Year of Superman Week 39: Mark Waid, Don Rickles, and Byrnein’ Down the House

The monthlong journey through Superman’s electric era was fun, but I’m ready to mix it up again and get back to some different types of stories. So this week I’ve decided to go without a theme. I’ll grab random stories to enjoy each day, without any overarching plan or goal. I’ll get back to themes in October. And I’ve got plans for October.

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 24

Comics: Superman #162, Taste of Justice #12 (Krypto Appearance), Harley Quinn in Paradise #37 (Cameo), Jon Kent: This Internship is My Kryptonite #13

Notes: With the saga of Electric Superman behind me, I realized that there’s one thing I should have read that I forgot to include. Like “The Death of Superman,” the long-running epic of Superman Red and Superman Blue was not a unique idea to the Triangle Era, having drawn a little inspiration from a Silver Age “Imaginary Story.” Today, even though I’m purposely leaving this week open for random readings as the mood strikes me, I wanted to go back and read the original story of Superman Red and Superman Blue from 1963. I read this story for the first time when I was a kid, included in the delightful Greatest Superman Stories Ever Told trade paperback, which now that I think about it, may be the first trade paperback I ever got. I wonder how the contents of that would change were they to make a new volume today.  

Anyway, in “The Amazing Story of Superman-Red and Superman-Blue” by Leo Dorfman, with art by the immortal Curt Swan, we start off with a discussion of Superman’s many failings. The publisher of the Daily Planet puts out a post listing raises for every employee except for Clark Kent (in fact it specifically says “Clark Kent: No Increase,” like that time on The Simpsons that the power plant announced layoffs in alphabetical order and only said “Simpson, Homer”), and before the bruising has even subsided, he’s summoned to the Fortress of Solitude where the citizens of Kandor are pissed that he hasn’t gotten around to enlarging them yet. And while they’re on the subject, why hasn’t he found a cure for Kryptonite poisoning or eradicated crime on Earth? Is he a Superman or isn’t he?

I gotta be honest, the Kandorians kinda seem like assholes in this one.

At any rate, they give him six months to try to accomplish all of these feats or they’re going to have him switch places with a Kandorian citizen and let the new guy try to do it. Superman, apparently forgetting the fact that he is – relative to them – the size of the Empire State Building, agrees to their terms. He tells Supergirl that he’s invented a “brain evolution machine” that could theoretically improve his mental power a hundredfold. The catch is that the machine is powered by radiation from all different colors of Kryptonite, so there’s a significant chance that something could go wrong. As it turns out, though, something goes extraordinarily RIGHT. The machine splits Superman into two beings, each 100 times smarter than the original. Unlike the last time this happened under the influence of Red Kryptonite, though, this time there’s no evil twin – they’re both still good. 

The two super-geniuses quickly put their brains to work solving the issues that Kandor set forth for them, beginning with repairing Brainiac’s enlarging ray (which he’d never been able to do before) and restoring Krypton by causing a chain reaction that magnetically draws every chunk of Kryptonite in the universe to the planet and, at the same time, neutralizing their harmful rays. Kandor is enlarged on its rebuilt homeworld, and the first two problems on his list are solved just like that.  

Before they can move on to the next item on their list, they get a telepathic signal from Lori Lemaris. The Atlanteans saw what they did for Kandor and ask them to help them find an uninhabited ocean planet to live on, since they’re “tired of being considered freaks here on Earth.” This is kind of a crazy notion – it’s not like the existence of Atlantis was common knowledge at the time, so who exactly was calling them freaks? It’s also weird that nobody ever stops to consider what Aquaman has to say about all this, although I suppose you need to remember that at this time, DC didn’t care nearly as much about continuity as they would later. 

Once that’s taken care of, it’s crime time. The Supermen invent a ray that can “erase all thoughts of evil” from the minds of the world’s criminals, which they swiftly deploy through a series of satellites. Instantaneously, every villain on Earth is reformed. Bank robbers return their loot, escaped prisoners turn themselves in, the Soviet Union dumps all its missiles into the sea! Even Brainiac, coming from space to attack Superman again, has a change of heart when he gets in range of the satellites. And GEEZ, is this a story that would take on a different aspect if it were written today. If you were reading comics in the mid-aughts, you probably remember Identity Crisis, the DC event which revealed that certain members of the Justice League had agreed to use Zatanna’s magic to essentially brainwash certain criminals over time, removing memories and – in the case of Dr. Light – turning him from a serious threat into a buffoon. The revelation of their actions caused a schism in the League that nearly destroyed it before it was rebuilt in the wake of Infinite Crisis. One could argue that what happens in this story is far worse. Sure, there’s no more crime, but it’s at the cost of effectively brainwashing the entire planet. These are our HEROES, folks.

Not to say it’s all bad. Once the rays hit Lex Luthor and reform him, he whips up a serum that, after the Supermen distribute it into the world’s drinking water supply, instantaneously eradicates all disease from the Earth, even allowing him to grow his hair back. Yes, they even eradicate male pattern baldness.

The final chapter of this three-part “novel” shows us the end of the Supermen’s career. With Krypton restored and crime wiped out, Supergirl releases the Phantom Zone criminals (who are immediately reformed by the rays) and together they decide to go back to live on New Krypton, but not before the Legion of Super-Heroes pops in to say goodbye to her, and also give her a spaceship. Remember that, people, good friends are the greatest treasure. The Supermen then decide to turn their attention to the greatest danger of all: women. Superman, it seems, had always struggled between two girls, Lois Lane and Lana Lang, and unable to make a decision, kept them at arm’s length. Now that there’s no crime to endanger Superman’s wife, there’s no longer any reason to stay single. For the first time it turns out that Red and Blue aren’t EXACTLY alike – Red prefers Lois, while Blue is conveniently Team Lana, so each of them goes to reveal his identity and propose to the girl he loves. They each agree immediately to marry Superman (they most certainly would NOT have married Clark, let’s be honest), but are stunned when they discover that there are two of him.

Have they not been watching the news? I…I feel like the two Supermen who eradicated crime and spread Lex Luthor’s serum to cure all disease would have made the news.

Wait, LOIS AND LANA would have made the news, they BOTH WORKED for news organizations.

Anyway, their double wedding is disrupted when Best Man Jimmy Olsen and Maid of Honor Lucy Lane decide to tie the knot as well, making Lois and Lana considerably more understanding than any bride who was ever featured on TLC. Red decides he wants to retire to Krypton, taking Lois, Krypto, and Comet the Super-Horse with him, while Blue stays on Earth to devote his life to science while his robots take over the job of patrolling the Earth for natural disasters and accidents, which surprises me inasmuch as Dorfman didn’t have him invent an anti-Earthquake ray or something. The end.

This story…It’s been several years since I read it, and I have to admit, it hits a little differently than it used to. I still enjoy it. It’s got that sweet, naive charm of the Silver Age, and I’ve got a heavy chain of nostalgia that makes me appreciate it. At the same time, though, there’s a lot of stuff in here that very much would not fly today. In fact, I’m kind of surprised that nobody has latched on to this for one of the far-too-frequent “evil Superman” stories, returning to this “imaginary world” (which is now just considered part of the multiverse) to look into the consequences of actually manipulating the brains of the entire planet the way these Supermen do. There are several other things in the story that are a little iffy, but nothing as awe-inspiringly wild as that. 

It was a different world 60 years ago, wasn’t it? 

Thur. Sept. 26

Comics: Adventures of Superman #473

Notes: When I started this year, I compiled a sizable document listing the assorted theme weeks I had planned or was considering, along with another list of specific stories that I wanted to include for one reason or another. With the end of the year coming faster than it seems, I’ve decided to pepper these weeks that aren’t adhering to any particular theme with more of these random stories that made the list because I remember reading them and I wanted to visit them again. Such is the case with Adventures of Superman #473.

This issue came immediately after Lois and Clark’s engagement in Superman #50 which – if you recall when I wrote about the whole “Krisis of the Krimson Kryptonite” storyline months ago – is the story that actually locked me in as a regular Superman reader. That makes this one of the earliest Superman stories that drew me into this incarnation of the character, as well as the one that showed me a bit of what was then the status quo of the Green Lantern Corps, which at the time didn’t really exist. It was kind of foundational for my entry into the DCU.

Plus, that Dan Jurgens cover just slaps.

The story starts with Lois and Clark telling Jimmy the news of their engagement over lunch – a lunch disrupted when an enormous Green Lantern symbol appears in the sky over Metropolis. When the symbol morphs into an S-Shield, Lois rushes to write up the story that one of the Lanterns is trying to contact Superman, leaving Clark (who still hasn’t told her his identity at this point) the opportunity to sneak off. He flies to New York to find Guy Gardner, but Gardner didn’t send the signal. Gardner uses his ring to track the signal to a location in Wyoming where Hal Jordan is being held by a giant alien whose ship crashed on Earth centuries ago. Hal is helpless, his ring’s charge having been spent just as he signaled Superman, plus the alien is siphoning energy from his power battery. They find him beneath an air force base where Hal escapes and recharges his ring, then with the addition of Superman’s will, they take back the emerald energy he stole. The alien is despondent, believing himself trapped on Earth, but Superman and the Lanterns take pity on him and restore his ship to space with enough energy to finally, after centuries, return home.

This is a nice self-contained issue, with the only major link to the ongoing storylines being Lois and Clark’s engagement and a few references to the still-fresh wound of the death of Jerry White. But the book turned out to be pretty fundamental to me. As I said, I was still relatively new to DC at the time it came out, and this served as something of a gateway for me to both the Justice League America series that Guy was a member of, as well as the then-new Green Lantern series featuring the down-and-out, gray-templed, globetrotting Hal Jordan that existed at the time. I knew who the Justice League and Green Lantern were, of course, but at this point my perspectives on the characters were built primarily around pre-Crisis comics that my uncle had given me and the way they were depicted on shows like Super Friends. With this book my eyes were opened to a larger world. I became a fan of these properties, especially Green Lantern, and I’ve been a faithful reader of that comic ever since (with the exception of one writer whose run turned me off so much that I dropped the book until it ended – but the less said about that bleak period the better). 

This book is also a great glimpse at the way the characters were written at the time. Gardner, for example, had the same stupid, brash attitude that Nathan Fillion made so much fun in the movie, although he’s perhaps even a little more dimwitted. There’s one point, for instance, where Superman shows his exasperation that the alien has allied himself with two old sparring partners of his named Dreadnaught and Psi-Phon, and Gardner takes that as a cue to go after them with a power ring-generated chainsaw. There’s some interesting contradictions here as well – he’s jingoistic enough to casually wish for a new war so he could show what he can do, but too dense to realize that the airplanes attacking them are American. Fortunately, this particular facet of the character has dulled over time.

Superman, meanwhile, is all him. When the alien believes himself to be stranded, Superman hits him with a classic observation: “How come extraterrestrials are always coming here and causing all kinds of trouble instead of asking for assistance? All you have to do is ASK!” The giant alien is suitably ashamed of his behavior before Superman helps him out anyway, because of course, he’s Superman.

A fun book from early in Jurgens’ run, and I enjoyed revisiting it again after all this time. 

Fri., Sept. 26

Comics: Superman’s Pal Jimmy Olsen #139, 141, All-Star Squadron #36 (Team Member)

Notes: Here’s a fun, weird one that should have been worked into the week of Superman’s Strangest Team-Ups. Jack Kirby, who at this point was doing pretty much whatever he wanted with this title, had made Project: Cadmus a regular co-feature of Jimmy Olsen’s adventures. This is the issue where the Project unveiled the Guardian, the clone of the Golden Age hero who became a regular member of Superman’s supporting cast in this same basic form during the Triangle Era. Guardian changed a bit before the 90s, though. In this one he’s much more focused on being a clone, even commenting how it’s always an “experience” to meet an “original” human like Clark Kent. (That’s what we call dramatic irony, by the way, kiddos.) By the Triangle Era, Guardian had shed the conceit of making his status as a clone such a big part of his identity and was just the original Jim Harper in a new body. 

The rest of the story involves “Goody Rickels,” WGBS employee with an uncanny resemblance to Don Rickles. Morgan Edge can’t stand him and tries to manipulate things to get rid of him, and honestly, it’s hard to blame him. It’s a really weird little story and, despite the promise on the cover of “Two Rickles,” the real Don doesn’t appear until part two of the story, which comes in issue #141. (Issue #140 was a giant-sized issue of reprints.) The second part begins with the bold cover proclamation: “Kirby says: Don’t ask! Just buy it!” Jimmy, Guardian, and Goody have been given a meal with a toxin that will activate and cause them to explode within 24 hours if they don’t get the antidote. As Guardian searches for it, Jimmy and Goody wind up at WBGS where the real Don Rickles is in a meeting with Morgan Edge. There’s a big dust-up and Goody is on the verge of exploding when Guardian shows up with the antidote. This also happens to be the issue where Clark Kent, in space with the New Gods, gets his first-ever glimpse of Apokolips, which is an interesting historical note for a comic book with Don Rickles on the cover. 

Sat., Sept. 27

Comics: Superman Unlimited #5, Superman Vol. 6 #30, Justice League Unlimited Vol. 2 #11, New History of the DC Universe #3, Aquaman: Yo-Ho-Hold on To Your Hook #11 (Guest Appearance)

Notes: Once again, today I’m picking up the new Superman-related comics for the week, including two new issues of the ongoing, Justice League Unlimited, and a return to the reshaping of DC’s history.

We’re starting it off with Superman Unlimited #5. The Daily Planet gets word that the Kult of Kobra is operating in El Caldero, the “Kryptonite Kingdom.” What’s more, the Calderan mining operation is about to uncover a Kryptonian Sunstone, the same kind of technology that built Superman’s Fortress of Solitude. Donning a suit of Kryptonite-proof armor and catching a ride in one of the most gloriously anachronistic pieces of Superman tech, he heads to Caldero to try to get the Sunstone before Kobra. The story seems to be picking up a little here. Previous issues have been largely one-off stories that connect to the larger story of the Kryptonite Kingdom, but this one gives us a nice little cliffhanger. It looks like the story is opening up, and I’m excited to see where it’s going to go. 

The story of Darkseid’s Legion continues in Superman #30. Superman’s supposed ally, Superboy-Prime, has turned (insert surprised Pikachu face here), joining Darkseid’s Legion and capturing him, along with the long-suffering Booster Gold. The issue wraps up this (surprisingly short) storyline, but also acts as a lead-in to the upcoming DC KO event, and although I don’t want to get into too much more detail about what happens, Joshua Williamson pulls off a hell of a trick. There’s a brilliant reversal of expectations in this book, leading up to a climax (before the epilogue) that felt positively stirring. There’s a reason Superman is the greatest hero there is, and it’s got nothing to do with his powers. It’s about what he represents, what he stands for, what he means to other people. And boy-howdy, does this issue understand that. I love Superman, I love the Legion, I love Booster Gold…and I love what this issue does with all three of them. 

We also, incidentally, get to use Prime’s meta awareness to give us what is objectively one of the most funny panels in a Superman comic all year. You’ll know it when you see it. 

Justice League Unlimited #11 is another prelude to DC KO, this one starting off with the Justice League Watchtower being invaded by an army of Parademons. At the same time, beneath the country of Markovia, a League squad including Power Girl and Captain Atom find themselves in battle against some of Darkseid’s Legion. The battle goes poorly on both fronts and we get Leaguers down before a last page that ties very nicely into this week’s issue of Superman. I love when comics pull off tricks like this one, two stories that happen simultaneously and tie together in the end. It’s a nice way to make the shared universe conceit work, and theoretically, you don’t HAVE to read both of them to understand either one. It sure makes it more satisfying when you do, though.

And Waid returns with a plethora of artists to bring us New History of the DC Universe #3. Picking up on the aftermath of the original Crisis on Infinite Earths, Barry begins to recount the era of the DC Universe that made for my foundational years – the late 80s and early 90s – all the way up to Barry Allen’s resurrection in Final Crisis. As Barry is, in fact the narrator of this series, you could simply call this issue “stuff that happened while I was dead.” Once again, I’m impressed at how Mark Waid has gone about smoothing over certain elements of the combined/rebooted/revamped DC Universe. For instance, when Supergirl came back in 2004, she was introduced as though she were a brand-new character, her death in the original Crisis being removed from continuity. Waid has it both ways here – Supergirl DID die in the crisis, and the story we read in Jeph Loeb’s Superman/Batman run has been retconned slightly – rather than introducing her to Earth to use her as a weapon, now Darkseid actually resurrected Supergirl for the same reason. Waid also, once again, brings in elements of the Milestone Universe, specifically the 90s incarnations of the characters, marking them as denizens of the DCU proper in such a way that certainly makes it seem as though there are plans afoot to bring them back again. 

This series really is a nerd’s dream. And as a nerd, I approve. 

Sun., Sept. 28

Comics: Superman #125, DC Vs. Vampires: World War V #11 (Appearances by Supergirl, Steel, Lois Lane)

Notes: Let me tell you something about my family. My son is a football nut. Like, he’s crazed. If there is an NFL game on, he is insistent upon watching it, to the point that he begged me to take him to church yesterday on Saturday afternoon so that he could stay home this morning, Sunday, and watch the Steelers/Vikings game in Dublin at 8:30 am. He also gets up and gets VERY excited and VERY hyper, and the point is, by the time the early game ended and the noon game began, I was already exhausted by this little creature which I am emotionally, biologically, and legally responsible for. I didn’t really have it in me to get into any deep Superman lore today, so I scrolled through the DC app looking for the silliest, most ridiculous one-off comic I could find. The winner turned out to be Superman #125 from 1958.

The first story, “Lois Lane’s Super-Dream,” begins with Lois falling into a coma when she falls from a ten-foot ledge trying to sneak into the Metropolis Science Fair a week early, which has got to be the stupidest way she’s ever almost gotten herself killed, even in the Silver Age. She gets a blood transfusion to save her life, but her subconscious mind thinks she got it from Superman, and she has a dream where his blood gave her powers as well. In the dream she puts on a red wig and starts calling herself “Power Girl,” and she’s actually fairly effective until – again, in the dream – Clark Kent is nearly killed in an explosion. Power Lois gives Clark a transfusion of her blood, and now HE’S got powers too. Go figure. So she makes him a Power Man costume and the most comically ridiculous mustache anyone not named Oliver Queen has ever worn and makes him join her as a superhero. But Power Clark, in Lois’s subconscious, keeps screwing things up due to a combination of cowardice and ineptitude. The whole story kind of makes Lois look bad, showing not only what she really thinks of Clark, but the particularly cruel way she treats him as her sidekick.

“Clark Kent’s College Days” is next, the beginning of an “Untold Tales of Superman” series. I’ve read this story many times, as it too was included in either the Greatest Superman Stories Ever Told or Superman From the 30’s to the 70’s books (I honestly don’t remember which) I read so many times as a kid. Clark gets an invitation to his college class reunion and begins to reminisce about his early days at Metropolis University, where he’s putting on his weakling act and letting the upper classmen haze him. The seniors aren’t the real problem, though – in year two, Clark’s teacher Professor Maxwell catches Clark using his vision powers to weld a seam in a robot and immediately deduces that one of his students must be Superboy. In this next class, he begins hooking his students up to a lie detector and asking if they’re Superboy, which makes you wonder what the hell he’s supposed to be teaching. Clark barely escapes being interviewed before class ends, and Maxwell begins a series of schemes that could make Lucy Ricardo proud, attempting to prove that Clark is Superboy, even to the point of exposing him to Kryptonite. But Clark winds up outsmarting him every time, and finally escapes the Professor’s attention by strapping in and letting him ask if he’s Superboy. Clark says “No,” and passes the test. Is it because of his powers? His Kryptonian physiology being incompatible with the machine? Nah, it’s because he decided, right at that moment, that it was time to consider himself an adult and start referring to himself as “Superman.” 

The cover story that got me to read this issue comes last, “Superman’s New Power.” Superman finds a pocket of fires in the core of the Earth that are causing tremors above in Metropolis. As he stabilizes the fires, he uncovers a tiny space ship that seems to have been embedded in Earth’s crust for eons. The ship blows up, and he later realizes his powers have changed. His normal powers (except, conveniently, invulnerability) have vanished, even as he gains the new ability to shoot a tiny replica of himself from his fingertips. The mini Superman has all his normal powers, so Superman’s career as a crimefighter shifts to being more of a puppeteer, sending Lil’ Superman into danger instead. While he proves just as effective as the real thing, Superman finds himself feeling emasculated at sitting on the sidelines while his teeny proxy goes into danger. The story ends when Tiny sacrifices himself to save Superman from a chunk of Kryptonite some crooks hurl at him. The Kryptonite makes Tiny vanish and Superman’s powers return to normal, ending with a panel where he contemplates whether Tiny had a consciousness and will of his own and made the sacrifice deliberately.

I’ve said it before and I’ll say it again: the 50s were a wild time.  

Mon., Sept. 29

Comics: Superman Vol. 2 #2, Justice League of America #30 (Team Member)

Notes: Returning to my list of random Superman stories that I’ve read at some point, here’s yet another that I remember reading first in the old Greatest Superman Stories Ever Told trade paperback. The second issue of the John Byrne reboot in Superman #2 is a good story, and it’s got one of the best Lex Luthor moments of all time…at least, “best” in the sense that it’s one of the greatest expressions of who Lex is as a character, not in that it makes him look good.

At this point, Superman had been active for a few years (mostly glossed over in the Man of Steel miniseries), and Luthor is looking for any clues that could potentially help him destroy the Man of Steel. He finds them, along with analyst Amanda McCoy, in the form of a red-haired woman who seems to keep showing up when Superman is active. As they search for the strange woman, Luthor turns to his frequent flunky Sidney Happersan, who is examining the Metallo cyborg they captured in Superman #1. Determining that the Kryptonite heart in Metallo’s chest is potentially fatal to Superman, Lex ruthlessly rips it from him even though Happersan warns him that it will kill the cyborg. (Don’t worry, he got better.) 

In Smallville, a pair of Luthor’s goons are looking for things that link Clark Kent to Superman, as Clark seems to be the one who gets all the big scoops. They drug Jonathan and Martha Kent then ransack their house, stealing Martha’s scrapbook of newspaper clippings regarding Superman. As they leave the house, they’re spotted by the passing Lana Lang, whom they drug and (realizing that she can identify them) kidnap. Imagine Lex’s glee, of course, when she turns out to be the very red-haired woman his people are searching for. 

Days later, Clark Kent comes home to find a series of bloody footprints leading to his apartment and Lana hiding there, having been tortured for information that she refused to give. Sensing Luthor’s involvement, Superman barges into LexCorp, only to find that Luthor’s got a new piece of jewelry – a ring with a glowing green stone that keeps Superman at bay. Stymied, and with no actual proof of Luthor’s involvement, he takes Lana back to Smallville. In Metropolis, Amanda runs all the data they’ve found through the computer, seeking the link between Superman and Clark Kent, and she arrives at one inexorable conclusion: Clark Kent IS Superman. 

And Luthor is furious at the absurdity of it. “I know that no man with the power of Superman would ever PRETEND to be a mere HUMAN!” he shouts, firing Amanda McCoy on the spot because “I have no place in my organization for people who cannot see the OBVIOUS.”

Ah, what a fantastic story, Mr. Byrne. This is the ultimate platonic ideal of who and what Lex Luthor is, especially at that time. He’s ruthless and cruel – his treatment of Lana, of Amanda, even of Metallo all demonstrate that. He’s intelligent, but not the super-scientist he was in the Silver Age or would become again. But he’s also so unbelievably arrogant that when the answer to all of his questions is served up to him on a silver platter, he rejects it because he cannot fathom anyone with Superman’s power being so good that he would “pretend” to be Clark Kent. Byrne actually used this as part of the punchline in his “Superbman Vs. the Fantastical Four” story from Marvel’s What The–?! #2, with the fake Dr. Doom telling Rex Ruthless that Superbman COULDN’T be a normal human because that would make him “nicer than us.”  

This story is also important in that it sets up a number of different elements that would be of tremendous importance later, especially the Kryptonite Ring. That little domino would set off multiple chains. Luthor would learn to his grave error that he was wrong about the radiation being harmless to humans, and that wearing the ring constantly gives him cancer. This ultimately leads to him faking his own death, cloning a younger body, and returning to Metropolis pretending to be his own son. Amanda McCoy came back later desperate to prove she was right, stealing the ring but being killed in an alley for it, leading to the Dark Knight Over Metropolis story where Superman gave the ring to Batman, a concept which has been a consistent part of the characterization of the two heroes ever since. 

It’s also a pretty good showing for Lana, proving – even under torture – that she’s a good friend and worthy of Clark’s trust, never betraying his secret. In Man of Steel, Byrne had turned Lana into something of a broken bird, heartbroken at the realization that Clark Kent was too big and too important to the world to be in her life the way that she wanted. It took a long time to rebuild her character, and this issue I think was the beginning of that. 

Even these short stories can be great sometimes. 

Tues., Sept. 30

Graphic Novel: Superman: True Brit

Notes: I decided to cap off this week with something relatively lighthearted – perhaps even a bit silly, and this 2004 Elseworlds graphic novel certainly fits the bill. True Brit brought John Byrne back to do artwork for the Man of Steel again, but this time in a story written by Kim Johnson “with some help” by Monty Python legend John Cleese, who of course is most famous for that one “Bicycle Repairman” sketch that we covered back in Parody Week. (There’s a brief shout-out to that bit in the book, as well.) Like many Elseworlds, it starts with a “what if” type of scenario – Jor-El sends his infant son to Earth. Instead of Kansas, though, this time his spacecraft lands in what Jor-El calls “their most advanced, most powerful nation – the British Empire!” Kal-El is found by a British farm couple, Jonathan and Martha Clark, who raise him as their son Colin. He struggles to control his powers, even after being told of his true alien heritage, and when the time comes to go off to University Mrs. Clark admonishes him to keep the powers hidden away in shame. 

Studying journalism, he becomes smitten with his classmate Louisa Layne-Ferret, but she doesn’t show any interest in him until he accidentally impales a classmate with a cricket bat just before graduation. He winds up using his powers to get stories for a sleazy rag called the Daily Smear, where he finds out the famous rock band the Rutles (another in-joke) are in mortal danger, forcing him for the first time to act publicly in a Union Jack-adored Superman costume. 

The Smear runs with it, making the Superman stories more outrageous and scandalous, to the point where the Clarks even move without telling Colin where they’re going. But his fortunes change when the Queen sets him some “impossible” tasks – making the trains run on time, reducing the wait time for hip operations (the solution, by the way, is to convince the surgeons to play less golf), and raising the quality of the programming of the BBC. But all his work may come to a screeching halt when he runs afoul of his greatest enemy: the Bat-Man.

The story is rife with gags and jokes that almost could have qualified this graphic novel for Parody Week in and of itself. For instance, when his adoptive parents think Colin can fly, they advise him to flap his arms like a bird, which causes a bit of amusing chaos and resultant property damage. When he finally does fly – with a horse – the poor animal has to be carted away to a veterinary hospital and treated for shock. An attempt to milk the cows with his super-speed and strength leaves them…let’s say “unhinged.” Perhaps my favorite joke comes when his mother tries to steer him into being a postman rather than a journalist, and he fires back with “I don’t CARE about respect! I’d rather be a REPORTER!”

Ah, maybe it’s just the ex-reporter in me that finds that hilarious, I dunno. But that seems to be the main thesis of this book. Rather than telling a story about Superman in another culture, True Brit comes across as Howard and Cleese giving a scathing indictment of the British media. Most of the book comes down to a heavy and brutal satire of the state of the British press, with the more lurid types of publications rising in prominence and the few legitimate reporters being buried. It’s a funny book, although I imagine a lot of the Britishisms are lost on an American audience. 

Byrne’s artwork is interesting here. While not as cartoonish as he used in his What The–?! story, nor is it as clean and straightforward as his usual style as seen in his Superman run. He somewhat splits the difference here, drawing a world that still feels like part of the DC Multiverse but, at the same time, having enough fun with it to allow some silly sight gags, outrageous facial expressions, and goofy poses.

This week was a nice change of pace, friends, but October begins tomorrow. And October begins my favorite part of the year — those last three months that I love so much. And this year being the Year of Superman, it’s gonna be even better. For the next few weeks, as we approach Halloween, we’re going to be looking at darker versions of Superman, Superman gone wrong, a focus on his greatest villain, and more! See you then!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 38: Electric Boogaloo III-The Giant-Sized Finale

It feels like I just started yesterday, but here we are in the fourth week of my journey through the era of Electric Superman. The Man of Energy has been split into two – a red and a blue version of himself. But time is almost up, because we’re on the cusp of the crossover event that ended this era, the Millennium Giants. Let’s get into it!

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 17

Comics: Superman Vol. 2 #133, Adventures of Superman #556, Action Comics #743, Batman: Wayne Family Adventures #6 (Guest Appearance), Taste of Justice #11 (Supergirl and Krypto)

Notes: Superman #133 starts with Red and Blue bickering over which of them is going to go in to work and write their column, with Red winning the argument and banging out a piece that’s both more pointed and more jovial than his usual style, to the point that Perry asks him to rewrite it. An explosion summons Superman Red to Cadmus, where he finds Guardian beaten to hell and the three deities that Superman fought on Halloween proclaiming “The Time of the Millennium Giants is at hand!” In a backup story, Jimmy and Misa are still on the run from the Black Crucible. When they get pinned down, Misa uses a device to signal for help. Blue Clark, meanwhile, is back at the Planet office where he’s rewritten Red’s column, only to turn in one that’s too bland and analytical. He bolts away and saves Jimmy from the Crucible, whose leader says the Medallion Jimmy is carrying will signal the end of the world. Suddenly, the Medallion AND the members of the Black Crucible just…disappear.

Ominous, no?

Adventures #556 picks up right there with Red facing off against the Millennium Guard. They summon the Medallion to them (explaining where it went in Superman #133) and then take off in three different directions. Blue, meanwhile, is helping Jimmy and Misa fix up their vehicle when the three of them are attacked by a huge monster straight out of a Kirby sci-fi comic. The conclusion of that fight is ALSO the sort of supremely goofy thing that would have happened in a book of this era, but it’s actually pretty charming as well in its silliness. And even though at the end of the book Jimmy is still running for his life from Intergang, his standing up to the monster convinces Misa that maybe he’s not so lame after all – it’s a rare win for Jimmy in this era.

Action Comics #743 has Blue returning to Metropolis, where he encounters detective Slam Bradley, who’s chasing a nasty sort that calls himself the Inkling. Blue stops Inkling, who the reader learns is another product of Hunter Thompson’s experiments at S.T.A.R. Labs (the same ones that gave us the Ripper not long ago). He knows Thompson is bad news, but has no proof, which has gotta be frustrating for a guy as cool and logical as Superman Blue. Also, in space, the Millennium Guard has taken positions in orbit ready to “purge the Earth,” which always sounds like a good time.

In Red’s story, the Guard has bolted away, leaving Superman drained of energy. Jimmy and Misa find him and give him a lift back to Metropolis, where they stumble into the Intergang squad that’s been chasing Jimmy for months. Misa finds a dandy solution, using a device that makes Jimmy completely invisible to them and, in fact, making them forget he ever existed. That’s a quick little solution to that subplot just before things get wild next week.

These three issues all use the same format, with two different stories for the respective Red and Blue, and I have to say, I’m impressed with how well it works. The stories weave in and out of each other, connecting at various points and showing the consequences of one story in the other. It works so well, honestly, that I’m surprised it really only happened for three issues, plus the two issues we read at the tail end of last week, Action #742 and Man of Steel #77, which each devoted an entire issue to one of the Supermen but otherwise worked the same way.

I suppose time has shaped my perspective, but I could have sworn the Red/Blue era lasted longer. As it turned out, only about two or three months pass between the split and the story that’s going to end with the two of them re-forming and Superman’s powers going back to normal. Maybe it was the fact that back then I had to wait a week for each new issue to come out, whereas today I’m simply clicking “next issue” in the DC Universe app and bouncing ahead seven days to get the next installment. 

At any rate, I really liked the way these issues were told, and while I don’t want Superman to get split in half again, I’d like to see someone else use this trick. I’m not sure how, exactly – maybe Firestorm, whose whole gimmick is that he’s two people who fuse into one superhero would be a good candidate. Or perhaps a run about a couple of Green Lantern sector partners that used this formula. Or hell, do it with Jonathan and Conner Kent, the two Super-Brothers. That might actually give Jonathan something interesting to do for a change. But somehow, it’s a trick I would like to see done again.

Thurs., Sept. 18

Comics: Superman: The Man of Steel #78, Aquaman Vol. 5 #43, Challengers of the Unknown Vol. 3 #15, Superman Vol. 2 #135, Teen Titans Vol. 2 #19, Supergirl Vol. 4 #20, Jon Kent: This Internship is My Kryptonite #11

Notes: There are different degrees of crossover events. There are the bigs ones, the huge ones that have a main miniseries and spin-offs and chapters appearing in various different comics – from the original Crisis on Infinite Earths down to lesser examples like Genesis. There are the small-scale ones that only involve titles in the same group, like the Superman or Batman titles. Then there’s stuff in the middle like Millennium Giants. This one is clearly a Superman story and it plays out in the four main Superman titles, but it also brings in Steel and Supergirl, as well as a few books with no relation to Superman at all. They also did a neat thing with the covers of the first nine (out of 11) issues: they assemble into a sort of large puzzle featuring the giants and the respective heroes facing them, along with our two Supermen zipping around and appearing on every cover.

The fun starts off in Man of Steel #78. The three members of the Millennium Guard have taken their spots in three places on the globe, including the site of a volcanic eruption where the native religion sees them as a harbinger of the end of the world. Red and Blue, after a brief squabble, agree to split up and each take on one of the Guard. But as it turns out, the Guard are only there to facilitate the release of the Millennium Giants – three enormous deities who burst from the ground.

The story picks up in Aquaman #43. One of the giants is marching through the ocean on a beeline for the Atlantean city of Poseidonis. Aquaman and Tempest try to confront it when he takes out Superman Red, but the creature keeps walking, sending tidal waves towards nearby coastlines. As Tempest protects the shore, Aquaman tries to communicate with the giant telepathically, but he fails and it goes into battle against the heroes and the HEAVILY armed Poseidonis. Man, this really makes me want to go back and read Peter David’s Aquaman all the way through. Maybe next year. Anyway, Superman and Aquaman try their best to hold back the creature but it crushes an underwater city on its march across the ocean.

This is really how a crossover SHOULD work. It’s not a coincidence or shoehorned in – it makes PERFECT sense for Aquaman to get involved when a freaking giant is threatening his kingdom, and it brings him in to make him a player in the rest of the crossover too. Perfectly done.

The next installment brings us to Challengers of the Unknown #15. Classically, the Challengers were a group of daredevils and specialists who each survived a near-death experience and, believing themselves to be “living on borrowed time,” became adventurers. They weren’t QUITE superheroes, but they often ran across them. This series was one of DC’s periodic attempts to update the concept with new characters and a dash of X-Files style paranormal investigation. The Prime Minister of the UK summons the Challs to investigate the giant that erupted from Stonehenge and is marching across the countryside. This issue is more skippable than the Aquaman chapter, seeming to take place BEFORE that one (the English Giant is the one Aquaman and Superman Red fight in the ocean), and Superman doesn’t actually appear. It does end with the Challs uncovering some info that they want to bring to Superman’s attention, though.

In Superman #135, the two Supermen have reconvened in Mexico, where another Giant has climbed out of a volcano. Blue wants to evacuate, but the impetuous Red charges in headfirst, attacking. They manage to barely pull off a save, and Lois (who is there covering the Giants, of course) confronts her two husbands, both of whom now seem to be pretty happy with the ability to be in two places at one and have no intention of trying to fuse together again. The split up yet again, with Blue staying on the giant in Mexico and Red zipping to the Pacific. Back in Metropolis the Teen Titans (whose book, you may recall, was written by Dan Jurgens at the time) decide to head to Egypt to take on the third giant, while the Challengers are on their way to Mexico. Neither of the Supermen are effective in their attacks on the giants, though, with Red failing to save an entire pacific fleet of 200 American ships.  

Teen Titans #19 starts with Tempest saving Red after his failure in the Pacific before following the people whose comic it actually is as they attempt to hold off the Giant that’s threatening Egypt. The bulk of the issue is Superman Red and the Titans facing off against the Giant, failing time and again and finally accepting that they need to focus on saving the people in its path rather than fight it directly. That may not sound like the most exciting take for this issue, but Jurgens does a good job of painting it as the sensible route, showcasing his Titans to readers who may not have been exposed to them before and showing some hidden depths to a few of them as well. The issue ends with the Giant marching off to sea and the team planning to head to Markovia, where the third Giant is wreaking havoc. 

Supergirl #20 brings back Peter David again, kicking things off with a woman in a mental institution claiming to be Cassandra (the Greek one) and screaming with terror about the encroaching giants. And like Cassandra, her fears are dismissed. Supergirl, meanwhile, has just left her family in the midst of a personal crisis to help deal with the crisis of the Giants. She tries to use her powers as an “Earth Born Angel” (read everything Peter David ever wrote, really) to hold it off, but falls into the ocean where both she and “Cassandra” are saved by Superman Red. It’s kind of a quick chapter, really, but it showcases Supergirl well and it’s always a delight to read David’s stuff again.

Fri. Sept. 19

Comics: Adventures of Superman #557, Steel #50, Action Comics #744, Superman: The Man of Steel #79, Superman Vol. 2 #135, Superman Forever #1

Notes: In Adventures #557, Steel calls in Superboy and the Justice League to join the fight as Blue faces the Mexican Giant Cabraca while Geo-Force and Terra hold the line against Cerne in Markovia. Blue, Aquaman, and the Martian Manhunter face Cabraca while the others join the Titans, Supergirl, and Red in Markovia, where Cerne and Ronal are now converging. The giants lift an entire chunk of Markovia into the sky, the heroes only barely managing to evacuate it before it’s gone. And the icing on the cake comes when Cerne crosses the Atlantic to re-emerge in Metropolis harbor.

Steel #50 continues as John Henry – who has recently joined the Justice League and is eager to prove himself – works with J’onn J’onzz to construct a weapon to stop the Giants by disrupting their connection to Earth’s magnetic Ley Lines. The device seems to work, but John shuts it down, fearing that it will cause even greater destruction than the Giants if the field breaks down. He winds up fighting his own teammates over it, destroying the device and finding himself on the opposite side of the rest of the JLA. 

In Action #744, while Cerne approaches Metropolis, the Challengers of the Unknown come to Lois Lane in the hopes that she can get their findings to Superman. Their theory is that the Giants – who appear in myths from cultures all over the world – have arisen because of an anomaly in the Earth’s energy field. They believe that the two Supermen, working together, could drain the Giants of their energy and stop the rampage. Red draws all the power from Metropolis to turn himself into a giant, ripping Cabraca into space. The effort is fruitless, however – Cabraca crumbles, falls back to Earth as a meteor shower, and re-forms in Australia. His suit shredded, Red begins to dissipate. 

Blue zips into space to save Red in Man of Steel #79, but Red refuses his help, fearing that weaving the circuitry of their respective suits will cause them to re-merge. Blue saves him anyway, and although they don’t merge, the two Supermen are now tethered together. Steel has modified his device and gives it to the Supermen to try to trigger it in Cabraca’s heart – which they do but find themselves transported to the “Heart of the World,” where a strange being calling himself the Keeper of the Flame says that their alien energies awakened the giants. He can help them, but only at the cost of their lives. The Supermen trigger a chain reaction that topples the Giants, but their victory is short-lived. It turns out that stopping the Giants has also stopped the flow of the energy that binds Earth together, and it’s on the verge of a massive eruption that would duplicate the fate of a little world called Krypton.

It all comes to a head in Superman #135! An old Aboriginal man tells the Supermen that salvation can be found with the Medallion of the Damned, which is deep inside Cerne’s body. The three of them dive into the Giant’s form, where they find the Medallion on the body of an insectoid creature. Here they learn that the only way to restore Earth’s magnetic lines is for each of them to expel their energy, one at the center of the Earth and one from orbit. And although they have spent this entire time fighting and bickering one another, the two Supermen do it – because at the core, they’re still both Superman. The skies turn red, the ground turns blue, and Earth is saved…but when it’s over, J’onn J’onzz casts out a telepathic web to search for the men of energy…and finds nothing.

Are they gone? Are they dead?

Of course not. They’re in Superman Forever, a giant-sized one-shot with a fancy lenticular cover by Alex Ross to tie the whole thing up. The Kents are driving through their fields at night, worried about their missing son, when they see a meteor streak across the sky. It’s not the first time this has happened, and they rush to the site to see Clark lying in a crater: unconscious, naked, and burning with fever. They bring him back to their farmhouse where he sleeps for over 24 hours before waking up and realizing he can hear them speaking outside. Somehow, the expenditure of his energy powers made him fuse back into a single being with his original powers again. How? Clark himself theorizes that it was some kind of “reward.”

Who am I to argue?

Martha being Martha, she just happens to have one of his original costumes handy for him to put on,and he takes off to let the world know that Superman is back!

Of course, it’s only page 14, and there’s a lot left to go. Turns out Superman is being watched by Kismet, a cosmic entity he’s encountered a few times before, who sees (YET ANOTHER) threat on the horizon. Superman returns to Metropolis where he joins in with Supergirl, Superboy, and Steel saving an airplane from a crash… a plane that just happens to have Lois on it. The woman has the WORST luck when it comes to air travel, I tell you. 

Also in this special, Jimmy Olsen returns to the Planet with his tail between his legs to beg for his job back, only for Perry to give it to him without hesitation. While they’re celebrating, though, Lex Luthor barges into the office, furious that the Planet published a photo of his daughter. While he’s railing against Perry, he gets  call that Lena has been kidnapped.

The creative team on this book (like the Wedding Special and the Red/Blue special, it’s a mashup of the creators of the regular books with a few guests) took an interesting approach. There are really three different, almost totally unconnected sections of the book. The first act, where the Kents find Clark and he returns to Metropolis, is part one. Act two is the kidnapping storyline, with Superman doing everything he can to find the missing daughter of his worst enemy, because that’s the kind of man he is. This has virtually nothing to do with what happened before, except for the fact that every person who encounters him makes a comment about the fact that he’s gone back to his original powers and costume, then goes on with their day because they all live in Metropolis and they see more inexplicable stuff than that before their Pop-Tarts come out of the toaster in the morning. Then, after that story is resolved, we get four separate epilogues, each of them showing Superman in different eras that seem to roughly correspond to the Golden, Silver, and Bronze ages, and a third that is set 1000 years in the future. It’s a setup for the Dominus story that would consume the books for the next several months – which is totally fair, except for the fact that, again, it seems to have nothing to do with anything that’s come before it. In fact, I almost feel like I don’t need to read these books again , but it’s been a long time and I enjoy a good timey wimey story.

Besides, if I don’t read them, I’ll just be cliffhangering myself. And I promised me that I would treat me more nicely. 

Sat., Sept. 20

Comics: Marvel/DC: Deadpool/Batman #1, Superman: The Kryptonite Spectrum #2, Action Comics #1090, Krypto: The Last Dog of Krypton #4

Notes: I’m not going to get to Dominus just yet, though. After a couple weeks, I’ve once again liberated my new comics from my local shop and I’m going to spend today (and maybe tomorrow too) reading the new Superman-related books. And although only one of the back-up stories is Superman-related, I’ll start with the painfully-titled Marvel/DC: Deadpool/Batman #1.

I objectively got the best cover.

The main story and most of the back-ups are really quite good. Zeb Wells, who writes the Deadpool/Batman tale, finds a new spin on combining the universes that’s really quite suitable for Deadpool. Most of the others simply take the old-fashioned tactic of assuming the characters inhabit the same world. The Captain America/Wonder Woman story by Chip Zdarsky goes so far as to showing a whole history between the two characters that goes all the way back to World War II. There are also two pages by Frank Miller, the less is said about which, the better.

But mostly, I’m here to talk about the Krypto/Jeff the Land Shark story by Jeff’s usual creative team of Kelly Thompson and Gurihiru. This mostly-wordless story is set in the Arctic, as Krypto and Jeff romp and play games with one another outside the Fortress of Solitude. That’s it. That’s the whole story. And it’s really adorable. It fits perfectly in with the usual Jeff stories, and were it not for the fact that his co-star is an inhabitant of the DC Universe, it could easily be an issue of his own comic. 

Now I have to say, were you only buying this book for a Superman story, dropping $6.99 for a story co-starring Krypto is probably too much. But if you’re a fan of comics and crossovers in general, this really is a great package. 

The second issue of Superman: The Kryptonite Spectrum is next. Continuing from issue one, Superman and Batman are still experimenting with the new types of Kryptonite when one of them turns the man of steel into a giant. Batman thinks he can concoct a fix, but before it’s ready, Lex Luthor ups the ante by exposing the Kaiju-sized Superman to a dose of RED Kryptonite, sending him on a rampage that the Justice League has to come in and try to stop. Like the first issue, I’m tremendously impressed at how W. Maxwell Prince and Martin Morazzo are applying their signature style to the DC Universe. There’s still very much the same flavor of weirdness we get from Ice Cream Man, but the horror elements are replaced with a take on silver age-style superheroism that feels more like a loving parody than an attack. It’s a glorious little story with a climax and cliffhanger that literally made me laugh out loud. That doesn’t happen often, even with comics that are intended as straight-up comedies. This is rapidly climbing my list of best comics of the year. 

In Action #1090 Mark Waid and Skylar Partridge continue the story that – no matter what the eventual trade paperback is gonna be called – is essentially “Superboy: Year One.” Clark finally gets a date with Lana, only for two disasters to happen. First, she tells him how she REALLY feels, and second, Captain Comet summons him to a battle scene. Raze, the villain Superboy caught a few issues ago, has come back with some friends and he’s attacking the lab of noted AI specialist and metallurgist Will Magnus, and Superboy is needed to save the day. Turns out that Comet had a little surprise of his own, though. 

Waid is taking classic tropes of the Pre-Crisis Superboy and putting a modern spin on them, particularly in the context of Clark and Lana’s relationship. Although the writing is modern, the themes and tone could fit in just as well in the 1950s, and that’s really perfect. On the other hand, the more sinister Captain Comet is an interesting choice, although I imagine we’ll get some sort of revelation on his part before this story ends to keep from casting him as an outright villain. 

Krypto: The Last Dog of Krypton #4 starts with a content warning. It says “This is a sad one. Read it with someone to hug nearby.”

THIS is a sad one.

AS IF THE LAST THREE ISSUES DIDN’T ALL REDUCE ME TO A GIBBERING MESS.

Anyway, in this one the still-wandering Krypto befriends another stray dog, and together the two of them befriend a group of children, and together the kids and the dogs activate an alien intelligence that threatens all life on Earth. And Krypto is a very good boy. And so is his friend. And eventually, after I soak through a couple of Kleenex, we get to a last page that promises – FINALLY – a glimmer of hope in this terrible, heartbreaking, gut-wrenching, magnificent, beautiful series. 

Sun., Sept. 21

Comics: Supergirl Vol. 8 #5, Batman/Superman: World’s Finest #43, Justice League Red #2 (Team Member Power Girl)

Notes: Supergirl #5 is a largely one-off issue that focuses on the Super Pets. Supergirl and Lesla leave their respective superpowered animal pals with Lena, who loses them almost immediately, leading to two separate adventures. Krypto and Kandy the Super-Rabbit wind up in battle with Princess Shark, who has come to Midvale to get her revenge on Supergirl, while Streaky and the miniature Super-Ape Tinytano stumble across a litter of kittens who have inadvertently gained super powers. The story is light, airy, ridiculous, and charming. 

Sophie Campbell takes this issue off from the art chores, but she still writes the issue. Pencils instead are handed over to Paulina Ganucheau for the Krypto half of the issue and Rosi Kampe on the Streaky half. Both of their respective styles are fine, but they’re very different from one another. Ganucheau’s art is a little looser and cartoony, more in line with Campbell’s usual style. Kampe’s art is tighter and looks like a more traditional superhero comic. Again, neither of them are bad, but the switch halfway through the book is somewhat jarring. 

In World’s Finest #43, the Bizarro World storyline comes to a close. As we learned, the alien who infected the Bizarros with a pandemic that “fixed” their brains did so in the hopes that they would realize their planet was about to be destroyed by the physical laws that say a square planet can’t exist. This issue, our heroes struggle against the twin problems of the planet’s collapse and the pandemic, and in each case, a solution is found by a most unexpected mind. I really love the way Mark Waid plays these characters here, showing an intelligence in one of our heroes that he isn’t usually credited with having, and pulling a rabbit out of his hat with a new Bizarro that is hilarious and brilliant. This arc was an awful lot of fun, and that’s all we really want out of World’s Finest, isn’t it? 

The new Super-titles wrap up with Power Girl in Justice League Red #2. Power Girl, Green Lantern, and Cyborg are comparing notes, all of them realizing that the missions Red Tornado has been sending them on are less than savory, and they demand answers from their teammate. Red Tornado reveals that his actions are linked to another Leaguer in jeopardy, but none of that quite explains just how underhanded he’s been acting. The heroes don’t know what to make of it but, at the same time, they’re not going to abandon one of their own. I’m still not quite sure what to make of this title. I’ve enjoyed the first two issues, but I can’t tell where they’re going with Red Tornado here. If the miniseries ends with him becoming a villain I’m going to be pretty disappointed, but as I said after issue one, I think it’s going to turn out to be more nuanced than that when all is said and done. All that said, the cliffhanger at the end of this issue is just dandy.

Mon, Sept. 22

Comics: Adventures of Superman #558, Action Comics #745, Superman: The Man of Steel #80, Superman Vol. 2 #136, Adventures of Superman #559, Action Comics #746, Superman: The Man of Steel #81, Superman Vol. 2 #137

Notes: Welp, Superman is one person again and his powers are back to normal. You’d think his troubles are over, right? No, you silly person. Now it’s weirder than ever, because it seems as though there are FOUR Supermen (again), except this time, each of them is in a different era. In Adventures of Superman #558, we’re in a world that seems highly reminiscent of the Silver Age, with Superman and his family having a friendly game of baseball that spans the globe using a mine launched by an enemy submarine as the ball. We’ve got Steel on the top of Mt. Everest, Superboy (wearing an old-school costume) in France, and most surprising, a Kara Zor-El Supergirl in outer space. And the game stops when Krypto fetches the ”ball!” (I feel like we should remember that, at this point, the “Superman is the only Kryptonian survivor” edict was still in place – neither Kara nor Krypto existed in this continuity.) Jimmy Olsen, meanwhile, has stumbled into yet another of one of those transformations that seemed to happen to him so frequently in this era, this time drinking an alien isotope that turns him into a green-skinned spaceman. When word gets out that Alien Jimmy has been blessed – or cursed – with a Midas Touch, turning anything he touches into gold, he’s kidnapped by the world’s most ingenious criminal scientist, Lex Luthor.  

I can only imagine co-writers Karl Kesel and Jerry Ordway putting this one together, an issue that’s a wild and charming mashup of the modern Superman (with elements like Steel and Dabney Donovan) with a story that could very easily have been a lost plot from an issue published in 1955. Jimmy’s wild transformations were a staple of the time, and we see the old (and often frustrating) trope of Lois being desperate to marry a Superman who keeps resisting her advances. By the end of the issue, nothing has really been resolved – it comes across as an entertaining oddity, but as of yet there’s no clue as to what’s actually happening. 

Action Comics #745 takes a similar approach to what the writers call the “Polyester Age” in a story that roughly approximates the Superman comics of the late 70s. Superman comes in to save an unruly mob that has gathered on the collapsing Queensland Bridge, each of whom is carrying a bogus deed indicating they own it. Superman plans to investigate, but first he has to head to his job at WGBS to report the news with his co-anchor, Lana Lang. The story spins out into a fairly standard Prankster story, in which he takes over a cruise ship, kidnaps Lana Lang, places her in a trap that Superman can’t spring without exposing her to a deadly toxin, and in a script-flipping cliffhanger, asking Superman to officiate his and Lana’s MARRIAGE.

We journey back to the Golden Age with Man of Steel #80, and in the most literal way possible. The story begins reenacting a scene from Action Comics #1, with Superman barging into the governor’s mansion to demand a stay of execution for a woman he’s proven to be innocent of the crime for which she’s about to be electrocuted, then immediately bounding in to stop a man from beating his wife. It’s here, for the first time, that we really get a glimpse of what’s actually happening – a little girl with white hair appears briefly as Superman stops the wife-beater proclaiming “It’s all wrong! Everything’s wrong!” When Superman looks out the window to see that the police has arrived, the child vanishes. Superman doesn’t have time to solve the mystery, though – he’s expected by his editor, George Taylor, at the Daily Star. Lois and Clark are sent to cover an American Nazi rally that is eventually broken up by Superman, making Lois swoon. 

Louise Simonson’s writing on this issue evokes the tone of the Golden Age, especially with a cold, aloof Lois that doesn’t give Clark the time of day, while he is utterly smitten with her. On the other hand, she manages to avoid some of the more problematic tropes of the original stories – she recreates the wife-beater scene almost perfectly, but omits the infamous “You’re not dealing with a woman now!” line. Jon Bogdanove, for his part, is perhaps more in his element than ever before. He adjusts his art style just SLIGHTLY, and it becomes a perfect update of a Golden Age Superman. He even gives us a panel emulating the legendary cover to Action #1. Reading this issue makes me ache for a full Elseworlds-style series set in this time period with Bogs handling the pencils. 

Superman #136 takes us to the year 2999 (with yet another Action #1 homage cover, by Dan Jurgens this time). Years after the death of the last great champion, Superman XVIII, a new Superman appears saving a spaceship from disaster…or at least, he tries, but the rookie Superman winds up ripping off one of the ship’s stabilizers. Another craft manages to save the ship in a stasis field, including Lena Luthor, who gives us the infodump that Superman’s father died bringing Lena’s father to justice. We explore this future world, meeting “Klar Ken’s” coworkers, his younger sister Kara, and get information about the Superman legacy that has lasted a millennium. This one, too, ends with a cliffhanger, as Superman 2999 faces against a futuristic menace called Muto, and we get another glimpse of the girl with the white hair. 

Back to the Silver Age for Adventures of Superman #559, which kicks off with Superman busting Brainiac and his shrinking ray. The next morning, though, things get really bizarre as some mysterious force gives everyone in Metropolis super powers. And I do mean everyone – Perry, Lois, Jimmy, Maggie Sawyer, the Newsboy Legion – it’s an epidemic. Everyone, it seems, except for MCU Officer Dan Turpin. It comes in handy when Metallo attacks and his Kryptonite heart affects EVERYONE except for Dan and his bazooka. The reveal about where the powers came from is fantastic, perfectly in keeping with a Silver Age story, and it’s really nice to see Turpin get hailed as the hero for once…until the girl with the white hair shows up again on the last page repeating her warning: “Can’t you feel it? It is ALL WRONG!” And then poof – she’s gone. 

Things aren’t going great in Action Comics #746. Superman manages to save Lana from the Prankster, but she’s so angry that Clark bailed out on the situation (so he could be Superman) that she gets him fired from his job at WGBS. He’s doing the cardboard box walk of shame when the White Haired Girl AGAIN shows up and vanishes. They gotta start going somewhere with this soon, right?

And they do! Man of Steel #81 begins immediately with the White Haired Girl stuck on a railroad track as a train speeds towards her. Fortunately, ol’ “More Powerful Than a Locomotive” gets her away even as she keeps pleading “Everything is wrong.” She vanishes as soon as she appears, though, and we get to the main plot – Superman and Lois each stow away on a ship to Nazi Germany. The issue really does showcase the vast changes Superman underwent after the Golden Age. While for most of his history, Superman has been reluctant to involve himself in political situations (in fact, in the 1978 movie Jor-El specifically forbid that), here he actually thinks “Someone has got to settle these world affairs once and for all – and who else can do it but me?” 

This issue gets pretty bleak, as Superman and Lois each independently delve into the Nazi concentration camps. Simonson doesn’t hold back from showing the horrors of the era, and in the end we’re just left more unsettled as we end on a cliffhanger, with Lois in dire straights that make being caught by the Prankster seem like a tropical vacation.

I’ll end today with Superman #137, in which the man of tomorrow (that being 2999) faces Muto – a fight that’s going poorly before he’s rescued by some of the other heroes of the era: 2999’s Green Lantern, the future Aquaman, and from Gotham City, “The Bat.” Superman and the other heroes face Muto at his orbital Fortress of Solitude, and Dan Jurgens plays off of Despero’s chess set from Justice League of America #1 for the second time this year (the first being when we read Superman’s adventures with the JLA in the era just before Doomsday).

Tues., Sept. 23

Comics: Adventures of Superman #560, Action Comics #747, Superman: The Man of Steel #82, Superman Vol. 2 #138, Adventures of Superman #561, Action Comics #748, Superman: The Man of Steel #83, Superman Vol. 2 #139

Notes: Today I’m getting into the finale of the Dominus storyline (at least this one), starting with Adventures #560. Silver Age Superman is stunned to find out that Lois Lane – the girl he loves but keeps at arm’s length – has a date with his pal Batman. The story seems to be going in the same direction as the previous two issues – a kind of standard Silver Age type story involving Lois’s feelings, Batman, and a sliver of Red Kryptonite. Halfway through, though, there’s a turn, as Batman reveals – even to Superman – that the two of them were BOTH adopted by the Kents after their respective origin tragedies and grew up as brothers. From there we get a quick chain reaction as all of Superman’s dreams seem to be coming true: Emil Hamilton shows up with a cure for Red Kryptonite, Jor-El and Lara appear alive, promising to take him back to Krypton’s Hypersector with them, Lois professes her love and vows to go with him…but Batman transforms into the White Haired girl, who reveals herself to be Kismet. The universe fades as Superman and Lois embrace one another.

Action #747 goes in a very different direction. The story, free of dialogue, unfolds as we watch Clark return to the Daily Planet, Lois kidnapped by the Prankster, and Superman come to the rescue. Throughout, although there are no speech bubbles or conversations among the characters, an unseen narrator gives us a monologue about godhood, divinity, chaos, and order. The narrator is manipulating Lois, trying to bring her into a position where she kills Superman, but in the end she can’t do it. The dialogue finally comes back in the last few pages, when the White Haired girl  again reveals herself as Kismet and the narrator redoubles on his plan to control the universe, revealing himself as an entity called Dominus. This issue is really jarring, being SO different from the previous two (and, in fact, from the rest of this storyline altogether). I’m not sure if it entirely works, to be honest, especially since the girl’s reveal at the end was done in the previous week’s issue, and now I’m sure we’ll see it again two more times. 

Man of Steel #82 picks up with Golden Age Superman determined to halt a train laden with prisoners bound for the concentration camps, unaware that one of the prisoners is the captive Lois. Saving her from the train he kisses her and – just for a second – glimpses the real, modern world. Kismet (still as the White Haired Girl) hopes that putting the two of them together again will help them to break whatever Dominus has been doing, but Superman’s attention is focused on liberating the Nazi’s prisoners (because, you know, he’s Superman). Kismet tells Lois and Superman that their bond is the one thing Dominus can’t break, and when she brings them together again, the three of them find themselves back in Metropolis in the modern day. But the Nazi Commandant has come with them, revealing himself to be Dominus. Superman again recognizes the girl as Kismet, who helped lead him back to life back in Adventures of Superman #500, but Dominus attacks the girl and Superman is swallowed by nothingness.

The future ain’t what it used to be in Superman #138. Superman returns to Metropolis with his allies – and several new ones – announcing the formation of a Justice Alliance (with a logo that looks like an odd mashup of the Justice League and Legion of Super-Heroes emblems). But the ceremony is disrupted by the White Haired Girl, and we begin flashing between the four timelines we’ve been following. Kismet reveals that Dominus has trapped Superman in a sort of “reality prison” and split his consciousness into four separate simulated realities. As he breaks free from Dominus’s will, he returns to the real, modern Metropolis with Kismet. We discover that, in the last moments of Superman Forever, Dominus placed him in this “reality prison,” and Superman has been tearing through Metropolis ever since, acting out the scenarios we’ve been reading across the four titles. (It really makes you wonder what people were watching him do when he was carrying around his sad little box after being fired from WGBS.) Kismet brings Superman to a secluded place where she tells us that she thought Dominus was trying to control him, but it turns out that she’s his REAL target, and Dominus was using the false scenarios to draw her out of Superman so he can usurp her power. Dominus appears and attacks, hurling Superman away as Kismet flees.  

In Adventures #561 Waverider appears and implores Superman to help find Kismet, as if he needed to ask. The White Haired Girl reappears as Clark is having lunch with Jimmy and Lois, and he takes off after her. It turns out NOT to be Kismet, though, but rather the girl whose appearance Kismet adopted. And as Superman takes her home, Waverider reveals himself to be Dominus in disguise, using Superman to find the REAL Kismet. 

Incidentally, this issue also sets up the NEXT big story arc for the Superman titles, in which the Daily Planet is put up for sale. That’s an interesting arc in its own right, but I’m not going to get into the whole thing because…well geez, I gotta draw the line SOMEWHERE.

Action Comics #747 brings Dominus – disguised as Superman – to Smallville to talk about Kismet with Jonathan Kent, who also met her back in Adventures #500. He fails to draw her out, though and leaves. Dominus makes his next play against Superman, but his constant manipulation of reality leads the two of them into a conflict that spirals into some really cool page design by Stuart Immonen before finally – hopefully – bringing the REAL Waverider into the conflict. In Man of Steel #83, Waverider and the Linear Men try to break Superman from all the reality warping that Dominus has been putting Superman through, but by now he doesn’t trust his old allies, believing them all to be Dominus. Finally, in Superman #138, as Superman holds Dominus off Waverider – the real one – takes Kismet back in time and hides her inside a young girl from Smallville, Kansas. Dominus leaves, swearing his revenge, and the story finally ends…

For now, at least. Both Dominus and Kismet would return in later story arcs, but this is as good a place as any to draw the line and end the saga of Electric Superman, plus the Dominus epilogue. So let’s do a post-mortum of the era, shall we? When this saga was originally being published, back in 1996 and 1997, I remember having some rather uncharitable feelings about it. I knew even then that it was a temporary change, and I felt like it was disingenuous of DC to try to paint this as a new status quo for Superman. With age, I’m definitely wiser in that respect. I realize now that DC was never really trying to pretend this would be Superman “Forever,” and any comments to the contrary were nothing more than kayfabe. I think that accepting that sort of thing has made me more accepting of other, later long-form stories, like when Dr. Octopus took over Peter Parker’s body for a year or two, or when Captain America was revealed to be a Hydra Agent. I’ve gotten better about judging stories like these on their own merits, rather than having a knee-jerk reaction to any sort of change, and I think I enjoy comics better because of it.

As for the Electric Saga as a whole…I’m actually struck by how much I enjoyed reading these comics again. This time around I’ve really gained an appreciation for how intricately the stories of the Triangle Era were woven together. Even when I read the whole Death and Return of Superman earlier this year, it wasn’t as clear because EVERY storyline was put on hold at the time to serve the larger one. This time around, between the time Clark’s power changed and the time he split into two, the power thing was almost incidental. We were still getting Superman stories with the ongoing plots and subplots, with things being set up far in advance that would pay off much further down the line. It’s really impressive to me just how well these things were plotted, and frankly, I miss the days when a comic book like this could put out a new installment each and every week. These days, likely, will not come again.

Next, I think I’ll take a week to be random before I get back to themes. I’ve only got 14 weeks left, and I definitely have several categories that I intend to dig into before it’s all over…but for now, I’m going to give myself a teeny break and just spend a week with whatever Superman Stuff suits my fancy. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 37: The Big Split

The Year of Superman continues our journey through the Electric Superman era! This week we peek at the Pulp Heroes annuals, explore Superman’s activities during the Genesis crossover, and see that electric blue spark into crimson. Join me, why don’t you?

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 10

Comics: Superman Annual Vol. 2 #9, Superman: The Man of Steel Annual #6, Adventures of Superman Annual #9, Action Comics Annual #9, Batman: Gotham By Gaslight-A League For Justice #2.

Just like old times.

Notes: By 1997, DC had fallen off of the annual crossover events such as Armageddon 2001 and Bloodlines, instead shifting to a policy of doing annual THEMES, where the creative teams would tell one-off stories that fit into categories such as Elseworlds or Legends of the Dead Earth (which was also essentially Elseworlds, but post-apocalyptic, although one of the characters from these language later showed up as a member of the Legion of Super-Heroes). The 1997 theme was Pulp Heroes, in which each annual was tasked with placing the hero into a genre from classic pulp magazines – westerns, potboiler detective stories, old-fashioned sci-fi. The Supergirl annual for that year even did a romance comic, with a love story between Supergirl and Brainiac 5 (the Legion was still stuck in the 20th century at the time). It was a fun summer, with different types of stories that sported some gloriously painted covers that really evoked the time period they were paying tribute to. 

These stories were all self-contained and could really be inserted almost anywhere into the timeline before the Blue/Red split, so I’m going to punch through them all here since we’ve got a sort of hard stop before the Genesis crossover. And I’ll start off with Superman Annual #9 by Dan Jurgens and Sean Chen. Labelled “My Greatest Adventure” on the cover, this issue drew its inspiration from the same sort of globe-trotting adventure yarns that inspired the likes of Indiana Jones. In the country of Bhutran, a mysterious cult called the Black Crucible is setting its sights on Jimmy Olsen, because it’s been at least twelve minutes since his life was endangered. In this story, set before he was canned from WGBS over the “Superman’s Secret Identity” fiasco, Jimmy is undercover trying to get the scoop on a smuggling operation when Bibbo accidentally outs him to the same crooks he’s trying to catch. He finds himself being targeted by an assassin who – upon failing in his task – kills himself. What’s even stranger is that the assassin, save for an enormous dragon tattoo on his chest, is a perfect doppelganger for Jimmy. 

Jimmy and Bibbo assemble Lois, Clark, and lawyer Ed Drysdale at Professor Hamilton’s lab to try to get to the bottom of things, and the group uncovers a link to Bhutran. One plane ride later, they’re off to investigate. From here the story comes off as kind of a Doc Savage pastiche (with a bit of a lampshade to that fact in the end), with the hero operating alongside a team of specialists who each contribute something unique and invaluable to the mission (even Drysdale). We even get to see de-powered Clark using his own fists when he gets into a situation where Superman’s powers lose their advantage. It’s easily the best Jimmy story of the era, although that’s a low bar to jump considering the way he was being played in the main comics of the time.

Man of Steel Annual #6 bears the banner “Suspense Detective” for a story by Louise Simonson and Tommy Lee Edwards. In “Pierced,” SCU head Maggie Sawyer steps into the narrator’s box, agonizing over recent losses to her unit in their battles against the more unorthodox villains that seem to plague Metropolis. This time out it’s a telekinetic assassin with a face loaded with piercings, and Maggie gets understandably outraged when the FBI steps in and wrests control of the investigation away from the SCU. Lois, similarly, is frustrated with the lack of cooperation from law enforcement in getting her story out, with Maggie told not to talk to any reporters, ESPECIALLY Lois Lane. (Honestly, if you’re trying to keep something low-key  in Metropolis, that’s a sensible demand to make.) 

This isn’t a bad story at all. It feels like a chapter from the Metropolis SCU miniseries that guest-stars Superman in a prominent role, and that’s not a bad thing. I’ve often enjoyed the sort of “lower decks” storytelling we got from that comic and the brilliant Gotham Central. That said, I don’t think it’s as successful as the Superman Annual at capturing the feel of a pulp novel. The story is too contemporary, not really having the flavor of the kind of two-fisted cop stories that it seems to want to invoke. But if I didn’t know that was the goal, I wouldn’t give it that note, either. It’s a complete story, just a tad out of place.

Adventures of Superman Annual #9 brings us an absolutely gorgeous cover by Laurel Blechman with Electric Superman swinging into an old west saloon present a few Weird Western Tales. First is “Terror of the Sierra Madre” by John Rozum and artist Alcatena. Perry White sends Clark to New Mexico to look into a “major archaeological discovery” which promises to link the disappearances of three different tribes from the region. Joining the dig, Clark descends into an underground structure with iconography from the three different tribes all in the same place, suggesting that it was used for some sort of meeting between them all. As they investigate, strange spirits begin to inhabit the bodies of the archeological team – and then they come for Superman! This is one time where the Electric Superman particularly works, I think, causing an even sharper contrast with the western theme than it would if Superman had his conventional powers in this story. The bizarre juxtaposition of the energy man in a tale of the old west is a nice, zesty combination that I really enjoy.  

Mike W. Barr and Dale Eaglesham then pitch in for “The Return of Saganowahna,” a story of a town where native American residents are being compelled into selling land that has been in their families for generations by the ravages of a creature called Saganowahna, “Chief of All Chiefs.” (No, it has nothing to do with Perry White) If you think it sounds like the plot of an episode of Scooby-Doo, you’re not far off. Eaglesham, for absolutely no reason, draws Superman in a white cowboy hat and duster, which looks absolutely fantastic over his electric blue costume. I want a Funko Pop of this guy.

The third story in this one is “The Journey of the Horseman” by Paul Grist and Enrique Villagran. In this one, an alien comes to Earth just as a new experimental energy source is about to be tested. The alien sets out to destroy, which I’m sure you can imagine, causes him to run afoul of Superman. Of the three stories in the book, this is the one that strains the theme the most. There’s really nothing “western” here, except for possibly casting the alien in a sort of “Man With No Name” sort of role, where he’s under suspicion even though his motives may ultimately turn out to be benevolent.  

We’ll wrap up our Pulp Heroes journey with Action Comics Annual #9, a horror-inspired “Tale of the Unexpected” by David Michelinie and Vince Giarrano. Clark Kent is investigating a recent rash of museum thefts where ancient artifacts have been stolen – crimes that Clark believes are connected. The crooks are assembling pieces of a mystical stone, one which leaves Superman in the unenviable position of fighting an army of the dead. Of the four annuals, this is the one that feels most pertinent to the ongoing storyline of the regular comics. Ever since his shift to his energy powers, Clark says, he’s wondered if this has changed his vulnerability to magic. In this issue he’s forced to face it, along with dealing with the fear of forces that he can’t defeat, and he learns a little bit about the relationship between magic and energy that could definitely come in handy in later stories. That is, if any of the remaining stories from this era feature magic and if the writers of those stories actually remember that. 

Thurs., Sept 11

Comic Books: Genesis #1, Steel #43, Superman: The Man of Steel #72, Genesis #2, Supergirl Vol. 4 #14, Superman Vol. 2 #128, Genesis #3, Adventures of Superman #551, Genesis #4, Batman: Justice Buster #27 (Superman Cameo), Jon Kent: This Internship Is My Kryptonite #8

This crossover just wasn’t the same after Peter Gabriel left.

Notes: Superman’s power struggles started during DC’s 1996 summer crossover event Final Night. Now we’ve progressed through a solid year’s worth of comics and we’re colliding with their 1997 crossover series, Genesis, which spun out of the pages of John Byrne’s Jack Kirby’s Fourth World series. The concept here was that the “Godwave,” a cosmic phenomenon, was about to pass through the universe. It had gone through twice before, the first time creating gods on multiple planets, and the second time creating humans. This time, reality itself seems to be threatened by its approach. As I did for Final Night, here I’m going to read the main Genesis series and any of the crossover issues featuring Superman or a member of the Superman-family, starting off with Genesis #1.

In Genesis #1, written by Byrne with art by Ron Wagner and Joe Rubinstein, heroes and villains start to feel their powers going haywire. The Flash’s speed is drained, as is Green Lantern’s ring, and Captain Marvel simply falls out of the sky. Others find their powers enhanced: Ultra Boy (the Legion is still in the 20th century) can suddenly use multiple powers at once, and Superman’s electrical powers feel an unexpected surge of energy. There doesn’t seem to be any rhyme or reason to it – heroes may be affected whether they’re metahuman, alien, mutant, or just have a powerful weapon like Green Lantern’s ring, while others like Aquaman suffer no changes at all. Batman theorizes that people from other dimensions, such as (the Matrix version of) Supergirl are not affected, but that never explains Aquaman. And as they debate and discuss what’s happening, an alien armada shows up in the skies above Earth. I never got the hang of Thursdays either.

The first Superman-family crossover comes in Steel #43 by Christopher Priest and Denys Cowan. This is a weird one, with the first half of the book mostly devoted to the ongoing stories and subplots of the series before touching upon Genesis – John Henry flies into Metropolis to check on Superman when he hears about the power fluctuations, only to suddenly start suffering from wild bursts of anger. He talks to Superman, who asks him to keep an eye on Metropolis while he meets up with the League (something that happened in Genesis #1), but when he flies off his new electromagnetic powers act like an EMP burst, frying the circuitry in John Henry’s armor and causing him to plummet from the sky! Cliffhangered!

Next up is Man of Steel #72. Lois and Clark are hanging out at the Planet when Clark’s powers spontaneously create an image of a meteor striking the Earth, freaking out Perry White’s assistant Alice, who decides she’s been working too hard. As Allie goes home, she’s attacked by Baud and her crew called Mainframe. Superman dives in to save her, but his powers again cause him to freeze and start projecting images, and Mainframe captures him, bringing him to their hideout. Override, the leader, is trying to use Superman to power a dimensional window, but Superman manages to get free, busting up a barroom brawl at the Ace O’Clubs between Bibbo, Scorn, and some monsters. This issue really has little to do with the crossover, just Lois theorizing at the end about some of the wild power fluctuations that have been happening lately. I hate that.

Genesis #2 picks up where the first issue ended, with the heroes at the Justice League Watchtower seeing the alien armada arrive in Earth orbit. Meanwhile, on the fused world of New Genesis and Apokalips (it’s a Fourth World thing), Darkseid seems to have vanished, which one would usually consider good news, except in this case it’s making the New Gods believe he’s behind the power fluctuations. One of the oldest of them, Arzaz, chooses this moment to reveal his true form as one of the “Old Ones,” the first Gods, who warns that if they do not stop the Godwave the Fourth World will be destroyed and replaced by a Fifth World. The changes don’t seem to be limited to powers, though – it’s also creating crises of faith. For instance, in Gotham City Robin, Huntress, and Catwoman seem to find themselves beset by a plague of fear and doubt that they normally don’t have. The Earth is suddenly besieged by Darkseid’s armies of Parademons, while the fleet in the sky turns out to be lead by the Darkstars leading an assault on Earth. Highfather finally shows up and says there’s one chance – some of our heroes will have to ride into the Godwave with a set of special Mother Boxes to focus the waning power of the Source. And all it’ll take is a few volunteers to run a suicide mission. He has no shortage of volunteers, of course.

The story moves from there to Supergirl #14. The crux of this series is that Supergirl saved the life of a woman named Linda Danvers that caused the two of them to merge into one person. This issue she goes to both of her sets of “parents” – the Kents, who raised her as Matrix, and Linda’s parents the Danvers – to tell them about it. It goes considerably better with Kents, who are far more used to weird stuff. Again, though, while Peter David’s whole run was great, the relationship to the crossover is tangential at best.

Superman #128 is – wonder of wonders – a crossover chapter that actually has to do with the main storyline. Picking up seconds after Genesis #2 ended, Green Lantern has had our heroes draw straws to decide who’s going to go on Highfather’s suicide mission. Before they can act, though, Highfather receives a psychic burst alerting him to danger at the Source Wall, the barrier between the universe as the cosmic energy of the Source itself, in which everyone who has tried to penetrate the wall has instead become bonded with it. They send Superman to investigate while the others continue their plans to deal with the Godwave. Superman is briefly dazzled by the sheer brilliance of the Source Wall, but his astonishment is broken when the giants bound to the wall begin trying to grab him and pull him in. He is trapped in a sort of living bubble, surrounded by memories of a human who turns out to be Hank Henshaw, the Cyborg Superman! Cliffhangered AGAIN! 

In Genesis #3 the inevitable happens – Darkseid returns. He gives an infodump on the Godwave before noping out and having his army attack the heroes until the New God Takion breaks it up, before reverting to his human form and dying for some reason. Can you tell I’m getting tired of this crossover?

Adventures of Superman #551 apparently forgot that it was supposed to be part of Genesis, at least on the cover, since it’s missing the trade dress, despite being far more linked to the story than the Man of Steel or Supergirl issues. Picking up where Superman #128 left off, Superman is in the clutches of the Cyborg, who has been inside the wall for some time. They fight and Superman hurls the Cyborg back into the wall before returning to Highfather and the others, meaning this two-issue excursion apparently took place between two panels at the beginning of Genesis #3. Oh yeah – and although Superman doesn’t know it, the issue ends with a hint that Henshaw, who has the power to hop from one electronic device to another, is actually now riding around inside Superman’s new techno-suit.

In Genesis #4 Earth is in utter chaos, with people giving in to despair and rage all around. But it’s okay! Because the heroes save the universe by…holding hands and believing? I don’t even know at this point. I’m going to be blunt here – this is one of the most poorly-structured crossovers I’ve ever read in my life, and I’ve read a LOT of them. Things happen for no reason and the individual installments feel pointless. Too many of them have barely any connection to the main event, and even the main event itself is a complete mess. Why the hell did the Darkstars invade Earth? Why is Darkseid and his entire army just allowed to appear and disappear at will? The two-parter with Superman fighting the Cyborg isn’t even referenced in the main story, we just kind of have to ASSUME it happened somewhere between panels of issue three. And none of the characters have personality – even the strike force that is assembled to use Highfather’s special Mother Boxes never gets any real development. We only learn in a flashback which 13 characters were chosen, and the choices are pretty irrelevant – you could swap any of ‘em out with anybody else and there would be no impact on the story because they don’t DO anything except show up, shoot at things, and then come back with a dead Takion.

John Byrne has been responsible for some of the best, most memorable comic books of all time. His runs on X-Men, Fantastic Four, and indeed, Superman are legendary. This book? This is the platonic ideal of phoning it in. 

Ugh. Now I’m grouchy. Here’s hoping tomorrow is better. 

Fri., Sept. 12

Comic Books: Action Comics #738, Superman: The Man of Steel #73, Superman Vol. 2 #129, Adventures of Superman #552, Action Comics #739, Taste of Justice #9

That’s more like it.

Notes: We start today with Action Comics #738, the one Superman title that dodged the bullet of having to tie in to Genesis. Superman returns to Metropolis following the crossover and almost immediately runs into a thief with the power to phase through solid objects. He escapes through an electronic store, where the Cyborg (hiding in Superman’s suit) jumps into the store’s computer system and begins plotting his revenge. This is a pretty-low key issue, mostly there to set things up and progress subplots like Clark and Lois dealing with the new circulation manager at the Planet who has the hots for Clark, and Jimmy – who has been on the run from Intergang for several issues now – finding himself in ever-hotter water. 

Man of Steel #73 picks up Jimmy’s predicament as Intergang finally catches up to him, just to run afoul of a group of high-powered hippie bikers that call themselves the Outsiders and who aren’t happy about Intergang’s encroachment on his territory. Meanwhile, Morgan Edge manages to convince Desaad (Edge works for Darkseid, by the way) to lend him some Parademons to help him wrest control of Intergang from Boss Moxie. Now Jimmy’s caught between three fighting factions. Superman finds himself in the unenviable position of defending Lex and his pregnant wife from them, and in Australia, Lois is on assignment to interview a native tribe whose Chief tells her “we are honored, for we have been chosen to witness the coming of the giants…and the end of all that is.” 

Nicely ominous, and I’m surprised that they started referencing the Millennium Giants – the story that would be the endgame of the Electric Era – so early. 

Superman #129 brings the focus back to Scorn and Ashbury, who has decided to start keeping a diary, beginning with the tale of bringing Scorn along with her to help decorate for her high school homecoming dance. Clark Kent also happens to be there (funny how that happens) working on a column when a fire breaks out. Fortunately, as Ashbury recounts, Superman ALSO shows up to help put it out. The issue mostly tracks Ash and her art teacher, Mr. Sormon, who it turns out isn’t a Superman fan. It also turns out there’s a reason for that. I have to admit, I got irritated with Sormon proselytizing in the classroom, which is the absolute last thing any decent teacher should do, until we got to the reveal that clarified it all. 

Adventures of Superman #552 has Big Blue face the Parasite again, for about two pages. Most of the issue is actually taken up with Lex Luthor and Intergang, as Lex makes his own play for control of Metropolis’s organized crime cartel. We also check in with Clark, missing Lois (she’s still in Australia) and trying to deal with things like getting tired in his human body, which has never happened before. 

And in Action #739, Ashbury takes Scorn to her homecoming dance, moved to a swanky hotel after the school caught on fire. Sounds nice – until an explosion rocks the hotel. Superman swoops in to save the day, only to discover the whole thing is a scheme by his old foe Carl Draper, now going by the name Locksmith. (Previously he was “Deathtrap.” In the pre-Crisis era he was the Master Jailer. And when he went to Smallville High with Clark, he was “Moosie.” The guy does not have a knack for good names.) As Scorn works on saving the kids at the dance, Superman works out his escape, getting back to the hotel just in time to stop it from collapsing. Back in Australia, though, Lois is kidnapped by Rajiv Naga, the guy who tried to kill Clark on their honeymoon. Fortunately for her, her dad gave her a GPS tracker before she left, which is why Clark is pretty surprised on the last page when Sam Lane shows up and demands Clark join him on a little trip down under to save her. 

I’m looking forward to the next few issues – Sam Lane and Clark Kent working together? Sounds wild. 

Sat., Sept. 13

Comic Books: Superman: The Man of Steel #74, Superman Vol. 2 #130, Adventures of Superman #553, Action Comics #740.

Faces. Faces are cool.

Notes: DC used to occasionally do these interesting events on their covers – one month every cover featured the hero on the top half of the cover with the title incorporated into the artwork at the bottom, for instance. This month was “Faces of the DC Universe”: each cover was a close-up of the face of the main character, or one of the main characters. I really liked these sort of mini-events – they had no bearing on the story inside, not disrupting the story like a Genesis-type crossover did, but it really made the books stand out on the racks in a pleasing, fun way. You still occasionally get cover themes like this, but they’re almost always restricted to variant covers these days, which isn’t nearly as much fun and don’t even catch the eye randomly. Ah, here I am getting nostalgic instead of talking about the comics. I guess I’ll do that now. I do it for YOU.

In Superman: The Man of Steel #74, Rajiv reveals his plan to the captive Lois. Back when he had Clark captured on their Honeymoon, he doused him with truth serum, during which Clark admitted to being Superman. Rajiv dismissed it at the time, but now he’s starting to wonder – so if Superman shows up to save Lois, he’ll consider it confirmation. Clark and Sam, meanwhile, are on their way to Australia, Clark lamenting the fact that he CAN’T get away and save Lois as Superman without Sam noticing something is up. There’s more “Clark’s Secret ID” stuff during this run than I remembered. Anyway, after a few close calls, Clark and Sam make it to Rajiv’s base, where Clark pulls off some quick-change shenanigans and figures out how to go invisible to save Lois without blowing his identity. This is the kind of stuff that works best in this period of Superman lore – forcing Clark to find alternative ways to pull off a rescue, while at the same time having to find new ways to protect his identity, since he can’t use his powers as “Clark” anymore. There have been several stories where the power change was really negligible – a few slightly rewritten panels and the stories would have worked just as well with “Classic” Superman. This time around, it’s a story where the different powers have a clear and measurable influence on the plot. 

In Superman #130, with art by the late, lamented Norm Breyfogle, it’s Halloween! Lois and Clark are on their way to a Halloween ball, but are briefly detoured to S.T.A.R.Labs, where Superman examines the recently-uneared Dragon’s Tooth artifact. This large rock formation has an unusual molecular structure, almost like DNA, as if it were alive. That can’t possibly mean anything, right? Anyway, at the party Lois and Clark stride in wearing Robin and Batman costumes and we go through a half-dozen subplots. Perry is feeling better and he ribs Clark on his recent weight gain (turns out that Mr. Perfect Kryptonian Metabolism is struggling with being a normal human half the time). Lex Luthor is still trying to play Metropolis Mayor Berkowitz, while Dirk Armstrong is on the anti-Berkowitz bandwagon. When Ashbury winds up getting into it with her dad, she and Scorn bounce from the party only to be picked up by a guy wearing Doctor Doom knock-off armor and riding a fancy motorcycle. It turns out to be Jimmy Olsen. The guy, I mean, not the motorcycle. Oh yeah – and apparently Superman’s energy caused something inside the Dragon’s Tooth to awaken, releasing a gigantic spirit that quite publicly kidnaps Clark from the party, leading to him switching to Superman and finding himself battling not one, but THREE of the giants as the issue cliffhangers.  

Adventures of Superman #553 picks up with Superman facing the three figures, who reveal themselves to be part of something called the “Millennium Guard.” He barely manages to escape, but they’re hot on his trail as he stumbles upon Jimmy, Scorn, and Ashbury – who’ve also picked up the Hairie called Misa (who not too long ago was part of Morgan Edge’s Superman Revenge Squad). They load the stunned Superman into Jimmy’s super-motorcycle and jet out of there to Cadmus. They manage to trick the Millennium Guard into thinking that Superman has been killed, at which point they each turn into a new Dragon’s Tooth. Well, at least that’s the end of it, right?

Nah, of course not. Also, Misa teleports Jimmy, Scorn, and Ashbury away before Superman can bring Ash back to her father or Guardian can arrest Misa. And in a subplot, Lucy Lane is terrorized by a super-powered serial killer that signs his name on walls as “The Ripper.” 

Action Comics #740, the police find some of Lucy’s things in the sewer, the first actual clue they’ve got in the Ripper case. Superman follows the trail into the sewer and winds up fighting an enormous beast. It gets away, but Superman finds Lucy trapped in a makeshift cage. The word “Ripper” is, again, inscribed on the wall, but this time there are more characters, leading Superman to theorize that the word isn’t actually English at all, but part of a different alien language, and that the creature – whatever it is – was trying to tell Lucy something. It’s an interesting idea, I suppose, but kind of a stretch. I mean…what are the odds of a symbol in some sort of alien language resembling a character from our English alphabet? Come on, Superman, think about it.  

Sun., Sept. 14

Comic Book: Superman: The Man of Steel #75

Wait, this looks…familiar.

Notes: 1998 began with Man of Steel 75 and a book that must have had Jon Bogdanove utterly delighted to draw – a spoof of Superman #75 on the front, and between the pages, a one-off story of Mr. Mxyzptlk. Lois and Clark happen to stumble upon a funeral procession of such size that they have to stop and check it out, only to find Mxyzptlk hamming it up over the casket. Mxy has decided that he wants to explore the concept of mortality, which (as a 5th dimensional imp) he’s never had to really think about…so he decides to die. Superman and Lois, as you can imagine, are not particularly concerned about this proclamation. Mxy whips up a new version of Superman’s killer to face – Bada Bing Bada Boomsday – and gives up his powers so he can REALLY die in battle.

Then it starts to get weird.

This is a really great little story. It’s goofy, silly, has no consequences and not even any real stakes. But Louise Simonson and Jon Bogdanove paint Mxyzptlk in a way that comes across more as a naive imp than the malevolent trickster he can be sometimes. He’s genuinely just there to experience something new, and the havoc he causes comes across not as the result of spite, but of genuine ignorance as to how we mere three-dimensional organisms live our lives. The whole thing boils down to a hilarious revelation as Mxy sees his version of the afterlife. You could skip this book. You could simply pluck it from the omnibus editions of the Electric Superman era. You could pretend it’s not there. But you’d be missing out on something that’s actually a lot of fun.  

Mon., Sept. 15

Comic Books: Superman Vol. 2 #131, Adventures of Superman #554, Action Comics #741, Superman: The Man of Steel #76, Superman Red/Superman Blue #1, Jon Kent: This Internship is My Kryptonite #9

One last burst of blue…

Notes: It’s the big day! Lex’s wife, Erica, is about to give birth – so naturally, Lex is at a photo op with Mayor Berkowitz. He gets into it with Perry White over their shared history, which fills us in on a lot of things about this continuity’s version of Lex that had slipped my mind. I knew he hadn’t grown up in Smallville with Clark like so many versions of the character, but I’d forgotten he and Perry had taken on a similar dynamic: children of Suicide Slum that grew up as friends but broke apart. It’s also worth noting that Perry and Alice’s son, Jerry, had turned out to actually be Lex’s son – the product of an affair decades before. Although Perry and Alice had reconciled, the bitterness over Jerry’s death still lingered over Perry at this point. Perry gives Lois a reader’s digest version of Lex’s life – growing up in the slums, his parents dying in an “accident,” and being taken in by a foster family that was only interested in him because they suspected he had money. Lex fell in love with another of their fosters, a girl named Lena, who their foster father accidentally killed in a fit of anger. From then on, Perry says, any remnant of warmth in Lex Luthor was extinguished forever. 

The ending of this issue is pretty shocking, even for Lex Luthor, and is kind of disturbing to read in the current climate. But by the time it’s over, Lex has a new daughter, he’s thrown his wife aside, he’s gotten what to him no doubt seems like a satisfying revenge, and Metropolis is on the hunt for a new mayor.

Adventures of Superman #554 returns to the far more comic booky story of the Ripper, the monster patrolling beneath the streets of Metropolis, but not before a scene where Lex lords his new daughter – Lena Luthor – over Superman, gloating that his studies of Kryptonian DNA have suggested to him that it would be utterly impossible for him to ever have a child with a human. 

This is an example of what TV Tropes calls “Hilarious in Hindsight.” 

Anyway, Metropolis’s new mayor calls in a Kraven wannabe called Burton “Hunter” Thompson to try to track down the Ripper in the sewers, much to the chagrin of SCU head Maggie Sawyer, who is forced to work with him. At the Planet, Dirk is upset because he hasn’t heard from Ashbury in over a week. When Clark tries to comfort him, saying that Scorn will keep her safe, Dirk snaps back that he can’t understand because he’s not a father, a remark which visibly disturbs Clark. Damn, the Superman writers were REALLY leaning into that angle, weren’t they? It almost makes me wonder if they were planning to do a super-baby storyline way back then, but then it got sidelined for some reason. 

Superman joins the SCU and the Hunter in the sewers where they manage to find the Ripper. Hunter kills it while the creature is clearly trying to communicate, and Superman is left wondering what more there is to the Ripper that Hunter is trying to hide. 

Action Comics #741 brings back the time-tossed Legionnaires one last time. In their efforts to return home in their own comic, they’ve kinda sorta accidentally created a malevolent AI that’s taking control of tanks and other heavy machinery and causing havoc. Fortunately in the real world AI is totally benevolent and can only do good things. In the comic, though, they wind up struggling against out of control aircraft – which Brainiac 5 discovers aren’t being controlled by his C.O.M.P.U.T.O. after all, but from a signal coming from LexCorp Tower, because of course it is. They find Lex in the middle of telling his new daughter a rather slanted version of Chaucer’s tale of Chanticleer the Rooster (great segment there by the way) and end the issue with a particularly nice dig against Luthor. Superman doesn’t get petty often, but when he does, he finds a way to hit you where it hurts.

This would be the last time we saw the Legion before they went home, by the way. Their search for C.O.M.P.U.T.O. continued from this issue into issue #100 of their own series, which featured them finally returning to the 30th century. It was nice while it lasted, though.

In Man of Steel #76, Bogdanove does a nice take on his own over for Superman: The Man of Steel #1 (a trick he repeated a couple of years ago for the first issue of the Steelworks miniseries), and we pick up on Jimmy’s group, now on a quest. The DNAliens Simyan and Mokkari, meanwhile, are cooking up a new creation in a kind of weird meta-story. The two storylines collide with the release of a monster in midtown Metropolis. Superman takes care of it fairly easily and Ashbury is finally returned to her father…but Simyan and Mokkari are picked up by Morgan Edge, who hears they have a habit of creating monsters. It’s a really weird issue – visually fun, but it feels like they’re trying to cap off the Ashbury thing quickly to move on to what’s next.

Pictured: Next.

What’s next, you ask? Why, that would be Superman Red/Superman Blue #1, the beginning of the final act of the electric era. So important that it even had a 3-D variant cover! On Christmas, the Cyborg returns yet again, teaming up with the Toyman (who, at this time, was in his child-murdering phase) with a plan to destroy Superman. They capture him in a sort of energy bottle, with the Cyborg planning to rip his energy-body apart and store it in a thousand containers. At the same time, Toyman has Lois captive, and takes her away. As Superman’s body is dispersed he panics and explodes, the Cyborg’s machine splitting him into two – neither of which is aware of the other. “Blue” rushes off to save Lois from the Toyman, while “Red” brutally battles the Cyborg and traps his electronic consciousness inside an orbital antenna. The two villains disposed of, both Supermen return to the Planet office, switch to Clark Kent, and proceed to make an entrance…I gotta tell ya, that’s the way to do a cliffhanger that isn’t a life-or-death situation. The story itself is a little surprising, with such a big change in the status quo happening really quickly with absolutely no buildup. Unlike the transformation to Electric Superman, which was seeded and hinted at for months, this just HAPPENS. 

Even odder, this issue spends a lot of time on the ongoing subplots of the Superman saga. Scorn is captured by a hologram controlled by Lex Luthor, who wants to study him to learn more about Kandor. Jimmy returns to his ransacked apartment to find the medallion he got in the Pulp Heroes Superman Annual, which freaks Misa out. There’s really a shocking amount of stuff happening here that ISN’T directly related to the Red/Blue split, but that does help it to feel like a significant chapter of the ongoing saga, which is a good thing. 

Tues., Sept. 16

Comic Books: Superman Vol. 2 #132, Adventures of Superman #555, Superman: Man of Tomorrow #10, Action Comics #742, Superman: The Man of Steel #77, Jon Kent: This Internship is My Kryptonite #10

See what they did on those bottom two covers? Idn’t that NEAT?

Notes: We’ll finish up this week with the first month’s worth of the adventures of Red and Blue. I know I’ve been on this storyline for three weeks now, but it doesn’t feel like it to me – I feel like I’ve whipped through this much faster than I expected, and I think I’ll be able to finish it off next week. Fortunately I’ve still got several other themes lined up to get me to the end of the year.

We’re starting things with Superman #132, picking up right where the cliffhanger at the end of the Red/Blue special left off. The two Clark Kents both return to the Daily Planet building at the same time, with Blue coming down from the roof and Red entering from the ground level. Blue goes off to a lunch meeting with Perry, while Red finds Lois and effusively shows his joy that she’s okay, even though he doesn’t know how she escaped the Toyman. Most of the issue is taken up with Three’s Company style shenanigans, with the two Clarks narrowly missing each other at the Planet office, at the JLA Watchtower, or Dooley’s restaurant, but the JLA quickly discovers that there are two Supermen. Their genetic scanners, furthermore, confirm that BOTH of the men are genuine, something Blue doesn’t accept, leading to the two Clarks confronting each other in the alley behind the restaurant on the last page. 

It’s subtle, but this issue also lays the groundwork for the way these two are going to differentiate from one another, aside from the color. As we see Red bounding around Metropolis, he’s very energetic, free-wheeling, and emotional. He cracks jokes like Spider-Man and has no hesitation dropping a friendly put down on Green Lantern. Blue, on the other hand, is already coming across as colder and more stoic, with a short but clear moment of rudeness to a waiter who spills some coffee on his tie. There are a lot of stories about a character splitting into two that pull this same trick – each version gets PART of the character’s personality. In Superman’s case, Red is his emotional side, Blue the logical, and it’s going to be very clear soon that neither of them is as effective without the other.

Adventures of Superman #555 continues with the fight in the alley, both Clarks swearing to be the genuine article. As they argue, a lunatic with a pair of guns and dynamite strapped to his chest barges into Dooley’s. Red punches out Blue and rushes in to tackle the attacker, scared for Lois’s safety, without even changing to Superman. The bomb is still ticking, though, and Blue switches to his energy form to whisk the bomber out of the restaurant. He manages to contain the explosion and save the bomber, but winds up confronting Red again, each of them convinced that the other is the Cyborg pulling some new scheme. When they touch each other, though, something happens…

Meanwhile, Jimmy and Misa make their move to rescue the captive Scorn, a plan that gets slightly derailed when the Black Crucible – the cult Jimmy took the Medallion of the Damned from – shows up in an attempt to reclaim it. They get him free and the three of them, along with Ashbury, are on the road again.

Man of Tomorrow #10 picks up with Lois confronting her husbands at home. When they came into contact their minds temporarily fused together, making them realize how the Cyborg’s machine split them. Unfortunately, they don’t know how to merge into one again, prompting them to zip to the Fortress of Solitude to look for a solution. When they get there, though, they find that the Fortress has been invaded by Dana Dearden, aka Obsession, a highly-powered woman who is…well…obsessed with Superman. To make matters worse, Maxima shows up at the same time, hopefully convincing Superman that he’s gotta work harder in this continuity to hide the Fortress. The two women fight over him, trashing the Fortress and nearly destroying Kandor before Maxima tricks Dana into leaving via a telepathic trick, and the Supers capture Maxima and drop her off at Belle Reve. It’s a pretty good issue, but true to the Man of Tomorrow ethos, it doesn’t really have any major plot momentum in the Red/Blue saga, except for Maxima confirming that both Red and Blue are really Superman (which we already knew) and that Kryptonian tech isn’t going to fix the problem. 

Action Comics #742 is next. Red and Blue split up, Blue being more concerned with finding a solution to their problems, but Professor Hamilton is nowhere to be found. In the meantime, an eco-terrorist calling himself Kirichitan releases all the animals from the Metropolis petting zoo, with Blue zipping in to fight him. Meanwhile, the home where Luthor has been keeping his wife under sedation since the birth of their daughter mysteriously burns to the ground. Meanwhile, Man of Steel #77 shows us what Red is up to at the same time, zipping home to be with Lois, but being called to investigate the fire that seems to have consumed Erica. Red and Scorn wind up, through timey-wimeyness, fighting some dinosaurs and robots in Suicide Slum, and Scorn decides that his presence is too dangerous for Ashbury, leaving her behind and breaking her heart.

There’s a fun little trick with these two issues, taking place simultaneously and showing some of the same events from different perspectives. It’s not quite a Rashomon situation, but writers Stuart Immonen and Louise Simonson have a little fun with the conceit, as do Immonen and Jon Bogdanove on the two covers that match each other as a single image.

Oh yeah – also, at Cadmus, something is happening to the Dragon’s Tooth artifacts. We’re on the cusp of the Millennium Giants, and the end of this era.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 36: Electric Boogaloo Part I

After last week’s extended wind-up, this week it’s time to do a deep dive into the era of Electric Blue Superman. I’ve honestly got no idea how far into the run I’ll get in the next seven days, but I intended to have a good time finding out.

Before I get into it, though, some fun news hit today. James Gunn hopped on social media earlier with a post of image by Jim Lee: Superman (in the David Corenswet costume) and Lex Luthor in his power armor. Along with the image came the caption, “Man of Tomorrow. July 9, 2027.” This is pretty exciting. We knew he was working on the next movie already, but this is far more information than I thought we would possibly get before next year. We’ve got what seems to be a title, and maybe even a hint of the plot, with Lex in his armor. Obviously, I’m pumped.

After all, isn’t the one thing Superman has always been missing a screwdriver?

But I gotta tell you this story. I got a message right before lunch and, being in class at the time, I obviously couldn’t stop to look at my phone. When the lunch bell rang, the students left the room and I checked to see that Mark had shared this image. I got excited, I replied, and then I stepped out into the hall. Not 90 seconds after I got Mark’s message, a student ran up to me – not even a student I teach, just one who knows me – who wanted to know if I had seen James Gunn’s announcement yet.

I have a brand, don’t I? 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 3

Comics: Adventures of Superman #546, Action Comics #733, Superman: The Man of Steel #68, Superman Vol. 2 #124

That image looks…familiar somehow.

Notes: In Adventures of Superman #546, Lois Lane has her first meeting with her new and improved husband. As glad as she is to see him okay, he’s just as angry when he sees that the Daily Planet’s inflammatory new columnist Dirk Armstrong has painted him as a menace…mostly because Clark thinks he was right. When word comes in that Dirk’s blind daughter, Ashbury, has been kidnapped, Superman races to search for her, only to get sidetracked when he’s attacked by his old foe Metallo, who wants to try his hand at facing the new Superman. Don’t worry about the kidnapping victim, though – Ashbury is rescued by Scorn, who she briefly mistakes for Superman. Liking the role of hero, Scorn puts on Superman’s old symbol as his own. 

In Action #733, Superman just manages to escape from Metallo’s clutches by switching to his human form, but winds up injured in the process. Hoping to gain more control over his new powers he seeks out someone who has similar experience: the energy-hero called the Ray. After a few tips, Metallo rises again, and Superman figures out some new tricks to take him down. This is an interesting issue – Ray only appears on a few pages, despite getting a nice “guest-starring” credit and half the cover. But what he does here isn’t insignificant, helping Superman start to figure out his powers and even theorizing that the reason he has no powers in his human form is because he subconsciously is imitating humans as he sees them. I like the fact that Superman isn’t above going to a younger hero for help when he needs it, even one as relatively inexperienced as the Ray. It’s the sort of thing that works well as a character beat, showing how even-tempered and nuanced he is.  

The battle with Metallo continues in Man of Steel #68, and courtesy of Jimmy Olsen, it gets a lot harder. At this period, Jimmy was working as a TV reporter for WGBS news instead of his traditional photographer gig, and desperate to stay on top of the ratings heap, he starts covering the Metallo fight and explaining Superman’s new powers based on information he got from Professor Hamilton. Metallo is monitoring the TV broadcast, though, and using Jimmy’s broadcast to change his tactics. Superman manages to beat him, but winds up spinning into space, having absorbed far too much energy. 

After ending Man of Steel #68, Dan Jurgens makes the rather odd choice to begin Superman #124 after the crisis has been resolved, with Lois and Clark discussing how the Planet’s publisher, Franklin Stern, is angry over his frequent absences lately. Then Clark dives into a flashback in which he’s saved from dissipating into energy in outer space by the timely intervention of one of Jurgens’ favorite creations, Booster Gold. The rescue fries the armor Booster has been wearing for some time, though – actually, ever since his original super-suit was destroyed in battle with Doomsday. Superman brings Booster to Hamilton, who uses the leftover weave from Superman’s containment suit and combines it with the remaining future technology Booster brought back from the future with him, giving him a new suit that’s a bit more in line with his classic one. I love when you see stuff like this – Jurgens clearly wasn’t happy with how the writers that followed him on Justice League America changed Booster’s armor and used this opportunity to fix it a little bit.

This issue gives us a lot of advancement on several subplots as well. Jimmy kind of patches up his relationship with Lois and Clark, ashamed of how his broadcast had endangered Superman, just in time for Perry White to storm into the Planet office and announce that his cancer is in remission and demand his job back. In Kandor, the town’s rulers find evidence that the bottled city – which is actually out of phase in another dimension – is on the verge of destruction. And Scorn is drawn to Lois and Clark’s apartment, where he finds one of Clark’s old costumes. 

Reading these issues this way, one after another, following the story for long periods of time, is really making me feel nostalgic for the Triangle Era in a way that not even the Death of Superman. I love having this quick progression of story, so unlike a typical monthly comic book story. Even right now, when the Superman comics are really good, this is a different feeling. It’s a feeling I like.

Ah, I wish we could get it back. 

Thur., Sept. 4

Comics: Adventures of Superman #547, Action Comics #734, Superman: The Man of Steel #69, Superman Vol. 2 #125, Secret Six Vol. 5 (Super-Son)

The Atom only went along because Superman told him they’d go spelunking instead of skydiving.

Notes: Still adjusting to his new powers, in Adventures #547, Superman is alerted to the crisis in Kandor and decides to reach out to a hero with experience in size manipulation: the Atom. At this point, though, Ray Palmer had gone through an even more radical transformation than Superman, having been reduced in age to a teenager. He was currently the leader of a new, very different version of the Teen Titans in a book written and drawn by our old pal Dan Jurgens. Still, despite having a teenager’s body and attitude, he retained his memories, and as a former Justice Leaguer, jumps at the chance to work with one of the big guns. Hamilton journeys to the Fortress with the two heroes, and Superman and the Atom dive down into Kandor. Scorn, meanwhile, is wandering around Metropolis stalking Ashbury and carrying around the Superman costume he took from Clark’s apartment, seemingly trying to decide what he wants his path to be now that he’s free of Kandor. 

Action #734 picks up with Ashbury reuniting with Scorn, although the blind girl is still under the misapprehension that he’s Superman. At that same time Rock – a villain Superman caught a few months back – breaks out. With Superman and the Atom in Kandor, though, Scorn takes care of Rock by himself, to the confusion of the SCU, who sees this horned, blue brute wearing Superman’s old costume. In Kandor, Superman and the Atom fight off some of the city’s peacekeepers who are still loyal to their original captor, Tolos, and a group of dissidents manage to attack the city’s environmental generator. The city is beginning to freeze, but that’s not even the real issue. They’ve got one hour to get the generator back online before everyone in Kandor suffocates to death.

 In Man of Steel #69, Superman, the Atom, and a telekinetic local named Faern try to get to the generator to start it up again. But the generator is bombed, and in the explosion, Tolos is revealed to be alive and hiding in Faern’s body. He escapes and takes over Superman, which I’m sure you can imagine is inconvenient for everyone. Outside of Kandor, Scorn has crashed at Ashbury’s apartment, with the blind girl finally figuring out that he’s not actually Superman, but she befriends him anyway. When her dad shows up, though, he thinks Scorn is a menace and Scorn, not realizing Dirk is Ash’s father, leaps from the window with her in his arms. Perry White demands that Planet staff get to the bottom of the Scorn situation, and still more questions about Clark’s attendance issue are raised. 

I bring up that last point mostly because I think it’s an interesting note for the character. One of the reasons for Clark choosing the job of a reporter is usually the notion that it will allow him to be absent frequently to act as Superman under the guise of “covering a story.” That might work if he’s gone for a few hours, but as we’ve seen in these books lately, his other job sometimes has to take him away for days, weeks, even months at a time. The excuses he (and later, Lois) come up with to explain his disappearances often strain credulity and are frequently lampshaded these days. All of this is just to say that things like this are why I like the interpretation of the characters that say Perry White knows – or at least strongly suspects – that Clark is Superman, because otherwise he’d never put up with this.

The Kandor story wraps up in Superman #125. Tolos, controlling Superman’s body, frees himself from Kandor and attacks Hamilton, who’s been holding vigil over the bottled city. But Hamilton manages to science Tolos out, sending them both – separately – back into the bottle. Superman manages to trick Tolos, trapping him in the “glass” of the bottle, which is actually an energy barrier containing the city in its pocket dimension. Reuniting with the Atom, the two heroes manage to fix the machines that maintain the city’s environment, and the story ends with Superman swearing to the people of Kandor to find a way and a place to release them from the bottle and set them free.

It sounds awfully familiar, actually.

The first extended team-up between Energy Superman and the Atom is an interesting glimpse at the characters and the time. Superman is still learning the ropes of his energy form, but he’s still essentially the same person at his core. The Atom, on the other hand, has his memories and powers intact, but the brashness and eagerness of a teenager. Almost every other page in these four issues includes a reference to him hoping to impress Superman enough that he’ll score an invitation into the newly-formed (at the time) Justice League. The story flows together the way the Triangle Era did, and although this version of Kandor has been excised from continuity, there’s some interesting stuff going on. I especially like Scorn – a character who looks like a monster but decides that, if he’s gonna be stuck on Earth, there are worse things to be than Superman. He’s not wrong. 

Fri., Sept. 5

Comics: Adventures of Superman #548, Action Comics #735, Superman: The Man of Steel #70

“Why you electrocuting yourself? Why you electrocuting yourself?”

Notes: In an epilogue to last month’s adventure, Kandor is shifting its allegiance from Tolos to Superman. In fact, his shield (the current, electric blue one) is showing up as a graffiti tag on city walls. Superman tells the Atom he’d be willing to recommend the Atom to rejoin the League, but suggests he could be of more use leading the Teen Titans, which he decides to take as a challenge. Clark returns to the Planet and tries to excuse his absence by saying he was hunting down the story on the new Superman, to which Perry replies, “Which one?” But while working on the story, Lois drops a bomb on Clark that he hadn’t been made aware of before: that the electronic fabric in his new suit was supplied by Lex Luthor. He rushes to LexCorp Tower, suspecting Lex of being involved with his power change as he’s tried tampering with them in the past, but leaves when Erica fakes a problem with her pregnancy. And in a moment that’s chilling to any long-time DC fan, the Phantom Stranger pops in to tell Clark that there’s some great disturbance in the universe, something that may or may not be connected to Superman’s new powers. And the fact that he’s not sure should be pretty scary to anyone.

(Wait — has anyone told Booster Gold that HIS suit has LexCorp tech too?)

Action #735 brings us the return of Saviour, a delusional serial killer who wants to “punish” liars and fakes, and who doesn’t believe that Superman actually returned from the dead and is dedicated to killing the “imposter” using his name. Ashbury, meanwhile, has found a hiding place for Scorn in the abandoned pool at her school. When Scorn hears Saviour on the radio calling Superman out, he is determined to help. Superman’s new energy powers allow him to find a way to cancel out Saviour’s energy, taking him out, but he manages to slip away and vow revenge. 

In Man of Steel #70 Superman and Scorn part as friends, but not before Superman tells the alien he has to bring Ashbury – a 17-year-old girl – back to her father. Although Ash protests, Scorn trusts Superman’s judgment, and she finally acquiesces upon learning her absence is taking its toll on Dirk’s health. WGBS, meanwhile, airs Jimmy’s interview with Hamilton about Superman’s new powers, despite the fact that it gave Metallo an edge in the fight, and this time Saviour picks up on it. With his reality-warming, he starts to mimic Superman’s new powers to get his attention. Scorn and even Bibbo get in on it, with Bibbo snatching a crib sheet Saviour wrote to keep track of what he learned about Superman’s powers. Superman and Scorn beat Saviour, but Jimmy’s relationship with his friends is damaged even further. 

Jimmy could rarely catch a break during the Triangle Era. A running theme seemed to be him making a foolish mistake and then having one consequence after another stacked up on him like an enormous Dagwood Sandwich of Suck. It honestly could get a little tiresome after a while. These days we don’t see him quite as often as I’d like, but when we do, it’s usually more in the vein of the weirdness magnet that Matt Fraction (and, to a lesser degree, James Gunn) used him as. I prefer that. 

Sat. Sept. 6

Comic Books: Adventures of Superman: Book of El #1, Absolute Superman #11, Justice League Vs. Godzilla Vs. Kong 2 #4

Notes: I’m taking a break today from the electric saga to pick into this week’s new Superman titles, starting with Adventures of Superman: Book of El #1.

🎶”Who wrote the book of El?”🎶
“I told you, Phillip Kennedy Johnson. Stop singing.”

This new miniseries is written by Phillip Kennedy Johnson as sort of the conclusion to his run on the Super-titles that followed Brian Michael Bendis’s run and lasted into the Dawn of DC era before he stepped aside. I had mixed feelings about his run. Coming off of the (ahem) previous writer it was inevitable that it would be an improvement, and there were certainly things about Johnson’s run that I enjoyed, but I ultimately got turned off. In this period, Johnson wrote about a Superman that was depowered on Warworld, and for most of that run, it was the only regular comic featuring Clark Kent. (The Superman title was sidelined and replaced with Jon Kent as Superman: Son of Kal-El.) I got burned out on Warworld eventually. Towards the end of the run I realized what the problem was – it was simply too long. A solid year of Superman on another planet and separated from Lois, Metropolis, and all the other elements that make Superman so great just didn’t work for me. In the Triangle Era they could have gotten away with it because a twelve-issue storyline would still only last three months, but 12 was too much. I greatly preferred the final section of Johnson’s run, after Superman returned to Earth and Action Comics became kind of a Superman Family title. 

All that said, let’s look at what Book of El gives us. The story starts on a lazy day in Smallville, with the Kent family all together: Lois and Clark, Jonathan and Martha, Jon, and the adopted twins from Johnson’s run, Otho-Ra and Osul-Ra, who have ostensibly been living with Lois and Clark this whole time but who even the good writers of the modern Superman titles consistently forget about. Their idyllic afternoon is shattered by an attack by Kryl-Ux, an enemy from Warworld, leading an invasion force and – seemingly – hurling Superman into the future. On the last few pages Clark encounters Ronan Kent, a descendent of his from Johnson’s Future State comics, and the knowledge that he disappeared from Earth hundreds of years ago.

I really do like the way Johnson writes the whole Kent family together. He gives each character a voice that fits them, and his Lois and Clark interactions (so infrequent during his Warworld storyline) are excellent. The revelation at the end takes all the air out of the tires, though. Clark is missing for centuries? Presumed dead? And the invasion of Earth is successful? The whole thing may as well end with a big banner that says “THIS STORY WILL BE RESET AND THIS FUTURE WILL NOT HAPPEN.” By the end of this miniseries, I have absolutely ZERO doubt, something will happen that will eliminate the future of Ronan Kent from being a potential future. That doesn’t mean the story can’t still be good, but it excises the whole thing from consequence in continuity, and that hurts.

Brainiac doing his best Cryptkeeper voice: “What the matter, Kal? Got GORE-gia on your mind? HEEHEHEEHEHEHEHEEEE!!!”

In Absolute Superman #11, Kal-El is in the clutches of Brainiac, who is forcing him to experience hundreds of torturous simulations of the final days of Krypton with the intention of brainwashing him into becoming a tool for Ra’s Al Ghul. Despite some early success, though, Kal-El begins to resist the reprogramming. Meanwhile, Lois and Jimmy are captives of Talia, and find a very unexpected rescuer coming to their aid. This series is progressing a little slowly, to be honest, but this issue is solid. There’s a lot of action and great stuff with Kal-El and Brainiac, and I particularly like the way Jason Aaron is playing with [REDACTED] when that particular character comes to the rescue. Good stuff here.

Finally, we have Justice League Vs. Godzilla Vs. Kong 2 #4. The League is trying to recruit Godzilla to help with the current situation, but something in the other realm where Godzilla resides is preventing the Kryptonians from fully processing the solar radiation that powers them. To even the score, Mr. Terrific whips up a device that will temporarily make Superman kaiju-size…but at the same time, reduce his intellect to a point where he’s operating on pure instinct. That’s right: it’s Godzilla vs. Kaiju-Superman!

And somebody decided to go with a cover of a few random League members facing a water monster that doesn’t even appear in this issue. I swear, boneheaded movies like this are the reason I should be put in charge of comic books. 

Sun., Sept. 7

Comic Books: Superman Vol. 2 #126, Adventures of Superman #549, Action Comics #736, Superman: The Man of Steel #71, Superman Vol. 2 #127

Clark had trouble making friends in this era.

Notes: It’s back to the electric era today, starting with Superman #126, in which our new electrified hero faces his Dark Knight buddy. Lex Luthor is planning his legal defense for his…well, trillions of crimes. But his scheme is to argue that he was somehow influenced by the Kryptonite ring that gave him cancer. Despite the fact that it might help Luthor, Mr. Truth and Justice Superman has no choice but to go to Batman and retrieve the ring. He returns it after some tests or run – or so he thinks. Luthor had one of his “scientists” pull a fast one, replacing the ring with a duplicate. Superman and Batman don’t know that the ring in the Batcave is a fake…but Luthor doesn’t know that Kryptonite no longer affects Superman in his energy form.

There’s an awful lot going on in this issue. In addition to the main plot I just recapped, there’s a great sequence where Superman saves the city from a plane crash, having to figure out how to use his new powers to do something that would have been relatively simple for the “old” Superman. Scorn is also convinced to abandon the Superman costume he’s been wearing and forge a name for himself. There’s good stuff there, but the actual Superman/Batman meeting is kind of a letdown. I would have hoped Batman would have more to say about Clark’s transformation, as this is presumably the first time they’ve encountered each other since it happened, but Batman barely seems to notice. It feels like those early Byrne issues where the two were tense rivals at best. Granted, they weren’t yet Superbesties again at this period, but as teammates in Grant Morrison’s Justice League, I would have expected them to be a bit more cordial to one another. 

Adventures of Superman #549 stars with Superman forced to do something he didn’t need to do when he had hearing and vision powers: go on patrol. Instead of stumbling on Intergang, though, he winds up in the middle of a rumble between the Newsboy Legion and the Dingbats of Danger Street. No, really, those are actual comic book characters. Jimmy, meanwhile, is struggling to find some credibility after his recent struggles. He decides to check in on Lois and Clark, but arrives just as Intergang firebombs their building as a warning to Lois to back off. Superman evacuates the building, but is then forced to go back in as a powerless Clark to protect his identity. After spending the night in the hospital suffering from smoke inhalation, he goes to Professor Hamilton to ask if he’s discovered a way to restore his powers to normal, but Hamilton gives him the shocking news that this change seems to be permanent. Also at the end, Superman brings in yet another obscure group of DC kid characters to settle the issue between the Newsboys and the Dingbats, and Jimmy decides he’s going to resurrect his career by making one of the stupidest decisions he’s ever made in his entire life, and keep in mind that this is a man who once married a gorilla.

Action Comics #736: The mysterious shadowy figure who recently assembled a Superman Revenge Squad starts assembling…well…a new Superman Revenge Squad. He busts Barrage out of prison, then recruits Rock and the Parasite to his cause, with a promise of more to come. Clark, meanwhile, is depressed over the revelation that the change to his powers will be permanent. He heads to Pennsylvania on assignment for the Planet, only to get trapped in a coal mine collapse with a bunch of miners. The old Superman could get them out in moments, of course, but if he were to fire up his new electrical powers, he runs the risk of igniting the coal dust in the air and killing them all. This is the kind of story that they do every so often to prove that Superman is more than his powers – he’s actually got a brain, too. Clark finds a way to save everybody without his powers, because that’s what Superman does, no matter what costume he’s wearing.

Man of Steel #71 picks up on the Jimmy Olsen Bonehead Show. After the incident at the apartment, Jimmy is convinced he’s figured out Superman’s secret identity, and the rest of the crew at WBGS news is trying to convince him to pursue and report it. But at the same time Bibbo, who punched Jimmy out a few issues ago for his LAST boneheaded move, gets back in the boxing ring and wins, then surrenders his title as penance for hitting Jimmy. Somehow this is enough to cause a moral quandary in a man who should have NO moral quandary about the question of WHETHER OR NOT TO RUIN THE LIFE OF HIS BEST FRIEND, JAMES BARTHOLOMEW OLSEN, WHAT IN THE NAME OF NERON ARE YOU THINKING?

Ahem.

Also, the mysterious recruiter picks up a new villain, an electrical woman named Baud, to join his new Revenge Squad, and his identity is revealed as…Morgan Edge. It’s not the most dramatic reveal, honestly, but it tracks. He sends them to fight Superman, because that’s what he does.

And in Superman #127, Superman narrowly escapes the Revenge Squad as they start to fight amongst themselves. Superman lets the Parasite take out the other three, then bounces in and reverses things on his magenta rival, defeating him by using his new powers to suck the excess energy from him and leaving him helpless. Then, Lois and Clark get a visit from Jimmy, who asks their advice on whether he should pursue the story of the century, even if it will get someone “really mad at him.” Clark, being Clark, tells him that the truth is the most important thing, and Jimmy leaves renewed in his determination to blow Superman’s secret identity, because they are really writing him as unforgivably stupid at this point in the series. Honestly, I’d forgotten about all this. Jimmy. James. Jimothy. What the hell, dude? 

Mon., Sept. 8

Comics: Adventures of Superman #550, Action Comics #737, Superman: The Man of Tomorrow #9, Jon Kent: This Internship is My Kryptonite #7, Justice League of America #28

Or “The Adventures of Superman’s Stupidest Friend, Jimmy Olsen.”

Notes: Jimmy’s giant bonehead extravaganza comes to a head in the “double-sized anniversary issue” Adventures of Superman #550. As he prepares his news special in which he plans to reveal Superman’s identity, he tries to justify it in his head by saying that, without his hearing and vision powers to alert him to danger, Superman’s identity being public would make it SO MUCH EASIER for people to come to him for help, displaying the kind of mental gymnastics that wouldn’t be associated with Superman again until Zack Snyder fans started to desperately try to pretend that the James Gunn movie wasn’t successful. Jimmy invites Lois and Clark to the taping of his special, along with two other guests: former football pro Johnny Dakota and Newstime magazine publisher Collin Thornton, both of whom also happen to live in the same building as our happy couple. Lois storms out of taping as Jimmy reveals what’s up his slave, but Clark instead gives Jimmy a kind but firm dressing-down about how Superman wouldn’t do anything to hurt anybody. The speech doesn’t fall on deaf ears, but Jimmy realizes it’s too late to back down now, and so on live TV he announces that Superman’s secret identity is…NOBODY! 

Okay, he did the right thing in the end, but Jimmy B. Olsen comes across – both in-universe and to the reader – as one of the dumbest characters in the entire DCU. 

Predictably, he gets fired from WGBS and he decides to take a little time off, even keeping the truth about Superman’s secret to himself…that Superman is really, of course, Collin Thornton.

I dislike this take on Jimmy so, SO much. I’ve talked before about how I prefer it when characters are played to the top of their intelligence, and this is as far from that as it could possibly go. Not only does Jimmy completely miss every clue that Clark is, in fact Superman, a fact that even a child could infer from the speech Clark gives him in this issue, but his emotional intelligence would have that same child look at him in disgust. One of my favorite bits of the new movie is the scene in the end, where Perry White and Jimmy Olsen quip about how long Lois and Superman have been hooking up. The scene can be read one of two ways: either they know Lois is involved with their biggest headline, OR they know that Lois is involved with Clark and that Clark happens to be Superman. There’s been quite a lot of chatter online about this, and personally, I prefer the latter interpretation, much for the same reason that I believe that James Gordon knows that Batman is really Bruce Wayne – he’s just too smart NOT to have figured it out, but he knows it’s best to keep it to himself. THAT’s the Perry and Jimmy I want to read about.

Not this assclown.

But as it turns out, the dumbification of Jimmy Olsen wasn’t over yet. Action Comics #737 picks up the thread, as (in an issue by guest writer Mark Waid) Olsen is attacked by Intergang, who isn’t buying his claim that Superman has no secret identity, and they’re ready to get the truth out of him. Jimmy just barely manages to escape – in only his boxers, which only serves to deepen his public humiliation when he’s picked up by the police. It just gets worse when the people who bail him out turn out not to be family or friends, but the same Intergang agents who were after him before. Meanwhile, at Lex Luthor’s trial, Lex’s lawyer argues that Lex, while dying of Kryptonite radiation, was saved by one of his research team, but lay comatose for months, only coming out of it shortly before the Final Night crisis. The real criminal was his clone, “Lex Luthor Jr.” (which is technically true, if you ignore the fact that Junior was just Lex’s brain in a younger body). The real kicker, though, is when the defense actually produces the clone – now aging, infirm, and raging in court. The judge, reluctantly, allows Lex to go free. 

There are a couple of good bits in this one, even as Jimmy continues to act like a bonehead. First, after Lex’s trial, a snide and confident Lex Luthor informs his lawyer that everything he just said in court was bupkis, he was indeed the one responsible for the “clone’s” crimes, and he’s about to go launch a plan to destroy the Justice League which the attorney can’t tell anyone about due to attorney/client privilege. It’s just the kind of utterly arrogant thing that makes Lex such a delicious villain, and Waid sells it nicely. Another good bit is at the end, when a desperate Jimmy turns to Bibbo for help. The same Bibbo who punched Jimmy out for his jackass behavior not that long ago comes to his aid because, in his own words, “We’re both pals o’ Superman, and dat’s a pretty solid brotherhood.”

The world needs more Bibbo Bibbowski in it. 

A quick note about the next book I’m going to be reading, Superman: The Man of Tomorrow #9. During the “Triangle Era” we had four monthly Superman comics, which equaled 48 issues of Superman a year. As you may have heard, though, years actually have about 52 weeks. Comic books come out on Wednesday, and roughly four times a year you get a month with five Wednesdays in it instead of four. DC decided to fill in these gap weeks with Man of Tomorrow, a bonus title that only appeared in these missing Wednesdays. It was a fun idea, but they rarely added anything substantial to the ongoing storyline (I suppose DC knew that even with a triangle on the cover some people would skip it) and eventually it was phased out in lieu of DC’s “fifth week” events, where they’d fill Wednesday #5 with a series of themed one-shots like Girlfrenzy or New Year’s Evil

Anyhoo, Man of Tomorrow #9 is kind of the perfect expression of this series. It’s a one-off story in which Jonathan and Martha – talking about their son’s recent transformation – run down all of the other trials and tribulations he’s faced over the years. The book is really nothing but a condensed history lesson of all the main storylines that had happened to the character in the decade since John Byrne’s Man of Steel reboot, which is kind of an odd choice for a book they’re afraid would only be purchased by the most intrepid of readers, because they would be far more likely than the casuals to already know all of this stuff. The cover is pretty misleading too, with a banner that proclaims “The Secrets of Superman’s Costume!” Spoiler alert: there are absolutely no secrets in this book, just a parade of Superman’s history with a visual focus – courtesy of artists Paul Ryan and Brett Breeding – on the assorted different costumes and appearances Superman had over the years. We got glimpses of pretty much everything, from the armor he wore during Krisis of the Krimson Kryptonite to the circus strongman getup from Time and Time Again to the battle suit Mother Box gave him in Superman/Doomsday: Hunter/Prey. In fact, if I were a toy manufacturer looking to do a really comprehensive line of figures featuring every different getup Superman ever wore, this book would be a pretty valuable resource for this time period. As a story it’s cute, but kind of a throwaway. 

Tues., Sept. 9

Short Film: Superman 75

And he doesn’t look a day over 87.

Notes: My original plan for today was to read the Superman annuals that featured ol’ Electric Blue, but September 9th turned out to be one of those days that just gets away from you. I had my hands full with various things, and by the time I’m writing this at nearly 7:30 pm, I haven’t had a chance to indulge in any Superman content. It’s time to play one of the little “emergency cards” I had planned out at the beginning of the year – a quickie I could sneak in on a day like this one, when time is of the essence and I might not have another chance to keep my streak alive. Today I chose Superman 75, a two-minute animated short directed by Zack Snyder and Bruce Timm to celebrate Superman’s 75th anniversary back in 2013. 

Say what you will about Snyder (and at some point, before the year ends, I intend to do so), but this short really does show a respect for the character of Superman. In two minutes, Snyder and Timm craft a wonderful little visual retrospective of Superman’s 75-year history, which I still can’t believe was already 12 years ago. I hope DC has some plans in place for year 90, it’s going to be here before they know it. 

Anyway, over the two minutes of the short – which is mostly set to the classic John Williams score — we start off with an extreme close-up of the S-shield from the cover of Action Comics #1, which then springs to life and then begins evolving through the various ages of the character. At turn, we see glimpses of the Fleisher Superman, some Golden Age comics, George Reeves, the proliferation of new heroes and villains that joined Superman in the Silver Age, a glimpse of the Super Friends, a dip into the 70s when Superman boxed Muhammad Ali, the death and return, the electric era, the Animated Series, Smallville, Kingdom Come, and the New 52 (WHEW!) before the short finally wraps with a glimpse of Henry Cavill in that first promo shot we ever saw of him, where Superman was standing in the rubble of what looked like a bank vault. For the last segment the music shifts to the Hans Zimmer score, paying what I still think was a suitable tribute to the character as he was at the time.  

I’ve watched this cartoon probably a half-dozen times since it was first released, and I enjoy it every single time. It’s a nice visual history of my favorite hero, and it’s the sort of thing I’d like to see them revisit and update every so often. But when I watched it on my laptop this time, something interesting happened. My son, Eddie, heard the now-familiar strains of the John Williams music coming from the computer and asked what I was watching. So I had him sit on the couch next to me so we could watch it together. As we went through the short I briefly informed him which eras we were passing through, and he thrilled at the appearance of Krypto during the Silver Age segment. Of course he did – we all love Krypto. If James Gunn throws Beppo into the Man of Tomorrow movie, I’ll show this short to Eddie again and he’ll go wild over that.

Assuming I have a little more time tomorrow, I’ll get around to those annuals, and then continue on my journey through Superman’s electrical era. Until then, friends!  

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 35: A Spark of Change

When I started the Year of Superman back in January, I decided early on that I wasn’t going to spend the entire year reading stories from the “Triangle Era,” even though that is hands-down my favorite period of Superman comics. I did decide, though, that I would allow myself two indulgences. I would give myself a few weeks to delve into the epic and game-changing Death and Return of Superman storyline in the early part of the year. Then, later, I would allow myself to read the longer and more divisive saga of “Electric” Superman. The period where Superman’s powers and costume changed so radically was a major point of contention for a lot of readers at the time, although I feel that — like many stories of the era — it is looked back upon more fondly than it was initially received. But I have never gone back and read that era as a whole since it first came out.

I think it’s time.

That said, there’s a question that must be answered: exactly WHEN does this saga begin and end? It’s not as cut-and-dried as the Death of Superman, beginning with Doomsday’s appearance in Man of Steel #18. This story doesn’t begin in the issue where he gets the new costume. Superman’s power change is at least partially a result of an attempt to restore his powers after they are lost during the Final Night crossover. And after he is returned to “normal,” that issue ends with a cliffhanger that dovetails into a time-travel adventure against the villain Dominus that lasts several months before things are finally reset. Along the way he participates in more than one crossover event, is a regular member of the Justice League, and makes multiple guest appearances in lots of comics, including the Ultimate Access miniseries I read last week. All told, were I to read EVERY comic book with Electric Superman, it would be more than double (possibly triple) the number of issues in the Death and Return saga. That’s a LOT.

So here’s what I’ve decided: 

I’m going to read all of the issues of the regular Superman titles from the beginning of Final Night to the end of the Dominus storyline. I’ll read the main issues of any crossover in which Electric Superman appears, as well as crossover chapters in which Superman or members of the family appear. I’ll also read the annuals with Electric Superman. I’m going to skip the JLA issues, because after all, it’s part of Grant Morrison’s run and that whole thing is really one massive story in and of itself. And I’m not going to get into every guest-appearance he makes just because I think it would be a pain to try to track them all down, but I reserve the right to sneak one in if I really want to.

Even shortened like this, it’s still going to be the single largest endeavor of the Year of Superman. And I’m kind of excited to get into it.

All of this is to say, buckle up. It’s time to get sparkly.

Wow, that was lame.

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 27

Comics: Final Night #0-4, Power of Shazam! #20, Superman Vol. 2 #117, Adventures of Superman #540, Supergirl Vol. 4 #3, Action Comics #727, Superboy Vol. 3 #33, Legion of Super-Heroes Vol. 4 #86, Superman: The Man of Steel #62, Green Lantern Vol. 3 #81

Notes: It was a weird time in DC Comics. Hal Jordan had gone mad after the destruction of Coast City and took on the villain name Parallax following Zero Hour. Kyle Rayner was Green Lantern. Half of the Legion of Super-Heroes was stranded in the 20th century. And Lois Lane had ended her engagement to Clark Kent. Then, as if things weren’t bad enough, some idiot turns out the lights.

In The Final Night, by Karl Kesel and Stuart Immonen, an alien identifying herself as Dusk crashes her ship into Metropolis, where she is confronted by Superman, the Special Crimes Unit, and the time-tossed Legion of Super-Heroes. Dusk warns that a Sun Eater is approaching Earth, and that she has rushed ahead of it from world to world, trying to save people from its devastation, but thus far she has always failed. Superman quickly rallies the world’s heroes (and even some of the villains – they’ve got just as much to lose if the sun is eaten as the heroes do) and they take to space to try to stop the Sun Eater, but despite their best efforts, at the end of the first issue, Earth’s sun is consumed and the world is plunged into darkness. 

Issue two begins in rather dramatic fashion, when Lex Luthor – who has been in hiding – appears to offer his aid to the Justice League and Earth’s heroes in saving the world, including a powerful splash page of Superman and his worst enemy shaking hands in the face of a common threat. Meanwhile, the worlds’ heroes are in overdrive trying to protect people both from the drastic climate crisis as well as from each other. It soon becomes apparent, however, that with the sun gone, Superman’s powers are declining rapidly. Amidst all of this a new hero appears: a young man calling himself Ferro. 

In issue three things go from bad to worse. Turns out the sun isn’t actually GONE, but cut off inside the Sun Eater, where it’s trying to heal itself, but Luthor and Brainiac 5 realize that they have less than 24 hours left before the sun goes hyper-nova, wiping out everything in the solar system. Dusk makes plans to leave Earth before the end, as she has so many times before, but the Phantom Stranger takes her on a whirlwind Ebenezer Scrooge-like tour of the Earth, allowing her to witness our heroes’ refusal to give up, even in what is literally the darkest of hours. And as everyone begins making preparations for the bitter end, Guy Gardner is surprised by the appearance of a bright, beautiful green. 

Final Night #4 brings us to the brink. Luthor and Brainiac 5 have constructed a series of force-field bombs they believe will contain the nova and destroy the Sun Eater, but their chosen pilot, Green Lantern, disappears. Superman insists on going himself, and takes a moment to write a farewell letter to Lois, from whom he was estranged at the time. As he’s writing, through, Ferro steals the ship with the intention of making the suicide run on his own. As they try to stop him, Parallax arrives and offers to save the sun. Despite the reservations of some of the heroes (especially Batman), he does so – at the cost of his own life. Hal Jordan, once and future Green Lantern, falls as he dispels the darkness within.

The end of the story doesn’t quite hit the same now as it did in 1996, knowing as we all do that Hal would eventually return and become Green Lantern again. But as a way to end the arc he had been on since the Death of Superman it was fitting. Also fitting was the reaction of the other heroes: Superman chooses to believe that Hal Jordan found redemption in the end for the atrocities of Parallax, whereas Batman believes a moment of good at the end can never erase the slate. It says quite a bit about each of these heroes, and the book seems to recognize that. At the end of the issue, as Clark and Bruce debate Hal’s sacrifice, Karl Kesel writes a caption that has always stuck with me: “They are the world’s finest heroes, and all the rest follow the lead of one or the other.”

It’s an interesting perspective on the philosophy of the DC Universe, isn’t it?

Let’s talk for a moment about the assorted spin-off chapters. As I said, I didn’t read all of the assorted spin-offs, only those featuring Superman or a member of the family, but that still added an additional nine books to the five-issue main series. I’ll hit the high points in order, as dictated by the reading list on the DC Infinite app:

Power of Shazam! #20: As the weather begins deteriorating with the loss of the sun, Superman and the Marvels go into first responder mode while the wizards Shazam and Ibis try to find a magical solution to the problem. Superman’s presence here is minor, but there are interesting notes. First, this happens right after the sun is lost, so Superman’s powers are only beginning to wane. Second, there’s an amusing moment where Captain Marvel promises Superman “I won’t be distracted like when I faced that Thunder God,” a funny and oblique reference to the events of DC Vs. Marvel

Superman #117: This one is a cheat. Despite the banner on the cover, it’s not really part of the crossover. The issue wraps up an ongoing story with Superman and Professor Hamilton in the Fortress of Solitude and advances a few subplots, but it only ties in to the Final Night on the last few pages, when Superman receives word that something is approaching Earth. If you’re doing a readthrough of the story, this is utterly skippable. 

Adventures of Superman #540: Perry White fights valiantly to put out an edition of the Daily Planet, reasoning that failure to do so would be like giving up and admitting defeat. Emil, still in the Fortress of Solitude, starts transmitting his own research to S.T.A.R. Labs in an attempt to help. And in Metropolis, as Superman’s powers continue to dwindle, Ferro gets a rather heartbreaking origin. The Perry stuff is great, and the Ferro stuff sets the character up nicely for his future with the Legion.

Supergirl #3: Peter David’s epic run was interrupted pretty early by this crossover appearance. Supergirl (this is the Matrix version, remember), has very recently found herself bound to a mortal girl named Linda Danvers, and in her new home of Leesburg, people are beginning to fall apart as they beg for the return of the sun. The issue is mostly spent developing subplots for the series in the context of the crossover, and skippable if you just want to read Final Night, but it reminds me as always just how good David’s run on this character was. I may not be able to fit it in before the end of the year (it’s a total of 80 issues, plus assorted crossovers, annuals, and specials), but so, so worth reading.

Action Comics #727: A somewhat quiet, subdued issue. As Metropolis is blanketed with snow, a Superman whose powers are nearly gone struggles to keep the peace. Meanwhile, a desperate man finds new hope. Inconsequential to the main story, but this is actually one of those times where I really feel a crossover event works well, telling an emotional self-contained tale against the backdrop of the greater events.

Superboy #33: In Superboy’s home of Hawaii, people are gathering at the base of an active volcano for warmth. Roxy Leech, his manager’s daughter and Superboy’s best friend, decides that with the world ending in 24 hours there’s nothing left to lose and confesses her love for him, which is kind of awkward, as his girlfriend Tana Moon is on TV reporting on the crisis just as the volcano erupts. Turns out it’s a monster with the inventive name of Lava causing trouble. The ending here is particularly bittersweet, and surprisingly effective. 

Legion of Super-Heroes Vol. 4 #86: Ferro proves his mettle (get it?) by offering to dive into the sun with an enormous bomb to get it going again. Luthor and Brainiac already have devised their plan to send Green Lantern instead, though, but when he mysteriously vanishes (whisked away by Parallax, as it happened), Superman steps up to do it instead…something that doesn’t sit too well with Ferro. 

Superman: The Man of Steel #62: An interesting little side-trip. Almost de-powered, Superman tries to help a power plant stay functional to keep people from freezing in the dark. Meanwhile, Hamilton discovers that imminent destruction of the sun and sends word to the Daily Planet, while learning about the last days of Krypton and how eerily reminiscent they are of the current situation.

Green Lantern #81: An epilogue to the Final Night story featuring the funeral of Hal Jordan. Kyle Rayner is nervous, finding himself in the position of being asked to speak the death of a man he never met until he turned bad. Superman begins the ceremony, calling Hal a hero, before calling up other speakers who knew him best: Guy Gardner, John Stewart, Black Canary (speaking in the stead of the also dead-at-the-time Oliver Queen), the Flash, Carol Ferris, and finally Kyle. The heroes travel to the Coast City memorial, where Alan Scott turns the eternal flame green, and then Swamp Thing (making a rare non-Vertigo appearance for the time period) brings life back to the desolated landscape. In the end, even Batman finds it within himself to forgive.

A lovely story, although of course, it wouldn’t be the end at all. Nor is it the end for Superman because – as you may have noticed – I haven’t mentioned anything about his powers coming BACK yet. After the sun was restored, he – and everyone else – assumed his powers would go back to normal. But as we’re going to see soon, that isn’t what happened at all.  

Thur., Aug 28

Comics: Superman Vol. 6 #29, Justice League Unlimited Vol. 2 #10, Justice League: Dark Tomorrow Special #1, Green Lantern Vol. 8 #25 (Superboy Guest Appearance)

Notes: Gonna take a quick pause from the burgeoning Electric storyline to read some of the new Superman comics that dropped this week. Superman #29 continues the “Legion of Darkseid” story as Superman plans a trip to the future to save the Legion of Super-Heroes with the most unexpected partner of all time. 

It’s going to be hard to talk about this issue – I don’t really want to spoil anything, so can I just talk about vibes? As in, “I freaking love the vibes from this book”? Superman going into the future to save the Legion is exactly what I’ve been thirsting for. What’s more, writer Joshua Williamson is showing respect for EVERY incarnation of the Legion to date, weaving them all into this story (somehow) whilst still tying everything in to the ongoing “DC All In” saga. Again, without spoiling anything, if you haven’t read last year’s DC All-In Special or the Summer of Superman Special that came out in April, you’re missing out on the building blocks of this story. Superman even gets one of his trademark rousing speeches in which he espouses exactly what I’ve always felt is true: he may have been the inspiration for the Legion, but the Legion was every bit as much an inspiration to HIM.

Despite the darkness of this story, something about it is feeling…right. It rings true. And by the time the tale ends and the dust has settled, I feel like we just might finally have a true Legion again. 

Justice League Unlimited #10 actually takes place before the “Darkseid’s Legion” storyline, and involves the League trying to protect the Doomsday Time Trapper, who feels the encroachment of Darkseid and his Legion. Meanwhile, the Trinity have a little heart-to-heart about what happened with Air Wave (the whole “tricked by Grodd” thing) and how they need to approach Justice League recruitment in the future. As always, Mark Waid proves just how well he knows these characters, placing Superman and Batman at odds with one another on this matter, with Wonder Woman as the mediator between the two. Clark also gets in a pretty sharp jab at Bruce, which I don’t think he gets to do quite often enough.

Also, Dan Mora drew both of these issues, and he’s phenomenal. Really, any time these days I read a comic book where I don’t feel the artwork is up to snuff, I wish that they could clone Mora and have him do all of it. 

I also read the Justice League: Dark Tomorrow Special, which came out a few weeks ago but, somehow, I’d missed. I’m glad I grabbed it, though, because it feels pretty significant to this whole All In/Darkseid story that’s going on. Someone is hunting down and killing time travelers, which puts roughly half the Justice League at risk – especially those time-lost heroes from the “We Are Yesterday” crossover. A mysterious time-traveler calling himself “Legend” partners up with Air Wave and the lost heroes to try to save them. The issue is both an epilogue to “We Are Yesterday” and a prologue to future stories (including “Darkseid’s Legion” and the upcoming “DC KO”), and although the Super-family participation is minimal, it definitely feels significant, and if you’re following the ongoing saga of the DCU these days, you should pick it up.

Fri., Aug. 29

Comic Books: Superman Vol. 2 #118, Superman: The Wedding Album #1

Notes: I only briefly mentioned it when I read Final Night the other day, but at this point Lois and Clark were separated, she having called off their engagement and taken an assignment in Asia to get away from him. It was a bit of a delaying tactic – Warner Bros wanted corporate synergy and refused to allow DC Comics to have the two of them get married until they were also married on the then-running Lois and Clark: The New Adventures of Superman TV show. It was actually that edict that led to the Death of Superman in the first place, when they had to scrap their plans to marry them off in 1992. Here, four years later, after one delaying tactic after another, they finally got married on the show, and DC had to quickly follow suit.

In Superman #118 we pick up on her, chasing down a heroin ring in the far East. Back in Metropolis, meanwhile, S.T.A.R. Labs is working on the fact that, despite the sun coming back, Superman’s powers are still gone. After a seemingly-pointless reiteration of his origin, Wonder Woman and Lori Lemaris convince Superman to try to get Lois back. Lois, meanwhile, encounters a young man who tells her a lesson he learned as a child from an American stranger. It’s pretty clear where this is going from the very beginning, but Lois is still taken by surprise when she learns who her new friend’s old friend happens to be, and she makes a decision to return to Metropolis. Short? Abrupt? Hell yeah. But DC wasn’t given a lot of time to get things back in order – they needed to have the wedding of the century align with the TV show.

And this brings us to Superman: The Wedding Album, an event nearly 60 years in the making. This 88-page whopper told a hefty tale written by the five writers of the Superman comics of the era (Dan Jurgens, Karl Kesel, David Michelinie, Louise Simonson, and Roger Stern), with art by the regular teams and several other artists who had worked with Superman over the years, including John Byrne, Gil Kane, Paul Ryan, Tom Grummett, and a flashback sequence using pages by the great Curt Swan. It’s a nicely fitting tribute to the characters, kicking off with Lois being Lois – pretending to want to marry the head of the drug trafficking ring as a way to both bust him, at the same time, hitch a ride on his private jet back to Metropolis. She storms into the Daily Planet office wearing a ragged and torn wedding dress, then has it out with Clark. He fills her in on what’s been going on in her absence: he’s acting as Managing Editor of the Planet while Perry recovers from chemotherapy, oh yeah, and his powers are gone. (There’s a particularly funny line here: “Remember when the sun went out a while ago, Lois?” As if that’s the sort of thing a person could just forget.) The sequence ends with the entire Planet staff crowding around, trying to peek through the door, and seeing the two of them in an embrace, back where they belong.

The bulk of the special, after that, is all about wedding preparations: Lois’s bridal shower, the happy couple picking out their dress and tux, and house-hunting. And while it’s all fairly normal, non-superhero stuff, the writers manage to really infuse it with character. Lois’s mom is desperate to control things while her father makes no effort to disguise his distaste at his daughter’s choice of partner. Clark’s parents, meanwhile, do their best to play mediator. A fight breaks out at the Ace O’Clubs during the bachelor party, and Clark gets a visit from a friend to tell him that Metropolis will be taken care of during his honeymoon. Oh yeah – and the apartment that Lois fell in love with but couldn’t get is now theirs, courtesy of the building’s owner, one Bruce Wayne.

I’m really glad that they avoided the typical superhero wedding episode, where the ceremony is disrupted by a villain causing havoc or some natural disaster. The closest thing we get is Mr. Mxyzptlk popping in right before the blessed occasion to tell Clark he’s looking forward to screwing around with Mr. and Mrs. Kent very soon. Then it all closes off with a nice, simple, uneventful wedding that is heartfelt, sincere, and lavishly illustrated (with several members of the creative team in attendance). 

It’s a sweet issue, one that finally puts the will they/won’t they of six decades to rest and allows us to move on to something new.  

Turns out they were saving the chaos for the honeymoon.

Sat., Aug. 30

Podcast: Back to the Bins Episode #685: Superman S.C.O.R.E. III

Notes: It’s finally here! Regular blog readers may recall a while back when I joined Paul Spataro to record an episode of his Back to the Bins podcast, each of us discussing comics about the relationship between Superman and Wonder Woman. The episode has finally dropped, so make sure you check it out. It’s available on the Two True Freaks Podcast Network page, or you can find it on Spotify, Apple Podcasts, or wherever you download your podcasts. Join us for a chat about this unique super-couple. 

Comics: Taste of Justice #6, Adventures of Superman #541, Action Comics #728, Superman: The Man of Steel #63

Notes: A quick peek at Taste of Justice #6 – a short but fun story in which Martha Kent is injured (mildly – this series seems to specialize in minor mishaps most of the time), leaving Clark and Jonathan to try their hand at making her famous rhubarb pie. Interestingly, whereas most chapters of this online serial comic have led up to a triumphant dish being prepared, this one takes a different tack – the resultant pie isn’t up to Martha’s usual standards, a fact which she clearly finds somewhat amusing. I didn’t see that coming.

That done, it’s a dive back to 1996, where we’re going to read the comics that make up Lois and Clark’s honeymoon. After a surprisingly low-key and uneventful wedding, their trip to Hawaii makes up for it. Adventures of Superman #541 picks up at the wedding reception, after which the happy couple whisks off to the island paradise, where their celebrations are interrupted by an explosion. With Superman still powerless, fortunately, they happen to be on Superboy’s home turf. The explosion was caused by a creature that claims to be an island spirit called a Menehune, and the happy couple wind up meeting up with Superboy and his own reporter girlfriend, Tana Moon. The story is okay – more like we’re seeing a “Lower Decks” style peek in an issue of Superboy really. But the side quest is derailed on the last page, when Clark is shot and kidnapped by men in a speedboat. Of course, these guys don’t seem to realize that they’ve just made the biggest mistake of their lives: they’ve pissed off Lois Lane. 

Action Comics #728 picks up with Clark waking up in the custody of the brother of the very drug trafficker that Lois captured in the Wedding Album. Apparently Rajiv, as his name goes, holds something of a familial grudge. I have to admit, I found this issue kind of underwhelming. Clark spends most of the issue engrossed in a flashback to another time when his powers weren’t of any use, facing a terrorist armed with a chunk of Kryptonite. The flashback really adds nothing to the story, save for eventually reminding Clark that he has studied techniques to make it appear as though his heart has stopped beating – techniques that work just as well if he has powers or not. He uses his little trick to attempt an escape, only to learn that any such effort will be futile, as he’s being held captive on a submarine at the bottom of the Pacific Ocean. Good reveal, but it leaves us with about two pages of plot progression for the whole issue.

Superman: The Man of Steel #63 picks up with Clark being brought to a private island belonging to Rajiv as Lois begins the task of doing what she does best: following leads. In this case, she’s trying to track down her missing husband, which takes her all of four pages before she begins a guerilla assault on Rajiv’s compound. (And they call Batman the world’s greatest detective.) As she attempts her rescue, Clark learns that Rajiv isn’t tracking her out of petty revenge: when she bested his brother, Lois made off with a knife that, unbeknownst to her, has hidden in its hilt computer codes capable of hacking satellite technology and bringing down aircraft at will. As Clark stalls for time, trying to convince Rajiv that Lois found and sold the codes, she breaks in and saves the day.

The honeymoon arc as a whole is okay. You all should know by now how much I love a story where Lois has a chance to kick some ass, and she most certainly does that in the Man of Steel issue. For all the times Clark has saved her over the years, it’s really great to see how capable she is when the need arises. My beef really comes with how quick the whole thing is, especially the sequence where Lois tracks down Rajiv’s island. It just comes far too easily, even for someone as smart and capable as Lois. Considering that she only appeared on one page of Action #728, that issue feels even more superfluous than it does at first blush. It would have been far more satisfying, in my opinion, to truncate the flashback sequence in that issue and devote those pages to showing Lois hunting down Clark. It would make the Action issue feel far more relevant and the Man of Steel issue feel less rushed. It’s all about the pacing, people.

Still, kudos to Lois and Clark for having a honeymoon they could never forget. But when their vacation to paradise ends, it’s going to be time to get down to the real issue at hand: finding a way to restore Superman’s missing powers. 

Sun., Aug. 31

Comic Books: Superman Vol. 2 #119, Adventures of Superman #542, Action Comics #729, Superman: The Man of Steel #64

Notes: With the honeymoon over, it’s time to figure out what’s up with Clark’s powers. In Superman #119, Superman and the time-tossed Legion of Super-Heroes both arrive at LexCorp looking for help with their respective predicaments. They take a ship to the same orbital platform we saw back in the Superman/Aliens crossover (a rare instance of such a crossover being addressed as canon, helped no doubt by the fact that Dan Jurgens wrote both of them) and Brainiac 5 attempts to draw solar energy to jumpstart Clark’s powers…an effort met with failure. And in the midst of this Lex gets some surprising news: he’s going to be a daddy.

In Adventures #542, Superman heads to Project Cadmus for help but, again, finds himself stonewalled. Instead, he simply winds up on a brief psychedelic adventure with some of Jack Kirby’s stranger creations, the Hairies, before borrowing Guardian’s Whiz Wagon. He flies it down to Action Comics #729, where – en route to his Fortress in the Antarctic – he winds up at an energy research station where the crew has unwittingly unleashed a strange entity from the center of the Earth. Superman manages to best the creature even without his powers (paralleled with a subplot about Perry White going through chemotherapy) before finally making it to the Fortress where Emil Hamilton has been all this time. But even all his Kryptonian tech doesn’t restore his powers before Mr. Miracle and Big Barda pop in via Boom Tube, saying that the fate of the universe depends on Superman’s powers.

Finally, “Power Struggle” concludes in Man of Steel #64. The New Gods tell Superman that their world of New Genesis has somehow been destroyed, and the only hope of finding the truth is to retrieve the datacore in Metron’s suit…a datacore that can only be accessed by melting the suit in the heat of the sun itself. Metron assures Superman that their dive into the sun will recharge his powers quickly enough to pull them both out of the star before they’re killed…and miraculously, it works. Superman’s powers are restored, Metron is saved, and the data is retrieved. It all seems just so…neat and tidy. TOO neat and tidy, if you catch my drift.

Getting his powers back, as it would turn out, was just the beginning. 

Bonus: Comics in the wild!

Notes: Some time ago, DC announced that they were going to start selling comics at Dollar Tree locations. The comics would all be reprints, of course: most of them either the first issue in a story that is available in graphic novel form or a standalone comic, including many aimed at kids. The program expanded to reach various convenience stores, grocery stores, and other outlets. But today was the first time I ever actually saw any in the wild. After my son’s birthday party, we stopped for gas and I saw the rack inside the station. I had to go through it, fascinated by some of the choices for their reprint specials. The first appearance of the modern Supergirl from Superman/Batman is in the mix, as well as at least two current issues of Mark Waid’s World’s Finest series (each the beginning of a storyline, of course), and the first issue of Christopher Priest’s Superman: Lost. They weren’t ALL Superman comics, of course – there was the expected assortment of Batman comics, Harley Quinn comics, and Scooby-Doo comics, some of them all at the same time – but the very existence of this rack out there, outside of comic book stores where they can be seen by anybody…it was heartwarming to me.

Of course I had to get a couple. I picked up the reprint of John Byrne’s Superman #1 from 1987, as well as the reprint of the first issue of Batman Adventures Vol. 2. Like the Compact Comics, I feel like it’s important we support these things, friends.

Mon., Sept. 1

Comics: Superman Vol. 2 #120, Adventures of Superman #543, Action Comics #730, Superman: The Man of Steel #65, Superman Vol. 2 #121,  Adventures of Superman #544, Action Comics #731, Superman: The Man of Steel #66, Jon Kent: This Internship is My Kryptonite #6, Gotham City Sirens: Unfit For Orbit #5 (Power Girl guest appearance)

Notes: There was a bit of a lull in the Superman comics after he got his powers back but before they transformed. Let’s see what we can get through today. In Superman #120, Lex Luthor has a dream about his oncoming child idolizing Superman, a dream that chills him to the bone and opens up an issue of different characters talking about what they would do with Superman’s powers: Lex, Emil Hamilton, Jimmy Olsen, Cat Grant, Perry White, and a random kid who gets locked out of his house and needs Superman’s help. It’s a cute little breather of an issue, which was probably due at this point, although it had been entirely too long since we saw Lois. She hadn’t had a significant appearance since the honeymoon ended, and it’s time to really get into the adventures of Mr. and Mrs. Superman. There is one significant piece of foreshadowing, though: when Emil studies Superman to make sure that his powers are, indeed, back to normal, the scanner he’s using shorts out due to an unexpected electrical surge.

In the immortal words of C+C Music Factory, “Things That Make You Go Hmmmm…”

Adventures of Superman #543 shows us the newlyweds finally settling into their new apartment and Superman checking into a couple of escaped villains. Turns out the villains in question are being recruited for a new version of the good ol’ Superman Revenge Squad. A strange figure watching from the shadows has pulled together Anomaly, Barrage, Misa, Riot, and most troublingly, Maxima. When DC released this year’s Superman Treasury Edition I mentioned that I was disappointed to see Maxima reverting to her old villainous ways. I guess I’d forgotten that this wasn’t the first time she’d suffered from a bout of recidivism. The Squad makes its attack in Action Comics #730, but not before one of the very-frequent scenes of Superman flying over Metropolis pondering recent events to bring any casual readers up to speed. I never noticed until this read-through just how frequently that happened in the Triangle Era. I suppose they clung to the idea that any comic book could be somebody’s first, and they were doing their best to make sure that everyone knew what was going on. Admirable – but these days I’m very curious as to whether that old adage still bears any truth at all. Anyway, the fight goes poorly – the five villains, used to working on their own, wind up stumbling over each other and stabbing each other in the back, but by the last panel they manage to have Superman down, his head covered with a slime that Misa is using the block his powers. Geez, Misa, he JUST got them back. 

Man of Steel #65 wraps the story up as the Metropolis Special Crimes Unit arrives on the scene and joins the fight. For a full-issue fight scene, it’s not bad. It’s really nice to see the SCU used to the top of their intelligence, being legitimately effective in a fight against superpowered villains instead of just coming across as the useless cops that so often populate superhero comics. As the Revenge Squad is rounded up, their mysterious benefactor watches and plans his next move. I’ll tell you what I REALLY like here – it’s been so long since I read these issues that I’ve completely forgotten who the mysterious bad guy is that pulled the Revenge Squad together. I don’t know when the reveal is going to come, but I hope it lands. 

Superman #121 has writer Dan Jurgens once again pick up penciling duties (a rarity for this era) for a “very special issue” about Clark Kent befriending a ten-year-old girl who witnessed a gang shooting. When Superman tries to eliminate the guns from her housing project, thinking it will make it safe for her…well, let’s just say I’m kind of surprised that Jurgens would have written Superman as being so naive. 

Adventures #544 starts off with what I’m comfortable calling a controversial moment: Clark Kent is gunned down in the middle of a busy streetcorner. If that’s not confusing enough, it gets weirder when Lois arrives on the scene at the same time as…another Clark. Turns out the doppelganger is tied into the return of Intergang, which no doubt is going to cause trouble later on. Action #731 features another return: Lois and Clark are trying to enjoy an evening at home together when word comes of an attack by an old foe of his Cauldron – but he’s different than before. While Clark holds him off, Lois helps unravel the mystery of who is controlling the cyborg villain this time.

Finally (for today) let’s look at Superman: The Man of Steel #66. Remember Rajiv, the creep who messed up Lois and Clark’s honeymoon trying to get his hands on codes that would allow him to take over a satellite defense network? Well, seems like he got the codes, because in this issue he starts raining fire all over the world, demanding a billion-dollar ransom to stop. The story cuts between Superman taking to space to stop him and scenes on the ground where various people, including Bibbo, Jimmy Olsen, and Perry White’s family, try to help in their own way. It’s an interesting little experiment by Louise Simonson and Jon Bogdanove, a story ostensibly about how the S-shield itself stands for something to people and the power it has even on its own. It would be another decade before the concept of the shield being the Kryptonian word for “Hope” came about, but this has some of that same feel to it, and I like it on that level.

It’s odd, in retrospect, how these stories feel so disconnected from what’s coming. Except for the electric spark in Superman #120, there’s really been no buildup to the power switch. The news had already come out that the story was coming, of course, people knew that Superman was about to get a new costume and new power set, but they didn’t expend a lot of shoe leather on the concept for the first two months after the wedding storyline ended.

That’ll change very soon. 

Tues., Sept. 2

Comic Books: Superman Vol. 2 #122, Adventures of Superman #545, Action Comics #732, Superman: The Man of Steel #67, Superman Vol. 2 #123

Notes: The final month before the big switch begins in Superman #122. At this time, DC was still under the edict that Kal-El was to be the ONLY Kryptonian who survived the destruction of Krypton. That said, they had found ways around that with alternatives to the Kryptonian characters and concepts of the past: the Matrix Supergirl, an Earth dog Bibbo named “Krypto,” and most recently, a new version of the city of Kandor. In this continuity, Kandor was still a miniaturized city in a bottle that Superman was keeping safe in the Fortress of Solitude, but rather than a Kryptonian city, it was a town made of aliens from various worlds, all collected by an entity named Tolos before Superman saved them. In this issue, his powers start to go wild, causing electrical devices to explode and his body to phase in and out. Superman takes Lois to the Fortress to try to get to the bottom of it, wondering if the dimensional phase that had brought him to Kandor could be responsible, but inadvertently winds up releasing a blue-skinned, horned alien called Ceritak. In Adventures #545, things just get worse as Superman’s powers go out of control. He sparks uncontrollably, falling through walls and losing the ability to fly, all of which contribute to a power outage that goes across the city and frees the Atomic Skull from prison. The Skull, suffering from the delusion that he was the hero of an old movie serial and that Superman and everyone else were characters in the serial, winds up in battle against Superman, seeming to atomize him. 

Action #732 continues the battle because, obviously, Superman isn’t really dead. His energy was somehow dissipated by the skull, and he finds himself reconstituting at that Antarctic energy research station he stopped by when he was powerless a few issues back. Lois plays along with the Skull’s delusion as a delaying tactic and, making his way back to Metropolis, Superman starts to learn some of the capabilities of his new powers. He isn’t strong anymore and can’t fly, but he can bound around like energy, control magnetic waves, and access computer systems by touch. Eventually, he manages to bring the Skull down, but he has no idea what’s happening to him.

Superman: The Man of Steel #67 is next, although the title has become highly inaccurate at this point. (This is a good opportunity to talk about how, were this story to be told today, it would reach this point and then DC would likely cancel all four series and re-start them with new first issues, including changing the title of this one. Man of Energy doesn’t really have the same ring, though. I don’t know what they’d call it.) As news of Superman’s mutating powers starts to leak out, Lois clashes with the Planet’s new sensationalist circulation manager over their coverage. Meanwhile, Ceritak has made his way to Metropolis, where he’s inadvertently sewing some chaos. In the midst of the battle between the two Superman’s powers go absolutely haywire, causing a citywide blackout.

A quick aside before I move on to the main event: Jon Bogdanove. He’s one of my favorite Superman artists, mostly because his style has a sort of classic, old-fashioned sensibility that meshes perfectly with Superman. He gives us a huge, barrel-chested, squared-jawed hero that not only fits, but practically DEFINES the classic Superman mold. As Superman shifts from his traditional status quo to the electrical version, you’d think it would clash with his style…but somehow it doesn’t. Along with fine art and color work by Denis Janke and Digital Chameleon, he makes a creature of pure energy still invoke the core of Superman. That, along with several well-placed and highly amusing visual gags in this issue, call to mind some of his best work on Marvel’s Power Pack. I don’t think Bogs gets enough credit in general, and I wanted to call out this issue in particular as being a high point.

Finally, after a week of reading, we come to the book that I started this journey for: Superman #123. As Superman fights with the confused Ceritak (who Bibbo accidentally renames “Scorn”), he winds up in Hamilton’s lab, unable to control his new energy-body. Hamilton is approached by Erica del Portenza, wife (at the time) of Lex Luthor, who has an experimental cyber-woven polymer that she believes may be of assistance. Loath as they are to accept help from Luthor, Hamilton sees no choice and uses the fabric to create a containment suit. In his new duds, Superman finds that he can control his power while in energy-form as well as shift back to a fully human (and powerless) Clark Kent. As he says on the last page, “there’s a new Superman in town.”

This is such a wild story so far. After a rather slow buildup, we’ve got a Superman now with a completely different power set and costume, and while I don’t think I believed even then that this change was intended to be permanent, DC did their best to pretend this new status quo was going to last. So looking ahead to reading more of this, I’m expecting to see the sort of subplots and side-stories that defined the Triangle Era while, at the same time, continuing the story of the electro-Superman, leading up to the era of Superman-Red and Superman-Blue.

And despite feeling a bit of scorn (no pun intended) for this storyline for a very long time now, I find myself kind of looking forward to it. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 34: Crossover Chaos Part III-The Final Amalgamation

I spent last week dipping my toes into the DC Vs. Marvel crossover, as well as the first wave of Amalgam Comics titles. But I’m not done yet: I’ve still got over half the huge Amalgam Age Omnibus to get through, including two sequel miniseries and the second wave of Amalgam Comics. Not only that, but after a few weeks where the beginning of the school year has kept me busy, I finally get a chance to sit down and catch up on more recent Superman comics. Oh yeah – and Peacemaker season two drops this week, and while I don’t expect to see Superman to show up, James Gunn has promised that the story of this season follow on from the film, so there’s a pretty good chance I’ll have some thoughts to share about that. Let’s begin, shall we? 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 20

Comics: DC/Marvel: All-Access #1-4

I had the same look on my face as Access when I read Civil War II.

Notes: I’m going to say something that may be controversial here. I actually like the follow-up miniseries, like DC/Marvel: All-Access, better than the DC Vs. Marvel event itself. DC Vs. Marvel was a fun experiment, but the plot was really just a flimsy excuse to show off fights between the characters and frame the Amalgam specials. All-Access, on the other hand, has an actual STORY to it, and I appreciate that. Written by Ron Marz with art by Butch Guice, whom you may remember passed away earlier this year, All-Access starts out with Axel Asher, the man who straddles the line between the Marvel and DC Universes as Access. A psychic flash warns him that Venom has somehow hopped universes, and if anyone from either universe stays in the other one for too long it could cause the worlds to fuse into the Amalgam Universe again, so the cosmic hall monitor has to get to work. He comes across Venom in Metropolis, where he’s throwing down with Superman, and so Access decides to get some backup by calling in someone who knows what Venom’s deal is: Peter Parker, the Amazing Spider-Man.

This is all in the first issue of the miniseries, by the way, which almost works very well as a standalone Superman/Spider-Man team-up. There’s no gratuitous hero-on-hero fighting here, just two good men teaming up to take down one bad one, and Marz plays them both perfectly. Re-reading this issue is where I started to realize that this is kind of what I had hoped DC Vs. Marvel would have been all along.

Superman doesn’t show up again until the last page of issue #3, but in the meantime, Jubilee convinces Access to take her back to the DC Universe because when she and Robin were supposed to be fighting each other, they kind of fell in love. (To this day, it’s probably the best relationship Tim Drake has ever had.) Their reunion is interrupted by an encounter with Two-Face, then again when the Scorpion appears, once again mysteriously having been pulled from the other universe. Access recruits Batman to help him solve the mystery of the “crossovers,” and Batman suggests that they track down the man who, in the combined universe, was supposed to be its defender: Dr. Stephen Strange. Batman approaches Strange, suspecting that he’s causing the crossovers somehow, and Jubilee calls in the X-Men to hold him off. Issue three ends with Access once again calling in the cavalry, bringing in the rest of the Justice League.

Issue four is X-Men vs. JLA, at least at first. Things change when Access discovers that Dr. Strangefate has been hiding in Strange’s subconscious ever since the merger and used him to cause the crossovers in an attempt to restore the Amalgam Universe. He fuses Wonder Woman and Storm once again into their Amalgam counterpart, Amazon, but when he realizes he doesn’t have the right parts to put together anyone else, he starts creating NEW Amalgams: Superman and Bishop! Iceman and Aquaman! Jean Grey and the Martian Manhunter! Things get wild!

The story ends with a nice little promise, the Amalgam Universe restored as a sort of pocket universe where Strangefate is locked away, and the Marvel and DC Universes get to remain separate. But this miniseries was so much fun, seeing the characters actually interact in ways that didn’t go straight to the fisticuffs. The Robin/Jubilee stuff in particular was fantastic, and I loved seeing Superman and Spider-Man working together again. 

It’ll never happen, but I’d love to see a longer Access series, say a 12-issue event in which he’s trying to solve some sort of mystery that encompasses both worlds. And I’d love if, during this year, he appears not only in his own series, but in the ongoing comics of both companies, bringing surprise guest stars with him. But seeing as how the original plan was for DC Vs. Marvel to end with She-Hulk and Martian Manhunter swapping universes for a year until that plan was nixed by the lawyers, it’s doubtful that anything like that could happen. It’s not like the world has gotten LESS litigious since 1996, after all. 

Thur., Aug 21

Comic Books: Super-Soldier: Man of War #1

The amalgamated Snyder Brothers fans get SO angry that they gave Super-Soldier his trunks back.

Notes: A year after DC Vs. Marvel, a second wave of 12 Amalgam one-shots were released, six of them continuing adventures of the characters from the first, six of them with all-new Amalgamations. What’s interesting is that even the books that carried over didn’t continue the STORIES from the original. Some of them were unrelated stories, some made brief reference to the previous, and some went REALLY wild, like Dark Claw Adventures giving us an adventure of the Amalgamated Batman/Wolverine combo in a Batman: The Animated Series style. For our first visit with the Super family, Super-Soldier: Man of War dipped back in time to give us an adventure of the character from World War II. Mark Waid and Dave Gibbons reunite for this story, which kicks off with Super-Soldier at a meeting of the All-Star Winners Squadron. But he’s only there long enough for us to notice some new Amalagams (such as the Human Torch/Green Lantern mashup Human Lantern) before it’s off to join Jimmy Olsen for a special undercover Daily Planet assignment overseas. 

On the ship to Europe, Clark and Jimmy make the acquaintance of Sgt. Rock and the Howling Commandos, and Clark is later chagrined to find that Winston Churchill has fallen for the do-gooder act of his arch-nemesis, Lex Luthor, husband of Lois Lane. In a way, Luthor’s involvement actually makes this a prequel to the previous story, as the issue ends with him unveiling the plans for the Ultra-Metallo that Super-Soldier fought the first time we read one of his adventures. Kinda makes you wonder why it took Luthor 50 years to get it together.

As before, Waid and Gibbons do a great job lacing together the Superman and Captain America characters, this time bringing in the World War II-era heroes of Easy Company and the Howlers as well. Peggy Carter, for instance, shows up here as a member of the French Resistance (although I couldn’t figure out which member of Easy Company she was supposed to be mashed up with). The appearance of Major Zemo and his War Wheel pushes this over the top – silly and gleeful. These Amalgam books, when done well, are just an enormous amount of fun. Is it too much to hope that the new DC/Marvel crossover books that are about to come out will open the door for the return of this mixed-up universe? 

Fri., Aug 22

No, you give YOUR dog an invisible bone!

Last night was the premiere of Peacemaker season 2. I thought that meant I would be able to watch it when I got home from work, but apparently, it dropped at 8 p.m. EST, by which time my sports fanatic son was engrossed in a preseason game between two teams that nobody in our house has any personal connection to. But that was okay, I figured that I would just watch it the next day. I guess that was pretty stupid of me, though, to assume that I could wait a whole 20 hours and not have anything spoiled for me. Before the game was even over, though, posts were appearing on social media that spoiled something that really pissed me off. You see, season one was made BEFORE James Gunn was given the job of revamping the DCU, and was intended as part of the previous iteration of the DC Extended Universe. With the new DCU that began in Creature Commandos and continued into Superman, though, there were questions as to which parts of the season were still canon. Gunn has been exploring that in the official podcast for the show, but there was a moment in the finale that they were going to have to work a little bit to reconcile. 

Naturally, looking at Facebook last night, I was spammed with different pages that I don’t even follow sharing a screenshot that ruined a pretty amusing moment. How dare I assume that people wouldn’t make it into a headline? It had been an entire 180 minutes since the show dropped! What are they, made of stone?

Here’s the rule: If you’re posting spoilers about a show on the day it airs, you’re an asshole. That goes for individuals as well as all of those pages that I have since blocked.

By the time you read this it will have been nearly a week since that episode, and I STILL wouldn’t talk about it without giving you a warning. So in the next paragraph I’m going to spoil a few things about the end of Peacemaker season one and the beginning of season two. If you haven’t watched them and want to remain pure, skip ahead to Saturday.

TV Show: Peacemaker Season 2, Episode 1: “The Ties that Grind.”

Season one of Peacemaker ended with the titular hero and his team, the 11th Street Kids, saving the world from an invasion of alien butterflies. It’s more impressive than it sounds. But in the battle, Emelia Harcourt was nearly killed. Towards the end of the episode, Peacemaker is carrying her to safety when, lo and behold, the Justice League appeared – too late to do any good. The League, in this case, included silhouettes of Superman and Wonder Woman, as well as Jason Momoa as Aquaman and Ezra Miller as the Flash. It was a funny scene, but as that Justice League doesn’t exist, that scene clearly was no longer canon.

Gunn promised to explain it away and he did at the very beginning of the episode, in the “Previously on…” montage, where the League was replaced by the Justice GANG from the movie. The silhouettes of Superman, Mr. Terrific, and Supergirl all appeared, as well as a quick and the cameos have been replaced by Isabela Merced’s Hawkgirl and Nathan Fillion’s Guy Gardner. It was a funny bit. But I bet it would have been funnier if not for the asshats on the internet posting it the night before I got to watch it.

Fillion and Merced appear later in the episode as well, alongside Sean Gunn as Maxwell Lord allowing Peacemaker to audition for the Justice Gang. Watching the episode, it’s clear why DC put out the digital version of Superman last week – there are a lot of things in this show that build directly on that movie, although it’s still Peacemaker’s story of course. Rick Flagg shows up, worried about another dimensional rift like the “Luthor Incident” that happened this summer. Besides the connections to Superman, the show also starts trickling in new characters, like a surprising cameo by White Rabbit and references to the likes of the Ultra-Humanite and Captain Triumph. Rick Flagg is even working with Sasha Bordeaux, a supporting character from Greg Rucka’s Batman comics. Gunn seems to be using this season of Peacemaker to lay in chunks of the history of the DCU that Superman only hinted at, and I’m really quite excited by that. 

Look, it’s not a HUGE Superman link, and it’s DEFINITELY not a show I’m gonna watch with my seven-year-old like the movie, but this show is starting to look like it’s going to be part of the fundamental fabric of the new DCU, and that would make it worth watching even if it WEREN’T really good. 

Comics: Jon Kent: This Internship is My Kryptonite #5

Sat., Aug 23

Comic Books: Superman: The Kryptonite Spectrum #1, Superman Unlimited #4, Supergirl Vol. 8 #4

This is why you don’t watch whites with colors.

Notes: The beginning of a new school year traditionally keeps me busy, and today was the first time I’ve made it in to pick up my new comics in a few weeks. As such, I’ve got a hefty nine Superman or Superman-related comics sitting in my stack, waiting to read and discuss, including the much-anticipated Superman: The Kryptonite Spectrum #1. This Black Label series is by W. Maxwell Prince and Martin Morazzo, the creative team behind Image Comics’ incredible existential horror series Ice Cream Man. That’s the only thing of theirs that I’ve read before, however, and while I’m a big fan, I’ve been curious ever since this was announced as to just how their sensibilities would translate over to the Man of Steel.

As it turns out, they translate wonderfully.

In this story, Superman discovers four new strains of Kryptonite beyond the usual colors we’re aware of, and recruits Batman to help him experiment with them and find out what they do. The first, a Purple K, distorts Superman’s perception of time – something that is especially concerning as Lex Luthor chooses just that minute to unleash Solomon Grundy in Metropolis.

It would be fair for someone to question whether a creative team best known for a cosmic mind-tripping horror comic would be an appropriate choice for a Superman story, but Prince and Morazzo acquit themselves right away. The Kryptonite Spectrum isn’t a horror story by any stretch, but when Superman’s concept of linear time is skewed, we get a story that drifts into the kind of psychological twists that make Ice Cream Man so compelling while skipping the actual terror. Prince uses this conceit to play with the reader’s concept of time as well, and the script even twists Superman’s interactions with his friends, with a few scenes with Lois Lane dipping into the very real anxieties that Ice Cream Man so frequently mines for pure horror. Here, though, rather than terror, Prince uses them for character drama, displaying things about the relationships between the characters that feel very true, very human. This may not have the “Elseworlds” label, but the story clearly isn’t set in the mainstream DC Universe, with Superman and Lois’s relationship framed in a way that doesn’t fit that world, but feels quite appropriate for the story that Prince and Morazzo are telling. This is a great first issue of a very different kind of Superman story, and I enjoyed it heartily. 

Remember this the next time one of you wants to give me grief for putting up my Halloween decorations in September.

Dan Slott and Rafael Albuquerque are back with Superman Unlimited #4. With the Daily Planet expanding to a global operation, Jimmy Olsen has been tasked with helping set up their Gotham City office. While he’s in town, he and his ape city sidekick Tee-Nah run across Man-Bat and wind up summoning Superman for help. What they don’t know, though, is that this is a new Man-Bat, one who can transmit its curse via a bite…and a chance encounter with all the Kryptonite on Earth these days has left Superman just vulnerable enough to get nipped. Soon it’s Robin and the Birds of Prey vs. Superman-Bat! 

This book is really turning out to be just what I wanted. There’s an ongoing storyline – that of the Kryptonite meteor that fell to Earth and the consequences of that – however, each issue feels like it’s telling a complete and self-contained story. The A-plot, the “Superman-Bat” thing, is done in one and it’s over. The background story of the Kryptonite and the expanded operations of the Planet continue. Although it’s a single monthly comic, in a lot of ways it feels like the structure of the glorious “Triangle Era” of the Superman comics, and I love it for that. Slott also works in some nice tidbits regarding Superman’s interaction with the Batman family, which – coming right on the heels of having read The Kryptonite Spectrum #1 – makes it feel as if DC is using the month of August to make sure everyone remembers that Superman and Batman are best buds. Which, of course, I approve of wholeheartedly.

This is what happens when you don’t use fluoride.

Supergirl #4 continues Sophie Campbell’s new(ish) take on the Woman of Tomorrow. Having defeated her doppelganger Lesla-Lar last issue, this issue Supergirl takes her back to Kandor where she does something her cousin would most certainly approve of wholeheartedly: she goes to bat for her. Supergirl argues that Lesla has the drive to become a real hero, if only given the proper guidance, and volunteers to take that task upon herself. That’s the very beginning of the issue – afterwards we see Lesla make earnest attempts to prove her worth, leading up to a strange but entertaining encounter at a Goth club where she makes a mistake in judgment that winds up having the Supergirl squad face the forces of Decay. 

I just adore Campbell’s take on Supergirl. This issue in particular feels so true to the character – she comes off as someone who has demons in her past but, having largely conquered them, is sworn to help other people do the same. And following Lesla in this issue just magnifies that fact, demonstrating the effect that just being in proximity of someone like Supergirl can have on a soul that’s not truly evil, but merely lost. It’s such a good look for her and for the entire Superman family, and Campbell is nailing it in a delightful way. I also appreciate how Campbell is mining Supergirl’s past – the “new” villain, Decay, is a new version of an obscure character from Supergirl’s ‘80s series who, to the best of my knowledge, hasn’t reappeared since then. She knows this character’s history and she’s using it to her best advantage, which makes for a really rewarding read. 

Sun., Aug. 24

Comics: Krypto: The Last Dog of Krypton #3, Action Comics #1089, Justice League Red #1

Notes: After a busy Sunday of groceries, shoe shopping, making my weekly LitReel and, of course, a required stop at Spirit Halloween, it’s nearly 7 pm before I have a chance to sit down and read anything. Fortunately, I’ve still got six more new Superman-related books to dig into. Let’s see how many I get to this evening.

Beware the fetch.

Krypto: The Last Dog of Krypton #3 is first. Wandering alone after abandoning Lex Luthor, Krypto is stumbling through the woods when he comes across a little girl who’s as lost as he is. Roaming through the freezing woods, Krypto takes it upon himself to take care of the child, and in the process, proves just what a good boy he really is.

The first two issues of this miniseries blew me away. This one… DAMN it, Ryan North. Three issues in a row – THREE ISSUES IN A ROW – and you’ve got me in tears reading about KRYPTO THE SUPERDOG.

Honestly, if you’re not reading this comic book I don’t know what even is wrong with you.

When a teenager loses one of his contact lenses.

Action Comics #1089 may not have me sobbing over the adventures of a dog, but that doesn’t mean it’s not good. Last issue, young Clark Kent was surprised when his history teacher showed up on his doorstep and revealed that he knew Clark was Superboy. This issue, Mr. Blake has a reveal of his own and, frankly, I’m kind of irritated with myself for not picking up on who he was in the first place. Mark Waid is being Mark Waid here, tapping on his seemingly infinite awareness of the DC Universe to bring back a character who hasn’t been seen in a while and recontextualizing him in the world of Superboy’s Smallville. I can’t get much more specific without spoiling anything here, and in case you haven’t read the issue yet, I don’t want to do that But Waid is doing really interesting stuff in this issue.

My one complaint is actually the cover by Ryan Sook. It’s a great piece of art – evocative and certainly sure to get a reader’s attention…only it doesn’t seem to actually fit anything in the story. I hate when comic book covers are dull, generic pin-ups, but it may be even worse when the cover is of a scene that doesn’t even appear in the book.

Wait, some of these costumes need more red.

The last book I squeeze in before I’m alerted by my child that he’s hungry and he has expectations of something called “dinner” is the first issue of the latest DC All-In era Justice League spinoff, Justice League Red. Ever since the Justice League re-formed, Red Tornado has been serving as the computer intelligence running the operations for the team. This issue, Power Girl and Green Lantern Simon Baz get a red alert on their League ID cards that summon them to a satellite Red Tornado built without the knowledge of the rest of the League. His computer mind has been running millions of simulations and has determined that the new League is somehow going to lead to a catastrophe on Earth, and he needs a few trusted members to handle secret tasks the rest of the League cannot learn about in order to stop it.

Writer Saladin Ahmed is taking an interesting path in this book. The story leads us to believe that Red Tornado is unstable, and that all of these predictions and algorithms he’s run are unreliable. Even as Power Girl and Simon carry out their first mission, they’re skeptical as to whether they’re doing the right thing and whether they can trust their robot teammate. But to play that hand so early, to make it seem from the very beginning that Red Tornado may be going off the rails…it feels kind of like a feint to me. I’m willing to bet that we’re going to find out along the way that things are even worse than believing Red Tornado is wrong: we’re going to find out that somehow, he’s RIGHT. Interesting set-up, and I look forward to seeing where this goes. 

Mon. Aug. 25

Comics: Absolute Superman #10, Batman/Superman: World’s Finest #42, Justice League Vs. Godzilla Vs. Kong 2 #3

Confirmed: I still can’t see John Cena.

Notes: Time to wrap up my catch-up weekend (plus one day) with the final three Superman-related comics from my visit to the comic shop. I’m kicking it off with Absolute Superman #10. The battle continues between the Omega Men and Ra’s Al Ghul’s Peacemakers, with Peacemaker Smith on the front line in the hunt for Kal-El. With a Kryptonite bullet in Smith’s gun, Kal-El is faced with a decision, and a reflection onto a hard choice his father once made brings about a surprising result.

The conceit of the Absolute comics is that this is an entire universe tainted by Darkseid, where hope is the eternal underdog and the sort of values that characterize the traditional DC heroes are absent. This issue, Kal-El is faced with the kind of choice that Superman inevitably comes down to at some point in his career, and it’s a testament to Jason Aaron’s writing that, right up until the choice is made, I’m not entirely certain which way I think he’s going to go. 

I like the way the Absolute world plays with characters as well. Concepts like the Omega Men, Peacemaker, and especially Ra’s Al Ghul are not traditional elements of the Superman corner of the DC Universe, but they work in the story we’re getting here. Overall, it’s a good chapter in this saga. 

This am bad serious book.

In World’s Finest #42, Superman and the Dynamic Duo have been summoned to Bizarro World to help with a plague. The Bizarros (including Bizarro Superman #1 and Batzarro) who are infected find their minds realigned to a more Earth-like way of thinking. Such a danger can’t be allowed to spread, so they’ve turned to our heroes to save them…but together, they find that the danger may be greater than even the plague seemed to be.

Mark Waid is doing some really interesting things with the Bizarros here. He plays with the notion of how science and physics don’t really allow for something like a square planet and what the consequences of such a world would be. At the same time, he tackles the Bizarro philosophy of things being “backwards” as well, in a way that makes me feel slightly abashed for my criticism of the Bizarro story in the recent Kal-El-Fornia Love summer special. There’s also a great moment for Batman here – Robin (understandably) questions why it would be such a bad thing if the Bizarros all had their minds reversed to what we think of as “normal.” Batman’s response is a little unexpected, at least until he gives his reasoning, displaying a depth of compassion that Batman isn’t often given credit for. It’s a good look on Bruce.

So they’re sitting around watching Japanese movies, so what?

I finally get to the end of the new Superman titles (less than 48 hours before this week’s comics go on sale) with Justice League Vs. Godzilla Vs. Kong 2 #3. At the center of the Earth, Superman and Lex Luthor are forced into an uneasy alliance as they come across a herd of giant gorillas. (A herd? A pride? What are a group of gorillas called? I should probably look that up.) On the surface, meanwhile, Supergirl and Wonder Woman get to work liberating a Monarch base being held captive by Task Force X, and Harley Quinn gets involved in a rather…unique therapy session. 

Obviously, I love crossovers, and seeing the League facing off against the Kaiju of the Legendary Monsterverse is a lot of fun. I particularly like bringing in the Suicide Squad as an alternative antagonist in this story. But it’s the sort of thing that’s a little hard to hold in your head from month to month. Waiting for the trade isn’t a practice I care for, but this is probably a situation where the story will read better in collected form than issue-to-issue. Once it’s over, I’ll have to re-read the whole thing in a lump. 

Tues., Aug. 26

Comics: Spider-Boy Team-Up #1, Unlimited Access #1-4

They don’t call ’em “Legion” for nothing.

Notes: We’re going to end our journey through the Amalgam Universe and the DC/Marvel Omnibus today with Spider-Boy Team-Up #1, and the subsequent Unlimited Access miniseries. The final one-shot, written by Roger Stern and Karl Kesel (cleverly Amalgamated into R.K. Sternsel) with art by Jose Ladronn, features the return of the Arach-kid with a special guest appearance by his pals in the Legion of Galactic Guardians 2099, and that in and of itself should tell you that at this point they were going WILD with the Amalgamations. At Cadmus, as preparations are made for the Kid’s upcoming nuptials to Mary Jane Watson, aka the Insect Queen, the Kid is plucked from the timestream and brought to the far-flung future, where the Legion is about to elect a new leader. Will it be Vance Cosmic? Martinex 5? Cannonfire? Multiple Mai–you know what, there’s too many, I’m not going to list them all. But it’s pretty interesting to note that there are so many Legionnaires that there aren’t enough Guardians to Amalgamate them all (or at least, there weren’t at the time) so they wind up mashing together with virtually any Marvel character that fits: Dream Girl and Destiny made up Dream Date, Matter-Eater Lad and the Trapster made Paste-Eater Pete, and my personal favorite, Bouncing Boy and Speedball mashed into Bouncing Ball. Unfortunately, Spider-Boy’s time displacement is causing stress on the time stream, and he winds up falling into different time periods, meeting different incarnations of the Legion.

The book turns out to be a real celebration and gentle parody of the Legion, poking some lighthearted fun at the various reboots the team has undergone over the years, a topic with which I have some passing familiarity. Even Ladronn’s artwork works really well, emulating the different styles of Keith Giffen’s Five Years Later era just as neatly as he does the Chris Sprouse-inspired Reboot Legion. The ending is a really nice touch, tying together the “2099” part of the melding with the only Legionnaire that it could possibly have been. Even divorced from the rest of the Amalgam comics, Spider-Boy was a glorious, joyful, wild experiment. Man, I hope the upcoming facsimile edition is just a precursor of things to come.

Something about Thor-El is kinda…compelling…

The last gasp – both for the Amalgams and for the Access concept of Marvel/DC Crossovers, came in the 1998 miniseries Unlimited Access by Karl Kesel and Pat Olliffe. The story starts with Access, the “Cosmic Hall Monitor,” popping back to his home in Marvel’s New York after sorting out a recent encounter between Spider-Man and Batman. Kesel implies here that this particular crossover had Access looking on from the background trying to keep things straight. As a concept, it actually would work to explain EVERY Marvel/DC crossover – Access, or someone like him, keeping an eye on temporary fusions between the worlds, which the respective heroes forget after the fact. If they decided to run with it that way.

Access has to untangle the appearance of Mantis – one of Darkseid’s lesser goons – in battle with Spider-Man, a fight that gets escalated when Juggernaut and Wonder Woman wind up in the mix. Things get even crazier when he takes Diana home only to find himself tangled in a fight between a still-savage Hulk and Green Lantern Hal Jordan…who is DEAD.

Superman doesn’t actually show up in the first few issues of this miniseries, so I’ll cut to the chase: as it turns out, Access doesn’t just bounce back and forth between universes, but discovers he can bounce back and forth in TIME as well, allowing him to meet the different versions of the Marvel and DC heroes from any point in the timestream (including the “Days of Future Past” X-Men from the distant year 2012). He’s also got the ability to create Amalgams, merging characters from the two worlds into one, which comes in handy when it turns out he’s being tracked by Darkseid, who wants his ability to traverse the worlds. By issue three, Amazing Grace has hypnotized the original Avengers and Justice League into battling each other, and Access decides to reach out for the only hero who stands a chance of fixing this mess: big blue himself, Superman. And I mean Superman during his electric blue era. It takes literally seconds for Superman to jolt everyone back to their senses, then he and Captain America mobilize the two teams to fight off Darkseid’s invasion of the Marvel Earth. But the crazy just keeps coming with the Brotherhood of Evil Mutants, the original X-Men, and a group of teen heroes who – just months later – would wind up getting their own title as Young Justice. 

By issue four, Darkseid and Magneto are teaming up to take over the world (this is early Magneto, when he was still into that kind of thing) and the heroes decide to combine their powers – literally – into a single strikeforce of Amalgams. Black Canary and Jean Grey: Jean Black! Giant-Man and Green Lantern: Green Goliath! Captain America and Captain Marvel Jr.: Captain America Jr.! I know, I didn’t write it. And of course, Superman and Thor are fused together as Thor-El. 

The fun part here is seeing these new Amalgams throw out casual references to help the reader to understand what they’re like in their own minds: Captain America Jr. possessing the “wisdom of Lincoln,” for example, or Thor-El referencing the Valhalla Zone. The series, and the history of Access, end with him accepting the truth about himself, beating Darkseid, and swearing to prevent a future he doesn’t want to experience. 

Reading this story again now, there’s so much potential left in this concept, and thanks to the nature of Access’s powers, there’s no reason that Marvel and DC couldn’t pick up on it again at any time. With new crossovers (finally) on the horizon between the two of them, the chance is right there. I don’t know if they’ll take it – I certainly hope so.

But for now, at least, our journey with Superman and the heroes of other worlds has come to an end. And I think it’s time to rededicate myself to stories focused around Clark Kent himself. That in mind, next week, I’m going to embark upon my re-read of the longest Superman saga I’ll have yet tackled for the Year of Superman blog. See you then!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Geek Punditry #138: Riverdale in Crisis

It’s a dark time for America’s Favorite Teenager. After 50 years of continuous publication, Archie Comics has ended its traditional digest comics program. Once a mainstay of supermarket and drugstore magazine racks, these little pocket-sized volumes were long considered the best value in comics, giving you hundreds of pages of Archie stories – usually a mixture of new stories and reprints – for a bargain price. Even when the price rose to $9.99 a few years ago, ten bucks for nearly 200 pages is a great deal compared to most other comics, which tend to run $3.99 or $4.99 for a page count that usually ends in the twenties. What’s worse is what the Archie digests have been replaced with: a new series of “seasonal” digests, beginning with a Halloween special, that are slightly taller than the previous digests and have half the pages, but maintain the $9.99 price point.

Surprisingly, this week’s column is not actually about Halloween.

Going from 196 pages down to 96 for the same price? It’s still more story than most comics, I grant you that, but it’s also a bit of a slap in the face to the readers.

I grew up reading Archie Comics. I loved the exploits of Archie and Jughead, I reviled the loathsome Reggie Mantle, I could not fathom why Archie wasted so much time on Veronica when Betty was clearly the better choice. And I was joining a long string of readers that went back to the 1940s, filling in all the eras in-between. My mom was never interested when I was reading X-Men or ShadowHawk, but she was an Archie reader from way back, and we even talked about them together sometimes. My sister only ever read two categories of comic books: Archie and Star Trek. This was a company with generations of fans and without the stigma of being “just for boys” that the superhero world often faced..

But that’s the problem, isn’t it? “Was.” There aren’t enough fans anymore. There was a time not too long ago when Archie Comics were the best-selling comics in America. The official sales numbers rarely reflected this, of course, as the comic book best-seller charts were based solely on the sales of Diamond Distribution to comic book stores and didn’t factor in sales in other markets, which is where Archie did the bulk of their business. But those newsstand sales have fallen precipitously, and the bankruptcy of Diamond itself has caused an upheaval in the comic book world that has many publishers flailing in an effort to figure out what to do next.

Archie has bigger problems than even that, though. With the exception of the digests, Archie hasn’t published monthly comics in several years, and their output of new stories has been reduced to a trickle. Most Archie comics these days come in one of three categories:

One-shot comics built around a theme (like sports or video games) or holidays (like Halloween and Christmas). These comics usually have one new story and several reprints. The biggest problem here is that the new stories are frequently a mere FIVE pages, hardly worth the asking price. What’s more, Archie has fallen into the speculator trap in two ways. First, they load these books up with an obscene number of variant covers. I’m not a huge fan of variants in general, but I particularly dislike them in comics that should theoretically be aimed at kids, because a kid might not realize they’re buying the same comic over and over again. The other issue is that Archie often touts these one-shots as being the “first appearance” of a new character – a relative of one of the existing characters, a new kid in school, two weird little apparitions that function as Halloween sprites, and so forth. The conventional wisdom here is that speculators will snap up “first appearances” in the hopes that the new character will take off, making their first appearance valuable on the secondary market. But with no new comics being published in which these new characters are allowed to grow and star in stories and build a fan base, who the hell is ever going to care where their first appearance was? 

“Introducing DAISY THUNDER! Wow, buy TWELVE copies!”

The second kind of book Archie is publishing is the (very) occasional “special” issue, such as the recent Archie Meets Jay and Silent Bob one-shot or last year’s Archie: The Decision. The former has the wholesome Riverdale gang meet the foul-mouthed denizens of Kevin Smith’s View Askew films, and in fact, the book was written by Smith himself. The clash of worlds is an amusing idea, but it’s something that primarily only appeals to existing fans of Kevin Smith, which is to say, people around my age. This isn’t a book you can – or should – give to your kids to get them into Archie. The Decision, meanwhile, was a special written by comic book superstar Tom King (he wrote the graphic novel that they’re making into a Supergirl movie right now, as a point of interest), and was advertised as being the story in which Archie FINALLY, after all these decades, would decide which girl he wanted to be with: Betty or Veronica. Spoiler alert: he didn’t decide.

This was the biggest tease since that Craig Ferguson movie.

The last category of Archie comics is the facsimile editions, something that lots of other publishers have been doing. These reprint classic comics, complete with the original cover, letter columns, ads, and everything else. It’s a cute idea, and I really have no issue with Archie indulging in this, except for the problem I have with EVERYBODY’s facsimile editions: variant covers. What’s the point of a facsimile with a different cover than the original? It’s no longer a facsimile, is it? (That’s a facetious question, of course. All variants are done for the same reason: to get people to buy multiple copies, a short-term boost, rather than the healthier strategy trying to get more PEOPLE to buy at least ONE copy.) 

There are the occasional others – maybe one or two miniseries a year that come, go, and are quickly forgotten. But with this meager output, it’s no wonder that Archie’s fanbase has collapsed. There are a lot of people reading this right now who are probably surprised to find out that Archie is still in business AT ALL. As kids’ attentions have shifted from written material like comics to electronic entertainment like video games and YouTube, the original pool of fans that Archie was created for has evaporated. Pre-existing, older fans drift away because it’s just “kid stuff.” And nobody is filling the void.

Not to say Archie hasn’t had chances, but they’ve squandered them. In 2013, for example, they had a hit comic with Afterlife With Archie, a straight-up horror series featuring more “mature” versions of their classic characters in the midst of a zombie apocalypse. The book was huge and it spawned a whole line of Archie Horror, with other titles starring Jughead as a werewolf, Veronica as a vampire, and Sabrina the not-so-kid-friendly Teenage Witch. But the book that launched the line, Afterlife, frittered away, putting out only 10 issues over the next three years and then vanishing when the writer, Roberto Aguirre-Sacasa, moved his career focus from comics to writing for television. The series was left unfinished, and it’s hard to even recommend it to new readers, knowing that the story has no conclusion.

“This is great! Where’s the rest of it?”
“Remember when you told me to watch Firefly? Well now we’re even.”

Ironically, Aguirre-Sacasa’s TV career involved another missed opportunity for Archie, developing the TV show Riverdale. This was a much more adult soap opera type of story starring the Archie characters, and although I was never a fan, I could appreciate just how big of a hit it was. I routinely had students in my classroom during the years that the show was on the air who discussed Archie, Betty, and Veronica the same way they did the likes of any other popular series. But if they were even aware of these characters’ comic book heritage, they didn’t care. Once, when I bought one of those aforementioned digests while grocery shopping, the cashier saw an ad for Riverdale on the back cover and started talking about how much he loved the show, going on about which characters he hated and which ones he shipped. But when he flipped the book over and saw the more traditional Archie characters on the front cover, he may as well have been staring into outer space. As popular as the show was, Archie Comics did nothing to capitalize on that while it was on the air, and now the opportunity has passed.

The point of all this is that Archie is in serious trouble. Trouble that I don’t even know if they can get out of, at least not alone. But I do have a few ideas. Could any of them work? I really don’t know, I’m not a businessman or an expert on markets or anything like that. But I’ll tell you this much: they’re at least better than doing NOTHING.

The first thing Archie needs to do is rededicate itself to actually putting out new material. And I don’t mean the occasional one-shot, they need to get into the monthly comic book game again. I would start small, giving the line four comics a month: the stalwarts Archie, Jughead, and Betty and Veronica, with the fourth spot being left open for themed one-shots, holiday specials, crossovers and the like. But these should most definitely NOT be the reprint-fests that we’ve gotten the last few years. Reprints are okay, especially for a property like Archie where the classic stories are somewhat evergreen and can both entertain (potential) new readers and charm the older readers who enjoy seeing them again. But they should NEVER be the primary focus of a four dollar comic book. New material should make up at MINIMUM half of each issue, preferably more. 

As far as the stories themselves, I think Archie should split the difference between the old-school comedic quickies and the soap opera. Keep the comics fun and lighthearted, but allow for ongoing storylines and character growth as well. Make the stories a little more sophisticated, and you’ll hold on to readers longer. You can still do one-off gag comics as backups if you really need to scratch that itch. 

Second, I think Archie needs a partner. Over the last several years Valiant Comics went through similar problems as Archie is having, with mismanagement and poor decisions killing their brand. Valiant is in something of a rebuilding stage, which they accomplished by partnering with another publisher, Alien Books. Although still two different companies, Valiant publishes through Alien and the Alien logo appears with the Valiant logo on their covers. Valiant handles the production; Alien handles the publishing. So far it seems to be working fairly well. If Archie is struggling on this end, then a similar arrangement with another publisher might be beneficial for them.

See? They had a resurgence and everything.

The Diamond bankruptcy hit everybody as well, making it harder to get comics on the racks, and those companies that had not done so already started to sign contracts with other publishers and distributors to get their books out again. Once again, Alien and Valiant found a lifeline by turning to another publisher, this time IDW, to utilize their distribution system. Now the Alien and Valiant comics appear in the IDW catalogue that comes out in comic shops every month. Partnering with a larger publisher, once more, would help Archie solve this distribution problem.

But what if the problems are deeper than that? Having never been around the Archie offices, I don’t really know what caused the domino chain that led to their current situation, and it’s possible that there needs to be a complete overhaul. So if things are THAT bad, here’s the nuclear option:

Sell Archie Comics to another publisher.

I know, that sounds huge, and it would be a last resort. But if it’s the only way for the characters to survive, I would find that preferable than letting them die. 

Way back in the days of the late, lamented Comixtreme website, I once wrote a column pondering – just in a “what if?” fashion – what would happen if Archie was purchased by DC Comics. Now I’m coming at this from the perspective that it may be exactly what Archie NEEDS. Why DC specifically? Well, DC has a long history of buying up characters from other publishers, and while the popularity of them may wax and wane, the characters from the former Fawcett Comics (such as the Shazam! family), Charlton Comics (Peacemaker, the Blue Beetle, the Question), Quality Comics (Plastic Man, Uncle Sam, the Freedom Fighters) and Wildstorm Comics (WildC.A.T.S., the Authority) all still show up on a fairly regular basis. They haven’t been utterly forgotten like SOME universes I could mention after they were purchased by OTHER publishers I could also mention, and here I would like you to imagine the sound of me coughing whilst squeezing in the words “Ultraverse” and “Marvel” into my hacking fit. 

Why yes, I am too cheap to pay to remove the imgflip watermark, thanks for noticing.

Archie could also fill in a void in DC’s line. They’ve got a robust program of graphic novels for younger readers, which is awesome, but their regular comic books for kids have somewhat dried up. Last year they quietly cancelled their long-running Looney Tunes and Scooby-Doo comics, leaving only Teen Titans Go as a regular DC comic for kids. Archie could fill in there. Furthermore, DC’s multiverse is pretty healthy these days and could easily find room for all the different flavors of Archie. The “Classic” comics could be on one Earth, the more soap opera-y comics from the last decade or so could be another, the horror comics could fill a few more. Heck, they could even print Archie Horror under the Black Label umbrella.

Then there are the Archie superhero comics to consider, the Red Circle heroes. Archie has had superheroes for as long as anybody else, with characters like the Comet, the Fly, and the Black Hood. Hell, Archie even beat Marvel to the punch with the first patriotic superhero, the Shield. Those characters eventually faded after World War II like most other superheroes, but Archie has made many attempts to bring them back over the years, and some of them have been really good.

What’s more, DC has partnered with Archie TWICE in the past to revive the Red Circle heroes, with the Impact Comics universe in the 1990s, then by briefly incorporating them into the DC Universe itself in the late 00s. We could include those worlds as well: the “original” Red Circlers could have their own Earth, the Impact versions could have another, and new, updated versions could be introduced into the DCU. 

You got YOUR Multiverse, we got OURS.

Of course, not being a businessman (you can tell from all the business I fail to do), I haven’t got the foggiest notion how much money it would cost to purchase Archie Comics outright. I do know, however, that DC’s parent company Warner Bros. is in something of a chaotic state itself at the moment, so that’s probably not something that would be particularly high on their agenda. If a purchase is out of the cards, then perhaps a long-term licensing agreement like DC has with Milestone Media could accomplish the same purpose. 

And DC isn’t the only game in town (although I think it would probably be BEST for Archie, should it come to that). There are other publishers with whom they could work out similar arrangements. But it’s at a point where Archie fans are grasping at straws, hoping for anything to keep the characters alive. Something has to be done, and quickly, or Riverdale High School may finally close its doors for good.

And seriously, where is Mr. Weatherbee going to find a new job at his age?

ADDENDUM: After I finished writing this column but before I posted it, Archie Comics happened to make a fairly big announcement: the aforementioned Tom King is apparently working on a new Archie feature film with Universal Studios. This is good news, and I sincerely hope that the movie is a hit, but I don’t think it’ll alleviate any of the problems I’ve been talking about. Getting people to follow the characters to the comic books is the goal here, and historically, very few movies have actually done that. Then again, who knows? Maybe Mr. King’s Archie movie will be the exception. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. He’s still holding out hope for the Jughead Vs. Joey Chestnut one-shot. 

Year of Superman Week 33: Crossover Chaos Part II

It happened when I got home from work on Aug. 13. I turned on my laptop, began to scroll Facebook, and saw the news I’ve been waiting for:

Superman coming to 4K, Blu-Ray, and DVD on Sept. 23!”

Ah, a little something to take the edge off.

Rumors about a release date have been bouncing around for weeks now, but I have reached a point where I ignore anything that isn’t official from DC Studios. When I saw that the Blu-Ray was, in fact, available for pre-order, I showed it to my wife.

“Are you going to pre-order it?” she said.

“I don’t know. I know what’s gonna happen. I’m gonna pre-order it, then a week from now they’re going to announce some super ultra mega special edition that I’m going to have to get.”

“Well then wait.”

“But I want it.”

And then she gave me that Look (married guys reading this know exactly what Look I’m talking about) as I clicked pre-order and proudly announced that I saved $9.99 on shipping thanks to Amazon Prime. 

It’s like starting a whole new countdown. 

As always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug 13

Comics: DC’s Kal-El-Fornia Love #1

Notes: For a few years now DC has been on a pretty good streak with their seasonal anthology specials, including ones for Valentine’s Day, Halloween, the December holiday smorgasbord, and then one that’s more generically “Summer.” The best thing about them are the titles. Are You Afraid of Darkseid? Grifter Got Run Overy By a Reindeer. How to Lose a Guy Gardner in 10 Days. 

Awesome.

This summer’s special is Kal-El-Fornia Love and, for the first time in memory, it’s a seasonal special that is entirely focused around a single corner of the DCU, in this case, the Superman family having adventures on the West Coast. What else do you expect from the Summer of Superman? It came out a few weeks ago, but I hadn’t gotten around to reading it until now…I have to be honest, it always kinda bugs me that DC puts out their “Summer” specials right around the time that my summer vacation ENDS and I go back to work. If you can drop a Christmas special in November, DC, how about giving us the summer special in June next year? 

The special kicks off with “See Spot Fly,” a Superman story by Bryan Q. Miller and Gerardo Sandoval. I know I wrote just a few weeks ago about how good Miller’s Multiversus miniseries was and how I wanted to see more from him, but…this wasn’t it. In the story, something falls from the moon and crashes into the western seaboard, prompting Superman to leap to the rescue…and somehow Lois is Loising in a way that doesn’t really solidify. It’s so weird, Lois is in danger and it’s obvious that Superman has to set out to save her, but the story jumps from the thing falling to Earth to Superman on the rescue so abruptly that I looked back three times to see if I had skipped a page. The story feels woefully incomplete and it doesn’t make a to of sense, and that makes me sad. 

“The Gorilla Ex-Wife of Jimmy Olsen” is a sequel to Superman’s Pal Jimmy Olsen #98, a comic I’ve actually never read but which features Jimmy Olsen marrying a gorilla, so I don’t know why the hell I don’t have eleven slabbed copies already. Written by Christof Bogacs with art by Jacoby Salcedo, Jimmy encounters his gorilla ex-wife, Bruna, an actress, whom he has not seen since be broke her heart. But now she’s mated with (and managed by) Gorilla Grodd. Jimmy is at a Hollywood party to get photos of the new actress, but afraid of an awkward conversation, he instead challenges Grodd to a “Gorilla Games” competition, because that sounds like an amazing idea. Bogacs is channeling his inner Matt Fraction here, telling a nicely comedic story in a way that feels like it could be a lost chapter from Fraction’s Jimmy Olsen series from a few years ago. In the end, though, we actually get to see a little maturity and growth from Jimmy, which can be rare.

Joshua Hale Fialkov and Bruno Abdias give us Power Girl in “Before Sunrise,” although you wouldn’t know it at first. The story actually kicks off with Ice enjoying a basketball game by herself when some nutjob tries to shoot up the place. Ice has the situation handled, but finds an unexpected assist when Power Girl shows up. The bad guys are dispatched quickly and the rest of the story is Ice and Power Girl kind of having a girls’ night – not a party night, but a night where they just go out and engage as friends, having conversations about their lives and their place in the world. It’s an odd little story, the sort of thing that I somehow doubt will ever be referenced again, but there’s a sweetness to it that I find pretty endearing. And I love the way Abdias draws both of the heroines. 

“Against the Wind” by James Reid and Jon Mikel gives us Bizarro on a journey to become a hero. At least…he TRIES, but things like saving kittens from a bridge collapse instead of the humans using the logic that the kittens (unlike the humans) would never have had swimming lessons makes it a little hard to take him seriously. When he hears that there’s an open casting call for actors who want to play Superman in a movie, though, he sees a chance. I have mixed feelings about this one. It’s funny, it’s genuinely funny, but it also doesn’t seem as though Reid quite gets Bizarro. He’s an imperfect duplicate, he does the OPPOSITE of what he’s supposed to do, but that’s not what happens in this story. Is it FUNNY when he winds up at Mardi Gras instead of Hollywood because “Louisiana” and “Los Angeles” are both abbreviated “L.A.”? Sure. But that’s not OPPOSITE, that’s just him being stupid. The whole story is full of stuff like that, stuff that works for a GOOFY character, but doesn’t make sense even for Bizarro logic. 

Lois Lane stars in “Bite of the Apple” by Meghan Fitzmartin and Marcial Toldedano Vargas. Lois is invited onto a podcast hosted by a razor-tongued host who wants to take Lois to task for her coverage of a recent murder case. Turns out there’s more to the podcast that meets the eye. It’s…okay. The story has a good handle on how Lois views the responsibility of a journalist, but it doesn’t really explain why she’d agree to be on a podcast like this in the first place, let alone why Wonder Woman shows up at the last second. (She says Lois’s sister contacted her. How the hell does Lucy Lane have Wonder Woman’s phone number?) 

“Across the Room” by Brandon Thomas and Juni Ba stars the Steels, John Henry and Natasha Irons, hitting the beach on a little vacation. At least, they’re trying, but stuff just keeps happening. This is another confusing story, but this time I have to feel like the art is at least partially to blame. The story is kind of about Natasha hitting it off with a girl at the resort they’re staying at (in-between scenes of her behaving like a petulant teenager for no apparent reason), but there’s a focus on a Superman “birthmark” she has on her ankle. It’s drawn in such a way, though, that at first I wasn’t even sure whose ankle I was looking at. When it turns up again, when she’s in armor, there is ZERO explanation for why it’s visible. Where did her armor GO? Why is her foot bare? There’s goo on it – is the monster she’s fighting made of acid? Comic book art has to tell a story, and this one kind of falls short on that front.

Dave Wielgosz and Joey Vazquez give us “Who Do You Belong To?” The story starts with Jon Kent in flight over the forests of northern California trying to investigate something that has been ripping up the trees. The creature turns out to be an escapee from Cadmus, though, and he’s already got another member of the family on his trail: Conner Kent. Turns out the “monster” was once his pet at Cadmus, and he’s there to save him before someone destroys him. It’s a good setup, but the execution is a major split decision. Jon feels awkward around Conner, not knowing exactly who they are to one another, which is somewhat fair. Conner feels awkward around Jon because he feels inferior, like compared to Jon he doesn’t quite deserve the name “Superboy,” and that is utterly preposterous. Conner Kent was around for two decades of real time before Jon showed up. He proved himself time and again. He died saving the entire universe in Infinite Crisis. Jon…hasn’t. There is no world in which I accept Conner feeling inferior to Jon. Awkward? Sure. Confused? I’ll take it. Intimidated since Jon is Superman’s “real” son? Fine. Inferior? Hell no. This story is SO symptomatic of the fact that DC does not know what to do with these two characters anymore, a problem exacerbated by the fact that of Jon’s two identities, neither of them fit anymore. He was Superboy when Conner was MIA. He became Superman when his father was off-world. Now they’re both back and he has no identity. Even the recent Secret Six miniseries has been calling him “Super Son,” which is better than sharing somebody else’s name, but hardly a sustainable identity. 

For God’s sake, DC, can we please all recognize the fact that the name “Valor” isn’t in use at the moment? I know it doesn’t start with an “S,” but it’s got history and it would at least START to fix this ridiculous problem you created for yourselves.

Anyhoo, the last story in the book is “Something in the Water” by George Mann and Travis Mercer. Supergirl hits the beach only to wind up fighting some sort of giant Kraken-type sea monster. Turns out it’s an eldritch abomination. Fortunately she has a little help – John Constantine drops by for a visit. The story is pretty straightforward, honestly. No twists, no surprises, it’s so barebones that it almost feels like a lost plot from the Silver Age. That said, the art is great, and the wildly different personalities between Kara and Constantine makes for a fun couple of pages.

I wish I liked this book more than I did, but of the eight stories, only the Jimmy Olsen, Power Girl, and Supergirl stories left me feeling fully satisfied. Three out of eight isn’t a great score.  

Thurs., Aug. 14

It’s been sitting here all year, and I think the time has finally come for me to dig into the second of the two DC Vs. Marvel omnibus editions that came out last year, the one collecting the original DC Vs. Marvel miniseries, most of the Amalgam one-shots from the two waves that were released, and the two sequel miniseries DC/Marvel: All Access and Marvel/DC: Unlimited Access. It’s gonna take me a minute to get through this whole monster because, although the Year of Superman is clearly my calling, I do still have a job and a wife and a child. And I’m not going to write about EVERY comic in the omnibus either, just the ones featuring Superman, a member of the Superman family, or one of their Amalgamated versions. If I happen to hit a day where none of the books I read for this feature a Super, I’ll have to squeeze in some other content to keep the streak alive. 

It’s a thankless job, but somebody has to do it. 

Comic Books: DC Vs. Marvel #1, Marvel Vs. DC #2, Batman: Gotham By Gaslight-A League For Justice #1 (Team Member), Jon Kent: This Internship is My Kryptonite #3

The shot heard ’round the nerd world.

Notes: This epic crossover, written by Ron Marz and Peter David (alternating issues) with art by Dan Jurgens and Claudio Castellini (jamming together on all four) starts simply: Spider-Man swinging through New York City and encountering a man trying to hold together a glowing cardboard box in an alley. He drops in to investigate, only to be struck by a shaft of light that transports him across universes to Gotham City, where he encounters the Joker. The box continues to send out streams of light, striking hero and villain alike and transporting them from one universe to another. As new alliances are forged, Clark Kent is paired up with the Daily Planet’s newest photographer, Peter Parker, and together they hope to solve the mystery. Meanwhile, in a place between worlds, the Spectre and the Living Tribunal are helpless to watch as two gargantuan entities, the Brothers, come into contact with one another. In the second issue, we learn that the Brothers were cosmic entities who came to blows untold eons ago, splitting into two different universes and forgetting their connection to one another. Now the awareness has returned and each brother, the embodiment of a different universe, seeks to prove his worlds’ superiority. They plan a contest, each choosing 11 champions from their respective worlds to do battle, with the world that loses vanishing forever. The first round ends with DC ahead 2-1, with Flash beating Quicksilver, Aquaman beating Namor, and Thor beating Captain Marvel. Meanwhile, a young man named Axel Asher learns the truth of his life – he is a sentient piece of the Brothers, and his powers are awakening.

I was in college when this miniseries came out, and when I say it was a big deal for comic fans, there can be no understating that. These were the fights that we’d been debating our entire lives, and now they were gonna be canon. Not only that, but fans were gonna get to VOTE on five of the eleven matches. And it was done by an all-star creative team, with only Claudio Castellini being kind of an unknown here in the States. It was a dream come true.

Looking back on it all this time later, there are things I like and things I don’t. In his introduction to the book, Ron Marz says that the decision was made to use the contemporary versions of the characters, such as the Ben Reilly Spider-Man, the long-haired Superman, and Thor wearing…whatever the hell he was wearing in the 90s. The argument was that part of the impetus for the miniseries was to pump new excitement into a comic industry that was in trouble, thus using the characters as they were currently appearing in the comics made the most sense. From a business standpoint I get it, and it worked, but you can’t deny that it dates this book badly, locking this in to a specific time period much more than many of the other crossovers I’ve read. Despite that, there are little moments that I just love: when Spider-Man meets the Joker, Joker refers to their previous encounters in the Batman/Spider-Man crossover – a crossover that Spidey doesn’t remember, but that the Fourth Wall-leaning Joker does. Peter David, in the second issue, really mines his well of comic knowledge, and do so with good humor as well: we get a scene of Rick Jones and Snapper Carr arguing over who’ll win the battle between Thor and Captain Marvel, for instance, and Aquaman’s victory comes when he wallops Namor with a killer whale, claiming that Namor’s weakness is that he’s too noble to cheat. 

Superman’s part in the first two issues is somewhat minimal. We see him meet up with Juggernaut at the beginning, then it’s more of a Clark Kent/Peter Parker (but still Ben Reilly, don’t ask) team-up as they poke around fruitlessly, trying to figure out what’s happening. I like seeing those two characters together, but as their investigations ultimately go nowhere, it feels a bit like wasted space. Marz and David clearly were doing the best they could to have the characters of each world collide with one another on every page, and some of those pages feel like they could have been handled differently.

There’s a nostalgia inherent in these pages that I love, however, and even just two issues into this enormous book, I’m having fun already. 

Fri., Aug 15

Comic Books: Marvel Vs. DC #3, Super-Soldier #1

“CORENSWET!”
“CAVILL!”
“CORENSWET!”
“CAVILL!”
“DUCK SEASON!”

Notes: The third issue of Marvel Vs. DC is the main event, the issue where the rest of the battles are revealed, including the five matchups that the readers were allowed to vote on. It’s also, in many ways, the least satisfying part of the story, largely BECAUSE of those matches. Sure, there’s fun to be had in having the characters face off against each other. That’s kind of the point of the whole thing. But by leaving the results open to a vote, we were left with several fights that didn’t really work. I’m not the sort of reader who likes to get into the “who would in in a fight?” arguments online because the real answer is always the same: whoever the writer wants to win. But even then, it’s incumbent upon the writer to come up with a satisfying way to reach that conclusion, and that doesn’t always happen here with the fights that are nothing more than popularity contests. Storm defeats Wonder Woman by striking her with a bolt of lightning, something that a character of her power level should be able to shrug off with minimal trouble. Lobo loses to Wolverine by DUCKING BEHIND A BAR and having Wolverine as the only one who pops up, a cop-out so egregious that even writer Ron Marz recognizes it in the introduction to the Omnibus. And Batman manages to beat Captain America only because the latter is struck by a wave of storm runoff flushing through the sewer where their fight is taking place. None of these are satisfying in a narrative sense.

The two audience-decided fights with results I DO agree with, coincidentally, are the two fights involving a member of our Superman family. Superman faces off against the Hulk, and this being one of the eras in which the Hulk had Bruce Banner’s mind, getting him angrier doesn’t automatically ramp up his strength to absurd degrees as happens with some writers, so Superman’s victory is really never in question. Then Superboy faces off against Spider-Man, and although Superboy is far more powerful than Spidey, I give the tip of the hat to Spider-Man’s experience. Even this Spidey, the Ben Reilly Spidey, has had years of practice taking down opponents much more powerful than he is, so taking down a cocky Superboy isn’t a stretch.

This issue ends where the real fun begins, though, with the two Brothers deciding NOT to eliminate the losing universe after all, but instead attempting to re-form into a single being. In so doing, their universes merge as well. The Marvel Universe is gone! The DC Universe is gone! In their place stands only the AMALGAM AGE OF COMICS, a line of one-shots featuring merged version of the heroes of two worlds. The Amalgam comics had a great conceit – not only were they mashups of the Marvel and DC heroes, but they were written in such as way as though they had existed since the Golden Age, that there was a whole universe of history behind them, and that we were just seeing the first issues of a relaunched wave of titles. 

“When Super-Soldier throws his mighty shieeeeeeld…”

Super-Soldier #1 is the first such issue in the volume, a comic by Mark Waid and Dave Gibbons featuring a fusion of Superman and Captain America. In 1938, an alien spacecraft crashed on Earth with no survivors, but the government used samples from the alien remains to enhance the ongoing super soldier program, giving incredible power to a new hero who could have won World War II almost singlehandedly had he not been lost in battle with the insidious Ultra-Metallo. It would be 50 years before he was found frozen in ice and thawed out by the Judgment League Avengers, returning to the world as Super-Soldier. Now, an attack on Daily Planet editor Jimmy Olsen sends the Super-Soldier into battle with his arch enemy: Lex Luthor, the Green Skull.

It’s a little hard to assign credit for this one. It’s unclear how much of the world is the result of the creative team of any individual issue and how much can be attributed to the think tank that crafted the Amalgam Universe as a whole. I’ll err on the side of caution, though, and praise Mark Waid and Dave Gibbons for just how well this comic book works. All the little bits and pieces of both Superman and Captain America lore link together seamlessly, without some of the clunky leaps in logic that plague many of the other Amalgam comics. It’s probably because this book had (in my opinion at least) the most talented creative team of the entire lot, but I loved Super-Soldier. I also love the fact that the Omnibus also includes a lot of the supplemental material, such as the fake letter pages from the original comics that drop nice tidbits about the world of Amalgam comics in the midst of inside jokes and Easter Eggs. It makes the read all the more enjoyable. 

Sat. Aug 16

Short Film: Krypto Saves the Day: School Bus Scuffle

Look at that good, good, dopey-looking good boy.

Notes: I got an unexpected surprise this morning when I discovered that DC Studios has dropped the first of four Krypto animated shorts on their YouTube channel. School Bus Scuffle is first, with Coastal Catastrophe, Halloween Havoc, and Package Pandemonium all coming (presumably) soon. I love the fact that Krypto has kind of become the breakout character from the Superman movie (now available digitally!) and I’m gleeful to see what else they do with our good boy.

Written and directed by Ryan Kramer, in this short Krypto catches a glimpse of a pigeon and embarks upon an epic chase across the skies of Metropolis – a chase that quickly spirals into potential disaster for a school bus on the way to Metropolis Elementary School. Like in the movie, Kramer’s Krypto is very dog-like – easily distracted, prone to chasing things that look interesting, and with the potential to cause some real chaos with just the wag of his tail. But despite that, he shows that he really is a good boy at heart. There’s a lot of humor in this short, including running bits with the kids in the bus (including one who’s taking a nap) that are particularly amusing. I’m really looking forward to the next three shorts in this series. 

Comics: Bruce Wayne: Agent of S.H.I.E.L.D. #1, Spider-Boy #1

Notes: Although Bruce Wayne: Agent of S.H.I.E.L.D. by Chuck Dixon and Cary Nord doesn’t feature Super-Soldier or any other Superman family Amalgams, I thought it was worthy of mention because it does carry over the Green Skull Lex Luthor from Super-Soldier #1. In this one, Bruce Wayne’s parents were assassinated by Hydra as a child, prompting him to join S.H.I.E.L.D. when he grew up. Now he’s risen through the ranks and turned the spy organization into his personal army with one goal: vengeance against the Green Skull. Flash forward to the present day and he’s using a rig designed by Tony Stark to lead a strike force against Hydra, including special agents Moonwing (Moon Knight/Nightwing) and Huntress (Sharon Carter/Barbara Gordon). This is an interesting one, showing that the “Amalgamations” aren’t always one-to-one. Madame Hydra, for instance, is secretly Selina Luthor. Jason Todd shows up in a Deathlok suit, although the characterization doesn’t really fit either of them, and Bane MAY be mashed up with Crossbones, but he may just be mashed with a generic Hydra mook, too. We get to see Sgt. Rock with Nick Fury, though, and that’s good times.  

Alas, ‘Ringo, we hardly knew ye.

Spider-Boy #1, by Karl Kesel and the late, legendary Mike Wieringo, is still one of the favorites of this event, and in fact, it was recently announced that this will be the first Marvel/DC crossover book to get the facsimile treatment that’s so popular these days. Mashing up Spider-Man and Superboy was probably a clever little joke on the fact that, act the time at least, they were both clones, and the result is one of the highlights of the entire DC Vs. Marvel era. The book opens up in Project CADMUS, with the titular Spider-Boy defending the genetic project from the invading Bizarnage. From there we get a glimpse of his origin: part of an experiment to replicate the Super-Soldier project, it wasn’t entirely successful, killing geneticist Peter Parker in the process. The resultant specimen had a portion of Super-Soldier’s strength and the ability to alter his personal gravity, making it appear as though he could cling to walls, thus the spider-theme.

I can only imagine the fun Karl Kesel had putting all the Super and Spider Lego pieces together in new ways here. The kid is raised by his “Uncle Gen,” aka GENeral Thunderbolt Ross, who is killed by a burglar. He creates a secret identity paying tribute to his two late “fathers,” calling himself Pete Ross. And Cadmus’s staff include a murderer’s row of big brains from both universes: Reed Richards, Ray Palmer, Hank Pym, Otto Octavius. We even get to see S.H.I.E.L.D. agent Sue Storm, her brother Johnny, and Senator Ben “Rocky” Grimm. It’s the kind of absurd thing you create when you’re a kid, or wild fanfiction made semi-canon by circumstances. 

All of it is wrapped up in the joyfully energetic and playful artwork of Mike Wieringo, the first face that would go on a Mt. Rushmore of great comic book artists whose careers – and lives – were tragically cut short. Under ‘Ringo’s hand the Kid looks – and behaves – far more like Superboy than Spider-Man, but that’s not a problem. Most of these Amalgams tend to lean a little harder on one “parent” than another, and the glorious mishmash of pieces in this comic book make it more than worth reading. No offense to Dan Slott or Bailey Briggs, but this is the character I’m always going to think of when somebody mentions Spider-Boy. 

Sun., Aug 17

1938-2025

This is rapidly becoming my least-favorite part of the Year of Superman, but once again, we’ve lost someone who left an amazing impact on the world of the Man of Steel, and it’s only fitting that we take a moment to pay tribute. Oscar nominee and legendary actor Terence Stamp, best known as General Zod to fans of the Christopher Reeve Superman films, has passed away at the age of 87.

If you grew up watching the Reeve films, then Terrence Stamp is indelibly etched in your mind: a cold, stark face of villainy, with a voice that sends chills down your spine. Who among us can read the words “KNEEL BEFORE ZOD!” without hearing them in his voice? Stamp took a character who had been an occasional antagonist for Superman in the comics to being one of his most recognizable foes to the world at large, probably second only to Lex Luthor himself. 

But beyond that, he had an incredible body of work in film and television, including another Superman connection that many of us forget. Despite being most famous as Zod, Stamp was tapped to provide the voice for Superman’s father, Jor-El, for several episodes of the Smallville TV show. 

He was one of the greats, and he’ll never be forgotten.

Comics: X-Patrol #1, Assassins #1

Dreams like this are why you don’t eat burritos late at night.

Notes: Continuing my read of the Amalgam books, but there are less Super-connections in this batch. X-Patrol #1 features the titular team (a mashup of X-Force and the Doom Patrol, although like many Amalgam books, it picks up bits and pieces of other characters as well) in battle against the insidious Dr. Doomsday (Dr. Doom/Doomsday – do I really need to point some of these out?) as well as features a quick panel where we see “alternate dimensions” featuring fractured versions of the Amalgam heroes (in other words, the REAL Superman, Spider-Man, Batman, Wolverine, and Wonder Woman). 

Assassins is a weird one: Catwoman and Elektra are merged into Catsai (a clever play on words), while Daredevil and Deathstroke are turned into the gender-flipped Dare the Terminator. The two of them are going after the Big Question (Kingpin/Riddler) in this book that, frankly, is kinda dull outside of giving us another half-dozen mashups. I mention it only because of the inclusion of Jimmy Urich, a combo of Jimmy Olsen and Ben Urich, naturally. The reason I’m bringing it up here is because it does kind of raise the question as to HOW tightly the Amalgam Universe was plotted out. We already saw Jimmy Olsen appear as an older version of himself in Super-Soldier, where it was somewhat implied that he filled the “Bucky” role in the Soldier’s World War II-era adventures. Having another mashup of him is curious. Not that this is the only character to appear more than once. This issue also has “Wired,” a combo of Cable and…I’m actually not sure who he’s supposed to be mashed up with. But we already saw Niles Cable over in X-Patrol, where he was mashed with the Doom Patrol’s Niles Caulder. 

This is the kind of stuff that only mega nerds would care about, of course. But as an official mega nerd, I reserve the right to care. 

Mon., Aug. 18

Comics: Taste of Justice #3, Fire and Ice: When Hell Freezes Over #4 (Guest Appearance)

Yeah, but you’re an easy mark, Arthur, be honest.

Notes: Today is Open House at my school for the fall semester, that night when parents are invited to come down and meet their children’ s teachers, discuss what’s going to happen in my class, and ask me vital questions like “Where’s room 121?” What that means for me, practically, is that I won’t have a chance to go home after work and read anything today. Instead, in the gap between my last class and when the parents start showing up, I’m going to squeeze in a couple of recent items from the DC Universe Infinite app, such as the DC Go! Comic Taste of Justice #3. I mentioned this comic before when I read issue #1: a clever little experiment in which the writer (Andrew Aydin) tries to work in a story surrounding a cooking demonstration. This issue is co-written by real life chef José Andrés, who appears in the story as a friend of reporter Clark Kent. Brainiac is doing Brainiac things that threaten the world food supply, with certain island nations being most directly affected, so Clark and Aquaman recruit Chef Andrés to help them feed an island community while the Justice League deals with Brainiac.

I have to give Aydin credit here. The concept of this book requires him to come up with a story that leaves a gap to insert a recipe in each issue, and it can’t be easy to come up with creative ways to do that. The first two issues (the first starring Lois Lane and the second starring Cyborg and Beast Boy) have taken the approach of someone trying to teach someone else how to cook. This time around he’s gotten more creative, using a crisis situation as a backdrop and making the food preparation aspart of the emergency response. We also get to see various Justice Leaguers using their powers to help out, such as Aquaman helping catch lionfish to cook and the Flash cleaning and filleting enough fish to feed the entire community in minutes. 

Is the recipe itself any good? I’ve got no idea. I’ve not a chef and I’m pretty sure I’ve never eaten lionfish. But the way they handle things here makes it at least sound appetizing and not too difficult to prepare, which is pretty much what you want out of a comic book like this one.

I also worked in the recent Fire and Ice: When Hell Freezes Over #4. I got the first Fire and Ice miniseries last year because I love those two characters, and I have ever since the Giffen/DeMatteis Justice League days. I decided not to get this sequel series because…well, I love the characters, and I found the first one profoundly disappointing. But not so disappointing that I won’t read it on the app. Superman makes a guest appearance in this issue, as Fire and Ice are in Hell dealing with Neron and Grodd attacks Smallville, which is their current home. There’s a cute little interaction with Superman and Martha Kent (who is a recurring member of the cast), but beyond that, I’m afraid there’s not much to recommend this issue. The supporting cast, like Fire and Ice, have been body-swapped, and the fact that I forgot that until halfway through the book is a testament to how uninteresting those characters have turned out to be. It’s a shame, because Bea and Tora are great characters and I love the fact that they’ve got a showcase. I just wish it were a better one. 

Tues., Aug. 19

Comic Books: Doctor Strangefate #1, DC Vs. Marvel #4, Wonder Woman Vol. 6 #23 (Superman guest appearance), New Gods Vol. 5 #8 (Superman guest appearance), Batman: Justice Buster #26 (Superman guest appearance), Jon Kent: This Internship is My Kryptonite #4

Notes: Today I’m finishing off the last of the Amalgam comics and the first DC Vs. Marvel crossover. The Amalgam books are mostly a little bit of silly fun, without contributing directly to the main storyline, many of them even ending on cliffhangers that were never meant to be resolved. The only exception was Doctor Strangefate #1, written by DC Vs. Marvel co-scribe Ron Marz. In this one, Access (the man with the power to step between the worlds) is being pursued by the titular Strangefate and some of his associates: the Shulk (Hulk/Solomon Grundy), Jade Nova (the Kyle Rayner Green Lantern/Frankie Raye Nova), and the White Witch (Scarlet Witch/Zatanna). Access, it seems, has two shards of the previous universes which can be used to separate them, and Strangefate is trying to stop that, knowing that if Access succeeds in restoring the previous universes, his world will be destroyed. Access escapes at the end of the issue, leading into the finale of the crossover. It’s not really a Superman-related comic, and I mention it mainly because it sets up the end. There is one small concession to the Superman mythos, though: Strangefate’s manservant is Mxy, a combination of Dr. Strange’s Wong and, of course, our old pal Mxyzptlk.

Imagine a sound like the biggest zipper in the multiverse.

Finally, DC Vs. Marvel ended the story with Access revealing that he hid the two missing shards inside of Batman and Captain America before the worlds merged, meaning that in this new universe they’re inside Dark Claw and Super-Soldier. He retrieves the shards and manages to “unzip” the universes, but the Brothers are now at each other’s throats. The worlds are on the verge of collapse, the sky itself is bleeding, even J. Jonah Jameson APOLOGIZES to Spider-Man for all the harassment over the years! And Peter Venkman thought dogs and cats living together was apocalyptic!

The destruction of the two most profitable universes in comics is prevented in an oddly fitting way: the Brothers are on the verge of destroying everything when they are confronted by the two men who briefly held pieces of their form, the men among gods called Batman and Captain America. And as each Brother examines the hero from his counterpart’s universe, they both come to the conclusion that the other world ain’t that bad after all and let the universes return to their natural state.

Makes you wish comic book FANS could learn that lesson, doesn’t it?

DC Vs. Marvel, as a whole, was a fun experiment, but it was kind of short on Superman. In this last issue we only see him briefly helping the Hulk fight the Mole Man in the Batcave, which sounds like somebody was doing “Superhero Mad Libs,” and then as Clark Kent arriving at the Daily Planet office so he can be with Lois as they face what they believe will be the end of the world. It’s to be expected, I suppose – a story of this size is bound to be heavier on plot than on character. Then again, that doesn’t mean it HAS to be this way.

I’m not done with the omnibus just yet. There was a second wave of Amalgam Comics, plus the two follow-up miniseries, so next week I’ll tap into the Superman-related issues of each of those. In the meantime, watch out for those bleeding skies. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 32: Crossover Chaos

Last week, I wrote about some of Superman’s strangest team-ups. This week  I’ve decided to focus on some of his more conventional crossovers, meetings where Superman has encountered the heroes (and villains) of other worlds. I’ve already written about a couple of them, most notably the first Superman/Aliens miniseries from Dark Horse, but this week I’ve got a list of times he met with characters from Marvel Comics, Image Comics, other Dark Horse heroes, and more. It actually may wind up being more than one week, honestly, it’s a long list. But I’m going to begin at the beginning. 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 6

Comics: Superman Vs. the Amazing Spider-Man

Battle of the corporate icons!

Notes: This special from 1976 was the first official meeting between characters from the Marvel and DC Universes. Gerry Conway, who had written both characters, teamed up with penciller Ross Andru and inker Dick Giordano for this one, a pretty substantial endeavor at the time. 96 pages, a hefty $2 price point, and an oversized book demanded a story that was worth it…and Conway delivered. The book opens up with a pair of extended prologues where Superman and Spider-Man face off against and capture their respective arch-foes, Lex Luthor and Dr. Octopus. Either of these prologues, by the way, could have easily served as the first half of a story in the heroes’ individual comics, with a standard set-up and nothing that indicates that these two formerly separate universes had begun to bleed together. That doesn’t come until Prologue 3, when Lex is marched into his new prison cell in a maximum security facility in New Mexico, only to find that Otto Octavius is right down the hall. Luthor asks Octavius if he’d be interested in a team-up before revealing he’d hidden a set of tools beneath a layer of fake skin that allowed for a prison break.

Finally, a third of the way into this mammoth comic book, we reach “Chapter One,” in which Peter Parker and Clark Kent finally encounter one another for the first time at a science conference. Both newsmen are having a rough time – Peter finally quits the Daily Bugle in a fit of rage at ol’ J. Jonah Jameson’s frequent abuse, and Clark learns that he’s having a major story ripped out from under him at WGBS because the network wants a “bigger name” reporter. They’re each licking their respective wounds when Superman – or rather, someone who looks like him – swoops in and kidnaps Lois Lane and Mary Jane Watson by zapping them with rays that make them disappear. The heroes both duck out and change clothes, only to encounter one another on the roof. Spider-Man thinks Superman was behind the kidnapping, whereas Spidey’s reputation (thanks to the aforementioned J.J.J.) makes Superman suspect he’s involved, and we get the requisite fight scene. Luthor and Doc Ock are nearby and decide to make things more fun by zapping Spidey with a ray that temporarily enhances his powers, making him strong enough to hold his own against the Man of Steel. After throwing enough punches to satisfy the readers, they calm down, compare notes, and decide to team up to get to the bottom of things.

From there, the story goes largely as you expect – they track down the villains who are holding the girls hostage, they’re sent on a few wild goose chases, and ultimately, the day is saved. But it’s really great to see how well the two of them work together. Honestly, the fight scene is the weakest part of the book, because it requires you to believe that both of these veteran heroes are going to go in spoiling for a fight. It MAY be justifiable if they were totally unfamiliar with one another, but in this iteration where the DC and Marvel heroes co-exist, they know each other by reputation. Superman MAY think Spidey is sketchy thanks to his bad press, but there’s no way Spider-Man would go in swinging against Superman.

Once you get past that, it’s much more satisfying to see them working together, fighting the bad guys, and rescuing Lois and MJ. Conway cleverly aligns things so that each hero gets a moment at the end that gives them a win that they couldn’t have done without the other. Luthor’s schemes wind up cooking up a tsunami Spider-Man could never stop it on his own, but Superman can…only the bad guys would escape were he to do so…if not for Spider-Man. Neat little trick that allows them each to have their moment in the sun.

It took time, but this was the pebble that eventually led to an avalanche of crossovers in the 90s, to the point that it started to feel less special. The sad thing is that familiarity – plus a bit of bad blood – led to the publishers doing nothing together for close to two decades. Next month’s Deadpool/Batman is finally bringing it back, and I couldn’t be happier about that. I love a good crossover, a good combination of characters that don’t usually appear together.

Thur., Aug. 7

Comics: Superman/Madman Hullabalo #1-3

A crisis of philosophical proportions!

Notes: Next up on my tour of Superman Crossovers Past is this little gem from 1997, Mike Allred’s Superman/Madman Hullabaloo. I discovered Allred’s Madman in college (which I believe is scientifically proven to be the best way to discover the character) and I quite quickly became a fan. Madman is markedly different from most other superhero characters. He is — or was, at this point — an enigmatic creature, a corpse brought back to life with no memory of his past except for a fleeting vision he believes to be the Hand of God. Taking the name Frank Einstein (there is no reason to be subtle in comic books) he becomes a sort of science hero, having adventures in the face of the strangest things imaginable. 

In this story, Frank and Superman — in their respective universes — are each working on an experiment that causes them to collide. Their bodies remain in place, but their minds swap places and universes, leaving each hero wearing a mashup of their uniforms and possessing a fragment of Superman’s powers. As Superman is found by Frank’s team, Lois Lane finds Frank and brings him to Emil Hamilton. On two different worlds the heroes look for a solution. 

Superman and Frank’s team manage to snap over to Metropolis where they meet up with Lois, Hamilton, and Frank. They quickly manage to restore the heroes to their proper bodies, but fragments of Superman’s powers have been absorbed by various people in both dimensions, leading to the heroes teaming up and hunting them down to restore Superman to full power. In their search, they discover that Mr. Myzptlyk is behind their difficulties, leading Frank to challenge the imp to a contest to give up the game…the greatest contest of them all. It’s Mxy versus the Madman in a game of…(drumroll please)… TWISTER. 

It’s really impressive to me just how easily Superman mixes in with Allred’s universe. He looks fantastic in Allred’s art style, and I love the two mashup designs for the blended heroes. Even more than that, though, Superman works so well with the Madman tone. Madman is perhaps the most philosophical ongoing superhero comic book of all time, after all, just as prone to quietly contemplating the meaning of existence as he is to getting into fisticuffs. In fact, one of the first things he does after he and Clark are separated and get to have a real conversation is ask the Man of Steel if he believes in God. How often does that sort of thing turn up in mainstream comics?

Allred also easily evades the trap of having the heroes fight each other for no real reason before the team up begins. As Superman himself points out, he and Frank were literally parts of one another for a while there — if he can’t trust him, who can he trust? They work together very well. If they appeared in the same world on a regular basis, in fact, I could truly believe the two of them are friends. It’s a lovely, quiet, unorthodox little crossover, and I love it.

I don’t think Superman always gets enough credit — from fans or writers — for his intelligence. I don’t mean the whole “Super scientist who builds robot duplicates of himself” either, I mean his emotional intelligence. He’s shown himself often of being so capable of connecting with people on a deep, real level. And in a way, that’s kind of what Madman is all about — connection, trying to find out how the universe is all tied together. Frank is literally a walking corpse, but he’s found love. He’s found a home. He has friends and people who care about him. I’m gonna put on my English teacher hat here for a moment and posit that the reason that Victor Frankenstein is “the monster” in Mary Shelley’s novel isn’t necessarily because he “played God.” Doctors do that every day. But where Victor failed — and where those surrounding Frank Einstein succeed — is that he didn’t give any love to the creature he willed into existence. Jo and Dr. Flem may not be the creators of our ginchy hero, but they give him what Frankenstein didn’t. Earlier in this year we examined Superman as the Frankenstein monster in an Elseworlds tale, and I think the combination of these two heroes would be an interesting place to explore that further.

Allred worked on Superman again just a couple of years ago, in the “Not an Elseworlds Because We Weren’t Using That Label At the Time” miniseries Superman: Space Age where he was teamed with writer Mark Russell. And it was good. But I would love to see Frank Einstein and Clark Kent cross paths again.

Fri., Aug. 8

Comics: Superman/Gen 13 #1-3

Nope, Kara didn’t get a dye job…

Notes: When Image Comics was founded in the early 90s, Jim Lee’s Wildstorm Studios was one of the major players, with hits like WildC.A.T.S., Stormwatch, and Gen 13. And I think all of us were pretty surprised when, in 1998, he signed on at DC Comics, selling his studio and characters to DC and becoming one of their executives. Since then he’s only risen higher in the ranks, now serving as co-publisher. But in those early days of the marriage of DC and Wildstorm, when the two universes were still separate, this crossover was a nice little event.

Written by Adam Hughes with art by later Lex Luthor: Man of Steel artist Lee Bermejo, it begins with the Gen 13 kids – super-powered fugitives running from the government project that gave them their powers – taking a trip to Metropolis. Their leader, Caitlin Fairchild, is an unabashed Superman fan, and is ecstatic when they almost immediately run across a battle between Superman and Titano. Caitlin is knocked out in the chaos, and Superman puts his cape over her for protection as he goes off to tussle with the super-ape. When Caitlin wakes up she has lost her memory. She wanders into traffic and is hit by a fire truck, but survives without a scratch, and looking down at the cape that was draped over her when she woke up she comes to the obvious conclusion: she must be Supergirl.

Superman promises the Gen 13 kids to help them track down Caitlin, and they wind up at the Daily Planet, where Lois immediately figures out that they’re super-powered, because she’s smarter than the entire team put together. Meanwhile, Caitlin has acquired a store-bought Supergirl costume and makes her “debut” thwarting a bank robbery. Trying to embark upon a superhero career, Caitlin’s natural clumsiness comes out, causing one disaster after another as Superman and her teammates are always stuck one step behind her, cleaning up the messes that she’s made. And it all gets even worse when the real Supergirl gets wind of the chaos being done in her name. 

As you’ve probably noticed by now, I have a preference for crossovers that don’t do the standard “meet, fight, team-up” formula that we’ve seen so many times, and this particular series has the most clever sidestep for that I’ve ever seen. Not only do the respective heroes never get into a physical fight, there’s not really even a traditional antagonist. Oh sure, there are a couple of bad guys that need to be thwarted, but they’re all pretty incidental and interchangeable. The real story here is about Caitlin going missing and the ideological struggle between Superman and the rest of the Gen 13 kids. With the exception of Caitlin, the rest of the team is stuck in the mindset of Superman being a boring stiff, with Grunge at one point even expressing this to Clark Kent’s face, unaware of who he’s really talking to. We even get to see a nice conversation with Lois and Clark in which he does his best not to show how deeply hurt he actually is by the way the kids perceive him. As the story goes on, one by one, they slowly come around to realizing his true worth…although this kind of has the side effect of making them seem childish sometimes. From a character standpoint, it may be acceptable that a group of 90s teenagers would think of Superman as lame, but to have three of them making fun of the fourth for cooperating when Superman is actively trying to find their missing friend makes them all seem…well, not “lame,” but a much harsher word for it.

It’s a very nice workaround that tells a very different kind of crossover story. I don’t even mind the cliched depiction of amnesia here – nothing realistic about it, but you’ve got to allow for a certain suspension of disbelief. This one is just fun. 

Sat., Aug 9

Comics: Superman & Savage Dragon: Chicago #1 & Superman & Savage Dragon: Metropolis #1

When you draw the whole Superman crossover but you only have time for roughs of the cover, who do you get to finish it? Alex Ross.

Notes: I’ve never been a Savage Dragon reader, but I get anything with Superman in it, so I’ve had these two books in my collection since they were first released. That was over 20 years ago, though, and I don’t think I’ve read either of them since. I had to check the League of Comic Geeks website to even remind myself which one came out first, and as it turned out, that was a mistake. I got a few pages into Metropolis when Superman and Dragon first encounter each other and start talking like old friends, which got me confused. Metropolis came out in 1999, according to the website, whereas Chicago wasn’t released until the beginning of 2002. But I picked up Chicago instead and saw that I was getting the story of Superman and the Dragon’s first meeting. I wasn’t sure why they were published this way, although I have to wonder if Erik Larsen’s Chicago book was intended to come first but wound up suffering from the kind of delays that frequently plagued Image Comics at the time. When I got to the point where Lois Lane mentions that she’s engaged – an engagement that had ended in marriage several years earlier at that point – I figured that must be the case. The point of this paragraph is that if you happen to have both of these books, read Chicago first.

In Chicago, with story and art by Larsen, some of Superman’s foes are cropping up in the Windy City, having joined forces with the Dragon’s enemies in a crime organization called the Vicious Circle. Superman is called in to help with the menace, something that doesn’t sit well with Officer Dragon of the CPD. The two of them partner up, although the Dragon deeply resents this intruder into his city. Eventually, they manage to mend fences and beat the bad guy. And hey, at least they didn’t actually come to blows with each other.

Larsen has always kind of been hit or miss with me. I like some of his work, but the few times I’ve tried Savage Dragon I haven’t really found it to be to my taste. I can say that he doesn’t mind making his own character look like the jerk in this book, something that a lot of creators would refuse to do, and I appreciate that he writes a pretty solid Superman. Perhaps the best bit, though, is when Lois gets the Dragon to admit that at least part of his animosity against Big Blue is just because of simple jealousy.

Note: this scene does not appear in this book. But isn’t Bogdanove’s artwork nifty?

I was a bigger fan of Superman & Savage Dragon: Metropolis, written by Karl Kesel with art by one of my favorite Superman artists, “Triangle Era” mainstay Jon Bogdanove. Superman and the Dragon’s second meeting (although the first published) begins with Superman crashing to Earth in a burning field in a scene highly reminiscent of how the Dragon was found in his own very first issue. When he wakes up, Superman has no memory of the last few days, and the Dragon is called in to help him piece together the mystery of what happened to him and how it’s linked to a series of strange murders in the city’s homeless population. Their investigation brings them across Killroy, son of Steppenwolf, and into battle with Darkseid and the forces of Apokalips.

As I said, I prefer this book to the other one. It’s more steeped in the Superman world, which is of course more engaging to me, and Kesel has some fun with it. When Superman and the Dragon visit the Daily Planet office to look into what Clark Kent had been working on before Superman’s disappearance, for instance, there’s a funny scene where Superman and Lois have a strained discussion over what Clark’s password is on the computer system: Superman insists that “Clark” told him that he had changed it, whereas Lois insists that “he” would have told her so. Yeah, they’re married at this point, and the scene, played out in front of Jimmy and the Dragon, is highly amusing. We also get to visit with Bibbo in Suicide Slum, who declares that the Dragon is okay because any pal of Superman’s is a pal of his too. The fun here is seeing how the Dragon responds to the way that the people of Metropolis treat their hero, as opposed to the treatment he’s used to. 

The one knock on this book is that the Dragon himself is kind of secondary. The other book plays off of the differences between the two of them more, with Dragon’s animosity grinding Superman and vice versa. In this one, the hatchet has been buried and they’re friends, which means you could swap out the Dragon with pretty much any other character that has super strength and the changes to the plot would be negligible. It does end on a really cute note, though. Feeling bad about Lois being worried about him during his disappearance, Superman asks the Dragon to cover for him in Metropolis so he could have a night off from fighting crime. His buddy the Dragon agrees, which leads to a last page that is just the kind of winking-at-the-camera nonsense that a reader like me digs. 

An obvious and amusing tribute to the cover of Wacky Squirrel #4.

Sun. Aug 10

Comics: Superman/Fantastic Four #1, Jon Kent: This Internship Is My Kryptonite #2

When you draw the whole Superman crossover but you only have time for roughs of the cover, who do you get to finish it? ALEX ROSS.

Notes: For the first time since this project started, I’m going back to re-read something. At the beginning of the year, I was finishing up the mammoth DC/Marvel Omnibus that came out last fall, and I read a few books at the tail end of that, but I didn’t write about them in detail. But this week, when I’m talking about great Superman crossovers, I felt like I really should address that time Superman met the team that he’s sharing cinemas with this summer in Dan Jurgens’ oversized Superman/Fantastic Four one-shot from 1999. 

In this one, Superman finds a message from his late father, Jor-El, who tells him that he wants his son to avenge the destruction of Krypton, which he now claims was destroyed by the world-devourer, Galactus. But in this book, which came out post-DC Vs. Marvel (which I’m planning to read soon), Superman is aware that Galactus is a cosmic force that has been encountered by the heroes of the “Other” Earth (aka, the Marvel Universe), and decides to seek out the world-hopping metahuman from that crossover, Access, to help him traverse the universes. (Access is name-dropped but, like “Sir Not Appearing in This Picture” from Monty Python and the Holy Grail, he is mysteriously absent.) In the Marvel Universe, meanwhile, Franklin Richards is playing with the action figure of his favorite cartoon character, Superman, who is apparently a fictional hero on Earth-616. No one is more delighted than Frank when the real deal shows up at Four Freedoms Plaza asking for their help. But Superman winds up having to fight for the Four when their defense systems turn on them, having been hijacked somehow by the Cyborg Superman. Things get worse – much worse – when Galactus shows up and decides he wants Superman for his new herald.

You know how I keep talking about how I dislike crossovers where the heroes fight each other for no reason? Well thank Rao, this story actually gives us a reason. Superman being transformed into a Herald of Galactus is a more than legit reason for him to face off against the FF, but even then, the conflict is brief and has more of a feeling of a rescue mission than actual combat. The FF know that Superman is a hero, and they’re trying to free him from Galactus’s control rather than actually take him down. 

I also like the fact that this crossover – as well as a few others from this time period – recognized the fact that DC Vs. Marvel happened and used that as part of the fabric of the story. It allows this story to fit into the continuity of both sets of characters, which the early crossovers like his encounter with Spider-Man simply can’t do. Unfortunately, by the time JLA/Avengers rolled around a few years later, that angle was dropped. The heroes were still from separate universes, but there was no recognition of the fact that any of them had met in the past. I can’t help but wonder what the plans are for Deadpool/Batman and the assorted back-up crossovers that are going to come in those two books.

Finally, although this isn’t really about Superman, this issue makes me wish Dan Jurgens had done a run on Fantastic Four at some point. He has the voices for the characters down very well, and I love his rendition of the Thing (my #2 all-time favorite character), but peeking at his credits I only see a handful of FF-related comics, and none on any of their regular titles. There’s still time, Marvel. I love what Ryan North is doing these days, but how about hitting Jurgens up for a miniseries or something?

Mon., Aug. 11

Comics: Superman/Tarzan: Sons of the Jungle #1-3

And yet we still haven’t seen the John Carter/J’onn J’onzz crossover.

Notes: I love a good crossover. I love a good Elseworlds story. To the best of my knowledge, the two have only collided twice. The first was John Byrne’s excellent World War II romp, Batman and Captain America. The other was this three-issue miniseries by Chuck Dixon and artist Carlos Meglia. In this one, the mutiny that leads to the abandonment of Lord Greystoke and his wife is thwarted when a star streaks through the sky. Taking it as a sign from God, the mutineers retreat from their plan and the family makes its way back to England. That streak, however, lands in the thick of the jungle, where a familiar ape tribe finds what appears to be a human baby in the wreckage. When the child demonstrates remarkable strength, they adopt him and name him “Argo-Zan,” meaning “Fire-skin.” The Greystokes have their child, named John, and the two babies grow into very different men. In the jungle Argo-Zan finds the wreckage of the craft that brought him to the apes, along with a holographic vision of his true parents. As he learns of the legacy of Krypton and adopts his true name, Kal-El, in England John Greystoke advances through school – a brilliant scholar, but somehow lost and empty, as though there is some hole in his life he cannot account for.  

After some struggles, Kal-El finds himself able to bond with a human tribe, but an enemy ape has an eye out for a mysterious glowing rock that seems to plague his rival. Greystoke, meanwhile, has been wandering the world trying to find himself, finally planning an expedition to Africa. Along with him is a correspondent for the Daily Planet, Lois Lane, as well as Lois’s aide, Jane Porter. Their dirigible is brought down by a hostile tribe but, believing the aircraft is from Krypton, Kal-El leaps to their defense. In the ensuing battle, both men find themselves and their purpose. Kal-El returns to civilization with Lois, while John Clayton chooses to remain in Africa with Jane Porter, adopting the name the friendly tribes have given him: Tarzan.

As I said, I’m a big fan of crossovers. I am not, however, particularly steeped in Tarzan lore. I’ve seen a few of the movies, read a few of the comics, but I’ve never dove into the original Edgar Rice Burroughs novels (I’m more of a John Carter of Mars fan) so I can’t really say how closely this comic traces any of the original lore. I’m not even sure which characters (aside from Lois, Clark, Tarzan, and Jane) are Burroughs characters and which are original creations of Dixon and Meglia. That said, there’s a lot I like here. We’ve got the classic Elseworlds concept of taking the hero and switching his origin with somebody else, as we saw when Kal-El became Bruce Wayne in Superman: Speeding Bullets or when Bruce Wayne became Green Lantern in Batman: In Darkest Knight. And although the book ends in the old “What If”/“Elseworlds” format of bringing the heroes as close to the “real” status quo as possible, it does so without giving us obvious analogues for Lex Luthor or any of Superman’s main villains, which is a nice change of pace.

As a crossover, it’s pretty unique. Not only do Superman and Tarzan not fight each other in this one, but Kal-El and John Clayton never even interact until the last few pages of the three-issue story. In some ways it’s more like a crossover of worlds than of characters. The book ends (as these often do) as soon as a new status quo is established, something ALMOST the same as the “real” universe, and we don’t really get to see any of the aftermath. Sometimes that can be a good thing, but in this case, I actually wish there were more. It feels like we’ve read one act of a story. I’m left wanting to see how the ape-raised Kal-El adapts to a society that he doesn’t truly understand, especially with the power at his disposal. I’m curious as to what kind of man Tarzan is when raised by his human parents instead of an ape tribe. And I really want to see the two of them interact a bit more. And you know, leaving the audience wanting more is typically considered a good thing. The problem is when that desire is because it feels as though the story is unfinished, and to a small degree, that’s kind of how I feel here.

It’s not unusual in comics for a different artist to do the covers than the interior artwork, but in this case I think you’ll forgive me for not realizing that happened until I double checked the credits to write this. Carlos Meglia’s style is reminiscent of an adventure cartoon, with the kind of big eyes and oversized feet that bring to mind Japanese manga, so you can understand that I didn’t notice Humberto Ramos ONLY did the covers for this series. Their styles are very similar at first glance, and should Mr. Meglia ever somehow read this, I hope he knows I mean that as a compliment. 

This is a unique crossover, and one I enjoyed. It would be nice to see more Elseworlds crossovers. And now that DC has brought that imprint back from the dead, it doesn’t feel impossible.  

Tue., Aug 12

Comics: The Darkness/Superman #1-2

Wait — why does the mobster get top billing?

Notes: I’m going to close off this week of Superman crossovers with the two-issue team-up between Top Cow and DC from 2005, The Darkness/Superman, written by Ron Marz with art by Tyler Kirkham. I know even less about The Darkness than I do Tarzan. I know it’s a Witchblade spin-off, and I believe that the main character is the son of a mafia kingpin or something, but that’s pretty much it. Did that stop me from getting the crossover when it dropped? Absolutely not. Seriously, it’s been 32 weeks, you’d think you would know me better than that by now.

Fortunately for me, the book gives me a quick rundown on who the character is – Jackie Estacado, mafia hitman who becomes the controller of a mysterious demonic power called “The Darkness” on his 21st birthday. After he killed the guy who killed his girlfriend, he became…I dunno, not a hero. He’s still a mobster – the book even starts off with him meeting up with Metallo in Metropolis to flex his muscles and show he’s the man to take over their organized crime rackets. The Daily Planet gets word that Estacado is in town and Perry sends his top people out to find out what they can, which leads to Superman stumbling on an encounter between Estacado and Metropolis’s Grasso crime family. Estacado tries to convince Superman that he’s the better crime lord for Metropolis – that he would run a smooth organization that doesn’t let innocent people get caught in the crossfire, unlike the current regime. But the meeting is interrupted when Metallo shows up again, brandishing his Kryptonite heart as usual, and takes Lois Lane hostage, because it was like already February 3rd and Lois had only been held hostage four times so far that year.

When Metallo escapes with Lois, Estacado offers to help Superman get her back, recognizing that the Kryptonite keeps the Man of Steel at bay and that Lois is, and I quote, “More than just a cute reporter to you.” Superman reluctantly takes him up on his offer and is forced to watch from a distance as Estacado invades the Grasso’s hideout in an effort to save her. Once Lois is safe, he returns to Superman and reiterates his plan to move into Metropolis…but Superman stands his ground. The two of them come to blows before Superman defeats him because…the sun comes up? That seems to be what happens. I guess Jackie Estacado’s powers go away in daylight? At any rate, once that happens he gives up and promises to stay out of Metropolis. Superman lets him go out of gratitude for saving Lois. The two part neither as allies nor as friends, but at least not as enemies.

At least this time the requisite crossover fight makes sense. This isn’t Superman teaming up with a hero, he’s forging an uneasy alliance with an anti-villain. Jackie even tells him at one point, “I’m a bad guy, but I’m not a BAD GUY.” (This was seven years before Wreck-It Ralph used almost exactly the same line, so good for you, writer Ron Marz.) And I concede, that’s the vibe I’m getting here. Jackie isn’t really a pure villain, but there’s definite Michael Corleone energy here. And to be fair, he works pretty well as that kind of character. I’ve enjoyed Marz’s work for a long time, so I’m not surprised that he made this work for me as well.

That said, there are a few things that don’t quite gel. Superman sitting on the side while someone else fights Metallo for him, first of all. Sure, Metallo has the whole Kryptonite thing going on, but when has that ever stopped Superman from going in for the fight? And although I suppose Jackie was written in-character (I assume, since Marz was the writer for The Darkness’s ongoing series at the time, that he knew how he would behave), but it still seems a little bit of a stretch to think he’d really believe Superman would turn a blind eye to his operations just because he’s the lesser of two evils. Superman isn’t going to settle for ANY evils if he’s got anything to say about it.

It was a fun week, poking around at more Superman crossovers, and there are still more that I haven’t looked at yet, including the epic DC Vs. Marvel event and its several spin-offs, such as the Amalgam Comics line. I’m looking at the big, gorgeous omnibus edition that DC published of that series last year, just waiting to be read, and I think I’ll get around to that pretty soon. Maybe even next week. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 31: Superman’s Strangest Team-Ups

After taking last week relatively easy, and after the kind of floperoo that Parody Week turned out to be, I decided I wanted to do something a little more fun this week. So I looked through my list of potential topics and decided it was time for SUPERMAN’S STRANGEST TEAM-UPS. You’re not gonna see him partnering with Batman or the Justice League here, guys. I’m not even counting inter-company crossovers like when he met the Fantastic Four or the Savage Dragon. No, this week we’re going to focus on a few team-ups Superman has had with characters (and sometimes real people, as you’ll see) that an outside observer would think is totally bizarre. And the fun part is, they would be right to think so. 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., July 30

Comics: The Adventures of Jerry Lewis #105

Shame he didn’t team up with SuperGIRL. I can see it now: “Hey, nice Kryptonian LAAAA-DYYYY!”

Notes: I’ll kick this off with a comic I bought on eBay a few months ago specifically to use for this week, a book I’ve wanted an excuse to get for years: The Adventures of Jerry Lewis #105. Believe it or not kids, there was a time when being a famous comedian could get you your own comic book, and sometimes those books would last for YEARS. Bob Hope had one, as did Jackie Gleason, Abbott and Costello, and sitcoms like I Love Lucy had long-running comics through publishers like Dell and Charlton. This series specifically began in 1952 as The Adventures of Dean Martin and Jerry Lewis, but dropped Deano from the book in 1957 after the comedy duo broke up. Jerry held solo reign over the title for over a decade before it finally ended in 1971.

Anyway, in this issue Jerry is watching TV with his nephew Renfrew and their friend Witch Kraft (it was the 60s, I dunno) where they see a report of Superman fighting a giant space monster – a fight that has been dragging on for THREE DAYS. Superman finally defeats the beast, which turns out to be a robot. What he doesn’t know is that the robot was built by his old pal Lex Luthor, and when it was destroyed, it saturated Superman’s costume with a low level of Kryptonite dust that immediately begins to neutralize his powers. Back at the Daily Planet, Clark gets a new assignment – a feature on the danger of certain young people, and he’s sent to investigate one Renfrew Lewis. At the Lewis house, Clark gets progressively weaker, succumbing to various pranks of Renfrew that would normally be no problem. Finally, he gets soaked with water, prompting him to borrow an ill-fitting outfit from Jerry while his own clothes dry off. Luthor, meanwhile, tracks his Kryptonite to Jerry’s house, where Jerry has just discovered Clark’s Superman costume in the laundry and puts it on because…well, I guess because that’s what happens on the cover.

The story is completely absurd, of course. Jerry Lewis was a comedy legend, but he had a very specific persona. Especially in the early part of his career, he would always play a naive young man whose good nature couldn’t overcome his dimwittedness, spiraling him into one ridiculous situation after another. His comic book persona clearly borrowed that characterization, as that’s exactly what happens to him not only in this issue, but in probably every issue of this title that lasted, in its two incarnations, nearly twenty years. And honestly the fact that Jerry (the character) is both dim and nice is probably the only reason that Superman’s secret identity is maintained in this absurd comic. Although none of that explains why Luthor – who would certainly proclaim himself to be Earth’s smartest man – isn’t smart enough to put two and two together when he encounters Clark Kent and Jerry Lewis, the latter of whom is wearing Superman’s ill-fitting costume – only minutes before the real Superman shows up to put him away.

As silly as this story is, I really did enjoy it. It’s got the same sort of bizarre brand of comedy as certain strains of Archie Comics, or some of DC’s own Silver Age titles like Stanley and His Monster. I haven’t got the slightest idea who owns the rights to books like this anymore (is it the Jerry Lewis estate? The copyright information in the indicia only indicates National Periodical Publications), but I would love it if they could put together some collections of comics like this or their Bob Hope series, or even make them available digitally. I’d love to read more without having to pay eBay prices to track them down one at a time. 

Thur., July 31

Comics: Captain Carrot and His Amazing Zoo Crew #1, DC X Sonic the Hedgehog #5

If I hadn’t included him in Super-Sponsor week, the Kwik Bunny would have followed this issue.

Notes: I’m not gonna lie, half the reason I decided to do this particular theme week was to have an easy excuse to sneak this comic book in. Captain Carrot and His Amazing Zoo Crew is one of my favorite DC Comics of all time, a comedic (but not silly) comic about superhero animals set in a world that feels like it fell out of a cartoon. At this time, DC had a “bonus book” program, where once a month a random title would include a 16-page comic in the center, often used to launch new series. Such was the case with New Teen Titans #16, which featured the first appearance of Captain Carrot. In that bonus book, by Zoo Crew co-creators Roy Thomas and Scott Shaw! (that exclamation point is part of his name, friends), Superman ran across several residents of Metropolis behaving like their primate ancestors. He tracked the disturbance to a strange meteor out near Pluto, but when he tried to stop it, both he and the meteor were punted into a different universe, designated Earth-C, in which the Earth was populated by “funny animals.” Chunks of the meteor fell to Earth, giving powers to several different animals. One of them irradiated a batch of carrots growing in a garden box belonging to cartoonist Roger Rabbit (he later began going by his middle name, Rodney, perhaps due to confusion with a certain OTHER lupine character), who gained incredible power upon munching on the carrot. 

The first issue of Captain Carrot and His Amazing Zoo Crew picks up right where the bonus book left off, with Superman and the newly-minted Captain Carrot seeking out the meteor fragments and trying to find a way to Pluto to check it out through some sort of cosmic barrier. As they do so, just as happened back in Metropolis, various people begin reverting to a primitive state, acting not like the civilized animals they are but instead like their beastly ancestors. When Superman is captured, Captain Carrot picks up other animals who were altered by the meteors: the powerful Pig-Iron, mistress of magic Alley-Kat-Abra, turtle speedster Fastback, pliable poultry Rubberduck, and the star-spangled Yankee Poodle. Together they seek out Superman, bound by Kryptonite on Pluto, in the clutches of Starro the Conqueror. Eventually, of course, Starro is conquered and the Zoo Crew decides to stay together to fight the forces of evil on Earth-C.

After striking a somewhat familiar pose.

Superman’s appearance here is almost incidental. The Zoo Crew does most of the heavy lifting, and replacing Superman with Wonder Woman, Captain Marvel, or any number of other heroes would have had negligible impact on the plot. But it’s fitting, in a way, that Superman was the first contact between the two worlds. He was still DC’s flagship character at the time (although Batman would soon overtake him, and Batman just wouldn’t have worked in this setting), and Captain Carrot was clearly his universe’s version of Superman. This would be codified years later during one of DC’s many crisis events (Final Crisis, I think) where it was revealed that EVERY world had an “official” Superman analogue, and in this world it was Captain Carrot.

I’ve written many times before about Roy Thomas and his love for comic book history, with his work on titles such as All-Star Squadron, Young All-Stars, Secret Origins, and the Elseworlds comic Superman: War of the Worlds. This one is a little off the beaten path for him, but even here, he couldn’t resist bringing in some DC lore. The first Zoo Crew recruit, Pig-Iron, is secretly Peter Porkchops, once the star of a series of DC’s funny animal comics from the 40s and 50s. Thomas and Shaw would go on to establish that Earth-C was actually the location of all of DC’s old funny animal comics, bringing in characters like the Dodo and the Frog, the Three Mousekteers, and their superhero turtle the Terrific Whatzit from the Golden Age, who turned out to be Fastback’s uncle.

The series lasted for 20 issues, with a three-issue miniseries in which the Zoo Crew travelled to Oz and Wonderland, then they went into limbo for a few decades. They’re back now, appearing periodically, and Captain Carrot specifically is a member of the multiversal Justice League Incarnate. But I’ll never stop pushing for a full-on revival of this delightfully offbeat comic.

“In yo’ heeeeead! In Darkseid’s heeeee-eee-eeaaaad!”

Speaking of strange team-ups, this week also brings us the last issue of DC X Sonic the Hedgehog. With the two teams reunited on the DC Earth, they’ve got to assemble to chaos emeralds to take the fight to Darkseid. I’m not going to claim there’s anything truly shocking in this issue. The story plays out pretty much exactly as one would expect, right up to the last page sequel hook which may or may not ever be picked up on, probably based on how well this miniseries sells. But it was still a fun little excursion. It was genuinely hopeful and upbeat, without any of the usual nonsense of the heroes of two worlds fighting each other just because that’s what’s supposed to happen in crossover events. (As much as I’m looking forward to Deadpool/Batman in a couple of months, you know that’s exactly what’s going to happen.) This was just…fun.

And it’s okay to just be fun sometimes. 

Fri., Aug. 1

TV Episode: I Love Lucy Season 6, Episode 13, “Lucy and Superman”

“Lucy, you REALLY got some ‘splainin’ to do!”

Notes: Regular readers of my blog know about my deep, abiding love for I Love Lucy. I think it’s one of the greatest sitcoms in the history of the medium and that Lucille Ball was a comedy genius the likes of which we have not seen since. And if you know I Love Lucy, then it’s probably no surprise that one of my favorite episodes was the sixth season episode in which Lucy meets Superman.

The episode begins with Lucy’s husband Ricky and their son, Little Ricky, watching The Adventures of Superman on TV. Little Ricky, with the innocence of a child who doesn’t actually have to pay for anything, asks if Superman can come to his birthday party that Saturday. Although Lucy lets him down easily, when they find out later that their frenemies the Applebys are planning to have their son’s party on the same day, the parents enter a cold war over throwing a party that will lure the childrens’ shared friend group to one party over the other. Lucy plies Ricky to try to get Superman – who he met in Hollywood – to come to Ricky’s party after all, quickly luring away all of the children, even little Stevie Appleby. As usually happens with Lucy’s schemes, though, things go awry. Ricky tells him Superman can’t make it, leading to Lucy donning a Superman costume and trying to get into the apartment from the ledge, only to get stuck outside in the rain when Superman shows up after all.

The Lucy writers played a neat little trick in this episode. Although the show frequently had celebrity guest stars appearing as themselves (everyone from John Wayne to Harpo Marx), they never ONCE refer to Superman as “George Reeves.” He’s just Superman. Although from an adult perspective, it seems a little odd that they never say his real name, even when the kids aren’t in the room, from a meta point of view it’s obvious that the entire episode is constructed in such a way to preserve the mystique of Superman for any children who happen to be watching. Reeves never appears as “himself,” only on TV as Superman and then again in the last scene in-costume, where he does his trademark leap through the window (in this case, the one that separates the Ricardos’ kitchen and living room) to make his glorious entrance. When Lucy gets stuck on the ledge, Superman is the one who climbs out to rescue her. Even the classic last line of the episode has the same sort of wit and charm that Reeves always brought to his performance: when out on the ledge, Ricky comments on the 15 years of crazy stunts Lucy has pulled. Reeves says, “You mean to say that you’ve been married to her for 15 years?” When Ricky replies in the affirmative, Reeves shoots back, “And they call me Superman!”

It’s a wonderful, charming episode of a charming show, and one that can be enjoyed on two levels. If you want, then you can consider this just your average episode of I Love Lucy with a famous guest. But if you’d prefer, you can accept the episode on face value and decide that Lucy takes place in the same universe as The Adventures of Superman TV show, and it wasn’t Reeves at all, but the real Man of Steel.

That doesn’t quite explain why he’s got his own TV show in-universe, but do I have to figure out everything myself? 

Sat. Aug. 2

Comic Books: Multiversus: Collision Detected #1-6

“Jinkies!”

Notes: While not a Superman starring vehicle like most of my other choices this week, he played a big part in this fun six-issue miniseries based on the short-lived video game, which combined characters from dozens of Warner Bros IPs including the DC Universe, Looney Tunes, Hanna-Barbera cartoons, Cartoon Network, The Matrix, The Wizard of Oz, Game of Thrones, The Neverending Story, and probably others I’m forgetting. I don’t play video games, friends. It’s not a judgment thing, I’m not trying to claim some sort of moral high ground or anything, I’d just rather spend my time with a movie, TV show, or book. I do, however, enjoy a good crossover, so when the miniseries based on the game was announced I knew I was going to read it, despite knowing absolutely nothing about the game. 

The story begins with Superman, Batman, and Wonder Woman each having dreams that culminate in the vision of strange hieroglyphs: a rabbit, a witch, and a child bearing a star. Their investigation leads them to Avia Free, daughter of Mr. Miracle and Big Barda. When they arrive, though, the find that Avia already has another visitor: Bugs Bunny. After a particularly hilarious sequence of Batman trying – and failing – to interrogate Bugs, Avia shows them a video game system she modified to investigate some strange readings from behind the Source Wall just as a portal appears, spilling inhabitants of other dimensions into our own. The Flash, for instance, encounters Scooby-Doo and Shaggy having thwarted Condiment King’s effort to rob a Big Belly Burger and taking their reward in a mountain of food. Wonder Woman is attacked by an army of Winged Gorillas under the control of Grodd who, himself, has fallen under control of the Wicked Witch of the West. Superman finds Steven Universe and Garnet fighting Livewire and the Parasite in Metropolis, just as a Skullship appears in the sky – not a Brainiac ship, but one in the spitting image of Rick Sanchez, loaded with robotic simulacrum of Finn the Human, Jake, and Tom and Jerry. 

As the Justice League begins containing the incursions from other universes – hero and villain alike – Batman manages to track down the truth. An entity called the Devoid, under duress from an even more powerful force called the Nothing, is forcing the multiversal travellers to fight in a tournament to protect their respective home universes. (I assume this is, in broad strokes, the story behind the video game.) Batman hatches a plan to return the fight to the Devoid, saving all of the endangered universes simultaneously, but there’s a little problem. To do this, he needs to find the final lost fighter – the Reindog – who is currently being coddled by Harley Quinn and targeted by her nasty ex, the Joker. They collect him from Gotham City, but Steven is wounded in battle. When Reindog heals him, it sends out a signal that leads the Devoid to Earth, where it takes over Avia and attacks. In exchange for freeing Avia, the assembled heroes agree to allow Devoid to take them to fight in the tournament. After they are swept away, though, the heroes reappear, revealing that Steven invented a device that would pluck tiny pieces of each of the heroes from throughout the multiverse and assemble them into a new version to join the tournament.

I love stories like this. It reminds me of being a kid, when you would throw all your different toys together in one box and act out some epic battle despite the fact that these characters don’t really have any business being together. I also like the way Bryan Q. Miller handles the Super-characters. It’s not his first go-round: he’s written, among other things, the Smallville sequel comics, and he has a nice handle on Lois and Clark. There’s a nice bit towards the beginning where she casually teases him for doing things the hard way when the age of technology should make it a little harder to track down the glyph from his dreams. And bonus points go to artist Jon Sommariva and colorist Matt Herms for dressing her in her signature outfit from Superman: The Animated Series, even though this isn’t “that” Lois. Miller also uses the differences in the respective universes to his advantage. For example, there’s a funny bit where Bugs, Scooby, Shaggy, and Steven Universe are shocked by the foul mouth (censored as it is) of the Rick-infected Brainiac. 

It’s interesting, by the way, that although it is very obviously Rick Sanchez who’s riding in Brainiac’s skull, he is never mentioned by name in the story, and only appears in his “true” form in a few shots on Brainiac’s monitors. I assume that was a limitation imposed by the fact that Oni Press, not DC Comics, has the rights to the Rick and Morty comics, but it’s still kind of funny.

The story ends, as comics like this one often do, with a bit of a sequel hook, but considering that the game flopped and has been discontinued, it seems unlikely that we’ll ever get to see what happens next. I content myself in the knowledge that the comic is essentially a prequel to the game and that, if you beat the Devoid and the Nothing in the game itself, you can consider it the canonical ending of the story. And I hope that we see Miller writing more comics like this. He’s got a flair for it. 

Sun. Aug. 3

Comic Book: Action Comics #421

“I yam what I yam…a legally-distinct creation that is not subject to a copyright infringement suit by King Features Syndicate!”

Notes: Today we’re going to take a look at one of my favorite lesser-known Superman team-ups, the time he met Popeye.

Kinda.

In Action Comics #421, Superman’s pal Billy Anders (a semi-recurring character from the period) tells him about his recent encounter with Captain Horatio Strong. Strong is a salty sailor who has found a mysterious seaweed that, upon consumption, gives him incredible strength. When Billy tells Superman that Strong is one of his biggest fans, he agrees to arrange a meet-up. Meanwhile, A food corporation tries to buy the rights to Strong’s seaweed, “Sauncha,” but he refuses. He willingly gives a sample over to his idol, Superman, when Billy arranges a visit, but quickly realizes his visitor is a disguised spy for the food corporation wearing one of those remarkably lifelike rubber masks that were so ubiquitous in comics at the time. Superman and Captain Strong wind up duking it out when Strong vows to destroy the crooked company that tried to cheat him, and when he runs out of Sauncha, Superman tracks him to a spot in the ocean where he harvests it. When the Sauncha power runs out, Strong is nearly killed, but Superman whisks him to the hospital. As he recovers, he is ashamed of his actions, but Superman kindly tells him that it wasn’t his fault – he was under the influence of the plant, which Superman has identified as an alien species that must have fallen to Earth. Captain Strong promises to stick to good old Earth food from now on.

I first read this story in Best of DC Digest #48, in an issue that reprinted assorted Superman team-ups, and it’s long been a favorite of mine. Even as a kid, I immediately picked up on the fact that they were trying to emulate Popeye, and when Strong’s wife and best friend (obvious dopplegangers for Olive Oyl and Wimpy) showed up in later issues, it was like confirmation. What I didn’t realize as a kid was that Cary Bates had whipped up a Popeye expy to tell a story that was a metaphor for drug addiction. I guess it did the trick – I’ve never done any drugs, nor had any desire to. So Cary Bates and Captain Strong, thanks for teaching me the important lesson that using illicit substances will cause me to throw telephone booths and people and start fights with those I admire the most.

Seriously, I always thought Captain Strong was a fun character, and it’s a shame that he made only a handful of appearances over the next decade before fading into obscurity. He came back in 2015, gently being mocked (as was everything else) in Jimmy Palmiotti and Amanda Conner’s Harley Quinn series. I guess I understand – there’s not much call in modern comics for a character whose only reason to exist is to poke a little fun at Popeye. But I still have a warm place in my heart for Captain Horatio Strong. And although the similarities are superficial, I’ve always wondered if Strong was used as a bit of inspiration for one of my favorite characters of the Triangle Era, loveable lout “Bibbo” Bibbowski.

Mon. Aug. 4

Comic Books: Superman and Bugs Bunny #1-4

“What’s up, Clark?”

Notes: When I started this little project, I didn’t expect the Looney Tunes to turn up quite as often as they have, but between this and parody week, I’ve actually seen quite a bit of them lately. But let’s look at the 2000 miniseries by Mark Evanier, Joe Staton, Tom Palmer, and Mike DeCarlo. Even though Superman’s name is in the title of this one, like Multiversus, it’s more of an ensemble piece, featuring the entire Justice League. The chaos begins when Superman gets a visit from his old pal Mr. Mxyzptlk and, as usual, has to trick him into saying his name backward to send him home. At the same time, in another world, Bugs Bunny and Elmer Fudd encounter the Do-Do, an early and mostly forgotten Looney Tunes character from another world called Wackyland. Bugs deliberately borrows a trick from the pages of his favorite comic book publisher and tricks the Do-Do into saying Od-Od, banishing him at the same time that Myxyzptlk vanishes from Earth. The two cosmic tricksters collide in the place between worlds and decide to join forces and cause a little chaos by sending the Looney Tunes to Earth.

On the moon, Green Lantern finds Marvin the Martian planning to destroy the Earth (again). Flash races Speedy Gonzales through the desert, Plastic Man disguises himself as a cat only to fall afoul of the affection of Pepe LePew, and in Gotham City, Batman finds a very different Penguin than the one he expected. Myzptylk amps up the chaos by giving Elmer Fudd Superman’s powers (and costume), and poor Green Arrow is stuck with a singing, dancing Michigan J. Frog that doesn’t seem to want to perform for anybody else. 

Mxy and the Do-Do find their relationship strained, the machine they’re using to toy with the heroes destroyed and forcing them all together. The Tunes are made honorary member of the Justice League (because why not?) just as the Do-Do turns on his partner, bringing about a – ya gotta say it – “Cwisis on Infinite Earths!” 

Mark Evanier was absolutely the best choice to write this bizarre little crossover. As a writer in both comic books (perhaps best known as co-writer of Sergio Aragones’ Groo the Wanderer) and in animation (such as the original and excellent Garfield and Friends cartoon), he had the right sensibility to bring these two worlds together. It’s interesting that he chose to have both the Justice League and the Looney Tunes be fictional characters in the others’ universe. Bugs and Foghorn Leghorn read Action Comics, and every member of the League recognizes their cartoon co-stars the second they see them. It nicely sidesteps the usual introductions, although if the Leaguers have all watched the Looney Tunes (as well they should have) it should kind of make you question their judgment when they include the likes of Yosemite Sam and Elmer Fudd into the ranks of the honorary Leaguers. 

I also give Evanier credit for diving into the archives of the Looney Tunes for this. He didn’t just bring out the A-listers like Bugs and Daffy – we get appearances by everyone from Pete Puma to the Goofy Gophers Mac and Tosh, and he keeps them all in character. He’s not quite as adept with the Justice League, writing them more like they would have been in the Silver Age than when this book was published in 2000. Things like Green Arrow’s panic over nobody believing his story about a singing frog don’t quite fit (especially since, as it should be noted, this was the less-emotive Connor Hawke version of Green Arrow rather than Oliver Queen). But you can accept these things are being part of the overlap with the land of the Looney.

Joe Staton’s layouts keep everything consistent, and using finishing team of Tom Palmer (handling the DC Universe and characters) and Mike DeCarlo (on the Looney Tunes) makes it all look nice, clean, and like these characters fit in a world together.

I’ve always liked this miniseries. It’s not a masterpiece, but it’s fun. And it helped inspire a series of DC one-shots a few years ago in which they met Looney Tunes and Hanna-Barbera characters, although those were part of a line that reimagined the cartoon characters in a more “serious” vein. Some of those specials worked better than others. I particularly liked seeing the Super-Sons meet Blue Falcon and Dynomut, and having Booster Gold encounter the Flintstones was a treat. Pretty much everyone agrees that the gem of those books was the Batman/Elmer Fudd special. But the shocking thing? No books featuring Superman.

What a waste of potential. At least we’ve got the OG. 

Tues., Aug. 5

Comic Books: All-New Collectors’ Edition #56 (aka Superman Vs. Muhammed Ali)

Float like a Kryptonian, sting like heat vision!

Notes: The year was 1978. Jimmy Carter was elected president, Christopher Reeve was wearing the Superman costume, and we were still 26 years from the birth of America’s sweetheart Justin Bieber. And this was the year that brought us one of Superman’s most legendary and unexpected crossover events: a giant-sized special that saw him face off against “the Greatest,” Muhammad Ali.

Lois, Clark, and Jimmy are walking through Metropolis when they happen to stumble upon Muhammad Ali playing pick-up basketball with a group of school kids. As Lois approaches him for an interview, they are interrupted by the sudden appearance of an alien (you know, like you do) who summarily shoves Lois aside. Ali leaps to her defense as Clark ducks off to change his clothes, then follows the alien’s trail to an orbiting armada of spacecraft that…frankly…even in 1978 it’s kind of hard to believe nobody noticed them before. The alien identifies his race as the Scrubb, a warlike society who has come to Earth to pit our greatest champion against their own. Amusingly, Superman and Ali each presume the alien is talking about himself, and after a demonstration of their power, the Scrubb declares that the role of Earth’s champion will be decided in a match between the two of them, with Superman’s powers removed to make it fair – and if they refuse, the Scrubb promise to destroy the Earth itself.

Superman takes Ali to his Fortress of Solitude, where he creates a special ring to train: a time disruptor that can stretch their 24 hours to about two months, and a red sun lamp to remove Superman’s powers, giving the Greatest of All Time the time he needs to teach Superman how to box. The Scrubb catch wise, though, and disrupt the training after only two relative weeks, taking Superman and Ali into space where their bout will be broadcast across the universe. The fight is brutal, and Superman’s unfinished training makes him no match for his opponent…but still, the Man of Steel may be beaten and bloody, but refuses to fall down until the judges call the fight for Ali. As he is returned to Earth so the yellow sun may heal him, Ali prepares for his battle against the Scrubb’s champion, a gigantic brute called Hun’ya. To everyone’s shock (maybe even the writer, it’s so random) an angelic being appears in the ring demanding to act as moderator of the contest. The being appears differently to each species – to the humans she is the Greek Goddess of Wisdom, Pallas Athene. As the match begins, Ali’s cornerman Bundini Brown infiltrates the Scrubb command center, revealing himself as Superman in disguise. Impersonating the Scrubb Emperor, Superman orders the armada away from Earth, then catches a ride back to the yellow sun system to take it out as Ali defeats Hun’ya. The Emperor plans to turn back to destroy Earth anyway, but Hun’ya himself – disgusted by his lack of honor – defeats the Emperor. 

The epic team of Dennis O’Neil and Neal Adams are the ones who put this special together, and honestly, nobody else could have done it. Adams did a note-perfect version of Ali in this book, creating a character who is immediately recognizable as the boxer while, at the same time, still looking like he belongs in this DC Universe. It helps that Adams’ natural style lends itself to more realistic visuals than a lot of other artists of the era, making the combinations seamless. The story is kind of wild, and really over the top, but what else would you want? There are some odd moments, of course – the deity that calls itself Athene lends absolutely nothing to the plot, and the book ends with Ali revealing to Superman that he’s figured out he’s really Clark Kent due to a slip of the tongue Superman had made much earlier in the story. Is there any particular reason for that? Absolutely not. But it also doesn’t hurt the story, and it feels like the kind of thing that Muhammad Ali would have insisted upon, so I can deal with it.

The funny thing about this one, I think, is that the story itself (wild as it may be) probably isn’t as well known as Adams’ incredible cover. It’s one of those covers that has become a classic, frequently targeted for swipes by other artists, and you can’t blame them. It’s so rich and detailed as to defy belief, with dozens of DC characters and real-world figures alike appearing in the audience to watch the Superman Vs. Ali fight. It’s so in-depth that the deluxe edition of the book includes a guide to help you identify everybody who appears on the cover. It’s the kind of attention to detail that the likes of Alex Ross grew up on and decided to emulate in his own career.

This is, frankly, an insane book. And it’s a classic for a reason. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!