Year of Superman Week 34: Crossover Chaos Part III-The Final Amalgamation

I spent last week dipping my toes into the DC Vs. Marvel crossover, as well as the first wave of Amalgam Comics titles. But I’m not done yet: I’ve still got over half the huge Amalgam Age Omnibus to get through, including two sequel miniseries and the second wave of Amalgam Comics. Not only that, but after a few weeks where the beginning of the school year has kept me busy, I finally get a chance to sit down and catch up on more recent Superman comics. Oh yeah – and Peacemaker season two drops this week, and while I don’t expect to see Superman to show up, James Gunn has promised that the story of this season follow on from the film, so there’s a pretty good chance I’ll have some thoughts to share about that. Let’s begin, shall we? 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 20

Comics: DC/Marvel: All-Access #1-4

I had the same look on my face as Access when I read Civil War II.

Notes: I’m going to say something that may be controversial here. I actually like the follow-up miniseries, like DC/Marvel: All-Access, better than the DC Vs. Marvel event itself. DC Vs. Marvel was a fun experiment, but the plot was really just a flimsy excuse to show off fights between the characters and frame the Amalgam specials. All-Access, on the other hand, has an actual STORY to it, and I appreciate that. Written by Ron Marz with art by Butch Guice, whom you may remember passed away earlier this year, All-Access starts out with Axel Asher, the man who straddles the line between the Marvel and DC Universes as Access. A psychic flash warns him that Venom has somehow hopped universes, and if anyone from either universe stays in the other one for too long it could cause the worlds to fuse into the Amalgam Universe again, so the cosmic hall monitor has to get to work. He comes across Venom in Metropolis, where he’s throwing down with Superman, and so Access decides to get some backup by calling in someone who knows what Venom’s deal is: Peter Parker, the Amazing Spider-Man.

This is all in the first issue of the miniseries, by the way, which almost works very well as a standalone Superman/Spider-Man team-up. There’s no gratuitous hero-on-hero fighting here, just two good men teaming up to take down one bad one, and Marz plays them both perfectly. Re-reading this issue is where I started to realize that this is kind of what I had hoped DC Vs. Marvel would have been all along.

Superman doesn’t show up again until the last page of issue #3, but in the meantime, Jubilee convinces Access to take her back to the DC Universe because when she and Robin were supposed to be fighting each other, they kind of fell in love. (To this day, it’s probably the best relationship Tim Drake has ever had.) Their reunion is interrupted by an encounter with Two-Face, then again when the Scorpion appears, once again mysteriously having been pulled from the other universe. Access recruits Batman to help him solve the mystery of the “crossovers,” and Batman suggests that they track down the man who, in the combined universe, was supposed to be its defender: Dr. Stephen Strange. Batman approaches Strange, suspecting that he’s causing the crossovers somehow, and Jubilee calls in the X-Men to hold him off. Issue three ends with Access once again calling in the cavalry, bringing in the rest of the Justice League.

Issue four is X-Men vs. JLA, at least at first. Things change when Access discovers that Dr. Strangefate has been hiding in Strange’s subconscious ever since the merger and used him to cause the crossovers in an attempt to restore the Amalgam Universe. He fuses Wonder Woman and Storm once again into their Amalgam counterpart, Amazon, but when he realizes he doesn’t have the right parts to put together anyone else, he starts creating NEW Amalgams: Superman and Bishop! Iceman and Aquaman! Jean Grey and the Martian Manhunter! Things get wild!

The story ends with a nice little promise, the Amalgam Universe restored as a sort of pocket universe where Strangefate is locked away, and the Marvel and DC Universes get to remain separate. But this miniseries was so much fun, seeing the characters actually interact in ways that didn’t go straight to the fisticuffs. The Robin/Jubilee stuff in particular was fantastic, and I loved seeing Superman and Spider-Man working together again. 

It’ll never happen, but I’d love to see a longer Access series, say a 12-issue event in which he’s trying to solve some sort of mystery that encompasses both worlds. And I’d love if, during this year, he appears not only in his own series, but in the ongoing comics of both companies, bringing surprise guest stars with him. But seeing as how the original plan was for DC Vs. Marvel to end with She-Hulk and Martian Manhunter swapping universes for a year until that plan was nixed by the lawyers, it’s doubtful that anything like that could happen. It’s not like the world has gotten LESS litigious since 1996, after all. 

Thur., Aug 21

Comic Books: Super-Soldier: Man of War #1

The amalgamated Snyder Brothers fans get SO angry that they gave Super-Soldier his trunks back.

Notes: A year after DC Vs. Marvel, a second wave of 12 Amalgam one-shots were released, six of them continuing adventures of the characters from the first, six of them with all-new Amalgamations. What’s interesting is that even the books that carried over didn’t continue the STORIES from the original. Some of them were unrelated stories, some made brief reference to the previous, and some went REALLY wild, like Dark Claw Adventures giving us an adventure of the Amalgamated Batman/Wolverine combo in a Batman: The Animated Series style. For our first visit with the Super family, Super-Soldier: Man of War dipped back in time to give us an adventure of the character from World War II. Mark Waid and Dave Gibbons reunite for this story, which kicks off with Super-Soldier at a meeting of the All-Star Winners Squadron. But he’s only there long enough for us to notice some new Amalagams (such as the Human Torch/Green Lantern mashup Human Lantern) before it’s off to join Jimmy Olsen for a special undercover Daily Planet assignment overseas. 

On the ship to Europe, Clark and Jimmy make the acquaintance of Sgt. Rock and the Howling Commandos, and Clark is later chagrined to find that Winston Churchill has fallen for the do-gooder act of his arch-nemesis, Lex Luthor, husband of Lois Lane. In a way, Luthor’s involvement actually makes this a prequel to the previous story, as the issue ends with him unveiling the plans for the Ultra-Metallo that Super-Soldier fought the first time we read one of his adventures. Kinda makes you wonder why it took Luthor 50 years to get it together.

As before, Waid and Gibbons do a great job lacing together the Superman and Captain America characters, this time bringing in the World War II-era heroes of Easy Company and the Howlers as well. Peggy Carter, for instance, shows up here as a member of the French Resistance (although I couldn’t figure out which member of Easy Company she was supposed to be mashed up with). The appearance of Major Zemo and his War Wheel pushes this over the top – silly and gleeful. These Amalgam books, when done well, are just an enormous amount of fun. Is it too much to hope that the new DC/Marvel crossover books that are about to come out will open the door for the return of this mixed-up universe? 

Fri., Aug 22

No, you give YOUR dog an invisible bone!

Last night was the premiere of Peacemaker season 2. I thought that meant I would be able to watch it when I got home from work, but apparently, it dropped at 8 p.m. EST, by which time my sports fanatic son was engrossed in a preseason game between two teams that nobody in our house has any personal connection to. But that was okay, I figured that I would just watch it the next day. I guess that was pretty stupid of me, though, to assume that I could wait a whole 20 hours and not have anything spoiled for me. Before the game was even over, though, posts were appearing on social media that spoiled something that really pissed me off. You see, season one was made BEFORE James Gunn was given the job of revamping the DCU, and was intended as part of the previous iteration of the DC Extended Universe. With the new DCU that began in Creature Commandos and continued into Superman, though, there were questions as to which parts of the season were still canon. Gunn has been exploring that in the official podcast for the show, but there was a moment in the finale that they were going to have to work a little bit to reconcile. 

Naturally, looking at Facebook last night, I was spammed with different pages that I don’t even follow sharing a screenshot that ruined a pretty amusing moment. How dare I assume that people wouldn’t make it into a headline? It had been an entire 180 minutes since the show dropped! What are they, made of stone?

Here’s the rule: If you’re posting spoilers about a show on the day it airs, you’re an asshole. That goes for individuals as well as all of those pages that I have since blocked.

By the time you read this it will have been nearly a week since that episode, and I STILL wouldn’t talk about it without giving you a warning. So in the next paragraph I’m going to spoil a few things about the end of Peacemaker season one and the beginning of season two. If you haven’t watched them and want to remain pure, skip ahead to Saturday.

TV Show: Peacemaker Season 2, Episode 1: “The Ties that Grind.”

Season one of Peacemaker ended with the titular hero and his team, the 11th Street Kids, saving the world from an invasion of alien butterflies. It’s more impressive than it sounds. But in the battle, Emelia Harcourt was nearly killed. Towards the end of the episode, Peacemaker is carrying her to safety when, lo and behold, the Justice League appeared – too late to do any good. The League, in this case, included silhouettes of Superman and Wonder Woman, as well as Jason Momoa as Aquaman and Ezra Miller as the Flash. It was a funny scene, but as that Justice League doesn’t exist, that scene clearly was no longer canon.

Gunn promised to explain it away and he did at the very beginning of the episode, in the “Previously on…” montage, where the League was replaced by the Justice GANG from the movie. The silhouettes of Superman, Mr. Terrific, and Supergirl all appeared, as well as a quick and the cameos have been replaced by Isabela Merced’s Hawkgirl and Nathan Fillion’s Guy Gardner. It was a funny bit. But I bet it would have been funnier if not for the asshats on the internet posting it the night before I got to watch it.

Fillion and Merced appear later in the episode as well, alongside Sean Gunn as Maxwell Lord allowing Peacemaker to audition for the Justice Gang. Watching the episode, it’s clear why DC put out the digital version of Superman last week – there are a lot of things in this show that build directly on that movie, although it’s still Peacemaker’s story of course. Rick Flagg shows up, worried about another dimensional rift like the “Luthor Incident” that happened this summer. Besides the connections to Superman, the show also starts trickling in new characters, like a surprising cameo by White Rabbit and references to the likes of the Ultra-Humanite and Captain Triumph. Rick Flagg is even working with Sasha Bordeaux, a supporting character from Greg Rucka’s Batman comics. Gunn seems to be using this season of Peacemaker to lay in chunks of the history of the DCU that Superman only hinted at, and I’m really quite excited by that. 

Look, it’s not a HUGE Superman link, and it’s DEFINITELY not a show I’m gonna watch with my seven-year-old like the movie, but this show is starting to look like it’s going to be part of the fundamental fabric of the new DCU, and that would make it worth watching even if it WEREN’T really good. 

Comics: Jon Kent: This Internship is My Kryptonite #5

Sat., Aug 23

Comic Books: Superman: The Kryptonite Spectrum #1, Superman Unlimited #4, Supergirl Vol. 8 #4

This is why you don’t watch whites with colors.

Notes: The beginning of a new school year traditionally keeps me busy, and today was the first time I’ve made it in to pick up my new comics in a few weeks. As such, I’ve got a hefty nine Superman or Superman-related comics sitting in my stack, waiting to read and discuss, including the much-anticipated Superman: The Kryptonite Spectrum #1. This Black Label series is by W. Maxwell Prince and Martin Morazzo, the creative team behind Image Comics’ incredible existential horror series Ice Cream Man. That’s the only thing of theirs that I’ve read before, however, and while I’m a big fan, I’ve been curious ever since this was announced as to just how their sensibilities would translate over to the Man of Steel.

As it turns out, they translate wonderfully.

In this story, Superman discovers four new strains of Kryptonite beyond the usual colors we’re aware of, and recruits Batman to help him experiment with them and find out what they do. The first, a Purple K, distorts Superman’s perception of time – something that is especially concerning as Lex Luthor chooses just that minute to unleash Solomon Grundy in Metropolis.

It would be fair for someone to question whether a creative team best known for a cosmic mind-tripping horror comic would be an appropriate choice for a Superman story, but Prince and Morazzo acquit themselves right away. The Kryptonite Spectrum isn’t a horror story by any stretch, but when Superman’s concept of linear time is skewed, we get a story that drifts into the kind of psychological twists that make Ice Cream Man so compelling while skipping the actual terror. Prince uses this conceit to play with the reader’s concept of time as well, and the script even twists Superman’s interactions with his friends, with a few scenes with Lois Lane dipping into the very real anxieties that Ice Cream Man so frequently mines for pure horror. Here, though, rather than terror, Prince uses them for character drama, displaying things about the relationships between the characters that feel very true, very human. This may not have the “Elseworlds” label, but the story clearly isn’t set in the mainstream DC Universe, with Superman and Lois’s relationship framed in a way that doesn’t fit that world, but feels quite appropriate for the story that Prince and Morazzo are telling. This is a great first issue of a very different kind of Superman story, and I enjoyed it heartily. 

Remember this the next time one of you wants to give me grief for putting up my Halloween decorations in September.

Dan Slott and Rafael Albuquerque are back with Superman Unlimited #4. With the Daily Planet expanding to a global operation, Jimmy Olsen has been tasked with helping set up their Gotham City office. While he’s in town, he and his ape city sidekick Tee-Nah run across Man-Bat and wind up summoning Superman for help. What they don’t know, though, is that this is a new Man-Bat, one who can transmit its curse via a bite…and a chance encounter with all the Kryptonite on Earth these days has left Superman just vulnerable enough to get nipped. Soon it’s Robin and the Birds of Prey vs. Superman-Bat! 

This book is really turning out to be just what I wanted. There’s an ongoing storyline – that of the Kryptonite meteor that fell to Earth and the consequences of that – however, each issue feels like it’s telling a complete and self-contained story. The A-plot, the “Superman-Bat” thing, is done in one and it’s over. The background story of the Kryptonite and the expanded operations of the Planet continue. Although it’s a single monthly comic, in a lot of ways it feels like the structure of the glorious “Triangle Era” of the Superman comics, and I love it for that. Slott also works in some nice tidbits regarding Superman’s interaction with the Batman family, which – coming right on the heels of having read The Kryptonite Spectrum #1 – makes it feel as if DC is using the month of August to make sure everyone remembers that Superman and Batman are best buds. Which, of course, I approve of wholeheartedly.

This is what happens when you don’t use fluoride.

Supergirl #4 continues Sophie Campbell’s new(ish) take on the Woman of Tomorrow. Having defeated her doppelganger Lesla-Lar last issue, this issue Supergirl takes her back to Kandor where she does something her cousin would most certainly approve of wholeheartedly: she goes to bat for her. Supergirl argues that Lesla has the drive to become a real hero, if only given the proper guidance, and volunteers to take that task upon herself. That’s the very beginning of the issue – afterwards we see Lesla make earnest attempts to prove her worth, leading up to a strange but entertaining encounter at a Goth club where she makes a mistake in judgment that winds up having the Supergirl squad face the forces of Decay. 

I just adore Campbell’s take on Supergirl. This issue in particular feels so true to the character – she comes off as someone who has demons in her past but, having largely conquered them, is sworn to help other people do the same. And following Lesla in this issue just magnifies that fact, demonstrating the effect that just being in proximity of someone like Supergirl can have on a soul that’s not truly evil, but merely lost. It’s such a good look for her and for the entire Superman family, and Campbell is nailing it in a delightful way. I also appreciate how Campbell is mining Supergirl’s past – the “new” villain, Decay, is a new version of an obscure character from Supergirl’s ‘80s series who, to the best of my knowledge, hasn’t reappeared since then. She knows this character’s history and she’s using it to her best advantage, which makes for a really rewarding read. 

Sun., Aug. 24

Comics: Krypto: The Last Dog of Krypton #3, Action Comics #1089, Justice League Red #1

Notes: After a busy Sunday of groceries, shoe shopping, making my weekly LitReel and, of course, a required stop at Spirit Halloween, it’s nearly 7 pm before I have a chance to sit down and read anything. Fortunately, I’ve still got six more new Superman-related books to dig into. Let’s see how many I get to this evening.

Beware the fetch.

Krypto: The Last Dog of Krypton #3 is first. Wandering alone after abandoning Lex Luthor, Krypto is stumbling through the woods when he comes across a little girl who’s as lost as he is. Roaming through the freezing woods, Krypto takes it upon himself to take care of the child, and in the process, proves just what a good boy he really is.

The first two issues of this miniseries blew me away. This one… DAMN it, Ryan North. Three issues in a row – THREE ISSUES IN A ROW – and you’ve got me in tears reading about KRYPTO THE SUPERDOG.

Honestly, if you’re not reading this comic book I don’t know what even is wrong with you.

When a teenager loses one of his contact lenses.

Action Comics #1089 may not have me sobbing over the adventures of a dog, but that doesn’t mean it’s not good. Last issue, young Clark Kent was surprised when his history teacher showed up on his doorstep and revealed that he knew Clark was Superboy. This issue, Mr. Blake has a reveal of his own and, frankly, I’m kind of irritated with myself for not picking up on who he was in the first place. Mark Waid is being Mark Waid here, tapping on his seemingly infinite awareness of the DC Universe to bring back a character who hasn’t been seen in a while and recontextualizing him in the world of Superboy’s Smallville. I can’t get much more specific without spoiling anything here, and in case you haven’t read the issue yet, I don’t want to do that But Waid is doing really interesting stuff in this issue.

My one complaint is actually the cover by Ryan Sook. It’s a great piece of art – evocative and certainly sure to get a reader’s attention…only it doesn’t seem to actually fit anything in the story. I hate when comic book covers are dull, generic pin-ups, but it may be even worse when the cover is of a scene that doesn’t even appear in the book.

Wait, some of these costumes need more red.

The last book I squeeze in before I’m alerted by my child that he’s hungry and he has expectations of something called “dinner” is the first issue of the latest DC All-In era Justice League spinoff, Justice League Red. Ever since the Justice League re-formed, Red Tornado has been serving as the computer intelligence running the operations for the team. This issue, Power Girl and Green Lantern Simon Baz get a red alert on their League ID cards that summon them to a satellite Red Tornado built without the knowledge of the rest of the League. His computer mind has been running millions of simulations and has determined that the new League is somehow going to lead to a catastrophe on Earth, and he needs a few trusted members to handle secret tasks the rest of the League cannot learn about in order to stop it.

Writer Saladin Ahmed is taking an interesting path in this book. The story leads us to believe that Red Tornado is unstable, and that all of these predictions and algorithms he’s run are unreliable. Even as Power Girl and Simon carry out their first mission, they’re skeptical as to whether they’re doing the right thing and whether they can trust their robot teammate. But to play that hand so early, to make it seem from the very beginning that Red Tornado may be going off the rails…it feels kind of like a feint to me. I’m willing to bet that we’re going to find out along the way that things are even worse than believing Red Tornado is wrong: we’re going to find out that somehow, he’s RIGHT. Interesting set-up, and I look forward to seeing where this goes. 

Mon. Aug. 25

Comics: Absolute Superman #10, Batman/Superman: World’s Finest #42, Justice League Vs. Godzilla Vs. Kong 2 #3

Confirmed: I still can’t see John Cena.

Notes: Time to wrap up my catch-up weekend (plus one day) with the final three Superman-related comics from my visit to the comic shop. I’m kicking it off with Absolute Superman #10. The battle continues between the Omega Men and Ra’s Al Ghul’s Peacemakers, with Peacemaker Smith on the front line in the hunt for Kal-El. With a Kryptonite bullet in Smith’s gun, Kal-El is faced with a decision, and a reflection onto a hard choice his father once made brings about a surprising result.

The conceit of the Absolute comics is that this is an entire universe tainted by Darkseid, where hope is the eternal underdog and the sort of values that characterize the traditional DC heroes are absent. This issue, Kal-El is faced with the kind of choice that Superman inevitably comes down to at some point in his career, and it’s a testament to Jason Aaron’s writing that, right up until the choice is made, I’m not entirely certain which way I think he’s going to go. 

I like the way the Absolute world plays with characters as well. Concepts like the Omega Men, Peacemaker, and especially Ra’s Al Ghul are not traditional elements of the Superman corner of the DC Universe, but they work in the story we’re getting here. Overall, it’s a good chapter in this saga. 

This am bad serious book.

In World’s Finest #42, Superman and the Dynamic Duo have been summoned to Bizarro World to help with a plague. The Bizarros (including Bizarro Superman #1 and Batzarro) who are infected find their minds realigned to a more Earth-like way of thinking. Such a danger can’t be allowed to spread, so they’ve turned to our heroes to save them…but together, they find that the danger may be greater than even the plague seemed to be.

Mark Waid is doing some really interesting things with the Bizarros here. He plays with the notion of how science and physics don’t really allow for something like a square planet and what the consequences of such a world would be. At the same time, he tackles the Bizarro philosophy of things being “backwards” as well, in a way that makes me feel slightly abashed for my criticism of the Bizarro story in the recent Kal-El-Fornia Love summer special. There’s also a great moment for Batman here – Robin (understandably) questions why it would be such a bad thing if the Bizarros all had their minds reversed to what we think of as “normal.” Batman’s response is a little unexpected, at least until he gives his reasoning, displaying a depth of compassion that Batman isn’t often given credit for. It’s a good look on Bruce.

So they’re sitting around watching Japanese movies, so what?

I finally get to the end of the new Superman titles (less than 48 hours before this week’s comics go on sale) with Justice League Vs. Godzilla Vs. Kong 2 #3. At the center of the Earth, Superman and Lex Luthor are forced into an uneasy alliance as they come across a herd of giant gorillas. (A herd? A pride? What are a group of gorillas called? I should probably look that up.) On the surface, meanwhile, Supergirl and Wonder Woman get to work liberating a Monarch base being held captive by Task Force X, and Harley Quinn gets involved in a rather…unique therapy session. 

Obviously, I love crossovers, and seeing the League facing off against the Kaiju of the Legendary Monsterverse is a lot of fun. I particularly like bringing in the Suicide Squad as an alternative antagonist in this story. But it’s the sort of thing that’s a little hard to hold in your head from month to month. Waiting for the trade isn’t a practice I care for, but this is probably a situation where the story will read better in collected form than issue-to-issue. Once it’s over, I’ll have to re-read the whole thing in a lump. 

Tues., Aug. 26

Comics: Spider-Boy Team-Up #1, Unlimited Access #1-4

They don’t call ’em “Legion” for nothing.

Notes: We’re going to end our journey through the Amalgam Universe and the DC/Marvel Omnibus today with Spider-Boy Team-Up #1, and the subsequent Unlimited Access miniseries. The final one-shot, written by Roger Stern and Karl Kesel (cleverly Amalgamated into R.K. Sternsel) with art by Jose Ladronn, features the return of the Arach-kid with a special guest appearance by his pals in the Legion of Galactic Guardians 2099, and that in and of itself should tell you that at this point they were going WILD with the Amalgamations. At Cadmus, as preparations are made for the Kid’s upcoming nuptials to Mary Jane Watson, aka the Insect Queen, the Kid is plucked from the timestream and brought to the far-flung future, where the Legion is about to elect a new leader. Will it be Vance Cosmic? Martinex 5? Cannonfire? Multiple Mai–you know what, there’s too many, I’m not going to list them all. But it’s pretty interesting to note that there are so many Legionnaires that there aren’t enough Guardians to Amalgamate them all (or at least, there weren’t at the time) so they wind up mashing together with virtually any Marvel character that fits: Dream Girl and Destiny made up Dream Date, Matter-Eater Lad and the Trapster made Paste-Eater Pete, and my personal favorite, Bouncing Boy and Speedball mashed into Bouncing Ball. Unfortunately, Spider-Boy’s time displacement is causing stress on the time stream, and he winds up falling into different time periods, meeting different incarnations of the Legion.

The book turns out to be a real celebration and gentle parody of the Legion, poking some lighthearted fun at the various reboots the team has undergone over the years, a topic with which I have some passing familiarity. Even Ladronn’s artwork works really well, emulating the different styles of Keith Giffen’s Five Years Later era just as neatly as he does the Chris Sprouse-inspired Reboot Legion. The ending is a really nice touch, tying together the “2099” part of the melding with the only Legionnaire that it could possibly have been. Even divorced from the rest of the Amalgam comics, Spider-Boy was a glorious, joyful, wild experiment. Man, I hope the upcoming facsimile edition is just a precursor of things to come.

Something about Thor-El is kinda…compelling…

The last gasp – both for the Amalgams and for the Access concept of Marvel/DC Crossovers, came in the 1998 miniseries Unlimited Access by Karl Kesel and Pat Olliffe. The story starts with Access, the “Cosmic Hall Monitor,” popping back to his home in Marvel’s New York after sorting out a recent encounter between Spider-Man and Batman. Kesel implies here that this particular crossover had Access looking on from the background trying to keep things straight. As a concept, it actually would work to explain EVERY Marvel/DC crossover – Access, or someone like him, keeping an eye on temporary fusions between the worlds, which the respective heroes forget after the fact. If they decided to run with it that way.

Access has to untangle the appearance of Mantis – one of Darkseid’s lesser goons – in battle with Spider-Man, a fight that gets escalated when Juggernaut and Wonder Woman wind up in the mix. Things get even crazier when he takes Diana home only to find himself tangled in a fight between a still-savage Hulk and Green Lantern Hal Jordan…who is DEAD.

Superman doesn’t actually show up in the first few issues of this miniseries, so I’ll cut to the chase: as it turns out, Access doesn’t just bounce back and forth between universes, but discovers he can bounce back and forth in TIME as well, allowing him to meet the different versions of the Marvel and DC heroes from any point in the timestream (including the “Days of Future Past” X-Men from the distant year 2012). He’s also got the ability to create Amalgams, merging characters from the two worlds into one, which comes in handy when it turns out he’s being tracked by Darkseid, who wants his ability to traverse the worlds. By issue three, Amazing Grace has hypnotized the original Avengers and Justice League into battling each other, and Access decides to reach out for the only hero who stands a chance of fixing this mess: big blue himself, Superman. And I mean Superman during his electric blue era. It takes literally seconds for Superman to jolt everyone back to their senses, then he and Captain America mobilize the two teams to fight off Darkseid’s invasion of the Marvel Earth. But the crazy just keeps coming with the Brotherhood of Evil Mutants, the original X-Men, and a group of teen heroes who – just months later – would wind up getting their own title as Young Justice. 

By issue four, Darkseid and Magneto are teaming up to take over the world (this is early Magneto, when he was still into that kind of thing) and the heroes decide to combine their powers – literally – into a single strikeforce of Amalgams. Black Canary and Jean Grey: Jean Black! Giant-Man and Green Lantern: Green Goliath! Captain America and Captain Marvel Jr.: Captain America Jr.! I know, I didn’t write it. And of course, Superman and Thor are fused together as Thor-El. 

The fun part here is seeing these new Amalgams throw out casual references to help the reader to understand what they’re like in their own minds: Captain America Jr. possessing the “wisdom of Lincoln,” for example, or Thor-El referencing the Valhalla Zone. The series, and the history of Access, end with him accepting the truth about himself, beating Darkseid, and swearing to prevent a future he doesn’t want to experience. 

Reading this story again now, there’s so much potential left in this concept, and thanks to the nature of Access’s powers, there’s no reason that Marvel and DC couldn’t pick up on it again at any time. With new crossovers (finally) on the horizon between the two of them, the chance is right there. I don’t know if they’ll take it – I certainly hope so.

But for now, at least, our journey with Superman and the heroes of other worlds has come to an end. And I think it’s time to rededicate myself to stories focused around Clark Kent himself. That in mind, next week, I’m going to embark upon my re-read of the longest Superman saga I’ll have yet tackled for the Year of Superman blog. See you then!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 26: Playing Catchup, Random Choices, and a Tribute to Jim Shooter

Back home from our trip, it’s time to play catch up. I hit the local comic shop on Wednesday to grab a few weeks’ worth of comics, and I’m going to start week 26 by going over the Superman-related titles in the mix. Let’s see what we’ve got!

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., June 25

Comics: Action Comics #1087, Supergirl Vol. 8 #2, Superman Vol. 6 #27, Superman Unlimited #2

Notes: The Mark Waid era of Action begins! I’ve been excited for this one ever since they announced he was taking over this title with a feature on Superboy. Ever since 1986, DC has gone back and forth several times over whether Clark Kent ever had a career as Superboy in-continuity. It looks like this series is going to finally settle the question once and for all…or at least until some new editor comes in and decides to change it again. But until then, I’m psyched to enjoy the ride.

Let’s hear it for the Kid of Steel!

Action Comics #1087 has Clark Kent – as an adult – reminiscing about an “Expo of Tomorrow” he attended with his parents when he was 15 years old, and how an encounter with a villain on that day would shape the rest of his life. Have we seen the story of Superman’s public debut before? Yes, dozens of times. Does that make me any less thrilled with the comic I just read? Not in the slightest.

Like I said, we’ve seen the story of SuperMAN’s debut over and over again. This is different. This is SuperBOY – a Superboy whose powers are new to him, who has never been in a fight before, and who’s wearing red converse sneakers instead of boots. He’s determined to do good, but at this embryonic stage he’s still trying to learn how. Fortunately, he’s got Jonathan and Martha Kent in his corner. Jonathan has taught him about the lost heroes of the Golden Age, drilled him relentlessly on their feats and adventures, so he could get a feeling for the heroic ideal. And when the time comes to prove himself…well, it doesn’t go as smoothly as it might go today, but it’s an authentic, entertaining, and uplifting story. Waid – who is also currently restructuring the timeline of the DC Universe in another miniseries I’ll get to shortly – is the perfect person to reintroduce the adventures of Superman when he was a boy. 

So embarrassing when someone shows up wearing your outfit.

Sophie Campbell’s Supergirl #2 picks up where the first issue left off – there’s a second Supergirl in Midvale who seems to have captured the hearts of the town. And I have to admit I was pretty tickled when I realized that the fake Supergirl was actually a new incarnation of Lesla-Lar, the Kryptonian doppelganger that we read about back in Supergirl Week. This time around, Lesla is a Kandorian with something of an obsession with Supergirl who convinces herself that she could do the job better than the genuine article. She finds a way out of Kandor, mesmerizes the Danvers, and transforms herself into a near-duplicate of Kara Zor-El (which is much better than her being just a random lookalike as in the Silver Age). Lesla also manages to tamper with Kara’s costume, causing her to turn to a friend for help: Lena Luthor.

I’m already loving this version of Supergirl. There’s a sweetness to the book, a sense of humor that more recent versions of Supergirl haven’t had. Campbell is also already doing the legwork of building up Kara’s supporting cast, and Lena makes for a fantastic addition. The two of them acknowledge that things have gone kind of sideways between Superman and Lex, but they don’t let it affect them – and in a genre where stupid misunderstandings are used to cause conflict more often than a comic gets variant covers, that’s a wonderful change of pace. Campbell’s Supergirl is already one of my most-anticipated books from DC each month. 

Oh geez, he’s got that “I’m so disappointed” look on his face. I HATE that.

In Superman #27, Lois is still reeling from the loss of her Superwoman powers, while Superman is struggling with a sudden burst of Red Kryptonite energy. Meanwhile, Mercy and Lex have a heart-to-heart. This is kind of an odd issue – part two of “Superman Red” seems to be an epilogue of sorts. This issue, combined with the previous one, feels like it was intended to tie off some of the plotlines that have been running through this series since the first issue, clearing the table for next issue’s new storyline to dive headlong into the greater mystery of DC All In. That’s not necessarily a bad thing, but it does make the issue feel a little weak on its own. 

This is why you don’t go into bars in some of the seedier parts of Daxam.

Superman Unlimited #2 continues Dan Slott’s inaugural storyline. The enormous Kryptonite meteor that landed in the country of El Caldero has upended everything, making the tiny nation one of the most economically prosperous countries on Earth overnight. But black market Kryptonite is getting into the hands of villains everywhere, which I’m sure you can imagine causes some problems for the Man of Steel. Meanwhile, Lois is launching the new global Daily Planet initiative, and only one man seems to remember the fact that Kryptonite is NOT only harmful to Kryptonians – unfortunately that one man is Jack Ryder.

Slott is having a lot of fun with the pieces here. He finds a new angle on Superman’s little-used solar flare power, and in so doing manages to escalate the stakes of the Kryptonite storyline just a little (which is about all you want in chapter two of a storyline). I’m also glad that he hasn’t ignored the fact that Kryptonite is, in fact, radioactive. I don’t know that it’s necessarily public knowledge that it once gave Lex Luthor cancer, but that’s certainly the sort of thing that would become scuttlebutt and whispered rumors and make its way to a conspiracy theorist podcast, which seems to be how they’re casting Jack Ryder now. It’s a good fit, and it gives a good reason for the Creeper to show up at a crucial moment in the story that turns out to make things even more complicated. 

The strange thing is that, although the consequences of this storyline are obviously global, Slott manages to give us a perspective that keeps things smaller. It’s mostly about Superman and how he deals with the problem, and while all the seeds are here to make this a story that can (and, logically, should) impact the entire DC Earth, he’s building to that instead of going to planet-wide societal upheaval right from the jump. There’s a build here that I appreciate, and it makes it even more exciting to anticipate the next issue.

Thur., June 26

Comics: Justice League Unlimited Vol. 2 #8, Batman/Superman: World’s Finest #40, New History of the DC Universe #1, DC X Sonic the Hedgehog #4

No, Superman IS on this cover. Look between Aquaman and Wonder Woman. No, lower. There ya go.

Notes: Continuing today with the recent releases, I’m kicking it off with Justice League Unlimited #8, the end of Mark Waid’s “We Are Yesterday” crossover. With Grodd having absorbed the Omega Energy of the late Darkseid and scattered the Justice League throughout time, Air Wave has done his best to compensate – bringing heroes from across the time stream to the present to aid them in their battle. 

I don’t want to talk too much about what happens here – I hate spoilers, after all – but if you’re the kind of person who likes crazy superhero battles, this will be eminently satisfying to you. It’s an exciting book with gorgeous artwork and a genuinely surprising ending. I’ve got no idea where Waid is going with this, although its significance to the overall story arc that seems to be “DC All In” is abundantly clear. If you’re following what’s going on in the DC Universe, you really can’t afford not to be reading this book. 

It’s like that time King Kong interrupted Johnny Carson.

Waid is also doing his thing in Batman/Superman: World’s Finest #40. With “We Are Yesterday” over, this book settles back into its usual groove of telling stories of the World’s Finest heroes in the past. In this particular issue, Perry White and James Gordon are guests on a podcast together when a kaiju attacks, so Batman jumps into a giant robot he’s had prepared for just such an occasion and joins Superman in taking it down. And once again, friends, I would like to point out that occasionally this whole Year of Superman blog allows me to type sentences like the preceding, and that makes it all worth it.

I’ve got to be a little forgiving for the setup of this issue. The podcast in question is – like Jack Ryder’s show in Superman Unlimited – of the shock host variety. Jim Gordon is ostensibly there to defend Gotham from the hosts’s recent attacks, while Perry is there to defend print journalism, but that doesn’t really explain why they’re on the SAME episode, except to provide a (paper-thin) excuse to have Lois, Clark, and Bruce all in the same building when the giant monster shows up. But it still makes more sense than 90 percent of Silver Age contrivances, and the rest of the issue is a load of fun, so I give it a pass. 

This one is for all you Arion: Lord of Atlantis fans out there.

My Mark Waid triple feature continues with the first issue of New History of the DC Universe, a comic that is, frankly, a long time in coming. With reboots both hard and soft having plagued DC Comics for decades, I welcome an attempt at creating a definitive timeline, establishing which heroes and stories are canon to the current incarnation of the DCU. Now the pitfall of such a project is that canon only remains canon until the next person down the line decides to change it, but for now at least, I think we can accept this book as being THE history, and there’s no better person to write it than Mark Waid. 

The series is framed as a history of the universe as compiled by Barry Allen, who has a better idea than most of just how time has been monkeyed with over the years. And while the connection to Superman actually doesn’t come in until literally the last panel of the last page, I felt like it deserved mention here in the blog, if for no other reason than how impressive it is that Waid  and co-researcher Dave Wielgosz (who provides a remarkably detailed index at the end of the book) have crafted a timeline that works. There’s nothing here that doesn’t make sense, and Waid even takes the opportunity to canonize several characters whose existence in the current DCU may have been suspect, such as the original Red Tornado, the Alpha Centurion, and – strangely enough – Robin Hood. Yeah, that one. Pretty much the only thing he DIDN’T mention is Hugo Danner from Gladiator, who I mentioned a couple of weeks ago was the father of the Young All-Stars member Iron Munro (although Munro and the All-Stars DID merit inclusion). 

Most shocking of all, however, is a panel that places into the timeline the arrival of a Terminian alien who crashes to Earth and is adopted by a human couple – on a plantation in the American south in the 1800s. This baby will grow up to be Milestone Comics’ Icon, a character I’m planning to cover in a later week where I discuss characters clearly intended to be the Superman of their respective universes. This is the first I’ve heard of any plans to put the Milestone characters back in the DC Universe proper, and I’m very interested to see if Static, Blood Syndicate and the others show up when we reach their respective point in the timeline in future issues. 

At any rate, this book is essentially required reading for any fan of the DC Universe, and I can’t recommend it enough. 

Now HERE’S a race I wanna see.

Last but not least, Ian Flynn wrote DC X Sonic the Hedgehog #4 (instead of Mark Waid), but he did a great job with it. Last issue focused on Team Sonic stuck on the DC Earth, while this issue gives us the reverse of that, with the Justice League trying to keep things from falling apart during Apokalips’ attack on Sonic’s world. There’s a particularly entertaining exchange between Superman and Dr. Robotnik that I really enjoyed. As I’ve said when I wrote about this book in the past, it’s nothing groundbreaking, but darned if it isn’t fun. 

Fri., June 27

Movie: Superman Returns (2006)

Notes: After a cinematic absence of many years, Warner Bros poached a filmmaker who had success making films with Marvel Comics characters and handed him the reigns of the Man of Steel in the hopes of evoking the feel of the Richard Donner era, bridging Superman back to greatness. There’s a sentence that’s as accurate today as it was in 2006, when Brian Singer directed Superman Returns. Unlike James Gunn’s Superman or Zack Snyder’s Man of Steel, Returns was a direct sequel to the Christopher Reeve films, or at least the first two of them. The conceit here was that, some time shortly after the events of the second film, astronomers located the former location of Krypton amongst the stars, and Superman went into space in hopes of finding his heritage. He found, instead, only rubble, and returned to Earth five years later to a world that had changed greatly in his absence. 

This is one of those movies that was unfairly maligned in its day, although it’s also a movie that has grown dramatically in the estimation of the public since then. Brandon Routh did his best impression of Christopher Reeve, both as Superman and as Clark Kent, and created a character that both evoked and paid tribute to the hero so many of us had grown up with. And although Kevin Spacey has quite rightly been cancelled since the movie came out, it would be disingenuous not to admit that he did a magnificent job channeling Gene Hackman’s Lex Luthor.

Why, then, did this movie not land? There are a few reasons. I think the premise from which it begins is flawed in and of itself. It’s hard to imagine Superman abandoning Earth for such a long time, even in the name of seeking out Krypton. As much as this planet and its people mean to him, there’s no logical way he’d head out that way without some sort of concrete reason to. Looking at rubble isn’t good enough, and there’s nothing in the movie to indicate he was given ANY hope of finding something more substantial. To be fair, though, it’s possible that a more reasonable explanation was part of the story at some point but got filtered out by Hollywood’s classic “too many cooks” problem.

There are bigger problems in credulity when it comes to maintaining Clark Kent’s secret identity. There have always been jokes about how the glasses function as a disguise, but it’s even harder to imagine nobody – not even Lois Lane – would EVER question the fact that Clark went away at the same time that Superman left Earth then returned to the Planet at the same time that Superman returned to the…well… planet, with a lowercase “p.” 

But the big elephant in the room is Jason White, Lois’s little boy whom everyone believes is the child of her fiancé, Richard White, even though it’s blindingly obvious to the viewer that he’s actually the son of Superman. I don’t object to Superman being a father – I think that’s pretty clear from the stuff I’ve written about Jon Kent in the comics – but I have to draw the line at the TIMING. If Jason is Clark’s son, he obviously had to be conceived before he left Earth, and yet nobody – not even Richard – seems to question Lois when she says he’s Richard’s kid. That would mean she would have to have been involved with him at the same time as she was with Superman (presumably their dalliance in Superman II). So why does everybody in this movie act as if Richard is hands-down Jason’s father? Even if Richard knows Jason’s not his, there’s a moment where he questions if Lois was ever in love with Superman, subtly implying he wants to know IF she ever hooked up with him. So who does HE think Jason’s father is? It just doesn’t piece together. 

Of course, that leads me to the biggest problem I have with this movie: Kate Bosworth’s Lois Lane. I feel like I’ve made it profoundly clear how much I admire the character of Lois Lane when she’s written well – her intelligence, her integrity, her courage. Bosworth’s Lois doesn’t display ANY of that. There’s a softness to her that doesn’t belong to Lois Lane no matter how you slice it, and I never believe the chemistry between her and Routh.

All that said, the good in this movie outweighs the bad. Routh’s Clark Kent/Superman, Frank Langella’s Perry White, Sam Huntington’s Jimmy Olsen – all of them work. John Ottman’s score is a nice build on the classic John Williams themes. And there are some sequences in this movie that are legitimately stunning even 19 years later: the scene where Superman saves the plane (obviously inspired by John Byrne’s Man of Steel) is a total thrill ride throughout. Little moments, like when he gets shot in the eye and we see a close-up of the bullet crunching, or the scene where he holds up that famous green car from Action Comics #1 – all of that works for me, and works very, very well.

Wait, where’s the dude running away in a panic in the lower lefthand corner?

Despite its flaws, this movie and Brandon Routh deserved better than they got. A good sequel COULD have been made, even though Warner Bros. decided instead to go another way. I’m just glad that Routh got a shot at redemption during the Arrowverse’s Crisis on Infinite Earths event, where he showed off how good a Superman he was. 

Comics: Metamorpho: The Element Man #6 (Guest Appearance), Zatanna Vol. 3 #5 (Cameo)

Sat., June 28

Graphic Novels: Superman: Emperor Joker (Collects Superman Vol. 2 #160-161, Adventures of Superman #582-583, Superman: The Man of Steel #104-105, Action Comics #769-770, and Superman: Emperor Joker #1), Superman: The Last Son (Collects Action Comics #844-846, 851, Annual #11)

This is why I’d rather play Uno.

Notes: Although my Superman On-The-Go week is over, there were a few graphic novels I downloaded but didn’t get around to, so I thought I would dip into those today. First off was Emperor Joker, a two-month event from the four Superman titles in 2000. Superman wakes up in a world that has gone mad: he is imprisoned in Arkham, his powers diminished, and Bizarro is the leader of a JLA made up of amplified versions of villains. He can’t remember how the world got this way, nor does he remember what the world was like before, but it’s clear that something is wrong. Lois Lane is a corporate CEO, Superman is a fugitive on the run, and Mr. Mxyzptlyk is trying desperately to find him. 

I think it’s important to note that, although the storyline is known as “Emperor Joker” TODAY, that wasn’t the case when it first came out. The first four issues were published under the title “Superman: Arkham,” and the one-shot that comes in the middle (the fifth chapter of the story) was solicited as Superman: Emperor ?. This was back when things like the evil mastermind who has transformed the entire world were actually kept SECRET, instead of being published in Entertainment Weekly the day before the comic actually comes out. The reveal didn’t come until chapter four, when Mxyzptlk tells Superman that the world has been taken over by a godlike Joker. Turns out Mxy thought it would be fun to give the Joker a teeny bit of his own power – about 1 percent. But he didn’t reckon with the madman’s cunning, and Joker wound up taking 99 percent of Mxy’s fifth-dimensional abilities and reshaped the entire world in his own insane image. The real Justice Leaguers are pathetic creatures, hunted as villains, and only Mxy and Superman know what’s wrong. Superman manages to recruit this world’s versions of Superboy, Supergirl, and Steel to his cause, and they set out on a quest to find the one man who can defeat the Joker: Batman.

There’s good and bad in this story. It’s a nice change of pace, first of all, to put that much power in the Joker’s hands and have Superman have to deal with it. There’s also some meta-commentary in here about the power of faith and how it restores the changed heroes, as well as an interesting note about how the Joker’s obsession with Batman prevents him from eliminating his enemy entirely and, therefore, leaves the window open for his own defeat. 

But there are some moments of disconnect in here as well. This was in the waning days of the “Triangle Era,” and by this point all of the creators who had made that a golden age for Superman fans were gone. This isn’t to say that any of the creative teams of the time (Jeph Loeb and Ed McGuinness on Superman, J.M. DeMatteis and Mike S. Miller on Adventures, Mark Schulz and Doug Mahnke on Man of Steel, and Joe Kelly and Kano on Action) weren’t doing good work, but there was a disconnect and it showed. This was especially evident in the artwork: things like Lois’s hairstyle and Steel’s armor varied wildly from issue to issue. It would be easy to dismiss this as just part of the Joker’s madness manifesting itself visually, but if that’s the case, it should happen constantly and be noted in-story rather than just flip when a new penciller takes over the next chapter. 

It’s a good story, a story I remember enjoying when it was first published and I still enjoy now, but there are things that could have been better. 

“The Last Son” has a different meaning when it’s Superman than, say, the Duggars.

Next was Superman: The Last Son, a storyline from 2006. In this one, a spacecraft crashes in Metropolis and, inside, Superman finds a young boy who speaks Kryptonian. The child is initially sought out by the government (because duh), so Superman helps him escape into hiding and crafts a new identity for him – Christopher Kent, whom he tries to pass off as the child of a late cousin – and tries to convince Lois that they should adopt him. The point might become moot, however, when the child’s REAL parents arrive on Earth: General Zod and Ursa…and they want their son BACK.

Geoff Johns co-wrote this one with his former boss and mentor, a guy who’s somewhat familiar with Superman, director Richard Donner. This is probably most evident in the scenes where Superman consults the crystal with the memories of his late father, Jor-El. Artist Adam Kubert doesn’t go so far as to try to draw Jor-El to resemble Marlon Brando, but Johns and Donner absolutely write the character with Brando’s voice, with speech patterns and mannerisms that feel very on-mark for the version of Jor-El from the 1978 movie. 

This is one of those stories that I find most interesting in retrospect. It was a great story (if unforgivably delayed at the time), but there are a few things established here that are kind of hilarious in perspective of how the characters would change a decade later. When Clark tells Lois he wants to adopt the Kryptonian boy, she objects. He’s too busy being Superman, she says, whereas she’s too busy being a reporter. Neither of them, in her opinion, are meant to be parents. There are also moments where both Ursa and Jor-El insist that Lois, as a human, could not conceive a child with a Kryptonian. All of them, of course, would turn out to be wrong, as the Convergence event in 2015 gave us Jon Kent. (In fairness, Superman had no powers when Jon was conceived, so Lois’s pregnancy seemed relatively normal. But still.) 

This wasn’t the last story with Chris Kent – named, I should mention, in honor of the recently-departed Christopher Reeve. Like Jon, though, he’d turn up again later having aged and become a hero of his own. He’s back in the DCU these days, a kid again, but he now goes by his birth name of Lor-Zod and seems to be following his father in the family business (being evil), so it would seem that this story probably isn’t considered canon anymore. And that’s kind of too bad, because if you look at it from a certain angle you could see Lois’s experiences with Chris as changing her mind about motherhood, helping to shape her into the Supermom she would turn out to be. If nothing else, it’s cool to read a comic book that was shaped by Donner himself. 

Comics: Justice League of America #27, DC Vs. Vampires: World War V #9 (Supergirl, Steel appearances)

Sun., June 29

Comics: The Superman Monster #1

“Braaains…”
“That’s ZOMBIES, Klaus.”
“Oh — um — FIRE BAAAAAAD…”

Notes: On a rainy Sunday afternoon, I scroll through the DC Universe app looking for today’s Superman reading and – for no particular reason – I decide to click open The Superman Monster. This is an Elseworlds one-shot from 1999, written by Dan Abnett and Andy Lanning with art by Anthony Williams. As you may have guessed from the cover art or the title, this is a mashup of Superman with Mary Shelley’s Frankenstein. This is a fun little combo for me – my favorite superhero and my favorite monster. Two great tastes that taste great together.

In 19th century Ingolstadt, we meet Vicktor Luthor, a man of science. Vicktor is engaged to the lovely Eloise Edge, but he carries a dark hunger within him, an urge – since the untimely passing of his parents – to find a way to conquer death. That path is opened up to him when he finds a mysterious metal shell in the woods, a craft from another world. Inside are the skeletal remains of its only passenger, along with a holographic message from someone called Jor-El, father of the vessel’s deceased inhabitant, carrying with it the knowledge of an alien world. Luthor uses the alien remains and alien knowledge to bring to life a creature – a being of immense power, but who quickly spins out of Luthor’s control.

I’m a teacher (I may have mentioned that once or twice), and my honors seniors study Mary Shelley’s Frankenstein every year, so I have more than a passing knowledge with the book, which is really quite different from the Boris Karloff movie that most people think of when they think of the Frankenstein Monster. I’m surprised, then, to see just how good an adaptation of the novel this comic book actually is. Oh, obviously it’s not an exact 1-to-1 adaptation. There are no aliens or holograms in Shelley’s novel, for instance. But the comic actually brings in a lot of the little moments from the book that adaptations often leave out. The kindly family in the woods that the creature tries to find shelter with become the kindly older couple the Kants, mourning the loss of their son Klaus, who take the creature in. (It’s a happier relationship here than in the novel, but the ending is no less tragic.) Eloise becomes a substitute for the Bride of Frankenstein, who is built but never brought to life in the book.  In truth, Shelley’s themes mesh together with the Superman legend surprisingly well.

Then there are the odd moments, things that feel like a DC editorial mandate. The hologram that Luthor finds, for instance, is Jor-El wearing the clothing of the John Byrne era. Sure, that was the style of Jor-El in the comics at the time, but this is an Elseworlds – we’ve changed the inhabitants of Metropolis to German villagers in the 19th century and Superman into a walking corpse, but redesigning Jor-El was verboten for some reason. While the artwork throughout it pretty strong, little things like that take me out of it just a little bit. You don’t see stuff like that these days – look at a modern story like Dark Knights of Steel and there’s no attempt to adhere to current designs, nor should there be. 

This is the kind of thing that really sets DC’s Elseworlds apart from Marvel’s What If? series, at least back then. Whereas the What If? stories traditionally used the main Marvel Universe as a starting point and then spun out an alternate history, Elseworlds could (and usually did) posit a story that never could have happened in the comics and followed them to a conclusion. These days, the two franchises have kind of moved closer together, where either can be used for either type of story, but for 1999 this was a quintessential Elseworlds yarn. It’s not so far off the mark that you can’t recognize Superman for what he is, but at the same time, it’s a take from a different angle, a fun sort of combination with a different story, not unlike Superman’s Metropolis, Batman: Nosferatu, or Green Lantern: 1,001 Emerald Nights. It’s too bad, with all the other Elseworlds characters that have cropped up in the Multiverse, that we haven’t seen the Superman Monster again. 

I own this book, so I’m sure I’ve read it before, but it’s been long enough that I forgot most of it. I’m glad I read it again, but if I’m being honest, I kind of wish that I’d held off until October and worked it into some Super Halloween reading. Ah well, I’m sure I’ll find other seasonally appropriate stories when the time comes. 

Mon. June 30

TV Special: Superman’s 50th Anniversary: A Celebration of the Man of Steel

And he doesn’t look a day over 87.

Notes: With the movie (THE movie) coming out next week, I’ve got a list of very specific things I’m going to hit in the week preceding it…but I’m a bit aimless as to how to finish up THIS week. Not quite feeling like hitting the DC app this morning, I decided to scroll through my list of things to watch, and more or less randomly decided to go to YouTube, where I’ve found the 1988 CBS television special Superman’s 50th Anniversary: A Celebration of the Man of Steel. Sorry to all the Kate and Allie and Designing Women fans – the special makes it clear at the beginning that those shows won’t be airing tonight, but they’ll be back next week.

This special, celebrating Superman’s 50th, starts with a narrator telling us Superman’s origin overlaid on footage from the original Superman movie serial from 1948 – until the planet explodes and we shift to the 1978 Richard Donner/Christopher Reeve movie. Apparently, in the universe of this special, Krypton is in black and white, whereas Earth is in color. Then we meet Dana Carvey, “Chief Historian of the Junior Supermen of America,” who promises to explore Superman’s history and interview some of the people who know him best: “The Metropolotians.”

Oh man – this whole special is gonna be a bit, isn’t it? 

In fact, it turns out to be far more schizophrenic than that. The special is a bit of a history, using clips from pretty much every incarnation of the character at this point (Kirk Alyn, George Reeves, Christopher Reeve, and the Fleischer cartoons). And some of the narration is actually on-point – in a discussion of Superman’s powers, for instance, Dana Carvey mentions how Superman couldn’t actually fly in the early days, but instead jumped from place to place before he developed into – and I quote – “the Nijinsky of the air.”

We get interviews with people involved with Superman, like Christopher Reeve, but then it bounces to comedians in-character. Fred Willard, for instance, plays the Deputy Mayor of Metropolis desperately trying to emphasize that there are things in the city beyond JUST Superman – museums, for example. The Amazing Kreskin talks about how his powers are different than Superman’s. Hal Holbrook shows up in a (rather unimpressive) Superman costume preparing for his one-man show about Superman’s life, an apparent follow-up to his one-man show about Mark Twain. The golden moment here is Noel Neill appearing as Lois’s mother, Ella Lane, describing how she’s tried to talk her daughter out of chasing that Superman because he’s just never going to settle down. Then just seconds later, the goodwill is thrown out in a groan-inducing interview with Jan Hooks as a woman who claimed to have a fling with Superman and whose “hybrid” child is half-Superman. “He’s got X-Ray vision, but only in one eye, so he gets terrible headaches.”

I guess that’s supposed to be funny?

The special was produced by Lorne Michaels of Saturday Night Live, which is no doubt why so many SNL cast members past and present appear…but it doesn’t seem to know what it wants to BE. Is this a celebration of Superman or a parody? A sketch show or a documentary? It tries to be both, but it CAN’T.

There are some nice moments, though – a brief interview with Kirk Alyn where he talks about how much he loved playing Superman and how proud he was to be the FIRST Superman on screen. Jack Larson, the Jimmy Olsen from the George Reeves series, similarly gives a brief but sweet interview. John Byrne also gets an interview where he discusses how Siegel and Shuster pulled the character together and sold him to DC Comics – again, it’s a good moment, but far too short. 

There is, however, one moment that makes watching the entire special worthwhile for me: RALPH NADER. Remember back in “Super-Sponsor Week,” when I took to YouTube to find different Superman-related commercials, and I found a bit with Ralph Nader doing a sort of public service announcement warning people only to buy their Kryptonite from a legitimate dealer? I had no idea where that commercial came from or why it exists. So I hope you can imagine just how excited I was when it showed up as PART OF THIS SPECIAL. The mystery is solved. I can finally get a decent night’s sleep again. 

I’m not sure how I feel about this special, honestly. They tried to do a real dip into Superman’s history at some moments, which kind of undermine the in-universe comedy bits. The comedy bits, on the other hand, make the real world segments feel entirely out of place. I wish they had picked one path to take and stuck with it rather than this halfhearted attempt to have their cake and eat it too.

TV Episode: Super Mega Cakes Season 1, Episode 1: “Superman.”

Looks good enough to eat, right?

Notes: True confession time. I like TV baking shows, and when I saw the ad for this new one — Super Mega Cakes — scroll across my screen at some point, I realized I would have to watch at least the first episode. Celebrity baker Duff Goldman and his team is tasked with competing against six teams of non-celebrity bakers, baking six mega cakes in battle at the same time. And because this is a Food Network show and therefore part of the Warner Bros/Discovery umbrella, at least for the next five minutes, some of the themes are connected to specific IP. One baker’s theme is Classic Cartoons (with the Looney Tunes and Tom and Jerry specifically shown). Another gets an “ocean predators” theme, and I just BETCHA that episode will be airing during Shark Week. But for the first episode, the one that I’m talking about today, the pitch is Superman-themed cakes.  

The Superman battle pits Duff against baker Elizabeth Rowe, who decides to base her design on a scene in the trailer for the new movie (did I mention there was a new movie coming out?) in which a Kaiju attacks the Daily Planet office. Part of the requirements for the cake is that there has to be an animated element, so Rowe decides to have Clark, mid-change to Superman, turn his heat vision on the monster (although Rowe and her team constantly refer to his power as “laser eyes,” and part of me is rooting for her to lose just because of that). She’ll also have Lois brandishing a fire extinguisher, which is a cute touch. The final requirement that was mentioned is that the flavor of the cake has to be inspired by the theme, so Rowe decides to do a peanut butter filling because “Superman loves peanut butter.”

You know what? Superman used to SELL peanut butter, so I’m gonna allow that.

Team Duff, on the other hand, plans a three-foot tall Superman figure bursting out of the Fortress of Solitude made out of ice. Superman will be accompanied by Krypto, because Krypto is also in the new movie. (DID YOU KNOW THERE’S GOING TO BE A MOVIE?) But when Duff’s partner Ralph sees just how big Elizabeth’s kaiju is shaping up to be, he upscales the figures of Clark and Krypto to life-size. Duff’s tasting element is rhubarb jam, because Clark loves Martha’s rhubarb pie. (My wife: “Y’all nerds know way too much about this man.”) For his animated element, Supercake is going to use his (correctly-named) heat vision to carve an S-shield in the ice. 

I’m not going to go into a blow-by-blow of the whole episode. If you like these kinds of shows, you probably know how it goes – we watch the cake artists at work, we see them overcome unexpected obstacles, there’s a confessional segment where they tell about some sort of personal hardship that makes you want to root for them DESPITE the fact that they keep calling it “laser vision,” the music gets super-duper intense just before the timer runs out and then, BAM! There’s a ridiculously impressive cake. And I gotta tell ya, the cakes DO look amazing. 

Damn. Now I want cake. 

Comics: DC Vs. Vampires: World War Z #10 (Appearance by Supergirl, Lois Lane)

Tues., July 1

Comics: Adventure Comics #346-347

Notes: Once again, I find myself faced with the sad duty of eulogizing someone here in the Year of Superman blog, as yesterday afternoon we were told of the passing of Jim Shooter at the age of 73. Shooter was perhaps one of the most remarkable comic creators of all time – certainly possessing the most unique history. At the age of 13, he submitted a story to DC Comics featuring what he considered, at the time, one of DC’s weakest properties: the Legion of Super-Heroes. Not only did editor Mort Weisinger buy the story from Shooter, but at the age of 14 he was hired as the regular writer for the Legion’s tales in Adventure Comics. Shooter would go on to write other comics for DC, including – among many others – the very first ever race between Superman and the Flash from Superman #199. He wrote a variety of comics for DC, many of them part of the Superman family, for about a decade before he bounced over to Marvel Comics. There he eventually rose to the position of Editor-In-Chief, spearheading Marvel’s New Universe line and writing their first major crossover event, Marvel Super-Heroes Secret Wars. After leaving Marvel, Shooter founded Valiant Comics, as well as other enterprises that perhaps are not remembered as well.

Although sometimes a controversial figure (word has it that he wasn’t always the easiest editor to work with), Shooter is one of those figures whose stamp on the comic book landscape is undeniable. Both as a writer and an editor, he is responsible for some of the most significant and memorable stories and characters in comic book history.

So to commemorate him, I decided today to go back and read a story I didn’t get to back in Legion of Super-Heroes week: his first ever Legion story, a two-parter from Adventure Comics #346 and #347 – a story written by a 13-year-old boy. (Take THAT, 17-year-old Mary Shelley creating Frankenstein.) 

Hint: The traitor is the one who isn’t mentioned in any OTHER Legion stories of the past 60 years.

In the shockingly-titled “One of Us is a Traitor” Superboy, serving as interim leader, introduces four new young heroes all vying for Legion membership. Princess Projectra has the power to cast illusions! Nemesis Kid has a strange “alchemical” power that allows him to defend himself and defeat any foe! Ferro Lad can transform into living iron! And Karate Kid’s skill at Martial Arts is ALMOST enough to allow him to defeat Superboy! All four are unanimously accepted as members of the Legion. 

Before the Legion has even had a chance to welcome their newbies, though, a new threat rears its head: Garlak, warlord of the distant world of Khund, is threatening to invade Earth if the planet doesn’t surrender in one hour. And just in case Superboy gets any smart ideas, he warns them, he has a healthy supply of Kryptonite weapons. Superboy splits the Legion into three teams to protect Earth’s three defense towers, but in private, Garlak gloats that he’s already slipped a spy into the Legion ranks to guarantee his success. And in fact, when the first of the defense towers is attacked, Phantom Girl is left questioning Karate Kid’s loyalty to the team when he sends her away at a critical moment and the first of Earth’s three defense towers is destroyed.

In part two of the story, Superboy leads an air-squad to defend the second tower, but their Kryptonite weapons weaken him and the tower is lost. Checking on the Legionnaires who were supposed to defend it on the ground, they find their teammates unconscious, temporarily incapacitated by a gas attack, with one person missing – Karate Kid. Racing to Legion HQ, they find Karate Kid standing over the wreckage of the Legion’s arsenal, but when Superboy shouts out, “All right, Kid! The game’s up!” it is not Karate Kid who steps out to confess, but Nemesis Kid. He’s already signaled the Khund to attack, and plans to be richly rewarded as Earth perishes. But Superboy isn’t without his own tricks – he reveals a secret fourth defense tower that helps fend off the Khund as the Legion takes the fight to their spacecraft. Karate Kid proves his worth by singlehandedly capturing the Khund leader, but Nemesis Kid’s powers allow him to teleport away, and Superboy is left wondering if they’ll ever see him again.

He’s no Daniel LaRusso, but let’s see Jaden Smith’s Karate Kid do THAT.

First off, if you didn’t already know, there’s no way in hell you would EVER guess this story was written by a 13-year-old. Not only does it fit with the style of the other DC Comics of the 60s, it’s BETTER than most of them – a more intense story, sharper characterization, and while Karate Kid is obviously a red herring from the beginning, most red herrings at this time were obvious. The only knock I could give this story is the kind of lame way that Nemesis Kid reveals himself: “Oh, Superboy said ‘Kid.’ He must be talking to me and not the guy who’s literally standing over the destroyed arsenal, whose name also happens to have ‘Kid’ in it. Better give myself up.” But even THAT isn’t any lamer than most other stories of the time, and I can easily give it a pass.

What’s more, in his first story, Shooter has contributed SEVERAL lasting elements to the Legion of Super-Heroes: Projectra and Karate Kid would go on to have long, storied careers with the Legion (to date, Karate Kid and Mon-El, using the name Valor, are the only Legionnaires to ever get their own ongoing comic book series). Ferro Lad’s time as a Legionnaire was cut tragically short, but as the first Legionnaire to die (and stay dead) in battle, he left an indelible mark on the franchise. Kind of like Tasha Yar on Star Trek: The Next Generation, Ferro Lad turned out to be more important in death than it was in life. And even the bad guys from this story, the Khunds, would go on to be long-time alien antagonists not only for the Legion, but even in the DC comics set in the present day, although it should be noted that the Khunds would change to a more alien-like appearance, whereas in this story Shooter and artist Sheldon Moldoff (working off Shooter’s thumbnail sketches, no less!) kind of made Garlak look like Attila the Hun in space. 

Not a bad first day on the job for someone whose contemporaries made their money delivering newspapers.

Thank you, Mr. Shooter from the hearts of the fans of the Legion. And Superman. And major crossover events. And the Valiant Comics characters. Let’s face it, you had your hand in everything, and we’re all better for having your work in comics. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 23: Superman and the Legion of Super-Heroes

If you ask Joe Public what team Superman is a member of, pretty much everyone will bring up the Justice League. And they’re not wrong – Superman is a vital member of the League, and honestly, it doesn’t really feel like the JLA without the trinity of Superman, Batman, and Wonder Woman. (I love the Giffen/DeMatteis run, don’t get me wrong, but that’s the JLI.) But the thing is, the Justice League isn’t the FIRST team Clark Kent was a member of. And in truth, as far as his development as a character, I don’t think it’s even the most important. This week we’re going to look at the young people he inspired and who, in turn, helped shape him into the hero he is. Superman would still be Superman if he’d never joined the Justice League…but he’s not really the hero he is without the Legion of Super-Heroes. 

And the same goes for Superboy. And Supergirl. And Jonathan Kent, too. Because of reboot after reboot, there have been a lot of versions of the Legion over the years, and Clark, Conner, Kara, and Jon have each had their own incarnation. This week I’ll try to peek at each of them, talk about why the Legion matters so much to Superman, and discuss the best (and worst) of the 31st Century’s greatest heroes. 

The Legion is kind of complicated these days, thanks to DC’s constant rebooting of their timeline. If you aren’t already familiar with them and you’re looking for a little clarification, I wrote about their convoluted history in this Geek Punditry blog a couple of months ago. Please, go check it out. 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., June 4

Comics: Adventure Comics #247, Action Comics #276, Absolute Superman #8, Justice League Vs. Godzilla Vs. Kong 2 #1

The same thing happened to me when I tried to join the Webelos.

Notes: The Legion made its first appearance in Adventure Comics #247, during the period in which the headline character of that anthology series was Superboy. In this issue, beneath a Curt Swan cover that has become one of those legendary covers that gets “Homaged” again and again, Clark Kent is on the streets of Smallville when he is addressed as Superboy by a mysterious teenager he’s never met before. He switches to his other identity and zooms off, only to be met by another teenager calling him Clark, then a third. Horrified at first that his identity has been revealed, he is relieved when the teens tell him their secret: they are time-travelers. In their future, they are members of a club for superheroes inspired by the legendary exploits of Superboy, and they have come back in time to invite him to join. They bring him to the future, where he sees that Smallville has become a bustling…well…metropolis – but only by the standards of HIS time. In their time, it’s still considered a tiny community. The teens (Cosmic Boy, Saturn Girl, and Lightning Boy) put Superboy through a series of initiation tests, but each time he is distracted by a disaster that requires his attention. At first, he thinks he’s failed, but the heroes reveal that the disasters he stopped were of their own doing, and it was just an initiation stunt. Superboy joins the team and goes home, but joining them in the future soon becomes a recurring part of his adventures.

Like so many of the other characters I’ve looked at this year, this early version of the Legion feels terribly incomplete. Heck, it’s not even called the Legion of Super-Heroes yet, just the “Super-Hero Club.” The three founders are all there, but Lightning Boy would soon change his name to Lightning Lad, and all three would quickly adopt new uniforms that didn’t sport their full names across the chest like a Ben Cooper Halloween costume. The exact time period from which they hail vacillated over the next several stories before it finally, firmly, was set at 1,000 years in the future. And although only the three founders take active part in this first issue, we see other generic teens that I assume are intended to be other Legionnaires, including one that – in the digital version on DC Universe Infinite – appears to be re-colored to suggest that it’s Brainiac 5. But that’s kind of pointless, since we’ll see his first appearance shortly. 

There isn’t a ton of meat in this first appearance, but I guess the idea of Superboy having actual peers was too good, so they not only brought them back, but soon added Supergirl to the mix, even though she and Superboy were separated by about 20 years of time. But hey, it’s time travel, that’s not really an issue. The first time she encountered the Legion, she was rejected because she was suffering from Red Kryptonite exposure, which seems pretty mean when you consider they darn well should have known that Red K only lasts for 24 hours. But in Action Comics #276, she got her next chance.

This issue begins similar to Clark’s first encounter with the Legion. Linda Lee is walking around Midvale, lamenting the fact that she’s got no super-powered friends to hang out with. (I feel compelled to point out that this was 1961, and even the most embryonic form of the Teen Titans wouldn’t first appear until 1964, but isn’t it weird that they never had Supergirl join until the Matrix version in the 90s?) To her surprise, she’s soon approached by three girls with powers: one wearing a mask, one that can move through solid objects, and another who can split into three bodies. The girl with the mask removes it to reveal that she’s Saturn Girl, one of the members of the Legion Supergirl met before. If you need an explanation for why she bothered with the mask, the only answer I have is that in the Silver Age nobody was ever straightforward about ANYTHING. The girls – Saturn Girl, Phantom Girl, and Triplicate Girl – take her to the future for a second shot at joining the Legion, this time alongside fellow prospective members Sun Boy, Bouncing Boy, and Brainiac 5. She is shocked at first to find that a descendant of one of her cousin’s greatest enemies is trying to be a hero, but is won over by his tender affection towards her. Supergirl is given a time-traveling membership like the one Superboy had, while Brainiac becomes a permanent member. Then, for absolutely no reason, she has a brief encounter in Atlantis, which only serves to lead up to a final panel where Linda remarks on the fact that she may not have a boyfriend in Midvale, but there’s an alien 1,000 years in the future AND a merman in Atlantis crushing on her, so it ain’t so bad.

Abysmal epilogue sequence aside, this is an interesting issue. It introduces not one, but FIVE significant Legionnaires (both Bouncing Boy and Sun Boy joined the team by the next time they turned up), and gives Supergirl a peer group like her cousin – in fact, the SAME one as her cousin. And just in case you’re worried about any timey-wimey problems arising from the fact that Superboy and Supergirl were members of the same team, they found ways to play with it. They established, for instance, that Saturn Girl placed a telepathic block on each of them, so that when they returned to their respective time periods, they would lose any memories they’d gained that would be relevant to their own future. Practically, this meant that Superboy only remembered that one day his superpowered cousin would come to Earth when he was actually in the future. They also usually avoided having both of them appear in a Legion story at the same time, so it didn’t come up too often.

Over the years, they would each bond with the Legion, and this is where I really think this group becomes important. The JLA is Superman’s team, sure, and he is close to several of them. Superman, Batman, and Wonder Woman in particular are called the DC “Trinity,” and their friendship is important, the stuff of legend.

But those are the friends he has as an adult. The Legion are his childhood friends, and that’s important. That’s special. As we learned from stories such as Stand By Me and The Sandlot, the friends we have when we’re young are a fundamental part of shaping who we are as adults. And there’s been more than one story that demonstrates just how important the Legion of Super-Heroes is to making Superboy become the Superman of legend. 

At least, until Man of Steel in 1986 upended everything by that declaring that Clark Kent had never had a career as Superboy. That change in the timeline would have catastrophic consequences for the Legion of Super-Heroes. 

But I’ll read about that tomorrow. For now, why not join me in a look at the two Superman-related comics that hit the shops this week? 

Someone’s gonna pay for that window.

Absolute Superman #8 begins the second story arc of the series. Visiting Martha Kent in Smallville, Kal-El is approached by Lois Lane…unfortunately, she’s followed by the rest of Lazarus, the Peacemakers, the Omega Men, and – oh yeah – a sniper with Kryptonite bullets. Jason Aaron keeps mixing up the DC Universe here, taking familiar pieces and putting them in unfamiliar positions, like plucking a Lego brick from a castle set and using it to build a spaceship. It’s a fun exercise, though, and I keep enjoying the stuff they’re doing.  

We also get the first issue of Justice League Vs. Godzilla Vs. Kong 2. Picking up a few years after the end of the previous miniseries, it’s Barry Allen’s wedding day! Unfortunately, he still hasn’t told Iris his secret identity. As the League tries to coax him into doing so, Amanda Waller reactivates Task Force X to deal with a resurgence of Titans (not the Teen ones – that’s what they call Kaiju in the Legendary Monsterverse). I love these crossovers, and I think it’s very interesting that, for the next few months at least, Godzilla is going to feature in comics from no less than THREE American publishers: the Monsterverse version here, the Toho version fighting the Marvel Universe over there, and all the wild iterations in the regular Godzilla comics from IDW Publishing. 

Thur., June 5

Comics: Legion of Super-Heroes Vol. 3 #37, Superman Vol. 2 #8, Action Comics #591, Legion of Super-Heroes Vol. 3 #48, Secret Six Vol. 5 #3 (Super Son)

Who says you can’t go home and have a fight with another iteration of yourself from a parallel pocket dimension again?

Notes: I’ve written at length about John Byrne’s Man of Steel in 1986 and how that reboot changed the Superman mythos. But one aspect I haven’t talked about that much is the Legion. As a team who not only had Superboy and Supergirl as members, but whose entire existence was INSPIRED by Superboy, after DC changed their continuity to declare that Superboy and Supergirl never existed, how could they explain the Legion? The solution came in this four-part story from 1987, beginning in Legion of Super-Heroes Vol. 3 #37.

Cosmic Boy, having recently returned from a visit to the 20th century (in his own self-titled miniseries) reports that the past has been altered, and the Legion has to investigate. A time storm hurls them to the past, to a Smallville populated by Superboy – a time that Cosmic Boy has reported no longer exists. Arriving in Smallville, the team splits in half – one group making contact with Superboy, the others staying with the time bubble. Superboy ambushes the team, though, trapping them in a stasis-beam. When Pete Ross (an honorary Legionnaire) warns the others what Superboy has done, they attempt to flee. And in the distant future, the Legion’s old enemy the Time Trapper revels in the chaos he is sewing. Part two comes in Superman #8, set in the “present day” of 1987, where we begin with John Byrne’s Clark Kent using his powers to help Lana fix up the farm she is returning to after years away. His super-senses detect a time bubble with four super-powered teenagers appearing across Smallville, and they get into one of those required “heroes fight heroes over a misunderstanding” situations before Brainiac 5 calls an end to hostilities. Brainy tells Superman about their history with Superboy, a history he has no memory of, and as they prepare to seek answers, Superboy appears and captures the five of them in his stasis ray. 

Action Comics #591 gives us part three of the story: Superboy is being forced to attack his friends by the Time Trapper, who reveals that Superboy’s entire existence is part of a trap laid for the Legion. Over the centuries, stories of Superman’s legend had been changed, making the Legion believe in a “Superboy” era that never existed. When they first decided to time travel and meet Superboy (back in Adventures #247), the Trapper created an entire pocket universe that matched their skewed legends of Clark Kent. It was THIS Superboy that the Legion befriended, who joined them, and who they visited every time they traveled to the past. But unable to betray his friends, Superboy altered the stasis beam so Superman would escape and chase them, ultimately landing in the pocket universe. Superboy and the Legion reconcile and go to the future, returning Superman to his own universe – but this wouldn’t be his last encounter with the Pocket Universe.

We’ll get to that some other week.

The story ends tragically in Legion #38. As Superboy and the Legion confront the Time Trapper, he reveals that one of his machines has protected the Pocket Universe from the multiversal devastation that happened in Crisis on Infinite Earths. In the skies above Smallville, Superboy sacrifices his life to save his universe from destruction. The Legion brings his body back to the 30th century to mourn…with an eye towards revenge against the Time Trapper once and for all.

Paul Levitz, longtime Legion writer, had a tough task here. Remove Superboy from the board, recognize that the “real” Superman was never Superboy and never a member of the Legion, but do so in a way that was still respectful to the Legion’s history. I think he did as good a job as anybody possibly could. The “Pocket Universe” conceit manages to keep every story where Superboy, Supergirl, or the Super-Pets encountered the Legion canonical, even if they’re only canon to the Legion and not the rest of the DC Universe. Furthermore, even though Superboy may never have been “real” in the first place, Levitz gave him a sendoff worthy of the Man of Steel that he would never grow up to be — sacrificing himself to save his world is the kind of thing members of the House of El do. Kara did it in the Crisis, The Post-Crisis Superman would do it on the streets of Metropolis a few years later. Self-sacrifice is hardwired in the DNA of the Superman family, and this story demonstrated that nicely. 

Which makes it a little frustrating that six years later, Zero Hour would throw it all out the window.

Fri., June 6

Comics: “Future Tense” storyline: Superboy Vol. 3 #21, Legion of Super-Heroes Vol. 4 #74, Legionnaires #31; The Legion #25-33, Legion Secret Files 3003, Teen Titans Vol. 3 #16, Teen Titans/Legion Special

Be honest, are you Team Leather Jacket or Team T-Shirt?

Notes: The Crisis was intended to streamline the DC Multiverse, and while it was largely successful, there were loose ends that just…dangled. It caused problems for a while, and in 1993 Dan Jurgens tried to close off those issues in Zero Hour: A Crisis in Time. It was a good story, and one of the changes it wrought was a reboot of the Legion of Super-Heroes. As Man of Steel did for Superman, the Legion reboot started the characters over from page one – they were teens again, the names and costumes were made a little less “Silver Age-y” (Lightning Lad, for instance, became Live Wire, Triplicate Girl became Triad, and so forth), and in this continuity, the Legion was inspired generally by the heroes of the past, and not Superboy or Superman specifically.  Our new Superboy, the one we met in “Reign of the Supermen,” had his own title by now, and first encountered the Legion in a three-part story called “Future Tense” from 1995. 

The Legion travels back in time to rescue Valor, a rebooted version of their own Mon-El (it’s a long story) that Superboy had encountered a few issues ago in his title. After the requisite “fight over a misunderstanding” happens, Superboy tells the Legion how Valor had nearly died from lead poisoning until he entered a “zone where time stands still,” because there was NO way they would be allowed to call it the “Phantom Zone.” Brainiac 5 tries to reopen the zone until, frustrated by the technology of the time, he warps all of them – Superboy included – back to their home in the 30th century. Things get more complicated when Superboy accidentally lets it slip that Valor – who, in the past millennia, has become a religious figure – is returning, causing a massive upheaval among the millions of Valorites across the galaxy. The Legion makes it look as though their attempt to rescue Valor fails, getting his devotees to back off, then rescue him for real in private before sending Superboy home.

This story was pretty emblematic of both the Legion and Superboy of the time. They’re young and they’re highly emotional. In this version, for instance, Triad’s three different bodies each have different parts of her personality, and one of her immediately gets the hots for Superboy. Superboy, meanwhile, was in his hotheaded stage, and certain members of the Legion took severe umbrage to that, specifically Leviathan (this incarnation’s version of Colossal Boy) and Brainiac 5 himself. Still, he does manage to prove his worth, and at the end of the three issues Cosmic Boy (whose name did NOT get updated) makes him an honorary member of the Legion. The kid and the team would encounter each other occasionally over the next few years, through assorted time travel shenanigans, but we wouldn’t see Superboy as a full member until 2003. 

At this point, both the Legion and Superboy had gone through some dark times, the former having its series restarted as just The Legion, and the latter having his series cancelled and being jutted over into Teen Titans. So it was surprising to see him show up on the cover to The Legion #25, wearing a classic Superman costume rather than his own uniform, no less. The story was a bit different – after an issue largely spent recapping their recent tragedies and stacking the new status quo, they found Superboy drifting inexplicably through space. This kicks off the six-part “Foundations” storyline, in which Superboy and the Legion face off against Darkseid and wind up meeting a time-tossed Clark Kent, still a teenager, before he ever put on a superhero costume. It’s a great story, really, although it is HEAVILY mired in the stuff that had happened in the Legion in the last few years, and it would probably be unadvisable to read on its own – I feel like it would be really confusing to anyone who wasn’t familiar with “Legion of the Damned” or the stories that followed it. 

The important thing is that it showed Superboy maturing, becoming a better person and a better hero, and that’s all to the good. Superboy stuck around with the team for the rest of the run, which was all well and good…except that he was also appearing concurrently in Teen Titans with no explanation. After Legion ended with issue #38, we got a two-part story wrapping everything up. In Teen Titans #16, Conner is having lunch with Cassie (Wonder Girl) when he’s plucked up by the Stargate that sent him to the 31st Century. He reappears a moment later, now wearing his Legion uniform, telling Cassie that he needs the Titans to help save the future. So his entire tenure in the Legion, presumably, takes place between those two panels: pencil that in, continuity nerds. Anyway, they’re attacked by the Persuader, and Superboy brings the Titans to the 31st Century, where the Fatal Five have created a Legion of their own to attack Earth: an army of Fatal Fives from throughout the multiverse. Fortunately, Brainiac 5 has a plan, but it requires the work of TWO speedsters: the Legion’s XS and her cousin, Bart Allen, aka Kid Flash. They manage to defeat the Five, but the Legion is lost in the timestream, all except for Shikkari, who finds herself in another world, where the Legion is…different.

Yep. Time for another reboot.

This iteration of the Legion lasted 10 years, and it’s the first one I ever read as a regular reader. As such, I have great affection for it. The stories were solid, with a classic flavor that still felt modern, and the art was wonderful. I was really sorry to see it end, but I’m glad that when it went, at least there was a member of the House of El standing with them in what looked – at the time – like their final moments. But we would see this Legion again.

Just not yet. 

Sat., June 7

Graphic Novel: Supergirl and the Legion of Super-Heroes: Strange Visitor From Another Century (Collects Legion of Super-Heroes Vol. 5 #14, Supergirl and the Legion of Super-Heroes #16-19)

“Don’t ask ME, I thought she was DEAD.”

Notes: The “Threeboot” Legion that followed the Titans/Legion special was an interesting beast. Written by Mark Waid, with art by Barry Kitson, this newest iteration gave us a Legion inspired by stories of the heroes of the past that much of the population believed to be mere legends – nobody really BELIEVED that the likes of Superman, Batman, or Wonder Woman had ever existed. Society had grown increasingly distant and oppressive – people stayed home, alone, communicating electronically but rarely seeing one another in person. What’s more, the youth of the galaxy were particularly downtrodden, with free thinking suppressed to make sure everyone conformed. In this universe, the Legion were a group of super-powered teens who rejected this system. They adopted costumes and code-names inspired by the heroes of the past and started a movement, with other young people from across the galaxy joining them.

The volume I read today picks up after their first few adventures, where they’ve proven their worth and the United Planets has reluctantly deputized them as a peacekeeping force. As the Legion licks their wounds from a recent loss, things are tossed into upheaval when a young woman professing to be the legendary Supergirl appears. Much of the galaxy believes that she’s a hoax, because they think Supergirl is a fictional character. As for Supergirl herself, this is the Kara Zor-El who climbed out of a rocket in Gotham Harbor only a few months ago (by her reckoning, but not much longer in real time). Between her adventures with her cousin, Batman, and Wonder Woman, the devastation of the Crisis, and now finding herself 1000 years in the future, the trauma has begun to affect her mind and she believes that everything that has happened to her – including her existence in the Legion’s time – is a dream, and that any minute she’s going to wake up back on Krypton.

Waid had already created a world for the Legion dissimilar from the previous two, and this was a Supergirl that was different from any other Superman family member who’d ever joined the Legion. Despite that, though, it all worked. While the WORLD was different, the Legionnaires were staunchly themselves: Cosmic Boy was the consummate leader, Lightning Lad was impulsive, Brainiac 5 an arrogant jerk who was mainly tolerated because he actually WAS the smartest one in the room as opposed to just somebody who thought he was. There were some revisions, of course – previous iterations of Shrinking Violet had often been quiet and timid, but Waid reimagined her as the ass-kicking master of espionage that somebody with her power set would logically have the ability to be. 

Meanwhile, we’ve got this traumatized Supergirl floating around with this crew, somebody who doesn’t believe that anything happening around her is actually real. Which makes it all the more impressive, I think, that she continues to act every inch the hero. She saves lives, stops disasters, fights villains, even though she believes that it’s all a dream and that nothing around her will have any consequences. Perhaps it’s the level of her consciousness that knows it’s NOT a delusion, perhaps it’s just that Kara Zor-El can’t help but help people no matter the circumstances. Whatever it is, it made for a unique dynamic. Supergirl stayed with the book for a couple of years, going home in issue #36, and the series itself ended at issue #50.

But even before this version of the Legion went away, we got glimpses of what was next. 

Sun., June 8

Graphic Novel: Superman and the Legion of Super-Heroes, collects Action Comics #858-863

Now THIS is going home again.

Notes: I don’t mind telling you that Geoff Johns is one of my favorite comic book writers. His strengths, as I think he proved with his tenures on Flash and Green Lantern, come when he takes the framework of the past and expands upon them. He’s the writer, for instance, who used the existence of Sinestro’s yellow ring to extrapolate an entire Sinestro Corps, and from there, a different corps of Lanterns for each color of the spectrum. His runs on Superman have been short, but what he did with the six issues of “Superman and the Legion of Super-Heroes” from 2007 and 2008 is one of my favorite examples of his work. Although it was running concurrently with the Supergirl and the Legion series, in this storyline Johns brought back something that had been lost from Superman’s past, much as earlier writers had brought back Krypto, the Phantom Zone, and Supergirl: he was restoring Superman’s history with the Legion.

Johns and artist Gary Frank, who would reunite in 2009 for Superman: Secret Origin, kick things off with a bang. Superman is contacted by a probe from the future sent by Brainiac 5 reactivate suppressed memories of his past with the Legion. Suddenly, Superman remembers meeting the Legion founders, being invited to join the team, and losing contact with them after the Crisis. (I know there have been a LOT of Crises in the DCU – typically they’re referring to the original Crisis on Infinite Earths when they use the definite article, i.e. THE Crisis.) The probe brings him to the future where things have gone horribly wrong: Something has turned the sun red, diminishing Superman’s powers. Earth is being run by a xenophobic “Justice League” led by a fascist calling himself Earth-Man that has made the Legion, with its many alien members, outlaws. Oh yes – and Brainiac 5, the Legionnaire who brought Superman to the future, is missing. Earth-Man, as it turns out, is a Legion reject who can absorb powers from others. He built a following claiming that Superman was a human, not an alien, and in fact was staunchly opposed to the presence of aliens on Earth. He’s been capturing the non-human Legionnaires and stealing their powers in his quest for conquest. 

Superman and the few remaining Legionnaires manage to escape Earth and track Brainiac 5 to his homeworld of Colu, the only planet in the galaxy more xenophobic than Earth. They gather Brainy and a few others, including the Legion of Substitute Heroes, and together launch an assault on the Justice League on Earth, where they learn that Earth-Man has been using the captive Sun Boy to make our sun red, weakening Superman. In the climactic battle, a powerless Superman faces an Earth-Man with the power of the entire Legion flowing through him…but there’s one thing that Superman has that Earth-Man never will.

His friends.

I cannot express enough how much I love this story. There are plenty of stories of Superboy with the Legion, and those are great, but this is one of the few stories of the Legion fighting with an adult Superman, and that’s a dynamic I want to see more of. (Recent hints in the current Superman comic books are giving me hopes that we’ll see more of that soon, but I digress.) Like I said earlier this week, Superman with the Legion is a group of friends. The tone feels more like the Titans than the Justice League, a found family standing together rather than a group of disparate heroes united for a common cause. That “found family” trope is always something that resonates with me, and I love seeing Superman as a part of it.

It’s also good to see a story that makes its points without preaching or turning into a polemic. There’s a definite message here, with Earth-Man’s hatred of anyone not from Earth, but that message is secondary to the story. Not that Johns and Frank were subtle about it – Earth-Man’s costume is as close to a Nazi uniform as you can get without actually applying swastikas, and his real name is the egregiously German Kirt Niedrigh, juuuuuuuuuust in case we didn’t get what they were going for. But parallels to World War II aside, the story also has a point to make about being an outsider. Bringing the Subs in makes it even better, having them act as a foil for Earth-Man – they were rejected from the Legion just as he was, but rather than turning into monsters, they used their disappointment as fuel to become something good. 

There are plenty of questions raised by this story, of course. First of all, which Legion is this, exactly? It’s an older Legion: despite still having words like “Boy,” “Lad,” Kid,” and “Girl” in their code-names, they all appear to be roughly the same age as Superman. But the costumes and past they share with Clark seem to indicate this is a continuity that continued the characters from some point prior to the controversial “Five Years Later” era (which was the final era of the original Legion before the reboot in 1993, beginning between their second and third encounters with the time-traveling Superman in Time and Time Again). If that’s them, how are they coexisting with Supergirl’s Legion, which I remind you, was being published in their own series at this point? Who, or what, was the “real” Legion of Super-Heroes?

To answer that question, DC again turned to Geoff Johns, in what is my single favorite Legion story of all time. 

Mon., June 9

Comics: Final Crisis: Legion of 3 Worlds #1-5

Get ready for the most egregiously misnamed Crisis of them all!

Notes: In 2008, Geoff Johns and George Perez teamed up for this five-issue miniseries. While ostensibly a spin-off of Grant Morrison’s Final Crisis event, it really has nothing to do with the larger storyline of that series and can be read independently of it. I still may get to the main Final Crisis story at some point, since the conclusion is pretty Superman-centric, but for today I’m just going to focus on this Legion story. 

Superboy-Prime, insane survivor of Earth-Prime (see Crisis on Infinite Earths and Infinite Crisis for the full backstory if you don’t already know it) is plucked by the Time Trapper and hurled to the Legion’s time period. Finding the Superman Museum in Smallville, Prime is horrified to discover that he’s only a footnote in Superman’s Hall of Villains, and even worse, is pushed further over the edge by the veneration of Conner Kent, the Superboy that Prime murdered in Infinite Crisis. In Metropolis, meanwhile, the United Planets is turning against the Legion, whose members are in disarray. Brainiac 5 has been stripped of his Brainiac title by his home planet, Mon-El is suffering from the lead poisoning that plagues all Daxamites, and Sun Boy’s powers haven’t returned since his torture at the hands of Earth-Man. Things get progressively worse as Prime springs all of the Legion’s enemies from prison, creating an entire Legion of Super-Villains. The real Legion brings Superman back to their time to aid them, and Brainiac 5 reveals his plan: fight a Legion with a TRUE Legion – by summoning the Legions of two other worlds in the multiverse.

Brainy uses the Crystal Ball that the Justice League and Justice Society used for their very first team-up in the Silver Age to summon the other two Legions – the Reboot Legion that Conner had been a member of, and the Threeboot Legion that had welcomed Kara. Superman and the assembled Legions battle Prime’s army as Brainy enacts Stage Two of his plan: assembling all the electrical-powered Legionnaires to charge up XS and use her to pull her cousin, the presumed-dead Bart Allen, from the Speed Force to rejoin them as Kid Flash. Finally, the Brainiacs use Time Travel to implement Phase Three of their plan: a version of Starman in the 21st century robs a certain grave and transports its inhabitant to the Antarctic. A thousand years later, the Brainiacs unearth the body, which has been slowly healing and rebuilding for a millennia in the same Kryptonian device that brought Superman back after his battle with Doomsday. The final piece to restore him is a hair from one of his genetic donors – Lex Luthor (taken, naturally, from a point in the past BEFORE he went bald). After a thousand years, Conner Kent lives again. 

The battle rages on two fronts – Superboy, Kid Flash and the Legions versus Prime in the Arctic, Superman and the original founders versus the Time Trapper in deep space. It turns out the two battles are really one: this iteration of the Trapper is a future version of Superboy-Prime himself. But for all his power, all his anger, in the final battle, the Legion lives.

Ever since Man of Steel, the Legion’s continuity had become a mess, with two reboots failing to make things simpler, since their interactions with the heroes of the present kept contradicting each other. Legion of 3 Worlds finally solved the problem by establishing that each of the three Legions was from a different world of the Multiverse. The original Legion, the one that Clark had been a member of in his youth, was from the future of DC’s main universe. The Reboot Legion, Conner’s Legion, was from Earth-247, a world that had been destroyed in a Crisis, but not one of the ones that was restored when the Multiverse was brought back. And Kara’s Threeboot Legion, amazingly, was from the future of Earth-Prime, the world where all of the DC Comics heroes exist as fictional characters. All those times in Waid’s run when people had insisted to the Legion that the ancient stories about Superman and the Justice League weren’t real? In their universe, they were right

So not only was the Legion clarified in a way that made sense, but Johns used it to bring back two of the Teen Titans he’d written in an immensely satisfying way, and even used this miniseries as a springboard for the return of the Green Lantern Corps in the 31st century. The Legion was finally clear, established in a way that made sense, and ready for action. And it was done in a way that made all three Legions legitimate and viable, and set each of them up so that they could be used in different ways across the tales of the DC Multiverse. He even managed to codify the importance of the Legion in Superman’s history, explicitly stating (via R.J. Brande) that it was his interactions with Cosmic Boy, Saturn Girl, and Lightning Lad that taught young Clark Kent what it meant to be a hero, and that he would in turn become the inspiration for heroes for the next 1,000 years. It was the perfect fix and the perfect fit. 

Why, DC? WHY THE HELL DID YOU DECIDE TO REBOOT THEM YET AGAIN???

Tue., June 10

Comics: Superman Vol. 5 #14, 15

If you people ever doubt that I love you, remember that I read this comic again so I could write about it.

Notes: A few years post-Final Crisis, as we all know, DC rebooted their entire universe in the New 52 relaunch, including both Superman and the Legion. Once again, Superman was divorced from the roots of the Legion, but other than that, the Legion was one of the properties that was relatively unchanged. But it didn’t set sales on fire, either, and the New 52 version was quietly cancelled after two years. After that, their appearances became sporadic for a while until 2018, when Marvel superstar Brian Michael Bendis was hired by DC to take over the Superman comics.

I’m going to be blunt, guys, I’m not typically a fan of Bendis’s work. I don’t want to spend all day explaining the reasons why, but I don’t think I’ll need to, as my Legion-specific criticisms will make it clear. The biggest issue I had with his run was his treatment of Jon Kent. Lois and Clark’s son had been around in comics for a few years, and was about 10 years old. The stories of Clark raising his son were magnificent. They were fresh, they were original, they were something that we rarely saw in comics: an adult superhero teaching his child what it means to BE a hero is a dynamic that, somehow, had gone almost ignored in the 80 years that the superhero genre had been around. So when Bendis took over, of course, the first thing he did was have Jon fall into a spacehole with his grandfather and come out as a teenager. 

It’s more complicated than that, but the gist of it was that sweet and joyful Jon was now an angst-filled teenage superhero, of which we have thousands, and like most teenage superheroes his stories quickly began to drift towards “adults screw everything up, but kids MY age know better.” It’s a tired, stale trope that we’ve seen a billion times. But there is one good thing I can say about Bendis’s Superman comics: compared to his work on Legion of Super-Heroes, his Superman looks like Watchmen. 

It started in issue #14 of his Superman run, the tail end of a story arc about Superman, Supergirl, and Superboy teaming up with General Zod to capture an alien who has responsible for the destruction of Krypton. At the end of the story, the Kryptonians are brought before a coalition of alien races who were caught up in their battle, and Jon says something along the lines of, “On Earth, we have a thing called the United Nations…” Then, after his dad gives a brief speech about working together, a time portal opens. And the new, re-re-rebooted Legion of Super-Heroes spills out of it and offers Jon membership because he just invented the United Planets by saying ten words that point out something that already exists, and thus he’s the most important historical figure of the past 1,000 years.

I’m getting a headache.

In issue #15 of Superman, the word of Jon’s AMAAAAAZING insight starts to spread. Adam Strange even says “I can’t believe I’ve been out here this entire time and I didn’t think of it.” (Neither can anyone else, Adam – didn’t you ever watch Star Trek? For that matter, are we really supposed to believe that NOBODY had ever thought of this idea before in the ENTIRE GALAXY?) Then the Legion offers to take Jon to the future with them, because he’s so smart and awesome and cool and they wanna be friends with them. He winds up going and joins them for Bendis’s 12-issue Legion series which…I should read it again today. In the interest of fairness, I should read it again for this blog, but I just can’t bring myself to do it. It…it just wasn’t the Legion.

Yeah, the character names were mostly the same. So were the powers. And they were in the 31st century. But everything that makes the Legion entertaining was entirely absent. The characterizations were…I can’t even say they were WRONG, they were GONE. The members of this team had no life, no personality, other than being ASTONISHED that the GREAT JONATHAN KENT WAS THERE. It was like reading about Jon and the Legion of Sycophants. That’s another Bendisian trait, by the way – he introduces a younger version of the hero, then all of the other characters walk around and talk about how much better the new version is than the old one. (If you think I’m exaggerating, I offer the following as evidence: Miles Morales, Ironheart, and the teenage X-Men who were brought forward in time because Beast thought their adult versions sucked.) It was in full force here, with the Legion telling us how Jon – not Clark – would be remembered as THE Superman, as THE character who saved the galaxy. And I’m sorry, if you’re going to make a claim like that, you gotta convince me of it.

There were also a ton of arbitrary changes that drove me crazy, such as making Mon-El a Kryptonian descendant of Superman rather than a Daxamite like he’s been for his entire existence. And as usual, Bendis included his own characters (which is fair) like a new version of Dr. Fate (oooookay) and a Gold Lantern whose powers and history were ill-defined and didn’t really seem to add anything to the story. I made it through the 12 issues of his run, but when he closed it off with a six-issue Justice League Vs. the Legion of Super-Heroes miniseries I couldn’t even bring myself to buy the comics, reading it instead when it came to DC Universe Infinite and still feeling as though I’d overpaid. 

Since that miniseries ended, again, the Legion has returned to sporadic appearances. Some of them have reflected the Bendis Legion, but others evoke Legions of the past. Mark Waid himself went on the record recently to tell us that DC has plans for the Legion that he thinks will make everyone happy, and we’ve already seen glimpses of that in the DC All In Special and (appropriately) the Superman titles. We’ve been promised that Superman #29 (coming out in August) will feature Superman and a “mysterious ally” searching for the lost Legion of Super-Heroes. I’m anxious and I’m optimistic. For the most part, DC’s “All In” titles have been very satisfying, and if the new Legion (whatever it is) has Mark Waid’s stamp of approval, that gives me reason to hope. Because the Legion, at its best, is not JUST a team of heroes from the future. It’s about hope for the future, just as much as Superman is. And it’s a fundamental part of who and what Superman is. It’s one of the greatest concepts in comics, and it deserves to be treated as such.

So here’s hoping that, whatever begins in August, it ends with a story that leaves us all ready to slip on our flight rings, thrust our fists into the air, and join with a battle cry that will echo back ten centuries:

Even Brainiac 5 is irritated by Brainiac 5.

But you know, I can’t end it here. I can’t conclude my look at one of my favorite pieces of the entire Superman mythology with a discussion of their worst version. So how about a little bonus? Let’s join hands, hop in Brainiac 5’s Time Bubble, and zip back to 2006 so we can watch the first episode of the Legion of Super-Heroes animated series together, shall we?

TV Episode: Legion of Super-Heroes Season 1, Episode 1: “Man of Tomorrow”

It ain’t the Diniverse, but it’s still pretty dang good.

Notes: Young Clark Kent is about to leave home. He’s packing up and heading away from Smallville to go to Metropolis, where he’s got a job as a copy boy at the Daily Planet. On the night before he’s supposed to head to the big city, though, he’s approached by a group of super-powered teenagers from the future, teens who know about the powers he’s kept hidden his entire life. He won’t miss a thing, they promise, they can return him to the moment he left – and tantalized by the idea of not having to hide himself, he goes with them. Arriving in the future, he discovers that they need his help combatting their foes, the Fatal Five. In the end, Clark takes the costume he learns he’ll have someday and, as Superman, joins the Legion.

I love this cartoon. It’s the purest expression of my favorite thing about the Legion, namely that it helps shape Clark Kent into Superman while, at the same time, being inspired BY Superman. It’s a bit more literal in this version than others – the Clark that joins this Legion hasn’t ever really been in a fight and hasn’t learned how to use all of his powers yet. The Legion has plenty to teach him, and over the first season of the show, we see him grow and blossom. The second season takes place after a time skip, returning to the future after a few years away. It was an interesting retool, but ultimately the show only lasted for those two seasons. If you love the Legion like I do, though, it’s well worth seeking them out and watching them.

After all, we Legionnaires need SOMETHING to keep us occupied between now and August. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 18: Supermen of Other Worlds

Over the last few weeks, I’ve found myself dipping into stories of Supermen of Other Worlds. Not just Elseworlds, although those certainly apply, but other stories of other Supermen as well…books that were published during the time that DC wasn’t using the Elseworlds imprint or special event comics such as Just Imagine or the Tangent universe. This week, I decided it would be fun to get in and explore some of those other worlds. So for Week 18 – with a slight detour coming on Saturday – we’re going to spend some time with these Other Supermen. 

I’ve kind of had the “other worlds” in my head since I read the first volume of Earth One a few weeks ago. Reading that sent me towards Origin Week, which was fun, but it didn’t quite scratch the itch I have in my mind right now. I want to dig into the stories of Supermen from different worlds, reimagined from the ground up. Some of them, naturally, will be similar to our own, but not all of them. 

Wed., April 30

Comics: Superman: Earth One Vol. 2-3, DC Comics Presents #71, Secret Six Vol. 5 #2, Batman/Superman: World’s Finest 2025 Annual

What the Snyderbros wish they could do with the David Corenswet costume.

Notes: Since Earth One is what started me on this little trek, I decided to begin the Supermen of Other Worlds week by finishing that particular trilogy. At the end of volume one, if you’ll recall, Superman had driven off an invasion by the same force responsible for the destruction of Krypton, and Clark Kent used his exclusive ties to the Man of Steel to write an interview that landed him his job at the Daily Planet. In Volume 2, Clark finds a new apartment with a particularly friendly neighbor named Lisa LaSalle (because it doesn’t matter where in the multiverse you are, Kal-El is a magnet for L.L. names). As she tries to cozy up to him, Lois begins a deep dive into the past of her mysterious new coworker, the military makes plans for how to deal with an invulnerable man, and the Parasite is on the rise.

Volume 3 continues these stories – Lisa and Clark get closer, the fallout of Superman’s geopolitical actions in Volume 2 begin to reverberate, the most unique version of Lex Luthor in the entire multiverse is developed, and…oh yeah. Zod.

Reading these two books in tandem, it really strikes me how J. Michael Straczynski structured the graphic novels the way you would a season of a TV show. That shouldn’t be surprising, of course. Straczynski has a long history in television, including creating and writing most of the episodes of one of my favorite science fiction series of all time, Babylon 5. And although he’d written a great number of comic books at this point and brought some of those storytelling habits over, this is his work that most clearly feels like television. Each volume has an A-plot (the invasion of Earth in Vol. 1, the Parasite in Vol. 2, Zod in Vol. 3). Also, just like a TV show, there are several running B-plots of a more personal nature, such as Clark’s relationship with Lisa and Lois’s pursuit of Clark’s past. Then there are the ongoing subplots that build and develop along with the A-plot, such as the way the world’s governments are trying to figure out the “Superman Problem.” In a seasonal TV show format, it’s these third types of plots that run concurrently which usually wind up comprising the main arc of the season, gaining in prominence until they become the primary focus of the last episode or two. And I feel like this is exactly what Straczysnki had planned, had this series continued past Vol. 3. 

That’s the tragedy of it, I think. I really enjoyed all three of these books. And each of them was satisfying in the way that a single episode of a television series is satisfying. But Strazynski’s TV-writing style is evocative of the current style of longer arcs and stories (in truth, he pioneered that style with Babylon 5). There’s so much left to explore in this universe. I genuinely want to see what becomes of Clark’s relationship with Lisa. I want to know what this universe’s Lex Luthor has up her sleeve (yes, that’s the correct pronoun). And – given the sort of world-building Straczynski has proven himself capable of time and time again, not just with Babylon 5, but with his comic book work like Rising Stars, I want to see just how far this particular corner of the DC Multiverse diverges from the worlds we’re all more familiar with.

After volume three of this book, Straczynski stepped away from comics for a while. He’s back now, and doing work for AWA and Marvel, and I hope that the prospects of him returning to this series are still there, because I fully believe there’s more story left to tell. 

In terms of new comics, hitting stores today, we have Batman/Superman: World’s Finest 2025 Annual, part three of the “We Are Yesterday” crossover with Justice League Unlimited. In this one, Grodd has gone back in time to gather up younger, purer versions of the Legion of Doom to help him combat the new unlimited Justice League of today, but winds up fighting the League in two different timelines. Mark Waid is the co-plotter of this issue, along with scripter Christopher Cantwell. Together, they progress the story well, leading up to a great cliffhanger ending. I’m really excited for the second part of this crossover, the first in DC’s “All In” era. 

Thur., May 1

Comics: Just Imagine Stan Lee Creating Superman #1, Superman #9, Supergirl Vol. 2 #23

“And he needs to have an alliterative name, too, like ‘Clark… Clark…’ dang it, what name starts with the same sound as ‘Clark’?”

Notes: Back in 2001, the comic book world was shocked by the news that Stan Lee, the public face and most effusive promoter of Marvel Comics, was going to do his first-ever work for their Distinguished Competition. Lee, along with co-writer Michael Uslan and a plethora of top-notch artists, produced 12 one shots under the Just Imagine banner. In each one-shot, Lee took a different DC property and – using the name as inspiration – did his own take on the concept. Some of the new versions weren’t all that different from the original, while others had nothing in common except for the title. Stan Lee’s Superman was kind of in the middle. 

In Lee’s Superman, with art by his long-time legendary collaborator John Buscema, we are introduced to an alien police officer named Salden. When Salden’s wife, Lyella, is murdered by an escape convict, Salden chases the killer onto a hijacked spacecraft. The two of them crash on Earth, and Salden realizes that the planet’s lesser gravity has given him great strength, speed, and endurance. Trying to blend in, he takes a job at a circus using names he pulled off an ice cream truck and street sign: “Clark Kent.” “Clark”’s circus act is such a hit that he’s approached by a talent agent, Lois Lane, who dubs him “Superman” and begins booking him gigs. With his spacecraft destroyed, Salden has no way off Earth, and decides to use his abilities to fight the injustices of the world that he sees as distractions from the pursuit of science, hoping that if he can bring about world peace, the world will advance to the point where it can invent a craft capable of bringing him home. 

Like I said, as far as the Just Imagine books go, this one is about halfway between the “fairly similar” books like Wonder Woman and those that are utterly unrecognizable, like Green Lantern. This new Superman carries over his human name, and a new version of Lois Lane comes with him. His powers are very similar to the earliest Golden Age Superman, diluted compared to the Superman we’re all familiar with, but incredible to a populace that would have never seen such a thing before. And he’s still an alien, although the name of his planet is never revealed (Grant Morrison would later declare it to be this universe’s version of Krypton in the Multiversity series). 

Other things, however, are quite different. His motivation, first of all, starts with the very Stan Lee-ish goal of avenging his dead wife. (And although the people of Salden’s world don’t seem to have surnames, it’s worth noting that even Lee couldn’t resist the lure of the multiple-L supporting characters with Lyella.) His motive to become a hero is because he can’t think of any other way to get home. And his dialogue and behavior is kind Ben Grimm-ish in presentation. If Ben had gotten the strength of the Thing without his orange, rocky exterior, I think he would have been very close to Salden’s Superman. 

The Just Imagine characters haven’t turned up as often as some of the others we’ll glimpse this week, although they turned up here and there in various multiverse stories. In fact, I think Salden and several of this world’s other inhabitants were killed in one of them – Death Metal, maybe? I’m honestly not sure, and considering that the multiverse has been jerked around a few times since then, it may not even be relevant anymore. I do know that all of these characters turned up once more after that, in a special tribute edition DC published after Stan Lee’s death. He’s not the most memorable version of Superman, to be fair, but if I was the kind of person who dealt in puns the way an artist deals in paint, I might say he is the most “Marvelous” of all Supermen in the multiverse.

Okay, I’m exactly that kind of person.

In addition to the “Year of Superman” reading I do for this blog, I’ve also got several old and new comic book series I’m reading through via the DC and Marvel apps. I mentioned them in the log here, if there’s a Superman-family character involved, but I don’t always write about them. Today brought me to Superman #9, a Golden Age issue which I’m only bringing up for one reason. In the final story in this issue, Lois is captured by criminals, but they don’t immediately recognize her for who she is? Why not? Because she’s wearing a pair of glasses.

Man, whoever wrote that issue got jokes. 

Fri., May 2

Comics: Tangent Comics: The Superman #1, New Adventures of Superboy #34, Legion of Super-Heroes Vol. 2 #313, Superman’s Girl Friend Lois Lane #13

RIP, Jackson “Butch” Guice”

Notes: I didn’t think about this before I began this whole “Year of Superman” project, but in retrospect, I suppose I should have. It seems inevitable that, over the course of an entire year, somebody that we all closely relate to Superman would leave us. It happened a few months ago with Gene Hackman, and it happened again on May 1 with Jackson “Butch” Guice. Guice was a great artist, with work for lots of publishers over the years. He co-created Resurrection Man for DC Comics, and was doing variant covers for the current miniseries featuring the character. To Superman fans, though, he’ll be remembered most warmly for his run on Action Comics in the 90s, a run that included the Death of Superman saga. 

Guice’s artwork was pretty unique among Superman artists. His work tended to have a more photographic quality to it – poses and angles that looked like they had been pulled from the walls of a gallery. His men – Superman in particular – had a hardness to them. It was as if John Buscema’s characters somehow came to life and were captured on camera. It was a darker, harsher style than many of the other artists of the day, and that turned out to be perfect for the book documenting the Last Son of Krypton, aka the Eradicator.

It’s something in the eyes, I think.

I’d already planned on reading this book for Supermen of Other Worlds Week, but when I found out that Guice had passed away, I thought that moving Tangent Comics: The Superman to the front of the line was appropriate. Tangent Comics was a DC event in 1997 and 1998, each wave producing a series of nine one-shots set in an alternate universe in which the names of the DC characters, places, and various hangers-on still existed, but virtually everything else was different. The Superman starred Harvey Dent, a cop who had been born in a secret facility built by the spy agency known as Nightwing. Part of an experiment, Dent’s mother died in childbirth and he grew up an orphan. He eventually became a cop and led a fairly ordinary life until the day he tried to stop a jumper named Carter Hall from taking a plunge off a skyscraper. Dent failed to save Hall and, in fact, was pulled off the building WITH him. Rather than dying on impact, though, crashing to the ground unlocked something in his mind. As he recovered, he found he was developing mental powers – telepathy, telekinesis, precognition, and an intelligence that, once normal, was now skyrocketing off the charts. As his powers grew stronger, Dent grew colder, divorcing himself more and more from the humanity of which he had once belonged.

The idea behind Tangent was that only the name would be the same, and damned if that doesn’t live up to the concept here. THE Superman is absolutely nothing like OUR Superman. He strikes me more as a sort of Dr. Manhattan from Watchmen – a man whose power sets him apart from humanity instead of making him learn to respect it. By the end, he’s still acting as a hero, but there’s a darkness to him. This would become clearer in the later Tangent: Superman’s Reign miniseries, in which the Tangent heroes and the main DCU characters would collide and The Superman became the main antagonist. In truth, the Superman he resembles most closely is the one from Jerry Siegel’s original short story, “Reign of the Superman,” about a villain with great mental powers, before he came back and gave the name to a hero.

Mark Millar wrote the issue (more with him in a few days), with art by Guice, and the team was perfect. The dark story played to both of their sensibilities, creating a Superman that doesn’t match with any other in the multiverse, but still makes for a compelling read. I may have to dip my toes back into Superman’s Reign at some point.

For now, though, RIP, Mr. Guice. 

Sat., May 3

Comics: Free Comic Book Day Specials: DC All In 2025 Special Edition, Superman’s Good Guy Gang

My production assistant and I hope you had a great Free Comic Book Day.

Notes: Today is one of my favorite days of the entire year, Free Comic Book Day. My local shop, BSI Comics, graciously hosts me along with several other local writers and artists. I sell a few books, I talk to fellow nerds, I’ve made a lot of friends at FCBD. It’s the best. And also – free comics! DC’s offerings this year include a pair of Superman-related comics, so why don’t we take a look at them?

How many covers do you think Superman has punched through over the years? Twelve? Gotta be at least twelve.

First up is the DC All In 2025 Special Edition, a flipbook that gives us a look at DC’s Absolute Universe on one side and a preview of the upcoming Superman Unlimited on the other. The Absolute story is a devilish tease, as we watch a mysterious figure observing the heroes of this new universe, specifically Batman, Superman, and Wonder Woman. There are cryptic comments about some major danger approaching, then we get one of those double-page spreads DC loves to do from time to time where we see lots of notes and scribbles that all seem to point towards future storylines. DC’s been doing this kind of thing at least as far back as the 52 series in 2007, and it’s always fun, but also kind of frustrating. I feel like they overreach with these, often teasing stories that wind up never happening. Time will tell if these play out for us, but the final panel is a great little surprise that promises an upcoming major story.

The other side of the book is the one I’m more excited about, the preview of Dan Slott and Rafael Albuquerque’s upcoming Superman Unlimited series. The story opens up with the news of a massive expansion of the Daily Planet. There’s a new boss over the company that owns it, and she’s planning to expand the Planet from a “great Metropolitan newspaper” into a massive global media enterprise. This happens every so often – has been happening as far back as the Bronze Age, really, when Clark began to split his time between reporting for the Planet and being a news anchor for WGBS. Newspapers have had to evolve constantly since Siegel and Shuster chose that profession for Clark Kent back in 1938, and every few years DC tries to modernize the concept while still keeping true to the core of who Clark Kent is. I’ve got no problem with them handling it the way they’re doing here, but that’s not what’s most interesting to me.

I’m really here for the middle part of this story, which is where we get a feel for Slott’s take on the character. And I have to say, I like it. We see several vignettes of Superman averting disasters, saving lives, and making people simply feel better. He captures a crook who stops to thank him for saving Star City from Titano because his aunt lives there. A pilot in a plane that’s falling out of the sky tells his passengers that everything is going to be okay, and all they need to do to know that is look out the window. Little things that show the pureness of the character and the effect he has on people. It’s sweet, and it’s a great start. The story ends with a cliffhanger that leads into the first issue of the new series coming later this month and, as if there was any doubt, I’m there for it. 

The haircut on Guy looks just as good on a 9-year-old as it does on an adult.

DC’s other offering this year, as usual, is a preview of one of their all-ages graphic novels. This time, it’s Rob Justus’s upcoming book Superman’s Good Guy Gang. In this one, child incarnations of Superman and Green Lantern (Guy Gardner) find a strange winged woman stealing puppies and swoop in to stop her, unaware that a much bigger problem is looming. It’s a super quick read (no pun intended), and full of silly moments like Superman and Guy arguing over what the name of their superhero team is going to be. It is absolutely no coincidence that the characters chosen for this book also happen to be the ones who are going to be in James Gunn’s Superman movie, but that’s fine. This is a book for  beginning readers, and it’s great that they’re doing it, but it would be foolish to ignore the characters that are going to be in their next huge media event. It’s a charming little read, and I’ll be happy to pick up the full version for my son when it comes out in July.

Sun., May 4

Comics: Superman: Red Son #1-3

“No, not Red SUN, Red SON. SON. S-O– It’s a PUN, David!”

Notes: I admittedly have a complicated relationship with the work of writer Mark Millar. When he does his own characters, with comics like Kick-Ass or Wanted, I find him hit or miss. When he works with established characters, I find that I rarely care for his stories. He often completely disregards characterization in favor of whatever story he’s planning to tell, and while that approach is okay when dealing with your own, original characters and you have the freedom to shape the characterization how you please, I am far less charitable when the work throws away decades of who a character is in favor of a plot point, the most egregious examples of which can be found in Marvel’s Civil War.

However, I find that he often does a good job with Superman. Early in his career he did a very entertaining run on Superman Adventures, the comic book based on Superman: The Animated Series. He wrote the aforementioned Tangent one-shot. And then there’s Superman: Red Son, perhaps the most acclaimed Superman Elseworlds series of all time. The supposition here is that the rocket that brought Superman to Earth landed not in the Kansas heartland, but somewhere in the Soviet Union. The child who would become Superman grew up indoctrinated with Socialist values, rather than American ones, and the world is rocked to its core as a result.

Millar does a lot of interesting things here. With Superman as a Soviet, the US government recruits its brightest mind – Dr. Lex Luthor, of course – to try to create some sort of countermeasure. With the U.S.S.R. completely ascendant, Princess Diana of Themiscyra makes contact with the outside world via the Russians rather than the Americans. And although we don’t know if there’s a little boy in America named Bruce Wayne, in Russia we see a tragedy that turns one of her citizens into this world’s version of the Batman.

The thing I find most fascinating is Millar’s take on who Superman is. In the prime DC Universe – and in most other iterations of the character – his personality boils down to someone who will always try to do what’s right, always stand up for injustice, and never turn his back on a cry for help. The Red Son Superman shares these traits, with the major difference being that his perspective on what is “right” is colored by socialist values rather than democratic ones. He’s still going to be there to save anyone – even an American – from a disaster like the falling globe from the top of the Daily Planet building, but when he sees the injustice of children standing in bread lines, he decides to use his power to put a stop to that by taking the control of the government that had been offered him after the death of Stalin, but that he had heretofore resisted. 

This whole thing is especially interesting to me from a sociological perspective. Superman at first rejects the notion of succeeding Stalin as the Soviet Premier because he knows people only want him because of his abilities, and the idea that his powers make him special goes against Socialist doctrine. But just like in the real world, he sees the inequities that have happened under Soviet rule and decides at the end of issue one to use his powers to fix them anyway. 

Book two takes the idea further. Superman has been in charge of the USSR for 20 years, and its influence has swallowed nearly the entire world. Only the USA and Chile remain holdouts, and both are hanging on by a thread. But there’s a mysterious Batman fighting against Superman’s rule, while back in the USA, Dr. Luthor is introduced to an alien power source that crashed on American soil decades before – a green one. While good-intentioned, Superman’s influence is beginning to atrophy human progress. People are growing careless, expecting their super-savior to take care of everything. Seatbelts go unused in cars, ships stop providing live preservers, all predicated on the idea that President Superman is going to take care of everything. When someone in his own government approaches Batman with an opportunity to take Superman down, Batman recognizes that the humans who would fill the void might be worse, but stopping him now may be the only way to prevent Super-rule that would last thousands or even millions of years.

There’s another time skip to book three. The Soviets have grown even more powerful and America is on the verge of collapse – until it elects Dr. Luthor President of the United States. Luthor’s unparalleled genius turns the country around overnight and Superman, who has been waiting for the US to finally collapse under its own weight and join their Soviet collective, realizes that it’s not going to happen. The climax of the story comes in a battle between Superman’s forces, Wonder Woman’s Amazons, and the American Green Lantern Corps, all of which coalesce in a turnaround for Superman that proves, even in this corner of the multiverse, he’s still the same man at his core. 

In a way, this entire story is a rebuttal to the whole “Nature versus Nurture” argument, demonstrating that BOTH aspects are of importance to the arc of a person’s life. And honestly, if that’s what Millar was trying to say here, it’s a sentiment I’ve always agreed with. Using Superman to put that idea forth works for me, and very well.

The end of the story is the real genius part of it though, and if you’ve never read Red Son, I don’t want to spoil it for you. Suffice it to say, it’s one of those conclusions that leaves you laughing ironically and calling the writer a magnificent bastard for coming up with such a thing. This isn’t my FAVORITE Superman of another world, but it’s hard to argue that it’s not, objectively speaking, one of the best stories of that sort that has been told. 

Mon., May 5

Comics: Superman: Secret Identity #1-4

Why DC based a comic on an obscure Jerry O’Connell TV show from the 1980s I’ll never know.

Notes: I’ve talked quite a bit in this blog about Mark Waid and how great a superhero writer he is, but although I eagerly place him at the top of the pyramid, he’s not there alone. Right up there, in my estimation, is Kurt Busiek. He’s the author of the phenomenal series Marvels and the creator of Astro City, which you’ll hear about again later when I do the week on heroes inspired by Superman. He also had a run on Superman’s regular title and he’s done work with the Justice League, most notably the JLA/Avengers crossover, in which Superman got to wield Thor’s hammer. Man, I should read that again before this year is out.

But his greatest work with Superman isn’t with “our” Superman at all, but rather the miniseries Superman: Secret Identity. An Elseworlds comic in all but name, this 2004 series was done with former Adventures of Superman artist Stuart Immonen, and was about a young man named Clark Kent from a small town in Kansas, but in a world where there are no superheroes and Superman is a fictional character. Whereas Waid is better than anybody at showing the wild, fun, grandeur of a superhero universe, Busiek’s greatest strength comes in humanizing superhero stories. Marvels was the history of the Marvel Universe through the perspective of a bystander. Astro City shows what it’s like to live in a superhero universe from a different perspective in every story. And Secret Identity is about being a hero in a world that doesn’t have them.

The concept is almost identical to the original version of Superboy-Prime, who showed up during Crisis on Infinite Earth as an inhabitant of Earth-Prime, which in the older DC Comics had ostensibly been the “real” world where the readers and creators of DC Comics live. This was before he changed to become a meta-commentary on toxic fandom, which I have to admit, was actually a pretty clever take. But Secret Identity takes the initial concept and keeps it contained, pure.

Clark Kent’s parents gave him the name because their last name was “Kent,” they lived in Kansas, and they thought it would be cute. Clark is not as enamored of his name as they are, having grown up being taunted for the famous name and spending every birthday getting laden with Superman-themed presents he couldn’t be less interested in. The boy grows up introverted, without any close friends and preferring to spend time alone. It’s on a solitary hiking trip that he suddenly, inexplicably begins to manifest the powers of his namesake. He begins using his powers to help people in secret, but it doesn’t take long before word of the flying “Superboy” begins to leak out. 

The four issues track Clark’s entire life story – growing into becoming a writer, although not a reporter, falling in love with a woman (naturally) named Lois, becoming a father. The government tries to track him early on, even capturing him at one point, before they settle into an uneasy alliance and “Superman” becomes a hidden force for good. Slowly, we watch how the world changes under his influence. More importantly, though, we see how HE changes over the course of a lifetime. 

This is a beautiful book. It’s almost not even accurate to call it a “superhero” comic. Yes, he has powers, and yes, he even wears the costume, but there are no supervillains, no world-threatening cataclysms…there’s not even really an antagonist. It’s a story about a life, with ups and downs and pitfalls and triumphs and success and tragedies. It’s a story about someone who is just like everybody else, with the obvious exception of being faster than a speeding bullet. It’s Busiek doing what Busiek does best. 

It’s also Immonen at his peak. I was always a fan of his work on the mainstream Superman, but this version is different. It’s still unmistakably his work, but there’s a softness to it that you don’t usually see when he’s drawing a mainstream story about Superman punching out Metallo or something. Looking at these panels, you see a different quality, a lighter touch. It looks almost like a fantasy world, which is rather fitting from the perspective of this Clark Kent, living what must seem to him to be a fantasy life. 

And unlike some of the other alternate Supermen we’ve looked at over the last few days, this is a Superman who hasn’t shown up again. In fact, I’m not even certain that this “world” has a specific designation in the current DC Multiverse the way the others we’ve looked at has. And if it doesn’t, that’s okay. There’s room for more stories of the Earth-One Superman, the Just Imagine Superman, or the Tangent Superman. But the Secret Identity Superman’s story is complete in these four volumes – complete and beautiful. This is one of my favorites. 

Tues., May 6

Animated Feature: Justice League: Gods and Monsters

Wait, which ones are the gods and which ones are the monsters?

Notes: Here’s a REALLY different Superman of another world. Bruce Timm, one of the architects of the DC Animated Universe that began with Batman: The Animated Series, returned to the characters with this film. It too was essentially an Elseworlds, even though it didn’t have the brand and wasn’t based on any pre-existing story. In this world, in the minutes before the destruction of Krypton, Jor-El and Lara are prevented from sending Kal-El into space by the sudden interruption of General Zod, who places his own son in the spacecraft bound to Earth. It is the Zod child, not Kal-El, who makes the journey across the stars, and the world becomes a very different place.

In this world, the Justice League is comprised of Zod’s son, now called Superman; Kirk Langstrom, a vampire Batman; and the New God Bekka, who has taken the name Wonder Woman. This Justice League is more brutal and far less forgiving than the League we’re accustomed to, and public opinion on the team is tearing the public down the middle. Things get worse when top scientists such as Victor Stone, John Henry Irons, Ray Palmer, and others are targeted by mysterious assassins with methods that seem to imitate those of the Justice League.

In a lot of ways, I’m surprised that this movie was even made. Granted, the whole “multiverse” concept has become mainstream now, but this is SUCH a different take on the concept that I feel relatively certain only Bruce Timm’s sway with Warner Bros Animation ever got this one off the ground. And it follows the classic Elseworlds pattern perfectly: it begins by showing what makes this world diverse from ours, it continues with an exploration of that world, and then it it follows a main plot that both tells a strong story and reveals corners of the world that are both similar to and very different from the one we’re accustomed to. 

Benjamin Bratt voices Superman in this one, with an edge that the Clark Kent versions of the character usually doesn’t have, but it works quite well in this one. We also get Tamara Taylor as Wonder Woman and, in what I have to assume was a meta joke in the casting department, we get Dexter star Michael C. Hall once again obsessed with blood as the vampire Batman. 

As this is the Year of Superman, though, rather than the Year of the Justice League, let’s focus on this movie’s version of our hero. Baby Zod lands in Latin America rather than Kansas, and is named Hector Guerra. As he grows up, he knows very little of his heritage on Krypton, unaware of where exactly he came from. And while he’s darker and more brutal than our Superman, he’s not his father either. Knowing more about his true parentage than he does, it’s natural for the viewer to expect some sort of face-heel turn, becoming the bad guy before the film ends. Well, spoiler alert – he doesn’t. He’s not OUR Superman, but he is A Superman, and like most of them, he’s there to protect people. It’s actually refreshing that he DOESN’T become the bad guy at any point.

The film ends on a hook that clearly leaves the door open to revisit this universe, but to date, it hasn’t happened yet. There were a few prequel comic books and a webseries that preceded it, but unless I missed something somewhere, we’ve yet to explore this world following the conclusion of the film. While I’m not exactly itching for more of the Gods and Monsters universe the way I am Earth-One, I wouldn’t be opposed to it either. It’s an interesting place, and there are more stories to tell. 

This was a fun week, looking at different, non-mainstream versions of our hero. And you know, there are an awful lot of other worlds out there in the multiverse. I may do this again before the year is up.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 13: Superman By Request

It’s a new week and, for the first time in a month, I’m NOT going to be spending it with the Death of Superman storyline. As much as I love that story, I’m happy to move on to something else…but I’m also not really interested in doing anything “structured” this week. I kind of want to bounce around, hit all quarters, and read lots of different things. To that end, I asked folks on Social Media to suggest their favorite single-issue Superman stories. I already have my own list of these, but I wanted to do a little crowd sourcing and maybe find some stories that I wouldn’t have thought of, or maybe have never even read before. There are some interesting choices in here, so I’m going to spend a few days sifting through them. This week, it’s SUPERMAN BY REQUEST!

Wed., March 26

Comics: Justice League of America #194, Superman Annual #11

Next time, stick to Go Fish.

Notes: I’m starting off with this suggestion, an issue of the original Justice League run I’ve never read before. This one intrigued me, because although many of those old Justice League comics are great, there are few that I’ve seen that I would specifically mark off as a great SUPERMAN story. Let’s see what it is about this one that makes it stand out.

It starts at a carnival in Metropolis, where Lois Lane is racking up prizes on the midway and forcing Clark to carry them. Clark encounters a fortune teller who reveals his double identity, then casts some sort of spell rapidly turning him into an old man. Over the course of the issue we check in on other members of the League – Flash, Elongated Man, Green Lantern, Black Canary, and Zatanna – each of whom has an encounter with a different figure ripped from a deck of tarot cards before they all converge on the Justice League Satellite and track down the source of their woes: their old foe Amos Fortune.

This is kind of perplexing. It’s a perfectly good issue, and I enjoyed reading it. Gerry Conway had a decent run on Justice League and this story, with lovely art and an eye-popping cover by George Perez, comes from the high point of the era. But I specifically asked for great single-issue Superman stories, and he only really appears in the first few pages and the last few pages. Sure, he’s the one that takes down Fortune at the end, but this isn’t so much a “great single-issue Superman story” as it is a “good single-issue Justice League story featuring Superman.” But y’know, when I decided to crowdsource, I knew that I would be seeing different people’s takes on what makes for a good Superman story. I imagine the person who recommended this one did so because of Superman’s good standing at the end. 

Worst birthday since that time I didn’t get the G.I. Joe aircraft carrier.

Having gone with one of the Internet’s suggestions, I’m going to move on to one of the issues that was on my own list, a comic that is frequently cited among the greatest Superman stories ever told (and was, in fact, included in the trade paperback anthology of that name): Alan Moore and Dave Gibbons’ “For the Man Who Has Everything” from Superman Annual #11. It’s Superman’s birthday, and Wonder Woman, Batman, and Robin (Jason Todd) are meeting him at the Fortress of Solitude for a little party. When they arrive, though, they find Superman tangled in the snares of the Black Mercy, an alien parasite that traps its host in a hallucination of their own deepest desires. As they try to free him, they are attacked by Mongul, who sent the creature in the first place, and their only chance to survive is to free the Man of Steel.

There are a lot of layers here to peel apart, starting with Superman’s hallucination. The Black Mercy shows him a world where Krypton was never destroyed, where he grew up there, married, and had children…however, in the decades since, a movement has arisen protesting the use of the Phantom Zone as a punishment for criminals. And since the Phantom Zone was discovered by Jor-El, the House of El is the target of their ire. It’s an intriguing sort of political debate, and it’s kind of sad to see that in his “deepest desire,” Superman still has to watch Krypton self-destruct, even if it’s metaphorical this time. This is, however, very much a product of its time. In the early 80s, it’s easy enough to imagine that Superman’s greatest dream would be a world where Krypton never was destroyed. In the post-Byrne era, he didn’t have that nostalgic love for Krypton (which makes more sense, since he has no memories of it), and even through all the changes that the character has undergone over the years, that aspect has never really come back, at least not to the degree it was in the Silver Age. Were this story to be told today, I think it’s more likely Clark’s dream would be a perfect Earth, free of crime and disaster, where a Superman was no longer needed.

I also love the interaction of Mongul with the others. Moore gets some great little witticisms, like asking Batman to make the “yellow creature” stop shuffling, or the point where he recognizes that human society makes distinctions based on age and gender and, therefore, asks them to tell him which one of them is the polite one for him to kill first. If this story had never happened, I think Mongul would have been just one of many would-be alien conquerors that litter the DC Universe. This is what made him stand out, made him memorable.

Once Superman is released, the fight is great too. The rage that Gibbons places in his eyes is both righteous and frightening. He really cuts loose, telling Mongul to “burn” as he blasts him with his heat vision – which was rare at the time. Heat vision was almost never used as an offensive weapon then, certainly not directly against the bad guy. It’s something that became more common later, and I think this is most likely where that came from.

This is a brilliant comic book, and deservedly considered one of the greatest Superman stories ever. It’s even the source for the ONLY adaptation of Alan Moore’s work that the man himself signs off on – an episode of Justice League Unlimited. I should watch that soon. 

Thur., March 27

Comics: Superman Vol. 6 #26, Justice League Unlimited Vol. 2 #5, Power Girl Vol. 3 #19, Shazam! Vol. 4 #20

Those two fronts, oddly enough, are a Nor’easter and the facade at the entrance to the Magic Kingdom at Disney World.

Notes: It’s another recent recap day for me. There were three Superman-adjacent books that his the stands this week, and I’m ready to pick into them, beginning with Superman #26, which I loved. Lex Luthor’s memory is slowly returning (since the events of the Lex Luthor Special, specifically). While this is good, in that he may be regaining the knowledge of how to deal with the stasis field holding Doomsday and the Radiant, it also opens us up to the danger of the old Luthor returning. Meanwhile, Lois “Superwoman” Lane goes on her first Justice League mission and winds up finding out something shocking about Supercorp. Everything builds up to a last scene and especially a last PAGE reveal that knocks your socks off. It’s the kind of issue that makes you want to go back and re-read the issues beforehand to admire how well the writer, Josh Williamson, has set everything up. I won’t be doing that today, exactly, but it feels like it may be in the cards before the 25th issue finale next month.

Mark Waid and Dan Mora come back for Justice League Unlimited #5, continuing the saga of the mysterious terrorist group called Inferno. The super terrorists attack globally at once, not only targeting power plants, but somehow kidnapping the attendees of the annual G20 summit, including dozens of world leaders and several members of the Justice League. And among the missing, only Supergirl has a clue where they’ve been taken. This issue kicks off the crossover event between this title and Waid’s Batman/Superman: World’s Finest, and it’s a story I’ve been looking forward to. It’s got time travel, it’s got oodles and oodles of heroes, and it’s linking two of the three best DC Universe books being published right now (the third being Superman itself). 

Finally, Power Girl #19 shows us the missing heroes coming home just in time for Power Girl to get a pretty major surprise on the news. This issue, frankly, feels rushed, and I suspect that’s at least in part because next month appears to be the end of the series. There’s a sense here that Leah Williams was told the book was ending at issue #20 when she had a lot more planned, and she’s trying to race towards a satisfying conclusion. If that’s the case, I can’t really hold her accountable for that – it’s happened to a lot of good books over the years, and sometimes the first casualty of that kind of thing is coherence. That seems to be the case here. 

Fri., March 28

I just have answer keys from old tests in MY file cabinet.

Comics: Action Comics #399

Notes: Action Comics #399 is an old favorite of mine. It’s one of those books that has a cover that can’t help but grab you – Superman in a morgue next to a guy in a suspiciously short skirt, with drawers containing two dead and pickled Supermen, telling him that the third empty drawer is waiting for him. This is a cover that DEMANDS answers. Why are there two other Supermen? Why is ours called “Superman III?” Why are they in jars? Where’s Richard Pryor?

Sometimes, you get a cover like this and wind up disappointed in the story inside. That happened frequently in the silver age – there was a period where the editor (usually the great Julius Schwartz) would have the cover artist whip up the wildest image he could think of, frequently involving some sort of monkey or gorilla, and then task the poor writer with coming up with some kind of story to justify that image. I don’t know that this is the case here, but where it was the script or the cover that came first, this is one where Leo Dorfman’s story lives up to the artwork.

It begins with Superman rushing off to stop a power generator explosion, something so volatile that is has the potential to ignite Earth’s atmosphere. Before he can deal with it, though, he is suddenly kidnapped, whisked away by a mysterious force and finding himself in a strange room with men who appear to be George Washington, Abraham Lincoln, and George Custer. Superman quickly realizes his fellow captives are not imposters, but that they – and he – have been transported through time. He escapes and confronts his abductors, who turn out to be historians that have taken each of them from a point in time immediately before their deaths for study. Superman is then given an even greater shock: he is, in fact, the third Superman. After Superman died battling a “space vampire,” he was cloned, with the duplicate having no memory of his death. The clone, then, met a similar fate, making our Superman, in fact, Superman III – but the cloning will no longer be stable if another copy is needed, thus Superman III will be the last, and he is destined to die stopping the power generator from destroying the world. 

At first, Superman is reluctant to take the trip back, but concedes when he realizes that staying in the future would result in the destruction of the timeline and the deaths of billions…but he somehow survives the explosion. It is then that he discovers the truth – he was taken not only through time, but to an alternate universe, where his fate and those of his fellow captors was different than in our own world. He lives on, but somewhere in the multiverse, Superman III is lying in state.

Man, I still can’t get away from the death of Superman, can I?

Anyway, I read this story in Superman From the 30s to the 70s, a book that I used to check out from the library religiously as a child. A few years ago, I was lucky enough to find a copy at a used bookstore, and it’s a treasure to me now. It’s full of great stories like this one and, in fact, is probably responsible for the bulk of my exposure to Superman before I became a full-time reader in those nascent days just before the Triangle Era began. I haven’t read this story in years, but I find it just as entertaining now as I did back then – a great sci-fi concept with the expected twist (Superman wasn’t REALLY going to die, even as a child I knew that), but the twist is done in such a way that it still carries weight. A Superman died, just not our Superman.

Hmm. I wonder if that universe still exists out there somewhere in the oft-rebooted and rebuilt DC Multiverse? That would be a fun project – a story that looks in on some of these one-shot alternate worlds from the Silver and Bronze Ages. Who at DC do I pitch that idea to?

Sat., March 29

Comic: Hitman #34

They say you should never meet your heroes, but when your hero is Superman, I think it’s okay.

Notes: This is such an odd book, on the outside, to include in this project. Hitman is by far the most successful alumni of DC’s Bloodlines crossover, and he had an ongoing series that lasted quite a while and still has a large fan base. The thing is, Hitman was created – and his series was written – by Garth Ennis, creator of The Boys, who you may know has a pretty vocal and heated distaste for superheroes. He doesn’t like ‘em. He created The Boys specifically to tear them down. But the one exception to that rule seems to be Superman. And it’s obvious when you read this comic, because it’s as tender and effusive a love letter to the Man of Steel as any comic book I’ve ever read. 

In this issue, Tommy Monaghan – the titular Hitman – is on a rooftop in Gotham City when suddenly, inexplicably, he comes across Superman, brooding into the night sky. Monaghan turns into a stumbling fanboy for a moment until he realizes that something is bothering Superman. He convinces the hero to open up and he tells a story about a mission in space, a tragic failure, and how it’s eating away at him.

And then the most improbable thing in comic book history happens: Tommy Monaghan helps Superman.

The vast majority of this issue is simply a conversation between the two men on the rooftop. Superman tells the story of a doomed space flight and he confesses how he struggles sometimes with living up to what people expect him to be. Then Monaghan turns it all around, explaining what the idea of Superman means to people and framing him as a metaphor for America itself. “You’re everything that’s great about this country an’ you don’t even know it,” he says, and then goes on to explain a pretty singular philosophy that is just as true today as it was when this issue came out in 1998. In the end, he’s shared what he thinks Superman – and America itself – is really about, and Earth’s greatest hero returns to the sky, his failure no longer weighing on him quite as heavily as it did a few moments before.

Then, because it’s still an issue of Hitman, Tommy murders somebody, but you don’t really mind so much.

People talk often about Superman For All Seasons and All Star Superman (specifically the issue where Superman talks the girl off the ledge) as some of the stories that most perfectly exemplify who and what Superman is, and they’re right. Those are amazing stories, brilliant stories, stories I fully intend to revisit before the movie hits screens this July. But if someone wants to know what there is to love about Superman, I can’t think of any single issue of any comic book more suited to the task than this one.

And the fact that the guy who understands Superman so incredibly well has such a deep hatred of every other superhero still makes me chuckle. 

Sun., March 30

“I’m sorry…I can’t do that, Clark…”
(It’s a 2001 joke. Get some culture, people.)

Comic: Superman #300

Notes: Ah, another beloved classic. Once again it’s an “imaginary story,” as one can probably tell by the cover, and one that is particularly indicative of its time. In this alternate world, the destruction of Krypton happened much later, and baby Kal-El’s rocket came to Earth in the “present” of 1976. And rather than landing in a Kansas cornfield, it made a splashdown in the ocean as both American and Soviet vessels raced to snag it. The rocket – and the baby inside – was claimed by the Americans, and thus did the Cold War enter a new stage on this planet.

The story takes us through two more “acts.” In 1990, the teenage Kal-El (called “Skyboy” by the US military) is revealed to the world and tensions between nations almost precipitate World War III, sparking the young man to flee and go into hiding. Then in 2001, an imposter makes a move, claiming to be the star-child, and the boy – now a man – has to come out of hiding to save the world.

Whether you call them Elseworlds or Imaginary Stories or something else entirely, it’s always interesting to me how often these DC stories tweak things, then twist them around to make them fit the original universe. For instance, the “Skyboy” costume the military gives Kal-El is, of course, identical to the traditional “Superman” uniform, right down to the S-shield, even though in these days the symbol wasn’t a Kryptonian glyph that came to Earth with him like it’s usually portrayed these days. Nope, just a crazy coincidence. Second, when Kal-El goes into hiding, he decides to borrow the names of two of his father-figures, one Thomas Clark and Kent Garrett, making him…oh, come on, you can guess, right? And as this Clark Kent grows up…well whaddaya know…he becomes a reporter. It’s almost like the philosophy of these stories is that there are just some constants in the multiverse, and no matter what details are changed, the end result will be kind of the same. When you consider the thesis of more recent stories like Doomsday Clock (I’ll probably read that again at some point this year) it actually makes sense. Superman is, not only metaphorically, but literally, the center of the DC Universe. Everything revolves around him in one way or another, and it seems kind of fitting that the universe itself will take pains to make that path consistent.

Mon., March 31

Comics: DC Comics Presents #83, Superman #127

Seriously, you’re never gonna guess who they’re all grimacing at.

Notes: Let’s kick off Monday with another recommended comic, DC Comics Presents #83. I think I’ve mentioned it before, but DC Comics Presents was, essentially, the Superman team-up book of the era. Every issue had Superman pair off with a different guest star, and in this one, he’s joining up with Batman and the Outsiders. That team has an interesting pedigree as well – Batman has quit the Justice League over its refusal to get involved in an international incident, and winds up leading a new team of offbeat characters: Black Lightning, Geo-Force, Katana, Metamorpho, and Halo. As a result of his actions, tensions between Batman and Superman were rather high at this period, with the two best friends finding themselves at odds. This issue kicks off with the return of the ORIGINAL Outsider – Alfred Pennyworth. The Outsider was an evil and powerful alter-ego of his that apparently can be unleashed to wreak havoc on the world due to a simple bump on the head. Ah, it was a simpler time.

When the Outsider turns himself into a tornado (seriously, he was freakishly powerful) and attacks a farming community, Superman joins in the hunt. He winds up joining the OutsiderS to battle the OutsideR in the Batcave, while Batman himself chases down the issue’s real villain, his foe Ira “I.Q.” Quimby. 

I’d have to check the timeline, but this issue appears to take place after Superman and Batman have buried the hatchet. There’s no trace of that earlier animosity over Batman quitting the League, and I recall that they specifically addressed it and came to terms in the book that starred both of them, World’s Finest Comics. So what you have here is a simple team-up. In fact, considering that it’s written by Batman and the Outsiders creator Mike W. Barr, it really feels more like an issue of that comic that guest-stars Superman than the other way around. It’s a good issue, and I find it interesting that someone out there declared it their favorite. 

Jack Black played Superman in the 2005 version.

Let’s dive further back in time to Superman #127 from 1959. This issue kicks off with “When There Was NO Clark Kent!” In this one, Superman recalls a time when an accident led Lois to believe that Clark Kent had been killed in an explosion. Superman decides that his life will be less complicated if he just does away with being Clark and remains Superman full-time… then he asks Jimmy Olsen if he can be his roommate.

What the hell was going on in 1959?

Anyway, Superman’s new address gets leaked to the public by means of Jimmy Olsen being stupid enough to put Superman’s name on the buzzer in the apartment building, and he’s soon inundated with the demands of his adoring public 24/7, to say nothing of the demands of his Kryptonite-bearing enemies. By the end of the story, he finds a convoluted way to bring Clark back to life. This is a really funny story from a modern perspective, from years of reading a Superman who understands and even CRAVES the normality of Clark Kent’s life and who will do anything to preserve it. It’s so bizarre that back then he would have considered Clark so disposable.

“The Make-Believe Superman” is story #2 in this issue. In this one, a suburban dad – embarrassed at his pedestrian life – decides to tell his son’s class at school that he’s really Superman, because there is absolutely no flaw in this plan. Except, of course, when he gets caught up in a scheme by some robbers who have taken Clark Kent hostage and threaten to kill him unless “Superman” goes along with their scheme.

Hilarity ensues.

It’s really the third story in this issue that’s most significant, the first appearance of Titano the Super-Ape. A gentle ape named Toto is sent into outer space, where a burst of strange radiation turns him into a giant and gives him the power to shoot Kryptonite rays from his eyes. In true King Kong fashion, he falls in love with Lois Lane, who somehow has the presence of mind to re-named him “Titano” even as she’s afraid she’s going to get killed. That Lois, she gives new meaning to the term “clear-headed.” Titano would become a recurring foil for Superman, although most of the time he’s portrayed in much the way that his obvious cinematic inspiration is – a force of nature, an animal acting out his own nature, and not specifically evil. As far as the story itself goes, it’s cute. 

Tues., April 1

Comic: Superman #145, DC Comics Presents #70

Remember that time Superman fought a Robert Frost poem?

Notes: It seemed appropriate to read this particular issue today, although the pertinent reason doesn’t turn up until three stories deep. The first story, “The Secret Identity of Superman,” deals once again with Lois’s turmoil over the fact that Superman won’t marry her. (Really, they did Lois SO dirty in these stories.) This time, she thinks it’s because he’s afraid she couldn’t keep his secret identity a secret if she ever knew about it, so Jimmy Olsen decides to “help” by telling her Superman’s secret: he’s really science fiction writer Rock Stirling! Actually, Jimmy is just testing Lois to see if she CAN keep the secret, thinking that knowing the answer one way or another will be a favor to both of them. People who were alive in the 1950s – did you really pull this kind of crap on your friends back then? 

Anyway, Lois turns out to be so hilariously bad at keeping the secret that four pages later, she’s inadvertently announced that Stirling is Superman on national television, prompting the real Superman to race to his rescue when some crooks come after the writer with Kryptonite. Stirling actually saves Superman by throwing his lead typewriter over the meteor, allowing Superman to melt it and get his strength back long enough to stop the crooks. In the end, Jimmy tells Lois to cheer up – “Superman thinks a lot of you! Maybe he’ll marry you some day even if you CAN’T keep a secret.”

There’s a reason the comic wasn’t called Superman’s Girl Friend Lois Lane’s Pal Jimmy Olsen.

Story #2 features Superman in “The Interplanetary Circus.” An alien circus comes to Earth to put on a show, and Lois and Clark head out to the big top. Lois – and virtually everyone else – thinks that the “alien” bit is just a gimmick and the fabulous creatures they see are all robots (which raises the question of just how good they thought robots could be at the time, because this is WAY beyond Pirates of the Caribbean), but Clark’s super-senses indicate that it’s all real. In fact, when Superman has to prevent a disaster at the circus, the ringmaster offers him a job. When he declines, he tries to take Superman by force, which of course works out about as well as you expect.

The Silver Age was such an odd time for Superman. After spending the Golden Age beating dangerous criminals, going into war zones, and stopping domestic violence, we got about a 20-year period where his major concerns seemed to be things like convincing aliens to leave Earth and preventing Lois Lane from marrying him. Different sensibilities, I suppose. These stories do have charm, but there’s a limit.

It’s the final story in this issue that made me decide to read it today. In “The Night of March 31st,” Clark Kent writers in his diary that “Nothing exciting happened today – will patrol Metropolis, as usual, tomorrow. Supergirl isn’t ready yet to have her existence revealed to the world.” Then, after writing all this stuff in a paper diary in plain English where anybody could read it, Clark goes to sleep. In the morning, he’s awakened by an urgent call from Perry White asking him to get Superman to meet him at the Daily Planet, only to find that Perry has somehow been transformed to a Bizarro. From there things only get wilder – he rushes to an oceanic observatory only to find his old girlfriend Lori Lemaris, the mermaid, with legs and drowning. Then Supergirl — at the time still acting as Superman’s “secret weapon” — shows up to put out a fire in broad daylight, revealing her existence to the world. Krypto and Streaky burst in at the Planet offices to play with Jimmy and Lois, Mr. Mxyzptlk shows up to take Lois out to lunch…every panel is full of strange occurrences and even stranger sight gags. We see Superman with no cape, wearing slacks over his costume, wearing Clark’s glasses, with a backwards S-shield, and dozens of other little visual oddities. Nothing about the story seems to make any sense whatsoever, even up to the point where Lex Luthor, Bizarro, and Brainiac team up to save him from a Kryptonite-wielding Lana Lang.

Why is all of this crazy stuff happening, you ask? It’s simple – we began with Clark writing his March 31st entry, then going to sleep, so then what day is it when he wakes up?

I personally hate April Fool’s Day, at least the way it exists today. It should be a day for gentle, harmless jokes and pranks, but far too many people use it as an excuse to pull mean-spirited gags and then brush it off with “Can’t you take a joke?” Social media has made it even worse – it’s hard enough these days to sort the truth from the nonsense online, and April Fool’s Day annually bombards us with an avalanche of garbage that gullible people panic over because they think it’s real. It’s gotten so bad that when Marvel Studios announced Spider-Man: Brand New Day as the title for the next movie, I went to Google and started looking for other sources to corroborate that it wasn’t just a joke.

All that said, though, this is actually a fun story. It’s completely ridiculous, and there’s a lot of fun to be had in going through it a panel at a time and picking out all of the ridiculous things that the writers and artists work in – things like the Leaning Tower of Pisa being in Metropolis, Lois’s hair changing from panel to panel, and Clark changing to Superman in front of a pair of onlookers that give off a kind of vibe that…well, see for yourself, I guess. 

I honestly can’t decide which joke to go with here, friends, write one yourself.

Anyway, the story is utterly ridiculous, but it’s harmless fun, and that’s what April Fool’s Day SHOULD be. 

The only kind of AI I’ll allow on this blog.

DC Comics Presents #70 has no seasonal contribution to make but it does have a personal connection for me. The Metal Men are some of my favorite B-list (or, even C-list, if we’re being honest here) DC characters, and this is the first story featuring them I ever read. I always just loved the concept – a team of robots, each of which is comprised of a single metal (Gold, Tin, Mercury, Lead, Steel, and Platinum), with personalities and powers associated with that metal. I suppose it was that I was also a huge Isaac Asimov fan, and as such anything with robots was really entertaining to me. 

In this story, the robot heroes are abducted by a mysterious enemy and put through a series of trials, some of them being “eliminated” and removed along the way. Mercury and Tin, for example, can’t make the cut in severe cold, and Lead is bounced when he starts to melt in great heat. As their trials go on, an image flashes on Clark Kent’s computer at the Daily Planet, alerting him to their plight, and it’s Superman to the rescue…but the heat melting Lead is being powered by red solar energy, reducing Superman’s powers and making it a real fight. 

I haven’t read this issue in quite a while, but I’ve always enjoyed this sort of “And Then There Were None” tale, where characters get picked off one by one. The only real strike against it comes when the villain finally stands revealed – a sort of standard mad scientist who is doing these trials out of fear of some ill-defined apocalypse that would eliminate the human race, hoping to find a way to preserve life. Superman himself points out how stupid his plan is, and that’s gotta smart. 

And thus ends the first “Superman By Request” week. I may do more later in the year, especially if I need another break from longer storylines or themes as I did this week. But you know, I think I’m ready for a new theme next week…so in honor of the goodest boy in the universe and the REAL star of James Gunn’s first Superman trailer, I hereby declare April 2-April 8 to be KRYPTO WEEK. See you next Wednesday!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week Ten: The Reign Begins

Last week, I spent most of my Superman time reading the story of his death from 1992. This week we’re jumping ahead over that gap in publication to look into the story that brought him back. Get ready for “Reign of the Supermen,” friends! But first…

It’s gonna get CRAAAAAAAZYYYYYYY…

Wed., March 5

Comics: Adventures of Superman #500

Supposedly, you could peel off the top layer of this cover and remove Jonathan’s hand. I never tried it. I don’t know why the hell anybody would want to.

Notes: The return of Superman begins right where Superman #77 ended with Jonathan Kent lying in a hospital in cardiac arrest. I think back to 1993, when we had to wait about three months in the relative hours that passed between these issues. It truly seemed, at the time, that Jonathan had died of grief over the death of his son, and unlike Clark, we didn’t really feel certain that Jonathan would necessarily be coming back. I think that’s one of the things that still makes this issue so damned good.

Before I get too deep into this I need to make something clear – if you have never read the “Reign of the Supermen” story before, I’m going to be spoiling stuff left and right, beginning in this little recap of this issue. I’m assuming that anyone reading this blog is a hardcore Superman fan and already knows the story pretty well, but on the off-chance that you don’t, consider this your spoiler warning. I didn’t worry quite as much about spoilers when it came to the Death of Superman because…well, it’s right there in the title. But there are a few twists coming in the story of his return, so if you don’t know (for example) who the four people who stepped up to fill Superman’s shoes are, this is your warning to go read the entire story first before you come back here.

Okay, back to Adventures #500. The first half of the issue follows Jonathan into a near-death experience. In a strange realm somewhere between the living and the dead, Jonathan sees Clark being taken away by a contingent of Kryptonian spirits. He charges after his boy, uncovering the truth – the “Kryptonians” are minions of Clark’s old foe, the demon Blaze, and it’s up to Jonathan to convince “Kal-El” to turn around and come back to Earth.

I wonder if there was ever a temptation to have Superman fight this battle himself, do the sort of “power of will” ending that so many of his stories have had in the past. Certainly, it would have been adequate, but…this is better. Having him saved by Jonathan is just better. Showing the father risking everything to save his child is always something that’s going to tug on my heartstrings, and the fact that the child in question is Superman himself somehow makes it even better. “Oh, my son is the most powerful man in the world? Man of steel? Man of tomorrow? His symbol literally means ‘hope’? Shut up, hand me a shovel, and get out of my way.”

I love Jonathan in this book. 

The shovel, by the way, is a really nice callback to the last chapter of John Byrne’s Man of Steel, where Clark was mesmerized by a hologram of Jor-El and Jonathan broke him free by smashing it with a shovel. Here it’s not really Jor-El, but demon wearing his form, but the fact that Jonathan manages to summon a shovel out of the ether to save his boy just makes me want to jump up and cheer.

The main story ends with Lois and Inspector Henderson of the Metropolis PD going to Superman’s tomb to find that it empty, just in case the Christ allegory in the character wasn’t obvious enough. After that, though, we get into our first sightings of the four new characters who stepped up as the stars of the series for the next few months, and each of them has an introduction that is quite fitting for the person they would prove himself to be. John Henry Irons is first glimpsed pulling himself from rubble and proclaiming that he’s got to stop Doomsday – the hero inherent in him is already clear. The “Last Son of Krypton” first shows up dishing out a rather brutal brand of justice – the right intentions, but the wrong path. “The Kid” (who at this point had no name) is broken free from Cadmus by the Newsboy Legion and demonstrates the pigheadedness that defined his early years with a simple proclamation: “Don’t ever call me Superboy!” And finally, the Cyborg makes his first appearance in a wordless sequence in which he lands in front of the Daily Planet building and destroys the marker that designates the spot where Superman died, proclaiming simply “I’m back.” As the true villain of the piece, it’s a nice introduction. Would the real Superman necessarily destroy his memorial? Possibly…but a villain intent on destroying Superman’s good name would definitely do so.

I’m looking forward to reading the rest of this again, my friends. 

Thur., March 6

“One of these things is not like the others…”

Comics: Action Comics #687, Superman: The Man of Steel #22, Superman Vol. 2 #78, Adventures of Superman #501

Notes: The return storyline begins in earnest today. Like I said yesterday, I’m not going to bother to try to hide the reveals for these books, but at the same time, I’m also going to try to recreate the thought process we went through as readers when these books were still fresh, still coming out one week at a time (except for these first four issues, which were all released on the same day). The story begins with the “Last Son of Krypton,” who would eventually be revealed to be the Eradicator, being reconstituted in the Fortress of Solitude by the very robots that he built. Ever since he was supposedly destroyed back in Action Comics #667, the energy that made up his essence had been trapped in the walls of the Fortress, finally restored here. Roger Stern structures it in such a way, though, that it’s not immediately obvious that we’re looking at the Eradicator. It’s possible, or so it seemed at the time, that this energy-being who then went to retrieve Superman’s body, was actually Superman’s soul. He’s less compassionate than our Superman, less personal with Lois, but this too could have been an artifact of his encounter in the afterlife from Adventures #500. 

Man of Steel #22 gives us John Henry Irons’ first full appearance, and we first see him sitting on the stoop of an apartment building, telling kids the story of John Henry versus the machine. Again, subtlety was not a strong suit for these comics. Anyway, John – under the alias “Henry Johnson,” is horrified when a gang hit kills one of the neighborhood kids using a weapon he recognizes as a “Toastmaster,” something he designed in his previous life. He remembers how Superman once saved his life, and told him to “make it count,” inspiring him to make the Man of Steel armor to clean the streets of his weapons. I’ve made no secret of my love of John Henry, and how of the four Supermen, he was my favorite. I think it’s important to point out, though, that the idea of him being the “real” Superman wasn’t out of the question at the time. Although the other three all LOOKED like Superman, John Henry was the one who ACTED the most like Superman. What’s more, this first issue introduces us to John’s neighbor Rosie, the clairvoyant, who claims the Man of Steel is a “walk-in spirit,” the result of a soul whose body has been killed but who instead finds another body to inhabit. If that sounds ridiculous to you, keep in mind that this is part of a universe that includes Deadman and the Spectre. Although it didn’t turn out to be true, at the time the notion that Clark Kent’s spirit was somehow inside John Henry’s body was not something that we could safely rule out. 

In Superman #78, the Cyborg makes his big splash, breaking into Cadmus to take Doomsday’s body. In order to prevent Westfield from attempting to clone the creature, he brings it into space and chains it to an asteroid, drifting – seemingly – aimlessly. The Cyborg then encounters Lois, who insists he visit Professor Hamilton for study. To everyone’s shock, Hamilton’s tests reveal that the Cyborg’s metallic parts are indeed Kryptonian, and his body is genetically identical to Superman. He is, to all appearances, Superman brought bac to life. The truth is that Hank Henshaw, in a computer consciousness, stole the Kryptonian Matrix that brought Kal-El to Earth as an infant, giving him the material to build a convincing body. He was also clever in that the parts of his body that were replaced with metal corresponded pretty well to the areas that seemed to suffer the most damage during the battle with Doomsday. This was the Superman that I remember finding the most plausible in that first month, for the aforementioned reasons. There is, however, one other clue that convinced me pretty well that turned out to be a cheat: in his internal monologue, the Cyborg looks at Doomsday and thinks, “They didn’t bother to wash MY blood off you.” That particular possessive pronoun makes no sense for anybody to use except Superman, and was one of the strongest arguments – among readers – for the Cyborg’s claim to the throne. It still doesn’t make sense that the Cyborg would think that way. That’s a little bit of narrative cheating that bugs me to this day.

Last, we get Adventures of Superman #501, the introduction of the Metropolis Kid. The lad who would one day be Superboy comes to town saving joggers, fighting crime, and proving just how arrogant a super-powered 15-year-old would be. He’s upfront from the beginning, though, telling the world that he’s Superman’s clone, although this would later turn out to only be part of the story, and that story itself would change more than once before it settled on its current status quo. Of the four Supermen, this was the one that I never once thought could be “our” Superman brought back to life…however, that didn’t necessarily mean he wasn’t “real.” After all, if Rosie was right about John Henry’s body containing Superman’s soul, he would need somewhere to go, right? Some comic book science aging the Kid could have made a perfect vessel to contain it, had the story gone in that direction.

I’m remembering the fun of this storyline now. For the last 30 years, any time I’ve read these comics again it’s been with that perspective of knowing the ending. While I can’t throw that lens away, I’ve kinda rediscovered the way I looked at the stories at the time, trying to measure all the possibilities…and that’s a fun way to read these. 

Fri. March 7

The “telescope” is literally a giant horseshoe magnet. Trust me, this image is cooler.

Animated Short: The Magnetic Telescope (1942)

Notes: Unsure if I can get in any reading time today, I decided to squeeze in the next Fleischer short while I have a chance. In this one, a scientist (I’ll let you decide for yourself if there should be a “mad” in there) invents a telescope with an enormous magnet attached, with the intention of drawing celestial bodies closer to Earth for further examination. The problem with this, of course, is that he is DRAWING CELESTIAL BODIES CLOSER TO EARTH. It doesn’t help when the police shut down his machine, cutting off the power after he’s already pulled a comet towards Metropolis and robbing him of the ability to send it back. Superman, naturally, is going to have to get in there and save the day. The short is pretty standard, with the usual gorgeous animation and a story that is fairly predictable. The most interesting thing, I think, is the lack of common sense displayed not only by the scientist, but by Clark Kent, who is taking a TAXI to the observatory after Lois calls in to report the catastrophe. It isn’t until the cab gets stopped by falling meteor chunks that Clark decides to switch to his costume and fly there. Why is he wasting money on a cab in the first place? 

Sat. March 8

Comics: Superman: The Man of Steel Annual #2, Action Comics #688, Superman: The Man of Steel #23, Superman Vol. 2 #79, Adventures of Superman #502

It was the 90s, you see, there was nothing more important than “Edge.”

Notes: The tricky part of reading the “Reign of the Supermen” and related comics is going to be working in the annuals. As they don’t carry the “Triangle” numbers the way the regular issues do, I’m going to cycle them into the reading order as close as I can figure to when they were released, relative to the other comics, and that means I’ll be starting with Superman: The Man of Steel Annual #2. Now in 1993, DC’s summer annual event was a story called Bloodlines, in which a group of aliens came to Earth to feed on humans. Some of the humans they attacked, however, didn’t die, but instead had their metagene awakened, giving them superpowers. The result was that each annual this year introduced a new superhero or villain. Some of them were pretty cool, others were kind of lame, and the only one who had any real lasting impact was Hitman. Edge, for instance, the character that John Henry Irons meets in this issue, hasn’t made an appearance since 1995. It’s pretty tertiary to the ongoing story, with the biggest contribution being that it shows how the Man of Steel is becoming accepted in the neighborhood.

They’re fighting over who has the better hairstyle.

Moving back to the regular issues, we’d entered an interesting time. Although the Triangle Numbers and weekly serialization continued, each of the four would-be Supermen had their own plots and stories that lasted for the first couple of months of “Reign” before the Cyborg played his hand and tied the four titles together again for the rest of the run. In Action #688, for instance, we see a confrontation between the Eradicator and Guy Gardner. In a move that’s surprisingly touching, Gardner is outraged to see four people wearing Superman’s symbol, having gained a new respect for Superman following the Doomsday battle. Guy sets out to put a stop to them, but when he sees how brutal the Eradicator is with criminals, he decides that maybe this fellow IS the Superman Metropolis needs. Ah well, it was fun while it lasted. 

These two, on the other hand, are fighting over who has the goofier nickname on the cover.

Man of Steel #23 then gives us the first encounter between two of the would-be Supermen, Steel and Superboy. The kid makes a mistake that costs a Daily Planet helicopter pilot his life, and John Henry takes him to task for it, but considering that the weapon that dealt the killing blow was of his design, he grows into being more understanding. This is also the issue in which he meets Lois, who feels the same way about John as I always have – this is the only one of the pretenders who seems to have Clark’s spirit. In retrospect, I wonder if Lois’s endorsement was the reason I gravitated so strongly to John Henry, not only then, but in all the years since as well.

Schwarzenegger briefly considered copying this image for his Gubernatorial posters, but decided it was too low-key.

Superman #79 is told through a newspaper column written by Ron Troupe, who is trying to show himself worthy of replacing the (believed to be dead) Clark Kent at the Daily Planet. Perry White challenges him to bring in a story so big that he proves he deserves the job, and it’s hard to argue the SCALE of the story he brings in. Troupe lucks into being on the scene as the Cyborg thwarts a presidential assassination attempt, and in the process, uses a genetic scanner that seems to confirm that he is, in fact, the true Superman. There are two things about this issue that stick with me. First, although I don’t think I realized it at the time, it’s impressive how Dan Jurgens worked so hard to stay away from delving into the Cyborg’s life when he wasn’t in front of the public, and avoided giving us a glimpse into his thoughts (after that misstep in the previous issue). The other thing that stands out to me is that so many, so SO many comic book writers don’t have the slightest idea what a news article is supposed to read like. Even if I accept Ron’s writing as a column rather than a proper news article, the fact that he himself uses the genetic scanner on Superman makes the whole thing a gargantuan conflict of interests. I recognize the irony here, as Clark obviously made his career by writing about himself, but at least he tried to HIDE it. 

All we need is Krypto! (Actually, there’s a version of him in this issue.)

Rounding out month two of “Reign,” in Adventures of Superman #502, Lex Luthor tries to lure Superboy away from WGBS by having Supergirl prance around in front of him in a slinky dress. I wish I was making that part up. But the kid sticks with WGBS when Vinnie Edge presents him with a new manager who also happens to have a teenage daughter…all while the kid is crushing on WGBS reporter Tana Moon. It’s odd, when these books came out I was roughly the same age as the kid is mentally, and I don’t remember being bothered by just how openly he’s manipulated through sex appeal. I suppose it’s the perspective of maturity, or whatever the hell you call it when you apply that particular characteristic to me. This issue is also the first in the “Reign” era to end on a cliffhanger, as Edge hires a villain called Stinger to attack the kid, and winds up blowing up a bridge, leaving Superboy and Supergirl shocked and unable to do anything because they’re out of pages! Man, I hope they figure out a way out of this in Action #689.

Sun., March 9

Comics: Superman Annual #5, Action Comics #689, Superman: The Man of Steel #24

“Myriad!” is Latin for “character who has made one appearance in the last 30 years.”

Notes: We’ve got another Bloodlines crossover for you this time. Unusually for this particular crossover, though, it actually picks up on threads from the ongoing comic book. Back in issue Superman #77, Lex Luthor murdered his martial arts instructor, partially because she embarrassed him in training, but mostly to prove he could still get away with it now that Superman was dead. In Superman Annual #5, one of the aliens gobbling up people left and right finds her discarded body in a landfill and makes her into a quick snack, inadvertently activating her metagene and resurrecting her. She wakes up with no memory of her life, but soon finds she can absorb the memories and personality of anyone she comes into contact with, and even control them. She clashes with Luthor and the Cyborg (which I suppose is appropriate, as it was technically his book at the time) before absorbing the memory and personality of one of Luthor’s assassins and vanishes. Myriad’s future, after the Bloodlines crossover, wasn’t much better than Edge. She popped up in an issue of Action Comics a few months later, then – as far as I can tell – nothing until a surprise appearance in a Batman one-shot, Legends of Gotham, in 2023. But you know, I’ve often believed that even the least-interesting characters can be made fascinating if you give them to the right writer and put them into the right story. Who knows? Maybe Myriad could have a comeback some day. At the very least, the next two newbies we’re going to meet stuck around a little bit longer than the first two.

This is exactly the way my brother watches March Madness.

Action Comics #689 picks up immediately after Adventures #502, and this is the point where the four books begin to really intertwine again. As Superboy and Supergirl rescue the victims of the bridge collapse, in the Fortress of Solitude a man crawls from the machinery that has been recharging him. At the time, it was intended to appear as though this was the Last Son of Krypton (aka the Eradicator) having rested up, but in retrospect, this was the issue where the real Superman actually came back, although we wouldn’t know it for some time. The Eradicator had taken his body from the tomb and was using it as a sort of power source in the Fortress, but in so doing, the machinery resurrected him, a process which – at the end of the storyline – they made damn sure to insist would never work again. Except that they kinda did it again years later when Superboy died. Ah well, who’s counting? Anyway, also in this issue we see Steel face off with the Eradicator over the latter’s more lethal techniques, something Steel vehemently opposes, once more proving that if any of these four EVER had a claim to the S-shield, it was John Henry Irons. Oh yeah, and Mongul is guiding a vast warship through outer space on a trajectory to Earth in order to exact his revenge on Superman. That couldn’t possibly be bad, though, right? 

They were REALLY trying hard to make “Iron John” stick, weren’t they?

Man of Steel #24 follows this up as Steel and the Eradicator’s fight brings them to Coast City, California. Steel tries to convince the Kryptonian that his brutality is unbecoming of a Superman and, surprisingly, the Eradicator actually takes his words to heart. He promises to leave Metropolis to Steel, while he tackles injustice out on the west coast, a decision that would prove to be really, really unfortunate for an awful lot of people. The rest of the issue is concerned with John’s return to Metropolis and a battle with the White Rabbit, the source of the Toastmaster weapons plaguing the city and who also happens to be John’s ex. This issue – as well as most of the “Reign” issues – also briefly checks in with Lois, who is still struggling with Clark’s loss. As much as I like this storyline, I don’t care for how little of Lois we see. I get it – they need to tell the story of the four wannabes and, frankly, there isn’t too much to DO with Lois other than show her skepticism. Still, she’s as important to these books as Clark himself, and when she only shows up on two or three pages in an issue, I miss her. 

Mon., March 10

Comics: Action Comics Annual #5, Superman Vol. 2 #80, Adventures of Superman #503

Notes: I’m going to break with my effort to read the annuals in release order because I realized that, after this point, the Eradicator (at least in this form) doesn’t return to Metropolis for the remainder of the “Reign of the Supermen” storyline, however his Bloodlines annual is set in Metropolis, so even though it came out after, it must take place BEFORE the issues I’ve already read. Being a nerd is fun. 

Note: nothing even remotely like this happens in the issue.

Anyway, Action Comics Annual #5 introduces us to Loose Cannon. Eddie Walker is a former Metropolis Special Crimes Unit officer whose reckless behavior (they always called him a “Loose Cannon” – GET IT???) leaves him partially crippled in an encounter with a metahuman perp. Maggie Sawyer calls him back into service to investigate the murders that are being carried out by the alien visitors , and he winds up becoming their next victim. Now, by night, he turns into a seven foot tall bruiser with blue skin that changes to different colors depending on his mood, because they had to make him at least a LITTLE different than the Hulk. He and the Eradicator throw down with the aliens, but they escape because the crossover was only halfway finished at this point. Loose Cannon fared slightly better than previous two “new bloods” we’ve read about, getting his own miniseries and sporadic appearances in the years since, but he’s never gonna be an A-lister. Not that this really sets him apart from the rest of the Bloodlines characters. 

That Newstime ad I mentioned last week seems more prophetic now, doesn’t it?

Superman #80 is where “Reign” REALLY takes a turn. Mongul’s warship arrives on Earth and heads to Green Lantern’s home of Coast City, which is conveniently where the Last Son of Krypton is currently operating. The Cyborg sweeps in to “investigate,” and riiiiight up until this point, you might still be thinking he’s the real Superman. Right up until the page where he blasts the Eradicator in the back and tells him, “You’ll be blamed for the deaths of millions.”

Oh. So HE’S the bad guy. 

Three pages later, Mongul’s ship detonates 77,000 individual explosive devices, annihilating Coast City and murdering the seven million people who call it home.

I cannot stress this enough, the Cyborg really IS the bad guy.

The explosion reduces the Eradicator to his energy form and he retreats to the Fortress of Solitude, where again we get one of those fake-out scenes of “someone” piloting a Kryptonian mech, implied to be the Eradicator, but whom we who have read this story before know is our boy Clark. The issue ends with a wonderfully ominous page of Mongul kissing the Cyborg’s hand as he declares that Metropolis is his next target. 

This issue was probably a bigger shocker back in the day than the actual death of Superman was. I mean, we all knew that Superman was going to die. It was on the NEWS. But nobody leaked word that Coast City – home of Hal Jordan and one of the more established fictional cities in the DCU after Metropolis and Gotham – was going to be wiped off the map. This wasn’t just something huge for the Superman books, it was going to have radical consequences for Green Lantern, which in turn would have consequences for the Justice League titles, Guy Gardner’s book, Flash…it was the beginning of a domino chain that reverberated for years. Even now, looking at the current status quo of the Green Lantern corner of the DC Universe, where Parallax is an entity that powers the Yellow Lanterns and each color has its own such entity…this is the book that led to the stories that led to that particular status quo years later. You have to wonder if, in that Superman retreat where the writers were trying to figure out what to do since Warner Bros made them delay the wedding of Lois and Clark because of the Dean Cain/Teri Hatcher TV show, they had any inkling of just how big the consequences of someone joking “Let’s just kill him!” would be. 

Cyborg is really just envious of the leather jacket.

The Cyborg’s plot continues in Adventures of Superman #503. Having taken care of the Last Son of Krypton, he requests that Superboy be sent to the remains of Coast City to “assist” him, really planning to eliminate another of his rivals. He takes the Kid down fairly quickly, but not before making a grave mistake – talking about having powers like the Kid “when I was your age” on the WGBS news feed. Back in Metropolis, Lois hears this and knows for certain he’s an imposter – in this continuity, Clark’s powers hadn’t fully developed yet when he was 15. The real Superman, meanwhile, stumbles from the Fortress in his Kryptonian mech and begins the march back to civilization, and the Kid shows the first glimpse of the power that will later be called “tactile telekinesis,” further evidence that he is NOT – as Paul Westfield at Cadmus claimed – simply a clone of Superman. Without belaboring the point, because I don’t think it actually is clarified until after the “Reign” story ends, we eventually learn that Cadmus couldn’t totally crack Superman’s genetic code, so they manipulated a clone to LOOK like him and used what information they COULD get to give him similar – but different – powers. Years later Geoff Johns came in and further retconned the origins to its current status quo: Superboy is a clone whose DNA is a mix of Superman and Lex Luthor. But they co-parent like champs.  

Tues., March 11

TV Episode: Justice League Unlimited Season 2, Episode 3: “The Doomsday Sanction”

“Okay, tell me when this starts to hurt…”

Notes: I didn’t have any reading time today, guys, and by the time I finally had a chance to sit down I was kind of exhausted. As much as I love reading, sometimes your brain just isn’t in that place, you know? So instead, I decided to dip into the excellent Justice League Unlimited cartoon to check out an episode centering around our old pal Doomsday.

Written by the late, great Dwayne McDuffie, this episode starts with Batman popping into Amanda Waller’s shower in a hell of a power move, confronting her over her activities with Project: Cadmus, which in the DCAU is a project dedicated to creating weapons capable of defeating the Justice League, including clones. One of the Cadmus doctors, Dr. Milo, is told his research is going to be defunded. Angry at being cut off, he goes to the cell where Doomsday is being held and tells the creature that he is an altered clone of Superman who was trained to hate the Man of Steel by Waller and Emil Hamilton, and it’s the two of them who should be his REAL target. Doomsday doesn’t care WHY he hates Superman, though, just that he does, and after dispatching Dr. Milo, he sets out, confronting Superman on a volcanic island the League is trying to evacuate. As the battle rages, Cadmus’s General Eiling sends a missile with a Kryptonite warhead to destroy both Superman AND Doomsday, not caring what it will do to the inhabitants of the island where the battle takes place…an attack that even Waller realizes is going too far. Batman stops the missiles while still over open ocean and Superman stops Doomsday by chucking him into the volcano. The League takes Doomsday into custody, and Superman exiles him to the Phantom Zone. That action doesn’t sit right with the recovering Batman, though, causing him to fear that maybe Cadmus has a point.

This was such a fantastic series. McDuffie’s handling of the characters was amazing, and the way he and the other writers pieced together all the different nuggets of the different DC heroes into a cohesive whole that made sense for this universe is nothing short of astonishing. They never did a real “adaptation” of the Death of Superman storyline, but they found interesting uses for Doomsday nonetheless. It’s a very different TYPE of Doomsday, I must say. He’s not a mindless beast – he’s intelligent and at least relatively verbose, able to exchange taunts with Superman and tell him he’ll live to regret exiling him before they send him off to the Zone. He is also clearly far less powerful than the Doomsday from the comics. Superman’s fight with him wasn’t EASY, don’t get me wrong, but considering that the only way he could be stopped in the comics was by the two of them killing each other, the fact that a mere volcanic eruption seems a little less impressive. Even more so the fact that he is held prisoner – both by Cadmus and by the League – with relatively little difficulty…this is a different Doomsday than the one who kills Superman in the comics. But for this world, for this universe, for a Saturday morning Cartoon Network series that was ostensibly aimed at children, it’s not a bad fit at all. 

If there’s one thing I don’t like about this episode – this series as a whole, to be honest – it’s placing Emil Hamilton on the side of Waller’s Cadmus mad scientists. Hamilton is one of those characters from “my” Superman era – the good-hearted and sometimes absentminded scientist who, after making one mistake which Superman stopped before it could go TOO far, turned into one of Superman’s greatest allies. In the comics they eventually gave him a heel turn as well, and that’s something that has never sat right with me in all the years since. It’s been well over a decade since he’s made more than a token appearance anywhere, and honestly, I’m not even sure what his status even is anymore, vis-a-vis his relationship to Superman, after all the years of reboots both hard and soft. But they always say that comics are cyclical – it’s probably only a matter of time before somebody who loves Emil Hamilton the way I do steps into the shoes of writing Superman and finds a way to rehabilitate him and bring him back. At least, I sincerely hope so.

The Reign continues next time, friends!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week Six: Panic in My Soul and Panic in the Sky!

Last week, as I alluded to in that blog post, was a chaotic mess for me that left me a little bit of a wreck. I’m a little better as I write this, on the afternoon of Feb. 5, but the things that have been dragging me down since last Friday haven’t subsided entirely. As a result, I didn’t have time to really read or watch anything Superman-related today, and for a moment I was afraid my streak would end in only week six. But on the way home from work, an angel appeared in my podcatcher app in the form of good old Michael Bailey.

Wed., Feb. 5

Podcast: It All Comes Back to Superman Series 2, episode 8, “Moving Kryptonian Images Part One: Superman and the Mole Men”

Notes: Like myself, Michael’s got plans leading up to the release of the Gunn Superman movie, including an examination of 25 different feature films starring the Man of Steel, and he starts with this one. I’m not going to attempt any sort of recap when I listen to these episodes – in fact, in the future I may have no notes at all – but I really do enjoy them and I’m glad I’ve got him riding shotgun while I drive to keep my mind on the good things in this world…specifically those that come in the form of a strange visitor from another planet.

Thur., Feb. 6

I WISH they made these toys.

Comic: Super Powers Vol. 4 #1

Notes: It’s a busy week for me, so once again, I need something quick. The Super Bowl is coming to New Orleans this Sunday and my son is a ravenous football fan. While there’s no way we could possibly afford a trip to the Big Game, the NFL Fan Experience they’re hosting at the New Orleans Convention Center is considerably more affordable, and something Eddie will have fun with, so after school on Thursday we hustle him off to New Orleans for a few hours of gridiron fun. It’s a great time, but it does limit my Superman reading time to finding a quick comic on the DC Infinite app to read before bed. The winner is Super Powers #1 from 2016. This comic is by the amazing team of Art Baltazar and Franco Aureliani, and is set in the same world as some of their other kid-friendly comics Tiny Titans and Superman Family Adventures. In this first issue, Batman has mysteriously gone missing from Gotham City and it’s up to Superman and Wonder Woman to find him.

Art and Franco have a wonderful sense of humor and a delightfully free style that makes for some of the best comics for kids published in decades. And like most TRULY great works for children, it’s still fun for adults to read. The stories often have silly angles and even the occasional euphemism for some of the more adult concepts, but in a winking-at-the-camera way. This series was one of the few times they tried an extended storyline rather than a one-off or a series of shorts in a single issue, and I’m going to have to make it a point to finish the rest of the six-issue series this weekend. 

Fri., Feb. 7

Comics: Super Powers Vol. 4 #2-6

Notes: Today I decided to finish up the Art Baltazar and Franco Aurelani miniseries I started yesterday. I read this comic when it was released back in 2016, but it turned out to have far more Superman relevance to it than I remembered. For instance, I’d forgotten that in this very kid-friendly continuity, Jor-El and Lara are alive and living in Kandor. And, in fact, in this series they give Superman a baby brother, Prym-El…who, as it turns out, also has plenty of connection to one of Jor-El’s other “children,” the computer intelligence Brainiac. The Brainiac story actually works really well. It’s presented in a format that is intended for children, obviously, but if you took the bare bones of the plot and re-told it for an adult audience it would work perfectly well. On the other hand, that would cause us to lose a lot of the tongue-in-cheek humor and delightful continuity gags intended for the older people who they knew were reading the books as well. After all, there aren’t a lot of elementary school kids who read this book and would have gotten the joke about “Superboy Prym.” (If you don’t get the joke either, “Prym” is pronounced with a long “y”.)

I really do love this creative team. They’ve done some of the funniest and most welcoming comics for young readers this century, and that’s something we can always use more of. They still dip their toes back into the DC Universe occasionally, although they spend more time these days doing their own thing or working on other properties, such as some of the recent graphic novels based on the works of Dr. Seuss, but I will always welcome their return to the Superman family. 

Sat., Feb. 8

The worst part is that the Daily Planet’s health insurance defines this as a preexisting condition.

Comics: Superman #250, Superman #281.

Notes: Coming down from a stressful week, I decided to spend this afternoon finally reading the two new Superman comics I picked up at Fan Expo New Orleans back in Week Two. First up was the double-sized anniversary issue, Superman #250 from 1972. In this issue, Superman faces the Terra-Man, a villain that the narration has the audacity to refer to as “the most dangerous man in the world.” Although to be fair, he DOES almost manage to take out Superman with a device that causes the man of steel to get older every time he uses his powers. But still, Terra-Man has never quite made the upper echelon of Superman foes – the idea of a cowboy riding a flying horse and using high-tech weapons was maybe a wee bit too “high concept” to really catch on. And the end of the issue doesn’t really help. If you don’t mind spoilers for a 50 year old comic, here goes: Superman realizes that since using his powers makes him older, NOT using them will make him young again. This is an utterly ludicrous supposition and there’s no reason to assume that such a thing would be true, which makes it even more infuriating that it works. Even sillier is the notion that, once he’s young again, the mark that Terra-Man put on him to cause the aging just…vanishes. This is why you’re a D-list villain, Terra-Man. Stuff like this.

But if you really wanna talk silly, let’s look at Superman #281 from 1974. This is the first appearance of Vartox, a character who – like Terra-Man – never quite cracked the A-list, but also has had a bit of a lingering fan base, which I think is mostly attributable to his ludicrous costume,  clearly inspired by the Sean Connery movie Zardoz, which came out earlier that year. HE’s not even a villain, actually. He’s a superhero from another planet, who comes to Earth when his wife mysteriously dies. Turns out her “bionic twin” – an exact doppleganger on Earth – was murdered, which somehow triggered her death as well. He comes to Earth to catch the man who killed the twin (and, consequently, Vartox’s wife), but he knows he’ll have to reckon with Superman.

He’s got to be a villain. No hero would wear that vest.

Why the hell doesn’t it ever occur to these aliens to just ask Superman for help instead of coming up with some goofy, ludicrous, Fawlty Towers-level scheme?

Still, silly as he is, there’s something fun about Vartox, and it’s nice that he hasn’t been totally forgotten.

Sun., Feb. 9

Graphic Novel: Superman: Panic in the Sky (Reprints Action Comics #674-676, Adventures of Superman #488-490, Superman Vol. 2 #65-67, & Superman: The Man of Steel #9-11)

Comic Book: Justice League Spectacular #1

Everyone’s invited to this party!

Notes: As I mentioned a few weeks, ago I became a regular reader of the Superman comics with the Krisis of the Krimson Kryptonite storyline. That made Panic in the Sky, which came out a little more than a year later, my first “major” event story. It’s wild to look back at it now – eight issues, entirely self-contained in the Superman comics. If a story like this were attempted today, it would be its own miniseries with dozens of spinoffs and crossovers into every other DC title, but this compact little story was handled with ease. There was even room, in the most recent graphic novel edition, to add the next four issues of the weekly Superman books, which dealt with the fallout in various ways.

In this storyline, Brainiac has gained control of Warworld, as well as taken over the mind of the alternate universe refugee called Matrix, who also became this era’s Supergirl. Along with Draaga and Maxima (both of whom we last saw during the Krypton Man story), Brainiac set out to use Warworld to conquer the Earth. At the time, following the “Breakdowns” storyline, the Justice League was disbanded, so Superman put together a team of all the heroes of Earth (or at least the most popular ones they could get editorial permission to use over this two month period) to drive them off.

I have a deep affection for this story for several reasons. First of all, it was my first “big” storyline as a Superman reader, and it was also my first exposure to some of the lesser-known DC characters that would eventually grow to be favorites of mine. It was also pretty unique in that it brought Superman to the forefront of the superhero community, something that wasn’t being done much at the time. This was early 1992, and ever since John Byrne revamped Superman in 1987, he hadn’t been incorporated much into the greater DCU. He made appearances, especially in big crossover events, but he had never been a member of the Justice League and he didn’t have the close ties to Batman and Wonder Woman that are considered so fundamental to the character today. 

This was a rare story, to see him step up and take command of so many heroes. It’s also odd that the first person he recruited to defend Earth was, of all people, Deathstroke. Deathstroke had mostly been a villain in the Teen Titans’ book, but he’d become popular enough to warrant his own title and, as happened to most villains who got their own book, there was a bit of an effort being made to rehabilitate him into more of an anti-hero. It worked to some extent, but eventually he broke bad again, and frankly, it works better for him. 

Reading it again today, it feels a little off in some places. Some of the various characters don’t always sound quite like themselves, which was no doubt a consequence of the four writers playing Round Robin with them. Another such result was that it was hard to keep track of the minor characters – people like Valor, Starman, and Dr. Fate would appear in the invasion force on Warworld without having appeared previously or having been set up as part of the story at all. But damn, it was fun to see artist Jon Bogdanove do his best C.C. Beck impression whenever he got to draw Captain Marvel.

Then there’s this one…

The weirdest thing, though, is the Supergirl/Draaga relationship. In the first chapter, Draaga battles a Supergirl who is still wearing Superman’s form. As soon as she becomes herself again, Brainiac takes over her mind, and he maintains that hold for several issues. Then, once she’s free of Brainiac’s control, she’s apparently in love with Draaga. When did this happen? When did this relationship develop? And did they have to save the entire thing for the issue where Draaga makes a heroic sacrifice, giving his life to save her? I don’t mind the heroic sacrifice bit, it just feels like it comes out of nowhere. Although it does nicely set up how the naive Matrix was the sort to really fall into her emotions, which would become pretty important to her character in upcoming storylines involving Lex Luthor.

There are a few major components to this story that make it pretty significant, historically speaking. First, this was the story where Matrix/Supergirl finally came to Earth permanently and joined the Superman supporting cast, pretty much until Peter David launched her own ongoing title a few years later. Second, this is the story that broke the post-Crisis Superman of his “loner” status. Not long after this, he was part of the re-formed Justice League in the Justice League Spectacular one-shot (which I also read today, for funsies) where he’d stay until his battle with Doomsday. 

There’s one last bit that’s not so much a significant fact as an amusing footnote. In the climactic battle, just before he’s defeated in Superman #66, Brainiac launches a device of some sort into Earth’s atmosphere. Several months later, when the Death of Superman storyline was announced, that issue got a temporary spike in popularity as speculators (they’re not a new phenomenon, folks) began to theorize that the probe was the point of origin for Doomsday, which no doubt would make that a super valuable book in the future. It wasn’t a bad theory, if not for the fact that anybody who read the VERY NEXT ISSUE (Superman #67) already knew EXACTLY what the probe was, a weapon to scourge a planet if Warworld was defeated, and that probe was beaten just 30 real-world days after it launched. It’s so important to read EVERYTHING, people.

As a storyline, Panic in the Sky has a few rough edges, but it’s an adventure I still think mostly holds up.

Mon., Feb. 10

Comics: DC Power: Rise of the Power Company #1 (Steel Cameo), Justice League America #61-64

Okay, I know I’ve seen this one before.

Notes: The world in general needs more John Henry Irons. He only has one quick scene in the DC Power special, but it seems that DC is planning to bring back the Power Company in a larger way. As this scene shows he’s got a relationship with Josiah Power, I’m hoping that when that “big way” hits, Steel has a big role to play in it.

I also continued reading Superman’s time in the Justice League in the 90s. That wasn’t originally on my bingo card, but reading the Justice League Spectacular issue yesterday made me want to continue. In these first four issues, Dan Jurgens decided to get classic, bringing in some old Justice League foes in the form of Weapons Master and Starbreaker. Jurgens, who was writing and drawing both this book and Superman at the time, faced an interesting challenge with this. You see, in this Post-Byrne universe, Superman had never been a member of the Justice League before, however, Jurgens was referenced old Justice League stories in which Superman had played an active part. He sidestepped it by having Superman refer to “one of the times I helped the old Justice League.” It’s not the worst way to avoid the issue, mind you. In the early days of the comic book, despite being full members, Superman and Batman didn’t always play an active part. They would be missing for an issue or most of an issue, giving space to the less-popular members, and occasionally pop in for a finale. In at least one issue that I’ve read this year, Superman shows up on the last page and the League starts to tell him about their latest adventure. So saying that he just “helped” the League a lot in the old days doesn’t really take a ton of mental gymnastics to accept.

On the other hand, both in Panic in the Sky and in these issues, a big deal is made out of the fact that Superman has always been a loner. He’s not a team player, they say, he’s someone who is most effective flying solo (excuse the pun). So how do you explain the fact that he was “helping” the Justice League every other month in the old days?

The character stuff in these issues is better once you manage to ignore the continuity snarls. There are a couple of major sources of conflict for Superman outside of the villains, both of which help form the shape of the book. Superman does not get along with Maxwell Lord, who seems like a smug opportunist even before the later Infinite Crisis turn the character would take. As Max is the one who first assembled this version of the League, he thinks that makes him in charge, a stance that Superman staunchly opposes. Similarly, he clashes with the League’s current Green Lantern, Guy Gardner. Part of the clash is because Guy, too, thinks he should be in charge, but even moreso, Guy is angry because his on-again off-again girlfriend Ice clearly has a crush on Superman. The Guy/Ice relationship was always an odd one. It only really makes sense in an “opposites attract” context, and works best in more of a humorous book, like the Giffen/DeMatteis Justice League book was before Jurgens took over and it became more of a straight superhero series. After that, having Ice together with a boorish lout like Guy didn’t really click. 

Not to say I dislike Guy. The character is entertaining as anything – he is the living embodiment of “He’s an asshole, but he’s OUR asshole,” and the way he clashes with Superman in these issues feels perfectly in character for both of them at the time. The fact that Guy is going to be in the James Gunn movie, where he’ll be played by Nathan Fillion and, evidently, drawn by Kevin Maguire. There’s been nothing to indicate that Ice will be in the movie, of course, but I wonder if this is the dynamic Gunn is planning between the two characters. It could be a lot of fun if it is.

TV Episode: Superman and Lois, Season Two, Ep. 5, “Girl…You’ll Be a Woman, Soon.”

Notes: Lana’s daughter (and Jordan’s girlfriend) Sarah has her quinceanera, which is majorly ruined when Sarah’s dad makes a confession. Jonathan is juicing. Bizarro kills a character who got her name from the comics, but not much else. This is another episode that feels more like a CW soap opera than – as so many of my friends have told me – the best Superman ever. To be fair, when they say that they’re talking about Tyler Hoechlin’s performance and not the show itself, and this episode is a little light on Hoechlin. I still feel like the series is in a sophomore slump. I’m not giving up though, guys. Promise.

Tues., Feb. 11

Comics: Justice League America #65-68

James Gunn, take note…

Notes: I try not to pay too much attention to criticism for the upcoming Superman movie, mostly because I find that anybody who spends that much criticizing something they haven’t even watched yet is a troll, but there’s one element in particular that comes to mind as I read these issues of Justice League America: people worried that the film is introducing too many superheroes too fast. We know for certain that at least four other characters (not counting the usual Superman supporting cast) appear in the movie: Mr. Terrific, Metamorpho, Hawkgirl, and Guy Gardner. Some people seem to think that the movie will spend a lot of time on them to the detriment of Superman himself.

Let me explain why that’s not a logical argument: are you equally worried about the fact that the cast includes Perry White, Jimmy Olsen, Cat Grant, and Steve Lombard? 

The way I see it, our hero has two workplaces: as Clark Kent he works at the Daily Planet and as Superman he works with the Justice League, and while I don’t want any of those characters to be cardboard, none of them require an entire movie’s worth of development either. If Hawkgirl doesn’t have any more screen time than Jimmy, I don’t think that’s going to be a bad thing.

I bring this up because I get a similar feeling reading these issues of Justice League America. Dan Jurgens took over after the legendary Keith Giffen/J.M. DeMatteis era of the book and made it more of a traditional superhero comic. The result is that Superman himself is mostly a side character. We spend a lot of time on the returning characters (Guy, Fire, Ice, Blue Beetle, and Booster Gold). A lot of the focus also falls on two of the new members of the League: the enigmatic Bloodwynd, whom Beetle becomes obsessed with investigating, and Superman’s former foe Maxima, who is trying to rehabilitate herself on Earth after the loss of her homeworld. Superman shows up, but for the most part he’s there to clash with Guy and Max and give Ice someone to moon over. He doesn’t even appear at all in issue #67, and when #68 begins the rest of the team is stomping around Metropolis on a kaiju-sized Guy Gardner ring construct trying to hunt him down because he never bothered to pick up his JLA signal device.

All of this makes it even more baffling when you realize the ten issues collected in the Superman and the Justice League America graphic novel (the Spectacular one-shot and issues #60-68) are pretty much his entire tenure with the team, because you know what happens in issue #69? 

Doomsday happens.

I remember when these books came out. A huge deal was made of the fact that Jurgens was taking over the comic and that Superman was joining, so the fact that his tenure ended with his death about a year later is really bizarre. Jurgens himself didn’t stick with the book much longer after the Death of Superman storyline, and I have to wonder what the internal discussions were at the time. I can’t imagine the death had been mapped out at the time that the decision was made to add Superman to the JLA, so what happened when they realized he was going to be bumped from the book by virtue of not being alive? 

Reading these issues like this, collected together for the first time in many years, it really feels like Jurgens was building up a lot of story points that he never got to resolve. I love the original Death and Return of Superman storyline. I think it’s an epic story and one of the most important touchstones in the character’s history. But I really wish I could get a VPN that lets me access the DC Universe Infinite app from an alternate universe where Superman wasn’t killed, the Jurgens Justice League run lasted longer, and these stories unspooled as originally intended.

Next week, it’s another theme! It’s time for Superman Vs. the Flash! I’m going to try to read and watch as many of the races between the Man of Steel and the Scarlet Speedster as I can find, and if there’s one in particular you want me to cover – either in comics or TV – make sure you let me know in the comments or in the Year of Superman Facebook Group!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week Two: Fleischer and Fan Expo

It’s the second week of my year-long adventure in reading, watching, and generally enjoying all things Superman. This week, I take a look at the earliest Fleischer cartoons, I watch more of Superman and Lois, and I take my family to Fan Expo New Orleans!

Wed., Jan. 8

Comics: Krisis of the Krimson Kryptonite, story found in Superman Vol. 2, #49, Adventures of Superman #472, Starman #28, Action Comics #659, & Superman Vol. 2 #50; Black Lightning Vol. 4 #2 (Guest-appearance by Natasha Irons, aka Steel), Supergirl Vol. 2 #20 (Guest-appearance by Superman)

When you spell “red” with a K.

Notes: I’ve got to be careful with some of these comics. My goal, in this “Year of Superman,” is to spend a little time with ALL eras of the Man of Steel, but every time I go back and look at one of the comics from my formative years, I feel the urge to just go on reading them. I could very easily make this “my year of reading Superman comics from the 90s” if I didn’t show a little restraint and restrict myself to the high points. All that said, I couldn’t possibly do this without reading Krisis of the Krimson Kryptonite. As much as the first Christopher Reeve movie made me a fan of the character himself, this is the story that made me a fan of Superman COMICS.

I was relatively new into comics at the time, and if there was one character I followed more than others, at this point, it was Spider-Man. But then something happened which was pretty rare at the time – Superman turned up on the news. After over 50 years, they said, he was going to ask Lois Lane to marry him. I was intrigued and I sought out the five parts of this story to see what was going on. And then I got the next Adventures of Superman the week after. And then I came back for the next week’s Action Comics. And I haven’t missed an issue of any of the regular Superman comic books ever since. It’s a pretty darn impressive streak, if I do say so myself. I also eventually hunted down almost all of the previous comics since the reboot of the character in 1986, so when I say that this era is MY Superman, I mean that as literally as possible for anybody who didn’t actually create the books themselves.

What’s interesting is that the element of this story that got me – and presumably a lot of other people – to buy it is almost a throwaway moment. The bulk of the story involves the Red Kryptonite (only called “Krimson” on the covers) given to Lex Luthor by Superman’s old sparring partner, Mr. Mxyzptlk. Mxy is busy in another dimension – delightfully implied to be harassing the Fantastic Four as the Impossible Man – and he’s going to miss his scheduled tete a tete with Superman. Instead, he gives Luthor the Red Kryptonite – the first instance of such an element in the post-Crisis continuity, and promises it will make Luthor “Superman’s equal.” Instead of giving Luthor powers, though, the rock takes the power AWAY from Superman.

Most of the five issues – four issues of the Superman comics and a crossover with Starman, also written by Action Comics scribe Roger Stern – involve Superman either trying to figure out where his powers went, trying to get them back, or trying to compensate for their loss with things like a suit of powered armor. It’s a nice change of pace, watching a story where Clark has to rely on his brains, resources, and friends rather than the raw power of the Man of Steel. It also nicely showcases the supporting cast Superman had built up around him at the time. Besides the usual merry band at the Daily Planet, we also get to see him with the likes of Guardian, Gangbuster, and one of my favorite side-characters, Professor Emil Hamilton. They’re Superman’s supporting cast as much as the Planet staff is Clark’s, and they serve a similar function in the story. 

As for the engagement – it crops up in the last chapter, when Martha Kent calls Clark and asks if he’s bothered to unpack his suitcase since his last trip to Kansas, and there he finds the Kent family engagement ring. He shows it to Lois during a quick lunch at the cafe in the Planet building and proposes with all the romance of saying, “So, you wanna?” Then they get interrupted, he gets his powers back, and on the last page of the issue she accepts. It’s hardly the most memorable proposal in the world, but oddly enough, it feels somewhat appropriate for this version of the characters. These are people who never have time to slow down or stop, whether they’re acting as reporters or as superheroes, and even something as monumental as a marriage proposal has that same kind of mood and cadence. This was the first story where I really saw the character potential in Lois and Clark, beyond just the cookie cutter stereotypes of the Silver Age, and it’s what I’ve enjoyed about them ever since. 

TV Episodes: Superman and Lois, Season One, Episode 8, “Holding the Wrench”; Episode 9, “Loyal Subjekts.”

Thur., Jan. 9

Comics: Infinity, Inc. #2 (Power Girl-team member), Superman #5, New Adventures of Superboy #30

Next time, on Extreme Makeover Kryptonian Home Edition…

Notes: (On Superman #5) It’s a hoot to go back and read these early adventures of Superman. In the lead story of this comic, from 1940, Superman is out to cleanse Metropolis of the scourge of…drumroll please…slot machines. In this modern age, when every issue is about stopping a time-travelling alien telepathic computer intelligence from taking over the multiverse and plunging the entirety of humanity into perpetual mind-control and slavery, there’s something darn quaint about a comic where the stakes are “a racketeer is tricking kids into dropping pennies into this rigged game.” It couldn’t maintain an extended run, of course, but I think it would be fun to see a modern writer do a one-off story where Superman gets caught up in trying to solve some problem on a similar level…like an unscrupulous Girl Scout leader hoarding all the good streetcorners to sell Thin Mints or something. 

It’s also interesting to note that, while much has been made of the powers Superman GAINED over the years – flight, X-ray vision, freezing breath, and so forth – there are other powers that sort of vanished after a while. In one of the stories in this issue, Superman impersonates somebody by “contorting his features” until he looks like the man – which evidently also includes whitening his hair, getting a receding hairline, and growing a mustache. Thank goodness they eventually moved away from powers like this one in favor of more sensible abilities, such as “Rebuilding the Great Wall of China Vision.”

Fri., Jan. 10

Shorts: “The Mad Scientist” (aka “Superman”) & “The Mechanical Monsters,” Fleischer Studios, 1941

Old-School Cool

When I was a kid, my grandmother had a VHS tape full of old cartoons that she would put on whenever we went to her house. I didn’t realize it at the time, but it was one of those compilation volumes made up entirely of cartoons that were (or at least were thought to be) in the public domain, so the distributor could make a quick buck off of them. I didn’t care then and, honestly, I wouldn’t care now. This tape introduced me to the Looney Tunes short “A Tale of Two Kitties,” which I believe is the genesis of my lifelong love affair with Bud Abbott and Lou Costello.

But the tape also included several of the old Fleisher Superman shorts, meaning that this is another of my early encounters with the Man of Steel. Looking back on it now, over 80 years after it was made, it’s STILL a blueprint in how superhero stories should be told. The origin is done away with in the first minute of this cartoon, giving the audience everything they need to know to understand the story that’s about to unfold – and remember, this cartoon was made only three years after Superman’s comic book debut, so it wasn’t a given that everyone watching these shorts during their Saturday matinee would be familiar with his origin like we all are today.

Next we have an animation style that’s smooth, fluid, and gorgeous. It looks as good as the best work Disney or Warner Bros were putting out. I’ve heard that these cartoons were supposedly the most expensive animated shorts ever made at the time. I can’t confirm if that’s true or not, but looking at just how good the animation is, I can easily believe it. In one sequence, for example, the titular Mad Scientist shoots his superlaser at a target, only for Superman to swoop in and push back against it, actually punching the laser beam all the way back to the Scientist’s lair. In terms of how physics works, this doesn’t make the slightest bit of sense. But when the animation is this good, you just straight up don’t care.

Finally, let’s talk about Bud Collyer. We all know how good Christopher Reeve was, and George Reeves get a lot of love as well. Tim Daly and George Newburn are frequently talked about for the animated Supermen. But Bud Collyer – who voiced Superman here and on the radio show – doesn’t get nearly enough love, in my opinion. His Clark Kent is high-pitched and a little mealy-mouthed, whereas when he shifts to his Superman persona he drops his voice a full octave and suddenly fills the space with his presence. His Clark/Superman divide is every bit as impressive as that of Christopher Reeve, albeit in a totally different medium.

The second Fleischer Superman short, “The Mechanical Monsters,” is every bit as good as the first. The design of the robots is really impressive, capable of transforming into various configurations to carry out their master’s nefarious tasks. Like Bud Collyer as Superman, Joan Alexander is a wonderful early Lois Lane. She’s got a slight sultry tone at moments, then shifts into mild panic when the robots show up. Moments later, though, she’s going after the robots herself, having overcome her fear and showing us how tough as nails Lois Lane should be. 

This short also shows Superman using his X-Ray vision for the first time, and it’s WILD – the pupils of his eyes recede and are replaced by a weird energy. I’ve never seen X-Ray vision depicted this way anywhere else, and it’s crazy, and I love it.

These cartoons are fundamental parts of Superman history. If anyone hasn’t watched them, especially these first two, get out there and find them. They’re all on YouTube, but watching this is making me thirst for the recently-released Blu-Ray remaster of them all.

Sat. Jan. 11

TV Episodes: Superman and Lois, Season 1, Episode 10, “O Mother, Where Art Thou?”, Episode 11: “A Brief Reminiscence In-Between Cataclysmic Events”, Episode 12: “Through the Valley of Death”

And to date, zero percent of the cast members of THIS show have been involved in a cult.

Notes on Episode 10: As I said, this is my first time watching through Superman and Lois, and I’m enjoying it. I’ve been told by many fine superfans of my association that Tyler Hoechlin is the best on-screen Superman since Christopher Reeve, and that’s a pretty massive statement to make. I’m not seeing it yet, but I definitely see the potential here, as I approach the end of the first season. He’s got the right temperament – he’s strong, but gentle, fearless, but kind. He hits all of the beats I want in a Superman, and all that remains is to see if he gets great stories to go with his great performance.

Episode 10, “O Mother, Where Art Thou?”, is not quite giving me those vibes. The show takes pretty wild swings with continuity, including having Kal-El’s Kryptonian mother, Lara Lor-Van, being a scientist behind a project that has the potential to destroy humanity if used the wrong way by her son – not Superman, but rather his heretofore unknown half-brother, who has been hiding on Earth under the name of Morgan Edge. I don’t actually mind the divergences from continuity. I mean, this is a show where Lois and Clark have twin sons and move back to Smallville to raise them, not to mention the fact that John Henry Irons comes from an alternate universe where he was married to Lois Lane. Like I said, wild swings aren’t a problem. The issue I’m having at the moment is that the show is employing two tropes that have been done to death: the Sibling Our Hero Never Knew About, and – a more Superman-specific one – the Evil Kryptonian Trying to Bring Back Krypton By Destroying Earth. Both of these are things that we have seen many, many times in the past, and I’m a little tired of them.

That said, even the most exhausted trope can be revived if the storytellers are good enough, and this show is doing a pretty good job. It may be Lara’s invention that has caused the danger, for instance, but they avoid making Lara herself a villain, showing that her technology has been abused. This episode has a good bit where Lara’s consciousness is “downloaded” into Lana Lang, giving her a chance to have some heartfelt conversations with both Clark and Lois that feel very genuine. As someone who has lost his own mother, I think a lot about the kind of conversations I would have with her if I could, if she was back in this world even just for an hour. I want to talk to her about my child, her grandson that she never met. I want to tell her what my life is like. And seeing Clark having those conversations with Lara – even a Lara riding shotgun in Lana’s body – hits me pretty deep. It’s a powerful scene, and it very much overcomes any reluctance I may have from the stuff that’s a bit more “it’s all been done.” 

Notes on Episode 11: As the title of this episode implies, we step aside from the Morgan Edge invasion of Earth storyline to show a flashback of Clark’s early days, including the creation of the Fortress of Solitude, his return to Smallville, and his arrival in Metropolis. I absolutely ADORE the fact that, in this continuity, Superman’s original costume is basically the Fleischer cartoon suit. Even more, I love seeing Tyler doing the “awkward Clark in the Big City” stuff that he doesn’t do as much with the show based in Smallville. And is there any other actor in the world who could get a compliment about the costume and actually sell the line, “Thanks, my mom made it for me”? 

This episode, fortunately, isn’t really an “origin of Superman” story, but more of an “origin of Lois and Clark” story. It’s less about him and more about THEM, and that’s what makes it work. Tyler Hoechlin and Elizabeth Tulloch are a fabulous pair, and this episode allows for a showcase on them as a couple rather than as parents – which, if there are any parents out there, you know is not exactly the same thing. But as I mentioned a few days ago, when I was reading Krisis of the Krimson Kryptonite, I prefer a dynamic where Lois falls in love with Clark rather than Superman. To me, I always see Clark as the real character and Superman just as a name he uses when he’s not using his own. This episode is just touching in a way we don’t always get to see. 

Notes on Episode 12: Aw, I was right about John Henry. He’s on our side now. Isn’t that the best?

Wait, what the hell do you mean, this wasn’t the season finale?

Sun. Jan. 12

Today I’m heading out to Fan Expo New Orleans, the biggest convention that hits my town and one of my favorite weekends of the year. It’s also something that will take up most of the day, and tonight there’s playoff football, so I squeeze in my Year of Superman viewing while my wife is taking a shower before we leave. With time being of the essence, I go with the next Fleischer short.

Short: “Billion Dollar Limited”

Notes: In this one, a bunch of gangsters with cool masks and a cooler car plan a heist of a moving train that’s carrying an enormous amount of cash. Lois Lane winds up on the train as well, because she’s Lois Lane and the laws of narrative causality declare that this is to be the case. Superman doesn’t show up until about halfway through the film, when Clark Kent intercepts a report of the train running wild on the Daily Planet teletype machine, and then he flies into action. 

Speaking of “flies,” this short leaves me wondering – are the Fleischer cartoons where it was established that Superman actually FLIES, rather than just leaping from place to place, as he does in the early comic books? I feel like I read that somewhere once. I suppose I could look it up, but I’m leaving for Fan Expo in a few minutes. Anyway, the short is great.

Notes Before Fan Expo: Like I said, this is the biggest show of the year in the New Orleans area, and I’m always excited to go, even though none of the things on my schedule are Superman-related. I’ve been invited – as I have for the past few years – to sit in on some panels, one about fantasy movies and another about why we love Star Trek. (In terms of fandoms, Star Trek is a close number two behind Superman on my list.) I was planning to wear a Superman shirt today, just to keep the branding that I’m trying to establish here, but that plan got derailed when I found out Don Rosa was going to be at the show. Rosa, if you don’t know, is a now-retired cartoonist who did some of the finest Uncle Scrooge and Donald Duck comics of all time, including the legendary story The Life and Times of Scrooge McDuck. I’m crazy excited to meet him today, even though I’ve met him before. And just so that this rambling isn’t completely bereft of Superman, I should point out that the last time I saw him at a convention I purchased from him this recreation of the Action Comics #1 cover starring our beloved ducks.

Ain’t it a beaut?

Notes After Fan Expo: I decided that for this convention – and any other shows I might happen to attend over the course of this year – I would document any Superman-related purchases or activities here in the blog. For this show, though, that was a relatively slim prospect. Sad as it makes me, it feels like the larger the convention, the less the actual comic book content, whether you’re talking about vendors or panels or guests. Everything is being consumed by movies, TV, and anime, which is something that makes me sad, and will most likely be a Geek Punditry feature in the near future. 

There were a lot of Superman-related guests at this show: assorted Clark Kents including Tom Welling, Brandon Routh, Dean Cain, Tyler Hoechlin, Tim Daly, and George Newburn all made appearances, plus several other actors from different supporting casts, but I’ve never been the sort to chase autographs or celebrity pictures. I did, however, get Don Rosa’s recreation of Adventure Comics #247, the first appearance of the Legion of Super-Heroes, with Scrooge McDuck taking Superboy’s place. From back issue bins, I pulled copies of Superman #250 and #281, and the recent Beetlejuice Beetlejuice variant cover for Superman Vol. 6 #17. And at one of the many candy-making booths, my lovely wife Erin got us a slab of the “Fudge of Steel,” which had a nicely Clark Kentian color scheme.  

This was worth the risk of getting hit by one of the many collapsing buildings on any given New Orleans streetcorner.

Mon., Jan. 13

Comics: Justice League of America #13

Trust me, Superman IS in there.

Notes: These early Justice League stories are always fun, in the silliest of Silver Age ways. When the JLA was first introduced, Superman and Batman were often sidelined to make room for the other, less-popular characters, which is pretty much the opposite of what happens in superhero team books today. (Anyone remember that era in the 00s when Wolverine was in four X-Men books and three Avengers titles a month?) Eventually they stopped doing that and began integrating them into the stories more, but that brought up another problem: how do you come up with a menace that challenges Superman without having a villain that could basically turn Green Arrow into putty on the bottom of his shoe? The result were silly stories like this one, where the Justice League is abducted by aliens and essentially made to compete in the Space Olympics against robot duplicates of themselves. This ostensibly has something to do with saving the universe. It’s a good time. 

Short Story: “Dateline: Metropolis” by Karen Haber (from The Further Adventures of Superman) anthology

Notes: Despite the unforgivably boring title, I really liked this little story. Lois Lane, her usual news-sniffing nose working overtime – has stumbled on the story of the century. The strange, evasive man in the glasses and bland suits has evaded her over and over again, but now she’s got him nailed to the wall. Now she’s finally going to prove that Superman’s true identity is…mysterious businessman Roger Gunn.

The story is told mostly though Lois’s point of view, with both Superman and Clark Kent playing a supporting role. (In fact, I’m pretty sure that Superman never actually appears in the story at all, but is only mentioned.) But Karen Haber takes the old status quo of Lois trying to ferret out Superman’s secrets and turns it on its ear by changing her target. There’s a devilishly funny charm to this story, as the reader sees Lois rushing from one false conclusion to another, completely oblivious to all the subtle clues that her fellow reporter – with whom she is sharing her “Gunn is Superman” theory – is just as likely a candidate as the weird businessman with a mysterious past and a temperament that doesn’t suffer the existence of a bully very well.

The voice of the story works very well for me too. I don’t know if it was intentional on the writer’s part, but reading this story, I could very much hear Margot Kidder reciting Lois’s lines, Christopher Reeve’s squeaky put-on Clark Kent voice as he tries to reason with her, and Jackie Cooper’s Perry White bellowing at her when she goes too far. This feels so much like a lost episode of the Superman ‘78 series, and there’s something really charming about that. 

Tues., Jan. 14

Comics: Superman’s Girl Friend, Lois Lane #9, World’s Finest Comics #303, Superman’s Pal, Jimmy Olsen #134

Notes on Lois Lane #9: The DC Universe Infinite app is a great resource. You get access to thousands of thousands of comic books covering the entire history of the publisher from the Golden Age to as recent as a month ago, and it’s already been a nice help in my Year of Superman project. That said, there are some pretty substantial gaps in the library, including large swaths of Superman’s Girl Friend, Lois Lane, which is a shame because I would LOVE to go in and do a definitive tally of just how many stories in this ludicrous comic book series involved Lois either trying to reveal Superman’s identity, marry him, or both. 

There wasn’t another comic book musician guest star this controversial until Eminem.

The first story in this issue, “The Most Hated Girl in Metropolis,” turns Lois into a pariah when a story she wrote exposing Clark as Superman is printed. Lois claims that she wrote the story over a year ago and discarded it when she found out her evidence was faulty, but somehow it made it to the front page of the Daily Planet without anybody knowing, which raises some serious questions about their copyediting procedure. As she desperately protests her innocence, everyone treats her like Typhoid Mary for six pages until it turns out the whole thing was a ruse to trick Lois before she’s named “girl reporter of the year” on the TV show This is Your Life. This is just one of the many unconscionably cruel jokes played on Lois in the course of this series, and it gets even worse when Superman gets an amnesia victim to pretend to be Clark so they can appear together. Dude, you’ve got robots. You’ve got Batman. Leave people who have suffered brain injuries alone. 

In the second story in this issue, Clark has to save Lois from marrying a caveman. I have no notes.

Like the caveman, this panel aged really well.

And finally, in “Superman’s Mystery Song,” Pat Boone tries to make Lois into a musical sensation because he was extremely popular at the time and they figured putting him on the cover would sell a few copies. I have no idea where to look up the sales records of comic books from the 1950s, but if anybody can tell me if this issue did, in fact, experience the Pat Boone Bump, please let me know. 

When people call Superman boring, I obviously don’t agree, but I understand where they’re coming from. They’re thinking of comic books from this era, a time when the comics were pretty bland, the stakes were either relatively low or utterly false, and the characters were just sort of plopped into a formula and went through the motions over and over again. This is what happened to the superhero genre after World War II, and it didn’t really start to break out of it until Stan Lee and Marvel Comics changed the paradigm and made it more permissible for superheroes to be – well – interesting. And Superman DID get better in the 60s and 70s. But for my money, the character’s golden age didn’t come until the 80s and 90s. 

Thus ends week two, my friends. As I’ve said before, I don’t have a specific blueprint for this little project, but I’m starting to get ideas for “themed” weeks, with things like Superman parodies, time travel stories, Elseworlds, and other things. But I’m certainly open for suggestions. If you have a specific Superman story you’d like me to cover – whether that story is in the comics, a TV episode, or anything else – I would love to hear from you. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. 

Geek Punditry #104: The 2024 Pundy Awards

It’s the final Friday of the year, and that means it’s time once again to sit back and talk about all of my favorite things from this year. It’s time for the 2024 Pundy Awards!

Yes, just like I did in 2023, I’m going to wrap up the second year of my little column by talking about some of my favorite pieces of pop culture to come down the pipe this year. There is no rhyme or reason to this, the categories will be decided purely based on what I feel like talking about as I write this. I’m going to tell you my favorites in movies, TV, and comics from the past twelve months, and I’m gonna tell you why I dig them and why you should check them out if you haven’t already. Also in order to avoid repeating myself, I’m going to skip over shows and comic book series that I “awarded” last year. Please be aware that I’m still a fan of Abbott Elementary, Batman/Superman: World’s Finest, Fantastic Four, Skybound’s Energon Universe, and ESPECIALLY the final season of Star Trek: Lower Decks, and they’re all worth your time.

But today, I want to talk about things I haven’t talked about before. At least…stuff that I haven’t talked about as much. Let’s get on with it!

Not the only movie this year that made me feel seen.

Blake’s Favorite Animated Movie: Inside Out 2. 

Back in June, I wrote a piece about how the shine had fallen off the once-immaculate reputation of Pixar Animation studio. After a series of duds, I wondered if the sequel to Pixar’s Inside Out was going to have what it took to bring back some of the studio’s former glory. I was so, so happy to see that it did. The first Inside Out was a great look at how the mind of a child develops and learns to process emotions, anthropomorphizing the process but doing so in a way that was both entertaining and easy to understand. Inside Out 2 continued this trend, with the character of Riley getting a bit older and the emotions she experiences becoming more complicated. Adding in the likes of Envy, Ennui, Embarrassment, and especially Anxiety into the mix has changed the game, making for a movie that perfectly encapsulates the personal journey a person goes through when they grow up. The finale of the movie was absolutely remarkable, with a scene that so perfectly demonstrates the experience of an anxiety attack that I nearly broke down in the movie theater. My son, Eddie, has since declared Inside Out 2 his favorite movie, and I’m not about to argue with him.

“Another movie about hanging around outside a convenience store, Kev?”
“Nah, this time it’s a movie theater.”

Blake’s Favorite Comedy: The 4:30 Movie.

I’ve been a fan of Kevin Smith for a very long time, and I’ve found it fascinating how his films have changed over the years. His early movies like Clerks and Mallrats were a reflection of the aimless feeling of being a young adult and trying to figure out what life is actually supposed to be. His more recent films, particularly Jay and Silent Bob Reboot and Clerks III, demonstrate a growing maturity and a sense of grappling with a life that didn’t turn out to be what you expected. Although he hasn’t let go of the filthy humor and goofy characters that made his name, he’s a subtler, more sophisticated storyteller than he used to be, and I appreciate that. The 4:30 Movie doesn’t connect to his “View Askewniverse” at all, instead telling the story of a young man in the 80s trying to find the guts to make a play for the girl he’s in love with, all set around a day going to the movies. Are there dirty jokes? Absolutely. But the film is wonderfully heartfelt, and even though neither Kevin Smith nor his alter-ego Silent Bob make an appearance on screen, you can tell that this movie was intensely personal. The final scene hammers that in especially, giving you a feeling that Kevin Smith has, in a way, told his own origin story. It’s a great movie.

Tagline: “You will believe a grown man can cry.”

Blake’s Favorite Documentary: Super/Man: The Christopher Reeve Story. 

This should not be a surprise to anybody, but the documentary about the actor who brought Superman to life for my generation was incredibly moving. Everybody knows the basics of Christopher Reeve’s story – how he played Superman, how a horseback riding accident left him paralyzed from the neck down, and how he became a crusader for the disabled in the years before his untimely death. This movie delves into his history in a deeper way, told mostly through the reflections of his now-adult children, as well as further commentary and anecdotes from other family and friends. The movie bounces back and forth between his life story prior to his accident and the way his life changed afterwards. Having his children tell the story, I think, is one of the things that really helps sell the tale. The film feels so much more intimate and personal, coming from the point of view of the people who knew and loved him the best. One thing I didn’t expect, though, was the heavy focus on Reeve’s friendship with the late Robin Williams. Again, this is something fans of the actor knew about, but the way they intertwined the tragedy of Williams’s own life with that of Christopher Reeve just made it all the more powerful. Have your tissues ready when you watch this one.

Okay, if I’m gonna be honest here, Super-Man is not the only thing in this list that made me cry.

Blake’s Favorite Family TV Series: Bluey

I know, this is another one of those “no duh” moments. I have written extensively about my love for Bluey before, in particular this spring’s season finale episode, “The Sign.” But there was simply no other TV show this year that had as deep and profound an impact on me. In the final episode of this season, we saw the Heelers preparing both for a family wedding and a move to another city, two life-changing events that the titular Bluey was having a tough time dealing with. Bandit, the dad that every father on the planet is striving to become, is trying to do the best thing for his family, even as it becomes increasingly clear to the viewer that the rest of the family doesn’t actually want to leave. It’s a beautiful story and still amazingly funny, and the final song (by cast member Meg Washington) is absolutely sublime. It comes across as a meditation on being a parent and having a child, and it’s the kind of thing that absolutely overwhelms your heart if you’ve got children of your own. I couldn’t be happier with the news that the long-talked about Bluey movie has been officially announced, and I only wish we weren’t going to have to wait until 2027 for it to hit theaters. 

Remember when science fiction was SMART? It’s finally back.

Blake’s Favorite Science Fiction Series (That Isn’t Star Trek: Lower Decks): The Three-Body Problem

This Netflix series, based on the globally popular trilogy by Cixin Liu, launched this year and grabbed me immediately. Like the novel, the first season of this show focuses on several groups of people around the world trying to uncover a mystery. The show follows scientists, police, and people from other walks of life as they slowly uncover evidence of an impending alien invasion. The novels are amazing – an incredible portrait of this sort of singular event and how it would completely reshape the entire world. So far, the first season of the show is doing the same thing, but in different ways than the book. The novels, by a Chinese author, have a cast that is mostly Chinese as well, while the TV series is more international. Characters are omitted, others are combined with one another, new characters are added – the TV show uses the framework of the novel, but takes the story in different directions to reflect the difference in cast and the different cultures of the characters. As a result, while fans of the book can still enjoy it, there’s still room to be surprised. I loved the novels, and I loved the show too, but for different reasons and in different ways. That’s one of the best things you can hope for in an adaptation.

This is the best an ongoing Spider-Man comic has been in 20 years, and it’s not even close.

Blake’s Favorite Ongoing Marvel Comic (That Isn’t Fantastic Four): Ultimate Spider-Man

Last year, Marvel announced a relaunch of its once-prominent “Ultimate” brand, which reimagined the Marvel heroes as new characters in the modern day. That version of the Ultimate Universe eventually gave birth to Miles Morales, but other than him, the rest of the line has been mostly jettisoned. The only other survivor is the Maker, an evil version of the Fantastic Four’s Reed Richards, who has created a NEW Ultimate Universe, and it’s the flagship book of THAT line that has captured my heart this year. In the new Ultimate Universe, the Maker deliberately prevented most of the world’s superheroes from having their respective origin incidents, until their Tony Stark uncovered the truth and decided to put things right. (This is a HIGHLY condensed version of the Ultimate Invasion miniseries, by the way, which is also worth reading.) In the new Ultimate Spider-Man, we open with an adult Peter Parker who is powerless, married to Mary Jane Watson, and the father of two children when he is approached with the news that he’s supposed to be one of the world’s greatest heroes, and there’s a way to make it happen. For years, Marvel Comics has turned the mainstream Peter Parker into a punching bag, submitting him to one mindless torture and humiliation after another, to the point where stretches of his comics are unbearably depressing. Ultimate Spider-Man is the antidote to that, proving that you can tell stories about a married couple, about parents, that are entertaining and emotionally engaging without sacrificing the superheroes. This Ultimate Universe is even further removed from the main Marvel U than the original Ultimate Universe was, but this comic has been fantastic so far.

“So EVERYBODY is in the Justice League now? Ghost-Maker? Robotman? Clownhunter?”
“Okay, let’s not get carried away.”

Blake’s Favorite Ongoing DC Comic: Justice League Unlimited.

This may be a tiny bit of a cheat, as there’s only been one issue of JSU so far, but it was preceded by the excellent Absolute Power miniseries, which set the story up and was by the same magnificent writer/artist team of Mark Waid and Dan Mora, so I’m counting that towards the series. After an absence of the Justice League from the DCU for a few years, it’s time for a most triumphant return in a way that has never been done in comics before. Rather than a team of seven to ten heroes protecting the whole dang world, Waid is embracing the “Unlimited” part of the title. The Justice League – as in the classic animated series of the same name – is now a massive force, with virtually every hero on the planet Earth recruited as a member. Everyone who has ever been in the League, every Titan, everyone who wears the S-shield, Bat-symbol, or bracelets of an Amazon, is now part of the League. Waid kicks things off with a first issue showing a longtime – but fairly obscure – hero called Air Wave being taken up to the Watchtower and joining in on his first mission as a member of the Justice League. The story was great, with an engaging and entertaining point of view that is set to save Air Wave from the ranks of the D-listers, and a twist that promises great things for the series. What’s more – I’m gonna sound like a broken record here – Dan Mora is probably the best superhero artist working in American comic books right now. His characters are bold, powerful, but still wonderfully human. This book hit every box for me in the first issue and I can’t wait to see where it goes next.

“What if we replace the spinach with boba?”
“No.”

Surprise of the Year: Eye Lie Popeye

It’s been a good year for reboots of old-school characters, including Dick Tracy, Flash Gordon, Thundercats, and the Universal Monsters. But the one that surprised me the most, in a delightful way, is Massive Publishing’s new series Eye Lie Popeye, by writer/artist Marcus Williams. When the series was announced, I didn’t think it would be my thing – a new version of Popeye is fine, but the artwork showed a distinct Manga flavor to it. I’ve got no issue with people who enjoy Manga, it’s just not usually the sort of thing I’m interested in, and I planned to pass on the series. Then came Free Comic Book Day, and they released a preview of the first issue. Guys, this is why Free Comic Book Day works, because it did exactly what it is intended to do: show me a glimpse of something that I hadn’t planned on reading, but that I found incredibly entertaining. Williams shows a deep knowledge of Popeye and his enormous cast of characters, and while the book DOES have that Manga influence, I was startled by just how well all of it managed to fit together. The style works for the characters, the storyline feels like the kind of thing that used to be done in the classic comic strips (which are quite different from the seven-minute slugfests that people who only know Popeye from his animated shorts might expect). Overall, I never would have thought it, but this was one of my favorite comic book finds of the year.

And that’s it for this year, friends – some, but not all, of my favorite movies, TV shows, and comics of 2024. Feel free to share your own favorites in the comments, and here’s to coming back here in a short 52 weeks to do it all over again!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. And yeah, he barely mentioned it, but Lower Decks was amazing. Go read it. Go read it now. 

Geek Punditry #98: Playing in the Kitchen Sink

I’ve never been much of a video gamer. Oh sure, I’ve played SOME, but the last time I owned a console was when my parents gave my brother, sister, and me a Sega Genesis for Christmas one year, to give you an idea of how long it’s been since I had regular access to any platforms. Still, I live in the year 2024, so even though I don’t PLAY video games, I get constantly bombarded with the advertising for them and have a basic knowledge of what at least the most popular ones are. Because of that basic awareness, there was a moment not that long ago where I felt a bit of an urge to get into a new game: when I heard about Multiversus. This is a video game that draws characters from dozens of properties owned by Warner Bros, including characters from Looney Tunes, Scooby-Doo, Rick and Morty, Steven Universe, Adventure Time, Game of Thrones, and of course, the DC Universe. A fighting game in and of itself doesn’t really appeal to me, but…a game where I can pit Superman against Bugs Bunny or Tom and Jerry? Where the Powerpuff Girls can take on Jason Voorhees or Beetlejuice? Where Gizmo from Gremlins can face off against Agent Smith from The Matrix

It’s like being a kid again.

And did I mention the Iron Giant? Did I mention the Iron Freaking Giant?

I didn’t play a ton of video games as a kid, but I DID have a lot of action figures, and while some kids are meticulous about keeping the different lines of figures separate, I always mashed mine together. I saw no contradiction in having my G.I. Joes interact with the Masters of the Universe even though, relative to Duke and Snake-Eyes, He-Man and his crew were giants with a serious thyroid problem. And although there was no way Lion-O from Thundercats could actually fit inside and ride Optimus Prime, that didn’t stop me from PRETENDING he could as they rushed off to tackle Darth Vader and his army of B-level DC and Marvel villains culled from the Super Powers and Secret Wars lines. (Side note: a personal dream of mine would be to begin a collection of those superhero figures from my youth. I don’t need them in the packaging or in mint condition, but I at least need them to have all the limbs and, when appropriate, capes. There was also a short-lived line based on Archie Comics’ Mighty Crusaders that I would like to include. Christmas is coming up, people.)

In a way, I think this is even why I like certain modern toy lines. Things like Funko Pops take characters from virtually any franchise you can imagine and recreate them in the same style and the same scale, something I would have been all over as a child. Even LEGO has appeal for that same reason, although LEGO’s appeal obviously goes much further.

Anyway, Multiversus seems to run with this idea in the same way that I would have when I was a kid, and although I still haven’t (and probably will not) play the game, I AM reading the comic book miniseries based on it, Multiversus: Collision Detected, written by Bryan Q. Miller with art by Jon Sommariva and covers by Dan Mora, who is perhaps my favorite artist working in comics today. The comic is fun and wild, with the characters from the different universes all spilling into the DCU as the Justice League tries to make sense of what’s going on. It gets really crazy when the bad guys show up, including the Wicked Witch of the West from The Wizard of Oz and, wildest of all, The Nothing from The Neverending Story. Obviously there was never a “Nothing” action figure back in the day, but you better believe this is the kind of story I would weave on the living room floor with mountains of figures from every conceivable IP of the 80s battling it out with one another.

“Yeah, a collision of FUN!”
“For the last time, Stuart, stop pitching taglines.”

There is a certain thrill that comes with combining characters that we don’t normally see together. Comic books do it all the time, with crossovers between different publishers and different universes. Marvel and DC just last month released the first of two giant omnibus hardcovers collecting most of their crossovers to date, a hefty volume that’s a testament to the fact that geeks like me love stuff like this. How would these characters who should never meet react to one another? Would they fight? Would they get along? Would they team up? Would they fall in love?

Considering the love lives of their respective mentors, only having an impermeable dimensional barrier between them is practically a win.

For some reason that last one is often a sticking point in crossovers. There’s a certain segment of the population that thinks that the best love story Tim Drake (the third Robin) ever had happened in the pages of the DC Vs. Marvel crossover, when he and the X-Men’s junior member Jubilee fell for each other in a tragically doomed romance that had to end when their universes were separated again. In the 90s, Valiant Comics and Image Comics based their Deathmate crossover on the fact that their nigh-omnipotent characters Solar and Void met and came together, causing their universes to merge. 

Other crossovers are based on how ridiculous the idea may be. Archie Meets the Punisher is a real comic that happened because their respective publishers recognized that the two properties couldn’t be more different from one another, but somehow turned into a story that was not only entertaining, but respectful of BOTH very diverse universes. Then there was the Star Trek/X-Men crossover, a story that you will NEVER convince me wasn’t conceived entirely around the page where Nurse Chapel calls for “Dr. McCoy” and both Leonard “Bones” McCoy of the USS Enterprise and Henry “Beast” McCoy of the X-Men answer at the same time, then look at one another incredulously.

“My work here is done.”
“Lobdell, we need 47 more pages.”
“I already wrote the only one that matters.”

I think this mashup madness is the main reason I’m still playing one of the few mobile games I play, Disney Magic Kingdoms. It’s an idle game, where you build up your theme park by adding rides and concession stands and the like, but the real appeal to me is the ability to “collect” characters from various Disney-owned properties, including not only the classic Disney characters and the films of the Disney animated canon, but also the characters from Pixar, the Muppets, Indiana Jones, and Star Wars. Earlier this year they started adding properties from the franchises they acquired in their absorption of 20th Century Fox as well, beginning with the heroes of the Ice Age movies. While I don’t expect them to add EVERY IP in their catalog (it’s hard to imagine the Xenomorph from Aliens running around outside Dumbo’s Flying Elephants), I’m really surprised that they have not yet started including Marvel characters, but I also suspect it’s only a matter of time.

Marvel is slowly starting to take advantage of their corporate parentage as well. They’ve done crossovers where the Predator has fought Wolverine and Black Panther, and another where the Avengers deal with Aliens. Less likely but more fun, we’ve had a series of one-shots casting the Disney heroes as the Marvel superheroes. So far we’ve gotten Donald Duck as Wolverine and Thor, and upcoming specials will give us Minnie Mouse as Captain Marvel and the Fab Four (Mickey, Minnie, Donald, and Goofy) as Marvel’s Fantastic Four. They’ve also taken their popular “What If?” comic book and released an Aliens miniseries based on an alternate universe where Carter Burke, Paul Reiser’s character from Aliens, survived. And as a curious note, the comic book is co-written by Paul Reiser himself. No further miniseries have been announced yet, but I thought the Aliens comic was really entertaining, so I wouldn’t be surprised if we start seeing more “What If?”s based on Marvel’s corporate siblings like Predator, Planet of the Apes, or Star Wars either. 

Got my fingers crossed for “What if Goofy Became the Punisher.”

(That joke is WAY darker when you realize it has to be Goofy because, canonically, he’s the only father in the group.)

We don’t get these sort of “everything but the kitchen sink” crossovers much on TV or in the movies, though. Oh sure, we get the occasional crossover like Godzilla Vs. Kong, Freddy Vs. Jason, or Kramer Vs. Kramer, but real multi-universe mashups are kind of rare. I think it’s part of the reason that we all loved Who Framed Roger Rabbit? so much. Yeah, it’s a great movie, but it’s also the only place, canonically, where we’ve ever seen Mickey Mouse and Bugs Bunny together, or Donald Duck face off against Daffy Duck. The film also included Droopy Dog, Betty Boop, Woody Woodpecker, and a real Who’s Who of cartoon stars of the 30s and 40s – and as those are still the greatest cartoon stars of all time, we loved it. Wreck-It Ralph would do the same thing with video game characters, and the Toy Story films did a lot of that with the classic playthings of our youth, and yeah, we love them for it.

Eat your heart out, “DeNiro and Pacino in Heat.”

And of course, let’s not forget the greatest crossover event of all time, 1990’s Cartoon All-Stars to the Rescue, which combined the forces of the Smurfs, the Muppet Babies, Alvin and the Chipmunks, Garfield, Winnie-the-Pooh, Alf, the Looney Tunes, Slimer from The Real Ghostbusters, and Huey, Dewey, and Louie from Ducktales in a half-hour anti-drug special that’s so bizarre you have to imagine that they were actually ON drugs while making it. (This is a real special, people. Don’t take my word for it, you can watch it on YouTube.)

And yet, even THAT has a certain weird charm to it. 

It’s important to remember that the people who make cartoons, movies, comic books, and video games, were once children as well – at least, until they are all replaced by AI – and as such they enjoyed throwing their toys together just as much as we did. That’s why I’m digging the Multiversus comic, why I’m reading the “What If” specials in which the Disney stars become Marvel heroes. It’s not because I’m looking for something huge, something life-changing, something of great profundity.

It’s just fun.

And honestly, guys, shouldn’t that be enough?

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. If you’ve played Multiversus, he’s got a question for you: have they overpowered Shaggy in deference to his status as a meme? Because honestly, that would be kinda cool.