Superman Stuff #3: Spider-Man and Bizarro

Last week brought us a pair of announcements about upcoming Superman books, both of which I’m happy about, although I’m slightly reserved about one of them.

First of all, Marvel Comics announced the creative teams for their half of the upcoming Spider-Man/Superman crossover. DC announced at the end of last year that Mark Waid and Jorge Jimenez will be doing the main story for their half, which comes out in March. Marvel’s side of the crossover will come out in April, and last week we learned that the main story will be by Brad Meltzer and Pepe Larraz, pitting the wallcrawler and the Man of Steel against Lex Luthor and Norman Osborn. I’ve been a fan of Meltzer for quite some time – I love his novels, I’ve shared his childrens’ books with my son, and I’ve always liked his comics. I was surprised, though, to discover that he’s done almost no work for Marvel in the past – save for a single page in 2019’s Marvel Comics #1000 special, I believe this will be his first Marvel work.

They also revealed the creators and characters that will appear in the back-up features. Dan Slott and Marcos Martin will team up the Golden Age Superman with Spider-Man Noir, Jason Aaron and Russell Dauterman will pit Wonder Woman and the Jane Foster Thor against an army of symbiotes, Louise Simonson and Todd Nauck will turn John Henry Irons against the Hobgoblin, Joe Kelly and Humberto Ramos will chronicle a “campus crossover” between Gwen Stacy and Lana Lang, and Brian Michael Bendis will re-team with Sara Pichelli, with whom he co-created the Miles Morales Spider-Man, in a story where Miles meets Superman. The thing about that last one, though, is that I’m not actually sure WHICH Superman Miles is going to meet, Clark or Jon. The solicitation doesn’t make it clear, and there are variant covers featuring Miles with each of them. This is one of the many, many things that drives me crazy about aging Jon up, but I’m not going to belabor that point here. I’m excited about most of these stories, particularly to have Louise Simonson writing Steel again.

The second announcement that hit this week is for another project launching in April, a four-issue Bizarro: Year None miniseries, purporting to tell the “definitive, indefinitive” origin of Superman’s imperfect doppelganger. This one is going to be co-written by Kevin Smith and Eric Carrasco, with art by Nick Pitarra. I couldn’t think of a better team to do a Bizarro comic, and at the same time, I cannot help but be a bit trepidatious about this one. And anyone who’s familiar with Kevin Smith’s history in comics will know exactly why.

Look – I am a fan of Kevin Smith. I have been since 1999, when my buddy Jason introduced me to what was then still the “Jersey Trilogy” just in time for us to catch Dogma. And I’ve been into most of his comic book work too…when it actually gets finished. Once his film career was established, Smith broke into comics first with stories featuring his own characters, then on acclaimed relaunches of Daredevil and Green Arrow. In 2002, he came back to Marvel for a miniseries, Spider-Man/Black Cat: The Evil That Men Do, which released three of six issues before it vanished. Smith got sidetracked on other projects, and it took three years before he came back and did the back half of that miniseries. But that’s nothing compared to Daredevil/Bullseye: The Target, a miniseries that also launched that year and never made it beyond a first issue. We’re sitting here 24 years later, and that story was never finished.

This became a bit of a theme for Smith. In 2009 he and artist Walter Flanagan (yes, that Walt Flanagan, if you’re a fan of Smith’s movies) produced the first six issues of what was supposed to be a 12-issue saga: Batman: The Widening Gyre. At the time, Smith promised that the second half of the story would be told after a brief hiatus. The hiatus is at 16 years and counting. 

To Smith’s credit, he’s totally aware of the problems he had, and in more recent years he’s gotten a lot better about it. Whether it’s because of working with co-writers or just making certain that he has the scripts for an entire project finished before it’s even announced, his work in the past decade has not suffered from the George R.R. Martin-esque disappearances that plagued his comics back in the day. But as someone who’s still curious as to how, exactly, that gyre was supposed to finish widening, it’s hard to hear his name attached to a project without at least THINKING “here’s hoping he’s got all the scripts finished already.”

I think he has. All the same, the Bizarro miniseries is scheduled to run for four issues, starting in April. So here’s hoping we’ll have all four of them by the end of July. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. Don’t forget, you can check out earlier blogs in the Year of Superman/Superman Stuff Archive! Got a request for a future “Superman Stuff”? Drop it in the comments!

Geek Punditry #104: The 2024 Pundy Awards

It’s the final Friday of the year, and that means it’s time once again to sit back and talk about all of my favorite things from this year. It’s time for the 2024 Pundy Awards!

Yes, just like I did in 2023, I’m going to wrap up the second year of my little column by talking about some of my favorite pieces of pop culture to come down the pipe this year. There is no rhyme or reason to this, the categories will be decided purely based on what I feel like talking about as I write this. I’m going to tell you my favorites in movies, TV, and comics from the past twelve months, and I’m gonna tell you why I dig them and why you should check them out if you haven’t already. Also in order to avoid repeating myself, I’m going to skip over shows and comic book series that I “awarded” last year. Please be aware that I’m still a fan of Abbott Elementary, Batman/Superman: World’s Finest, Fantastic Four, Skybound’s Energon Universe, and ESPECIALLY the final season of Star Trek: Lower Decks, and they’re all worth your time.

But today, I want to talk about things I haven’t talked about before. At least…stuff that I haven’t talked about as much. Let’s get on with it!

Not the only movie this year that made me feel seen.

Blake’s Favorite Animated Movie: Inside Out 2. 

Back in June, I wrote a piece about how the shine had fallen off the once-immaculate reputation of Pixar Animation studio. After a series of duds, I wondered if the sequel to Pixar’s Inside Out was going to have what it took to bring back some of the studio’s former glory. I was so, so happy to see that it did. The first Inside Out was a great look at how the mind of a child develops and learns to process emotions, anthropomorphizing the process but doing so in a way that was both entertaining and easy to understand. Inside Out 2 continued this trend, with the character of Riley getting a bit older and the emotions she experiences becoming more complicated. Adding in the likes of Envy, Ennui, Embarrassment, and especially Anxiety into the mix has changed the game, making for a movie that perfectly encapsulates the personal journey a person goes through when they grow up. The finale of the movie was absolutely remarkable, with a scene that so perfectly demonstrates the experience of an anxiety attack that I nearly broke down in the movie theater. My son, Eddie, has since declared Inside Out 2 his favorite movie, and I’m not about to argue with him.

“Another movie about hanging around outside a convenience store, Kev?”
“Nah, this time it’s a movie theater.”

Blake’s Favorite Comedy: The 4:30 Movie.

I’ve been a fan of Kevin Smith for a very long time, and I’ve found it fascinating how his films have changed over the years. His early movies like Clerks and Mallrats were a reflection of the aimless feeling of being a young adult and trying to figure out what life is actually supposed to be. His more recent films, particularly Jay and Silent Bob Reboot and Clerks III, demonstrate a growing maturity and a sense of grappling with a life that didn’t turn out to be what you expected. Although he hasn’t let go of the filthy humor and goofy characters that made his name, he’s a subtler, more sophisticated storyteller than he used to be, and I appreciate that. The 4:30 Movie doesn’t connect to his “View Askewniverse” at all, instead telling the story of a young man in the 80s trying to find the guts to make a play for the girl he’s in love with, all set around a day going to the movies. Are there dirty jokes? Absolutely. But the film is wonderfully heartfelt, and even though neither Kevin Smith nor his alter-ego Silent Bob make an appearance on screen, you can tell that this movie was intensely personal. The final scene hammers that in especially, giving you a feeling that Kevin Smith has, in a way, told his own origin story. It’s a great movie.

Tagline: “You will believe a grown man can cry.”

Blake’s Favorite Documentary: Super/Man: The Christopher Reeve Story. 

This should not be a surprise to anybody, but the documentary about the actor who brought Superman to life for my generation was incredibly moving. Everybody knows the basics of Christopher Reeve’s story – how he played Superman, how a horseback riding accident left him paralyzed from the neck down, and how he became a crusader for the disabled in the years before his untimely death. This movie delves into his history in a deeper way, told mostly through the reflections of his now-adult children, as well as further commentary and anecdotes from other family and friends. The movie bounces back and forth between his life story prior to his accident and the way his life changed afterwards. Having his children tell the story, I think, is one of the things that really helps sell the tale. The film feels so much more intimate and personal, coming from the point of view of the people who knew and loved him the best. One thing I didn’t expect, though, was the heavy focus on Reeve’s friendship with the late Robin Williams. Again, this is something fans of the actor knew about, but the way they intertwined the tragedy of Williams’s own life with that of Christopher Reeve just made it all the more powerful. Have your tissues ready when you watch this one.

Okay, if I’m gonna be honest here, Super-Man is not the only thing in this list that made me cry.

Blake’s Favorite Family TV Series: Bluey

I know, this is another one of those “no duh” moments. I have written extensively about my love for Bluey before, in particular this spring’s season finale episode, “The Sign.” But there was simply no other TV show this year that had as deep and profound an impact on me. In the final episode of this season, we saw the Heelers preparing both for a family wedding and a move to another city, two life-changing events that the titular Bluey was having a tough time dealing with. Bandit, the dad that every father on the planet is striving to become, is trying to do the best thing for his family, even as it becomes increasingly clear to the viewer that the rest of the family doesn’t actually want to leave. It’s a beautiful story and still amazingly funny, and the final song (by cast member Meg Washington) is absolutely sublime. It comes across as a meditation on being a parent and having a child, and it’s the kind of thing that absolutely overwhelms your heart if you’ve got children of your own. I couldn’t be happier with the news that the long-talked about Bluey movie has been officially announced, and I only wish we weren’t going to have to wait until 2027 for it to hit theaters. 

Remember when science fiction was SMART? It’s finally back.

Blake’s Favorite Science Fiction Series (That Isn’t Star Trek: Lower Decks): The Three-Body Problem

This Netflix series, based on the globally popular trilogy by Cixin Liu, launched this year and grabbed me immediately. Like the novel, the first season of this show focuses on several groups of people around the world trying to uncover a mystery. The show follows scientists, police, and people from other walks of life as they slowly uncover evidence of an impending alien invasion. The novels are amazing – an incredible portrait of this sort of singular event and how it would completely reshape the entire world. So far, the first season of the show is doing the same thing, but in different ways than the book. The novels, by a Chinese author, have a cast that is mostly Chinese as well, while the TV series is more international. Characters are omitted, others are combined with one another, new characters are added – the TV show uses the framework of the novel, but takes the story in different directions to reflect the difference in cast and the different cultures of the characters. As a result, while fans of the book can still enjoy it, there’s still room to be surprised. I loved the novels, and I loved the show too, but for different reasons and in different ways. That’s one of the best things you can hope for in an adaptation.

This is the best an ongoing Spider-Man comic has been in 20 years, and it’s not even close.

Blake’s Favorite Ongoing Marvel Comic (That Isn’t Fantastic Four): Ultimate Spider-Man

Last year, Marvel announced a relaunch of its once-prominent “Ultimate” brand, which reimagined the Marvel heroes as new characters in the modern day. That version of the Ultimate Universe eventually gave birth to Miles Morales, but other than him, the rest of the line has been mostly jettisoned. The only other survivor is the Maker, an evil version of the Fantastic Four’s Reed Richards, who has created a NEW Ultimate Universe, and it’s the flagship book of THAT line that has captured my heart this year. In the new Ultimate Universe, the Maker deliberately prevented most of the world’s superheroes from having their respective origin incidents, until their Tony Stark uncovered the truth and decided to put things right. (This is a HIGHLY condensed version of the Ultimate Invasion miniseries, by the way, which is also worth reading.) In the new Ultimate Spider-Man, we open with an adult Peter Parker who is powerless, married to Mary Jane Watson, and the father of two children when he is approached with the news that he’s supposed to be one of the world’s greatest heroes, and there’s a way to make it happen. For years, Marvel Comics has turned the mainstream Peter Parker into a punching bag, submitting him to one mindless torture and humiliation after another, to the point where stretches of his comics are unbearably depressing. Ultimate Spider-Man is the antidote to that, proving that you can tell stories about a married couple, about parents, that are entertaining and emotionally engaging without sacrificing the superheroes. This Ultimate Universe is even further removed from the main Marvel U than the original Ultimate Universe was, but this comic has been fantastic so far.

“So EVERYBODY is in the Justice League now? Ghost-Maker? Robotman? Clownhunter?”
“Okay, let’s not get carried away.”

Blake’s Favorite Ongoing DC Comic: Justice League Unlimited.

This may be a tiny bit of a cheat, as there’s only been one issue of JSU so far, but it was preceded by the excellent Absolute Power miniseries, which set the story up and was by the same magnificent writer/artist team of Mark Waid and Dan Mora, so I’m counting that towards the series. After an absence of the Justice League from the DCU for a few years, it’s time for a most triumphant return in a way that has never been done in comics before. Rather than a team of seven to ten heroes protecting the whole dang world, Waid is embracing the “Unlimited” part of the title. The Justice League – as in the classic animated series of the same name – is now a massive force, with virtually every hero on the planet Earth recruited as a member. Everyone who has ever been in the League, every Titan, everyone who wears the S-shield, Bat-symbol, or bracelets of an Amazon, is now part of the League. Waid kicks things off with a first issue showing a longtime – but fairly obscure – hero called Air Wave being taken up to the Watchtower and joining in on his first mission as a member of the Justice League. The story was great, with an engaging and entertaining point of view that is set to save Air Wave from the ranks of the D-listers, and a twist that promises great things for the series. What’s more – I’m gonna sound like a broken record here – Dan Mora is probably the best superhero artist working in American comic books right now. His characters are bold, powerful, but still wonderfully human. This book hit every box for me in the first issue and I can’t wait to see where it goes next.

“What if we replace the spinach with boba?”
“No.”

Surprise of the Year: Eye Lie Popeye

It’s been a good year for reboots of old-school characters, including Dick Tracy, Flash Gordon, Thundercats, and the Universal Monsters. But the one that surprised me the most, in a delightful way, is Massive Publishing’s new series Eye Lie Popeye, by writer/artist Marcus Williams. When the series was announced, I didn’t think it would be my thing – a new version of Popeye is fine, but the artwork showed a distinct Manga flavor to it. I’ve got no issue with people who enjoy Manga, it’s just not usually the sort of thing I’m interested in, and I planned to pass on the series. Then came Free Comic Book Day, and they released a preview of the first issue. Guys, this is why Free Comic Book Day works, because it did exactly what it is intended to do: show me a glimpse of something that I hadn’t planned on reading, but that I found incredibly entertaining. Williams shows a deep knowledge of Popeye and his enormous cast of characters, and while the book DOES have that Manga influence, I was startled by just how well all of it managed to fit together. The style works for the characters, the storyline feels like the kind of thing that used to be done in the classic comic strips (which are quite different from the seven-minute slugfests that people who only know Popeye from his animated shorts might expect). Overall, I never would have thought it, but this was one of my favorite comic book finds of the year.

And that’s it for this year, friends – some, but not all, of my favorite movies, TV shows, and comics of 2024. Feel free to share your own favorites in the comments, and here’s to coming back here in a short 52 weeks to do it all over again!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. And yeah, he barely mentioned it, but Lower Decks was amazing. Go read it. Go read it now.