear how funny this movie is. Trust me. It’s really funny. It just has a serious point to make in-between the laughs and the vampire shenanigans.
Blake’s Favorite Drama: The Holdovers
Paul Giamatti plays a teacher at a prestigious boys school in 1970. Stuck on the wrong side of the headmaster, Giamatti is forced to spend Christmas with a group of “holdovers” – students who, for one reason or another, are unable to return home during Christmas break. The movie turns into a pretty deep character study between three leads. Giamatti plays a bitter and heavily-disliked teacher, Dominic Sessa is one of the students that is justifiably outraged at being left behind so his mother and her new husband can take an unexpected honeymoon, and Da’Vine Joy Randolph is the school’s head cook, a grieving mother who herself is spending Christmas alone.
Each of these three, at the beginning of the film, seems to be a fairly stock character: the nasty teacher, the troubled student, the above-the-nonsense side character. But the forced proximity between the three of them slowly reveals depths to each, and by the time the movie ends we’re left feeling like we have watched three real, fully-developed people. Each of them is flawed, each of them has problems, but we understand them in a way that is undeniable and makes us love each of them just a little bit. Each of the three actors I mentioned here give a master’s performance in this movie, and it’s absolutely something worth watching.
The Most Delightful Surprise of 2023: Dungeons and Dragons: Honor Among Thieves.
This is the fourth attempt at a live-action Dungeons and Dragons film, and the problem with the previous three efforts is that they have all – and here I’m going to use a term from the Book of Leviticus – blown chunks. There was no real reason to expect Take Four to be any different.
And yet…damned if it wasn’t a really fun movie. Chris Pine plays the same kind of charming but slightly rough edged character he usually does, although this time it’s a new character instead of James T. Kirk or Steve Trevor, and he leads a group of ne’er-do-wells including Michelle Rodriguez, Justice Smith, and Sophia Lillis in a quest to steal an ancient and powerful relic. If you’ve ever played Dungeons and Dragons (which I have, although it has been a very long time since I was in a campaign), the plot feels pretty standard. What makes the movie work, though, is the humor, the characters, and the way they react to the fantasy situations that surround them. Their behavior, frankly, feels very authentic to the way that people playing the game would really behave in those situations, and while the movie doesn’t really go meta in the way that description may imply, it still delivers on pretty much every level. I wouldn’t necessarily place this on any “best of 2023” lists, but in terms of expectation versus reality, there’s not a single movie this year that over-delivered more than this one.
Let’s shift gears a bit now and talk about some of my favorite comic books of the year. I know that not everybody reading this is necessarily into comics, but y’know, maybe pay attention anyway. You might find something worth looking into. And if not, skip down to the bottom where I talk about television, by which I mean a lot of Star Trek.
Blake’s Favorite Ongoing DC Comic: Batman/Superman: World’s Finest
Written by Mark Waid with art by Dan Mora (who I said last week is probably the best Superman artist working in comic books right now), this is the most entertaining ongoing series DC is putting out, and they’ve been on a pretty big upswing this year. Set in the early days of the characters’ friendship, this story explores not only Batman and Superman themselves, but also the characters that surround them. Over the course of this year we’ve seen Superman lose a sidekick we never knew about, a murder mystery in which the primary suspect was Bruce Wayne himself, a return to the world of Waid’s classic Kingdom Come, and a fantastically entertaining one-off story about the original Robin (Dick Grayson) going on a date with Supergirl and pretty much everything going wrong.
The book is often funny, always entertaining, and takes characters we have loved for decades and makes them fresh and fun again. And that’s just Waid’s writing. The artwork is also top-notch, with Mora handling most issues and drawing the characters in a way that feels classic and powerful. I keep harping on his Superman, but there’s a reason for that: it’s so damned good. When you see a Superman by Dan Mora, you see a guy that you would find equally believable going toe-to-toe with Darkseid and then turning around and getting a cat unstuck from a tree.
It’s already spun off another book, World’s Finest: Teen Titans, featuring the early days of Robin’s own superhero team, and also written by Waid. This is a brand that DC absolutely needs to run with, because it’s as good as it gets.
But like I said, DC has really upped their game this year, so without getting into detail, I also wanna hand out some honorable mentions. Also worth reading this year from DC are Shazam! (another Waid book), Superman, Nightwing, Green Lantern, Titans, and the recently-rebooted Wonder Woman.
Blake’s Favorite Ongoing Marvel Comic: Fantastic Four
Admittedly, I am biased here. Everybody knows that the Thing is my favorite Marvel character and my second-favorite superhero of them all, right after Superman, so any book with him in it gets at least another two points on a scale of one to ten automatically. So with his bonus two points, Ryan North’s run on Fantastic Four gets, roughly, an eleven.
North’s run began in November of 2022, so most of his story came out in 2023. In the first few issues of the book, we see a Fantastic Four that has been run out of New York City and dispersed to the four winds (pun intended), and perhaps most horrifyingly of all, are without their children. The book launches with a mystery; we are not told immediately what happened to place them in this situation. But unlike certain other Marvel comics I could mention (I’m callin’ you out, Amazing Spider-Man) the mystery was revealed in issue FOUR, and was done in a way that was very satisfying and very in-character. Without getting into any spoilers, I want to say that the reason the FF left New York and the reason the kids are all missing makes perfect sense (unlike another certain book where the long-delayed revelation went against not only years of characterization but also just common freaking sense). At the same time, it changed the status quo in a way that is inherently temporary, but still paved the way for a year of very old-school sci-fi adventures. In other words, Ryan North found a way to take the FF back to the kind of crazy stories the book featured in the early days without getting rid of the modern trappings entirely or invalidating the feelings of the fans who enjoy those trappings. And now that we’re at a point where that storyline is being resolved, I’m really anxious and excited to see what North has planned next.
Blake’s Favorite Ongoing Image Comic: Radiant Black
This isn’t the first time this year I’ve mentioned how much I love Radiant Black, written by Kyle Higgins with art by Marcelo Costa. The title that launched Image’s “Massive-Verse” line (which also includes entertaining books such as Rogue Sun, No/One, and The Dead Lucky) is a superhero story about a young man, Nathan, who finds an alien artifact that gives him incredible power…until he’s hurt and put into a coma, with his best friend Marshall taking over. When Nathan wakes up, the two friends share the power until they’re forced to choose which of them gets to keep it.
Aside from just being a well-written comic with great art, Higgins and Costa do really interesting and innovative things with how the story is told. In one issue, in which Radiant Black encounters a crew making a fanfilm about him, we’re given a QR code that takes us to YouTube and shows us the actual film. Issue #25 though, the issue in which Nathan and Marshall are given their choice is the one that really elevates things when the readers are instructed to vote for which of the two of them becomes the permanent Radiant Black. The BIG shock, however, came when fans walked into comic shops to pick up issue #26 only to find two different versions: one in which Nathan took over and one in which Marshall got the job. During the currently-running “Catalyst War” storyline, there are two versions of the story, and it’s NOT just a case of penciling in a different face for each version. The two of them are different people, make different choices, and have different consequences, and it’s not until the story ends that the result of the fan vote will be revealed and one of the two timelines will be declared the “real” one.
I like good art and I love great writing, but if you REALLY want to make me go to bat for your comic book, pull some risky moves with how you tell the story and you’ll have me on your side for life.
Blake’s Favorite Comic Book Reboot: Skybound’s Energon Universe
Robert Kirkman, mentioned back in the Renfield entry, loves to surprise his audience. He didn’t announce ahead of time that issue #193 of The Walking Dead would be the last issue of the series. He didn’t tell anyone that there would be an Atom Eve special for his Invincible cartoon until it appeared on Prime Video. And earlier this year he launched a new comic, a sci-fi space opera, called Void Rivals. Nobody was really talking about this book much until the day the first issue reached the stands and, towards the end, fans were shocked to find an appearance by the Autobot Jetfire. This is how we learned that Void Rivals was not merely a new series, but the launch for a new shared universe including Void Rivals and the two classic Hasbro properties TransFormers and G.I. Joe.
There have been a lot of crossovers between TransFormers and G.I. Joe over the years, and the previous license holder IDW Publishing even tried to create a shared universe including those two and other Hasbro properties like M.A.S.K., ROM, and Micronauts. None of those efforts have ever really worked, though, because once these properties are already established, it’s too difficult to mesh them together. If the G.I. Joe team has already been around for 75 issues, why the hell have they never before referenced the giant robots that turn into oil tankers that have been fighting in downtown Las Vegas? You can’t explain it. What Kirkman and his team have done is the only real way to make a shared universe from these properties: tie them together from the inception.
So Void Rivals launched this “Energon Universe,” and it’s exploring space and some of the other alien races classic to the TransFormers franchise. The line continued with a new TransFormers book by Daniel Warren Johnson, which begins the story of how the war between the Autobots and Decepticons first spills over onto Earth. This is being followed up by two miniseries written by Joshua Williamson, Duke and Cobra Commander, which show the origins of the respective hero and villain teams of the G.I. Joe corner of the universe, and link those origins to the appearance of robot aliens on planet Earth. Void Rivals is pretty good, but TransFormers has been great, and the first issue of Duke – which came out this week – really blew me away. I’m totally on board for this universe, and I’m so happy with what Kirkman has put together.
Side note: Kirkman also gets bonus points for continuing Larry Hama’s G.I. Joe: A Real American Hero, the original series that was started by Marvel Comics back in the 80s and resurrected by IDW. It’s the classic G.I. Joe continuity, still in the hands of the man who basically created the incarnation of the franchise that we all grew up with, and I couldn’t be happier that it’s still out there.
Well that was a fun dip into the world of comic books. Let’s wrap up this look back at 2023 by discussing some of my favorite TV shows of the year, shall we?
Blake’s Favorite Star Trek Series: Lower Decks
I have made no secret of my love of Star Trek: Lower Decks. I wrote a whole column about it not too long ago, so I don’t want to spend a lot of space rehashing what I said then, but it would be disingenuous of me to write about my favorites of the year and NOT bring it up again. You can go back and look at that previous column if you want details, but it’s a show that is not only outrageously funny, but incredibly clever and truly loving towards the history behind the franchise. If you’re a fan of any incarnation of Trek and you haven’t been watching it, you’re making a mistake.
Blake’s Favorite Star Trek Series that isn’t Lower Decks: Picard, Season Three
With all due respect to Strange New Worlds – which had a phenomenal second season – the final season of Star Trek: Picard told a story we’ve been waiting to see for two decades now. The first two seasons of that show were no great shakes, it’s true, but the last season brought back the entire main crew from Star Trek: The Next Generation and gave them one last, grand adventure together, which they never really had. The finale of the TV show was never intended as their final story, since they were immediately rolling into production of the movies. The last movie in that franchise was not intended to be the last movie, and so it didn’t really give us closure either. But this story brought back everybody we loved and told a story that was exciting, heartfelt, and absolutely engaging from the first episode to the last. What’s more, it also laid the groundwork for a new generation of Trek, bringing in a new crew with a mixture of familiar and brand-new characters that fans warmly embraced. The executives at Paramount are absolute fools if they don’t capitalize on this and bring this crew back together again for more adventures.
Blake’s Favorite Comedy Series that isn’t Lower Decks: Abbott Elementary
Sometimes I need to remind myself that there are TV shows with live actors that aren’t set in outer space. Abbott Elementary is a wonderful way to do so – it’s a fantastically funny show that, at the same time, is really down-to-Earth and realistic in certain ways. The quick pitch behind this show is to call it “The Office, but in an elementary school.” It carries over the same sort of mockumentary style, and a lot of the characters seem to fit similar templates, such as the ridiculously inept boss (the principal, played by Ava Coleman), the hardass veteran (fantastically played by Barbara Howard) and the young, adorkable “will they/won’t they” couple (played by Tyler James Williams and show creator Quinta Brunson).
The thing about this show is that, while it IS very funny and the characters ARE very compelling, it also works very well as a look into the working of a real elementary school. Not ALL of it, of course – it’s a comedy and like many comedies it will often sacrifice realism for the sake of a joke. But the show deals with issues that, as a teacher, I see every day: funding difficulties, student behavior issues, intrusive parents and so forth. There are a lot of movies and TV shows set in schools, but this is the first time I’ve ever watched a show about a school that actually makes me believe that someone in the writing room might actually have been a teacher at one point.
It’s a great show with no weak links, and every time I hear about it getting an award in writing, directing, acting, or anything else, I just nod and say, “Yep. Nailed it.”
Blake’s Favorite Horror Series: Fall of the House of Usher
Writer/director Mike Flanagan has produced several films and TV shows for Netflix, and he finished up his contract this year with a miniseries kinda-sorta based on the works of Edgar Allan Poe. Kinda-sorta. Truth be told, when I watched Fall of the House of Usher, I described it to people as “Mike Flanagan bought all of the Edgar Allan Poe LEGO kits, threw away the instructions, and then built his own brand new thing out of all the pieces.”
This is not a criticism. The show is great.
The framing sequence features Bruce Greenwood as Roderick Usher, telling inspector C. Auguste Dupin (another Poe character played by Carl Lumbly) about the tragic deaths of his adult children, all of which happened in the past few weeks. What follows is a long, winding, generational tragedy, beginning in Usher’s childhood and leading up to the moments before the series actually begins. The cast is amazing, including several of Flangan’s usual troupe of actors like Carla Guigno, Henry Thomas, Kyliegh Curran, and Kate Siegel, and giving Mark Hamill perhaps the best dramatic turn of his entire career. The stories that unfold also tie into not just “Fall of the House of Usher,” but several other works of Poe as well. Episode titles, to give you an idea of what I’m talking about, include “The Masque of the Red Death,” “Murder in the Rue Morgue,” “The Tell-Tale Heart,” and “The Raven.”
If you go into this show expecting a faithful adaptation of the works of Edgar Allan Poe, you’re going to be disappointed. But if you look at it as someone using Poe as inspiration to create something entirely new, it’s a fantastic, engaging, and really disturbing series that goes right up there with the best horror on TV.
Flanagan is currently working on an adaptation of Stephen King’s epic The Dark Tower series, which previously fell flat in a movie in 2017. If there’s anyone out there who I feel has the skill and vision to make that book series – one of my favorites of all time – into a SUCCESSFUL show, it’s Mike Flanagan.
And that’s about all, guys. Out of all the new stories I read or watched in 2023, these are the ones I enjoyed the most. This isn’t comprehensive, of course: there are hundreds of movies, TV shows, and comic books that I never got around to this year. So if one of your favorites wasn’t included in this little retrospective, just comfort yourself by saying, “Well, Blake obviously didn’t watch Oppenheimer yet, so he couldn’t include it.” Because it’s either that or I DID see it and I didn’t like it as much as you, which is especially the case if your favorite movie of the year was Flamin’ Hot. Ugh.
I hope you’ve enjoyed this glimpse back at 2023, and furthermore, I hope you’ve enjoyed spending a year with me talking about the stories and storytelling that I love. That’s what Geek Punditry has really been about since day one, a chance for me to get out there and talk about these things again. And while I may not have TMZ knocking down my door begging to do commentary for them, writing this column every week has made me feel good and I’ve enjoyed doing it. So come back on the first Friday in January, and we’ll begin Geek Punditry Year Two.
Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His current writing project is the superhero adventure series Other People’s Heroes: Little Stars, a new episode of which is available every Wednesday on Amazon’s Kindle Vella platform. He’s trying to remember: in “Year Two,” is that the one where he finally tracks down the mugger who killed his parents in an alley, or is he thinking of something else?
Blake M. Petit 