Geek Punditry #108: Blake’s Five Favorite Frigid Fables

Here in Southern Louisiana, we’re known for a few things: food, music, and a general manager that none of the best potential head football coaches in the country want to work with. But this week, we got put on the map for something pretty unusual for us: snow. On Tuesday, we were hit with a snowstorm that dumped more of the white stuff than anybody alive has ever seen in the state of Louisiana before, as much as 10 inches in some areas. I know some of you in the north are scoffing at that – ten inches of snow is nothing to you if you live in North Dakota, for example, but this is insane for us. We don’t get snow like this. Every few years we get a dusting that makes us giggle until we have enough to make a snowman roughly the size of a Funko Pop and then we hope it happens again before we’re drawing social security. But this was more snow than Louisiana has had since 1895. That’s not a typo, it’s more than we’ve had in 130 years, and pretty much everything was shut down: roads, schools, businesses…everything except the Waffle House. As a result, I got three days to spend with my wife and son in a winter wonderland.

Seriously, this NEVER happens.

So naturally, I’m thinking about horror movies.

Well, not exactly. But spending so many days unable to leave the house because of ice and snow got me thinking about stories with that premise: people stranded together due to cold weather. And the fact is, most of those are scary movies. (Or Hallmark Christmas movies, but I’m not gonna write about those in January.) Pretty much every great example I could think of qualifies as a thriller, if not an outright horror film, and I guess it makes sense. Being forced in a confined space with people over a period of time can start to wear on you, the edges can be chipped off, and before long you’re staring at each other like Daffy Duck does when Porky Pig starts to look like a steamed ham. 

So in honor of this once-in-a-lifetime event, I decided to break out my Five Favorite Frigid Fables, five great movies about people stuck together in the cold. As always, these lists are highly subjective. They’re the five best movies I thought about that fit my criteria, and it’s always possible that if I made this list tomorrow I’d pick five totally different movies. I’m going to go from the most well-known movie on this list to the least, at least, according to the viewing numbers on Letterboxd. The first three are movies that will make most of you say, “Well obviously,” but I’m hoping by the end you’ll find something you may not have heard of before.

The Thing (1982), directed by John Carpenter

My family made it through the Louisiana Sneauxmageddon pretty easily, but if I hadn’t included this movie on the list my wife may have left me anyway. This is probably the defining example of a cold weather confined area horror movie, as well as being one of the best sci-fi/horror mashups ever made. In this film, if you’re one of the three people on the planet who aren’t aware of it, a group of researchers at an Antarctic base uncover an alien creature that has been buried under the ice for hundreds of thousands of years. Although it is literally never a good idea to thaw one of these out, the alien escapes and begins to prey on the men.

Making matters worse, they discover that the alien is a shapeshifter. Not only is it a murderous beast, but it has the ability to transform and look like any one of them, so they can’t even trust each other. The resultant film is a masterpiece about fear, mistrust, and paranoia, a world where even your best friend may be the thing that’s out to kill you. The ending in particular is wickedly clever and absolutely perfect for this film. The movie is a remake of the 1951 film The Thing From Another World, itself based on the novella “Who Goes There?” by John W. Campbell, thereby simultaneously proving that sometimes the remakes are better than the original and sometimes the adaptation is better than the book. On the other hand, the remake/prequel of THIS movie from 2011 is…well, it’s just okay. But of the four iterations of this story, John Carpenter is the one who did it best.

The Hateful Eight (2015) directed by Quentin Tarantino

I feel like this is kind of a “forgotten” film. It’s not so much that people don’t know about it, but it rarely seems to make the conversation when people talk about their favorite Tarantino movies, which is surprising to me, because I’d easily place it in my top three. (The others are Inglorious Basterds and Once Upon a Time in Hollywood, since you asked.) In some ways, you could almost call this a western version of The Thing. Several travellers are snowbound at a haberdashery during an intense blizzard, including some bounty hunters, a condemned murderer, a sheriff, a cowboy, and a former Confederate general. As the storm rages outside, inside the lodge we start to learn that all of these people may not be the strangers that we assumed. These are people with deep wounds, some of them caused by the others that they’re now trapped with, and there is a hunger for revenge.

Even for Tarantino, this is a dark film. There is a rage and anger brimming beneath the surface, and there really aren’t any “good guys.” The movie is about bad people, badly damaged people, and the things they do to one another. The entertainment factor comes from trying to unravel the mystery of exactly how all of these people are connected and who has a past with whom. In that way, it may be the most well-written of Tarantino’s movies, with a complex plot that rewards multiple viewings as you try to untangle the web. There’s also an extended version, released via Netflix as a four-part miniseries, which I never got around to watching, but writing about it now is making me want to do so. 

Misery (1990) directed by Rob Reiner

Do you ever stop to think about how weird the career trajectory of some people turns out to be? Rob Reiner, the guy who played Meathead on All in the Family, grows up to direct two of the best Stephen King adaptations of all time (this one and Stand By Me) along with stuff like The Princess Bride and When Harry Met Sally. Go figure. 

Anyway, in this magnificent movie based on one of King’s best stories, novelist Paul Sheldon (James Caan) gets in a car accident in the snow and is rescued by a former nurse named Annie Wilkes (Kathy Bates). Annie tells Paul that she’s his biggest fan and is delighted to help nurse him back to health, but from the very beginning things feel…off. Things get much worse when Annie discovers Paul killed off her favorite character in his newest book, and the two enter into a deranged battle of wills as Annie fights for the survival of the fictional Misery Chastain, while Paul has to fight for his life. 

The movie is incredible – taut, tense, and full of legitimate chills. This was Kathy Bates’ breakout role, and garnered her an Oscar for Best Actress back when the Academy Awards still actually meant something. Everybody involved in this movie is at the top of their game, and it’s just as engaging and exciting today as when it was released 35 years ago.

Frozen (2010) directed by Adam Green

Elsa is going to be crowned the queen of Arendelle and her sister–wait, wrong Frozen. No, this movie came out three years before that other one, and it is most definitely NOT a beloved musical about the power of familial love. This film involves a trio of young skiers (Shawn Ashmore, Emma Bell, and Kevin Zegers) who – through a series of mishaps that make Kevin McCallister getting left behind in Home Alone seem plausible – get stuck on a ski lift as the weekend mountain resort they’re visiting shuts down for the week. 

Although the circumstances necessary to get the three of them trapped up there admittedly stretch credulity a little bit, once you get past that the movie is fantastic. You’d think a movie about three people stuck on a ski lift would run out of steam quickly, but the way the situation rapidly escalates into a life-or-death battle against the elements is totally gripping. It’s the kind of movie that makes you question what you would do in that situation, forcing you to wonder if you could possibly survive such an experience, dangling from an immobile ski lift with no hope of rescue for days as the temperature keeps falling and wolves begin to prowl in hard-packed snow beneath you. This was actually the first Adam Green movie I watched, before I discovered his signature Hatchet franchise, and it’s usually the one I recommend to people first. I love this movie.

Scare Me (2020) directed by Josh Ruben

The final film on this list is the most recent and least well-known, but by god, it deserves an audience. Writer/director Josh Ruben plays Fred, a writer on a retreat in the mountains. While taking a jog one morning he encounters Fanny (Aya Cash), a fellow writer who’s also on vacation. When a storm knocks out the power to their cabins, Fred and Fanny decide to ride out the weather together, passing the time by telling chilling stories as they challenge one another to – well, as the title says – “scare me.”

This is a movie that’s so simple, but absolutely brilliant. Almost the entire film is simply these two in a cabin talking to one another, but it’s done in such a way that you get sucked right in from the very beginning. The tales they tell are inventive and entertaining, but also slowly reveal things about the two main characters that lead you to question the entire situation. As good as the writing is, though, it wouldn’t be anything without the performances by Ruben and Cash. Both of them are probably better known for their comedic work (although after this movie, Cash hit it big on The Boys), but as I’ve said many times, the line between comedy and horror is very thin and the two disciplines rely on a lot of the same skills. That is to say, a great comedic actor very often has the chops to be a great horror actor, and these two prove it with this movie. They’re both wonderfully funny, but on a dime they can turn the entire situation around and scare the pants off of you. If you haven’t watched this movie, it’s currently available on Shudder and Hoopla, as well as the usual digital rental services. This movie proves how possible it is to tell a killer scary story without relying on gore and special effects, but just great performances. In fact, it could very easily be turned into a stage play, and it would be amazing.

There you have it, guys – five stories about people trapped in the cold. If it’s your thing, I hope you check them out. And if you’ve got suggestions for other such movies beyond these five, let’s hear it! Drop your own suggestions in the comments.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. He briefly considered including the 2002 Cuba Gooding Jr. terror film Snow Dogs, but he thought that might be a bit too much.

Geek Punditry #41: Playing Favorites With Horror Movies (Part Two)

Horror Without a Death

Last week, in a column that has been-fast tracked for the 2023 Pulitzer Prize for Blog Posts about Horror Movies (probably not a real thing) I asked my friends on social media to give me suggestions for categories of horror. I would then report back on your suggestions here and talk about some of my favorites in each category. I got a lot of great suggestions – so many, in fact, that I couldn’t fit them all into a single column. So buckle in, my friends, it’s time for Week Two of Playing Favorites With Horror Movies!

Horror Without a Death

Duane Hower came at me with one of the toughest suggestions of the whole batch: what’s my favorite horror movie in which NOBODY DIES? (And a note here – just the fact that a movie can be mentioned in this category qualifies as a spoiler, so if you’re squeamish about that sort of thing, you may want to hop down to the next category.) 

It was tough, guys. There aren’t that many films that meet the criteria – after all, the point of horror is to instill fear, and that inherently brings with it the fear of the void. There are plenty of horror/comedies that fall into this category, sure, but straight horror? It’s not easy to find good examples.

A few eventually came to mind. Poltergeist is about a family that moves to a new home only to discover malevolent spirits already inhabit their dwelling. The Others is about a family that moves to a new home…only to discover that malevolent spirits already inhabit…okay, there’s a pattern. But 1408! That mixes it up! That’s about a travel writer who gets a hotel room! And finds that malevolent spirits inhabit the dwelling. 

“I see dead people. Not fresh ones, though.”

Still, these are solid films where nobody dies (well…depending on which cut of 1408 you watch). The thing is, they’re also all ghost stories. And ghost stories rock, don’t get me wrong, but they’re stories about somebody who has already died. Can I count them in this category, just because the deaths in question happened before the movie began?

If I rule out ghost stories, the pool gets even shallower, but there are still a few tasty fish in it. Tod Browning’s Freaks from 1932, for instance. The director of Bela Lugosi’s Dracula followed it with this movie about performers in a circus sideshow and an unscrupulous woman who plans to take advantage of them to seize an inheritance one of them is due to collect. The movie is pretty wild, and was so controversial at the time that Browning’s career was essentially destroyed. But nobody dies in the film…although by the ending, there’s someone who may wish they were dead.

I also need to give credit to One Hour Photo, a thriller starring the late, great Robin Williams. Williams plays a man who works for one of those one hour photo development labs (kids, ask your parents) and becomes dangerously obsessed with one of the families whose film he processes. Williams, of course, was a legend for his comedic roles, and often showed his dramatic chops as well in movies like Dead Poets Society and Good Morning, Vietnam, but this is the only movie I can think of that showed how outright SCARY he could be when he set his mind to it. The man was a unique and priceless talent, and I feel like this is a movie that doesn’t get talked about enough, possibly because the entire premise is centered around a piece of late 20th century culture that doesn’t really exist anymore.

Hammer Horror

My old buddy Eric LeBlanc wanted to know what my favorite movie was from the Hammer Films catalog. In the 1950s, after Universal Studios quietly put an end to their monumental run of monster movies, Britain’s Hammer Films saw an opportunity to fill the void. Not only did they start pumping out horror movies at a pace that would have made Carl Lammle Jr. pick his jaw up off the floor, but they did so by borrowing a heck of a lot of the goodwill that Universal had built up, using the same public domain creeps like Frankenstein’s monster, vampires, mummies, and werewolves. 

I never got quite as deep into Hammer as I have into the Universal library, but I’ve seen a lot of their films and I definitely have my favorites, the top being 1958’s Horror of Dracula (or sometimes just Dracula). Incredibly stylish and colorful, the movie is also a bit more faithful to the original novel than the Universal version. Plus it has two of the giants of horror in some of their best parts: Christopher Lee as Count Dracula and Peter Cushing as Van Helsing. Lee is creepy and charming, and the only reason he’s not considered the definitive version of Dracula is that Bela Lugosi beat him to it. And Van Helsing? Sorry, Hugh Jackman, but Peter Cushing owns that role. 

The HORROR…of a world without photoshop.

Stephen King Adaptation

Rachel Ricks played right into my hands by asking for my favorite Stephen King adaptation.

Project ALF.

Iiiiiiiit’s baaaaaaaaack!

As anyone who has read this blog for more than a day knows, I’m a huge fan of Stephen King’s books…but what about his movies? There have been over 200 adaptations of King’s novels and short stories (I checked IMDB), so which one is the best? Truth is the really great ones aren’t actually horror movies: The Shawshank Redemption, The Green Mile, and Stand By Me are some of the best films ever made based on King’s work, but none of them qualify as horror. When you get into the scary content, the sad truth is that a lot of the adaptations are sub-par. (I mean…have you SEEN Maximum Overdrive? Whoever directed that movie doesn’t seem to have the slightest idea what Stephen King is all about. It’s like he was on cocaine or something.)

That said, there are SOME good horror movies based on King’s work. Many people would point immediately to The Shining, but I’m not among them. Look, it’s a good movie, but as an adaptation of King’s book it is terrible. I’d rather focus on movies that DO adapt the books more or less faithfully.

I already mentioned 1408 earlier, and I’d place it close to the top of this list. At the VERY top, though, would be Misery, the James Caan/Kathy Bates adaptation about a writer (it’s a Stephen King movie, of COURSE it’s about a writer) who gets in a terrible car accident only to be saved by his biggest fan. As he begins to heal, though, he discovers that he may have been better off in the wreck. 

Some people, however, would classify Misery more as a thriller than a horror movie, so for those who like to split hairs, let’s talk about The Mist. A mysterious fog full of murderous monsters rolls over a small town, trapping dozens of people in a supermarket. The adaptation is solid, but what really elevates it is the ending. Frank Darabont, who wrote and directed this film (and Shawshank and The Green Mile, so you see his pedigree) changed the ending of the story, something that I usually find outrageous. But the ending he put on was so shocking and dark that even Stephen King himself says he prefers it to the original. 

And I’ve got to give credit to It. I consider this one of King’s best novels – perhaps THE best Stephen King novel – and we’ve gotten TWO pretty good adaptations. The original miniseries from the 90s did the best it could on network television, and Tim Curry is iconic as Pennywise. But in 2017 we got a fantastic adaptation of half of the novel, with Bill Skarsgard taking Pennywise and making him his own. Admittedly, It Chapter Two from 2019 didn’t quite live up to the first part, but you can watch the first part on its own and get a solid, satisfying story. It’s darn near perfect.

It’s good to be the King.

The Wonderful World of Disney

Ryan Tait gave me a category I NEVER would have thought of, but absolutely love: my favorite Wonderful World of Disney Halloween movie. Back in the day, before even the Disney channel, Wonderful World was a delightful showcase for Disney content of all stripes, and some of those made-for-TV movies still hold a warm place in my heart today. My favorite for this category is going to both show my age and make a lot of people wonder what the hell I’m talking about, but I have a deep abiding fondness for the 1986 film Mr. Boogedy.

From the studio that brought you Old Yeller.

A novelty salesman and his family move into a new house that turns out to be haunted (SO MANY of these movies are about people who move into haunted houses, and there are some downright unscrupulous realtors out there) by both some kind ghosts who have been trapped there and by the malevolent spirit who has kept them prisoner. It’s a silly, cheesy movie, but it’s so much fun. And the cast has a great pedigree. Richard Masur of the 90s It, a pre-Buffy the Vampire Slayer Kristy Swanson, a pre-Married With Children David Faustino, and young Benji Gregory, on the cusp of superstardom for his role on the sitcom…not making it up this time…ALF. 

Benji wasn’t in the movie, though.

Both Mr. Boogedy and its (perhaps even better) sequel, Bride of Boogedy, are available on Disney+…but I’m hesitant to tell you to go and watch them if you’ve never seen them before. It’s one of those things where I know my fondness for the movie comes from having watched it over and over again as a child, and I suspect that somebody watching it now, for the first time, as an adult, wouldn’t love it the way that I do. But if you HAVE seen it before and remember it warmly, go check it out. I watched it last year and I still love it.

Installments Past a Sequel

Jasper Fahrig asked what I thought were good installments of a franchise past the first sequel. It’s a truth of filmmaking that long-running series often suffer from diminishing returns. The deeper you get, the worse the franchise often becomes, so finding a good movie that’s part 3 or higher isn’t always easy. Fortunately, Wes Craven is there to hook us up with not one, but two films in the Nightmare on Elm Street franchise. Craven wrote and directed the original Nightmare, but sat out the sequel. When Part Three (Dream Warriors) was made, he came back to help with the story. After a part two that many people admittedly enjoy, but doesn’t really fit with the rest of the franchise, part three is GREAT. Robert Englund is in top form, Heather Langenkamp returns as Nancy (the BEST final girl outside of Laurie Strode), and the crazy horror dream imagery is used to the best effect in the entire series. What’s more, the movie was directed by Chuck Russell (whose remake of The Blob I mentioned last week) and co-written by Frank Darabont. Maybe I’m NOT a horror fan, guys, maybe I’m just a fan of several very specific filmmakers.

But Craven wasn’t quite done. He stepped away from Freddy after that and three more sequels incredibly diluted the character before Wes came back to save the day one more time with Wes Craven’s New Nightmare. Langenkamp is back again, but this time she plays HERSELF, an actress who finds herself haunted by the spirit of Freddy Kruger, the killer from that old movie she made years ago. Craven also appears as himself in the movie, as does Robert Englund, playing both himself and Freddy Krueger. The movie uses the language of the Nightmare series to make a statement about the power of storytelling and belief. It was ” meta” two years before Craven would redefine “meta” with the Scream franchise, and it’s hands-down my favorite Nightmare.

A double feature to keep you up all night.

Award-Worthy Horror

Seth Pontiff wanted to know some horror movie performances that I thought were worthy of Oscar consideration. Oooh, that’s a good one. I’ve often complained about the way the Academy ignores genre movies, but there HAVE been a scarce few performances that got nods. Kathy Bates actually won best actress for Misery, and the next year both Jodie Foster and Anthony Hopkins would take home statues for Silence of the Lambs, but those are movies that the Academy can classify as “Thrillers” without getting their hands dirty in a straight-up horror movie.

So who should have been recognized, but wasn’t? I have to say, I think it’s an outright crime that Boris Karloff was never recognized for his work as the Frankenstein monster. He played the creature three times, twice in movies that are indisputable classics, and infused the monster with such depth and humanity that the viewer comes out the other end on his side. There was so much sadness and power in the character, interspersed with other moments like unbridled joy at those few times he thinks he’s found a kindred spirit, and Karloff sells every second of it. There’s a reason that every kid who draws a picture of the creature gives him a flattop and bolts on his neck, and it’s not because Mary Shelley described him that way.

Another performance that I think was awardworthy? Jamie Lee Curtis as Laurie Strode in Halloween. Not the 1978 film…the one from 2018. This is going to be controversial, I know, because that film has become EXTREMELY divisive among horror fans. And in truth, I was highly disappointed in the final film in that trilogy. But when I look at the 2018 movie by itself I am in awe of her performance. Curtis plays Laurie Strode as a trauma survivor who has spent her entire life preparing for the other shoe to drop. It’s a performance full of anguish and pain, and she sells it every second she’s on screen. I’m glad that she got her Oscar last year for Everything Everywhere All at Once, but I really believe she should have had it sooner.

I’m actually not great at Photoshop either, so pretend I made it look like these two are holding little statues.

Psychological Horror

And finally, AJ Peden asked me about my favorite psychological horror movies. What makes this difficult is that it’s really hard to define what “psychological horror” actually is. The Wikipedia definition (yeah, I looked it up) says it’s horror “with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience.” Well gee, that narrows it down, right? Another problem here is that so many of these movies overlap into other subgenres: ghost stories, slasher movies, found footage films, etc., have all had prime examples of what we could call “psychological horror.” 

I suppose my favorites in this incredibly broad subcategory would have to go back to the great Alfred Hitchcock. Psycho is the obvious example – it’s a great movie with a brilliant twist halfway through the film and a second brilliant twist at the end of the film. It’s also one of the prototypes for the slasher. So is Peeping Tom, which is also a dandy example of psychological horror. In that film, directed by Michael Powell, Karlheinz Bohm plays a photographer making a documentary about fear by filming the deaths of his victims. I suppose a 1960 audience may have been enticed by the title or the high sexual content (by 1960s standards) of the film, but the way Bohm’s character messes with your head is really powerful.

In the 60s, this was scarier than asbestos.

For more modern examples, I think Jordan Peele has kind of taken the forefront of the wave. Get Out, the movie that made people realize that guy from the goofy sketch comedy show was actually a master of terror, was not only a meditation on race relations, but a terrifying film about the potential of having your body literally stolen from you and the mental state that would result from – or compel somebody to do – such a thing. There have been a lot of films since Get Out that have tried to capture that same flavor (The Barbarian comes to mind, as does X and its prequel, Pearl), but I think as far as today’s filmmakers go, Peele wears the crown. 

And I think that’s going to wrap it up, guys. There are a few other suggestions I didn’t get to, but those are either in categories where I haven’t seen enough movies to really form an opinion (Patrick Slagle – sorry, I don’t have a lot of folk horror movies in my catalog) or categories where my answer is so basic that I don’t know that I have anything interesting to say about it. (Rene Gautreaux: the best religious-based horror movie is still the original The Exorcist. Tony Cirillo, my favorite puppet from the Puppet Master franchise is Blade, because blades are cool.) 

I hope you enjoyed this little experiment as much as I did. I had a lot of fun letting you guys tell me what to write about, and I think we uncovered a few gems in the process. May this two-parter help you find some new stuff to watch in the remainder of this spooky season, and keep your eyes right here! I don’t think it’s going to be too long before I ask you all to help me Play Favorites again. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His current writing project is the superhero adventure series Other People’s Heroes: Little Stars, a new episode of which is available every Wednesday on Amazon’s Kindle Vella platform. All this and nobody asked about the best zombie movie? Ah well, maybe next time.