Year of Superman Week 44: Mo’ Monsters, Mo’ Problems

As I write this, it’s Oct. 29 and I am still very much in the Halloween mood. I know, however, that this isn’t going to be posted until Nov. 5, and I respect the fact that you guys have probably shifted gears by now. So I’m going to do another random week for you, bouncing from one story to another at will and not beholden to anything in particular. You may still see a vampire or two, I make no promises. 

Well, except for the promise that you’ll see a picture of my kid in his Halloween costume when we get to Friday. I can absolutely promise you THAT. 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Oct. 29

Comics: Superman #410, 412, 413, Jon Kent: This Internship is My Kryptonite #16

Notes: With the end of the year looming, I’m going to try to tick off some of the more random comics on my list that I haven’t gotten around to, books that don’t fit into any particular theme or week, but that I want to read for one reason or another. And I’m going to start in 1985 with a three-part Lex Luthor story that has become a minor classic.

Superman #410 starts normally enough, with Superman saving Honolulu from a plunging satellite. With Hawaii safe, Clark returns to the Daily Planet office and dutifully types out the story, turning it over to Perry White to put on the front page of the paper. As the evening edition hits the streets, though, Morgan Edge comes to Perry with horrifying news – the satellite Superman supposedly stopped is still in orbit, making the story he “told” Clark Kent seem fake. Superman zips to space to investigate and finds the satellite he clearly remembers catching floating in orbit where it belongs. Superman is faced with a horrible choice – tell Edge the truth and have people believe Superman is losing his grip on reality, or allow him to think Clark falsified the story. Given a choice between shattering peoples’ trust in Superman or in Clark Kent, he allows Edge to think Clark was at fault. Edge and Perry immediately fire Clark from both the Planet and WGBS news. As Clark tries to find the truth about what happened, we see Lex Luthor in a secluded island hideaway, boasting to his minions how he has found a way to broadcast false memories into Superman’s mind. 

The trilogy skips issue #411, the legendary tribute to Julius Schwartz issue, and resumes in Superman #412, which begins with a humiliated Clark Kent on the unemployment line. He’s called away just as he’s about to be served, as Superman is needed to prevent a nearby construction disaster. Meanwhile, as Perry, Lois, Jimmy, and Lana agonize over Clark’s dismissal, Luthor is gloating over how Superman “allowed” his old pal Clark to take the fall for his own false memories. Lana, in fact, tears into Superman the next time she sees him for the same reason. Clark turns to his old friend Steve Lombard – who now owns a sporting goods store – for work. They’re hanging out when Luthor arrives in Metropolis, planting a series of “Scrambler Rods” around the city and nearly impaling Steve in the process. As he catches up to Luthor, an enraged Superman drives his fist into Luthor’s chest, killing him. When he withdraws his hand, Luthor’s armor explodes in an atomic wave that destroys the entire city of Metropolis!

For, like, a panel, before Superman finds himself clinging to the top of a skyscraper, having hallucinated the entire encounter. Luthor, meanwhile, has finished planting his rods, ready for the final phase of his “Ultimate Revenge” plan. 

The final chapter picks up just seconds later, Superman still at the top of the building, having lost all faith in his own grip on reality. Even though he’s certain that Luthor is behind all of his current troubles, he no longer trusts his own senses, destroying his effectiveness as Superman. He stumbles back to Steve’s store, where Steve receives a phone call from Lois with a plan of her own. She has Steve invite Clark to a “charity bash” that evening, to which he reluctantly agrees. As he ponders his future, another hallucination hits – Steve’s store seems to vanish, then the entire city block, then the entire city, including his friends. Clark is missing, then, when the “charity bash” begins – actually a dinner in honor of Clark thrown by the people who still believe in him. While his friends give testimonies in Clark’s honor, Superman watches in horror as Luthor makes him believe he is obliterating the entire planet Earth. While Luthor has Superman captive, suffering from his hallucinations, Clark’s friends are growing worried, searching for him, wondering where he’s gone. When Superman’s hearing picks up on their fervent pleas, it breaks through Luthor’s spell. He goes after Luthor, but a strange vortex plucks Luthor from his clutches before he can bring him to justice. Superman joins Clark’s “other” friends at the dinner, claiming the whole thing was part of a plan of his to smoke Luthor out, thanks Clark for going along with it, and says he’s SURE Clark is looking forward to getting back to work.

I’ve said several times that the late 70s and early 80s were kind of a pallid era for the Superman comics. The villains and stories felt recycled and pointless, and although there were attempts at change (Lois “breaking up” with Superman, Clark dating Lana, etc.) none of it felt particularly important or consequential. But in the last year or so before the John Byrne reboot, they took some chances, and this story is one of the better ones. Although the conclusion still puts everything back in its neat little box, the journey to get there is an interesting one and I like the whole concept of everybody coming out in support not of Superman, but of Clark Kent. This was a time when Clark was usually still written as the disguise and Superman as the real personality, so having people in Clark’s corner for once was fresh and satisfying. Luthor’s getaway is a little irritating, but the knowledge that the vortex was sucking him up to participate in Crisis on Infinite Earths helps a bit. I almost wish they hadn’t given Clark his job back at the end – with the reboot on the horizon it wouldn’t have really made much of a difference, but may have made this story even more memorable. 

Thur. Oct. 30

Podcast: Totally Rad Christmas, Episode, “Superboy-Young Dracula (w/CM Chuck)”

Notes: It’s the day before Halloween, so I decided to take a break from my usual Star Trek podcast on the way to work and see if the Totally Rad Christmas podcast had dropped any Halloween episodes this year. To my delight, I found that Gerry D and CM Chuck had gotten together to review an episode of the 1988 Superboy series in which young Clark faced off against…well, Young Dracula. I haven’t really gone back and watched this series in a long time, and I’m not sure at the moment where to find it. I own the first season on DVD, but not the subsequent ones, and although I know at one point it was available on DC Universe, that before it was merged with HBO Max and before Warner Bros. lost their collective minds and started throwing their IP to the four winds in the hopes of finding somebody desperate enough to buy them. The whole situation is ridiculous.

But anyway, the podcast. I don’t really remember the episode they’re discussing, and I wish I had it readily available to watch, as I’ve still got so many other Superman/vampire encounters fresh in my mind. I was glad to see that Gerry did enough research to unearth Superman #180, which I talked about last week, and how it demonstrated that a vampire biting a solar-powered Kryptonian wasn’t the best idea for the vampire. But that was a side conversation, not about the show itself, and the scattershot nature of this particular podcast does a nice job of emulating a conversation hanging around the comic shop, but isn’t exactly comprehensive in its coverage of the topic at hand. I’ll have to find this episode on my own somehow. 

Comics: Superman: Silver Banshee #1-2, Cheetah and Cheshire Rob the Justice League #3 (Cameo), Saga of the Swamp Thing #24 (Guest Appearance), Justice League of America #36 (Team Member), Flash Vol. 6 #26 (Guest Appearance), Justice League Unlimited Vol. 2 #12 (Team Member)

Notes: In the comments to last week’s blog, Ben Herman asked if I’d ever read Dan Brereton’s two-issue Superman: Silver Banshee miniseries from 1998. And I know I have, I bought it when it came out and it’s still in my collection, but I probably haven’t read it SINCE the original publication. And as it, too, is a Halloween story (which I had forgotten, or I would have included it last week), this seems like an excellent opportunity to revisit it. 

On Halloween Eve, Lois Lane gets a tip that will help her uncover a notorious gang of art thieves called the “Trickertreaters.” At the same time, in the Netherworld, Silver Banshee learns that there is one remaining descendant of the MacDougal clan, the clan responsible for her curse, and that she will never be free until the last MacDougal has perished. On Halloween, though, there are other options – she can go to Earth again, and if she uses the power of “good works,” the final MacDougal can lift the curse freely, without need for further death. Lacy MacElwain, her target, now lives in Metropolis (because of course she does) and the Banshee sets out to find her, but instead is snared by a summoning spell cast by the devil queen Hecate. Hecate – as it happens – is the one who lured Lois Lane with the promise of catching the Trickertreaters, whose newest member happens to be…oh come on, you can guess…yep. Lacy MacElwain herself.

Funny how things work out sometimes.

Anyway, Hecate’s stooge Thorpe knocks out Lois and ties her up as the art thieves arrive with their newest acquisition, an amulet that has no apparent monetary value, but that Hecate needs so she can do evil witch stuff. She tries to dismiss them without payment, but they take offense to that and wind up battling Thorpe, who turns out to be some kind of were-demon-thing. That’s an industry term, peeps. Lacy manages to get her hands on the amulet, which she brings to the mystic web where the Silver Banshee is held captive. The two of them are transported away from Hecate’s lair, and the Banshee tells Lacy that she will be freed of her curse if Lacy destroys the amulet, but it turns out to be fairly powerful. Thorpe tracks them down, but Superman (who got a little concerned when he found a dead body in the church where his wife was supposed to be meeting an informant) has caught up to them and saves her. As he confronts Hecate, Lacy flees for home, but the Banshee follows her, demanding she destroy the amulet. Unfortunately for Lacy, Hecate’s demons – including the transformed Trickertreaters – have trailed her as well. 

In issue two, the Banshee tries to defend Lacy from the attack, but is forced to merge the two of them into a single body to prevent her death. In their shared form, the Banshee promises Lacy that destroying the amulet will set them both free. Unfortunately, Thorpe has his hands on it now. Superman, meanwhile is trapped by Hecate’s magic, and she plans to use Superman and Lois in her scheme. She gets the amulet back from a reluctant Thorpe, and the Banshee/Lacy hybrid attacks. The Banshee’s wail is surprisingly effective against Hecate, but she can’t free Superman or Thorpe from the Puppeteer demon that is holding them. In the battle, Lacy is killed, and the Banshee is freed from her curse, but unwilling to allow Lacy to sacrifice herself, she follows her into the afterlife, where the two of them are consumed by light. When the light fades, Superman, Lois, and a back-from-the-dead Lacy are all that remain. Lacy goes home, only to find that in saving her, the Banshee is now bound to her…no longer merged, but more of a regular haunt. 

I’m really glad that Ben suggested I read this one again. The Silver Banshee has always been an interesting sort of anti-villain – she does bad things (murdering people, y’know) but she doesn’t do them out of actual malice or evil, merely out of a desire to free herself from a torturous curse. Once that curse is lifted, you can take the character in different directions, and this two-issue story is a nice sort of capstone to the status quo John Byrne first established for the character. She’s been used periodically ever since, sometimes as a villain, sometimes almost as a hero. I don’t recall offhand how long Lacy stuck around, but I don’t think she’s currently a factor when the Banshee shows up. Still, if there can be THREE ongoing series starring Batman bad girls who keep straddling the line between villain and kinda-sorta-hero, I think it’s well past time the Silver Banshee got at least another miniseries or something to give her the spotlight. 

Fri., Oct. 31

Comics: Supergirl Vol. 5 Annual #2, Superman/Batman #65, Impulse #44 (Superboy Cameo)

Notes: I don’t have a ton of time to read, though, because there’s trick-or-treatin’ to do, so I pulled the 2010 Supergirl annual, in which Kara is accidentally bounced 1000 years into the future and encounters the Legion – but NOT the Legion SHE knew. This is her cousin Kal-El’s Legion (recently restored in Action Comics) when they were teenagers. Brainiac 5 wants to find a way send her back immediately, worried about her disrupting the timestream the way he always worries when Superboy shows up, but it’s not that simple. She’s there for a month, joining the team and lending a hand, and learning – tragically – the circumstances of her own death. When a horned villain calling herself “Satan Girl” attacks, Kara and Brainy bounce four days into the future to see that Satan Girl has destroyed Metropolis, possessed the Legion, and taken over the world. It gets worse when she realizes that Brainy himself summoned her, but is arrogantly dismissing his own part in it. 

An epic battle ensues between Satan Girl and the possessed Legion, with Kara, Brainy, and an army of animatronic Jimmy Olsens on the other (it makes sense in context). In the end, Brainy manages to send them back and prevent himself from summoning Satan Girl in the first place, then brings Kara home. In the process, they erase her memory of the future, including that of her own death, but Brainiac swears to do something to save her.

I like this story for a lot of reasons. Don’t ask me to explain why, but the various versions of the Legion that have flirted with a Supergirl/Brainiac 5 romance over the years have always appealed to me, and this one plays with that element as well. I hate it when people get into “shipping wars” over their preferred pairings, but I have to admit that I have a few of my own, and this is one of them. It works for the characters as they were at the time, and I hope that when the dust settles around the whole All In/DC KO thingamabob and we have a new, proper Legion again, this is an element that will be touched upon.

That said, I’m a little bummed because the reason I chose this particular issue is that the DC Universe app describes it as a Halloween story and…it ain’t. I mean, it was released in October and there’s the whole “Satan Girl” thing, but there’s no mention of Halloween in the story whatsoever. I assume that most of the listings on the DC app are copies of the original solicitations for the comics, especially for something as relatively recent as this, but that gets me a little grumpy that I skipped over a chance for some prime Halloween content.

There are greener – relatively speaking – pastures with the Halloween story from Superman/Batman #65. The story begins with Superman trying to save a falling plane as he’s done thousands of times. And this one, of course, has Lois Lane on it, as it has thousands of times. But it also has Perry White, his parents, Jimmy Olsen – and Superman watches in confusion as the plane goes down, killing everyone he loves. The scene shifts and we see that Superman is actually unconscious, as are Batman, the Joker, and Lex Luthor, all of whom had been engaged in a battle, then all taken down by an outside force. We watch the Joker live through his worst nightmare – a place where people actually treat his terrors as a joke. Lex Luthor’s worst nightmare, it turns out, is living out the bland, boring life of a subservient, specifically Jimmy Olsen. And Batman has a nightmare of a family – married to Selina Kyle, a son named Richard, his parents alive — and then watching them all gunned down by Alfred so he can bring things back to “the way it has to be.” The dream is nightmarish enough for Batman to wake up and realize all of them have been captured by – and are about to be buried alive by – the Scarecrow. Superman comes to next, stopping Batman from going too far in his revenge, and in the end we see a glimpse of the Scarecrow’s own worst nightmare – a land where he’s just an ordinary man of straw, one without a brain. It’s a cute story, and definitely one that feels more seasonally appropriate than the Supergirl one. But I think that’ll do it for Halloween in this blog. Until next time, anyway. 

Halloween Bonus: I know you won’t believe me when I say this, but I had no influence on my son’s choice of Halloween costume this year. Well, not directly anyway. Obviously, his sphere of reference is influenced by proximity to me, and I wasn’t exactly subtle when I told him how happy it made me to bring him to watch the new James Gunn movie back in July. But at no point did I deliberately try to influence or manipulate him when the time came for him to select a Halloween costume.

“Eddie,” I asked him during one of our 27 trips to the various Spirit Halloween locations in our area, “What do you want to be for Halloween this year?”

“SUPERMAN!” he announced.

“Nobody is ever gonna believe I had nothing to do with this,” I said. 

We wound up getting his costume at Walmart rather than Spirit, since they somehow got an exclusive on costumes from the movie. But we got the black hair color spray from Spirit, and I finally got a chance to wear the Superman pajamas he and his mom got me for Father’s Day back in June.

And I may be a little biased, but amongst all the arguing about Reeves and Cavill and Corenswet…well, with all due respect to those gentlemen, I may have a new favorite Superman.

Sat., Nov. 1

Comics: Superman: Red and Blue 2025 Special

Notes: This summer, during my family’s annual trip to Pittsburgh, I used the time to read over a lot of collected editions of various Superman books that didn’t quite fit in anywhere else. One of those was the collection of the delightful anthology series Superman: Red and Blue. I was quite happy when DC announced that they were bringing the concept back this year for a one-shot special with four new stories. 

First up is “Priceless,” written by Paul Dini with art by Mirka Andolfo. Dini’s story features Superman on a mission to collect a rare mineral he needs to bail Supergirl out of an alien prison. It looks as though Dini is maintaining the characterization of Supergirl from the movie – a sort of hard-partying girl who gets into a little trouble with her dog. The story is funny and the art is wonderful, but there’s a nice little turn at the end that shows us that things weren’t exactly what Superman had assumed – and, in fact, family is everything.

“All the Time in the World” by Michael Walsh is a pretty simple story, a day in the life of Superman set in the era when Jonathan was still a toddler and Clark is desperately trying to find the time to be a husband and a father in a world where the demands for Superman’s gifts are neverending. This one…hits. I mean, there’s nothing world-changing or anything going on here, but it’s a theme that is particularly significant to me, right now, at this moment, where I’m looking at a schedule and trying to figure out how to fit in my son’s choir rehearsal and his basketball practice and his speech therapy and my own job and my wife’s job and if it is even possible, in the entire totality of the universe, to carve out even a single afternoon where I’m not going to be pulled into yet another thing that I don’t even know is going to happen now but it going to turn out to be of universe-altering consequence approximately 30 minutes before it has to happen. I may not have any literal fires to put out or people to catch as they fall off a building, but this is real. I know nothing about Michael Walsh, but I have to assume he’s a parent, because how the hell else could he understand this so well?

Next is Dan Abnett and Caitlin Yarsky’s “Out of the Ordinary.” When Superman saves a small town in Canada from a giant robot – you know, like you do – he is approached by a reporter for the tiny local paper who sheepishly asks for an interview. And to the surprise of absolutely nobody who understands Superman, he graciously agrees to one. The bulk of the story is just a quiet conversation between Superman and this young woman in a small-town diner, about what it’s like to be him and what it means to be “ordinary.” It’s a lovely story that really does nail the character, and in fact it functions very nicely as a (Clark Kent-ian polite) kind of rebuttal to Quentin Tarantino and anybody else who thinks that Superman is the “real” identity and Clark is a mask.

Last is “Red-Letter Days” by Rainbow Rowell and Cian Tomey. On Lois and Clark’s anniversary, Superman is summoned away by one of those regular world-threatening crisis type events. By the time he gets back, Lois has gotten a tip on an enormous story that deserves front-page coverage, but it’s going to take her and her husband staying up all night to get the sources and get the news straight. This isn’t a Superman story, it’s a Lois and Clark story, and I love it for that. We see the two of them doing what they do best (when Clark isn’t wearing a cape, that is) and in a way that isn’t interrupted by supervillains, alien invaders, time travel, or any of the other thousands of things that screw up a superhero’s life on a daily basis. It’s a story of a loving couple that struggles a little sometimes to find time for each other, and it’s delightful.

Superman’s the greatest hero there is, I think I’ve fairly well established my position on that by now. But for all the stories where he saves the world or the universe or a cat in a tree, there aren’t enough stories like the ones in this anthology. Four stories that lean on the man part of his name rather than the Super. There aren’t enough of these, and I hope that the Red and Blue anthology comes back again and again.

Sun., Nov. 2

Comic: Brave and the Bold Vol. 3 #16

Notes: Sundays aren’t days of rest for teachers. We’ve gotta get ready for the week, and I’ve got a ton of stuff on my plate today, so I decided to look for a one-off story I could read without sacrificing a huge chunk of time. I decided on this issue from the 2007 reboot of DC’s Brave and the Bold, which in this incarnation was a team-up title without a specific anchor character – there was never any telling which two characters would wind up with each other on any given issue. And as you can tell from the look on Superman’s face, this team-up with Catwoman surprised him as much as anybody.

Written by our old pal Mark Waid with art by Scott Kolins, the story begins with Superman responding to a bat-signal, telling Gordon that Batman asked him to cover for him while he was out of town. Gordon asks him to look into a rumored underworld auction, and Superman’s hearing picks up a burglary nearby. He finds Catwoman stealing an enormous jeweled egg, and Catwoman – a little smitten with the Man of Steel – tells him she needed it to get into the same crime auction. The evening’s prize is allegedly a map that leads to a certain hidden cave outside of Gotham City. Superman reluctantly agrees to work with Catwoman to stop the map from falling into the wrong hands. Selina dresses the two of them up to go undercover at the auction and a comedy of errors follows, most of them based on Superman’s attempts to sidestep actually giving any sort of aid to the criminal element around them. In the end they manage to prevent the contents of the cave from being used for nefarious purposes, and their encounter ends in a bit of a stalemate…but one that leaves Catwoman smiling.

I really enjoyed this issue. Batman never makes an appearance, but the story is essentially about him – specifically about how Superman and Catwoman, respectively, each feel about the Dark Knight and how that common ground allows them to put aside their differences and work together. And while you don’t get the impression that Catwoman’s flirting with Superman is entirely serious, it doesn’t seem as though she’s entirely joking either. After spending her life playing with the bad boys, a “date” with the ultimate good guy seems to be a refreshing change of pace for her, and even when Superman gets a little bit of an upper hand on her in the last few panels, she doesn’t seem to mind all that much. It’s just a simple, charming little story, the likes of which we could certainly use more of.

Mon., Nov. 3

Animated Feature: The Batman/Superman Movie: World’s Finest (1997)

Notes: When I woke up this morning at around 2:30 with a rumbling in my stomach I had every intention of going to work. However, as the rumbling continued to have pointed conversations with me for the next several hours, I eventually resigned myself to a day on the couch. And since getting off the couch to find something to read didn’t seem like a fun time, I decided that today’s Superman fare would consist of something I could access via my remote control. Bizarrely, The Batman/Superman Movie: World’s Finest doesn’t appear to currently be streaming anywhere, not even on HBO Max. Although I could theoretically have watched the individual episodes of Superman: The Animated Series that were cut together to make the film, I once again am grateful for my adherence to physical media and how I’ve used that to meticulously populate my own Plex server. 

Younger people reading this blog (and of course, we all know how popular it is with the kids) may not realize just what a big deal this movie was. Today, when everybody and their brother is trying to create a cinematic shared universe, it seems like a film of this nature would be a no-brainer. But in 1997, despite the fact that these characters were all owned by the same companies and their shows were worked on by the same people, there was still relatively little crossover. Batman: The Animated Series was a smash hit, and when the same creators put their work into a Superman series this is exactly what everybody was hoping for, but it was far from a foregone conclusion that we would GET it, at least not until it got gotten. 

The movie starts off with the Joker and Harley Quinn stealing a jade dragon from a shop in Gotham City. Batman’s examination of the crime scene sets off some alarm bells, and he makes plans to head to Metropolis. In Superman’s town, the Joker and Harley rather forcibly coerce Lex Luthor into a partnership, presenting him with the “jade” dragon, which is actually made of Kryptonite. Lois and Clark are on-hand when Bruce Wayne flies into Metropolis for a business summit with Luthor, and feeling like she’d made a fool of herself in front of Superman earlier, Lois finds herself smitten with Bruce, who invites her out to dinner to discuss his plans in Metropolis. Although Bruce and Luthor have a business deal in place, Bruce pulls back from parts of it that are intended to create militarized robots, something that burns Lex. 

That evening, as Batman roughs up some hoodlums in a bar to find information about the Joker’s whereabouts, Superman bursts in to stop his “vigilantism.” He’s shocked when he uses his X-Ray vision to peer through Batman’s cowl to see Bruce Wayne’s face, and Batman warns him about the Joker’s Kryptonite by taking out a shard to hold him back, allowing him to escape. When Clark returns to his apartment, he gets two surprises: a phone call from Lois informing him that she’ll be having breakfast with Bruce tomorrow, and a bat-shaped tracking device on his cape that alerts him to the fact that he was followed, and that Batman is watching him from a nearby building, his own identity revealed. 

The next day, as Bruce arrives at the Planet to pick up Lois, he and Clark briefly compare notes on the Joker’s schemes. Clark is also a bit concerned about Bruce’s burgeoning relationship with Lois, to which Bruce replies, “It seems to me you had your chance.” At their date that night, though, the Joker swoops in and kidnaps her, despite Bruce’s efforts to keep her safe. The heroes go to her rescue, but despite knowing they’re walking into a trap, the Joker manages to get the upper hand and nearly kills them all before escaping. 

Lois’s relationship with Bruce gets more and more serious, with her even requesting a transfer to the Planet’s Gotham office, but when she discovers he’s Batman (during an uncharacteristic moment in which his mask is yanked away) the brakes are put on. The heroes naturally team up to stop the Joker and Luthor, complete with his army of murderbots, and ultimately have to save both Luthor AND Metropolis from the Joker’s lunacy. Lois breaks up with Bruce, with the supreme irony of her not wanting to be in a relationship with a man with a dual identity, and Bruce and Clark part perhaps not as friends, but at least with respect and cooperation. 

At the time this movie was released, the comics were still in a kind of nebulous state for Superman and Batman. The antagonistic relationship they had in the early years of the post-Crisis reboot had largely vanished and they were teammates in the Justice League again, but they had not yet re-forged the friendship that they’d enjoyed in years past. The movie does a quick job of fast-forwarding through that relationship to get them to a more stable place: when Batman and Superman first encounter one another in costume, they’re antagonists. The next day, each of them having learned the others’ identity, they immediately begin working together, if grudgingly.  The cast is top-notch, of course. Tim Daly and Kevin Conroy ARE Superman and Batman for so many of us, but perhaps even better than the two of them together are the interactions between Mark Hamill’s Joker and Clancy Brown’s Luthor, perhaps the two greatest villain voices in animation history. I loved this movie when it first came out, and I still have fun watching it today.

Now if you’ll excuse me, my stomach is doing that thing again. 

Tues., Nov. 4

Comic: Batman Adventures #25, Batman: Wayne Family Adventures #29 (Superboy Guest Appearance), Jon Kent: This Internship is My Kryptonite #17

Notes: I went back to work today, although I’m still not really at 100 percent. But I’m a teacher, and if you ask any teacher they’ll tell you that it’s sometimes easier to go to work feeling like garbage than it is to prepare for a class without you in it. At any rate, after the classing is done, I still need to work in something Superman, and I want it to be something quick. Continuing the theme from yesterday, with the World’s Finest movie, I decided to take a peek at Batman Adventures #25 from 1994, the first team-up between the animated Batman and Superman. Well, kinda, anyway. This comic came out before there was a Superman: The Animated Series, and the Superman that appears is based more on Superman as he appeared in comics at the time, long hair and all. Still, writer Kelley Puckett did an admirable job, and the artwork by the brilliant (and gone far too soon) Mike Parobeck make this issue a delight to revisit. 

The story opens with Bruce Wayne at a party, unaware that there are crooks planting a bomb in the kitchen. Among the people he schmoozes with at the time is a Lex Luthor with long, red locks and a beard (befitting his “Lex Luthor Jr.” persona from the books) and a ponytailed Clark Kent. LexCorp and WayneTech are competing for a military bid, but the discussion is lost when Clark’s superhearing picks up the ticking bomb under a table. Bruce also notices something amiss and the two of them dismiss themselves, Superman appearing moments later to dispose of the bomb. While he takes it into space, Batman apprehends the crooks who planted the bomb in the first place. Superman comes down to help finish mopping up, and the two icons meet for the first time. 

Maxie Zeus sends Commissioner Gordon a video taking credit for the attack and promising to blow up Gotham City if he doesn’t get the “proper tribute” by midnight, and although Zeus is clearly insane (demanding such ransom as “five hundred head of oxen” and “two hundred vestal virgins”), Gordon is clear that he doesn’t bluff. As the heroes search for Zeus’s explosives, Luthor offers his military hunter robots to aid in the search. Superman and Batman find Zeus’s lair, along with the controls of the bomb, just as Luthor’s robots crash in and attack everyone, including Superman, which he tries to explain away as saying the robots “mistook him for an enemy” – but shoot, isn’t it impressive that their weapons can slow him down? They defeat Zeus, but Batman soon deduces that the whole thing was staged by Luthor to secure the military bid. He confronts Luthor with the evidence, telling him to withdraw his bid or he’ll present the evidence to the military. In the end, he and Superman part on terms a bit friendlier than they did in the later movie.

It’s fun to go back and look at this sort of embryonic animated Superman here. Setting the story in Gotham gets them out of having to deal with elements like Lois, Perry, or the Daily Planet, with only Superman himself and Lex standing out as being from that world. And truly, visuals aside, they’re not that far off. Give each of them a haircut (and a shave, in Lex’s case) and tweak the dialogue a little so that this no longer comes across as their first meeting; you could quite easily make this canonical to the animated series. The relationship is slightly warmer, without the initial antagonism we saw in the movie, and is a little more in line with who they would become once they joined the Justice League together. The story works nicely as a little bit of a time capsule, looking at the world of Batman: The Animated Series before that world had a Superman in it and kind of guessing how he would fit in. The later Adventures in the DC Universe series would do the same thing with lots of characters, which made the whole thing kind of out of sorts when those same characters eventually appeared in different forms in the cartoon…but it was no less fun. 

It was a nice week off from themes, folks, but we’re running out of 2025 and I’ve still got several themes left that I intend to tackle. So next week, I’m going to mirror something I did in October with “Superman gone bad.” Starting tomorrow, I’m going to spend seven days exploring the Supermen of Other Worlds – and I’m not just talkin’ Elseworlds, my friends. See you in seven!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 39: Mark Waid, Don Rickles, and Byrnein’ Down the House

The monthlong journey through Superman’s electric era was fun, but I’m ready to mix it up again and get back to some different types of stories. So this week I’ve decided to go without a theme. I’ll grab random stories to enjoy each day, without any overarching plan or goal. I’ll get back to themes in October. And I’ve got plans for October.

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 24

Comics: Superman #162, Taste of Justice #12 (Krypto Appearance), Harley Quinn in Paradise #37 (Cameo), Jon Kent: This Internship is My Kryptonite #13

Notes: With the saga of Electric Superman behind me, I realized that there’s one thing I should have read that I forgot to include. Like “The Death of Superman,” the long-running epic of Superman Red and Superman Blue was not a unique idea to the Triangle Era, having drawn a little inspiration from a Silver Age “Imaginary Story.” Today, even though I’m purposely leaving this week open for random readings as the mood strikes me, I wanted to go back and read the original story of Superman Red and Superman Blue from 1963. I read this story for the first time when I was a kid, included in the delightful Greatest Superman Stories Ever Told trade paperback, which now that I think about it, may be the first trade paperback I ever got. I wonder how the contents of that would change were they to make a new volume today.  

Anyway, in “The Amazing Story of Superman-Red and Superman-Blue” by Leo Dorfman, with art by the immortal Curt Swan, we start off with a discussion of Superman’s many failings. The publisher of the Daily Planet puts out a post listing raises for every employee except for Clark Kent (in fact it specifically says “Clark Kent: No Increase,” like that time on The Simpsons that the power plant announced layoffs in alphabetical order and only said “Simpson, Homer”), and before the bruising has even subsided, he’s summoned to the Fortress of Solitude where the citizens of Kandor are pissed that he hasn’t gotten around to enlarging them yet. And while they’re on the subject, why hasn’t he found a cure for Kryptonite poisoning or eradicated crime on Earth? Is he a Superman or isn’t he?

I gotta be honest, the Kandorians kinda seem like assholes in this one.

At any rate, they give him six months to try to accomplish all of these feats or they’re going to have him switch places with a Kandorian citizen and let the new guy try to do it. Superman, apparently forgetting the fact that he is – relative to them – the size of the Empire State Building, agrees to their terms. He tells Supergirl that he’s invented a “brain evolution machine” that could theoretically improve his mental power a hundredfold. The catch is that the machine is powered by radiation from all different colors of Kryptonite, so there’s a significant chance that something could go wrong. As it turns out, though, something goes extraordinarily RIGHT. The machine splits Superman into two beings, each 100 times smarter than the original. Unlike the last time this happened under the influence of Red Kryptonite, though, this time there’s no evil twin – they’re both still good. 

The two super-geniuses quickly put their brains to work solving the issues that Kandor set forth for them, beginning with repairing Brainiac’s enlarging ray (which he’d never been able to do before) and restoring Krypton by causing a chain reaction that magnetically draws every chunk of Kryptonite in the universe to the planet and, at the same time, neutralizing their harmful rays. Kandor is enlarged on its rebuilt homeworld, and the first two problems on his list are solved just like that.  

Before they can move on to the next item on their list, they get a telepathic signal from Lori Lemaris. The Atlanteans saw what they did for Kandor and ask them to help them find an uninhabited ocean planet to live on, since they’re “tired of being considered freaks here on Earth.” This is kind of a crazy notion – it’s not like the existence of Atlantis was common knowledge at the time, so who exactly was calling them freaks? It’s also weird that nobody ever stops to consider what Aquaman has to say about all this, although I suppose you need to remember that at this time, DC didn’t care nearly as much about continuity as they would later. 

Once that’s taken care of, it’s crime time. The Supermen invent a ray that can “erase all thoughts of evil” from the minds of the world’s criminals, which they swiftly deploy through a series of satellites. Instantaneously, every villain on Earth is reformed. Bank robbers return their loot, escaped prisoners turn themselves in, the Soviet Union dumps all its missiles into the sea! Even Brainiac, coming from space to attack Superman again, has a change of heart when he gets in range of the satellites. And GEEZ, is this a story that would take on a different aspect if it were written today. If you were reading comics in the mid-aughts, you probably remember Identity Crisis, the DC event which revealed that certain members of the Justice League had agreed to use Zatanna’s magic to essentially brainwash certain criminals over time, removing memories and – in the case of Dr. Light – turning him from a serious threat into a buffoon. The revelation of their actions caused a schism in the League that nearly destroyed it before it was rebuilt in the wake of Infinite Crisis. One could argue that what happens in this story is far worse. Sure, there’s no more crime, but it’s at the cost of effectively brainwashing the entire planet. These are our HEROES, folks.

Not to say it’s all bad. Once the rays hit Lex Luthor and reform him, he whips up a serum that, after the Supermen distribute it into the world’s drinking water supply, instantaneously eradicates all disease from the Earth, even allowing him to grow his hair back. Yes, they even eradicate male pattern baldness.

The final chapter of this three-part “novel” shows us the end of the Supermen’s career. With Krypton restored and crime wiped out, Supergirl releases the Phantom Zone criminals (who are immediately reformed by the rays) and together they decide to go back to live on New Krypton, but not before the Legion of Super-Heroes pops in to say goodbye to her, and also give her a spaceship. Remember that, people, good friends are the greatest treasure. The Supermen then decide to turn their attention to the greatest danger of all: women. Superman, it seems, had always struggled between two girls, Lois Lane and Lana Lang, and unable to make a decision, kept them at arm’s length. Now that there’s no crime to endanger Superman’s wife, there’s no longer any reason to stay single. For the first time it turns out that Red and Blue aren’t EXACTLY alike – Red prefers Lois, while Blue is conveniently Team Lana, so each of them goes to reveal his identity and propose to the girl he loves. They each agree immediately to marry Superman (they most certainly would NOT have married Clark, let’s be honest), but are stunned when they discover that there are two of him.

Have they not been watching the news? I…I feel like the two Supermen who eradicated crime and spread Lex Luthor’s serum to cure all disease would have made the news.

Wait, LOIS AND LANA would have made the news, they BOTH WORKED for news organizations.

Anyway, their double wedding is disrupted when Best Man Jimmy Olsen and Maid of Honor Lucy Lane decide to tie the knot as well, making Lois and Lana considerably more understanding than any bride who was ever featured on TLC. Red decides he wants to retire to Krypton, taking Lois, Krypto, and Comet the Super-Horse with him, while Blue stays on Earth to devote his life to science while his robots take over the job of patrolling the Earth for natural disasters and accidents, which surprises me inasmuch as Dorfman didn’t have him invent an anti-Earthquake ray or something. The end.

This story…It’s been several years since I read it, and I have to admit, it hits a little differently than it used to. I still enjoy it. It’s got that sweet, naive charm of the Silver Age, and I’ve got a heavy chain of nostalgia that makes me appreciate it. At the same time, though, there’s a lot of stuff in here that very much would not fly today. In fact, I’m kind of surprised that nobody has latched on to this for one of the far-too-frequent “evil Superman” stories, returning to this “imaginary world” (which is now just considered part of the multiverse) to look into the consequences of actually manipulating the brains of the entire planet the way these Supermen do. There are several other things in the story that are a little iffy, but nothing as awe-inspiringly wild as that. 

It was a different world 60 years ago, wasn’t it? 

Thur. Sept. 26

Comics: Adventures of Superman #473

Notes: When I started this year, I compiled a sizable document listing the assorted theme weeks I had planned or was considering, along with another list of specific stories that I wanted to include for one reason or another. With the end of the year coming faster than it seems, I’ve decided to pepper these weeks that aren’t adhering to any particular theme with more of these random stories that made the list because I remember reading them and I wanted to visit them again. Such is the case with Adventures of Superman #473.

This issue came immediately after Lois and Clark’s engagement in Superman #50 which – if you recall when I wrote about the whole “Krisis of the Krimson Kryptonite” storyline months ago – is the story that actually locked me in as a regular Superman reader. That makes this one of the earliest Superman stories that drew me into this incarnation of the character, as well as the one that showed me a bit of what was then the status quo of the Green Lantern Corps, which at the time didn’t really exist. It was kind of foundational for my entry into the DCU.

Plus, that Dan Jurgens cover just slaps.

The story starts with Lois and Clark telling Jimmy the news of their engagement over lunch – a lunch disrupted when an enormous Green Lantern symbol appears in the sky over Metropolis. When the symbol morphs into an S-Shield, Lois rushes to write up the story that one of the Lanterns is trying to contact Superman, leaving Clark (who still hasn’t told her his identity at this point) the opportunity to sneak off. He flies to New York to find Guy Gardner, but Gardner didn’t send the signal. Gardner uses his ring to track the signal to a location in Wyoming where Hal Jordan is being held by a giant alien whose ship crashed on Earth centuries ago. Hal is helpless, his ring’s charge having been spent just as he signaled Superman, plus the alien is siphoning energy from his power battery. They find him beneath an air force base where Hal escapes and recharges his ring, then with the addition of Superman’s will, they take back the emerald energy he stole. The alien is despondent, believing himself trapped on Earth, but Superman and the Lanterns take pity on him and restore his ship to space with enough energy to finally, after centuries, return home.

This is a nice self-contained issue, with the only major link to the ongoing storylines being Lois and Clark’s engagement and a few references to the still-fresh wound of the death of Jerry White. But the book turned out to be pretty fundamental to me. As I said, I was still relatively new to DC at the time it came out, and this served as something of a gateway for me to both the Justice League America series that Guy was a member of, as well as the then-new Green Lantern series featuring the down-and-out, gray-templed, globetrotting Hal Jordan that existed at the time. I knew who the Justice League and Green Lantern were, of course, but at this point my perspectives on the characters were built primarily around pre-Crisis comics that my uncle had given me and the way they were depicted on shows like Super Friends. With this book my eyes were opened to a larger world. I became a fan of these properties, especially Green Lantern, and I’ve been a faithful reader of that comic ever since (with the exception of one writer whose run turned me off so much that I dropped the book until it ended – but the less said about that bleak period the better). 

This book is also a great glimpse at the way the characters were written at the time. Gardner, for example, had the same stupid, brash attitude that Nathan Fillion made so much fun in the movie, although he’s perhaps even a little more dimwitted. There’s one point, for instance, where Superman shows his exasperation that the alien has allied himself with two old sparring partners of his named Dreadnaught and Psi-Phon, and Gardner takes that as a cue to go after them with a power ring-generated chainsaw. There’s some interesting contradictions here as well – he’s jingoistic enough to casually wish for a new war so he could show what he can do, but too dense to realize that the airplanes attacking them are American. Fortunately, this particular facet of the character has dulled over time.

Superman, meanwhile, is all him. When the alien believes himself to be stranded, Superman hits him with a classic observation: “How come extraterrestrials are always coming here and causing all kinds of trouble instead of asking for assistance? All you have to do is ASK!” The giant alien is suitably ashamed of his behavior before Superman helps him out anyway, because of course, he’s Superman.

A fun book from early in Jurgens’ run, and I enjoyed revisiting it again after all this time. 

Fri., Sept. 26

Comics: Superman’s Pal Jimmy Olsen #139, 141, All-Star Squadron #36 (Team Member)

Notes: Here’s a fun, weird one that should have been worked into the week of Superman’s Strangest Team-Ups. Jack Kirby, who at this point was doing pretty much whatever he wanted with this title, had made Project: Cadmus a regular co-feature of Jimmy Olsen’s adventures. This is the issue where the Project unveiled the Guardian, the clone of the Golden Age hero who became a regular member of Superman’s supporting cast in this same basic form during the Triangle Era. Guardian changed a bit before the 90s, though. In this one he’s much more focused on being a clone, even commenting how it’s always an “experience” to meet an “original” human like Clark Kent. (That’s what we call dramatic irony, by the way, kiddos.) By the Triangle Era, Guardian had shed the conceit of making his status as a clone such a big part of his identity and was just the original Jim Harper in a new body. 

The rest of the story involves “Goody Rickels,” WGBS employee with an uncanny resemblance to Don Rickles. Morgan Edge can’t stand him and tries to manipulate things to get rid of him, and honestly, it’s hard to blame him. It’s a really weird little story and, despite the promise on the cover of “Two Rickles,” the real Don doesn’t appear until part two of the story, which comes in issue #141. (Issue #140 was a giant-sized issue of reprints.) The second part begins with the bold cover proclamation: “Kirby says: Don’t ask! Just buy it!” Jimmy, Guardian, and Goody have been given a meal with a toxin that will activate and cause them to explode within 24 hours if they don’t get the antidote. As Guardian searches for it, Jimmy and Goody wind up at WBGS where the real Don Rickles is in a meeting with Morgan Edge. There’s a big dust-up and Goody is on the verge of exploding when Guardian shows up with the antidote. This also happens to be the issue where Clark Kent, in space with the New Gods, gets his first-ever glimpse of Apokolips, which is an interesting historical note for a comic book with Don Rickles on the cover. 

Sat., Sept. 27

Comics: Superman Unlimited #5, Superman Vol. 6 #30, Justice League Unlimited Vol. 2 #11, New History of the DC Universe #3, Aquaman: Yo-Ho-Hold on To Your Hook #11 (Guest Appearance)

Notes: Once again, today I’m picking up the new Superman-related comics for the week, including two new issues of the ongoing, Justice League Unlimited, and a return to the reshaping of DC’s history.

We’re starting it off with Superman Unlimited #5. The Daily Planet gets word that the Kult of Kobra is operating in El Caldero, the “Kryptonite Kingdom.” What’s more, the Calderan mining operation is about to uncover a Kryptonian Sunstone, the same kind of technology that built Superman’s Fortress of Solitude. Donning a suit of Kryptonite-proof armor and catching a ride in one of the most gloriously anachronistic pieces of Superman tech, he heads to Caldero to try to get the Sunstone before Kobra. The story seems to be picking up a little here. Previous issues have been largely one-off stories that connect to the larger story of the Kryptonite Kingdom, but this one gives us a nice little cliffhanger. It looks like the story is opening up, and I’m excited to see where it’s going to go. 

The story of Darkseid’s Legion continues in Superman #30. Superman’s supposed ally, Superboy-Prime, has turned (insert surprised Pikachu face here), joining Darkseid’s Legion and capturing him, along with the long-suffering Booster Gold. The issue wraps up this (surprisingly short) storyline, but also acts as a lead-in to the upcoming DC KO event, and although I don’t want to get into too much more detail about what happens, Joshua Williamson pulls off a hell of a trick. There’s a brilliant reversal of expectations in this book, leading up to a climax (before the epilogue) that felt positively stirring. There’s a reason Superman is the greatest hero there is, and it’s got nothing to do with his powers. It’s about what he represents, what he stands for, what he means to other people. And boy-howdy, does this issue understand that. I love Superman, I love the Legion, I love Booster Gold…and I love what this issue does with all three of them. 

We also, incidentally, get to use Prime’s meta awareness to give us what is objectively one of the most funny panels in a Superman comic all year. You’ll know it when you see it. 

Justice League Unlimited #11 is another prelude to DC KO, this one starting off with the Justice League Watchtower being invaded by an army of Parademons. At the same time, beneath the country of Markovia, a League squad including Power Girl and Captain Atom find themselves in battle against some of Darkseid’s Legion. The battle goes poorly on both fronts and we get Leaguers down before a last page that ties very nicely into this week’s issue of Superman. I love when comics pull off tricks like this one, two stories that happen simultaneously and tie together in the end. It’s a nice way to make the shared universe conceit work, and theoretically, you don’t HAVE to read both of them to understand either one. It sure makes it more satisfying when you do, though.

And Waid returns with a plethora of artists to bring us New History of the DC Universe #3. Picking up on the aftermath of the original Crisis on Infinite Earths, Barry begins to recount the era of the DC Universe that made for my foundational years – the late 80s and early 90s – all the way up to Barry Allen’s resurrection in Final Crisis. As Barry is, in fact the narrator of this series, you could simply call this issue “stuff that happened while I was dead.” Once again, I’m impressed at how Mark Waid has gone about smoothing over certain elements of the combined/rebooted/revamped DC Universe. For instance, when Supergirl came back in 2004, she was introduced as though she were a brand-new character, her death in the original Crisis being removed from continuity. Waid has it both ways here – Supergirl DID die in the crisis, and the story we read in Jeph Loeb’s Superman/Batman run has been retconned slightly – rather than introducing her to Earth to use her as a weapon, now Darkseid actually resurrected Supergirl for the same reason. Waid also, once again, brings in elements of the Milestone Universe, specifically the 90s incarnations of the characters, marking them as denizens of the DCU proper in such a way that certainly makes it seem as though there are plans afoot to bring them back again. 

This series really is a nerd’s dream. And as a nerd, I approve. 

Sun., Sept. 28

Comics: Superman #125, DC Vs. Vampires: World War V #11 (Appearances by Supergirl, Steel, Lois Lane)

Notes: Let me tell you something about my family. My son is a football nut. Like, he’s crazed. If there is an NFL game on, he is insistent upon watching it, to the point that he begged me to take him to church yesterday on Saturday afternoon so that he could stay home this morning, Sunday, and watch the Steelers/Vikings game in Dublin at 8:30 am. He also gets up and gets VERY excited and VERY hyper, and the point is, by the time the early game ended and the noon game began, I was already exhausted by this little creature which I am emotionally, biologically, and legally responsible for. I didn’t really have it in me to get into any deep Superman lore today, so I scrolled through the DC app looking for the silliest, most ridiculous one-off comic I could find. The winner turned out to be Superman #125 from 1958.

The first story, “Lois Lane’s Super-Dream,” begins with Lois falling into a coma when she falls from a ten-foot ledge trying to sneak into the Metropolis Science Fair a week early, which has got to be the stupidest way she’s ever almost gotten herself killed, even in the Silver Age. She gets a blood transfusion to save her life, but her subconscious mind thinks she got it from Superman, and she has a dream where his blood gave her powers as well. In the dream she puts on a red wig and starts calling herself “Power Girl,” and she’s actually fairly effective until – again, in the dream – Clark Kent is nearly killed in an explosion. Power Lois gives Clark a transfusion of her blood, and now HE’S got powers too. Go figure. So she makes him a Power Man costume and the most comically ridiculous mustache anyone not named Oliver Queen has ever worn and makes him join her as a superhero. But Power Clark, in Lois’s subconscious, keeps screwing things up due to a combination of cowardice and ineptitude. The whole story kind of makes Lois look bad, showing not only what she really thinks of Clark, but the particularly cruel way she treats him as her sidekick.

“Clark Kent’s College Days” is next, the beginning of an “Untold Tales of Superman” series. I’ve read this story many times, as it too was included in either the Greatest Superman Stories Ever Told or Superman From the 30’s to the 70’s books (I honestly don’t remember which) I read so many times as a kid. Clark gets an invitation to his college class reunion and begins to reminisce about his early days at Metropolis University, where he’s putting on his weakling act and letting the upper classmen haze him. The seniors aren’t the real problem, though – in year two, Clark’s teacher Professor Maxwell catches Clark using his vision powers to weld a seam in a robot and immediately deduces that one of his students must be Superboy. In this next class, he begins hooking his students up to a lie detector and asking if they’re Superboy, which makes you wonder what the hell he’s supposed to be teaching. Clark barely escapes being interviewed before class ends, and Maxwell begins a series of schemes that could make Lucy Ricardo proud, attempting to prove that Clark is Superboy, even to the point of exposing him to Kryptonite. But Clark winds up outsmarting him every time, and finally escapes the Professor’s attention by strapping in and letting him ask if he’s Superboy. Clark says “No,” and passes the test. Is it because of his powers? His Kryptonian physiology being incompatible with the machine? Nah, it’s because he decided, right at that moment, that it was time to consider himself an adult and start referring to himself as “Superman.” 

The cover story that got me to read this issue comes last, “Superman’s New Power.” Superman finds a pocket of fires in the core of the Earth that are causing tremors above in Metropolis. As he stabilizes the fires, he uncovers a tiny space ship that seems to have been embedded in Earth’s crust for eons. The ship blows up, and he later realizes his powers have changed. His normal powers (except, conveniently, invulnerability) have vanished, even as he gains the new ability to shoot a tiny replica of himself from his fingertips. The mini Superman has all his normal powers, so Superman’s career as a crimefighter shifts to being more of a puppeteer, sending Lil’ Superman into danger instead. While he proves just as effective as the real thing, Superman finds himself feeling emasculated at sitting on the sidelines while his teeny proxy goes into danger. The story ends when Tiny sacrifices himself to save Superman from a chunk of Kryptonite some crooks hurl at him. The Kryptonite makes Tiny vanish and Superman’s powers return to normal, ending with a panel where he contemplates whether Tiny had a consciousness and will of his own and made the sacrifice deliberately.

I’ve said it before and I’ll say it again: the 50s were a wild time.  

Mon., Sept. 29

Comics: Superman Vol. 2 #2, Justice League of America #30 (Team Member)

Notes: Returning to my list of random Superman stories that I’ve read at some point, here’s yet another that I remember reading first in the old Greatest Superman Stories Ever Told trade paperback. The second issue of the John Byrne reboot in Superman #2 is a good story, and it’s got one of the best Lex Luthor moments of all time…at least, “best” in the sense that it’s one of the greatest expressions of who Lex is as a character, not in that it makes him look good.

At this point, Superman had been active for a few years (mostly glossed over in the Man of Steel miniseries), and Luthor is looking for any clues that could potentially help him destroy the Man of Steel. He finds them, along with analyst Amanda McCoy, in the form of a red-haired woman who seems to keep showing up when Superman is active. As they search for the strange woman, Luthor turns to his frequent flunky Sidney Happersan, who is examining the Metallo cyborg they captured in Superman #1. Determining that the Kryptonite heart in Metallo’s chest is potentially fatal to Superman, Lex ruthlessly rips it from him even though Happersan warns him that it will kill the cyborg. (Don’t worry, he got better.) 

In Smallville, a pair of Luthor’s goons are looking for things that link Clark Kent to Superman, as Clark seems to be the one who gets all the big scoops. They drug Jonathan and Martha Kent then ransack their house, stealing Martha’s scrapbook of newspaper clippings regarding Superman. As they leave the house, they’re spotted by the passing Lana Lang, whom they drug and (realizing that she can identify them) kidnap. Imagine Lex’s glee, of course, when she turns out to be the very red-haired woman his people are searching for. 

Days later, Clark Kent comes home to find a series of bloody footprints leading to his apartment and Lana hiding there, having been tortured for information that she refused to give. Sensing Luthor’s involvement, Superman barges into LexCorp, only to find that Luthor’s got a new piece of jewelry – a ring with a glowing green stone that keeps Superman at bay. Stymied, and with no actual proof of Luthor’s involvement, he takes Lana back to Smallville. In Metropolis, Amanda runs all the data they’ve found through the computer, seeking the link between Superman and Clark Kent, and she arrives at one inexorable conclusion: Clark Kent IS Superman. 

And Luthor is furious at the absurdity of it. “I know that no man with the power of Superman would ever PRETEND to be a mere HUMAN!” he shouts, firing Amanda McCoy on the spot because “I have no place in my organization for people who cannot see the OBVIOUS.”

Ah, what a fantastic story, Mr. Byrne. This is the ultimate platonic ideal of who and what Lex Luthor is, especially at that time. He’s ruthless and cruel – his treatment of Lana, of Amanda, even of Metallo all demonstrate that. He’s intelligent, but not the super-scientist he was in the Silver Age or would become again. But he’s also so unbelievably arrogant that when the answer to all of his questions is served up to him on a silver platter, he rejects it because he cannot fathom anyone with Superman’s power being so good that he would “pretend” to be Clark Kent. Byrne actually used this as part of the punchline in his “Superbman Vs. the Fantastical Four” story from Marvel’s What The–?! #2, with the fake Dr. Doom telling Rex Ruthless that Superbman COULDN’T be a normal human because that would make him “nicer than us.”  

This story is also important in that it sets up a number of different elements that would be of tremendous importance later, especially the Kryptonite Ring. That little domino would set off multiple chains. Luthor would learn to his grave error that he was wrong about the radiation being harmless to humans, and that wearing the ring constantly gives him cancer. This ultimately leads to him faking his own death, cloning a younger body, and returning to Metropolis pretending to be his own son. Amanda McCoy came back later desperate to prove she was right, stealing the ring but being killed in an alley for it, leading to the Dark Knight Over Metropolis story where Superman gave the ring to Batman, a concept which has been a consistent part of the characterization of the two heroes ever since. 

It’s also a pretty good showing for Lana, proving – even under torture – that she’s a good friend and worthy of Clark’s trust, never betraying his secret. In Man of Steel, Byrne had turned Lana into something of a broken bird, heartbroken at the realization that Clark Kent was too big and too important to the world to be in her life the way that she wanted. It took a long time to rebuild her character, and this issue I think was the beginning of that. 

Even these short stories can be great sometimes. 

Tues., Sept. 30

Graphic Novel: Superman: True Brit

Notes: I decided to cap off this week with something relatively lighthearted – perhaps even a bit silly, and this 2004 Elseworlds graphic novel certainly fits the bill. True Brit brought John Byrne back to do artwork for the Man of Steel again, but this time in a story written by Kim Johnson “with some help” by Monty Python legend John Cleese, who of course is most famous for that one “Bicycle Repairman” sketch that we covered back in Parody Week. (There’s a brief shout-out to that bit in the book, as well.) Like many Elseworlds, it starts with a “what if” type of scenario – Jor-El sends his infant son to Earth. Instead of Kansas, though, this time his spacecraft lands in what Jor-El calls “their most advanced, most powerful nation – the British Empire!” Kal-El is found by a British farm couple, Jonathan and Martha Clark, who raise him as their son Colin. He struggles to control his powers, even after being told of his true alien heritage, and when the time comes to go off to University Mrs. Clark admonishes him to keep the powers hidden away in shame. 

Studying journalism, he becomes smitten with his classmate Louisa Layne-Ferret, but she doesn’t show any interest in him until he accidentally impales a classmate with a cricket bat just before graduation. He winds up using his powers to get stories for a sleazy rag called the Daily Smear, where he finds out the famous rock band the Rutles (another in-joke) are in mortal danger, forcing him for the first time to act publicly in a Union Jack-adored Superman costume. 

The Smear runs with it, making the Superman stories more outrageous and scandalous, to the point where the Clarks even move without telling Colin where they’re going. But his fortunes change when the Queen sets him some “impossible” tasks – making the trains run on time, reducing the wait time for hip operations (the solution, by the way, is to convince the surgeons to play less golf), and raising the quality of the programming of the BBC. But all his work may come to a screeching halt when he runs afoul of his greatest enemy: the Bat-Man.

The story is rife with gags and jokes that almost could have qualified this graphic novel for Parody Week in and of itself. For instance, when his adoptive parents think Colin can fly, they advise him to flap his arms like a bird, which causes a bit of amusing chaos and resultant property damage. When he finally does fly – with a horse – the poor animal has to be carted away to a veterinary hospital and treated for shock. An attempt to milk the cows with his super-speed and strength leaves them…let’s say “unhinged.” Perhaps my favorite joke comes when his mother tries to steer him into being a postman rather than a journalist, and he fires back with “I don’t CARE about respect! I’d rather be a REPORTER!”

Ah, maybe it’s just the ex-reporter in me that finds that hilarious, I dunno. But that seems to be the main thesis of this book. Rather than telling a story about Superman in another culture, True Brit comes across as Howard and Cleese giving a scathing indictment of the British media. Most of the book comes down to a heavy and brutal satire of the state of the British press, with the more lurid types of publications rising in prominence and the few legitimate reporters being buried. It’s a funny book, although I imagine a lot of the Britishisms are lost on an American audience. 

Byrne’s artwork is interesting here. While not as cartoonish as he used in his What The–?! story, nor is it as clean and straightforward as his usual style as seen in his Superman run. He somewhat splits the difference here, drawing a world that still feels like part of the DC Multiverse but, at the same time, having enough fun with it to allow some silly sight gags, outrageous facial expressions, and goofy poses.

This week was a nice change of pace, friends, but October begins tomorrow. And October begins my favorite part of the year — those last three months that I love so much. And this year being the Year of Superman, it’s gonna be even better. For the next few weeks, as we approach Halloween, we’re going to be looking at darker versions of Superman, Superman gone wrong, a focus on his greatest villain, and more! See you then!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 37: The Big Split

The Year of Superman continues our journey through the Electric Superman era! This week we peek at the Pulp Heroes annuals, explore Superman’s activities during the Genesis crossover, and see that electric blue spark into crimson. Join me, why don’t you?

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 10

Comics: Superman Annual Vol. 2 #9, Superman: The Man of Steel Annual #6, Adventures of Superman Annual #9, Action Comics Annual #9, Batman: Gotham By Gaslight-A League For Justice #2.

Just like old times.

Notes: By 1997, DC had fallen off of the annual crossover events such as Armageddon 2001 and Bloodlines, instead shifting to a policy of doing annual THEMES, where the creative teams would tell one-off stories that fit into categories such as Elseworlds or Legends of the Dead Earth (which was also essentially Elseworlds, but post-apocalyptic, although one of the characters from these language later showed up as a member of the Legion of Super-Heroes). The 1997 theme was Pulp Heroes, in which each annual was tasked with placing the hero into a genre from classic pulp magazines – westerns, potboiler detective stories, old-fashioned sci-fi. The Supergirl annual for that year even did a romance comic, with a love story between Supergirl and Brainiac 5 (the Legion was still stuck in the 20th century at the time). It was a fun summer, with different types of stories that sported some gloriously painted covers that really evoked the time period they were paying tribute to. 

These stories were all self-contained and could really be inserted almost anywhere into the timeline before the Blue/Red split, so I’m going to punch through them all here since we’ve got a sort of hard stop before the Genesis crossover. And I’ll start off with Superman Annual #9 by Dan Jurgens and Sean Chen. Labelled “My Greatest Adventure” on the cover, this issue drew its inspiration from the same sort of globe-trotting adventure yarns that inspired the likes of Indiana Jones. In the country of Bhutran, a mysterious cult called the Black Crucible is setting its sights on Jimmy Olsen, because it’s been at least twelve minutes since his life was endangered. In this story, set before he was canned from WGBS over the “Superman’s Secret Identity” fiasco, Jimmy is undercover trying to get the scoop on a smuggling operation when Bibbo accidentally outs him to the same crooks he’s trying to catch. He finds himself being targeted by an assassin who – upon failing in his task – kills himself. What’s even stranger is that the assassin, save for an enormous dragon tattoo on his chest, is a perfect doppelganger for Jimmy. 

Jimmy and Bibbo assemble Lois, Clark, and lawyer Ed Drysdale at Professor Hamilton’s lab to try to get to the bottom of things, and the group uncovers a link to Bhutran. One plane ride later, they’re off to investigate. From here the story comes off as kind of a Doc Savage pastiche (with a bit of a lampshade to that fact in the end), with the hero operating alongside a team of specialists who each contribute something unique and invaluable to the mission (even Drysdale). We even get to see de-powered Clark using his own fists when he gets into a situation where Superman’s powers lose their advantage. It’s easily the best Jimmy story of the era, although that’s a low bar to jump considering the way he was being played in the main comics of the time.

Man of Steel Annual #6 bears the banner “Suspense Detective” for a story by Louise Simonson and Tommy Lee Edwards. In “Pierced,” SCU head Maggie Sawyer steps into the narrator’s box, agonizing over recent losses to her unit in their battles against the more unorthodox villains that seem to plague Metropolis. This time out it’s a telekinetic assassin with a face loaded with piercings, and Maggie gets understandably outraged when the FBI steps in and wrests control of the investigation away from the SCU. Lois, similarly, is frustrated with the lack of cooperation from law enforcement in getting her story out, with Maggie told not to talk to any reporters, ESPECIALLY Lois Lane. (Honestly, if you’re trying to keep something low-key  in Metropolis, that’s a sensible demand to make.) 

This isn’t a bad story at all. It feels like a chapter from the Metropolis SCU miniseries that guest-stars Superman in a prominent role, and that’s not a bad thing. I’ve often enjoyed the sort of “lower decks” storytelling we got from that comic and the brilliant Gotham Central. That said, I don’t think it’s as successful as the Superman Annual at capturing the feel of a pulp novel. The story is too contemporary, not really having the flavor of the kind of two-fisted cop stories that it seems to want to invoke. But if I didn’t know that was the goal, I wouldn’t give it that note, either. It’s a complete story, just a tad out of place.

Adventures of Superman Annual #9 brings us an absolutely gorgeous cover by Laurel Blechman with Electric Superman swinging into an old west saloon present a few Weird Western Tales. First is “Terror of the Sierra Madre” by John Rozum and artist Alcatena. Perry White sends Clark to New Mexico to look into a “major archaeological discovery” which promises to link the disappearances of three different tribes from the region. Joining the dig, Clark descends into an underground structure with iconography from the three different tribes all in the same place, suggesting that it was used for some sort of meeting between them all. As they investigate, strange spirits begin to inhabit the bodies of the archeological team – and then they come for Superman! This is one time where the Electric Superman particularly works, I think, causing an even sharper contrast with the western theme than it would if Superman had his conventional powers in this story. The bizarre juxtaposition of the energy man in a tale of the old west is a nice, zesty combination that I really enjoy.  

Mike W. Barr and Dale Eaglesham then pitch in for “The Return of Saganowahna,” a story of a town where native American residents are being compelled into selling land that has been in their families for generations by the ravages of a creature called Saganowahna, “Chief of All Chiefs.” (No, it has nothing to do with Perry White) If you think it sounds like the plot of an episode of Scooby-Doo, you’re not far off. Eaglesham, for absolutely no reason, draws Superman in a white cowboy hat and duster, which looks absolutely fantastic over his electric blue costume. I want a Funko Pop of this guy.

The third story in this one is “The Journey of the Horseman” by Paul Grist and Enrique Villagran. In this one, an alien comes to Earth just as a new experimental energy source is about to be tested. The alien sets out to destroy, which I’m sure you can imagine, causes him to run afoul of Superman. Of the three stories in the book, this is the one that strains the theme the most. There’s really nothing “western” here, except for possibly casting the alien in a sort of “Man With No Name” sort of role, where he’s under suspicion even though his motives may ultimately turn out to be benevolent.  

We’ll wrap up our Pulp Heroes journey with Action Comics Annual #9, a horror-inspired “Tale of the Unexpected” by David Michelinie and Vince Giarrano. Clark Kent is investigating a recent rash of museum thefts where ancient artifacts have been stolen – crimes that Clark believes are connected. The crooks are assembling pieces of a mystical stone, one which leaves Superman in the unenviable position of fighting an army of the dead. Of the four annuals, this is the one that feels most pertinent to the ongoing storyline of the regular comics. Ever since his shift to his energy powers, Clark says, he’s wondered if this has changed his vulnerability to magic. In this issue he’s forced to face it, along with dealing with the fear of forces that he can’t defeat, and he learns a little bit about the relationship between magic and energy that could definitely come in handy in later stories. That is, if any of the remaining stories from this era feature magic and if the writers of those stories actually remember that. 

Thurs., Sept 11

Comic Books: Genesis #1, Steel #43, Superman: The Man of Steel #72, Genesis #2, Supergirl Vol. 4 #14, Superman Vol. 2 #128, Genesis #3, Adventures of Superman #551, Genesis #4, Batman: Justice Buster #27 (Superman Cameo), Jon Kent: This Internship Is My Kryptonite #8

This crossover just wasn’t the same after Peter Gabriel left.

Notes: Superman’s power struggles started during DC’s 1996 summer crossover event Final Night. Now we’ve progressed through a solid year’s worth of comics and we’re colliding with their 1997 crossover series, Genesis, which spun out of the pages of John Byrne’s Jack Kirby’s Fourth World series. The concept here was that the “Godwave,” a cosmic phenomenon, was about to pass through the universe. It had gone through twice before, the first time creating gods on multiple planets, and the second time creating humans. This time, reality itself seems to be threatened by its approach. As I did for Final Night, here I’m going to read the main Genesis series and any of the crossover issues featuring Superman or a member of the Superman-family, starting off with Genesis #1.

In Genesis #1, written by Byrne with art by Ron Wagner and Joe Rubinstein, heroes and villains start to feel their powers going haywire. The Flash’s speed is drained, as is Green Lantern’s ring, and Captain Marvel simply falls out of the sky. Others find their powers enhanced: Ultra Boy (the Legion is still in the 20th century) can suddenly use multiple powers at once, and Superman’s electrical powers feel an unexpected surge of energy. There doesn’t seem to be any rhyme or reason to it – heroes may be affected whether they’re metahuman, alien, mutant, or just have a powerful weapon like Green Lantern’s ring, while others like Aquaman suffer no changes at all. Batman theorizes that people from other dimensions, such as (the Matrix version of) Supergirl are not affected, but that never explains Aquaman. And as they debate and discuss what’s happening, an alien armada shows up in the skies above Earth. I never got the hang of Thursdays either.

The first Superman-family crossover comes in Steel #43 by Christopher Priest and Denys Cowan. This is a weird one, with the first half of the book mostly devoted to the ongoing stories and subplots of the series before touching upon Genesis – John Henry flies into Metropolis to check on Superman when he hears about the power fluctuations, only to suddenly start suffering from wild bursts of anger. He talks to Superman, who asks him to keep an eye on Metropolis while he meets up with the League (something that happened in Genesis #1), but when he flies off his new electromagnetic powers act like an EMP burst, frying the circuitry in John Henry’s armor and causing him to plummet from the sky! Cliffhangered!

Next up is Man of Steel #72. Lois and Clark are hanging out at the Planet when Clark’s powers spontaneously create an image of a meteor striking the Earth, freaking out Perry White’s assistant Alice, who decides she’s been working too hard. As Allie goes home, she’s attacked by Baud and her crew called Mainframe. Superman dives in to save her, but his powers again cause him to freeze and start projecting images, and Mainframe captures him, bringing him to their hideout. Override, the leader, is trying to use Superman to power a dimensional window, but Superman manages to get free, busting up a barroom brawl at the Ace O’Clubs between Bibbo, Scorn, and some monsters. This issue really has little to do with the crossover, just Lois theorizing at the end about some of the wild power fluctuations that have been happening lately. I hate that.

Genesis #2 picks up where the first issue ended, with the heroes at the Justice League Watchtower seeing the alien armada arrive in Earth orbit. Meanwhile, on the fused world of New Genesis and Apokalips (it’s a Fourth World thing), Darkseid seems to have vanished, which one would usually consider good news, except in this case it’s making the New Gods believe he’s behind the power fluctuations. One of the oldest of them, Arzaz, chooses this moment to reveal his true form as one of the “Old Ones,” the first Gods, who warns that if they do not stop the Godwave the Fourth World will be destroyed and replaced by a Fifth World. The changes don’t seem to be limited to powers, though – it’s also creating crises of faith. For instance, in Gotham City Robin, Huntress, and Catwoman seem to find themselves beset by a plague of fear and doubt that they normally don’t have. The Earth is suddenly besieged by Darkseid’s armies of Parademons, while the fleet in the sky turns out to be lead by the Darkstars leading an assault on Earth. Highfather finally shows up and says there’s one chance – some of our heroes will have to ride into the Godwave with a set of special Mother Boxes to focus the waning power of the Source. And all it’ll take is a few volunteers to run a suicide mission. He has no shortage of volunteers, of course.

The story moves from there to Supergirl #14. The crux of this series is that Supergirl saved the life of a woman named Linda Danvers that caused the two of them to merge into one person. This issue she goes to both of her sets of “parents” – the Kents, who raised her as Matrix, and Linda’s parents the Danvers – to tell them about it. It goes considerably better with Kents, who are far more used to weird stuff. Again, though, while Peter David’s whole run was great, the relationship to the crossover is tangential at best.

Superman #128 is – wonder of wonders – a crossover chapter that actually has to do with the main storyline. Picking up seconds after Genesis #2 ended, Green Lantern has had our heroes draw straws to decide who’s going to go on Highfather’s suicide mission. Before they can act, though, Highfather receives a psychic burst alerting him to danger at the Source Wall, the barrier between the universe as the cosmic energy of the Source itself, in which everyone who has tried to penetrate the wall has instead become bonded with it. They send Superman to investigate while the others continue their plans to deal with the Godwave. Superman is briefly dazzled by the sheer brilliance of the Source Wall, but his astonishment is broken when the giants bound to the wall begin trying to grab him and pull him in. He is trapped in a sort of living bubble, surrounded by memories of a human who turns out to be Hank Henshaw, the Cyborg Superman! Cliffhangered AGAIN! 

In Genesis #3 the inevitable happens – Darkseid returns. He gives an infodump on the Godwave before noping out and having his army attack the heroes until the New God Takion breaks it up, before reverting to his human form and dying for some reason. Can you tell I’m getting tired of this crossover?

Adventures of Superman #551 apparently forgot that it was supposed to be part of Genesis, at least on the cover, since it’s missing the trade dress, despite being far more linked to the story than the Man of Steel or Supergirl issues. Picking up where Superman #128 left off, Superman is in the clutches of the Cyborg, who has been inside the wall for some time. They fight and Superman hurls the Cyborg back into the wall before returning to Highfather and the others, meaning this two-issue excursion apparently took place between two panels at the beginning of Genesis #3. Oh yeah – and although Superman doesn’t know it, the issue ends with a hint that Henshaw, who has the power to hop from one electronic device to another, is actually now riding around inside Superman’s new techno-suit.

In Genesis #4 Earth is in utter chaos, with people giving in to despair and rage all around. But it’s okay! Because the heroes save the universe by…holding hands and believing? I don’t even know at this point. I’m going to be blunt here – this is one of the most poorly-structured crossovers I’ve ever read in my life, and I’ve read a LOT of them. Things happen for no reason and the individual installments feel pointless. Too many of them have barely any connection to the main event, and even the main event itself is a complete mess. Why the hell did the Darkstars invade Earth? Why is Darkseid and his entire army just allowed to appear and disappear at will? The two-parter with Superman fighting the Cyborg isn’t even referenced in the main story, we just kind of have to ASSUME it happened somewhere between panels of issue three. And none of the characters have personality – even the strike force that is assembled to use Highfather’s special Mother Boxes never gets any real development. We only learn in a flashback which 13 characters were chosen, and the choices are pretty irrelevant – you could swap any of ‘em out with anybody else and there would be no impact on the story because they don’t DO anything except show up, shoot at things, and then come back with a dead Takion.

John Byrne has been responsible for some of the best, most memorable comic books of all time. His runs on X-Men, Fantastic Four, and indeed, Superman are legendary. This book? This is the platonic ideal of phoning it in. 

Ugh. Now I’m grouchy. Here’s hoping tomorrow is better. 

Fri., Sept. 12

Comic Books: Action Comics #738, Superman: The Man of Steel #73, Superman Vol. 2 #129, Adventures of Superman #552, Action Comics #739, Taste of Justice #9

That’s more like it.

Notes: We start today with Action Comics #738, the one Superman title that dodged the bullet of having to tie in to Genesis. Superman returns to Metropolis following the crossover and almost immediately runs into a thief with the power to phase through solid objects. He escapes through an electronic store, where the Cyborg (hiding in Superman’s suit) jumps into the store’s computer system and begins plotting his revenge. This is a pretty-low key issue, mostly there to set things up and progress subplots like Clark and Lois dealing with the new circulation manager at the Planet who has the hots for Clark, and Jimmy – who has been on the run from Intergang for several issues now – finding himself in ever-hotter water. 

Man of Steel #73 picks up Jimmy’s predicament as Intergang finally catches up to him, just to run afoul of a group of high-powered hippie bikers that call themselves the Outsiders and who aren’t happy about Intergang’s encroachment on his territory. Meanwhile, Morgan Edge manages to convince Desaad (Edge works for Darkseid, by the way) to lend him some Parademons to help him wrest control of Intergang from Boss Moxie. Now Jimmy’s caught between three fighting factions. Superman finds himself in the unenviable position of defending Lex and his pregnant wife from them, and in Australia, Lois is on assignment to interview a native tribe whose Chief tells her “we are honored, for we have been chosen to witness the coming of the giants…and the end of all that is.” 

Nicely ominous, and I’m surprised that they started referencing the Millennium Giants – the story that would be the endgame of the Electric Era – so early. 

Superman #129 brings the focus back to Scorn and Ashbury, who has decided to start keeping a diary, beginning with the tale of bringing Scorn along with her to help decorate for her high school homecoming dance. Clark Kent also happens to be there (funny how that happens) working on a column when a fire breaks out. Fortunately, as Ashbury recounts, Superman ALSO shows up to help put it out. The issue mostly tracks Ash and her art teacher, Mr. Sormon, who it turns out isn’t a Superman fan. It also turns out there’s a reason for that. I have to admit, I got irritated with Sormon proselytizing in the classroom, which is the absolute last thing any decent teacher should do, until we got to the reveal that clarified it all. 

Adventures of Superman #552 has Big Blue face the Parasite again, for about two pages. Most of the issue is actually taken up with Lex Luthor and Intergang, as Lex makes his own play for control of Metropolis’s organized crime cartel. We also check in with Clark, missing Lois (she’s still in Australia) and trying to deal with things like getting tired in his human body, which has never happened before. 

And in Action #739, Ashbury takes Scorn to her homecoming dance, moved to a swanky hotel after the school caught on fire. Sounds nice – until an explosion rocks the hotel. Superman swoops in to save the day, only to discover the whole thing is a scheme by his old foe Carl Draper, now going by the name Locksmith. (Previously he was “Deathtrap.” In the pre-Crisis era he was the Master Jailer. And when he went to Smallville High with Clark, he was “Moosie.” The guy does not have a knack for good names.) As Scorn works on saving the kids at the dance, Superman works out his escape, getting back to the hotel just in time to stop it from collapsing. Back in Australia, though, Lois is kidnapped by Rajiv Naga, the guy who tried to kill Clark on their honeymoon. Fortunately for her, her dad gave her a GPS tracker before she left, which is why Clark is pretty surprised on the last page when Sam Lane shows up and demands Clark join him on a little trip down under to save her. 

I’m looking forward to the next few issues – Sam Lane and Clark Kent working together? Sounds wild. 

Sat., Sept. 13

Comic Books: Superman: The Man of Steel #74, Superman Vol. 2 #130, Adventures of Superman #553, Action Comics #740.

Faces. Faces are cool.

Notes: DC used to occasionally do these interesting events on their covers – one month every cover featured the hero on the top half of the cover with the title incorporated into the artwork at the bottom, for instance. This month was “Faces of the DC Universe”: each cover was a close-up of the face of the main character, or one of the main characters. I really liked these sort of mini-events – they had no bearing on the story inside, not disrupting the story like a Genesis-type crossover did, but it really made the books stand out on the racks in a pleasing, fun way. You still occasionally get cover themes like this, but they’re almost always restricted to variant covers these days, which isn’t nearly as much fun and don’t even catch the eye randomly. Ah, here I am getting nostalgic instead of talking about the comics. I guess I’ll do that now. I do it for YOU.

In Superman: The Man of Steel #74, Rajiv reveals his plan to the captive Lois. Back when he had Clark captured on their Honeymoon, he doused him with truth serum, during which Clark admitted to being Superman. Rajiv dismissed it at the time, but now he’s starting to wonder – so if Superman shows up to save Lois, he’ll consider it confirmation. Clark and Sam, meanwhile, are on their way to Australia, Clark lamenting the fact that he CAN’T get away and save Lois as Superman without Sam noticing something is up. There’s more “Clark’s Secret ID” stuff during this run than I remembered. Anyway, after a few close calls, Clark and Sam make it to Rajiv’s base, where Clark pulls off some quick-change shenanigans and figures out how to go invisible to save Lois without blowing his identity. This is the kind of stuff that works best in this period of Superman lore – forcing Clark to find alternative ways to pull off a rescue, while at the same time having to find new ways to protect his identity, since he can’t use his powers as “Clark” anymore. There have been several stories where the power change was really negligible – a few slightly rewritten panels and the stories would have worked just as well with “Classic” Superman. This time around, it’s a story where the different powers have a clear and measurable influence on the plot. 

In Superman #130, with art by the late, lamented Norm Breyfogle, it’s Halloween! Lois and Clark are on their way to a Halloween ball, but are briefly detoured to S.T.A.R.Labs, where Superman examines the recently-uneared Dragon’s Tooth artifact. This large rock formation has an unusual molecular structure, almost like DNA, as if it were alive. That can’t possibly mean anything, right? Anyway, at the party Lois and Clark stride in wearing Robin and Batman costumes and we go through a half-dozen subplots. Perry is feeling better and he ribs Clark on his recent weight gain (turns out that Mr. Perfect Kryptonian Metabolism is struggling with being a normal human half the time). Lex Luthor is still trying to play Metropolis Mayor Berkowitz, while Dirk Armstrong is on the anti-Berkowitz bandwagon. When Ashbury winds up getting into it with her dad, she and Scorn bounce from the party only to be picked up by a guy wearing Doctor Doom knock-off armor and riding a fancy motorcycle. It turns out to be Jimmy Olsen. The guy, I mean, not the motorcycle. Oh yeah – and apparently Superman’s energy caused something inside the Dragon’s Tooth to awaken, releasing a gigantic spirit that quite publicly kidnaps Clark from the party, leading to him switching to Superman and finding himself battling not one, but THREE of the giants as the issue cliffhangers.  

Adventures of Superman #553 picks up with Superman facing the three figures, who reveal themselves to be part of something called the “Millennium Guard.” He barely manages to escape, but they’re hot on his trail as he stumbles upon Jimmy, Scorn, and Ashbury – who’ve also picked up the Hairie called Misa (who not too long ago was part of Morgan Edge’s Superman Revenge Squad). They load the stunned Superman into Jimmy’s super-motorcycle and jet out of there to Cadmus. They manage to trick the Millennium Guard into thinking that Superman has been killed, at which point they each turn into a new Dragon’s Tooth. Well, at least that’s the end of it, right?

Nah, of course not. Also, Misa teleports Jimmy, Scorn, and Ashbury away before Superman can bring Ash back to her father or Guardian can arrest Misa. And in a subplot, Lucy Lane is terrorized by a super-powered serial killer that signs his name on walls as “The Ripper.” 

Action Comics #740, the police find some of Lucy’s things in the sewer, the first actual clue they’ve got in the Ripper case. Superman follows the trail into the sewer and winds up fighting an enormous beast. It gets away, but Superman finds Lucy trapped in a makeshift cage. The word “Ripper” is, again, inscribed on the wall, but this time there are more characters, leading Superman to theorize that the word isn’t actually English at all, but part of a different alien language, and that the creature – whatever it is – was trying to tell Lucy something. It’s an interesting idea, I suppose, but kind of a stretch. I mean…what are the odds of a symbol in some sort of alien language resembling a character from our English alphabet? Come on, Superman, think about it.  

Sun., Sept. 14

Comic Book: Superman: The Man of Steel #75

Wait, this looks…familiar.

Notes: 1998 began with Man of Steel 75 and a book that must have had Jon Bogdanove utterly delighted to draw – a spoof of Superman #75 on the front, and between the pages, a one-off story of Mr. Mxyzptlk. Lois and Clark happen to stumble upon a funeral procession of such size that they have to stop and check it out, only to find Mxyzptlk hamming it up over the casket. Mxy has decided that he wants to explore the concept of mortality, which (as a 5th dimensional imp) he’s never had to really think about…so he decides to die. Superman and Lois, as you can imagine, are not particularly concerned about this proclamation. Mxy whips up a new version of Superman’s killer to face – Bada Bing Bada Boomsday – and gives up his powers so he can REALLY die in battle.

Then it starts to get weird.

This is a really great little story. It’s goofy, silly, has no consequences and not even any real stakes. But Louise Simonson and Jon Bogdanove paint Mxyzptlk in a way that comes across more as a naive imp than the malevolent trickster he can be sometimes. He’s genuinely just there to experience something new, and the havoc he causes comes across not as the result of spite, but of genuine ignorance as to how we mere three-dimensional organisms live our lives. The whole thing boils down to a hilarious revelation as Mxy sees his version of the afterlife. You could skip this book. You could simply pluck it from the omnibus editions of the Electric Superman era. You could pretend it’s not there. But you’d be missing out on something that’s actually a lot of fun.  

Mon., Sept. 15

Comic Books: Superman Vol. 2 #131, Adventures of Superman #554, Action Comics #741, Superman: The Man of Steel #76, Superman Red/Superman Blue #1, Jon Kent: This Internship is My Kryptonite #9

One last burst of blue…

Notes: It’s the big day! Lex’s wife, Erica, is about to give birth – so naturally, Lex is at a photo op with Mayor Berkowitz. He gets into it with Perry White over their shared history, which fills us in on a lot of things about this continuity’s version of Lex that had slipped my mind. I knew he hadn’t grown up in Smallville with Clark like so many versions of the character, but I’d forgotten he and Perry had taken on a similar dynamic: children of Suicide Slum that grew up as friends but broke apart. It’s also worth noting that Perry and Alice’s son, Jerry, had turned out to actually be Lex’s son – the product of an affair decades before. Although Perry and Alice had reconciled, the bitterness over Jerry’s death still lingered over Perry at this point. Perry gives Lois a reader’s digest version of Lex’s life – growing up in the slums, his parents dying in an “accident,” and being taken in by a foster family that was only interested in him because they suspected he had money. Lex fell in love with another of their fosters, a girl named Lena, who their foster father accidentally killed in a fit of anger. From then on, Perry says, any remnant of warmth in Lex Luthor was extinguished forever. 

The ending of this issue is pretty shocking, even for Lex Luthor, and is kind of disturbing to read in the current climate. But by the time it’s over, Lex has a new daughter, he’s thrown his wife aside, he’s gotten what to him no doubt seems like a satisfying revenge, and Metropolis is on the hunt for a new mayor.

Adventures of Superman #554 returns to the far more comic booky story of the Ripper, the monster patrolling beneath the streets of Metropolis, but not before a scene where Lex lords his new daughter – Lena Luthor – over Superman, gloating that his studies of Kryptonian DNA have suggested to him that it would be utterly impossible for him to ever have a child with a human. 

This is an example of what TV Tropes calls “Hilarious in Hindsight.” 

Anyway, Metropolis’s new mayor calls in a Kraven wannabe called Burton “Hunter” Thompson to try to track down the Ripper in the sewers, much to the chagrin of SCU head Maggie Sawyer, who is forced to work with him. At the Planet, Dirk is upset because he hasn’t heard from Ashbury in over a week. When Clark tries to comfort him, saying that Scorn will keep her safe, Dirk snaps back that he can’t understand because he’s not a father, a remark which visibly disturbs Clark. Damn, the Superman writers were REALLY leaning into that angle, weren’t they? It almost makes me wonder if they were planning to do a super-baby storyline way back then, but then it got sidelined for some reason. 

Superman joins the SCU and the Hunter in the sewers where they manage to find the Ripper. Hunter kills it while the creature is clearly trying to communicate, and Superman is left wondering what more there is to the Ripper that Hunter is trying to hide. 

Action Comics #741 brings back the time-tossed Legionnaires one last time. In their efforts to return home in their own comic, they’ve kinda sorta accidentally created a malevolent AI that’s taking control of tanks and other heavy machinery and causing havoc. Fortunately in the real world AI is totally benevolent and can only do good things. In the comic, though, they wind up struggling against out of control aircraft – which Brainiac 5 discovers aren’t being controlled by his C.O.M.P.U.T.O. after all, but from a signal coming from LexCorp Tower, because of course it is. They find Lex in the middle of telling his new daughter a rather slanted version of Chaucer’s tale of Chanticleer the Rooster (great segment there by the way) and end the issue with a particularly nice dig against Luthor. Superman doesn’t get petty often, but when he does, he finds a way to hit you where it hurts.

This would be the last time we saw the Legion before they went home, by the way. Their search for C.O.M.P.U.T.O. continued from this issue into issue #100 of their own series, which featured them finally returning to the 30th century. It was nice while it lasted, though.

In Man of Steel #76, Bogdanove does a nice take on his own over for Superman: The Man of Steel #1 (a trick he repeated a couple of years ago for the first issue of the Steelworks miniseries), and we pick up on Jimmy’s group, now on a quest. The DNAliens Simyan and Mokkari, meanwhile, are cooking up a new creation in a kind of weird meta-story. The two storylines collide with the release of a monster in midtown Metropolis. Superman takes care of it fairly easily and Ashbury is finally returned to her father…but Simyan and Mokkari are picked up by Morgan Edge, who hears they have a habit of creating monsters. It’s a really weird issue – visually fun, but it feels like they’re trying to cap off the Ashbury thing quickly to move on to what’s next.

Pictured: Next.

What’s next, you ask? Why, that would be Superman Red/Superman Blue #1, the beginning of the final act of the electric era. So important that it even had a 3-D variant cover! On Christmas, the Cyborg returns yet again, teaming up with the Toyman (who, at this time, was in his child-murdering phase) with a plan to destroy Superman. They capture him in a sort of energy bottle, with the Cyborg planning to rip his energy-body apart and store it in a thousand containers. At the same time, Toyman has Lois captive, and takes her away. As Superman’s body is dispersed he panics and explodes, the Cyborg’s machine splitting him into two – neither of which is aware of the other. “Blue” rushes off to save Lois from the Toyman, while “Red” brutally battles the Cyborg and traps his electronic consciousness inside an orbital antenna. The two villains disposed of, both Supermen return to the Planet office, switch to Clark Kent, and proceed to make an entrance…I gotta tell ya, that’s the way to do a cliffhanger that isn’t a life-or-death situation. The story itself is a little surprising, with such a big change in the status quo happening really quickly with absolutely no buildup. Unlike the transformation to Electric Superman, which was seeded and hinted at for months, this just HAPPENS. 

Even odder, this issue spends a lot of time on the ongoing subplots of the Superman saga. Scorn is captured by a hologram controlled by Lex Luthor, who wants to study him to learn more about Kandor. Jimmy returns to his ransacked apartment to find the medallion he got in the Pulp Heroes Superman Annual, which freaks Misa out. There’s really a shocking amount of stuff happening here that ISN’T directly related to the Red/Blue split, but that does help it to feel like a significant chapter of the ongoing saga, which is a good thing. 

Tues., Sept. 16

Comic Books: Superman Vol. 2 #132, Adventures of Superman #555, Superman: Man of Tomorrow #10, Action Comics #742, Superman: The Man of Steel #77, Jon Kent: This Internship is My Kryptonite #10

See what they did on those bottom two covers? Idn’t that NEAT?

Notes: We’ll finish up this week with the first month’s worth of the adventures of Red and Blue. I know I’ve been on this storyline for three weeks now, but it doesn’t feel like it to me – I feel like I’ve whipped through this much faster than I expected, and I think I’ll be able to finish it off next week. Fortunately I’ve still got several other themes lined up to get me to the end of the year.

We’re starting things with Superman #132, picking up right where the cliffhanger at the end of the Red/Blue special left off. The two Clark Kents both return to the Daily Planet building at the same time, with Blue coming down from the roof and Red entering from the ground level. Blue goes off to a lunch meeting with Perry, while Red finds Lois and effusively shows his joy that she’s okay, even though he doesn’t know how she escaped the Toyman. Most of the issue is taken up with Three’s Company style shenanigans, with the two Clarks narrowly missing each other at the Planet office, at the JLA Watchtower, or Dooley’s restaurant, but the JLA quickly discovers that there are two Supermen. Their genetic scanners, furthermore, confirm that BOTH of the men are genuine, something Blue doesn’t accept, leading to the two Clarks confronting each other in the alley behind the restaurant on the last page. 

It’s subtle, but this issue also lays the groundwork for the way these two are going to differentiate from one another, aside from the color. As we see Red bounding around Metropolis, he’s very energetic, free-wheeling, and emotional. He cracks jokes like Spider-Man and has no hesitation dropping a friendly put down on Green Lantern. Blue, on the other hand, is already coming across as colder and more stoic, with a short but clear moment of rudeness to a waiter who spills some coffee on his tie. There are a lot of stories about a character splitting into two that pull this same trick – each version gets PART of the character’s personality. In Superman’s case, Red is his emotional side, Blue the logical, and it’s going to be very clear soon that neither of them is as effective without the other.

Adventures of Superman #555 continues with the fight in the alley, both Clarks swearing to be the genuine article. As they argue, a lunatic with a pair of guns and dynamite strapped to his chest barges into Dooley’s. Red punches out Blue and rushes in to tackle the attacker, scared for Lois’s safety, without even changing to Superman. The bomb is still ticking, though, and Blue switches to his energy form to whisk the bomber out of the restaurant. He manages to contain the explosion and save the bomber, but winds up confronting Red again, each of them convinced that the other is the Cyborg pulling some new scheme. When they touch each other, though, something happens…

Meanwhile, Jimmy and Misa make their move to rescue the captive Scorn, a plan that gets slightly derailed when the Black Crucible – the cult Jimmy took the Medallion of the Damned from – shows up in an attempt to reclaim it. They get him free and the three of them, along with Ashbury, are on the road again.

Man of Tomorrow #10 picks up with Lois confronting her husbands at home. When they came into contact their minds temporarily fused together, making them realize how the Cyborg’s machine split them. Unfortunately, they don’t know how to merge into one again, prompting them to zip to the Fortress of Solitude to look for a solution. When they get there, though, they find that the Fortress has been invaded by Dana Dearden, aka Obsession, a highly-powered woman who is…well…obsessed with Superman. To make matters worse, Maxima shows up at the same time, hopefully convincing Superman that he’s gotta work harder in this continuity to hide the Fortress. The two women fight over him, trashing the Fortress and nearly destroying Kandor before Maxima tricks Dana into leaving via a telepathic trick, and the Supers capture Maxima and drop her off at Belle Reve. It’s a pretty good issue, but true to the Man of Tomorrow ethos, it doesn’t really have any major plot momentum in the Red/Blue saga, except for Maxima confirming that both Red and Blue are really Superman (which we already knew) and that Kryptonian tech isn’t going to fix the problem. 

Action Comics #742 is next. Red and Blue split up, Blue being more concerned with finding a solution to their problems, but Professor Hamilton is nowhere to be found. In the meantime, an eco-terrorist calling himself Kirichitan releases all the animals from the Metropolis petting zoo, with Blue zipping in to fight him. Meanwhile, the home where Luthor has been keeping his wife under sedation since the birth of their daughter mysteriously burns to the ground. Meanwhile, Man of Steel #77 shows us what Red is up to at the same time, zipping home to be with Lois, but being called to investigate the fire that seems to have consumed Erica. Red and Scorn wind up, through timey-wimeyness, fighting some dinosaurs and robots in Suicide Slum, and Scorn decides that his presence is too dangerous for Ashbury, leaving her behind and breaking her heart.

There’s a fun little trick with these two issues, taking place simultaneously and showing some of the same events from different perspectives. It’s not quite a Rashomon situation, but writers Stuart Immonen and Louise Simonson have a little fun with the conceit, as do Immonen and Jon Bogdanove on the two covers that match each other as a single image.

Oh yeah – also, at Cadmus, something is happening to the Dragon’s Tooth artifacts. We’re on the cusp of the Millennium Giants, and the end of this era.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 35: A Spark of Change

When I started the Year of Superman back in January, I decided early on that I wasn’t going to spend the entire year reading stories from the “Triangle Era,” even though that is hands-down my favorite period of Superman comics. I did decide, though, that I would allow myself two indulgences. I would give myself a few weeks to delve into the epic and game-changing Death and Return of Superman storyline in the early part of the year. Then, later, I would allow myself to read the longer and more divisive saga of “Electric” Superman. The period where Superman’s powers and costume changed so radically was a major point of contention for a lot of readers at the time, although I feel that — like many stories of the era — it is looked back upon more fondly than it was initially received. But I have never gone back and read that era as a whole since it first came out.

I think it’s time.

That said, there’s a question that must be answered: exactly WHEN does this saga begin and end? It’s not as cut-and-dried as the Death of Superman, beginning with Doomsday’s appearance in Man of Steel #18. This story doesn’t begin in the issue where he gets the new costume. Superman’s power change is at least partially a result of an attempt to restore his powers after they are lost during the Final Night crossover. And after he is returned to “normal,” that issue ends with a cliffhanger that dovetails into a time-travel adventure against the villain Dominus that lasts several months before things are finally reset. Along the way he participates in more than one crossover event, is a regular member of the Justice League, and makes multiple guest appearances in lots of comics, including the Ultimate Access miniseries I read last week. All told, were I to read EVERY comic book with Electric Superman, it would be more than double (possibly triple) the number of issues in the Death and Return saga. That’s a LOT.

So here’s what I’ve decided: 

I’m going to read all of the issues of the regular Superman titles from the beginning of Final Night to the end of the Dominus storyline. I’ll read the main issues of any crossover in which Electric Superman appears, as well as crossover chapters in which Superman or members of the family appear. I’ll also read the annuals with Electric Superman. I’m going to skip the JLA issues, because after all, it’s part of Grant Morrison’s run and that whole thing is really one massive story in and of itself. And I’m not going to get into every guest-appearance he makes just because I think it would be a pain to try to track them all down, but I reserve the right to sneak one in if I really want to.

Even shortened like this, it’s still going to be the single largest endeavor of the Year of Superman. And I’m kind of excited to get into it.

All of this is to say, buckle up. It’s time to get sparkly.

Wow, that was lame.

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 27

Comics: Final Night #0-4, Power of Shazam! #20, Superman Vol. 2 #117, Adventures of Superman #540, Supergirl Vol. 4 #3, Action Comics #727, Superboy Vol. 3 #33, Legion of Super-Heroes Vol. 4 #86, Superman: The Man of Steel #62, Green Lantern Vol. 3 #81

Notes: It was a weird time in DC Comics. Hal Jordan had gone mad after the destruction of Coast City and took on the villain name Parallax following Zero Hour. Kyle Rayner was Green Lantern. Half of the Legion of Super-Heroes was stranded in the 20th century. And Lois Lane had ended her engagement to Clark Kent. Then, as if things weren’t bad enough, some idiot turns out the lights.

In The Final Night, by Karl Kesel and Stuart Immonen, an alien identifying herself as Dusk crashes her ship into Metropolis, where she is confronted by Superman, the Special Crimes Unit, and the time-tossed Legion of Super-Heroes. Dusk warns that a Sun Eater is approaching Earth, and that she has rushed ahead of it from world to world, trying to save people from its devastation, but thus far she has always failed. Superman quickly rallies the world’s heroes (and even some of the villains – they’ve got just as much to lose if the sun is eaten as the heroes do) and they take to space to try to stop the Sun Eater, but despite their best efforts, at the end of the first issue, Earth’s sun is consumed and the world is plunged into darkness. 

Issue two begins in rather dramatic fashion, when Lex Luthor – who has been in hiding – appears to offer his aid to the Justice League and Earth’s heroes in saving the world, including a powerful splash page of Superman and his worst enemy shaking hands in the face of a common threat. Meanwhile, the worlds’ heroes are in overdrive trying to protect people both from the drastic climate crisis as well as from each other. It soon becomes apparent, however, that with the sun gone, Superman’s powers are declining rapidly. Amidst all of this a new hero appears: a young man calling himself Ferro. 

In issue three things go from bad to worse. Turns out the sun isn’t actually GONE, but cut off inside the Sun Eater, where it’s trying to heal itself, but Luthor and Brainiac 5 realize that they have less than 24 hours left before the sun goes hyper-nova, wiping out everything in the solar system. Dusk makes plans to leave Earth before the end, as she has so many times before, but the Phantom Stranger takes her on a whirlwind Ebenezer Scrooge-like tour of the Earth, allowing her to witness our heroes’ refusal to give up, even in what is literally the darkest of hours. And as everyone begins making preparations for the bitter end, Guy Gardner is surprised by the appearance of a bright, beautiful green. 

Final Night #4 brings us to the brink. Luthor and Brainiac 5 have constructed a series of force-field bombs they believe will contain the nova and destroy the Sun Eater, but their chosen pilot, Green Lantern, disappears. Superman insists on going himself, and takes a moment to write a farewell letter to Lois, from whom he was estranged at the time. As he’s writing, through, Ferro steals the ship with the intention of making the suicide run on his own. As they try to stop him, Parallax arrives and offers to save the sun. Despite the reservations of some of the heroes (especially Batman), he does so – at the cost of his own life. Hal Jordan, once and future Green Lantern, falls as he dispels the darkness within.

The end of the story doesn’t quite hit the same now as it did in 1996, knowing as we all do that Hal would eventually return and become Green Lantern again. But as a way to end the arc he had been on since the Death of Superman it was fitting. Also fitting was the reaction of the other heroes: Superman chooses to believe that Hal Jordan found redemption in the end for the atrocities of Parallax, whereas Batman believes a moment of good at the end can never erase the slate. It says quite a bit about each of these heroes, and the book seems to recognize that. At the end of the issue, as Clark and Bruce debate Hal’s sacrifice, Karl Kesel writes a caption that has always stuck with me: “They are the world’s finest heroes, and all the rest follow the lead of one or the other.”

It’s an interesting perspective on the philosophy of the DC Universe, isn’t it?

Let’s talk for a moment about the assorted spin-off chapters. As I said, I didn’t read all of the assorted spin-offs, only those featuring Superman or a member of the family, but that still added an additional nine books to the five-issue main series. I’ll hit the high points in order, as dictated by the reading list on the DC Infinite app:

Power of Shazam! #20: As the weather begins deteriorating with the loss of the sun, Superman and the Marvels go into first responder mode while the wizards Shazam and Ibis try to find a magical solution to the problem. Superman’s presence here is minor, but there are interesting notes. First, this happens right after the sun is lost, so Superman’s powers are only beginning to wane. Second, there’s an amusing moment where Captain Marvel promises Superman “I won’t be distracted like when I faced that Thunder God,” a funny and oblique reference to the events of DC Vs. Marvel

Superman #117: This one is a cheat. Despite the banner on the cover, it’s not really part of the crossover. The issue wraps up an ongoing story with Superman and Professor Hamilton in the Fortress of Solitude and advances a few subplots, but it only ties in to the Final Night on the last few pages, when Superman receives word that something is approaching Earth. If you’re doing a readthrough of the story, this is utterly skippable. 

Adventures of Superman #540: Perry White fights valiantly to put out an edition of the Daily Planet, reasoning that failure to do so would be like giving up and admitting defeat. Emil, still in the Fortress of Solitude, starts transmitting his own research to S.T.A.R. Labs in an attempt to help. And in Metropolis, as Superman’s powers continue to dwindle, Ferro gets a rather heartbreaking origin. The Perry stuff is great, and the Ferro stuff sets the character up nicely for his future with the Legion.

Supergirl #3: Peter David’s epic run was interrupted pretty early by this crossover appearance. Supergirl (this is the Matrix version, remember), has very recently found herself bound to a mortal girl named Linda Danvers, and in her new home of Leesburg, people are beginning to fall apart as they beg for the return of the sun. The issue is mostly spent developing subplots for the series in the context of the crossover, and skippable if you just want to read Final Night, but it reminds me as always just how good David’s run on this character was. I may not be able to fit it in before the end of the year (it’s a total of 80 issues, plus assorted crossovers, annuals, and specials), but so, so worth reading.

Action Comics #727: A somewhat quiet, subdued issue. As Metropolis is blanketed with snow, a Superman whose powers are nearly gone struggles to keep the peace. Meanwhile, a desperate man finds new hope. Inconsequential to the main story, but this is actually one of those times where I really feel a crossover event works well, telling an emotional self-contained tale against the backdrop of the greater events.

Superboy #33: In Superboy’s home of Hawaii, people are gathering at the base of an active volcano for warmth. Roxy Leech, his manager’s daughter and Superboy’s best friend, decides that with the world ending in 24 hours there’s nothing left to lose and confesses her love for him, which is kind of awkward, as his girlfriend Tana Moon is on TV reporting on the crisis just as the volcano erupts. Turns out it’s a monster with the inventive name of Lava causing trouble. The ending here is particularly bittersweet, and surprisingly effective. 

Legion of Super-Heroes Vol. 4 #86: Ferro proves his mettle (get it?) by offering to dive into the sun with an enormous bomb to get it going again. Luthor and Brainiac already have devised their plan to send Green Lantern instead, though, but when he mysteriously vanishes (whisked away by Parallax, as it happened), Superman steps up to do it instead…something that doesn’t sit too well with Ferro. 

Superman: The Man of Steel #62: An interesting little side-trip. Almost de-powered, Superman tries to help a power plant stay functional to keep people from freezing in the dark. Meanwhile, Hamilton discovers that imminent destruction of the sun and sends word to the Daily Planet, while learning about the last days of Krypton and how eerily reminiscent they are of the current situation.

Green Lantern #81: An epilogue to the Final Night story featuring the funeral of Hal Jordan. Kyle Rayner is nervous, finding himself in the position of being asked to speak the death of a man he never met until he turned bad. Superman begins the ceremony, calling Hal a hero, before calling up other speakers who knew him best: Guy Gardner, John Stewart, Black Canary (speaking in the stead of the also dead-at-the-time Oliver Queen), the Flash, Carol Ferris, and finally Kyle. The heroes travel to the Coast City memorial, where Alan Scott turns the eternal flame green, and then Swamp Thing (making a rare non-Vertigo appearance for the time period) brings life back to the desolated landscape. In the end, even Batman finds it within himself to forgive.

A lovely story, although of course, it wouldn’t be the end at all. Nor is it the end for Superman because – as you may have noticed – I haven’t mentioned anything about his powers coming BACK yet. After the sun was restored, he – and everyone else – assumed his powers would go back to normal. But as we’re going to see soon, that isn’t what happened at all.  

Thur., Aug 28

Comics: Superman Vol. 6 #29, Justice League Unlimited Vol. 2 #10, Justice League: Dark Tomorrow Special #1, Green Lantern Vol. 8 #25 (Superboy Guest Appearance)

Notes: Gonna take a quick pause from the burgeoning Electric storyline to read some of the new Superman comics that dropped this week. Superman #29 continues the “Legion of Darkseid” story as Superman plans a trip to the future to save the Legion of Super-Heroes with the most unexpected partner of all time. 

It’s going to be hard to talk about this issue – I don’t really want to spoil anything, so can I just talk about vibes? As in, “I freaking love the vibes from this book”? Superman going into the future to save the Legion is exactly what I’ve been thirsting for. What’s more, writer Joshua Williamson is showing respect for EVERY incarnation of the Legion to date, weaving them all into this story (somehow) whilst still tying everything in to the ongoing “DC All In” saga. Again, without spoiling anything, if you haven’t read last year’s DC All-In Special or the Summer of Superman Special that came out in April, you’re missing out on the building blocks of this story. Superman even gets one of his trademark rousing speeches in which he espouses exactly what I’ve always felt is true: he may have been the inspiration for the Legion, but the Legion was every bit as much an inspiration to HIM.

Despite the darkness of this story, something about it is feeling…right. It rings true. And by the time the tale ends and the dust has settled, I feel like we just might finally have a true Legion again. 

Justice League Unlimited #10 actually takes place before the “Darkseid’s Legion” storyline, and involves the League trying to protect the Doomsday Time Trapper, who feels the encroachment of Darkseid and his Legion. Meanwhile, the Trinity have a little heart-to-heart about what happened with Air Wave (the whole “tricked by Grodd” thing) and how they need to approach Justice League recruitment in the future. As always, Mark Waid proves just how well he knows these characters, placing Superman and Batman at odds with one another on this matter, with Wonder Woman as the mediator between the two. Clark also gets in a pretty sharp jab at Bruce, which I don’t think he gets to do quite often enough.

Also, Dan Mora drew both of these issues, and he’s phenomenal. Really, any time these days I read a comic book where I don’t feel the artwork is up to snuff, I wish that they could clone Mora and have him do all of it. 

I also read the Justice League: Dark Tomorrow Special, which came out a few weeks ago but, somehow, I’d missed. I’m glad I grabbed it, though, because it feels pretty significant to this whole All In/Darkseid story that’s going on. Someone is hunting down and killing time travelers, which puts roughly half the Justice League at risk – especially those time-lost heroes from the “We Are Yesterday” crossover. A mysterious time-traveler calling himself “Legend” partners up with Air Wave and the lost heroes to try to save them. The issue is both an epilogue to “We Are Yesterday” and a prologue to future stories (including “Darkseid’s Legion” and the upcoming “DC KO”), and although the Super-family participation is minimal, it definitely feels significant, and if you’re following the ongoing saga of the DCU these days, you should pick it up.

Fri., Aug. 29

Comic Books: Superman Vol. 2 #118, Superman: The Wedding Album #1

Notes: I only briefly mentioned it when I read Final Night the other day, but at this point Lois and Clark were separated, she having called off their engagement and taken an assignment in Asia to get away from him. It was a bit of a delaying tactic – Warner Bros wanted corporate synergy and refused to allow DC Comics to have the two of them get married until they were also married on the then-running Lois and Clark: The New Adventures of Superman TV show. It was actually that edict that led to the Death of Superman in the first place, when they had to scrap their plans to marry them off in 1992. Here, four years later, after one delaying tactic after another, they finally got married on the show, and DC had to quickly follow suit.

In Superman #118 we pick up on her, chasing down a heroin ring in the far East. Back in Metropolis, meanwhile, S.T.A.R. Labs is working on the fact that, despite the sun coming back, Superman’s powers are still gone. After a seemingly-pointless reiteration of his origin, Wonder Woman and Lori Lemaris convince Superman to try to get Lois back. Lois, meanwhile, encounters a young man who tells her a lesson he learned as a child from an American stranger. It’s pretty clear where this is going from the very beginning, but Lois is still taken by surprise when she learns who her new friend’s old friend happens to be, and she makes a decision to return to Metropolis. Short? Abrupt? Hell yeah. But DC wasn’t given a lot of time to get things back in order – they needed to have the wedding of the century align with the TV show.

And this brings us to Superman: The Wedding Album, an event nearly 60 years in the making. This 88-page whopper told a hefty tale written by the five writers of the Superman comics of the era (Dan Jurgens, Karl Kesel, David Michelinie, Louise Simonson, and Roger Stern), with art by the regular teams and several other artists who had worked with Superman over the years, including John Byrne, Gil Kane, Paul Ryan, Tom Grummett, and a flashback sequence using pages by the great Curt Swan. It’s a nicely fitting tribute to the characters, kicking off with Lois being Lois – pretending to want to marry the head of the drug trafficking ring as a way to both bust him, at the same time, hitch a ride on his private jet back to Metropolis. She storms into the Daily Planet office wearing a ragged and torn wedding dress, then has it out with Clark. He fills her in on what’s been going on in her absence: he’s acting as Managing Editor of the Planet while Perry recovers from chemotherapy, oh yeah, and his powers are gone. (There’s a particularly funny line here: “Remember when the sun went out a while ago, Lois?” As if that’s the sort of thing a person could just forget.) The sequence ends with the entire Planet staff crowding around, trying to peek through the door, and seeing the two of them in an embrace, back where they belong.

The bulk of the special, after that, is all about wedding preparations: Lois’s bridal shower, the happy couple picking out their dress and tux, and house-hunting. And while it’s all fairly normal, non-superhero stuff, the writers manage to really infuse it with character. Lois’s mom is desperate to control things while her father makes no effort to disguise his distaste at his daughter’s choice of partner. Clark’s parents, meanwhile, do their best to play mediator. A fight breaks out at the Ace O’Clubs during the bachelor party, and Clark gets a visit from a friend to tell him that Metropolis will be taken care of during his honeymoon. Oh yeah – and the apartment that Lois fell in love with but couldn’t get is now theirs, courtesy of the building’s owner, one Bruce Wayne.

I’m really glad that they avoided the typical superhero wedding episode, where the ceremony is disrupted by a villain causing havoc or some natural disaster. The closest thing we get is Mr. Mxyzptlk popping in right before the blessed occasion to tell Clark he’s looking forward to screwing around with Mr. and Mrs. Kent very soon. Then it all closes off with a nice, simple, uneventful wedding that is heartfelt, sincere, and lavishly illustrated (with several members of the creative team in attendance). 

It’s a sweet issue, one that finally puts the will they/won’t they of six decades to rest and allows us to move on to something new.  

Turns out they were saving the chaos for the honeymoon.

Sat., Aug. 30

Podcast: Back to the Bins Episode #685: Superman S.C.O.R.E. III

Notes: It’s finally here! Regular blog readers may recall a while back when I joined Paul Spataro to record an episode of his Back to the Bins podcast, each of us discussing comics about the relationship between Superman and Wonder Woman. The episode has finally dropped, so make sure you check it out. It’s available on the Two True Freaks Podcast Network page, or you can find it on Spotify, Apple Podcasts, or wherever you download your podcasts. Join us for a chat about this unique super-couple. 

Comics: Taste of Justice #6, Adventures of Superman #541, Action Comics #728, Superman: The Man of Steel #63

Notes: A quick peek at Taste of Justice #6 – a short but fun story in which Martha Kent is injured (mildly – this series seems to specialize in minor mishaps most of the time), leaving Clark and Jonathan to try their hand at making her famous rhubarb pie. Interestingly, whereas most chapters of this online serial comic have led up to a triumphant dish being prepared, this one takes a different tack – the resultant pie isn’t up to Martha’s usual standards, a fact which she clearly finds somewhat amusing. I didn’t see that coming.

That done, it’s a dive back to 1996, where we’re going to read the comics that make up Lois and Clark’s honeymoon. After a surprisingly low-key and uneventful wedding, their trip to Hawaii makes up for it. Adventures of Superman #541 picks up at the wedding reception, after which the happy couple whisks off to the island paradise, where their celebrations are interrupted by an explosion. With Superman still powerless, fortunately, they happen to be on Superboy’s home turf. The explosion was caused by a creature that claims to be an island spirit called a Menehune, and the happy couple wind up meeting up with Superboy and his own reporter girlfriend, Tana Moon. The story is okay – more like we’re seeing a “Lower Decks” style peek in an issue of Superboy really. But the side quest is derailed on the last page, when Clark is shot and kidnapped by men in a speedboat. Of course, these guys don’t seem to realize that they’ve just made the biggest mistake of their lives: they’ve pissed off Lois Lane. 

Action Comics #728 picks up with Clark waking up in the custody of the brother of the very drug trafficker that Lois captured in the Wedding Album. Apparently Rajiv, as his name goes, holds something of a familial grudge. I have to admit, I found this issue kind of underwhelming. Clark spends most of the issue engrossed in a flashback to another time when his powers weren’t of any use, facing a terrorist armed with a chunk of Kryptonite. The flashback really adds nothing to the story, save for eventually reminding Clark that he has studied techniques to make it appear as though his heart has stopped beating – techniques that work just as well if he has powers or not. He uses his little trick to attempt an escape, only to learn that any such effort will be futile, as he’s being held captive on a submarine at the bottom of the Pacific Ocean. Good reveal, but it leaves us with about two pages of plot progression for the whole issue.

Superman: The Man of Steel #63 picks up with Clark being brought to a private island belonging to Rajiv as Lois begins the task of doing what she does best: following leads. In this case, she’s trying to track down her missing husband, which takes her all of four pages before she begins a guerilla assault on Rajiv’s compound. (And they call Batman the world’s greatest detective.) As she attempts her rescue, Clark learns that Rajiv isn’t tracking her out of petty revenge: when she bested his brother, Lois made off with a knife that, unbeknownst to her, has hidden in its hilt computer codes capable of hacking satellite technology and bringing down aircraft at will. As Clark stalls for time, trying to convince Rajiv that Lois found and sold the codes, she breaks in and saves the day.

The honeymoon arc as a whole is okay. You all should know by now how much I love a story where Lois has a chance to kick some ass, and she most certainly does that in the Man of Steel issue. For all the times Clark has saved her over the years, it’s really great to see how capable she is when the need arises. My beef really comes with how quick the whole thing is, especially the sequence where Lois tracks down Rajiv’s island. It just comes far too easily, even for someone as smart and capable as Lois. Considering that she only appeared on one page of Action #728, that issue feels even more superfluous than it does at first blush. It would have been far more satisfying, in my opinion, to truncate the flashback sequence in that issue and devote those pages to showing Lois hunting down Clark. It would make the Action issue feel far more relevant and the Man of Steel issue feel less rushed. It’s all about the pacing, people.

Still, kudos to Lois and Clark for having a honeymoon they could never forget. But when their vacation to paradise ends, it’s going to be time to get down to the real issue at hand: finding a way to restore Superman’s missing powers. 

Sun., Aug. 31

Comic Books: Superman Vol. 2 #119, Adventures of Superman #542, Action Comics #729, Superman: The Man of Steel #64

Notes: With the honeymoon over, it’s time to figure out what’s up with Clark’s powers. In Superman #119, Superman and the time-tossed Legion of Super-Heroes both arrive at LexCorp looking for help with their respective predicaments. They take a ship to the same orbital platform we saw back in the Superman/Aliens crossover (a rare instance of such a crossover being addressed as canon, helped no doubt by the fact that Dan Jurgens wrote both of them) and Brainiac 5 attempts to draw solar energy to jumpstart Clark’s powers…an effort met with failure. And in the midst of this Lex gets some surprising news: he’s going to be a daddy.

In Adventures #542, Superman heads to Project Cadmus for help but, again, finds himself stonewalled. Instead, he simply winds up on a brief psychedelic adventure with some of Jack Kirby’s stranger creations, the Hairies, before borrowing Guardian’s Whiz Wagon. He flies it down to Action Comics #729, where – en route to his Fortress in the Antarctic – he winds up at an energy research station where the crew has unwittingly unleashed a strange entity from the center of the Earth. Superman manages to best the creature even without his powers (paralleled with a subplot about Perry White going through chemotherapy) before finally making it to the Fortress where Emil Hamilton has been all this time. But even all his Kryptonian tech doesn’t restore his powers before Mr. Miracle and Big Barda pop in via Boom Tube, saying that the fate of the universe depends on Superman’s powers.

Finally, “Power Struggle” concludes in Man of Steel #64. The New Gods tell Superman that their world of New Genesis has somehow been destroyed, and the only hope of finding the truth is to retrieve the datacore in Metron’s suit…a datacore that can only be accessed by melting the suit in the heat of the sun itself. Metron assures Superman that their dive into the sun will recharge his powers quickly enough to pull them both out of the star before they’re killed…and miraculously, it works. Superman’s powers are restored, Metron is saved, and the data is retrieved. It all seems just so…neat and tidy. TOO neat and tidy, if you catch my drift.

Getting his powers back, as it would turn out, was just the beginning. 

Bonus: Comics in the wild!

Notes: Some time ago, DC announced that they were going to start selling comics at Dollar Tree locations. The comics would all be reprints, of course: most of them either the first issue in a story that is available in graphic novel form or a standalone comic, including many aimed at kids. The program expanded to reach various convenience stores, grocery stores, and other outlets. But today was the first time I ever actually saw any in the wild. After my son’s birthday party, we stopped for gas and I saw the rack inside the station. I had to go through it, fascinated by some of the choices for their reprint specials. The first appearance of the modern Supergirl from Superman/Batman is in the mix, as well as at least two current issues of Mark Waid’s World’s Finest series (each the beginning of a storyline, of course), and the first issue of Christopher Priest’s Superman: Lost. They weren’t ALL Superman comics, of course – there was the expected assortment of Batman comics, Harley Quinn comics, and Scooby-Doo comics, some of them all at the same time – but the very existence of this rack out there, outside of comic book stores where they can be seen by anybody…it was heartwarming to me.

Of course I had to get a couple. I picked up the reprint of John Byrne’s Superman #1 from 1987, as well as the reprint of the first issue of Batman Adventures Vol. 2. Like the Compact Comics, I feel like it’s important we support these things, friends.

Mon., Sept. 1

Comics: Superman Vol. 2 #120, Adventures of Superman #543, Action Comics #730, Superman: The Man of Steel #65, Superman Vol. 2 #121,  Adventures of Superman #544, Action Comics #731, Superman: The Man of Steel #66, Jon Kent: This Internship is My Kryptonite #6, Gotham City Sirens: Unfit For Orbit #5 (Power Girl guest appearance)

Notes: There was a bit of a lull in the Superman comics after he got his powers back but before they transformed. Let’s see what we can get through today. In Superman #120, Lex Luthor has a dream about his oncoming child idolizing Superman, a dream that chills him to the bone and opens up an issue of different characters talking about what they would do with Superman’s powers: Lex, Emil Hamilton, Jimmy Olsen, Cat Grant, Perry White, and a random kid who gets locked out of his house and needs Superman’s help. It’s a cute little breather of an issue, which was probably due at this point, although it had been entirely too long since we saw Lois. She hadn’t had a significant appearance since the honeymoon ended, and it’s time to really get into the adventures of Mr. and Mrs. Superman. There is one significant piece of foreshadowing, though: when Emil studies Superman to make sure that his powers are, indeed, back to normal, the scanner he’s using shorts out due to an unexpected electrical surge.

In the immortal words of C+C Music Factory, “Things That Make You Go Hmmmm…”

Adventures of Superman #543 shows us the newlyweds finally settling into their new apartment and Superman checking into a couple of escaped villains. Turns out the villains in question are being recruited for a new version of the good ol’ Superman Revenge Squad. A strange figure watching from the shadows has pulled together Anomaly, Barrage, Misa, Riot, and most troublingly, Maxima. When DC released this year’s Superman Treasury Edition I mentioned that I was disappointed to see Maxima reverting to her old villainous ways. I guess I’d forgotten that this wasn’t the first time she’d suffered from a bout of recidivism. The Squad makes its attack in Action Comics #730, but not before one of the very-frequent scenes of Superman flying over Metropolis pondering recent events to bring any casual readers up to speed. I never noticed until this read-through just how frequently that happened in the Triangle Era. I suppose they clung to the idea that any comic book could be somebody’s first, and they were doing their best to make sure that everyone knew what was going on. Admirable – but these days I’m very curious as to whether that old adage still bears any truth at all. Anyway, the fight goes poorly – the five villains, used to working on their own, wind up stumbling over each other and stabbing each other in the back, but by the last panel they manage to have Superman down, his head covered with a slime that Misa is using the block his powers. Geez, Misa, he JUST got them back. 

Man of Steel #65 wraps the story up as the Metropolis Special Crimes Unit arrives on the scene and joins the fight. For a full-issue fight scene, it’s not bad. It’s really nice to see the SCU used to the top of their intelligence, being legitimately effective in a fight against superpowered villains instead of just coming across as the useless cops that so often populate superhero comics. As the Revenge Squad is rounded up, their mysterious benefactor watches and plans his next move. I’ll tell you what I REALLY like here – it’s been so long since I read these issues that I’ve completely forgotten who the mysterious bad guy is that pulled the Revenge Squad together. I don’t know when the reveal is going to come, but I hope it lands. 

Superman #121 has writer Dan Jurgens once again pick up penciling duties (a rarity for this era) for a “very special issue” about Clark Kent befriending a ten-year-old girl who witnessed a gang shooting. When Superman tries to eliminate the guns from her housing project, thinking it will make it safe for her…well, let’s just say I’m kind of surprised that Jurgens would have written Superman as being so naive. 

Adventures #544 starts off with what I’m comfortable calling a controversial moment: Clark Kent is gunned down in the middle of a busy streetcorner. If that’s not confusing enough, it gets weirder when Lois arrives on the scene at the same time as…another Clark. Turns out the doppelganger is tied into the return of Intergang, which no doubt is going to cause trouble later on. Action #731 features another return: Lois and Clark are trying to enjoy an evening at home together when word comes of an attack by an old foe of his Cauldron – but he’s different than before. While Clark holds him off, Lois helps unravel the mystery of who is controlling the cyborg villain this time.

Finally (for today) let’s look at Superman: The Man of Steel #66. Remember Rajiv, the creep who messed up Lois and Clark’s honeymoon trying to get his hands on codes that would allow him to take over a satellite defense network? Well, seems like he got the codes, because in this issue he starts raining fire all over the world, demanding a billion-dollar ransom to stop. The story cuts between Superman taking to space to stop him and scenes on the ground where various people, including Bibbo, Jimmy Olsen, and Perry White’s family, try to help in their own way. It’s an interesting little experiment by Louise Simonson and Jon Bogdanove, a story ostensibly about how the S-shield itself stands for something to people and the power it has even on its own. It would be another decade before the concept of the shield being the Kryptonian word for “Hope” came about, but this has some of that same feel to it, and I like it on that level.

It’s odd, in retrospect, how these stories feel so disconnected from what’s coming. Except for the electric spark in Superman #120, there’s really been no buildup to the power switch. The news had already come out that the story was coming, of course, people knew that Superman was about to get a new costume and new power set, but they didn’t expend a lot of shoe leather on the concept for the first two months after the wedding storyline ended.

That’ll change very soon. 

Tues., Sept. 2

Comic Books: Superman Vol. 2 #122, Adventures of Superman #545, Action Comics #732, Superman: The Man of Steel #67, Superman Vol. 2 #123

Notes: The final month before the big switch begins in Superman #122. At this time, DC was still under the edict that Kal-El was to be the ONLY Kryptonian who survived the destruction of Krypton. That said, they had found ways around that with alternatives to the Kryptonian characters and concepts of the past: the Matrix Supergirl, an Earth dog Bibbo named “Krypto,” and most recently, a new version of the city of Kandor. In this continuity, Kandor was still a miniaturized city in a bottle that Superman was keeping safe in the Fortress of Solitude, but rather than a Kryptonian city, it was a town made of aliens from various worlds, all collected by an entity named Tolos before Superman saved them. In this issue, his powers start to go wild, causing electrical devices to explode and his body to phase in and out. Superman takes Lois to the Fortress to try to get to the bottom of it, wondering if the dimensional phase that had brought him to Kandor could be responsible, but inadvertently winds up releasing a blue-skinned, horned alien called Ceritak. In Adventures #545, things just get worse as Superman’s powers go out of control. He sparks uncontrollably, falling through walls and losing the ability to fly, all of which contribute to a power outage that goes across the city and frees the Atomic Skull from prison. The Skull, suffering from the delusion that he was the hero of an old movie serial and that Superman and everyone else were characters in the serial, winds up in battle against Superman, seeming to atomize him. 

Action #732 continues the battle because, obviously, Superman isn’t really dead. His energy was somehow dissipated by the skull, and he finds himself reconstituting at that Antarctic energy research station he stopped by when he was powerless a few issues back. Lois plays along with the Skull’s delusion as a delaying tactic and, making his way back to Metropolis, Superman starts to learn some of the capabilities of his new powers. He isn’t strong anymore and can’t fly, but he can bound around like energy, control magnetic waves, and access computer systems by touch. Eventually, he manages to bring the Skull down, but he has no idea what’s happening to him.

Superman: The Man of Steel #67 is next, although the title has become highly inaccurate at this point. (This is a good opportunity to talk about how, were this story to be told today, it would reach this point and then DC would likely cancel all four series and re-start them with new first issues, including changing the title of this one. Man of Energy doesn’t really have the same ring, though. I don’t know what they’d call it.) As news of Superman’s mutating powers starts to leak out, Lois clashes with the Planet’s new sensationalist circulation manager over their coverage. Meanwhile, Ceritak has made his way to Metropolis, where he’s inadvertently sewing some chaos. In the midst of the battle between the two Superman’s powers go absolutely haywire, causing a citywide blackout.

A quick aside before I move on to the main event: Jon Bogdanove. He’s one of my favorite Superman artists, mostly because his style has a sort of classic, old-fashioned sensibility that meshes perfectly with Superman. He gives us a huge, barrel-chested, squared-jawed hero that not only fits, but practically DEFINES the classic Superman mold. As Superman shifts from his traditional status quo to the electrical version, you’d think it would clash with his style…but somehow it doesn’t. Along with fine art and color work by Denis Janke and Digital Chameleon, he makes a creature of pure energy still invoke the core of Superman. That, along with several well-placed and highly amusing visual gags in this issue, call to mind some of his best work on Marvel’s Power Pack. I don’t think Bogs gets enough credit in general, and I wanted to call out this issue in particular as being a high point.

Finally, after a week of reading, we come to the book that I started this journey for: Superman #123. As Superman fights with the confused Ceritak (who Bibbo accidentally renames “Scorn”), he winds up in Hamilton’s lab, unable to control his new energy-body. Hamilton is approached by Erica del Portenza, wife (at the time) of Lex Luthor, who has an experimental cyber-woven polymer that she believes may be of assistance. Loath as they are to accept help from Luthor, Hamilton sees no choice and uses the fabric to create a containment suit. In his new duds, Superman finds that he can control his power while in energy-form as well as shift back to a fully human (and powerless) Clark Kent. As he says on the last page, “there’s a new Superman in town.”

This is such a wild story so far. After a rather slow buildup, we’ve got a Superman now with a completely different power set and costume, and while I don’t think I believed even then that this change was intended to be permanent, DC did their best to pretend this new status quo was going to last. So looking ahead to reading more of this, I’m expecting to see the sort of subplots and side-stories that defined the Triangle Era while, at the same time, continuing the story of the electro-Superman, leading up to the era of Superman-Red and Superman-Blue.

And despite feeling a bit of scorn (no pun intended) for this storyline for a very long time now, I find myself kind of looking forward to it. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 34: Crossover Chaos Part III-The Final Amalgamation

I spent last week dipping my toes into the DC Vs. Marvel crossover, as well as the first wave of Amalgam Comics titles. But I’m not done yet: I’ve still got over half the huge Amalgam Age Omnibus to get through, including two sequel miniseries and the second wave of Amalgam Comics. Not only that, but after a few weeks where the beginning of the school year has kept me busy, I finally get a chance to sit down and catch up on more recent Superman comics. Oh yeah – and Peacemaker season two drops this week, and while I don’t expect to see Superman to show up, James Gunn has promised that the story of this season follow on from the film, so there’s a pretty good chance I’ll have some thoughts to share about that. Let’s begin, shall we? 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 20

Comics: DC/Marvel: All-Access #1-4

I had the same look on my face as Access when I read Civil War II.

Notes: I’m going to say something that may be controversial here. I actually like the follow-up miniseries, like DC/Marvel: All-Access, better than the DC Vs. Marvel event itself. DC Vs. Marvel was a fun experiment, but the plot was really just a flimsy excuse to show off fights between the characters and frame the Amalgam specials. All-Access, on the other hand, has an actual STORY to it, and I appreciate that. Written by Ron Marz with art by Butch Guice, whom you may remember passed away earlier this year, All-Access starts out with Axel Asher, the man who straddles the line between the Marvel and DC Universes as Access. A psychic flash warns him that Venom has somehow hopped universes, and if anyone from either universe stays in the other one for too long it could cause the worlds to fuse into the Amalgam Universe again, so the cosmic hall monitor has to get to work. He comes across Venom in Metropolis, where he’s throwing down with Superman, and so Access decides to get some backup by calling in someone who knows what Venom’s deal is: Peter Parker, the Amazing Spider-Man.

This is all in the first issue of the miniseries, by the way, which almost works very well as a standalone Superman/Spider-Man team-up. There’s no gratuitous hero-on-hero fighting here, just two good men teaming up to take down one bad one, and Marz plays them both perfectly. Re-reading this issue is where I started to realize that this is kind of what I had hoped DC Vs. Marvel would have been all along.

Superman doesn’t show up again until the last page of issue #3, but in the meantime, Jubilee convinces Access to take her back to the DC Universe because when she and Robin were supposed to be fighting each other, they kind of fell in love. (To this day, it’s probably the best relationship Tim Drake has ever had.) Their reunion is interrupted by an encounter with Two-Face, then again when the Scorpion appears, once again mysteriously having been pulled from the other universe. Access recruits Batman to help him solve the mystery of the “crossovers,” and Batman suggests that they track down the man who, in the combined universe, was supposed to be its defender: Dr. Stephen Strange. Batman approaches Strange, suspecting that he’s causing the crossovers somehow, and Jubilee calls in the X-Men to hold him off. Issue three ends with Access once again calling in the cavalry, bringing in the rest of the Justice League.

Issue four is X-Men vs. JLA, at least at first. Things change when Access discovers that Dr. Strangefate has been hiding in Strange’s subconscious ever since the merger and used him to cause the crossovers in an attempt to restore the Amalgam Universe. He fuses Wonder Woman and Storm once again into their Amalgam counterpart, Amazon, but when he realizes he doesn’t have the right parts to put together anyone else, he starts creating NEW Amalgams: Superman and Bishop! Iceman and Aquaman! Jean Grey and the Martian Manhunter! Things get wild!

The story ends with a nice little promise, the Amalgam Universe restored as a sort of pocket universe where Strangefate is locked away, and the Marvel and DC Universes get to remain separate. But this miniseries was so much fun, seeing the characters actually interact in ways that didn’t go straight to the fisticuffs. The Robin/Jubilee stuff in particular was fantastic, and I loved seeing Superman and Spider-Man working together again. 

It’ll never happen, but I’d love to see a longer Access series, say a 12-issue event in which he’s trying to solve some sort of mystery that encompasses both worlds. And I’d love if, during this year, he appears not only in his own series, but in the ongoing comics of both companies, bringing surprise guest stars with him. But seeing as how the original plan was for DC Vs. Marvel to end with She-Hulk and Martian Manhunter swapping universes for a year until that plan was nixed by the lawyers, it’s doubtful that anything like that could happen. It’s not like the world has gotten LESS litigious since 1996, after all. 

Thur., Aug 21

Comic Books: Super-Soldier: Man of War #1

The amalgamated Snyder Brothers fans get SO angry that they gave Super-Soldier his trunks back.

Notes: A year after DC Vs. Marvel, a second wave of 12 Amalgam one-shots were released, six of them continuing adventures of the characters from the first, six of them with all-new Amalgamations. What’s interesting is that even the books that carried over didn’t continue the STORIES from the original. Some of them were unrelated stories, some made brief reference to the previous, and some went REALLY wild, like Dark Claw Adventures giving us an adventure of the Amalgamated Batman/Wolverine combo in a Batman: The Animated Series style. For our first visit with the Super family, Super-Soldier: Man of War dipped back in time to give us an adventure of the character from World War II. Mark Waid and Dave Gibbons reunite for this story, which kicks off with Super-Soldier at a meeting of the All-Star Winners Squadron. But he’s only there long enough for us to notice some new Amalagams (such as the Human Torch/Green Lantern mashup Human Lantern) before it’s off to join Jimmy Olsen for a special undercover Daily Planet assignment overseas. 

On the ship to Europe, Clark and Jimmy make the acquaintance of Sgt. Rock and the Howling Commandos, and Clark is later chagrined to find that Winston Churchill has fallen for the do-gooder act of his arch-nemesis, Lex Luthor, husband of Lois Lane. In a way, Luthor’s involvement actually makes this a prequel to the previous story, as the issue ends with him unveiling the plans for the Ultra-Metallo that Super-Soldier fought the first time we read one of his adventures. Kinda makes you wonder why it took Luthor 50 years to get it together.

As before, Waid and Gibbons do a great job lacing together the Superman and Captain America characters, this time bringing in the World War II-era heroes of Easy Company and the Howlers as well. Peggy Carter, for instance, shows up here as a member of the French Resistance (although I couldn’t figure out which member of Easy Company she was supposed to be mashed up with). The appearance of Major Zemo and his War Wheel pushes this over the top – silly and gleeful. These Amalgam books, when done well, are just an enormous amount of fun. Is it too much to hope that the new DC/Marvel crossover books that are about to come out will open the door for the return of this mixed-up universe? 

Fri., Aug 22

No, you give YOUR dog an invisible bone!

Last night was the premiere of Peacemaker season 2. I thought that meant I would be able to watch it when I got home from work, but apparently, it dropped at 8 p.m. EST, by which time my sports fanatic son was engrossed in a preseason game between two teams that nobody in our house has any personal connection to. But that was okay, I figured that I would just watch it the next day. I guess that was pretty stupid of me, though, to assume that I could wait a whole 20 hours and not have anything spoiled for me. Before the game was even over, though, posts were appearing on social media that spoiled something that really pissed me off. You see, season one was made BEFORE James Gunn was given the job of revamping the DCU, and was intended as part of the previous iteration of the DC Extended Universe. With the new DCU that began in Creature Commandos and continued into Superman, though, there were questions as to which parts of the season were still canon. Gunn has been exploring that in the official podcast for the show, but there was a moment in the finale that they were going to have to work a little bit to reconcile. 

Naturally, looking at Facebook last night, I was spammed with different pages that I don’t even follow sharing a screenshot that ruined a pretty amusing moment. How dare I assume that people wouldn’t make it into a headline? It had been an entire 180 minutes since the show dropped! What are they, made of stone?

Here’s the rule: If you’re posting spoilers about a show on the day it airs, you’re an asshole. That goes for individuals as well as all of those pages that I have since blocked.

By the time you read this it will have been nearly a week since that episode, and I STILL wouldn’t talk about it without giving you a warning. So in the next paragraph I’m going to spoil a few things about the end of Peacemaker season one and the beginning of season two. If you haven’t watched them and want to remain pure, skip ahead to Saturday.

TV Show: Peacemaker Season 2, Episode 1: “The Ties that Grind.”

Season one of Peacemaker ended with the titular hero and his team, the 11th Street Kids, saving the world from an invasion of alien butterflies. It’s more impressive than it sounds. But in the battle, Emelia Harcourt was nearly killed. Towards the end of the episode, Peacemaker is carrying her to safety when, lo and behold, the Justice League appeared – too late to do any good. The League, in this case, included silhouettes of Superman and Wonder Woman, as well as Jason Momoa as Aquaman and Ezra Miller as the Flash. It was a funny scene, but as that Justice League doesn’t exist, that scene clearly was no longer canon.

Gunn promised to explain it away and he did at the very beginning of the episode, in the “Previously on…” montage, where the League was replaced by the Justice GANG from the movie. The silhouettes of Superman, Mr. Terrific, and Supergirl all appeared, as well as a quick and the cameos have been replaced by Isabela Merced’s Hawkgirl and Nathan Fillion’s Guy Gardner. It was a funny bit. But I bet it would have been funnier if not for the asshats on the internet posting it the night before I got to watch it.

Fillion and Merced appear later in the episode as well, alongside Sean Gunn as Maxwell Lord allowing Peacemaker to audition for the Justice Gang. Watching the episode, it’s clear why DC put out the digital version of Superman last week – there are a lot of things in this show that build directly on that movie, although it’s still Peacemaker’s story of course. Rick Flagg shows up, worried about another dimensional rift like the “Luthor Incident” that happened this summer. Besides the connections to Superman, the show also starts trickling in new characters, like a surprising cameo by White Rabbit and references to the likes of the Ultra-Humanite and Captain Triumph. Rick Flagg is even working with Sasha Bordeaux, a supporting character from Greg Rucka’s Batman comics. Gunn seems to be using this season of Peacemaker to lay in chunks of the history of the DCU that Superman only hinted at, and I’m really quite excited by that. 

Look, it’s not a HUGE Superman link, and it’s DEFINITELY not a show I’m gonna watch with my seven-year-old like the movie, but this show is starting to look like it’s going to be part of the fundamental fabric of the new DCU, and that would make it worth watching even if it WEREN’T really good. 

Comics: Jon Kent: This Internship is My Kryptonite #5

Sat., Aug 23

Comic Books: Superman: The Kryptonite Spectrum #1, Superman Unlimited #4, Supergirl Vol. 8 #4

This is why you don’t watch whites with colors.

Notes: The beginning of a new school year traditionally keeps me busy, and today was the first time I’ve made it in to pick up my new comics in a few weeks. As such, I’ve got a hefty nine Superman or Superman-related comics sitting in my stack, waiting to read and discuss, including the much-anticipated Superman: The Kryptonite Spectrum #1. This Black Label series is by W. Maxwell Prince and Martin Morazzo, the creative team behind Image Comics’ incredible existential horror series Ice Cream Man. That’s the only thing of theirs that I’ve read before, however, and while I’m a big fan, I’ve been curious ever since this was announced as to just how their sensibilities would translate over to the Man of Steel.

As it turns out, they translate wonderfully.

In this story, Superman discovers four new strains of Kryptonite beyond the usual colors we’re aware of, and recruits Batman to help him experiment with them and find out what they do. The first, a Purple K, distorts Superman’s perception of time – something that is especially concerning as Lex Luthor chooses just that minute to unleash Solomon Grundy in Metropolis.

It would be fair for someone to question whether a creative team best known for a cosmic mind-tripping horror comic would be an appropriate choice for a Superman story, but Prince and Morazzo acquit themselves right away. The Kryptonite Spectrum isn’t a horror story by any stretch, but when Superman’s concept of linear time is skewed, we get a story that drifts into the kind of psychological twists that make Ice Cream Man so compelling while skipping the actual terror. Prince uses this conceit to play with the reader’s concept of time as well, and the script even twists Superman’s interactions with his friends, with a few scenes with Lois Lane dipping into the very real anxieties that Ice Cream Man so frequently mines for pure horror. Here, though, rather than terror, Prince uses them for character drama, displaying things about the relationships between the characters that feel very true, very human. This may not have the “Elseworlds” label, but the story clearly isn’t set in the mainstream DC Universe, with Superman and Lois’s relationship framed in a way that doesn’t fit that world, but feels quite appropriate for the story that Prince and Morazzo are telling. This is a great first issue of a very different kind of Superman story, and I enjoyed it heartily. 

Remember this the next time one of you wants to give me grief for putting up my Halloween decorations in September.

Dan Slott and Rafael Albuquerque are back with Superman Unlimited #4. With the Daily Planet expanding to a global operation, Jimmy Olsen has been tasked with helping set up their Gotham City office. While he’s in town, he and his ape city sidekick Tee-Nah run across Man-Bat and wind up summoning Superman for help. What they don’t know, though, is that this is a new Man-Bat, one who can transmit its curse via a bite…and a chance encounter with all the Kryptonite on Earth these days has left Superman just vulnerable enough to get nipped. Soon it’s Robin and the Birds of Prey vs. Superman-Bat! 

This book is really turning out to be just what I wanted. There’s an ongoing storyline – that of the Kryptonite meteor that fell to Earth and the consequences of that – however, each issue feels like it’s telling a complete and self-contained story. The A-plot, the “Superman-Bat” thing, is done in one and it’s over. The background story of the Kryptonite and the expanded operations of the Planet continue. Although it’s a single monthly comic, in a lot of ways it feels like the structure of the glorious “Triangle Era” of the Superman comics, and I love it for that. Slott also works in some nice tidbits regarding Superman’s interaction with the Batman family, which – coming right on the heels of having read The Kryptonite Spectrum #1 – makes it feel as if DC is using the month of August to make sure everyone remembers that Superman and Batman are best buds. Which, of course, I approve of wholeheartedly.

This is what happens when you don’t use fluoride.

Supergirl #4 continues Sophie Campbell’s new(ish) take on the Woman of Tomorrow. Having defeated her doppelganger Lesla-Lar last issue, this issue Supergirl takes her back to Kandor where she does something her cousin would most certainly approve of wholeheartedly: she goes to bat for her. Supergirl argues that Lesla has the drive to become a real hero, if only given the proper guidance, and volunteers to take that task upon herself. That’s the very beginning of the issue – afterwards we see Lesla make earnest attempts to prove her worth, leading up to a strange but entertaining encounter at a Goth club where she makes a mistake in judgment that winds up having the Supergirl squad face the forces of Decay. 

I just adore Campbell’s take on Supergirl. This issue in particular feels so true to the character – she comes off as someone who has demons in her past but, having largely conquered them, is sworn to help other people do the same. And following Lesla in this issue just magnifies that fact, demonstrating the effect that just being in proximity of someone like Supergirl can have on a soul that’s not truly evil, but merely lost. It’s such a good look for her and for the entire Superman family, and Campbell is nailing it in a delightful way. I also appreciate how Campbell is mining Supergirl’s past – the “new” villain, Decay, is a new version of an obscure character from Supergirl’s ‘80s series who, to the best of my knowledge, hasn’t reappeared since then. She knows this character’s history and she’s using it to her best advantage, which makes for a really rewarding read. 

Sun., Aug. 24

Comics: Krypto: The Last Dog of Krypton #3, Action Comics #1089, Justice League Red #1

Notes: After a busy Sunday of groceries, shoe shopping, making my weekly LitReel and, of course, a required stop at Spirit Halloween, it’s nearly 7 pm before I have a chance to sit down and read anything. Fortunately, I’ve still got six more new Superman-related books to dig into. Let’s see how many I get to this evening.

Beware the fetch.

Krypto: The Last Dog of Krypton #3 is first. Wandering alone after abandoning Lex Luthor, Krypto is stumbling through the woods when he comes across a little girl who’s as lost as he is. Roaming through the freezing woods, Krypto takes it upon himself to take care of the child, and in the process, proves just what a good boy he really is.

The first two issues of this miniseries blew me away. This one… DAMN it, Ryan North. Three issues in a row – THREE ISSUES IN A ROW – and you’ve got me in tears reading about KRYPTO THE SUPERDOG.

Honestly, if you’re not reading this comic book I don’t know what even is wrong with you.

When a teenager loses one of his contact lenses.

Action Comics #1089 may not have me sobbing over the adventures of a dog, but that doesn’t mean it’s not good. Last issue, young Clark Kent was surprised when his history teacher showed up on his doorstep and revealed that he knew Clark was Superboy. This issue, Mr. Blake has a reveal of his own and, frankly, I’m kind of irritated with myself for not picking up on who he was in the first place. Mark Waid is being Mark Waid here, tapping on his seemingly infinite awareness of the DC Universe to bring back a character who hasn’t been seen in a while and recontextualizing him in the world of Superboy’s Smallville. I can’t get much more specific without spoiling anything here, and in case you haven’t read the issue yet, I don’t want to do that But Waid is doing really interesting stuff in this issue.

My one complaint is actually the cover by Ryan Sook. It’s a great piece of art – evocative and certainly sure to get a reader’s attention…only it doesn’t seem to actually fit anything in the story. I hate when comic book covers are dull, generic pin-ups, but it may be even worse when the cover is of a scene that doesn’t even appear in the book.

Wait, some of these costumes need more red.

The last book I squeeze in before I’m alerted by my child that he’s hungry and he has expectations of something called “dinner” is the first issue of the latest DC All-In era Justice League spinoff, Justice League Red. Ever since the Justice League re-formed, Red Tornado has been serving as the computer intelligence running the operations for the team. This issue, Power Girl and Green Lantern Simon Baz get a red alert on their League ID cards that summon them to a satellite Red Tornado built without the knowledge of the rest of the League. His computer mind has been running millions of simulations and has determined that the new League is somehow going to lead to a catastrophe on Earth, and he needs a few trusted members to handle secret tasks the rest of the League cannot learn about in order to stop it.

Writer Saladin Ahmed is taking an interesting path in this book. The story leads us to believe that Red Tornado is unstable, and that all of these predictions and algorithms he’s run are unreliable. Even as Power Girl and Simon carry out their first mission, they’re skeptical as to whether they’re doing the right thing and whether they can trust their robot teammate. But to play that hand so early, to make it seem from the very beginning that Red Tornado may be going off the rails…it feels kind of like a feint to me. I’m willing to bet that we’re going to find out along the way that things are even worse than believing Red Tornado is wrong: we’re going to find out that somehow, he’s RIGHT. Interesting set-up, and I look forward to seeing where this goes. 

Mon. Aug. 25

Comics: Absolute Superman #10, Batman/Superman: World’s Finest #42, Justice League Vs. Godzilla Vs. Kong 2 #3

Confirmed: I still can’t see John Cena.

Notes: Time to wrap up my catch-up weekend (plus one day) with the final three Superman-related comics from my visit to the comic shop. I’m kicking it off with Absolute Superman #10. The battle continues between the Omega Men and Ra’s Al Ghul’s Peacemakers, with Peacemaker Smith on the front line in the hunt for Kal-El. With a Kryptonite bullet in Smith’s gun, Kal-El is faced with a decision, and a reflection onto a hard choice his father once made brings about a surprising result.

The conceit of the Absolute comics is that this is an entire universe tainted by Darkseid, where hope is the eternal underdog and the sort of values that characterize the traditional DC heroes are absent. This issue, Kal-El is faced with the kind of choice that Superman inevitably comes down to at some point in his career, and it’s a testament to Jason Aaron’s writing that, right up until the choice is made, I’m not entirely certain which way I think he’s going to go. 

I like the way the Absolute world plays with characters as well. Concepts like the Omega Men, Peacemaker, and especially Ra’s Al Ghul are not traditional elements of the Superman corner of the DC Universe, but they work in the story we’re getting here. Overall, it’s a good chapter in this saga. 

This am bad serious book.

In World’s Finest #42, Superman and the Dynamic Duo have been summoned to Bizarro World to help with a plague. The Bizarros (including Bizarro Superman #1 and Batzarro) who are infected find their minds realigned to a more Earth-like way of thinking. Such a danger can’t be allowed to spread, so they’ve turned to our heroes to save them…but together, they find that the danger may be greater than even the plague seemed to be.

Mark Waid is doing some really interesting things with the Bizarros here. He plays with the notion of how science and physics don’t really allow for something like a square planet and what the consequences of such a world would be. At the same time, he tackles the Bizarro philosophy of things being “backwards” as well, in a way that makes me feel slightly abashed for my criticism of the Bizarro story in the recent Kal-El-Fornia Love summer special. There’s also a great moment for Batman here – Robin (understandably) questions why it would be such a bad thing if the Bizarros all had their minds reversed to what we think of as “normal.” Batman’s response is a little unexpected, at least until he gives his reasoning, displaying a depth of compassion that Batman isn’t often given credit for. It’s a good look on Bruce.

So they’re sitting around watching Japanese movies, so what?

I finally get to the end of the new Superman titles (less than 48 hours before this week’s comics go on sale) with Justice League Vs. Godzilla Vs. Kong 2 #3. At the center of the Earth, Superman and Lex Luthor are forced into an uneasy alliance as they come across a herd of giant gorillas. (A herd? A pride? What are a group of gorillas called? I should probably look that up.) On the surface, meanwhile, Supergirl and Wonder Woman get to work liberating a Monarch base being held captive by Task Force X, and Harley Quinn gets involved in a rather…unique therapy session. 

Obviously, I love crossovers, and seeing the League facing off against the Kaiju of the Legendary Monsterverse is a lot of fun. I particularly like bringing in the Suicide Squad as an alternative antagonist in this story. But it’s the sort of thing that’s a little hard to hold in your head from month to month. Waiting for the trade isn’t a practice I care for, but this is probably a situation where the story will read better in collected form than issue-to-issue. Once it’s over, I’ll have to re-read the whole thing in a lump. 

Tues., Aug. 26

Comics: Spider-Boy Team-Up #1, Unlimited Access #1-4

They don’t call ’em “Legion” for nothing.

Notes: We’re going to end our journey through the Amalgam Universe and the DC/Marvel Omnibus today with Spider-Boy Team-Up #1, and the subsequent Unlimited Access miniseries. The final one-shot, written by Roger Stern and Karl Kesel (cleverly Amalgamated into R.K. Sternsel) with art by Jose Ladronn, features the return of the Arach-kid with a special guest appearance by his pals in the Legion of Galactic Guardians 2099, and that in and of itself should tell you that at this point they were going WILD with the Amalgamations. At Cadmus, as preparations are made for the Kid’s upcoming nuptials to Mary Jane Watson, aka the Insect Queen, the Kid is plucked from the timestream and brought to the far-flung future, where the Legion is about to elect a new leader. Will it be Vance Cosmic? Martinex 5? Cannonfire? Multiple Mai–you know what, there’s too many, I’m not going to list them all. But it’s pretty interesting to note that there are so many Legionnaires that there aren’t enough Guardians to Amalgamate them all (or at least, there weren’t at the time) so they wind up mashing together with virtually any Marvel character that fits: Dream Girl and Destiny made up Dream Date, Matter-Eater Lad and the Trapster made Paste-Eater Pete, and my personal favorite, Bouncing Boy and Speedball mashed into Bouncing Ball. Unfortunately, Spider-Boy’s time displacement is causing stress on the time stream, and he winds up falling into different time periods, meeting different incarnations of the Legion.

The book turns out to be a real celebration and gentle parody of the Legion, poking some lighthearted fun at the various reboots the team has undergone over the years, a topic with which I have some passing familiarity. Even Ladronn’s artwork works really well, emulating the different styles of Keith Giffen’s Five Years Later era just as neatly as he does the Chris Sprouse-inspired Reboot Legion. The ending is a really nice touch, tying together the “2099” part of the melding with the only Legionnaire that it could possibly have been. Even divorced from the rest of the Amalgam comics, Spider-Boy was a glorious, joyful, wild experiment. Man, I hope the upcoming facsimile edition is just a precursor of things to come.

Something about Thor-El is kinda…compelling…

The last gasp – both for the Amalgams and for the Access concept of Marvel/DC Crossovers, came in the 1998 miniseries Unlimited Access by Karl Kesel and Pat Olliffe. The story starts with Access, the “Cosmic Hall Monitor,” popping back to his home in Marvel’s New York after sorting out a recent encounter between Spider-Man and Batman. Kesel implies here that this particular crossover had Access looking on from the background trying to keep things straight. As a concept, it actually would work to explain EVERY Marvel/DC crossover – Access, or someone like him, keeping an eye on temporary fusions between the worlds, which the respective heroes forget after the fact. If they decided to run with it that way.

Access has to untangle the appearance of Mantis – one of Darkseid’s lesser goons – in battle with Spider-Man, a fight that gets escalated when Juggernaut and Wonder Woman wind up in the mix. Things get even crazier when he takes Diana home only to find himself tangled in a fight between a still-savage Hulk and Green Lantern Hal Jordan…who is DEAD.

Superman doesn’t actually show up in the first few issues of this miniseries, so I’ll cut to the chase: as it turns out, Access doesn’t just bounce back and forth between universes, but discovers he can bounce back and forth in TIME as well, allowing him to meet the different versions of the Marvel and DC heroes from any point in the timestream (including the “Days of Future Past” X-Men from the distant year 2012). He’s also got the ability to create Amalgams, merging characters from the two worlds into one, which comes in handy when it turns out he’s being tracked by Darkseid, who wants his ability to traverse the worlds. By issue three, Amazing Grace has hypnotized the original Avengers and Justice League into battling each other, and Access decides to reach out for the only hero who stands a chance of fixing this mess: big blue himself, Superman. And I mean Superman during his electric blue era. It takes literally seconds for Superman to jolt everyone back to their senses, then he and Captain America mobilize the two teams to fight off Darkseid’s invasion of the Marvel Earth. But the crazy just keeps coming with the Brotherhood of Evil Mutants, the original X-Men, and a group of teen heroes who – just months later – would wind up getting their own title as Young Justice. 

By issue four, Darkseid and Magneto are teaming up to take over the world (this is early Magneto, when he was still into that kind of thing) and the heroes decide to combine their powers – literally – into a single strikeforce of Amalgams. Black Canary and Jean Grey: Jean Black! Giant-Man and Green Lantern: Green Goliath! Captain America and Captain Marvel Jr.: Captain America Jr.! I know, I didn’t write it. And of course, Superman and Thor are fused together as Thor-El. 

The fun part here is seeing these new Amalgams throw out casual references to help the reader to understand what they’re like in their own minds: Captain America Jr. possessing the “wisdom of Lincoln,” for example, or Thor-El referencing the Valhalla Zone. The series, and the history of Access, end with him accepting the truth about himself, beating Darkseid, and swearing to prevent a future he doesn’t want to experience. 

Reading this story again now, there’s so much potential left in this concept, and thanks to the nature of Access’s powers, there’s no reason that Marvel and DC couldn’t pick up on it again at any time. With new crossovers (finally) on the horizon between the two of them, the chance is right there. I don’t know if they’ll take it – I certainly hope so.

But for now, at least, our journey with Superman and the heroes of other worlds has come to an end. And I think it’s time to rededicate myself to stories focused around Clark Kent himself. That in mind, next week, I’m going to embark upon my re-read of the longest Superman saga I’ll have yet tackled for the Year of Superman blog. See you then!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Geek Punditry #134: Three Wishes For the DC Universe

I’m sitting here two weeks after the debut of James Gunn’s Superman movie and I’m quite happy. As of the time I write this, it’s sitting at almost $260 million domestically and nearly $433 million worldwide, which in this post-COVID era is nothing to sneeze at. It’s already the top-grossing superhero movie of the year so far, and most importantly, it’s been embraced by the public. The critics love it, the fans love it, and people are still talking about it two weeks later, something you can’t really say for some of the other summer movies like Jurassic World: Rebirth. Lines like “Maybe being kind is the real punk rock” have achieved meme status, and not in a mocking way like that CEO at the Coldplay concert. Most importantly, it has gotten people reenergized. Sure, there are some people who don’t like it, and it’s fair to not like something, but if the REASON you don’t like something is because Superman believes in goodness, has a sense of humor, or wants to protect the life of even the smallest creature, then I’ll be frank: your opinion does not matter to me.

My face when I think about the bit with the squirrel.

With this movie doing well, eyes are now turning to the rest of James Gunn’s new DC Universe. When he and producer Peter Safran took over as co-heads of DC Studios a few years ago, they announced a slew of projects, but Gunn has also been very clear that he’s not going to move forward with anything until the script is ready, so several of those projects are on the back burner. The ones that are definitely on the schedule are – in order of release – season two of the Peacemaker TV series next month, the Lanterns series for early next year, the new Supergirl movie next summer, and a Clayface movie next fall. (Clayface, by the way, is the most indicative of the fact that Gunn is not married to a roadmap – it was not part of the initial announcement and Gunn said the character wasn’t even on the radar for a solo film, but writer Mike Flanagan pitched him a story that was so good they put it on the fast track.)

The hero we didn’t know we needed.

Movies in the works but not yet on the schedule are a Brave and the Bold movie (featuring Batman and the Damian Wayne Robin), The Authority, Swamp Thing, and Sgt. Rock. On TV, they’re working on live-action shows including Paradise Island, Waller, and Booster Gold, and in animation, they’re working on Blue Beetle, Mr. Miracle, and a second season of Creature Commandos. Other things have been tossed around, including a movie featuring Bane and Deathstroke, and Supergirl screenwriter Ana Nogueira has reportedly turned in a script for a Teen Titans movie AND has been hired to do a script for Wonder Woman. Following the success of Superman, rumors are flying about shows starring Edi Gathegi’s Mr. Terrific and Skyler Gisando as Jimmy Olsen. There are other series and films in the works as well, but the ones I haven’t mentioned thus far (such as the sequel to Matt Reeves’ The Batman or an animated Starfire series for children) are mostly intended to be part of DC Studios’ “Elseworlds” imprint and not part of the DCU proper. 

So obviously, there’s a LOT to look forward to in the next several years. But what is it I always say about fans? What do fans want above all else?

That’s right. Fans want MORE.

So today I want to talk about my Three Wishes for the new DCU. What are three projects that I would love to see? If I had a chance to sit down with James Gunn and convince him to add three of my dream projects to the schedule, what would they be? Let’s do one live-action series, one animated series, and one movie, just to cover all the bases that this DCU is touching. I’m also going to try to incorporate some themes or genres that the other projects haven’t gotten around to yet. 

Live action series: Legion of Super-Heroes

Call the casting department and tell them to put a pot of coffee on.

My love for the Legion of Super-Heroes is no secret. I think it’s one of DC’s greatest franchises: the heroes of the 31st century, who have modeled themselves after the greatest heroes of our time. Dozens of heroes from different worlds, cultures, and species, allowing for any number of different characters and character dynamics. The series presents an opportunity to do science fiction and superheroes at the same time, and as Gunn has made it clear that he wants the different DC projects to each have a different feeling, this would fill a niche that isn’t there yet. (Okay, technically I suppose the Lanterns TV series will have a science fiction element to it, but from all the descriptions it seems like that show is going to be more of a military mystery/drama. That’s great, but I want a real space opera.) 

But this would have to be a TV series. The Legion of Super-Heroes is, frankly, just too big for a movie. There are literally dozens of characters in the group, and even if you were to narrow down the focus to a core group of, say, seven or eight, you need time to explore who each of them are and how they relate to one another. You couldn’t do justice to the Legion in two hours. 

The next thing is that I believe that the Legion is strongest as a spin-off of Superman. It’s how the characters were first introduced back in 1958, as kids who loved the legend of Clark Kent and travelled back in time to recruit him to join their club when he was just a teenager. It creates something of a stable time loop: the Legion models itself after Superman, but the Legion also taught Clark Kent to be a superhero in the first place. So I would use the early 2000s Legion of Super-Heroes animated series as my inspiration, casting someone to play a teenage Clark Kent and having him as a regular member of the cast. This would also open the door to have David Corenswet do a cameo as adult Clark at some point, probably in the last episode. 

I don’t know if Corenswet is a jewelry guy, but I think this ring would look pretty good on him.

What’s more, although the Legion is set 1000 years in the future, that doesn’t mean that it can’t still be used to establish things for the contemporary stories. Alien races like the Khund or the Dominators, who could easily show up in other DC projects, could be introduced there. And the series could be used to give sneak peaks as to what will happen in the other movies and shows. (“Hey, why does the woman in this old photo have a golden lasso?” “Don’t worry, Clark, you’ll find out soon enough.”) 

Is the reason I’m suggesting this series just because I love the Legion and I want other people to love it too? I’m not gonna lie, that’s probably at least 75 percent of my reasoning here. But that doesn’t make it a bad idea. I think this show could be great. 

Animated Series: Deadman

With Clayface playing in the realm of body horror (it has been compared, tonally, to David Cronenberg’s The Fly), the supernatural corner of the DC Universe is waiting for some exploration. Deadman is the answer. If you’re unfamiliar with the character, Boston Brand was a circus performer who was murdered in the middle of his act. Rather than going to the great beyond, though, he was sent back to Earth as a ghost to solve his own murder. With the ability to possess the bodies of other people, Deadman has had a long and bizarre career as a superhero that most people (even in the DC Universe) don’t even know exists. 

And you thought YOUR Monday sucked.

By the very nature of who the character is, Deadman has been used plenty of times to delve into the world of horror stories. He is, of course, a literal ghost, so haunted houses and poltergeists and all manner of demonic foes are par for the course for him. And he also regularly runs across other DC characters who are mired in this world of magic and the supernatural, like the Spectre, the Phantom Stranger, and Zatanna, giving a series of this nature an opportunity to open up the world even further.

As for why it would be best as an animated project – there’s a certain creative freedom in animation. It allows you to do things that would stretch credulity in live action, even with the best special effects. Have you ever noticed that the animated Star Trek series are far more likely to bring in characters who are not, strictly, humanoid? Creatures with three arms or body types that you could never fit a human actor into? That’s because in animation you don’t have to pay for huge animatronics, make actors spend days in the makeup chair applying heavy or even painful prosthetics, or worry about sketchy CGI that just doesn’t mesh against the human actors standing in front of a green screen. Animation would give them the freedom to really explore the afterlife, plunge into the depths of Hell, or put Deadman through extreme transformations like the nearly-skeletal Kelley Jones version of the character without having to torture the performers. 

Very few actresses would be willing to have their torso removed to do this scene justice.

It could be groundbreaking in another sense as well. Animation is finally starting to crack free from the decades-old bias that it’s only intended for children, but it’s still rare to see adult-oriented animated projects that aren’t comedies. Even Creature Commandos, which was basically an action movie with monsters, leaned heavily on dark humor. Any humor in Deadman would likely come from Boston himself cracking wise, as the situations he plunges into would be deadly serious…no pun intended. 

Movie: Firestorm

With page-rippin’ power!

Firestorm is one of DC’s perennial B-listers. The character inspires incredible amounts of devotion from his fans, but the NUMBER of fans just isn’t big enough to crack him into the mainstream. This could finally be a chance to fix that. Although several characters over the years have shared the name and the powers, the crux is usually that two people (originally scientist Martin Stein and high school student Ronnie Raymond) are fused into a single super-powerful being as the result of a nuclear accident. One of the two – Stein in the original – is dormant in the fused Firestorm persona, only able to offer advice to the one who’s steering the ship. This allows for a sort of “odd couple” dynamic, putting together two characters who don’t necessarily belong together and forcing them to literally work as one for the greater good. 

Writer Gerry Conway, who co-created the character, had done a long run on Marvel’s Spider-Man and was attempting to recreate the dynamic of a younger hero, which DC didn’t really have at the time. Their heroes were all older, the younger ones were all sidekicks, so putting a teenager in the driver’s seat was different for them, and the character quickly became beloved, even becoming the youngest person to ever join the Justice League (at the time at least). But after 100 issues of his solo series, the doors were shuttered way back in 1990 and, despite several strong attempts to give him a resurgence, he’s struggled to really become big again ever since.

For the movie, I would make Martin Stein sort of the “man in the chair,” the person inadvertently responsible for Firestorm, but not part of Firestorm himself. I’d keep the part of Ronnie’s origin where he gets suckered into joining a group of “protestors” to impress a girl, only to find out that they’re actually eco-terrorists. But when the accident happens, rather than fuse with Stein, I’d have him fuse with the second Firestorm, Jason Rusch, who I would make Stein’s lab assistant. 

“Fusion Confusion” was my nickname when I worked at that restaurant making sushi burritos.

The dynamic we’d have here would be Jason believing Ronnie’s a dumb jock while Ronnie sees Jason as a stuck-up egghead, and the two would slowly and begrudgingly learn to respect each other – the old “together we are more than the sum of our parts” routine. The eco-terrorists would be linked to a bigger bad, of course, who is targeting different scientific institutions in the DCU such as S.T.A.R.Labs, and giving us an opportunity to include other science-based heroes such as Captain Atom, Hourman, Stargirl, or the Flash – who has been oddly absent from all official conversation about the current DCU. There’d even be a clear opportunity to bring in Edi Gathegi as Mr. Terrific again, because when you have a science problem, who better to call than the smartest man in the world? I kind of like the idea of Stein being one of Mr. Terrific’s former professors who now finds himself running to his old student for help. 

Okay, James Gunn, the ball is in your court now. You’re doing a great job so far, don’t get me wrong, but there’s always room to bring in even more goodness. Here are my suggestions. 

Now I’ve got to get back to finishing up season one of Peacemaker before season two drops. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. Come back to him in a month, he’ll probably have three totally different suggestions. 

Year of Superman Week 26: Playing Catchup, Random Choices, and a Tribute to Jim Shooter

Back home from our trip, it’s time to play catch up. I hit the local comic shop on Wednesday to grab a few weeks’ worth of comics, and I’m going to start week 26 by going over the Superman-related titles in the mix. Let’s see what we’ve got!

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., June 25

Comics: Action Comics #1087, Supergirl Vol. 8 #2, Superman Vol. 6 #27, Superman Unlimited #2

Notes: The Mark Waid era of Action begins! I’ve been excited for this one ever since they announced he was taking over this title with a feature on Superboy. Ever since 1986, DC has gone back and forth several times over whether Clark Kent ever had a career as Superboy in-continuity. It looks like this series is going to finally settle the question once and for all…or at least until some new editor comes in and decides to change it again. But until then, I’m psyched to enjoy the ride.

Let’s hear it for the Kid of Steel!

Action Comics #1087 has Clark Kent – as an adult – reminiscing about an “Expo of Tomorrow” he attended with his parents when he was 15 years old, and how an encounter with a villain on that day would shape the rest of his life. Have we seen the story of Superman’s public debut before? Yes, dozens of times. Does that make me any less thrilled with the comic I just read? Not in the slightest.

Like I said, we’ve seen the story of SuperMAN’s debut over and over again. This is different. This is SuperBOY – a Superboy whose powers are new to him, who has never been in a fight before, and who’s wearing red converse sneakers instead of boots. He’s determined to do good, but at this embryonic stage he’s still trying to learn how. Fortunately, he’s got Jonathan and Martha Kent in his corner. Jonathan has taught him about the lost heroes of the Golden Age, drilled him relentlessly on their feats and adventures, so he could get a feeling for the heroic ideal. And when the time comes to prove himself…well, it doesn’t go as smoothly as it might go today, but it’s an authentic, entertaining, and uplifting story. Waid – who is also currently restructuring the timeline of the DC Universe in another miniseries I’ll get to shortly – is the perfect person to reintroduce the adventures of Superman when he was a boy. 

So embarrassing when someone shows up wearing your outfit.

Sophie Campbell’s Supergirl #2 picks up where the first issue left off – there’s a second Supergirl in Midvale who seems to have captured the hearts of the town. And I have to admit I was pretty tickled when I realized that the fake Supergirl was actually a new incarnation of Lesla-Lar, the Kryptonian doppelganger that we read about back in Supergirl Week. This time around, Lesla is a Kandorian with something of an obsession with Supergirl who convinces herself that she could do the job better than the genuine article. She finds a way out of Kandor, mesmerizes the Danvers, and transforms herself into a near-duplicate of Kara Zor-El (which is much better than her being just a random lookalike as in the Silver Age). Lesla also manages to tamper with Kara’s costume, causing her to turn to a friend for help: Lena Luthor.

I’m already loving this version of Supergirl. There’s a sweetness to the book, a sense of humor that more recent versions of Supergirl haven’t had. Campbell is also already doing the legwork of building up Kara’s supporting cast, and Lena makes for a fantastic addition. The two of them acknowledge that things have gone kind of sideways between Superman and Lex, but they don’t let it affect them – and in a genre where stupid misunderstandings are used to cause conflict more often than a comic gets variant covers, that’s a wonderful change of pace. Campbell’s Supergirl is already one of my most-anticipated books from DC each month. 

Oh geez, he’s got that “I’m so disappointed” look on his face. I HATE that.

In Superman #27, Lois is still reeling from the loss of her Superwoman powers, while Superman is struggling with a sudden burst of Red Kryptonite energy. Meanwhile, Mercy and Lex have a heart-to-heart. This is kind of an odd issue – part two of “Superman Red” seems to be an epilogue of sorts. This issue, combined with the previous one, feels like it was intended to tie off some of the plotlines that have been running through this series since the first issue, clearing the table for next issue’s new storyline to dive headlong into the greater mystery of DC All In. That’s not necessarily a bad thing, but it does make the issue feel a little weak on its own. 

This is why you don’t go into bars in some of the seedier parts of Daxam.

Superman Unlimited #2 continues Dan Slott’s inaugural storyline. The enormous Kryptonite meteor that landed in the country of El Caldero has upended everything, making the tiny nation one of the most economically prosperous countries on Earth overnight. But black market Kryptonite is getting into the hands of villains everywhere, which I’m sure you can imagine causes some problems for the Man of Steel. Meanwhile, Lois is launching the new global Daily Planet initiative, and only one man seems to remember the fact that Kryptonite is NOT only harmful to Kryptonians – unfortunately that one man is Jack Ryder.

Slott is having a lot of fun with the pieces here. He finds a new angle on Superman’s little-used solar flare power, and in so doing manages to escalate the stakes of the Kryptonite storyline just a little (which is about all you want in chapter two of a storyline). I’m also glad that he hasn’t ignored the fact that Kryptonite is, in fact, radioactive. I don’t know that it’s necessarily public knowledge that it once gave Lex Luthor cancer, but that’s certainly the sort of thing that would become scuttlebutt and whispered rumors and make its way to a conspiracy theorist podcast, which seems to be how they’re casting Jack Ryder now. It’s a good fit, and it gives a good reason for the Creeper to show up at a crucial moment in the story that turns out to make things even more complicated. 

The strange thing is that, although the consequences of this storyline are obviously global, Slott manages to give us a perspective that keeps things smaller. It’s mostly about Superman and how he deals with the problem, and while all the seeds are here to make this a story that can (and, logically, should) impact the entire DC Earth, he’s building to that instead of going to planet-wide societal upheaval right from the jump. There’s a build here that I appreciate, and it makes it even more exciting to anticipate the next issue.

Thur., June 26

Comics: Justice League Unlimited Vol. 2 #8, Batman/Superman: World’s Finest #40, New History of the DC Universe #1, DC X Sonic the Hedgehog #4

No, Superman IS on this cover. Look between Aquaman and Wonder Woman. No, lower. There ya go.

Notes: Continuing today with the recent releases, I’m kicking it off with Justice League Unlimited #8, the end of Mark Waid’s “We Are Yesterday” crossover. With Grodd having absorbed the Omega Energy of the late Darkseid and scattered the Justice League throughout time, Air Wave has done his best to compensate – bringing heroes from across the time stream to the present to aid them in their battle. 

I don’t want to talk too much about what happens here – I hate spoilers, after all – but if you’re the kind of person who likes crazy superhero battles, this will be eminently satisfying to you. It’s an exciting book with gorgeous artwork and a genuinely surprising ending. I’ve got no idea where Waid is going with this, although its significance to the overall story arc that seems to be “DC All In” is abundantly clear. If you’re following what’s going on in the DC Universe, you really can’t afford not to be reading this book. 

It’s like that time King Kong interrupted Johnny Carson.

Waid is also doing his thing in Batman/Superman: World’s Finest #40. With “We Are Yesterday” over, this book settles back into its usual groove of telling stories of the World’s Finest heroes in the past. In this particular issue, Perry White and James Gordon are guests on a podcast together when a kaiju attacks, so Batman jumps into a giant robot he’s had prepared for just such an occasion and joins Superman in taking it down. And once again, friends, I would like to point out that occasionally this whole Year of Superman blog allows me to type sentences like the preceding, and that makes it all worth it.

I’ve got to be a little forgiving for the setup of this issue. The podcast in question is – like Jack Ryder’s show in Superman Unlimited – of the shock host variety. Jim Gordon is ostensibly there to defend Gotham from the hosts’s recent attacks, while Perry is there to defend print journalism, but that doesn’t really explain why they’re on the SAME episode, except to provide a (paper-thin) excuse to have Lois, Clark, and Bruce all in the same building when the giant monster shows up. But it still makes more sense than 90 percent of Silver Age contrivances, and the rest of the issue is a load of fun, so I give it a pass. 

This one is for all you Arion: Lord of Atlantis fans out there.

My Mark Waid triple feature continues with the first issue of New History of the DC Universe, a comic that is, frankly, a long time in coming. With reboots both hard and soft having plagued DC Comics for decades, I welcome an attempt at creating a definitive timeline, establishing which heroes and stories are canon to the current incarnation of the DCU. Now the pitfall of such a project is that canon only remains canon until the next person down the line decides to change it, but for now at least, I think we can accept this book as being THE history, and there’s no better person to write it than Mark Waid. 

The series is framed as a history of the universe as compiled by Barry Allen, who has a better idea than most of just how time has been monkeyed with over the years. And while the connection to Superman actually doesn’t come in until literally the last panel of the last page, I felt like it deserved mention here in the blog, if for no other reason than how impressive it is that Waid  and co-researcher Dave Wielgosz (who provides a remarkably detailed index at the end of the book) have crafted a timeline that works. There’s nothing here that doesn’t make sense, and Waid even takes the opportunity to canonize several characters whose existence in the current DCU may have been suspect, such as the original Red Tornado, the Alpha Centurion, and – strangely enough – Robin Hood. Yeah, that one. Pretty much the only thing he DIDN’T mention is Hugo Danner from Gladiator, who I mentioned a couple of weeks ago was the father of the Young All-Stars member Iron Munro (although Munro and the All-Stars DID merit inclusion). 

Most shocking of all, however, is a panel that places into the timeline the arrival of a Terminian alien who crashes to Earth and is adopted by a human couple – on a plantation in the American south in the 1800s. This baby will grow up to be Milestone Comics’ Icon, a character I’m planning to cover in a later week where I discuss characters clearly intended to be the Superman of their respective universes. This is the first I’ve heard of any plans to put the Milestone characters back in the DC Universe proper, and I’m very interested to see if Static, Blood Syndicate and the others show up when we reach their respective point in the timeline in future issues. 

At any rate, this book is essentially required reading for any fan of the DC Universe, and I can’t recommend it enough. 

Now HERE’S a race I wanna see.

Last but not least, Ian Flynn wrote DC X Sonic the Hedgehog #4 (instead of Mark Waid), but he did a great job with it. Last issue focused on Team Sonic stuck on the DC Earth, while this issue gives us the reverse of that, with the Justice League trying to keep things from falling apart during Apokalips’ attack on Sonic’s world. There’s a particularly entertaining exchange between Superman and Dr. Robotnik that I really enjoyed. As I’ve said when I wrote about this book in the past, it’s nothing groundbreaking, but darned if it isn’t fun. 

Fri., June 27

Movie: Superman Returns (2006)

Notes: After a cinematic absence of many years, Warner Bros poached a filmmaker who had success making films with Marvel Comics characters and handed him the reigns of the Man of Steel in the hopes of evoking the feel of the Richard Donner era, bridging Superman back to greatness. There’s a sentence that’s as accurate today as it was in 2006, when Brian Singer directed Superman Returns. Unlike James Gunn’s Superman or Zack Snyder’s Man of Steel, Returns was a direct sequel to the Christopher Reeve films, or at least the first two of them. The conceit here was that, some time shortly after the events of the second film, astronomers located the former location of Krypton amongst the stars, and Superman went into space in hopes of finding his heritage. He found, instead, only rubble, and returned to Earth five years later to a world that had changed greatly in his absence. 

This is one of those movies that was unfairly maligned in its day, although it’s also a movie that has grown dramatically in the estimation of the public since then. Brandon Routh did his best impression of Christopher Reeve, both as Superman and as Clark Kent, and created a character that both evoked and paid tribute to the hero so many of us had grown up with. And although Kevin Spacey has quite rightly been cancelled since the movie came out, it would be disingenuous not to admit that he did a magnificent job channeling Gene Hackman’s Lex Luthor.

Why, then, did this movie not land? There are a few reasons. I think the premise from which it begins is flawed in and of itself. It’s hard to imagine Superman abandoning Earth for such a long time, even in the name of seeking out Krypton. As much as this planet and its people mean to him, there’s no logical way he’d head out that way without some sort of concrete reason to. Looking at rubble isn’t good enough, and there’s nothing in the movie to indicate he was given ANY hope of finding something more substantial. To be fair, though, it’s possible that a more reasonable explanation was part of the story at some point but got filtered out by Hollywood’s classic “too many cooks” problem.

There are bigger problems in credulity when it comes to maintaining Clark Kent’s secret identity. There have always been jokes about how the glasses function as a disguise, but it’s even harder to imagine nobody – not even Lois Lane – would EVER question the fact that Clark went away at the same time that Superman left Earth then returned to the Planet at the same time that Superman returned to the…well… planet, with a lowercase “p.” 

But the big elephant in the room is Jason White, Lois’s little boy whom everyone believes is the child of her fiancé, Richard White, even though it’s blindingly obvious to the viewer that he’s actually the son of Superman. I don’t object to Superman being a father – I think that’s pretty clear from the stuff I’ve written about Jon Kent in the comics – but I have to draw the line at the TIMING. If Jason is Clark’s son, he obviously had to be conceived before he left Earth, and yet nobody – not even Richard – seems to question Lois when she says he’s Richard’s kid. That would mean she would have to have been involved with him at the same time as she was with Superman (presumably their dalliance in Superman II). So why does everybody in this movie act as if Richard is hands-down Jason’s father? Even if Richard knows Jason’s not his, there’s a moment where he questions if Lois was ever in love with Superman, subtly implying he wants to know IF she ever hooked up with him. So who does HE think Jason’s father is? It just doesn’t piece together. 

Of course, that leads me to the biggest problem I have with this movie: Kate Bosworth’s Lois Lane. I feel like I’ve made it profoundly clear how much I admire the character of Lois Lane when she’s written well – her intelligence, her integrity, her courage. Bosworth’s Lois doesn’t display ANY of that. There’s a softness to her that doesn’t belong to Lois Lane no matter how you slice it, and I never believe the chemistry between her and Routh.

All that said, the good in this movie outweighs the bad. Routh’s Clark Kent/Superman, Frank Langella’s Perry White, Sam Huntington’s Jimmy Olsen – all of them work. John Ottman’s score is a nice build on the classic John Williams themes. And there are some sequences in this movie that are legitimately stunning even 19 years later: the scene where Superman saves the plane (obviously inspired by John Byrne’s Man of Steel) is a total thrill ride throughout. Little moments, like when he gets shot in the eye and we see a close-up of the bullet crunching, or the scene where he holds up that famous green car from Action Comics #1 – all of that works for me, and works very, very well.

Wait, where’s the dude running away in a panic in the lower lefthand corner?

Despite its flaws, this movie and Brandon Routh deserved better than they got. A good sequel COULD have been made, even though Warner Bros. decided instead to go another way. I’m just glad that Routh got a shot at redemption during the Arrowverse’s Crisis on Infinite Earths event, where he showed off how good a Superman he was. 

Comics: Metamorpho: The Element Man #6 (Guest Appearance), Zatanna Vol. 3 #5 (Cameo)

Sat., June 28

Graphic Novels: Superman: Emperor Joker (Collects Superman Vol. 2 #160-161, Adventures of Superman #582-583, Superman: The Man of Steel #104-105, Action Comics #769-770, and Superman: Emperor Joker #1), Superman: The Last Son (Collects Action Comics #844-846, 851, Annual #11)

This is why I’d rather play Uno.

Notes: Although my Superman On-The-Go week is over, there were a few graphic novels I downloaded but didn’t get around to, so I thought I would dip into those today. First off was Emperor Joker, a two-month event from the four Superman titles in 2000. Superman wakes up in a world that has gone mad: he is imprisoned in Arkham, his powers diminished, and Bizarro is the leader of a JLA made up of amplified versions of villains. He can’t remember how the world got this way, nor does he remember what the world was like before, but it’s clear that something is wrong. Lois Lane is a corporate CEO, Superman is a fugitive on the run, and Mr. Mxyzptlyk is trying desperately to find him. 

I think it’s important to note that, although the storyline is known as “Emperor Joker” TODAY, that wasn’t the case when it first came out. The first four issues were published under the title “Superman: Arkham,” and the one-shot that comes in the middle (the fifth chapter of the story) was solicited as Superman: Emperor ?. This was back when things like the evil mastermind who has transformed the entire world were actually kept SECRET, instead of being published in Entertainment Weekly the day before the comic actually comes out. The reveal didn’t come until chapter four, when Mxyzptlk tells Superman that the world has been taken over by a godlike Joker. Turns out Mxy thought it would be fun to give the Joker a teeny bit of his own power – about 1 percent. But he didn’t reckon with the madman’s cunning, and Joker wound up taking 99 percent of Mxy’s fifth-dimensional abilities and reshaped the entire world in his own insane image. The real Justice Leaguers are pathetic creatures, hunted as villains, and only Mxy and Superman know what’s wrong. Superman manages to recruit this world’s versions of Superboy, Supergirl, and Steel to his cause, and they set out on a quest to find the one man who can defeat the Joker: Batman.

There’s good and bad in this story. It’s a nice change of pace, first of all, to put that much power in the Joker’s hands and have Superman have to deal with it. There’s also some meta-commentary in here about the power of faith and how it restores the changed heroes, as well as an interesting note about how the Joker’s obsession with Batman prevents him from eliminating his enemy entirely and, therefore, leaves the window open for his own defeat. 

But there are some moments of disconnect in here as well. This was in the waning days of the “Triangle Era,” and by this point all of the creators who had made that a golden age for Superman fans were gone. This isn’t to say that any of the creative teams of the time (Jeph Loeb and Ed McGuinness on Superman, J.M. DeMatteis and Mike S. Miller on Adventures, Mark Schulz and Doug Mahnke on Man of Steel, and Joe Kelly and Kano on Action) weren’t doing good work, but there was a disconnect and it showed. This was especially evident in the artwork: things like Lois’s hairstyle and Steel’s armor varied wildly from issue to issue. It would be easy to dismiss this as just part of the Joker’s madness manifesting itself visually, but if that’s the case, it should happen constantly and be noted in-story rather than just flip when a new penciller takes over the next chapter. 

It’s a good story, a story I remember enjoying when it was first published and I still enjoy now, but there are things that could have been better. 

“The Last Son” has a different meaning when it’s Superman than, say, the Duggars.

Next was Superman: The Last Son, a storyline from 2006. In this one, a spacecraft crashes in Metropolis and, inside, Superman finds a young boy who speaks Kryptonian. The child is initially sought out by the government (because duh), so Superman helps him escape into hiding and crafts a new identity for him – Christopher Kent, whom he tries to pass off as the child of a late cousin – and tries to convince Lois that they should adopt him. The point might become moot, however, when the child’s REAL parents arrive on Earth: General Zod and Ursa…and they want their son BACK.

Geoff Johns co-wrote this one with his former boss and mentor, a guy who’s somewhat familiar with Superman, director Richard Donner. This is probably most evident in the scenes where Superman consults the crystal with the memories of his late father, Jor-El. Artist Adam Kubert doesn’t go so far as to try to draw Jor-El to resemble Marlon Brando, but Johns and Donner absolutely write the character with Brando’s voice, with speech patterns and mannerisms that feel very on-mark for the version of Jor-El from the 1978 movie. 

This is one of those stories that I find most interesting in retrospect. It was a great story (if unforgivably delayed at the time), but there are a few things established here that are kind of hilarious in perspective of how the characters would change a decade later. When Clark tells Lois he wants to adopt the Kryptonian boy, she objects. He’s too busy being Superman, she says, whereas she’s too busy being a reporter. Neither of them, in her opinion, are meant to be parents. There are also moments where both Ursa and Jor-El insist that Lois, as a human, could not conceive a child with a Kryptonian. All of them, of course, would turn out to be wrong, as the Convergence event in 2015 gave us Jon Kent. (In fairness, Superman had no powers when Jon was conceived, so Lois’s pregnancy seemed relatively normal. But still.) 

This wasn’t the last story with Chris Kent – named, I should mention, in honor of the recently-departed Christopher Reeve. Like Jon, though, he’d turn up again later having aged and become a hero of his own. He’s back in the DCU these days, a kid again, but he now goes by his birth name of Lor-Zod and seems to be following his father in the family business (being evil), so it would seem that this story probably isn’t considered canon anymore. And that’s kind of too bad, because if you look at it from a certain angle you could see Lois’s experiences with Chris as changing her mind about motherhood, helping to shape her into the Supermom she would turn out to be. If nothing else, it’s cool to read a comic book that was shaped by Donner himself. 

Comics: Justice League of America #27, DC Vs. Vampires: World War V #9 (Supergirl, Steel appearances)

Sun., June 29

Comics: The Superman Monster #1

“Braaains…”
“That’s ZOMBIES, Klaus.”
“Oh — um — FIRE BAAAAAAD…”

Notes: On a rainy Sunday afternoon, I scroll through the DC Universe app looking for today’s Superman reading and – for no particular reason – I decide to click open The Superman Monster. This is an Elseworlds one-shot from 1999, written by Dan Abnett and Andy Lanning with art by Anthony Williams. As you may have guessed from the cover art or the title, this is a mashup of Superman with Mary Shelley’s Frankenstein. This is a fun little combo for me – my favorite superhero and my favorite monster. Two great tastes that taste great together.

In 19th century Ingolstadt, we meet Vicktor Luthor, a man of science. Vicktor is engaged to the lovely Eloise Edge, but he carries a dark hunger within him, an urge – since the untimely passing of his parents – to find a way to conquer death. That path is opened up to him when he finds a mysterious metal shell in the woods, a craft from another world. Inside are the skeletal remains of its only passenger, along with a holographic message from someone called Jor-El, father of the vessel’s deceased inhabitant, carrying with it the knowledge of an alien world. Luthor uses the alien remains and alien knowledge to bring to life a creature – a being of immense power, but who quickly spins out of Luthor’s control.

I’m a teacher (I may have mentioned that once or twice), and my honors seniors study Mary Shelley’s Frankenstein every year, so I have more than a passing knowledge with the book, which is really quite different from the Boris Karloff movie that most people think of when they think of the Frankenstein Monster. I’m surprised, then, to see just how good an adaptation of the novel this comic book actually is. Oh, obviously it’s not an exact 1-to-1 adaptation. There are no aliens or holograms in Shelley’s novel, for instance. But the comic actually brings in a lot of the little moments from the book that adaptations often leave out. The kindly family in the woods that the creature tries to find shelter with become the kindly older couple the Kants, mourning the loss of their son Klaus, who take the creature in. (It’s a happier relationship here than in the novel, but the ending is no less tragic.) Eloise becomes a substitute for the Bride of Frankenstein, who is built but never brought to life in the book.  In truth, Shelley’s themes mesh together with the Superman legend surprisingly well.

Then there are the odd moments, things that feel like a DC editorial mandate. The hologram that Luthor finds, for instance, is Jor-El wearing the clothing of the John Byrne era. Sure, that was the style of Jor-El in the comics at the time, but this is an Elseworlds – we’ve changed the inhabitants of Metropolis to German villagers in the 19th century and Superman into a walking corpse, but redesigning Jor-El was verboten for some reason. While the artwork throughout it pretty strong, little things like that take me out of it just a little bit. You don’t see stuff like that these days – look at a modern story like Dark Knights of Steel and there’s no attempt to adhere to current designs, nor should there be. 

This is the kind of thing that really sets DC’s Elseworlds apart from Marvel’s What If? series, at least back then. Whereas the What If? stories traditionally used the main Marvel Universe as a starting point and then spun out an alternate history, Elseworlds could (and usually did) posit a story that never could have happened in the comics and followed them to a conclusion. These days, the two franchises have kind of moved closer together, where either can be used for either type of story, but for 1999 this was a quintessential Elseworlds yarn. It’s not so far off the mark that you can’t recognize Superman for what he is, but at the same time, it’s a take from a different angle, a fun sort of combination with a different story, not unlike Superman’s Metropolis, Batman: Nosferatu, or Green Lantern: 1,001 Emerald Nights. It’s too bad, with all the other Elseworlds characters that have cropped up in the Multiverse, that we haven’t seen the Superman Monster again. 

I own this book, so I’m sure I’ve read it before, but it’s been long enough that I forgot most of it. I’m glad I read it again, but if I’m being honest, I kind of wish that I’d held off until October and worked it into some Super Halloween reading. Ah well, I’m sure I’ll find other seasonally appropriate stories when the time comes. 

Mon. June 30

TV Special: Superman’s 50th Anniversary: A Celebration of the Man of Steel

And he doesn’t look a day over 87.

Notes: With the movie (THE movie) coming out next week, I’ve got a list of very specific things I’m going to hit in the week preceding it…but I’m a bit aimless as to how to finish up THIS week. Not quite feeling like hitting the DC app this morning, I decided to scroll through my list of things to watch, and more or less randomly decided to go to YouTube, where I’ve found the 1988 CBS television special Superman’s 50th Anniversary: A Celebration of the Man of Steel. Sorry to all the Kate and Allie and Designing Women fans – the special makes it clear at the beginning that those shows won’t be airing tonight, but they’ll be back next week.

This special, celebrating Superman’s 50th, starts with a narrator telling us Superman’s origin overlaid on footage from the original Superman movie serial from 1948 – until the planet explodes and we shift to the 1978 Richard Donner/Christopher Reeve movie. Apparently, in the universe of this special, Krypton is in black and white, whereas Earth is in color. Then we meet Dana Carvey, “Chief Historian of the Junior Supermen of America,” who promises to explore Superman’s history and interview some of the people who know him best: “The Metropolotians.”

Oh man – this whole special is gonna be a bit, isn’t it? 

In fact, it turns out to be far more schizophrenic than that. The special is a bit of a history, using clips from pretty much every incarnation of the character at this point (Kirk Alyn, George Reeves, Christopher Reeve, and the Fleischer cartoons). And some of the narration is actually on-point – in a discussion of Superman’s powers, for instance, Dana Carvey mentions how Superman couldn’t actually fly in the early days, but instead jumped from place to place before he developed into – and I quote – “the Nijinsky of the air.”

We get interviews with people involved with Superman, like Christopher Reeve, but then it bounces to comedians in-character. Fred Willard, for instance, plays the Deputy Mayor of Metropolis desperately trying to emphasize that there are things in the city beyond JUST Superman – museums, for example. The Amazing Kreskin talks about how his powers are different than Superman’s. Hal Holbrook shows up in a (rather unimpressive) Superman costume preparing for his one-man show about Superman’s life, an apparent follow-up to his one-man show about Mark Twain. The golden moment here is Noel Neill appearing as Lois’s mother, Ella Lane, describing how she’s tried to talk her daughter out of chasing that Superman because he’s just never going to settle down. Then just seconds later, the goodwill is thrown out in a groan-inducing interview with Jan Hooks as a woman who claimed to have a fling with Superman and whose “hybrid” child is half-Superman. “He’s got X-Ray vision, but only in one eye, so he gets terrible headaches.”

I guess that’s supposed to be funny?

The special was produced by Lorne Michaels of Saturday Night Live, which is no doubt why so many SNL cast members past and present appear…but it doesn’t seem to know what it wants to BE. Is this a celebration of Superman or a parody? A sketch show or a documentary? It tries to be both, but it CAN’T.

There are some nice moments, though – a brief interview with Kirk Alyn where he talks about how much he loved playing Superman and how proud he was to be the FIRST Superman on screen. Jack Larson, the Jimmy Olsen from the George Reeves series, similarly gives a brief but sweet interview. John Byrne also gets an interview where he discusses how Siegel and Shuster pulled the character together and sold him to DC Comics – again, it’s a good moment, but far too short. 

There is, however, one moment that makes watching the entire special worthwhile for me: RALPH NADER. Remember back in “Super-Sponsor Week,” when I took to YouTube to find different Superman-related commercials, and I found a bit with Ralph Nader doing a sort of public service announcement warning people only to buy their Kryptonite from a legitimate dealer? I had no idea where that commercial came from or why it exists. So I hope you can imagine just how excited I was when it showed up as PART OF THIS SPECIAL. The mystery is solved. I can finally get a decent night’s sleep again. 

I’m not sure how I feel about this special, honestly. They tried to do a real dip into Superman’s history at some moments, which kind of undermine the in-universe comedy bits. The comedy bits, on the other hand, make the real world segments feel entirely out of place. I wish they had picked one path to take and stuck with it rather than this halfhearted attempt to have their cake and eat it too.

TV Episode: Super Mega Cakes Season 1, Episode 1: “Superman.”

Looks good enough to eat, right?

Notes: True confession time. I like TV baking shows, and when I saw the ad for this new one — Super Mega Cakes — scroll across my screen at some point, I realized I would have to watch at least the first episode. Celebrity baker Duff Goldman and his team is tasked with competing against six teams of non-celebrity bakers, baking six mega cakes in battle at the same time. And because this is a Food Network show and therefore part of the Warner Bros/Discovery umbrella, at least for the next five minutes, some of the themes are connected to specific IP. One baker’s theme is Classic Cartoons (with the Looney Tunes and Tom and Jerry specifically shown). Another gets an “ocean predators” theme, and I just BETCHA that episode will be airing during Shark Week. But for the first episode, the one that I’m talking about today, the pitch is Superman-themed cakes.  

The Superman battle pits Duff against baker Elizabeth Rowe, who decides to base her design on a scene in the trailer for the new movie (did I mention there was a new movie coming out?) in which a Kaiju attacks the Daily Planet office. Part of the requirements for the cake is that there has to be an animated element, so Rowe decides to have Clark, mid-change to Superman, turn his heat vision on the monster (although Rowe and her team constantly refer to his power as “laser eyes,” and part of me is rooting for her to lose just because of that). She’ll also have Lois brandishing a fire extinguisher, which is a cute touch. The final requirement that was mentioned is that the flavor of the cake has to be inspired by the theme, so Rowe decides to do a peanut butter filling because “Superman loves peanut butter.”

You know what? Superman used to SELL peanut butter, so I’m gonna allow that.

Team Duff, on the other hand, plans a three-foot tall Superman figure bursting out of the Fortress of Solitude made out of ice. Superman will be accompanied by Krypto, because Krypto is also in the new movie. (DID YOU KNOW THERE’S GOING TO BE A MOVIE?) But when Duff’s partner Ralph sees just how big Elizabeth’s kaiju is shaping up to be, he upscales the figures of Clark and Krypto to life-size. Duff’s tasting element is rhubarb jam, because Clark loves Martha’s rhubarb pie. (My wife: “Y’all nerds know way too much about this man.”) For his animated element, Supercake is going to use his (correctly-named) heat vision to carve an S-shield in the ice. 

I’m not going to go into a blow-by-blow of the whole episode. If you like these kinds of shows, you probably know how it goes – we watch the cake artists at work, we see them overcome unexpected obstacles, there’s a confessional segment where they tell about some sort of personal hardship that makes you want to root for them DESPITE the fact that they keep calling it “laser vision,” the music gets super-duper intense just before the timer runs out and then, BAM! There’s a ridiculously impressive cake. And I gotta tell ya, the cakes DO look amazing. 

Damn. Now I want cake. 

Comics: DC Vs. Vampires: World War Z #10 (Appearance by Supergirl, Lois Lane)

Tues., July 1

Comics: Adventure Comics #346-347

Notes: Once again, I find myself faced with the sad duty of eulogizing someone here in the Year of Superman blog, as yesterday afternoon we were told of the passing of Jim Shooter at the age of 73. Shooter was perhaps one of the most remarkable comic creators of all time – certainly possessing the most unique history. At the age of 13, he submitted a story to DC Comics featuring what he considered, at the time, one of DC’s weakest properties: the Legion of Super-Heroes. Not only did editor Mort Weisinger buy the story from Shooter, but at the age of 14 he was hired as the regular writer for the Legion’s tales in Adventure Comics. Shooter would go on to write other comics for DC, including – among many others – the very first ever race between Superman and the Flash from Superman #199. He wrote a variety of comics for DC, many of them part of the Superman family, for about a decade before he bounced over to Marvel Comics. There he eventually rose to the position of Editor-In-Chief, spearheading Marvel’s New Universe line and writing their first major crossover event, Marvel Super-Heroes Secret Wars. After leaving Marvel, Shooter founded Valiant Comics, as well as other enterprises that perhaps are not remembered as well.

Although sometimes a controversial figure (word has it that he wasn’t always the easiest editor to work with), Shooter is one of those figures whose stamp on the comic book landscape is undeniable. Both as a writer and an editor, he is responsible for some of the most significant and memorable stories and characters in comic book history.

So to commemorate him, I decided today to go back and read a story I didn’t get to back in Legion of Super-Heroes week: his first ever Legion story, a two-parter from Adventure Comics #346 and #347 – a story written by a 13-year-old boy. (Take THAT, 17-year-old Mary Shelley creating Frankenstein.) 

Hint: The traitor is the one who isn’t mentioned in any OTHER Legion stories of the past 60 years.

In the shockingly-titled “One of Us is a Traitor” Superboy, serving as interim leader, introduces four new young heroes all vying for Legion membership. Princess Projectra has the power to cast illusions! Nemesis Kid has a strange “alchemical” power that allows him to defend himself and defeat any foe! Ferro Lad can transform into living iron! And Karate Kid’s skill at Martial Arts is ALMOST enough to allow him to defeat Superboy! All four are unanimously accepted as members of the Legion. 

Before the Legion has even had a chance to welcome their newbies, though, a new threat rears its head: Garlak, warlord of the distant world of Khund, is threatening to invade Earth if the planet doesn’t surrender in one hour. And just in case Superboy gets any smart ideas, he warns them, he has a healthy supply of Kryptonite weapons. Superboy splits the Legion into three teams to protect Earth’s three defense towers, but in private, Garlak gloats that he’s already slipped a spy into the Legion ranks to guarantee his success. And in fact, when the first of the defense towers is attacked, Phantom Girl is left questioning Karate Kid’s loyalty to the team when he sends her away at a critical moment and the first of Earth’s three defense towers is destroyed.

In part two of the story, Superboy leads an air-squad to defend the second tower, but their Kryptonite weapons weaken him and the tower is lost. Checking on the Legionnaires who were supposed to defend it on the ground, they find their teammates unconscious, temporarily incapacitated by a gas attack, with one person missing – Karate Kid. Racing to Legion HQ, they find Karate Kid standing over the wreckage of the Legion’s arsenal, but when Superboy shouts out, “All right, Kid! The game’s up!” it is not Karate Kid who steps out to confess, but Nemesis Kid. He’s already signaled the Khund to attack, and plans to be richly rewarded as Earth perishes. But Superboy isn’t without his own tricks – he reveals a secret fourth defense tower that helps fend off the Khund as the Legion takes the fight to their spacecraft. Karate Kid proves his worth by singlehandedly capturing the Khund leader, but Nemesis Kid’s powers allow him to teleport away, and Superboy is left wondering if they’ll ever see him again.

He’s no Daniel LaRusso, but let’s see Jaden Smith’s Karate Kid do THAT.

First off, if you didn’t already know, there’s no way in hell you would EVER guess this story was written by a 13-year-old. Not only does it fit with the style of the other DC Comics of the 60s, it’s BETTER than most of them – a more intense story, sharper characterization, and while Karate Kid is obviously a red herring from the beginning, most red herrings at this time were obvious. The only knock I could give this story is the kind of lame way that Nemesis Kid reveals himself: “Oh, Superboy said ‘Kid.’ He must be talking to me and not the guy who’s literally standing over the destroyed arsenal, whose name also happens to have ‘Kid’ in it. Better give myself up.” But even THAT isn’t any lamer than most other stories of the time, and I can easily give it a pass.

What’s more, in his first story, Shooter has contributed SEVERAL lasting elements to the Legion of Super-Heroes: Projectra and Karate Kid would go on to have long, storied careers with the Legion (to date, Karate Kid and Mon-El, using the name Valor, are the only Legionnaires to ever get their own ongoing comic book series). Ferro Lad’s time as a Legionnaire was cut tragically short, but as the first Legionnaire to die (and stay dead) in battle, he left an indelible mark on the franchise. Kind of like Tasha Yar on Star Trek: The Next Generation, Ferro Lad turned out to be more important in death than it was in life. And even the bad guys from this story, the Khunds, would go on to be long-time alien antagonists not only for the Legion, but even in the DC comics set in the present day, although it should be noted that the Khunds would change to a more alien-like appearance, whereas in this story Shooter and artist Sheldon Moldoff (working off Shooter’s thumbnail sketches, no less!) kind of made Garlak look like Attila the Hun in space. 

Not a bad first day on the job for someone whose contemporaries made their money delivering newspapers.

Thank you, Mr. Shooter from the hearts of the fans of the Legion. And Superman. And major crossover events. And the Valiant Comics characters. Let’s face it, you had your hand in everything, and we’re all better for having your work in comics. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 23: Superman and the Legion of Super-Heroes

If you ask Joe Public what team Superman is a member of, pretty much everyone will bring up the Justice League. And they’re not wrong – Superman is a vital member of the League, and honestly, it doesn’t really feel like the JLA without the trinity of Superman, Batman, and Wonder Woman. (I love the Giffen/DeMatteis run, don’t get me wrong, but that’s the JLI.) But the thing is, the Justice League isn’t the FIRST team Clark Kent was a member of. And in truth, as far as his development as a character, I don’t think it’s even the most important. This week we’re going to look at the young people he inspired and who, in turn, helped shape him into the hero he is. Superman would still be Superman if he’d never joined the Justice League…but he’s not really the hero he is without the Legion of Super-Heroes. 

And the same goes for Superboy. And Supergirl. And Jonathan Kent, too. Because of reboot after reboot, there have been a lot of versions of the Legion over the years, and Clark, Conner, Kara, and Jon have each had their own incarnation. This week I’ll try to peek at each of them, talk about why the Legion matters so much to Superman, and discuss the best (and worst) of the 31st Century’s greatest heroes. 

The Legion is kind of complicated these days, thanks to DC’s constant rebooting of their timeline. If you aren’t already familiar with them and you’re looking for a little clarification, I wrote about their convoluted history in this Geek Punditry blog a couple of months ago. Please, go check it out. 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., June 4

Comics: Adventure Comics #247, Action Comics #276, Absolute Superman #8, Justice League Vs. Godzilla Vs. Kong 2 #1

The same thing happened to me when I tried to join the Webelos.

Notes: The Legion made its first appearance in Adventure Comics #247, during the period in which the headline character of that anthology series was Superboy. In this issue, beneath a Curt Swan cover that has become one of those legendary covers that gets “Homaged” again and again, Clark Kent is on the streets of Smallville when he is addressed as Superboy by a mysterious teenager he’s never met before. He switches to his other identity and zooms off, only to be met by another teenager calling him Clark, then a third. Horrified at first that his identity has been revealed, he is relieved when the teens tell him their secret: they are time-travelers. In their future, they are members of a club for superheroes inspired by the legendary exploits of Superboy, and they have come back in time to invite him to join. They bring him to the future, where he sees that Smallville has become a bustling…well…metropolis – but only by the standards of HIS time. In their time, it’s still considered a tiny community. The teens (Cosmic Boy, Saturn Girl, and Lightning Boy) put Superboy through a series of initiation tests, but each time he is distracted by a disaster that requires his attention. At first, he thinks he’s failed, but the heroes reveal that the disasters he stopped were of their own doing, and it was just an initiation stunt. Superboy joins the team and goes home, but joining them in the future soon becomes a recurring part of his adventures.

Like so many of the other characters I’ve looked at this year, this early version of the Legion feels terribly incomplete. Heck, it’s not even called the Legion of Super-Heroes yet, just the “Super-Hero Club.” The three founders are all there, but Lightning Boy would soon change his name to Lightning Lad, and all three would quickly adopt new uniforms that didn’t sport their full names across the chest like a Ben Cooper Halloween costume. The exact time period from which they hail vacillated over the next several stories before it finally, firmly, was set at 1,000 years in the future. And although only the three founders take active part in this first issue, we see other generic teens that I assume are intended to be other Legionnaires, including one that – in the digital version on DC Universe Infinite – appears to be re-colored to suggest that it’s Brainiac 5. But that’s kind of pointless, since we’ll see his first appearance shortly. 

There isn’t a ton of meat in this first appearance, but I guess the idea of Superboy having actual peers was too good, so they not only brought them back, but soon added Supergirl to the mix, even though she and Superboy were separated by about 20 years of time. But hey, it’s time travel, that’s not really an issue. The first time she encountered the Legion, she was rejected because she was suffering from Red Kryptonite exposure, which seems pretty mean when you consider they darn well should have known that Red K only lasts for 24 hours. But in Action Comics #276, she got her next chance.

This issue begins similar to Clark’s first encounter with the Legion. Linda Lee is walking around Midvale, lamenting the fact that she’s got no super-powered friends to hang out with. (I feel compelled to point out that this was 1961, and even the most embryonic form of the Teen Titans wouldn’t first appear until 1964, but isn’t it weird that they never had Supergirl join until the Matrix version in the 90s?) To her surprise, she’s soon approached by three girls with powers: one wearing a mask, one that can move through solid objects, and another who can split into three bodies. The girl with the mask removes it to reveal that she’s Saturn Girl, one of the members of the Legion Supergirl met before. If you need an explanation for why she bothered with the mask, the only answer I have is that in the Silver Age nobody was ever straightforward about ANYTHING. The girls – Saturn Girl, Phantom Girl, and Triplicate Girl – take her to the future for a second shot at joining the Legion, this time alongside fellow prospective members Sun Boy, Bouncing Boy, and Brainiac 5. She is shocked at first to find that a descendant of one of her cousin’s greatest enemies is trying to be a hero, but is won over by his tender affection towards her. Supergirl is given a time-traveling membership like the one Superboy had, while Brainiac becomes a permanent member. Then, for absolutely no reason, she has a brief encounter in Atlantis, which only serves to lead up to a final panel where Linda remarks on the fact that she may not have a boyfriend in Midvale, but there’s an alien 1,000 years in the future AND a merman in Atlantis crushing on her, so it ain’t so bad.

Abysmal epilogue sequence aside, this is an interesting issue. It introduces not one, but FIVE significant Legionnaires (both Bouncing Boy and Sun Boy joined the team by the next time they turned up), and gives Supergirl a peer group like her cousin – in fact, the SAME one as her cousin. And just in case you’re worried about any timey-wimey problems arising from the fact that Superboy and Supergirl were members of the same team, they found ways to play with it. They established, for instance, that Saturn Girl placed a telepathic block on each of them, so that when they returned to their respective time periods, they would lose any memories they’d gained that would be relevant to their own future. Practically, this meant that Superboy only remembered that one day his superpowered cousin would come to Earth when he was actually in the future. They also usually avoided having both of them appear in a Legion story at the same time, so it didn’t come up too often.

Over the years, they would each bond with the Legion, and this is where I really think this group becomes important. The JLA is Superman’s team, sure, and he is close to several of them. Superman, Batman, and Wonder Woman in particular are called the DC “Trinity,” and their friendship is important, the stuff of legend.

But those are the friends he has as an adult. The Legion are his childhood friends, and that’s important. That’s special. As we learned from stories such as Stand By Me and The Sandlot, the friends we have when we’re young are a fundamental part of shaping who we are as adults. And there’s been more than one story that demonstrates just how important the Legion of Super-Heroes is to making Superboy become the Superman of legend. 

At least, until Man of Steel in 1986 upended everything by that declaring that Clark Kent had never had a career as Superboy. That change in the timeline would have catastrophic consequences for the Legion of Super-Heroes. 

But I’ll read about that tomorrow. For now, why not join me in a look at the two Superman-related comics that hit the shops this week? 

Someone’s gonna pay for that window.

Absolute Superman #8 begins the second story arc of the series. Visiting Martha Kent in Smallville, Kal-El is approached by Lois Lane…unfortunately, she’s followed by the rest of Lazarus, the Peacemakers, the Omega Men, and – oh yeah – a sniper with Kryptonite bullets. Jason Aaron keeps mixing up the DC Universe here, taking familiar pieces and putting them in unfamiliar positions, like plucking a Lego brick from a castle set and using it to build a spaceship. It’s a fun exercise, though, and I keep enjoying the stuff they’re doing.  

We also get the first issue of Justice League Vs. Godzilla Vs. Kong 2. Picking up a few years after the end of the previous miniseries, it’s Barry Allen’s wedding day! Unfortunately, he still hasn’t told Iris his secret identity. As the League tries to coax him into doing so, Amanda Waller reactivates Task Force X to deal with a resurgence of Titans (not the Teen ones – that’s what they call Kaiju in the Legendary Monsterverse). I love these crossovers, and I think it’s very interesting that, for the next few months at least, Godzilla is going to feature in comics from no less than THREE American publishers: the Monsterverse version here, the Toho version fighting the Marvel Universe over there, and all the wild iterations in the regular Godzilla comics from IDW Publishing. 

Thur., June 5

Comics: Legion of Super-Heroes Vol. 3 #37, Superman Vol. 2 #8, Action Comics #591, Legion of Super-Heroes Vol. 3 #48, Secret Six Vol. 5 #3 (Super Son)

Who says you can’t go home and have a fight with another iteration of yourself from a parallel pocket dimension again?

Notes: I’ve written at length about John Byrne’s Man of Steel in 1986 and how that reboot changed the Superman mythos. But one aspect I haven’t talked about that much is the Legion. As a team who not only had Superboy and Supergirl as members, but whose entire existence was INSPIRED by Superboy, after DC changed their continuity to declare that Superboy and Supergirl never existed, how could they explain the Legion? The solution came in this four-part story from 1987, beginning in Legion of Super-Heroes Vol. 3 #37.

Cosmic Boy, having recently returned from a visit to the 20th century (in his own self-titled miniseries) reports that the past has been altered, and the Legion has to investigate. A time storm hurls them to the past, to a Smallville populated by Superboy – a time that Cosmic Boy has reported no longer exists. Arriving in Smallville, the team splits in half – one group making contact with Superboy, the others staying with the time bubble. Superboy ambushes the team, though, trapping them in a stasis-beam. When Pete Ross (an honorary Legionnaire) warns the others what Superboy has done, they attempt to flee. And in the distant future, the Legion’s old enemy the Time Trapper revels in the chaos he is sewing. Part two comes in Superman #8, set in the “present day” of 1987, where we begin with John Byrne’s Clark Kent using his powers to help Lana fix up the farm she is returning to after years away. His super-senses detect a time bubble with four super-powered teenagers appearing across Smallville, and they get into one of those required “heroes fight heroes over a misunderstanding” situations before Brainiac 5 calls an end to hostilities. Brainy tells Superman about their history with Superboy, a history he has no memory of, and as they prepare to seek answers, Superboy appears and captures the five of them in his stasis ray. 

Action Comics #591 gives us part three of the story: Superboy is being forced to attack his friends by the Time Trapper, who reveals that Superboy’s entire existence is part of a trap laid for the Legion. Over the centuries, stories of Superman’s legend had been changed, making the Legion believe in a “Superboy” era that never existed. When they first decided to time travel and meet Superboy (back in Adventures #247), the Trapper created an entire pocket universe that matched their skewed legends of Clark Kent. It was THIS Superboy that the Legion befriended, who joined them, and who they visited every time they traveled to the past. But unable to betray his friends, Superboy altered the stasis beam so Superman would escape and chase them, ultimately landing in the pocket universe. Superboy and the Legion reconcile and go to the future, returning Superman to his own universe – but this wouldn’t be his last encounter with the Pocket Universe.

We’ll get to that some other week.

The story ends tragically in Legion #38. As Superboy and the Legion confront the Time Trapper, he reveals that one of his machines has protected the Pocket Universe from the multiversal devastation that happened in Crisis on Infinite Earths. In the skies above Smallville, Superboy sacrifices his life to save his universe from destruction. The Legion brings his body back to the 30th century to mourn…with an eye towards revenge against the Time Trapper once and for all.

Paul Levitz, longtime Legion writer, had a tough task here. Remove Superboy from the board, recognize that the “real” Superman was never Superboy and never a member of the Legion, but do so in a way that was still respectful to the Legion’s history. I think he did as good a job as anybody possibly could. The “Pocket Universe” conceit manages to keep every story where Superboy, Supergirl, or the Super-Pets encountered the Legion canonical, even if they’re only canon to the Legion and not the rest of the DC Universe. Furthermore, even though Superboy may never have been “real” in the first place, Levitz gave him a sendoff worthy of the Man of Steel that he would never grow up to be — sacrificing himself to save his world is the kind of thing members of the House of El do. Kara did it in the Crisis, The Post-Crisis Superman would do it on the streets of Metropolis a few years later. Self-sacrifice is hardwired in the DNA of the Superman family, and this story demonstrated that nicely. 

Which makes it a little frustrating that six years later, Zero Hour would throw it all out the window.

Fri., June 6

Comics: “Future Tense” storyline: Superboy Vol. 3 #21, Legion of Super-Heroes Vol. 4 #74, Legionnaires #31; The Legion #25-33, Legion Secret Files 3003, Teen Titans Vol. 3 #16, Teen Titans/Legion Special

Be honest, are you Team Leather Jacket or Team T-Shirt?

Notes: The Crisis was intended to streamline the DC Multiverse, and while it was largely successful, there were loose ends that just…dangled. It caused problems for a while, and in 1993 Dan Jurgens tried to close off those issues in Zero Hour: A Crisis in Time. It was a good story, and one of the changes it wrought was a reboot of the Legion of Super-Heroes. As Man of Steel did for Superman, the Legion reboot started the characters over from page one – they were teens again, the names and costumes were made a little less “Silver Age-y” (Lightning Lad, for instance, became Live Wire, Triplicate Girl became Triad, and so forth), and in this continuity, the Legion was inspired generally by the heroes of the past, and not Superboy or Superman specifically.  Our new Superboy, the one we met in “Reign of the Supermen,” had his own title by now, and first encountered the Legion in a three-part story called “Future Tense” from 1995. 

The Legion travels back in time to rescue Valor, a rebooted version of their own Mon-El (it’s a long story) that Superboy had encountered a few issues ago in his title. After the requisite “fight over a misunderstanding” happens, Superboy tells the Legion how Valor had nearly died from lead poisoning until he entered a “zone where time stands still,” because there was NO way they would be allowed to call it the “Phantom Zone.” Brainiac 5 tries to reopen the zone until, frustrated by the technology of the time, he warps all of them – Superboy included – back to their home in the 30th century. Things get more complicated when Superboy accidentally lets it slip that Valor – who, in the past millennia, has become a religious figure – is returning, causing a massive upheaval among the millions of Valorites across the galaxy. The Legion makes it look as though their attempt to rescue Valor fails, getting his devotees to back off, then rescue him for real in private before sending Superboy home.

This story was pretty emblematic of both the Legion and Superboy of the time. They’re young and they’re highly emotional. In this version, for instance, Triad’s three different bodies each have different parts of her personality, and one of her immediately gets the hots for Superboy. Superboy, meanwhile, was in his hotheaded stage, and certain members of the Legion took severe umbrage to that, specifically Leviathan (this incarnation’s version of Colossal Boy) and Brainiac 5 himself. Still, he does manage to prove his worth, and at the end of the three issues Cosmic Boy (whose name did NOT get updated) makes him an honorary member of the Legion. The kid and the team would encounter each other occasionally over the next few years, through assorted time travel shenanigans, but we wouldn’t see Superboy as a full member until 2003. 

At this point, both the Legion and Superboy had gone through some dark times, the former having its series restarted as just The Legion, and the latter having his series cancelled and being jutted over into Teen Titans. So it was surprising to see him show up on the cover to The Legion #25, wearing a classic Superman costume rather than his own uniform, no less. The story was a bit different – after an issue largely spent recapping their recent tragedies and stacking the new status quo, they found Superboy drifting inexplicably through space. This kicks off the six-part “Foundations” storyline, in which Superboy and the Legion face off against Darkseid and wind up meeting a time-tossed Clark Kent, still a teenager, before he ever put on a superhero costume. It’s a great story, really, although it is HEAVILY mired in the stuff that had happened in the Legion in the last few years, and it would probably be unadvisable to read on its own – I feel like it would be really confusing to anyone who wasn’t familiar with “Legion of the Damned” or the stories that followed it. 

The important thing is that it showed Superboy maturing, becoming a better person and a better hero, and that’s all to the good. Superboy stuck around with the team for the rest of the run, which was all well and good…except that he was also appearing concurrently in Teen Titans with no explanation. After Legion ended with issue #38, we got a two-part story wrapping everything up. In Teen Titans #16, Conner is having lunch with Cassie (Wonder Girl) when he’s plucked up by the Stargate that sent him to the 31st Century. He reappears a moment later, now wearing his Legion uniform, telling Cassie that he needs the Titans to help save the future. So his entire tenure in the Legion, presumably, takes place between those two panels: pencil that in, continuity nerds. Anyway, they’re attacked by the Persuader, and Superboy brings the Titans to the 31st Century, where the Fatal Five have created a Legion of their own to attack Earth: an army of Fatal Fives from throughout the multiverse. Fortunately, Brainiac 5 has a plan, but it requires the work of TWO speedsters: the Legion’s XS and her cousin, Bart Allen, aka Kid Flash. They manage to defeat the Five, but the Legion is lost in the timestream, all except for Shikkari, who finds herself in another world, where the Legion is…different.

Yep. Time for another reboot.

This iteration of the Legion lasted 10 years, and it’s the first one I ever read as a regular reader. As such, I have great affection for it. The stories were solid, with a classic flavor that still felt modern, and the art was wonderful. I was really sorry to see it end, but I’m glad that when it went, at least there was a member of the House of El standing with them in what looked – at the time – like their final moments. But we would see this Legion again.

Just not yet. 

Sat., June 7

Graphic Novel: Supergirl and the Legion of Super-Heroes: Strange Visitor From Another Century (Collects Legion of Super-Heroes Vol. 5 #14, Supergirl and the Legion of Super-Heroes #16-19)

“Don’t ask ME, I thought she was DEAD.”

Notes: The “Threeboot” Legion that followed the Titans/Legion special was an interesting beast. Written by Mark Waid, with art by Barry Kitson, this newest iteration gave us a Legion inspired by stories of the heroes of the past that much of the population believed to be mere legends – nobody really BELIEVED that the likes of Superman, Batman, or Wonder Woman had ever existed. Society had grown increasingly distant and oppressive – people stayed home, alone, communicating electronically but rarely seeing one another in person. What’s more, the youth of the galaxy were particularly downtrodden, with free thinking suppressed to make sure everyone conformed. In this universe, the Legion were a group of super-powered teens who rejected this system. They adopted costumes and code-names inspired by the heroes of the past and started a movement, with other young people from across the galaxy joining them.

The volume I read today picks up after their first few adventures, where they’ve proven their worth and the United Planets has reluctantly deputized them as a peacekeeping force. As the Legion licks their wounds from a recent loss, things are tossed into upheaval when a young woman professing to be the legendary Supergirl appears. Much of the galaxy believes that she’s a hoax, because they think Supergirl is a fictional character. As for Supergirl herself, this is the Kara Zor-El who climbed out of a rocket in Gotham Harbor only a few months ago (by her reckoning, but not much longer in real time). Between her adventures with her cousin, Batman, and Wonder Woman, the devastation of the Crisis, and now finding herself 1000 years in the future, the trauma has begun to affect her mind and she believes that everything that has happened to her – including her existence in the Legion’s time – is a dream, and that any minute she’s going to wake up back on Krypton.

Waid had already created a world for the Legion dissimilar from the previous two, and this was a Supergirl that was different from any other Superman family member who’d ever joined the Legion. Despite that, though, it all worked. While the WORLD was different, the Legionnaires were staunchly themselves: Cosmic Boy was the consummate leader, Lightning Lad was impulsive, Brainiac 5 an arrogant jerk who was mainly tolerated because he actually WAS the smartest one in the room as opposed to just somebody who thought he was. There were some revisions, of course – previous iterations of Shrinking Violet had often been quiet and timid, but Waid reimagined her as the ass-kicking master of espionage that somebody with her power set would logically have the ability to be. 

Meanwhile, we’ve got this traumatized Supergirl floating around with this crew, somebody who doesn’t believe that anything happening around her is actually real. Which makes it all the more impressive, I think, that she continues to act every inch the hero. She saves lives, stops disasters, fights villains, even though she believes that it’s all a dream and that nothing around her will have any consequences. Perhaps it’s the level of her consciousness that knows it’s NOT a delusion, perhaps it’s just that Kara Zor-El can’t help but help people no matter the circumstances. Whatever it is, it made for a unique dynamic. Supergirl stayed with the book for a couple of years, going home in issue #36, and the series itself ended at issue #50.

But even before this version of the Legion went away, we got glimpses of what was next. 

Sun., June 8

Graphic Novel: Superman and the Legion of Super-Heroes, collects Action Comics #858-863

Now THIS is going home again.

Notes: I don’t mind telling you that Geoff Johns is one of my favorite comic book writers. His strengths, as I think he proved with his tenures on Flash and Green Lantern, come when he takes the framework of the past and expands upon them. He’s the writer, for instance, who used the existence of Sinestro’s yellow ring to extrapolate an entire Sinestro Corps, and from there, a different corps of Lanterns for each color of the spectrum. His runs on Superman have been short, but what he did with the six issues of “Superman and the Legion of Super-Heroes” from 2007 and 2008 is one of my favorite examples of his work. Although it was running concurrently with the Supergirl and the Legion series, in this storyline Johns brought back something that had been lost from Superman’s past, much as earlier writers had brought back Krypto, the Phantom Zone, and Supergirl: he was restoring Superman’s history with the Legion.

Johns and artist Gary Frank, who would reunite in 2009 for Superman: Secret Origin, kick things off with a bang. Superman is contacted by a probe from the future sent by Brainiac 5 reactivate suppressed memories of his past with the Legion. Suddenly, Superman remembers meeting the Legion founders, being invited to join the team, and losing contact with them after the Crisis. (I know there have been a LOT of Crises in the DCU – typically they’re referring to the original Crisis on Infinite Earths when they use the definite article, i.e. THE Crisis.) The probe brings him to the future where things have gone horribly wrong: Something has turned the sun red, diminishing Superman’s powers. Earth is being run by a xenophobic “Justice League” led by a fascist calling himself Earth-Man that has made the Legion, with its many alien members, outlaws. Oh yes – and Brainiac 5, the Legionnaire who brought Superman to the future, is missing. Earth-Man, as it turns out, is a Legion reject who can absorb powers from others. He built a following claiming that Superman was a human, not an alien, and in fact was staunchly opposed to the presence of aliens on Earth. He’s been capturing the non-human Legionnaires and stealing their powers in his quest for conquest. 

Superman and the few remaining Legionnaires manage to escape Earth and track Brainiac 5 to his homeworld of Colu, the only planet in the galaxy more xenophobic than Earth. They gather Brainy and a few others, including the Legion of Substitute Heroes, and together launch an assault on the Justice League on Earth, where they learn that Earth-Man has been using the captive Sun Boy to make our sun red, weakening Superman. In the climactic battle, a powerless Superman faces an Earth-Man with the power of the entire Legion flowing through him…but there’s one thing that Superman has that Earth-Man never will.

His friends.

I cannot express enough how much I love this story. There are plenty of stories of Superboy with the Legion, and those are great, but this is one of the few stories of the Legion fighting with an adult Superman, and that’s a dynamic I want to see more of. (Recent hints in the current Superman comic books are giving me hopes that we’ll see more of that soon, but I digress.) Like I said earlier this week, Superman with the Legion is a group of friends. The tone feels more like the Titans than the Justice League, a found family standing together rather than a group of disparate heroes united for a common cause. That “found family” trope is always something that resonates with me, and I love seeing Superman as a part of it.

It’s also good to see a story that makes its points without preaching or turning into a polemic. There’s a definite message here, with Earth-Man’s hatred of anyone not from Earth, but that message is secondary to the story. Not that Johns and Frank were subtle about it – Earth-Man’s costume is as close to a Nazi uniform as you can get without actually applying swastikas, and his real name is the egregiously German Kirt Niedrigh, juuuuuuuuuust in case we didn’t get what they were going for. But parallels to World War II aside, the story also has a point to make about being an outsider. Bringing the Subs in makes it even better, having them act as a foil for Earth-Man – they were rejected from the Legion just as he was, but rather than turning into monsters, they used their disappointment as fuel to become something good. 

There are plenty of questions raised by this story, of course. First of all, which Legion is this, exactly? It’s an older Legion: despite still having words like “Boy,” “Lad,” Kid,” and “Girl” in their code-names, they all appear to be roughly the same age as Superman. But the costumes and past they share with Clark seem to indicate this is a continuity that continued the characters from some point prior to the controversial “Five Years Later” era (which was the final era of the original Legion before the reboot in 1993, beginning between their second and third encounters with the time-traveling Superman in Time and Time Again). If that’s them, how are they coexisting with Supergirl’s Legion, which I remind you, was being published in their own series at this point? Who, or what, was the “real” Legion of Super-Heroes?

To answer that question, DC again turned to Geoff Johns, in what is my single favorite Legion story of all time. 

Mon., June 9

Comics: Final Crisis: Legion of 3 Worlds #1-5

Get ready for the most egregiously misnamed Crisis of them all!

Notes: In 2008, Geoff Johns and George Perez teamed up for this five-issue miniseries. While ostensibly a spin-off of Grant Morrison’s Final Crisis event, it really has nothing to do with the larger storyline of that series and can be read independently of it. I still may get to the main Final Crisis story at some point, since the conclusion is pretty Superman-centric, but for today I’m just going to focus on this Legion story. 

Superboy-Prime, insane survivor of Earth-Prime (see Crisis on Infinite Earths and Infinite Crisis for the full backstory if you don’t already know it) is plucked by the Time Trapper and hurled to the Legion’s time period. Finding the Superman Museum in Smallville, Prime is horrified to discover that he’s only a footnote in Superman’s Hall of Villains, and even worse, is pushed further over the edge by the veneration of Conner Kent, the Superboy that Prime murdered in Infinite Crisis. In Metropolis, meanwhile, the United Planets is turning against the Legion, whose members are in disarray. Brainiac 5 has been stripped of his Brainiac title by his home planet, Mon-El is suffering from the lead poisoning that plagues all Daxamites, and Sun Boy’s powers haven’t returned since his torture at the hands of Earth-Man. Things get progressively worse as Prime springs all of the Legion’s enemies from prison, creating an entire Legion of Super-Villains. The real Legion brings Superman back to their time to aid them, and Brainiac 5 reveals his plan: fight a Legion with a TRUE Legion – by summoning the Legions of two other worlds in the multiverse.

Brainy uses the Crystal Ball that the Justice League and Justice Society used for their very first team-up in the Silver Age to summon the other two Legions – the Reboot Legion that Conner had been a member of, and the Threeboot Legion that had welcomed Kara. Superman and the assembled Legions battle Prime’s army as Brainy enacts Stage Two of his plan: assembling all the electrical-powered Legionnaires to charge up XS and use her to pull her cousin, the presumed-dead Bart Allen, from the Speed Force to rejoin them as Kid Flash. Finally, the Brainiacs use Time Travel to implement Phase Three of their plan: a version of Starman in the 21st century robs a certain grave and transports its inhabitant to the Antarctic. A thousand years later, the Brainiacs unearth the body, which has been slowly healing and rebuilding for a millennia in the same Kryptonian device that brought Superman back after his battle with Doomsday. The final piece to restore him is a hair from one of his genetic donors – Lex Luthor (taken, naturally, from a point in the past BEFORE he went bald). After a thousand years, Conner Kent lives again. 

The battle rages on two fronts – Superboy, Kid Flash and the Legions versus Prime in the Arctic, Superman and the original founders versus the Time Trapper in deep space. It turns out the two battles are really one: this iteration of the Trapper is a future version of Superboy-Prime himself. But for all his power, all his anger, in the final battle, the Legion lives.

Ever since Man of Steel, the Legion’s continuity had become a mess, with two reboots failing to make things simpler, since their interactions with the heroes of the present kept contradicting each other. Legion of 3 Worlds finally solved the problem by establishing that each of the three Legions was from a different world of the Multiverse. The original Legion, the one that Clark had been a member of in his youth, was from the future of DC’s main universe. The Reboot Legion, Conner’s Legion, was from Earth-247, a world that had been destroyed in a Crisis, but not one of the ones that was restored when the Multiverse was brought back. And Kara’s Threeboot Legion, amazingly, was from the future of Earth-Prime, the world where all of the DC Comics heroes exist as fictional characters. All those times in Waid’s run when people had insisted to the Legion that the ancient stories about Superman and the Justice League weren’t real? In their universe, they were right

So not only was the Legion clarified in a way that made sense, but Johns used it to bring back two of the Teen Titans he’d written in an immensely satisfying way, and even used this miniseries as a springboard for the return of the Green Lantern Corps in the 31st century. The Legion was finally clear, established in a way that made sense, and ready for action. And it was done in a way that made all three Legions legitimate and viable, and set each of them up so that they could be used in different ways across the tales of the DC Multiverse. He even managed to codify the importance of the Legion in Superman’s history, explicitly stating (via R.J. Brande) that it was his interactions with Cosmic Boy, Saturn Girl, and Lightning Lad that taught young Clark Kent what it meant to be a hero, and that he would in turn become the inspiration for heroes for the next 1,000 years. It was the perfect fix and the perfect fit. 

Why, DC? WHY THE HELL DID YOU DECIDE TO REBOOT THEM YET AGAIN???

Tue., June 10

Comics: Superman Vol. 5 #14, 15

If you people ever doubt that I love you, remember that I read this comic again so I could write about it.

Notes: A few years post-Final Crisis, as we all know, DC rebooted their entire universe in the New 52 relaunch, including both Superman and the Legion. Once again, Superman was divorced from the roots of the Legion, but other than that, the Legion was one of the properties that was relatively unchanged. But it didn’t set sales on fire, either, and the New 52 version was quietly cancelled after two years. After that, their appearances became sporadic for a while until 2018, when Marvel superstar Brian Michael Bendis was hired by DC to take over the Superman comics.

I’m going to be blunt, guys, I’m not typically a fan of Bendis’s work. I don’t want to spend all day explaining the reasons why, but I don’t think I’ll need to, as my Legion-specific criticisms will make it clear. The biggest issue I had with his run was his treatment of Jon Kent. Lois and Clark’s son had been around in comics for a few years, and was about 10 years old. The stories of Clark raising his son were magnificent. They were fresh, they were original, they were something that we rarely saw in comics: an adult superhero teaching his child what it means to BE a hero is a dynamic that, somehow, had gone almost ignored in the 80 years that the superhero genre had been around. So when Bendis took over, of course, the first thing he did was have Jon fall into a spacehole with his grandfather and come out as a teenager. 

It’s more complicated than that, but the gist of it was that sweet and joyful Jon was now an angst-filled teenage superhero, of which we have thousands, and like most teenage superheroes his stories quickly began to drift towards “adults screw everything up, but kids MY age know better.” It’s a tired, stale trope that we’ve seen a billion times. But there is one good thing I can say about Bendis’s Superman comics: compared to his work on Legion of Super-Heroes, his Superman looks like Watchmen. 

It started in issue #14 of his Superman run, the tail end of a story arc about Superman, Supergirl, and Superboy teaming up with General Zod to capture an alien who has responsible for the destruction of Krypton. At the end of the story, the Kryptonians are brought before a coalition of alien races who were caught up in their battle, and Jon says something along the lines of, “On Earth, we have a thing called the United Nations…” Then, after his dad gives a brief speech about working together, a time portal opens. And the new, re-re-rebooted Legion of Super-Heroes spills out of it and offers Jon membership because he just invented the United Planets by saying ten words that point out something that already exists, and thus he’s the most important historical figure of the past 1,000 years.

I’m getting a headache.

In issue #15 of Superman, the word of Jon’s AMAAAAAZING insight starts to spread. Adam Strange even says “I can’t believe I’ve been out here this entire time and I didn’t think of it.” (Neither can anyone else, Adam – didn’t you ever watch Star Trek? For that matter, are we really supposed to believe that NOBODY had ever thought of this idea before in the ENTIRE GALAXY?) Then the Legion offers to take Jon to the future with them, because he’s so smart and awesome and cool and they wanna be friends with them. He winds up going and joins them for Bendis’s 12-issue Legion series which…I should read it again today. In the interest of fairness, I should read it again for this blog, but I just can’t bring myself to do it. It…it just wasn’t the Legion.

Yeah, the character names were mostly the same. So were the powers. And they were in the 31st century. But everything that makes the Legion entertaining was entirely absent. The characterizations were…I can’t even say they were WRONG, they were GONE. The members of this team had no life, no personality, other than being ASTONISHED that the GREAT JONATHAN KENT WAS THERE. It was like reading about Jon and the Legion of Sycophants. That’s another Bendisian trait, by the way – he introduces a younger version of the hero, then all of the other characters walk around and talk about how much better the new version is than the old one. (If you think I’m exaggerating, I offer the following as evidence: Miles Morales, Ironheart, and the teenage X-Men who were brought forward in time because Beast thought their adult versions sucked.) It was in full force here, with the Legion telling us how Jon – not Clark – would be remembered as THE Superman, as THE character who saved the galaxy. And I’m sorry, if you’re going to make a claim like that, you gotta convince me of it.

There were also a ton of arbitrary changes that drove me crazy, such as making Mon-El a Kryptonian descendant of Superman rather than a Daxamite like he’s been for his entire existence. And as usual, Bendis included his own characters (which is fair) like a new version of Dr. Fate (oooookay) and a Gold Lantern whose powers and history were ill-defined and didn’t really seem to add anything to the story. I made it through the 12 issues of his run, but when he closed it off with a six-issue Justice League Vs. the Legion of Super-Heroes miniseries I couldn’t even bring myself to buy the comics, reading it instead when it came to DC Universe Infinite and still feeling as though I’d overpaid. 

Since that miniseries ended, again, the Legion has returned to sporadic appearances. Some of them have reflected the Bendis Legion, but others evoke Legions of the past. Mark Waid himself went on the record recently to tell us that DC has plans for the Legion that he thinks will make everyone happy, and we’ve already seen glimpses of that in the DC All In Special and (appropriately) the Superman titles. We’ve been promised that Superman #29 (coming out in August) will feature Superman and a “mysterious ally” searching for the lost Legion of Super-Heroes. I’m anxious and I’m optimistic. For the most part, DC’s “All In” titles have been very satisfying, and if the new Legion (whatever it is) has Mark Waid’s stamp of approval, that gives me reason to hope. Because the Legion, at its best, is not JUST a team of heroes from the future. It’s about hope for the future, just as much as Superman is. And it’s a fundamental part of who and what Superman is. It’s one of the greatest concepts in comics, and it deserves to be treated as such.

So here’s hoping that, whatever begins in August, it ends with a story that leaves us all ready to slip on our flight rings, thrust our fists into the air, and join with a battle cry that will echo back ten centuries:

Even Brainiac 5 is irritated by Brainiac 5.

But you know, I can’t end it here. I can’t conclude my look at one of my favorite pieces of the entire Superman mythology with a discussion of their worst version. So how about a little bonus? Let’s join hands, hop in Brainiac 5’s Time Bubble, and zip back to 2006 so we can watch the first episode of the Legion of Super-Heroes animated series together, shall we?

TV Episode: Legion of Super-Heroes Season 1, Episode 1: “Man of Tomorrow”

It ain’t the Diniverse, but it’s still pretty dang good.

Notes: Young Clark Kent is about to leave home. He’s packing up and heading away from Smallville to go to Metropolis, where he’s got a job as a copy boy at the Daily Planet. On the night before he’s supposed to head to the big city, though, he’s approached by a group of super-powered teenagers from the future, teens who know about the powers he’s kept hidden his entire life. He won’t miss a thing, they promise, they can return him to the moment he left – and tantalized by the idea of not having to hide himself, he goes with them. Arriving in the future, he discovers that they need his help combatting their foes, the Fatal Five. In the end, Clark takes the costume he learns he’ll have someday and, as Superman, joins the Legion.

I love this cartoon. It’s the purest expression of my favorite thing about the Legion, namely that it helps shape Clark Kent into Superman while, at the same time, being inspired BY Superman. It’s a bit more literal in this version than others – the Clark that joins this Legion hasn’t ever really been in a fight and hasn’t learned how to use all of his powers yet. The Legion has plenty to teach him, and over the first season of the show, we see him grow and blossom. The second season takes place after a time skip, returning to the future after a few years away. It was an interesting retool, but ultimately the show only lasted for those two seasons. If you love the Legion like I do, though, it’s well worth seeking them out and watching them.

After all, we Legionnaires need SOMETHING to keep us occupied between now and August. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Geek Punditry #124: Compact These!

A little over a month ago, I talked to you guys about Compact Comics, DC Comics’ incredibly well-received new publishing initiative, in which some of their most popular and well-known graphic novels have been reprinted in smaller volumes, about the same size as a modern paperback novel, for the deliciously new reader-friendly price point of $9.99. The first ten books DC released in this format all sold out and went back for additional printings, and a second wave of titles has been announced for later this year. As with the first wave, the new titles are a mix of perennial bestsellers, books with current media tie-ins, and a few offbeat titles that aren’t their usual superhero fare, but may well snare readers who want something different.

I applaud this initiative. I’m up for anything that gets more people reading comic books, and based on the success of this series so far, it seems like it’s doing the trick. But that doesn’t mean that ONLY the smash hits deserve the Compact Comics treatment. DC’s got a history going back 90 years, and in those nine decades they’ve turned out a lot of books that may not be immediately recognizable, but at the same time, are fully deserving of finding a new audience. So DC – I know you’re listening to me, I can hear you breathing – this week in Geek Punditry I’m going to give you some suggestions for a few titles that I think are worthy of inclusion and should be given the utmost consideration when the time comes to select round three of Compact Comics.

The Kents

Look, everybody knows I’m going to have at least ONE Superman-related suggestion, so why don’t we just get it out of the way early, shall we? The Kents was a 12-issue miniseries from 1997 and 1998, written by John Ostrander with art by Tim Truman (issues #1-8) and Tom Mandrake (issues #9-12).  In this series, Jonathan Kent uncovers a series of diaries, letters, and artifacts from the mid 1800s and, sharing them with his son, the two of them piece together an epic story about the history of the family that would give Earth her greatest hero. 

“Ah, who cares about the Kent family, Blake?” some of you may say. Well…people who are into the likes of Unforgiven, perhaps. Or True Grit. Or John Ford’s Stagecoach. Because The Kents isn’t a superhero story at all – it’s an epic western. In three acts, the story tells the saga of the Kent family before, during, and after the Civil War. There’s a bitter, harrowing tale of brother against brother played out against the backdrop of the American west, and in this story we not only see the seeds of righteousness and nobility that would one day so profoundly inform who Clark Kent is, but also the struggles, heartache, and betrayals that the family had to endure to build that foundation. I’ve loved this series since it first came out, and although it’s been reprinted once or twice over the years, it doesn’t look like there’s been a new edition of this book since 2012. That’s entirely too long, and it’s time it got back in the spotlight.

Camelot 3000

Speaking of 12-issue miniseries that have been out of print for over a decade, let’s talk about Camelot 3000. This science fiction/fantasy series by Mike W. Barr and Brian Bolland came out from 1982 to 1984, and it tells the story of a future where King Arthur has returned to Great Britain, as the prophecy foretold. In this distant future of the year 3000, the world has been divided up into four gargantuan autocratic countries, all bickering and fighting amongst one another, and completely oblivious to a greater threat from beyond the Earth. Arthur, resurrected, has to find the reincarnations of his knights and prepare them for battle.

This is a fantastic book, showcasing Bolland’s pencils even before he sharpened them to the point where he became the artist behind Watchmen, and the story very neatly mirrors the original Arthurian legend. Barr supposedly got the inspiration for the story while taking a college course on Arthur, and the work he put into shaping this world is really remarkable. He doesn’t just re-tell the original story, but weaves in certain themes, showing just how timeless they are. The Lancelot/Guinevere story is still hanging over everyone’s heads, and the new take on Tristan and Isolde is way ahead of its time. It’s also an important book, historically speaking – DC’s first maxi-series created for the direct market only, their first time experimenting with a new format, and the first time future superstar Bolland would do full stories for an American publisher.

But most importantly, it’s just a good comic that modern audiences haven’t all had an opportunity to experience yet, and it’s an experience they frankly deserve.  

Batman: Robin Ascendant

This doesn’t actually exist. I mean, the stories exist, but this particular collection of them, to my knowledge, has not been made…but damn it, it should be. Batman, as you may have heard, has gone through a Robin or two in his time, and for a lot of us, the definitive Robin is Tim Drake. I love Dick Grayson as much as anybody, but he’s far more interesting as Nightwing than he ever was as Robin. Tim Drake, on the other hand, is probably the best Robin there’s been. Batman himself has acknowledged that Tim will be a better detective than he is some day, and he’s also the only one of the main Robins that has never particularly harbored a desire to become Batman. He stepped into the role after the death of Jason Todd (who, of course, got better), during a period where Batman was being consumed with self-doubt and anger, and it seemed like the Dark Knight was going to go far, far darker than ever before. Tim  deduced the original Robin’s identity, and from there, it was easy enough to determine that Batman was Bruce Wayne, so he arrived on Bruce’s doorstep not because he wanted to be a superhero, but because he knew that Batman is better with a Robin.

The story in which this is told was called “A Lonely Place of Dying,” by Marv Wolfman, George Perez, and Jim Aparo, and while it has been collected many times, it’s only five issues long. (Batman #440-442 and New Titans #60-61) One of the few legitimate complaints I’ve heard anyone have about any of the Compact Comics is that certain ones – specifically the ones that reprint original graphic novels like Joker or Wonder Woman: Earth One – are too short compared to the ones that squeeze in a hefty 12 issues worth of content. So in order to combat this volume having the same problem, I propose a bundle of sorts, combining this story with two shorter, subsequent ones. Bruce didn’t make Tim a Robin immediately, dedicating himself to training the boy so as not to repeat the mistakes of Jason Todd, and there were a few good Tim stories before he put on the costume again. In “Rite of Passage,” from Detective Comics #618-620 (by Alan Grant and Norm Breyfogle), Tim’s parents are kidnapped by a villain called the Obeah Man, leading to a tragedy that would shape Tim dramatically. I would include that, then cap off the book with “Identity Crisis” from Batman #455-457 (Grant and Breyfogle again). Here, Tim is grappling with the events of “Rite of Passage,” struggling with the legacy of the two previous Robins looming over him, and is grounded while Batman sets out to take on the Scarecrow. But Tim figures out that Batman is walking into a trap, and realizes that he’s the hero’s only hope. 

When you put these three stories together, you’ve got a nice chronology of Tim Drake, leading up to him officially taking the mantle on the final page. And you’d get 11 issues of content, which is perfectly in keeping with the size of the better-received Compact Comics.

Tales of the Green Lantern Corps

One of the first Green Lantern stories I ever read – thanks to some comics given to me by my Uncle Todd – was the three-issue Tales of the Green Lantern Corps miniseries from 1981 by Mike W. Barr, Len Wein, and Joe Staton. In this truly epic story, all 3600 members of the Corps are called together to face the most dire of threats – their ancient enemy Krona has returned. Krona, a twisted member of the same race that eventually became the Guardians of the Universe, has forged an alliance with Nekron, a god of Death, and is planning to rend a hole between the worlds of the living and the dead, beginning with the destruction of the Corps’ central power battery on Oa. The Corps only has one charge remaining – a mere 24 hours to save the universe.

This is an incredible storyline – wide-reaching and eventful, that showcases not only Hal Jordan, but so many other Lanterns. Classics like Katma Tui and Tomar-Re show up, little-known GLs like Charlie Vicker make an appearance, and we get the debut of Arisia, who would go on to be a major player in the series. Furthermore, elements from this story would be used decades later in Geoff Johns’s Blackest Night, another awesome story that should get the Compact Comics treatment.

The only problem is all of this universe-spanning action takes place in only three issues, and, like I said, that just ain’t enough to satisfy Compact Comics reader. Fortunately, DC has already provided us with a solution. Tales of the Green Lantern Corps was not only the title of this miniseries, but also the banner under which solo tales of Green Lanterns from beyond the Earth appeared as back-up stories in the main comic for years. There were also three annual specials using this title with the same concept: short stories of various GLs. Some of those were amazing, such as the introduction of the bizarre and delightful Rot Lop Fan from Tales of the Green Lantern Corps Annual #3 (story by Alan Moore and Bill Willingham). Once you’ve included the three issue miniseries, it would be quite simple to cherry pick the best of the other Tales and build up enough of a collection to make a suitable Compact Comics volume.

Legion of Super-Heroes: The Great Darkness Saga

The Legion of Super-Heroes is one of DC’s greatest properties, and yet somehow it gets less respect and love than so many. It deserves more, and showcasing one of its crowning achievements in The Great Darkness Saga would be a way to show them off to a new audience. In this one, the heroes of the 30th Century find themselves coming into conflict with bizarre, shadowed figures who turn out to be corrupt clones of heroes from the past. The race to discover the truth about these threats leads to a collision with the characters of Jack Kirby’s Fourth World, finally bringing the Legion into conflict with the embodiment of evil in the DC Universe: Darkseid himself. The story was a smash hit when it was first published in the early 80s, and was credited with making Legion one of the best-selling comics in America for a while. It showcases virtually every character who was or had ever been a member of the Legion, as well as drawing in many of their allies like the Legion of Substitute Heroes and the Wanderers. If you’re looking for a showcase of everything the 30th Century had to offer, this is the book to read.

The main storyline is, again, somewhat short, running in Legion of Super-Heroes #290-294. However, there was a long buildup before the main story began, and previous collections have included material going back to issue #286 and their first annual, with an epilogue of sorts appearing in the third annual. And if you really want to link it to the greater DCU, years later there was another side-story that connected to it in issue #32 of Booster Gold, a series in which the time-travelling hero often found himself stumbling into classic DC storylines. There’s certainly enough to collect a full-size volume here.  

Ambush Bug

My final suggestion is probably my most off-the-wall, but I will defend it vigorously. For the last few years DC Comics has been trying to turn Harley Quinn into their answer to Deadpool, with the sort of fourth-wall breaking shenanigans he’s known for. With all due respect to the creators who have been involved in those stories, that’s a mistake. Harley became a hit character on her own merit, and changing who she is to fit some other character’s template is foolish, especially since they’ve already got a much better candidate: Ambush Bug.

Ambush Bug, created by Paul Kupperberg and Keith Giffen, is (supposedly) Irwin Schwab, a schlub who found an alien super suit that gave him the ability to teleport. Schwab is also ludicrously insane and a wholly unreliable narrator, making everything we know about him (including his real name, his origin, and his rivalry with the alien sock Argh!yle) suspect at best. Who or whatever Ambush Bug really is, he first showed up as an antagonist in DC Comics Presents #52, running afoul of Superman and the Doom Patrol. He came back a few issues later, causing problems for Superman and the Legion of Substitute Heroes, then decided to try becoming a hero after an encounter with Supergirl in her own comic. (He initially mistook Supergirl for her cousin. He’s that crazy.) Co-creator Keith Giffen and his writing partner Robert Loren Fleming soon started to run with the character, having him show up in three issues of Action Comics (where he quickly realized that Superman looked exactly like Clark Kent – he’s that crazy) before he got popular enough to get miniseries and specials all his own.

Ambush Bug was breaking the fourth wall before Harley, before Deadpool, even before John Byrne’s She-Hulk raised such a thing to an art form. He is fully aware of the fact that he’s a comic book character, and he was proficient in meta humor long before it became popular. His stories are bizarre, surrealistic, and utterly bonkers, and they’re a lot of fun because of that. Unfortunately, since the passing of Giffen, there really hasn’t been anybody else who has a great hold on the character and he doesn’t appear much these days. I’m sure it’s only a matter of time before somebody tries to bring him back, and when that happens, I hope they find creators who have just the right blend of humor and irreverence to do him justice. 

In the meantime, though, we can grease the wheels for his return with the Compact Comics treatment. Ambush Bug Vol. 1 should include his early appearances in DC Comics Presents, Action Comics, and Supergirl, as well as his first four-issue miniseries from 1985, and the Ambush Bug Stocking Stuffer Christmas special. Once that first volume is a sales juggernaut (as all my suggestions clearly would be) they could follow it up with Vol. 2, collecting the Son of Ambush Bug five-issue miniseries from 1986, the Ambush Bug Nothing Special from 1992, and the six-issue revival miniseries Ambush Bug: Year None from 2008. 

There you go, DC. I know the books for Compact Comics series two have already been chosen, so consider these six suggestions the first half of a wave three. I’m sure you can figure out the rest of that wave yourselves. You guys are pretty good at this too. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. He hopes you all appreciate the fact that he got to the end of this without talking about Captain Carrot. That wasn’t easy, people. 

Year of Superman Week 14: Krypto the Superdog Week!

It’s time for another theme week here in the ol’ Year of Superman blog, and once again, I’ve decided to spend seven days with one of the greatest characters in the Superman mythos. A trusted friend, a stalwart companion, a fearless champion of justice, and the goodest boy in the entire multiverse. That’s right – this week we’re going to focus on Krypto the Superdog! 

Krypto is one of those concepts that, on the face of it, is kind of ridiculous. You mean to tell me that Krypton not only evolved a race of sentient inhabitants that are identical to Earth humans (a common enough trope in science fiction but highly improbable in real life), but also evolved a species of animals who, upon being domesticated, are indistinguishable from Earth DOGS? Not only that, but they also gain the same powers as the human Kryptonians when they get under a yellow sun? Utterly preposterous.

But I do not care in the slightest how unlikely it is. I love Krypto with every fiber of my being. No matter how silly the notion is, the inherent wholesomeness in his character, the way a Krypto story inevitably becomes one of those stories of a boy and his dog, elevates him to a point of true celebration. Krypto is one of the brightest spots in Superman’s galaxy. I think it’s telling that, no matter how many times various writers have tried a “Superman gone bad” story, I don’t think we’ve EVER seen a serious attempt at a grim, gritty Krypto. It’s not because it would be silly – it’s because he is simply too pure for such a thing. There’s a reason that the first trailer to James Gunn’s Superman featured Krypto so prominently, a clear message that he was sending to the fans: this is about someone GOOD. 

Krypto stands for that.

Let’s check out some of his greatest hits, shall we?

Wed., April 1

Comics: Adventure Comics #210, Adventure Comics #293, Secret Six (2025) #1, Justice League of America #18

And all Superboy threw was a tennis ball.

Notes: We begin our journey through the life of Krypto the Superdog, appropriately enough, with his first appearance in Adventure Comics #210. We’re in Smallville, Kansas, in the era where Clark Kent is Superboy, and he is called upon to help deal with the most dangerous of crises – a dog catcher whose lot got loose. Superboy quickly rounds all the mutts up, with one exception – a white dog that apparently ripped a hole in the side of the truck. Later, a group of crooks (incredibly well-dressed crooks, in suits and ties) try to rob Kent’s General Store, only to be thwarted by the same dog. Clark later finds the pup chewing on one of the guns left behind by the robbers, and he takes off flying, with Superboy giving chase. The dog leads Superboy to a rocketship, where he discovers that Krypto (for that, of course, is his name) was sent into space in an experimental rocket by Superboy’s own father, Jor-El, and that the two of them are being reunited. The happy reunion is short, though, as Clark soon learns that even a super-dog is still a dog, and his antics (such as chasing an airplane or trying to play fetch with a steel girder) are apt to cause some problems. In the end, Krypto decides to roam his “backyard” – the galaxy. But Superboy hopes wistfully that he’ll come back to visit. Spoiler alert: he does. 

Krypto becomes a semi-regular after this point, showing up whenever convenient for the story and eventually showing much more personality. In most of the Silver Age stories, in fact, he had thought balloons demonstrating full human-level intelligence, like Snoopy, only with a cape. That’s one aspect of Krypto I’m kind of glad hasn’t come back. I find that I have a greater appreciation for the character when he’s “just” a superpowered dog. Although to be fair, some of the stories I plan to visit before this week is over will very much go against that grain. 

Krypto also became something of a trendsetter. After all, when something works once, why not try it again? So in his wake came a bevy of other superpowered animals, including Streaky the Supercat, Beppo the Supermonkey, and Comet the Superhorse. And they all converged in Adventure Comics #293, the first appearance of the Legion of Super-Pets!

The Legion’s hazing policy was still nebulous at this point.

Sometimes I wonder about the life choices that have led me writing things like the preceding paragraph. And then I realize that this is the result of choices that have gone RIGHT.

The story begins, again, in Smallville, when Superboy is summoned to rescue an airplane in trouble. But a strange urge overtakes him and, instead of rescuing the plane, he destroys one of its propellers. Fortunately, Krypto (by now sporting a cape and thought balloons) happens to be swooping in for a visit just as this happens, and he saves the plane himself. Superboy starts going through wild mood swings, briefly attempting to kill Krypto before regaining his senses. It gets worse when he’s suddenly attacked by his friends in the Legion of Super-Heroes, who attempt to kill him with Kryptonite. Turns out the whole thing is the scheme of the Brain-Globes of Rambat (there’s another sentence that could only come from the Silver Age), who are using their incredible mental powers to destroy the heroes so they can move Earth to a purple sun, allowing them to survive. But as it turns out, the Brain Balls can’t affect the minds of ANIMALS, and Krypto goes on the offensive…only to learn that if he goes after just ONE of the four Brains, the other three will destroy the Earth. The Legion uses their time machine to collect Streaky, Beppo, and Comet from Superboy’s future, and there’s some fun here in that this is actually Comet’s FIRST appearance, with the promise that “this is a preview glimpse of a super-pet Supergirl will own some day in the future!” It’s more complicated than that, but this ain’t “Comet Week.”

With Superboy out of commission, the Legionnaires team up with the super-pets to drive off the aliens, and make the animals an official branch of the Legion, then bring the other animals back home before Superboy can wake up and learn about the super-animals of the future. I suppose it’s okay for Krypto to know the future because he can’t talk, but the story isn’t really clear on that. 

If Krypto was a silly concept, the Super-Pets take it to the extreme, but it’s so much fun. A cat, a dog, a horse, a monkey, all with super powers, all fighting the forces of evil. Nobody would EVER introduce such a thing in a serious comic book in 2025, and more’s the pity. It’s like somewhere along the line people forgot that comic books can be FUN. I really hope that the Krypto Renaissance we are currently experiencing helps people remember what it’s really about. 

Thur., April 3

Comics: Action Comics #266, Action Comics #277, Adventure Comics #310, Adventure Comics #364, Superman’s Pal Jimmy Olsen #136, Supergirl Vol. 2 #22, Action Comics #557

Notes: When I announced this as Krypto Week, I asked (as usual) for suggestions about the best Krypto stories out there. I was not surprised that my pal Lew Beitz stepped up. Lew is a good guy, a great beta reader, and the most effusive dog-lover I know, and his love extends to pooches both fictional and non. He pointed me towards some classic Krypto stories, and I’m checking a few of those out today. 

In Metropolis, it really CAN rain cats and dogs! Ah? AAAAAH? I’ll see myself out.

Action Comics #266 kicks off with “The Captive of the Amazons,” a story about an alien princess who tries to force Superman into marrying her, and honestly, sometimes I wonder just where they got off putting stories like this into a magazine called “ACTION” Comics. No, I’m here for story number two, “The World’s Mightiest Cat.” This features the return of Supergirl’s cat, Streaky, an Earth cat with a lightning bolt-shaped patch of fur. Supergirl invented an isotope called X-Kryptonite in the hopes that it would act as a cure for Kryptonite poisoning. It didn’t, but when exposed to it, Streaky temporarily gains super powers. One of the other orphans in Midvale with Supergirl sees him performing super-feats, but is humiliated time and again when he brings other people in to witness them, only to find that Streaky’s powers have worn off in the interim. After several pages of the cat treating this poor kid like Michigan J. Frog, Supergirl figures out what’s going on and has Krypto come in to “help” Streaky with his super-feats, telling the boy that what he saw was Krypto playing pranks on the cat. It sounds kind of cruel to gaslight the kid, but everybody was starting to think he was a liar, so I guess it’s a bit more kind. Regardless, this is more of a Streaky story than a Krypto one, but it’s fun to watch the two of them involved in hijinks together.

It was this or get a couple of super-chickens to fight and…there were issues.

There were more Krypto and Streaky shenanigans 11 issues later in Action #277: “The Battle of the Super-Pets.” But first was “The Conquest of Superman,” in which Lex Luthor goes after the gold in Fort Knox, holding off Superman with a weapon that can synthesize different types of Kryptonite. As far as action stories go, it’s way better than Superman trying to avoid marrying a gorgeous alien Amazon princess. But that’s not why we’re here, is it? In the second story, Streaky gets jealous of Krypto when Supergirl praises him for helping her out of a jam that’s so preposterous it only could have happened in a Silver Age comic. But after Streaky gets his powers back from the X-Kryptonite in his ball of twine, he goes after Krypto with a vengeance. Superman decides to settle the dispute between the super-pets with a “contest of skills.” Supergirl takes the two of them to a planetoid where they can battle it out without causing any damage, but the planet…is not what it seems. This story is pure absurdity, and that’s really what I like about it. The stuff that happens on the planet is wild and goofy, and makes no sense until the reveal at the end, which in and of itself is even wilder and goofier. I find that DC stories of the Silver Age often fall into two categories – a kind of ridiculous that makes the characters look mean or stupid (sadly, most Lois Lane stories from the era kind of fall into this category) and those that are just absurdly delightful. This one most certainly falls into that latter category.

And “furry” culture immediately claimed him as their own.

Adventure Comics #310 takes us back to the Superboy days, following a dandy Legion of Super-Heroes story. By the way, have you noticed how often in these days it was the second – or even third – story that got the cover treatment? That wouldn’t happen today. The second story brings us “When Krypto Was Superboy’s Master.” Lana Lang’s father, a university professor, has a promotion jeopardized when he is accused of falsifying the translation of some ancient runes. When Superboy is called in to help verify the translation, the runes somehow swap his personality with Krypto’s, causing the dog to become the master and Superboy the pet. This is another of those silly stories that I enjoy, although it’s one where the ending turns out to be unnecessarily convoluted. I’ve mentioned in this blog before just how many of DC’s Silver Age stories were built on the backs of ridiculous misunderstandings or outright trickery that serves no logical purpose, and this turns out to be one of those.

Superboy gets the kick to the gut while Cosmic Boy just has to duplicate a Coppertone ad. Seems kinda lopsided.

The last classic story I’m going to dip into today comes from Adventure Comics #364, “The Revolt of the Super-Pets!” Yes, we’ve got Streaky, Beppo, and Comet back for this one. The pets are frolicking in space and then, for reasons, decide to recap their respective origins, including that of Chameleon Boy’s shapeshifting pet Proty II, who has joined them. As they talk about how great they respectively are, Beppo and Comet in particular start to resent being treated as pets (Comet, to be fair, was a Centaur in ancient Greece who is now trapped in the form of a horse – it’s a whole thing) and decide to abandon their masters. This is followed by some various betrayals and misunderstandings before they come back together to fight the issue’s bad guys. I like this story, but it actually does raise a good point – if the Super-Pets are, in fact, as intelligent as their humanoid masters, it seems pretty disrespectful to continue to treat them as pets. Modern stories usually avoid this – Krypto and Streaky don’t display human-level intelligence anymore, and Comet and Beppo are rarely, if ever seen these days. It’s another reason I like that iteration a little bit more. The “hero and pet” dynamic is more appealing to me than a “hero and another hero that they treat as a lesser being because they happen to be in the shape of an animal” dynamic. 

Fri., April 4

Comics: Superman: The Man of Steel #112, Superman Vol. 2 #170, Action Comics #373

By this logic, shouldn’t Supergirl’s best friend by a super-diamond?

Notes: After the Man of Steel reboot in 1986, the decision was made that Superman would be the ONLY surviving Kryptonian – no more Supergirl, Phantom Zone criminals…and no more Krypto. Obviously, this edict was eventually relaxed, but even as Supergirl and Zod and the like came back, it took some time before Krypto made his triumphant return. By the early 2000s, though, he was making appearances again, such as this one in Man of Steel #112. In this story, Krypto has recently arrived on Earth, where the yellow sun is slowly ramping up his powers and causing a good bit of destruction in Lois and Clark’s apartment. Superman decides to take him out for a spin to burn off some steam, leading to a nice sequence in which he contemplates his new pal. This version of Krypto came to Earth via the Phantom Zone, after a story which cast a little bit of doubt as to the true nature of Krypton. It was from a period in which Superman’s history was kind of in flux, as though DC was attempting to determine which of the many, many iterations of Superman’s origin was the “real” one, and bringing Krypto back was emblematic of that. None of that is what I like about this issue, though. I like that short sequence, just a few pages, where Superman flies around Metropolis with his pal, thinking about how awesome it is to have a super-powered dog to romp with. Seriously, more stories should be like that.

He’s a good boy until you give him a reason not to be.

Krypto became kind of a B-plot in the Superman titles for a few months, a story that bubbled over in Superman #170. Mongul – you guys remember him, right? – comes back to Earth. (It’s actually not the Mongul we read about before, he’s dead. This time it’s his identical son, Mongul. But that’s not important.) He’s here to take out Superman, and he’s got help! His sister, Mongal! No, really! That is her given, Christian name! As Superman battles the Mongul siblings, the story has a runner of a “children’s book” about Krypto, a “good dog,” written by Clark Kent with art by Kyle Rayner (Green Lantern). The fight is going the way Superman fights usually do, until Mongul makes the mistake of threatening Lois Lane. Krypto leaps to her defense, and…well…he acts like a dog. He goes straight for Mongul’s throat, ripping it open and leaving the alien conqueror on the brink of death. Superman realizes just how dangerous it can be to have a dog with that kind of power, and makes the hard choice to bring him to the Fortress of Solitude and leave him in the care of his robots.

This is such a bittersweet story, and I give a ton of credit to writer Jeph Loeb for making it work. This is the Krypto I prefer – the one who acts like a super-powered dog as opposed to a super-human in dog shape. But that said, it DOES bring up the issue of how potentially dangerous it would be. Sure, not many people would mourn if he had actually succeeded in murdering a member of the Yellow Outer Space Genocide Family, but Superman has that whole no-kill thing, and he’s pretty strict about it. What’s more, just like if a dog in real life attacks someone, it immediately raises the question of who else could potentially be in danger. And at no point does the story imply that Krypto is anything less than a good boy – but he’s still a good boy who “did a bad thing.” It’s heartbreaking, and I mean that as a compliment. Krypto’s exile would eventually end, of course, and these days when he shows up it seems taken as a given that he’s been better trained and won’t pose that kind of danger anymore, but I’m actually really glad that they told this story the way they did back in 2002.  

Sat., April 5

TV Episode: Krypto the Superdog, Season 1, Episodes 1-2, “Krypto’s Scrypto Parts 1 & 2”

This show is almost old enough to drink and I’m not okay with that.

Notes: I didn’t realize until I sat down to watch this cartoon that the Krypto the Superdog show on Cartoon Network debuted in 2005, a full twenty years ago. That is both absurd and wrong. But the show, aimed at a younger audience than the likes of Justice League Unlimited, was delightful then and it’s delightful now. In this pilot episode, Krypto recounts his origin – how he accidentally got sent to Earth in a rocket built by Jor-El, sadly leaving behind the child he loved. He lands on Earth and makes his way to the city of Metropolis, where he encounters a boy named Kevin. Kevin is new in town, struggling to make friends, and Krypto quickly befriends him. Kevin is startled to learn that the dog has powers just like Superman, that he’s even wearing a dog tag in the shape of Superman’s shield (that of the House of El, of course), and he’s carrying a device from his rocket that allows Kevin and Krypto to speak the same language. Kevin figures out that Krypto is from the same planet as Superman, telling him about their hero, and brings him home to live with his family. Things are going great until the news reports a cargo ship full of zoo animals is sinking, and Superman is off-planet on a mission. With no one else to rescue them (apparently there’s no Justice League in this universe), Krypto rushes off to save the day. Krypto’s rescue makes the news, and Superman soon tracks him down. The last sons of Krypton have a happy reunion, but Superman decides to allow Krypto to stay with Kevin. And thus, like any good pilot episode, the status quo is established. 

While I would have preferred a cartoon about Krypto and Clark, I get why the producers did this. They wanted Krypto to be the star, and if he was actually living with Superman, it would have turned into a Superman show WAY too frequently. Krypto was a show for kids, and it hits those beats as expected. Krypto can talk, sure, but so can the Earth animals he encounters (at least to other animals), such as the squirrel who has a panic attack upon seeing his spaceship land. It’s a pretty standard pilot episode as well – seriously, how many cartoons have begun with a dog/cat/platypus/alien being taken in by a normal human family? 

While the show isn’t a straight-up comedy, there are also a few good gags, too, such as when Krypto arrives on Earth and begins both exploring the world and discovering his powers simultaneously: “It’s so beautiful! So green! And the sun is so yellow! (GASP!) I can see in color!” 

That’s an A-plus dog joke, friends.

This isn’t in the upper echelon of DC cartoons, but in terms of an entry-level show for younger viewers, it’s pretty good. Now if I can only convince my son to turn off YouTube long enough to watch a few more episodes with me. 

Comic: Absolute Superman #6, Green Lantern Vol. 8 #19

Notes: Doesn’t matter what universe you’re in, Jonathan and Martha Kent are the best people in it. 

Sun., April 6

Comics: Teen Titans Vol. 3 #7, Superman #712, Super Sons Annual #1

Notes: Today I decided to get back to the classic stories of a boy and his dog – specifically a Superboy. Not Clark, though, but the other people who have used that name, Conner Kent and Jon Kent. Both of them have had a history with the Dog of Steel, although in the case of Conner, it wasn’t exactly smooth at first.

Logo humor.

Conner, it should be noted, had previously owned a different Krypto, an Earth dog that was taken in by our old buddy Bibbo when Superman was “dead.” The dog wound up in Superboy’s possession for most of his original series, although he and the pooch often didn’t get along. But by 2003, the original Krypto from Krypton was back. In this era, the Teen Titans gathered on the weekends, spending their weeks at home, and Teen Titans #7 shows each of them wrestling with various struggles during a week apart from one another. We’re going to focus on the Superboy storyline. At this point, he was living with the Kents in Kansas and struggling with his recent discovery that half of his DNA comes from Lex Luthor. Superman takes him out for a talk and a surprise: the kid needs a friend, and Krypto (as we saw when he nearly killed Mongul) needs the grounding of a real home. 

Superboy didn’t have his own series at the time, so the Teen Titans comic was his primary home and actually gave the character a lot of development, moving him away from the devil-may-care leather wearing Metropolis Kid we first encountered and into a young man with an identity crisis that, in some ways, he’s still wrestling with today. But having Krypto along in the mix was a good look for him. It ended too abruptly, when Superboy died in the Infinite Crisis crossover (he got better). However, some time after his death – even after his resurrection – Kurt Busiek and Rick Leonardi brought us the excellent “lost story’ of Superman #712. Superboy was dead and Superman, at the time, was missing. With his super sense of smell, Krypto sets out to find them.

Honestly, you might not be ready for this one.

Busiek is one of the greatest writers in comics, and if you don’t believe that, wait until we get to the week where I focus on “other” Supermen – the first issue of his Astro City series is a straight-up masterpiece. This issue hits some of the same notes in terms of melancholy. Krypto tracks down Conner’s scent and, in so doing, retraces the last few days before his death – getting wounded in battle, being saved by the Titans, sharing a tender moment with Wonder Girl, suffering a brutal thrashing at the hands of the maniacal Superboy-Prime. Krypto senses all of it, and the reader retraces those steps with him. When originally presented, these stories played out over several months (real time) and several different series, so seeing them all stacked together in this way paints a different picture of Conner’s final days than you would have had reading those books in context. “Lost Boy” has the same sort of bitter sadness as Futurama’s “Jurassic Bark,” the same sort of agonizing pain of watching a faithful dog waiting for a master who is not returning home. Fortunately, the Kent boys eventually had a happy ending.

The premature ending of this series was a crime.

Our last stop today comes from 2017 and Super Sons Annual #1. This is the era when Jonathan Kent was Superboy, he was ten years old, he was being written by Peter J. Tomasi, and basically, everything was right with the world. Little did we know how short that golden age would last. My love for Jon as a kid is matched only by my utter disinterest in him as a teenager…or young adult, or…I don’t even know how the hell old he’s supposed to be right now, and that’s only PART of the problem of his complete lack of identity ever since…

Sorry, sorry, this is supposed to be about Krypto.

Even though this title starred Jonathan and Damian Wayne, this issue is all super-pets. After Jon goes to bed, Krypto finds himself pondering a recent spate of missing animal reports across Metropolis. He sets out to round up his old teammates in the Super Pets – including Streaky, Titus and Ace the Bat-Hounds, Bat-Cow, Flexi (Plastic Man’s parrot), and a little nugget of Clayface. Together with an assist by Detective Chimp, the animal heroes are determined to find justice for their four-legged brethren. The issue is largely free of dialogue, save for the assorted grunts, growls, and tweets of the pets, but at no point is there any difficulty following the plot. Tomasi and artist Paul Pelletier perfectly create a charming story about animal heroes saving the day, but without going so far as to hit the “talking animal” trope of the silver age, or even of the cartoons. This, to me, is peak Super Pets, and if DC ever saw their way clear to bringing back this particular team, I would be the first to trample a path to the comic shop. 

Mon., April 7

Comics: Superman #677-680, Justice League of America #19, Infinity, Inc. #4, Superman #8

Notes: “The Coming of Atlas,” by James Robinson and Renato Guedes, isn’t completely a Krypto storyline, but it does lead to one of the most famous Krypto moments in modern history, so I thought it would be worthwhile to take a look at it. Plus, it’s just a good story and worth reading. It does START with Krypto, though – specifically, with Superman and Green Lantern in space, playing fetch with the Superdog, while discussing the things life does to people with super powers. The problem is, they’re out in space when a kaiju attacks Metropolis. The monster is quickly dispatched, not by Superman, but by an old and somewhat forgotten Jack Kirby character, Atlas. He’s back, he’s in Metropolis, and he’s calling out Superman – and soon, the Man of Steel answers at the end of part one. Parts two and three are a fight, and one the likes of which Superman hasn’t seen since the battle with Doomsday. Atlas has been sent and is being manipulated by an outside force, but that doesn’t make it hurt any less as he pounds into Superman. Others come to his aid, but Supergirl, Steel, and even Bibbo are quickly dispatched. Then, at the end of part three, the REAL hero makes his debut, and the Dog of Steel is ready to defend his master.

“Regal” is the word for this dog. Just plain “regal.”

Superman #680 is, really, the reason I chose to read this story this week. Over the previous two issues, we were given a flashback to Superman and Lois debating the wisdom of keeping Krypto (remember, this is the Krypto who destroyed the Kent apartment, nearly killed Mongul, and so forth). But in issue #680, that debate is well and truly put to rest. As Krypto toes the line and holds off Atlas, Superman deduces that his foe is being enhanced by magic (which, you may recall, he has a little trouble with). After picking up a magical solar boost from Zatanna’s cousin Zachary, Superman finishes the fight, then declares to Metropolis that Krypto, his dog, is a hero, and “now he’s your dog too!”

And Metropolis cheers.

Because c’mon, Krypto is a good boy.

This was a complicated time in the history of DC Comics. That era between Infinite Crisis and the New 52 reboot was, for many titles (including the Superman books) a constant period of reintroduction and reinvention. Old concepts would be brought back, new concepts would be pushed aside, things were in a constant state of flux, and this story reflects that. Just the next month the Superman titles would become embroiled in the “New Krypton” storyline that would guide them for the better part of the next two years. But here, right now, we got a spotlight on Krypto, and it couldn’t have been a better one. 

“CAN YOU SMELLLLL WHAT THE ROCK–“
“We’re dogs, Krypto. We can smell everything.”

Animated Feature: DC League of Super-Pets (2022)

Notes: There was a time when I hoped this movie, an animated feature starring Dwayne Johnson as Krypto and Kevin Hart as Ace, would be the first movie I took my son to a movie theater to watch. Unfortunately, that didn’t work out, but we’ve watched it at home since then, and we enjoy it. In this version, Krypto made it into baby Kal-El’s rocket as Krypton exploded, and the two of them have spent their lives together. Now, as Clark Kent is an adult on the verge of asking Lois Lane to marry him, Krypto is starting to feel some pangs of jealousy. A battle with Lex Luthor brings a chunk of orange Kryptonite to Earth, an isotope that Lex believes will give him super powers, but instead only works on animals. An evil Guinea Pig uses the Kryptonite to give herself and her minions incredible abilities, then goes on to capture the entire Justice League. Krypto and a group of rescue animals similarly dosed by the Kryptonite are all that’s left to save the world.

As far as kids’ entertainment goes, I really enjoy this movie. It’s similar, tonally, to other recent movies like Secret Life of Pets, with kid-friendly characters but plenty of jokes for the adults, such as when P.B. the pig discovers her powers and declares, “This is my origin story! And my uncle didn’t even have to die!” The Lois and Clark relationship is solid as well – they’re a young, loving couple, and the idea of the dog getting green eyes (metaphorically speaking) when he realizes his person now has a new person is actually a pretty realistic issue to throw in and complicate the Superman/Krypto relationship. 

The voice cast is also really impressive. Dwayne Johnson puts just the right amount of naive energy into Krypto to suit his characterization as a good – but slightly simpleminded – dog. John Kracznyski’s Superman is solid as well, and if you’re not going to get Will Arnett (LEGO Batman) back, having Keanu Reeves deadpan the character is about the best way to make that character funnier. But Natasha Lyonne as Merton, the super-speedster turtle, absolutely steals the show. I’d watch a whole movie starring her. 

My biggest beef with this movie is that it mostly uses brand-new characters rather than bringing in more of the actual super pets from DC canon. I get that they wanted them to all share the orange Kryptonite origin, but how great would it have been to see Wonder Woman’s Jumpa on the screen or something like that? Ah well – James Gunn clearly isn’t shying away from super pets on the screen. Maybe the day will come. 

Tues., April 8

Comics: Scooby-Doo Team-Up #9, #18

I need to know where Shaggy found that shirt in green.

Notes: I thought I would end Krypto week with a few encounters between the pup of tomorrow and the world’s foremost Great Dane Detective, Scooby-Doo. There’s nothing like a good team-up, and I’ve been a real fan of how closely DC has tied Scooby to the DC characters in comics over the last few years. He’s most frequently associated with Batman and Robin, of course, owing to that whole “detective” thing, but he’s partnered up with Krypto on more than one occasion.

Scooby-Doo Team-Up #9 (or issues #17 and 18 of the digital version) brings the gang from the Mystery Machine to Metropolis. When Perry White encounters the actual Great Caesar’s Ghost in the office of the Daily Planet, Superman decides to call in some experts at busting ghosts – Mystery, Inc. The ghost turns out to be a gag by Superman’s old foe the Prankster, who doses him with Red Kryptonite, transforming him into a super-monster who goes on a rampage. Krypto rushes to the scene, along with the super-serums that have given Lois and Jimmy powers in the past, but the voracious Scooby and Shaggy drink them down instead, giving Shaggy the power of Elastic Lad and Scooby the power of Superwoman. Scooby and Shaggy have to team up with Krypto to bring Superman’s uncontrollable rampage to an end. There’s not too much “detecting” in this story, to be honest, but there’s fun to be had in seeing Scooby-Doo trying to fly or Shaggy freaking out about his limbs suddenly turning to rubber. Perhaps the best bit is when Krypto refers to Shaggy as Scooby’s “sidekick,” a label the dogs embrace with great glee.

I’m not saying that the writer of this book looked in my dream journal, but I’m not NOT saying it either.

Krypto made a return appearance in Scooby-Doo Team-Up # 18 (#35 and #36 of the digital version). The story begins with the Scooby gang wrapping up a case where they teamed up with Wonder Dog. Before they can part ways, though, they’re approached by Krypto, Ace the Bat-Hound, and the canine Green Lantern G’Nort. Gnort scoops up Scooby and the other Super-Dogs, taking them into space for help with a case on an entire planet of dogs, where their local superhero team is being haunted by the ghosts of the first dog superheroes, the Canine Commandos. 

If I’m being honest, the main draw here is just the team-up aspect. Krypto is great and all, but having a story with him, and G’nort and Yankee Poodle and Rex the Wonder Dog…it’s like a smorgasbord of the sort of goofy characters I love so much. There’s even a neat little homage to the first JLA/JSA crossover in there. Writer Sholly Fisch and artist Dario Brizuela must have had the time of their lives putting this one together…or at least, I know I would have. 

Krypto’s greatest super-feat? Saving this movie from the WB accounting department.

Animated Feature: Scooby-Doo! And Krypto, Too! (2023)

Notes: The Justice League is missing, and if that’s not bad enough, there’s a ghost haunting the Hall of Justice. Without her usual hero to save the day, Lois Lane calls in Mystery, Inc. to break the case. When they arrive in Metropolis, they find the entire city besieged by supervillains taking advantage of the heroes’ absence, but that’s a bit above their pay grade. Nobody is expecting them to thwart Brainiac, Giganta, or General Zod – Lois and Jimmy send them to the Hall of Justice to try to solve the mystery of what happened to the Justice League. When they find themselves targeted by a fiery phantasm in the Hall of Justice, Krypto arrives to defend the detectives and lock the building down. Now it’s up to Krypto and the Scooby gang to find the phantom hiding somewhere in the building.  

There’s an unusual pedigree behind this film. For a hot minute, it looked it like it was going to be a victim of Warner Bros’s stupid rash of finished or nearly-complete products getting shelved as a tax break. Then something miraculous happened – SOMEBODY leaked the movie to the internet (nobody seems to know who, but I’m betting it was Scooby-Dum) and, lo and behold, it got a great response. Warner Bros somewhat reluctantly gave it the streaming and physical media release it deserved, and thank goodness, because it actually turned out to be good. I mean, it’s got the right kind of humor for a solid Scooby-Doo movie, first of all, but there are also of plenty of gags and in-jokes for the DC Comics fans as well, such as Lois and Jimmy being unable to recognize Velma when she takes off her glasses or Fred having an obvious crush on Harley Quinn. But perhaps the stupidest joke that made me laugh was Shaggy mistaking “Great Caesar’s Ghost” for a spectral salad. 

For a comic fan, though, the prize of this movie is the tour of the Justice League’s trophy room, which is loaded with wall-to-wall comic book and cartoon Easter Eggs that will have fans hitting the “pause” button trying to identify them all. Even the audio is full of Easter Eggs – most of the sound effects seem to have been clipped straight from the old Super Friends cartoon.

It’s a Scooby-Doo mystery, so as required we get the usual slate of suspects, including a disgruntled French Fry vendor who wasn’t allowed to park her truck outside the Hall of Justice, the Justice League’s valet who resents them for their fancy and dangerous vehicles, and Lex Luthor himself. (The funny thing is that, since this movie operates on Scooby-Doo rules, you can rule out Lex as a suspect immediately because he’s far too obvious.) Despite working on Scooby logic, though, we get the kind of Krypto I prefer – the one who is intelligent and heroic, but non-communicative and still behaves (mostly) like a dog rather than a human intellect in dog form. 

League of Super Pets was a good movie, but if I’m being honest, I like this one better. It’s funnier, first of all, and it’s got more going on in it for the fans of both the comic books and of the Scooby-Doo and Super Friends cartoons, and between the two of them that makes up roughly 20 percent of my childhood. If you haven’t checked this one out yet, track it down – the DVDs are already (absurdly) out of print, and it’s not streaming on MAX (even more absurdly), but you can still rent or buy the film digitally from all the usual retailers. With Krypto’s star rising thanks to the new movie, I really hope that they push this film a bit more as summer approaches.

That’s it for Krypto Week, guys, although it’s by no means the end for Krypto. We know he’s going to be in the movie this July, and DC has also announced a miniseries, Krypto: Last Dog of Krypton, launching in June. If I wasn’t excited enough, the miniseries is going to be by the team of Ryan North and Mike Norton. The latter is a great artist with a pedigree of doing swell comics about dogs (check out his Battlepug some time), but writer Ryan North has been absolutely CRUSHING Fantastic Four and Star Trek: Lower Decks for some time now. To have him joining the Superman family as well – well, it’s like he’s getting a chance to direct the fates of everything I love. And I couldn’t be happier about that. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!