Year of Superman Week 38: Electric Boogaloo III-The Giant-Sized Finale

It feels like I just started yesterday, but here we are in the fourth week of my journey through the era of Electric Superman. The Man of Energy has been split into two – a red and a blue version of himself. But time is almost up, because we’re on the cusp of the crossover event that ended this era, the Millennium Giants. Let’s get into it!

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 17

Comics: Superman Vol. 2 #133, Adventures of Superman #556, Action Comics #743, Batman: Wayne Family Adventures #6 (Guest Appearance), Taste of Justice #11 (Supergirl and Krypto)

Notes: Superman #133 starts with Red and Blue bickering over which of them is going to go in to work and write their column, with Red winning the argument and banging out a piece that’s both more pointed and more jovial than his usual style, to the point that Perry asks him to rewrite it. An explosion summons Superman Red to Cadmus, where he finds Guardian beaten to hell and the three deities that Superman fought on Halloween proclaiming “The Time of the Millennium Giants is at hand!” In a backup story, Jimmy and Misa are still on the run from the Black Crucible. When they get pinned down, Misa uses a device to signal for help. Blue Clark, meanwhile, is back at the Planet office where he’s rewritten Red’s column, only to turn in one that’s too bland and analytical. He bolts away and saves Jimmy from the Crucible, whose leader says the Medallion Jimmy is carrying will signal the end of the world. Suddenly, the Medallion AND the members of the Black Crucible just…disappear.

Ominous, no?

Adventures #556 picks up right there with Red facing off against the Millennium Guard. They summon the Medallion to them (explaining where it went in Superman #133) and then take off in three different directions. Blue, meanwhile, is helping Jimmy and Misa fix up their vehicle when the three of them are attacked by a huge monster straight out of a Kirby sci-fi comic. The conclusion of that fight is ALSO the sort of supremely goofy thing that would have happened in a book of this era, but it’s actually pretty charming as well in its silliness. And even though at the end of the book Jimmy is still running for his life from Intergang, his standing up to the monster convinces Misa that maybe he’s not so lame after all – it’s a rare win for Jimmy in this era.

Action Comics #743 has Blue returning to Metropolis, where he encounters detective Slam Bradley, who’s chasing a nasty sort that calls himself the Inkling. Blue stops Inkling, who the reader learns is another product of Hunter Thompson’s experiments at S.T.A.R. Labs (the same ones that gave us the Ripper not long ago). He knows Thompson is bad news, but has no proof, which has gotta be frustrating for a guy as cool and logical as Superman Blue. Also, in space, the Millennium Guard has taken positions in orbit ready to “purge the Earth,” which always sounds like a good time.

In Red’s story, the Guard has bolted away, leaving Superman drained of energy. Jimmy and Misa find him and give him a lift back to Metropolis, where they stumble into the Intergang squad that’s been chasing Jimmy for months. Misa finds a dandy solution, using a device that makes Jimmy completely invisible to them and, in fact, making them forget he ever existed. That’s a quick little solution to that subplot just before things get wild next week.

These three issues all use the same format, with two different stories for the respective Red and Blue, and I have to say, I’m impressed with how well it works. The stories weave in and out of each other, connecting at various points and showing the consequences of one story in the other. It works so well, honestly, that I’m surprised it really only happened for three issues, plus the two issues we read at the tail end of last week, Action #742 and Man of Steel #77, which each devoted an entire issue to one of the Supermen but otherwise worked the same way.

I suppose time has shaped my perspective, but I could have sworn the Red/Blue era lasted longer. As it turned out, only about two or three months pass between the split and the story that’s going to end with the two of them re-forming and Superman’s powers going back to normal. Maybe it was the fact that back then I had to wait a week for each new issue to come out, whereas today I’m simply clicking “next issue” in the DC Universe app and bouncing ahead seven days to get the next installment. 

At any rate, I really liked the way these issues were told, and while I don’t want Superman to get split in half again, I’d like to see someone else use this trick. I’m not sure how, exactly – maybe Firestorm, whose whole gimmick is that he’s two people who fuse into one superhero would be a good candidate. Or perhaps a run about a couple of Green Lantern sector partners that used this formula. Or hell, do it with Jonathan and Conner Kent, the two Super-Brothers. That might actually give Jonathan something interesting to do for a change. But somehow, it’s a trick I would like to see done again.

Thurs., Sept. 18

Comics: Superman: The Man of Steel #78, Aquaman Vol. 5 #43, Challengers of the Unknown Vol. 3 #15, Superman Vol. 2 #135, Teen Titans Vol. 2 #19, Supergirl Vol. 4 #20, Jon Kent: This Internship is My Kryptonite #11

Notes: There are different degrees of crossover events. There are the bigs ones, the huge ones that have a main miniseries and spin-offs and chapters appearing in various different comics – from the original Crisis on Infinite Earths down to lesser examples like Genesis. There are the small-scale ones that only involve titles in the same group, like the Superman or Batman titles. Then there’s stuff in the middle like Millennium Giants. This one is clearly a Superman story and it plays out in the four main Superman titles, but it also brings in Steel and Supergirl, as well as a few books with no relation to Superman at all. They also did a neat thing with the covers of the first nine (out of 11) issues: they assemble into a sort of large puzzle featuring the giants and the respective heroes facing them, along with our two Supermen zipping around and appearing on every cover.

The fun starts off in Man of Steel #78. The three members of the Millennium Guard have taken their spots in three places on the globe, including the site of a volcanic eruption where the native religion sees them as a harbinger of the end of the world. Red and Blue, after a brief squabble, agree to split up and each take on one of the Guard. But as it turns out, the Guard are only there to facilitate the release of the Millennium Giants – three enormous deities who burst from the ground.

The story picks up in Aquaman #43. One of the giants is marching through the ocean on a beeline for the Atlantean city of Poseidonis. Aquaman and Tempest try to confront it when he takes out Superman Red, but the creature keeps walking, sending tidal waves towards nearby coastlines. As Tempest protects the shore, Aquaman tries to communicate with the giant telepathically, but he fails and it goes into battle against the heroes and the HEAVILY armed Poseidonis. Man, this really makes me want to go back and read Peter David’s Aquaman all the way through. Maybe next year. Anyway, Superman and Aquaman try their best to hold back the creature but it crushes an underwater city on its march across the ocean.

This is really how a crossover SHOULD work. It’s not a coincidence or shoehorned in – it makes PERFECT sense for Aquaman to get involved when a freaking giant is threatening his kingdom, and it brings him in to make him a player in the rest of the crossover too. Perfectly done.

The next installment brings us to Challengers of the Unknown #15. Classically, the Challengers were a group of daredevils and specialists who each survived a near-death experience and, believing themselves to be “living on borrowed time,” became adventurers. They weren’t QUITE superheroes, but they often ran across them. This series was one of DC’s periodic attempts to update the concept with new characters and a dash of X-Files style paranormal investigation. The Prime Minister of the UK summons the Challs to investigate the giant that erupted from Stonehenge and is marching across the countryside. This issue is more skippable than the Aquaman chapter, seeming to take place BEFORE that one (the English Giant is the one Aquaman and Superman Red fight in the ocean), and Superman doesn’t actually appear. It does end with the Challs uncovering some info that they want to bring to Superman’s attention, though.

In Superman #135, the two Supermen have reconvened in Mexico, where another Giant has climbed out of a volcano. Blue wants to evacuate, but the impetuous Red charges in headfirst, attacking. They manage to barely pull off a save, and Lois (who is there covering the Giants, of course) confronts her two husbands, both of whom now seem to be pretty happy with the ability to be in two places at one and have no intention of trying to fuse together again. The split up yet again, with Blue staying on the giant in Mexico and Red zipping to the Pacific. Back in Metropolis the Teen Titans (whose book, you may recall, was written by Dan Jurgens at the time) decide to head to Egypt to take on the third giant, while the Challengers are on their way to Mexico. Neither of the Supermen are effective in their attacks on the giants, though, with Red failing to save an entire pacific fleet of 200 American ships.  

Teen Titans #19 starts with Tempest saving Red after his failure in the Pacific before following the people whose comic it actually is as they attempt to hold off the Giant that’s threatening Egypt. The bulk of the issue is Superman Red and the Titans facing off against the Giant, failing time and again and finally accepting that they need to focus on saving the people in its path rather than fight it directly. That may not sound like the most exciting take for this issue, but Jurgens does a good job of painting it as the sensible route, showcasing his Titans to readers who may not have been exposed to them before and showing some hidden depths to a few of them as well. The issue ends with the Giant marching off to sea and the team planning to head to Markovia, where the third Giant is wreaking havoc. 

Supergirl #20 brings back Peter David again, kicking things off with a woman in a mental institution claiming to be Cassandra (the Greek one) and screaming with terror about the encroaching giants. And like Cassandra, her fears are dismissed. Supergirl, meanwhile, has just left her family in the midst of a personal crisis to help deal with the crisis of the Giants. She tries to use her powers as an “Earth Born Angel” (read everything Peter David ever wrote, really) to hold it off, but falls into the ocean where both she and “Cassandra” are saved by Superman Red. It’s kind of a quick chapter, really, but it showcases Supergirl well and it’s always a delight to read David’s stuff again.

Fri. Sept. 19

Comics: Adventures of Superman #557, Steel #50, Action Comics #744, Superman: The Man of Steel #79, Superman Vol. 2 #135, Superman Forever #1

Notes: In Adventures #557, Steel calls in Superboy and the Justice League to join the fight as Blue faces the Mexican Giant Cabraca while Geo-Force and Terra hold the line against Cerne in Markovia. Blue, Aquaman, and the Martian Manhunter face Cabraca while the others join the Titans, Supergirl, and Red in Markovia, where Cerne and Ronal are now converging. The giants lift an entire chunk of Markovia into the sky, the heroes only barely managing to evacuate it before it’s gone. And the icing on the cake comes when Cerne crosses the Atlantic to re-emerge in Metropolis harbor.

Steel #50 continues as John Henry – who has recently joined the Justice League and is eager to prove himself – works with J’onn J’onzz to construct a weapon to stop the Giants by disrupting their connection to Earth’s magnetic Ley Lines. The device seems to work, but John shuts it down, fearing that it will cause even greater destruction than the Giants if the field breaks down. He winds up fighting his own teammates over it, destroying the device and finding himself on the opposite side of the rest of the JLA. 

In Action #744, while Cerne approaches Metropolis, the Challengers of the Unknown come to Lois Lane in the hopes that she can get their findings to Superman. Their theory is that the Giants – who appear in myths from cultures all over the world – have arisen because of an anomaly in the Earth’s energy field. They believe that the two Supermen, working together, could drain the Giants of their energy and stop the rampage. Red draws all the power from Metropolis to turn himself into a giant, ripping Cabraca into space. The effort is fruitless, however – Cabraca crumbles, falls back to Earth as a meteor shower, and re-forms in Australia. His suit shredded, Red begins to dissipate. 

Blue zips into space to save Red in Man of Steel #79, but Red refuses his help, fearing that weaving the circuitry of their respective suits will cause them to re-merge. Blue saves him anyway, and although they don’t merge, the two Supermen are now tethered together. Steel has modified his device and gives it to the Supermen to try to trigger it in Cabraca’s heart – which they do but find themselves transported to the “Heart of the World,” where a strange being calling himself the Keeper of the Flame says that their alien energies awakened the giants. He can help them, but only at the cost of their lives. The Supermen trigger a chain reaction that topples the Giants, but their victory is short-lived. It turns out that stopping the Giants has also stopped the flow of the energy that binds Earth together, and it’s on the verge of a massive eruption that would duplicate the fate of a little world called Krypton.

It all comes to a head in Superman #135! An old Aboriginal man tells the Supermen that salvation can be found with the Medallion of the Damned, which is deep inside Cerne’s body. The three of them dive into the Giant’s form, where they find the Medallion on the body of an insectoid creature. Here they learn that the only way to restore Earth’s magnetic lines is for each of them to expel their energy, one at the center of the Earth and one from orbit. And although they have spent this entire time fighting and bickering one another, the two Supermen do it – because at the core, they’re still both Superman. The skies turn red, the ground turns blue, and Earth is saved…but when it’s over, J’onn J’onzz casts out a telepathic web to search for the men of energy…and finds nothing.

Are they gone? Are they dead?

Of course not. They’re in Superman Forever, a giant-sized one-shot with a fancy lenticular cover by Alex Ross to tie the whole thing up. The Kents are driving through their fields at night, worried about their missing son, when they see a meteor streak across the sky. It’s not the first time this has happened, and they rush to the site to see Clark lying in a crater: unconscious, naked, and burning with fever. They bring him back to their farmhouse where he sleeps for over 24 hours before waking up and realizing he can hear them speaking outside. Somehow, the expenditure of his energy powers made him fuse back into a single being with his original powers again. How? Clark himself theorizes that it was some kind of “reward.”

Who am I to argue?

Martha being Martha, she just happens to have one of his original costumes handy for him to put on,and he takes off to let the world know that Superman is back!

Of course, it’s only page 14, and there’s a lot left to go. Turns out Superman is being watched by Kismet, a cosmic entity he’s encountered a few times before, who sees (YET ANOTHER) threat on the horizon. Superman returns to Metropolis where he joins in with Supergirl, Superboy, and Steel saving an airplane from a crash… a plane that just happens to have Lois on it. The woman has the WORST luck when it comes to air travel, I tell you. 

Also in this special, Jimmy Olsen returns to the Planet with his tail between his legs to beg for his job back, only for Perry to give it to him without hesitation. While they’re celebrating, though, Lex Luthor barges into the office, furious that the Planet published a photo of his daughter. While he’s railing against Perry, he gets  call that Lena has been kidnapped.

The creative team on this book (like the Wedding Special and the Red/Blue special, it’s a mashup of the creators of the regular books with a few guests) took an interesting approach. There are really three different, almost totally unconnected sections of the book. The first act, where the Kents find Clark and he returns to Metropolis, is part one. Act two is the kidnapping storyline, with Superman doing everything he can to find the missing daughter of his worst enemy, because that’s the kind of man he is. This has virtually nothing to do with what happened before, except for the fact that every person who encounters him makes a comment about the fact that he’s gone back to his original powers and costume, then goes on with their day because they all live in Metropolis and they see more inexplicable stuff than that before their Pop-Tarts come out of the toaster in the morning. Then, after that story is resolved, we get four separate epilogues, each of them showing Superman in different eras that seem to roughly correspond to the Golden, Silver, and Bronze ages, and a third that is set 1000 years in the future. It’s a setup for the Dominus story that would consume the books for the next several months – which is totally fair, except for the fact that, again, it seems to have nothing to do with anything that’s come before it. In fact, I almost feel like I don’t need to read these books again , but it’s been a long time and I enjoy a good timey wimey story.

Besides, if I don’t read them, I’ll just be cliffhangering myself. And I promised me that I would treat me more nicely. 

Sat., Sept. 20

Comics: Marvel/DC: Deadpool/Batman #1, Superman: The Kryptonite Spectrum #2, Action Comics #1090, Krypto: The Last Dog of Krypton #4

Notes: I’m not going to get to Dominus just yet, though. After a couple weeks, I’ve once again liberated my new comics from my local shop and I’m going to spend today (and maybe tomorrow too) reading the new Superman-related books. And although only one of the back-up stories is Superman-related, I’ll start with the painfully-titled Marvel/DC: Deadpool/Batman #1.

I objectively got the best cover.

The main story and most of the back-ups are really quite good. Zeb Wells, who writes the Deadpool/Batman tale, finds a new spin on combining the universes that’s really quite suitable for Deadpool. Most of the others simply take the old-fashioned tactic of assuming the characters inhabit the same world. The Captain America/Wonder Woman story by Chip Zdarsky goes so far as to showing a whole history between the two characters that goes all the way back to World War II. There are also two pages by Frank Miller, the less is said about which, the better.

But mostly, I’m here to talk about the Krypto/Jeff the Land Shark story by Jeff’s usual creative team of Kelly Thompson and Gurihiru. This mostly-wordless story is set in the Arctic, as Krypto and Jeff romp and play games with one another outside the Fortress of Solitude. That’s it. That’s the whole story. And it’s really adorable. It fits perfectly in with the usual Jeff stories, and were it not for the fact that his co-star is an inhabitant of the DC Universe, it could easily be an issue of his own comic. 

Now I have to say, were you only buying this book for a Superman story, dropping $6.99 for a story co-starring Krypto is probably too much. But if you’re a fan of comics and crossovers in general, this really is a great package. 

The second issue of Superman: The Kryptonite Spectrum is next. Continuing from issue one, Superman and Batman are still experimenting with the new types of Kryptonite when one of them turns the man of steel into a giant. Batman thinks he can concoct a fix, but before it’s ready, Lex Luthor ups the ante by exposing the Kaiju-sized Superman to a dose of RED Kryptonite, sending him on a rampage that the Justice League has to come in and try to stop. Like the first issue, I’m tremendously impressed at how W. Maxwell Prince and Martin Morazzo are applying their signature style to the DC Universe. There’s still very much the same flavor of weirdness we get from Ice Cream Man, but the horror elements are replaced with a take on silver age-style superheroism that feels more like a loving parody than an attack. It’s a glorious little story with a climax and cliffhanger that literally made me laugh out loud. That doesn’t happen often, even with comics that are intended as straight-up comedies. This is rapidly climbing my list of best comics of the year. 

In Action #1090 Mark Waid and Skylar Partridge continue the story that – no matter what the eventual trade paperback is gonna be called – is essentially “Superboy: Year One.” Clark finally gets a date with Lana, only for two disasters to happen. First, she tells him how she REALLY feels, and second, Captain Comet summons him to a battle scene. Raze, the villain Superboy caught a few issues ago, has come back with some friends and he’s attacking the lab of noted AI specialist and metallurgist Will Magnus, and Superboy is needed to save the day. Turns out that Comet had a little surprise of his own, though. 

Waid is taking classic tropes of the Pre-Crisis Superboy and putting a modern spin on them, particularly in the context of Clark and Lana’s relationship. Although the writing is modern, the themes and tone could fit in just as well in the 1950s, and that’s really perfect. On the other hand, the more sinister Captain Comet is an interesting choice, although I imagine we’ll get some sort of revelation on his part before this story ends to keep from casting him as an outright villain. 

Krypto: The Last Dog of Krypton #4 starts with a content warning. It says “This is a sad one. Read it with someone to hug nearby.”

THIS is a sad one.

AS IF THE LAST THREE ISSUES DIDN’T ALL REDUCE ME TO A GIBBERING MESS.

Anyway, in this one the still-wandering Krypto befriends another stray dog, and together the two of them befriend a group of children, and together the kids and the dogs activate an alien intelligence that threatens all life on Earth. And Krypto is a very good boy. And so is his friend. And eventually, after I soak through a couple of Kleenex, we get to a last page that promises – FINALLY – a glimmer of hope in this terrible, heartbreaking, gut-wrenching, magnificent, beautiful series. 

Sun., Sept. 21

Comics: Supergirl Vol. 8 #5, Batman/Superman: World’s Finest #43, Justice League Red #2 (Team Member Power Girl)

Notes: Supergirl #5 is a largely one-off issue that focuses on the Super Pets. Supergirl and Lesla leave their respective superpowered animal pals with Lena, who loses them almost immediately, leading to two separate adventures. Krypto and Kandy the Super-Rabbit wind up in battle with Princess Shark, who has come to Midvale to get her revenge on Supergirl, while Streaky and the miniature Super-Ape Tinytano stumble across a litter of kittens who have inadvertently gained super powers. The story is light, airy, ridiculous, and charming. 

Sophie Campbell takes this issue off from the art chores, but she still writes the issue. Pencils instead are handed over to Paulina Ganucheau for the Krypto half of the issue and Rosi Kampe on the Streaky half. Both of their respective styles are fine, but they’re very different from one another. Ganucheau’s art is a little looser and cartoony, more in line with Campbell’s usual style. Kampe’s art is tighter and looks like a more traditional superhero comic. Again, neither of them are bad, but the switch halfway through the book is somewhat jarring. 

In World’s Finest #43, the Bizarro World storyline comes to a close. As we learned, the alien who infected the Bizarros with a pandemic that “fixed” their brains did so in the hopes that they would realize their planet was about to be destroyed by the physical laws that say a square planet can’t exist. This issue, our heroes struggle against the twin problems of the planet’s collapse and the pandemic, and in each case, a solution is found by a most unexpected mind. I really love the way Mark Waid plays these characters here, showing an intelligence in one of our heroes that he isn’t usually credited with having, and pulling a rabbit out of his hat with a new Bizarro that is hilarious and brilliant. This arc was an awful lot of fun, and that’s all we really want out of World’s Finest, isn’t it? 

The new Super-titles wrap up with Power Girl in Justice League Red #2. Power Girl, Green Lantern, and Cyborg are comparing notes, all of them realizing that the missions Red Tornado has been sending them on are less than savory, and they demand answers from their teammate. Red Tornado reveals that his actions are linked to another Leaguer in jeopardy, but none of that quite explains just how underhanded he’s been acting. The heroes don’t know what to make of it but, at the same time, they’re not going to abandon one of their own. I’m still not quite sure what to make of this title. I’ve enjoyed the first two issues, but I can’t tell where they’re going with Red Tornado here. If the miniseries ends with him becoming a villain I’m going to be pretty disappointed, but as I said after issue one, I think it’s going to turn out to be more nuanced than that when all is said and done. All that said, the cliffhanger at the end of this issue is just dandy.

Mon, Sept. 22

Comics: Adventures of Superman #558, Action Comics #745, Superman: The Man of Steel #80, Superman Vol. 2 #136, Adventures of Superman #559, Action Comics #746, Superman: The Man of Steel #81, Superman Vol. 2 #137

Notes: Welp, Superman is one person again and his powers are back to normal. You’d think his troubles are over, right? No, you silly person. Now it’s weirder than ever, because it seems as though there are FOUR Supermen (again), except this time, each of them is in a different era. In Adventures of Superman #558, we’re in a world that seems highly reminiscent of the Silver Age, with Superman and his family having a friendly game of baseball that spans the globe using a mine launched by an enemy submarine as the ball. We’ve got Steel on the top of Mt. Everest, Superboy (wearing an old-school costume) in France, and most surprising, a Kara Zor-El Supergirl in outer space. And the game stops when Krypto fetches the ”ball!” (I feel like we should remember that, at this point, the “Superman is the only Kryptonian survivor” edict was still in place – neither Kara nor Krypto existed in this continuity.) Jimmy Olsen, meanwhile, has stumbled into yet another of one of those transformations that seemed to happen to him so frequently in this era, this time drinking an alien isotope that turns him into a green-skinned spaceman. When word gets out that Alien Jimmy has been blessed – or cursed – with a Midas Touch, turning anything he touches into gold, he’s kidnapped by the world’s most ingenious criminal scientist, Lex Luthor.  

I can only imagine co-writers Karl Kesel and Jerry Ordway putting this one together, an issue that’s a wild and charming mashup of the modern Superman (with elements like Steel and Dabney Donovan) with a story that could very easily have been a lost plot from an issue published in 1955. Jimmy’s wild transformations were a staple of the time, and we see the old (and often frustrating) trope of Lois being desperate to marry a Superman who keeps resisting her advances. By the end of the issue, nothing has really been resolved – it comes across as an entertaining oddity, but as of yet there’s no clue as to what’s actually happening. 

Action Comics #745 takes a similar approach to what the writers call the “Polyester Age” in a story that roughly approximates the Superman comics of the late 70s. Superman comes in to save an unruly mob that has gathered on the collapsing Queensland Bridge, each of whom is carrying a bogus deed indicating they own it. Superman plans to investigate, but first he has to head to his job at WGBS to report the news with his co-anchor, Lana Lang. The story spins out into a fairly standard Prankster story, in which he takes over a cruise ship, kidnaps Lana Lang, places her in a trap that Superman can’t spring without exposing her to a deadly toxin, and in a script-flipping cliffhanger, asking Superman to officiate his and Lana’s MARRIAGE.

We journey back to the Golden Age with Man of Steel #80, and in the most literal way possible. The story begins reenacting a scene from Action Comics #1, with Superman barging into the governor’s mansion to demand a stay of execution for a woman he’s proven to be innocent of the crime for which she’s about to be electrocuted, then immediately bounding in to stop a man from beating his wife. It’s here, for the first time, that we really get a glimpse of what’s actually happening – a little girl with white hair appears briefly as Superman stops the wife-beater proclaiming “It’s all wrong! Everything’s wrong!” When Superman looks out the window to see that the police has arrived, the child vanishes. Superman doesn’t have time to solve the mystery, though – he’s expected by his editor, George Taylor, at the Daily Star. Lois and Clark are sent to cover an American Nazi rally that is eventually broken up by Superman, making Lois swoon. 

Louise Simonson’s writing on this issue evokes the tone of the Golden Age, especially with a cold, aloof Lois that doesn’t give Clark the time of day, while he is utterly smitten with her. On the other hand, she manages to avoid some of the more problematic tropes of the original stories – she recreates the wife-beater scene almost perfectly, but omits the infamous “You’re not dealing with a woman now!” line. Jon Bogdanove, for his part, is perhaps more in his element than ever before. He adjusts his art style just SLIGHTLY, and it becomes a perfect update of a Golden Age Superman. He even gives us a panel emulating the legendary cover to Action #1. Reading this issue makes me ache for a full Elseworlds-style series set in this time period with Bogs handling the pencils. 

Superman #136 takes us to the year 2999 (with yet another Action #1 homage cover, by Dan Jurgens this time). Years after the death of the last great champion, Superman XVIII, a new Superman appears saving a spaceship from disaster…or at least, he tries, but the rookie Superman winds up ripping off one of the ship’s stabilizers. Another craft manages to save the ship in a stasis field, including Lena Luthor, who gives us the infodump that Superman’s father died bringing Lena’s father to justice. We explore this future world, meeting “Klar Ken’s” coworkers, his younger sister Kara, and get information about the Superman legacy that has lasted a millennium. This one, too, ends with a cliffhanger, as Superman 2999 faces against a futuristic menace called Muto, and we get another glimpse of the girl with the white hair. 

Back to the Silver Age for Adventures of Superman #559, which kicks off with Superman busting Brainiac and his shrinking ray. The next morning, though, things get really bizarre as some mysterious force gives everyone in Metropolis super powers. And I do mean everyone – Perry, Lois, Jimmy, Maggie Sawyer, the Newsboy Legion – it’s an epidemic. Everyone, it seems, except for MCU Officer Dan Turpin. It comes in handy when Metallo attacks and his Kryptonite heart affects EVERYONE except for Dan and his bazooka. The reveal about where the powers came from is fantastic, perfectly in keeping with a Silver Age story, and it’s really nice to see Turpin get hailed as the hero for once…until the girl with the white hair shows up again on the last page repeating her warning: “Can’t you feel it? It is ALL WRONG!” And then poof – she’s gone. 

Things aren’t going great in Action Comics #746. Superman manages to save Lana from the Prankster, but she’s so angry that Clark bailed out on the situation (so he could be Superman) that she gets him fired from his job at WGBS. He’s doing the cardboard box walk of shame when the White Haired Girl AGAIN shows up and vanishes. They gotta start going somewhere with this soon, right?

And they do! Man of Steel #81 begins immediately with the White Haired Girl stuck on a railroad track as a train speeds towards her. Fortunately, ol’ “More Powerful Than a Locomotive” gets her away even as she keeps pleading “Everything is wrong.” She vanishes as soon as she appears, though, and we get to the main plot – Superman and Lois each stow away on a ship to Nazi Germany. The issue really does showcase the vast changes Superman underwent after the Golden Age. While for most of his history, Superman has been reluctant to involve himself in political situations (in fact, in the 1978 movie Jor-El specifically forbid that), here he actually thinks “Someone has got to settle these world affairs once and for all – and who else can do it but me?” 

This issue gets pretty bleak, as Superman and Lois each independently delve into the Nazi concentration camps. Simonson doesn’t hold back from showing the horrors of the era, and in the end we’re just left more unsettled as we end on a cliffhanger, with Lois in dire straights that make being caught by the Prankster seem like a tropical vacation.

I’ll end today with Superman #137, in which the man of tomorrow (that being 2999) faces Muto – a fight that’s going poorly before he’s rescued by some of the other heroes of the era: 2999’s Green Lantern, the future Aquaman, and from Gotham City, “The Bat.” Superman and the other heroes face Muto at his orbital Fortress of Solitude, and Dan Jurgens plays off of Despero’s chess set from Justice League of America #1 for the second time this year (the first being when we read Superman’s adventures with the JLA in the era just before Doomsday).

Tues., Sept. 23

Comics: Adventures of Superman #560, Action Comics #747, Superman: The Man of Steel #82, Superman Vol. 2 #138, Adventures of Superman #561, Action Comics #748, Superman: The Man of Steel #83, Superman Vol. 2 #139

Notes: Today I’m getting into the finale of the Dominus storyline (at least this one), starting with Adventures #560. Silver Age Superman is stunned to find out that Lois Lane – the girl he loves but keeps at arm’s length – has a date with his pal Batman. The story seems to be going in the same direction as the previous two issues – a kind of standard Silver Age type story involving Lois’s feelings, Batman, and a sliver of Red Kryptonite. Halfway through, though, there’s a turn, as Batman reveals – even to Superman – that the two of them were BOTH adopted by the Kents after their respective origin tragedies and grew up as brothers. From there we get a quick chain reaction as all of Superman’s dreams seem to be coming true: Emil Hamilton shows up with a cure for Red Kryptonite, Jor-El and Lara appear alive, promising to take him back to Krypton’s Hypersector with them, Lois professes her love and vows to go with him…but Batman transforms into the White Haired girl, who reveals herself to be Kismet. The universe fades as Superman and Lois embrace one another.

Action #747 goes in a very different direction. The story, free of dialogue, unfolds as we watch Clark return to the Daily Planet, Lois kidnapped by the Prankster, and Superman come to the rescue. Throughout, although there are no speech bubbles or conversations among the characters, an unseen narrator gives us a monologue about godhood, divinity, chaos, and order. The narrator is manipulating Lois, trying to bring her into a position where she kills Superman, but in the end she can’t do it. The dialogue finally comes back in the last few pages, when the White Haired girl  again reveals herself as Kismet and the narrator redoubles on his plan to control the universe, revealing himself as an entity called Dominus. This issue is really jarring, being SO different from the previous two (and, in fact, from the rest of this storyline altogether). I’m not sure if it entirely works, to be honest, especially since the girl’s reveal at the end was done in the previous week’s issue, and now I’m sure we’ll see it again two more times. 

Man of Steel #82 picks up with Golden Age Superman determined to halt a train laden with prisoners bound for the concentration camps, unaware that one of the prisoners is the captive Lois. Saving her from the train he kisses her and – just for a second – glimpses the real, modern world. Kismet (still as the White Haired Girl) hopes that putting the two of them together again will help them to break whatever Dominus has been doing, but Superman’s attention is focused on liberating the Nazi’s prisoners (because, you know, he’s Superman). Kismet tells Lois and Superman that their bond is the one thing Dominus can’t break, and when she brings them together again, the three of them find themselves back in Metropolis in the modern day. But the Nazi Commandant has come with them, revealing himself to be Dominus. Superman again recognizes the girl as Kismet, who helped lead him back to life back in Adventures of Superman #500, but Dominus attacks the girl and Superman is swallowed by nothingness.

The future ain’t what it used to be in Superman #138. Superman returns to Metropolis with his allies – and several new ones – announcing the formation of a Justice Alliance (with a logo that looks like an odd mashup of the Justice League and Legion of Super-Heroes emblems). But the ceremony is disrupted by the White Haired Girl, and we begin flashing between the four timelines we’ve been following. Kismet reveals that Dominus has trapped Superman in a sort of “reality prison” and split his consciousness into four separate simulated realities. As he breaks free from Dominus’s will, he returns to the real, modern Metropolis with Kismet. We discover that, in the last moments of Superman Forever, Dominus placed him in this “reality prison,” and Superman has been tearing through Metropolis ever since, acting out the scenarios we’ve been reading across the four titles. (It really makes you wonder what people were watching him do when he was carrying around his sad little box after being fired from WGBS.) Kismet brings Superman to a secluded place where she tells us that she thought Dominus was trying to control him, but it turns out that she’s his REAL target, and Dominus was using the false scenarios to draw her out of Superman so he can usurp her power. Dominus appears and attacks, hurling Superman away as Kismet flees.  

In Adventures #561 Waverider appears and implores Superman to help find Kismet, as if he needed to ask. The White Haired Girl reappears as Clark is having lunch with Jimmy and Lois, and he takes off after her. It turns out NOT to be Kismet, though, but rather the girl whose appearance Kismet adopted. And as Superman takes her home, Waverider reveals himself to be Dominus in disguise, using Superman to find the REAL Kismet. 

Incidentally, this issue also sets up the NEXT big story arc for the Superman titles, in which the Daily Planet is put up for sale. That’s an interesting arc in its own right, but I’m not going to get into the whole thing because…well geez, I gotta draw the line SOMEWHERE.

Action Comics #747 brings Dominus – disguised as Superman – to Smallville to talk about Kismet with Jonathan Kent, who also met her back in Adventures #500. He fails to draw her out, though and leaves. Dominus makes his next play against Superman, but his constant manipulation of reality leads the two of them into a conflict that spirals into some really cool page design by Stuart Immonen before finally – hopefully – bringing the REAL Waverider into the conflict. In Man of Steel #83, Waverider and the Linear Men try to break Superman from all the reality warping that Dominus has been putting Superman through, but by now he doesn’t trust his old allies, believing them all to be Dominus. Finally, in Superman #138, as Superman holds Dominus off Waverider – the real one – takes Kismet back in time and hides her inside a young girl from Smallville, Kansas. Dominus leaves, swearing his revenge, and the story finally ends…

For now, at least. Both Dominus and Kismet would return in later story arcs, but this is as good a place as any to draw the line and end the saga of Electric Superman, plus the Dominus epilogue. So let’s do a post-mortum of the era, shall we? When this saga was originally being published, back in 1996 and 1997, I remember having some rather uncharitable feelings about it. I knew even then that it was a temporary change, and I felt like it was disingenuous of DC to try to paint this as a new status quo for Superman. With age, I’m definitely wiser in that respect. I realize now that DC was never really trying to pretend this would be Superman “Forever,” and any comments to the contrary were nothing more than kayfabe. I think that accepting that sort of thing has made me more accepting of other, later long-form stories, like when Dr. Octopus took over Peter Parker’s body for a year or two, or when Captain America was revealed to be a Hydra Agent. I’ve gotten better about judging stories like these on their own merits, rather than having a knee-jerk reaction to any sort of change, and I think I enjoy comics better because of it.

As for the Electric Saga as a whole…I’m actually struck by how much I enjoyed reading these comics again. This time around I’ve really gained an appreciation for how intricately the stories of the Triangle Era were woven together. Even when I read the whole Death and Return of Superman earlier this year, it wasn’t as clear because EVERY storyline was put on hold at the time to serve the larger one. This time around, between the time Clark’s power changed and the time he split into two, the power thing was almost incidental. We were still getting Superman stories with the ongoing plots and subplots, with things being set up far in advance that would pay off much further down the line. It’s really impressive to me just how well these things were plotted, and frankly, I miss the days when a comic book like this could put out a new installment each and every week. These days, likely, will not come again.

Next, I think I’ll take a week to be random before I get back to themes. I’ve only got 14 weeks left, and I definitely have several categories that I intend to dig into before it’s all over…but for now, I’m going to give myself a teeny break and just spend a week with whatever Superman Stuff suits my fancy. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 15: Highs and Lois (Rimshot)

It’s going to be another pretty random week in the blog, folks. Having put the finishing touches on Krypto Week, I don’t have a particular theme to adhere to for the next seven days – I’ll read or watch whatever strikes my fancy on the day.

Wed., March 12

Comics: Superman #285, Flash #158 (Cameo)

This guy went on to a promising career as a referee in the National Football League.

Notes: If you’re anything like me, you love going to comic book stores and conventions or scouring eBay for old comics. I dive into dollar bins, I get lots of old, random comics, because I love finding strange, unusual books, things that aren’t on the radar of the collectors. And, of course, I also snare any Superman-related content I can get my hands on. I get it faster than I read them, to be frank, so I have a substantial “To Read” pile at home. Today I’m going to randomly pull out a book from that pile to kick off the week.

The winner is Superman #285 from 1975. I haven’t ever read this one before, but it’s got the legendary team of Elliot S! Maggin and Curt Swan, so it’s at least got that much going for it. In the story, Superman is deeply engrossed in the mystery of the missing Roy Raymond, TV Detective. Raymond is an old DC character who, even by ‘75, had faded into obscurity, and sending Superman out to search for him is a decent story. There’s also a fun subplot regarding WBGS gossip maven Lola Barnett, a semi-regular of the supporting cast at the time (and let’s give the creators a hand for resisting the urge to make her one more of Superman’s legendary “Double-Ls”). When Lola is challenge to keep a big, juicy secret for an entire week, she selects one given to her by Clark Kent, a secret the reader can’t read the ending of: “I am not who I seem to be. I’m really…”

Obviously, nobody thought that Clark was going to out himself to a gossip columnist to win a bet, but the last-page reveal of what the secret actually WAS turned out to be fun. 

I don’t know if the intent behind this issue was to bring Roy Raymond back as an ongoing concern for the DC Universe, but if it was, it didn’t quite work. Ol’ Roy remains pretty obscure to this day. But kudos to Maggin and Swan for giving it a try. 

Thur., April 10

Comics: Action Comics #761, Wonder Woman Vol. 2 #170, New Adventures of Superboy #33, Titans Vol. 4 #19 (Cameo), Flash Vol. 6 #19 (Guest Appearance)

Well, not WITH Wonder Woman. That’s kinda the point of the story.

Notes: Joe Kelly is one of those writers who did a solid job on his tenure with Superman, and although I think few people would put him on their Mount Rushmore of Superman writers, he’s responsible for a couple of my favorite Superman stories of all time. The second one, Action Comics #775, will show up at some point this year when I pair it up with watching the movie that adapted it, Superman Vs. the Elite. But for today, I’m going to look at what I consider to be his second-best one-off story, a Superman/Wonder Woman story from Action #761. In a recent issue, a photographer caught a photograph of Superman in which he was clearly wearing a wedding band – Clark slipped up and forgot to take it off when switching identities – and the question of “Who is Mrs. Superman?” is dominating the celebrity news cycle. Lois and Clark are having a lazy morning, semi-joking about the situation, when Diana shows up and throws everything into turmoil.

Superman and Wonder Woman are whisked off to Asgard in this story, while Lois is stuck back on Earth, slightly smarting over the fact that her husband has been taken to another dimension with an Amazon princess. Clark and Diana are trapped in Asgard, helping the Aesir fight off an invasion of demons, for 1,000 years…their time. On Earth, only a day passes. 

So much is written about the friendship of Superman and Batman, and with reason. But the Superman/Wonder Woman relationship is more complicated and, in a lot of ways, more interesting. Over the years there have been several stories that flirted with a romance between them. They even made their couplehood canonical during the New 52 era, and shared an ongoing series for a couple of years. But that pairing has never really sat right with me. Part of it, I guess, is that Lois and Clark are the permanent pairing in my brain. Nothing has ever been able to chip away at that, they were literally made for one another, and I reject any efforts to keep them apart.

But there’s also the fact that pairing off Superman and Wonder Woman seems, to a degree, too obvious. There have been plenty of superhero universes that do their own versions of these characters and make them a couple, and none of them have ever been particularly satisfying to me. Superman already has the perfect romantic partner, but what he doesn’t have is somebody with whom he can share the burden of being someone of immense power in a world that could crumble under his grip if he allowed it to do so. He doesn’t have someone else who understands what it means to control yourself and resist the urge to make things the way you believe they should be simply because you have the ability to do so. Even with the other members of the Superman family, like Kara, Conner, Jonathan, and so forth, he has to take on a role that is – if not fully parental – at least that of the fraternal authority. He’s either Dad or big brother to every other Kryptonian in his orbit. 

Lois is his wife, and can be his confidante in many things. Batman is his partner in the neverending battle, and their friendship should be secure. But Wonder Woman is a peer that he needs. So the scene in this issue where, after a millennium of battle, Wonder Woman begins to crack and almost acts on her attraction to Superman, is one of my favorites ever written. Is the attraction mutual? Almost certainly. She’s Wonder Woman, for Zeus’s sake. But it cannot be acted on, for two very good reasons. First: even after 1,000 years apart, Clark’s devotion to Lois remains absolute. But second, and far more interesting, because he loves Diana so completely as – in his own words – “my best friend.”

There isn’t enough media out there that recognizes that friendship – genuine friendship – is possible between people, whether it’s members of opposite sex or any other compatible sexual orientation. It’s why slash fiction kind of gets on my nerves – it feels like a rejection of the notion that two people can be close without wanting to get down and dirty. These two characters seem awfully close – there MUST be something else going on, right? Or, “Oh, your wife’s friends with a dude? Obviously he’s trying to steal her from you.” Are there people like that? Sure. Even Lois feels a tinge of jealousy when Diana is around. But she needn’t, and that’s the point.

Friendship is real, and it’s important, and true friendship as an adult is something far too many people in this world live without. True love does not have to be romantic in nature to be true, and when I see a story that recognizes that fact, it always makes me want to celebrate it.

I tend to imagine Diana is giving Lois that speech you just read.

So yeah. I dig this issue very much. Reading it, in fact, put me in mind of another excellent Wonder Woman/Lois story, Wonder Woman Vol. 2 #170, which I wish I had read back in Lois Lane week. “A Day in the Life” was ALSO co-written by Joe Kelly, partnered here with magnificent Wonder Woman storyteller Phil Jimenez. In this one, Lois has requested an unexpected assignment from Perry White: a profile piece on Wonder Woman. After meeting up at the home of Steve Trevor and Etta Candy (married to one another in this continuity), Lois tags along with Diana over the course of a typical day. She goes to France where she gives a speech to a packed crowd of university students, zooms up to the Justice League Watchtower to check on an experiment, and zips down to Central City where Diana makes an appearance on the DC Universe equivalent of The View. She makes a stop with President Luthor in Washington, whisks away to disadvantaged areas all over the world, and visits with Donna Troy before making an appearance at the United Nations. 

The gem of this issue is the final scene, which is just Lois and Diana in a bar, shooting pool, and kind of having it out. Although Diana has been nothing but gracious to her, something about her still rubs Lois the wrong way. This is a fantastic scene about each of the two women, as well as their respective relationship to Superman. The reporter in Lois is always looking at perfection and trying to find the flaws in it, which is one of the things that makes the flawless Diana so damned frustrating. But there’s also the fact, she admits, that her husband’s best friend is an Amazonian goddess, and not even Lois Lane is so secure that she isn’t at least a little rattled by that. Diana lays her cards on the table as well, talking about how much she respects Lois and how amazing a woman SHE must be for Superman to have chosen her (even, she points out, after their 1,000-year adventure in Asgard, which apparently Clark neglected to tell Lois about). 

Relationships are a weird thing, and as a writer, you recognize that each person that becomes part of a relationship does not add to the complexity, it multiplies it. The Lois/Clark relationship is a thing, the Clark/Diana relationship is a thing, the Lois/Diana relationship is a thing. But this issue is about the gestalt of them all, the Lois/Clark/Diana relationship. It’s the best – and perhaps the only – comic I’ve ever read that is really about the THREE of them, and it’s really good.

And hell, Superman isn’t even IN it. 

Fri., April 11

Comics: Justice League of America #20, Superman’s Girl Friend, Lois Lane #12, World’s Finest Comics #305

Based on the rules of Silver Age comics, I half-expected that the story would be Superman just flying in place to screw with Lana’s head.

Notes: In the Silver Age, if Lois wasn’t busy trying to get Superman to marry her, she was spending the remainder of her time flirting with his teammates in the Justice League. In Lois Lane #12, it was Aquaman’s turn. When a freak accident crushes Lois’s legs and lungs, Aquaman brings her to a surgeon who determines the only way to save her life is to turn her into a mermaid. 

Yeah, you can read that sentence as many times as you want, it’s still crazy.

Lois attempts to adjust to her new undersea life while preventing Superman from finding out what has happened to her, although presumably if she’d known about his previous fling with Lori Lemaris she would know that “mermaid” apparently wasn’t a deal-breaker for Superman. While beneath the ocean, she starts to have feelings for Aquaman, but then rejects him, knowing that it’s truly Superman she loves in her heart. After a second freak accident again leaves her on the brink of death, Superman rushes to the hospital library, memorizes every medical book in existence, swiftly passes a series of examinations to prove his medical knowledge, and performs surgery to give Lois her legs and lungs back.

The questions, both ethical and existential, are enormous.

So Superman – Silver Age Superman, at least – has the medical knowledge to transform a mermaid into a human being. And a HUMAN doctor possesses the knowledge to turn a human into a mermaid in the first place. I am banging my head against the wall trying to wrap my brain around what I just read and I cannot make it work. It may be the single most insane story I’ve read yet in this entire “Year of Superman.” 

Five stars. 

In this issue’s second story, Lana Lang swipes a formula Lois is supposed to give to Superman that supposedly can give anyone super-strength and invulnerability. Lana is using it to try to steal Superman from Lois, and when Lois finds out, she hatches a devious scheme that winds up making both her and Lana look like absolutely horrible human beings, and I can only thank Rao that this isn’t canon anymore.

Finally, we have “Lois Lane Loves Clark Kent,” except that of course she doesn’t. She catches Clark surviving a fall and determines that she’s been right in all her years of suspecting he’s really Superman. This time, though, she decides to trap him by “falling in love” with Clark and not telling him she’s learned her secret until after the Honeymoon. Superman decides to teach her a lesson. Dickishness ensues. 

Sat., April 12

Animated Shorts: Electric Earthquake (1942), Volcano (1942)

Notes: It’s been a minute. How about another Fleischer short or two today? 

When I was a kid, all we had were wood-burning earthquakes.

In Electric Earthquake, a mad scientist has set up a device beneath Manhattan harbor that threatens to destroy the entire city with an earthquake. In and of itself, this shouldn’t be a huge surprise – from the cartoons I’ve watched so far it seems like at least 75 percent of the city’s population were mad scientists. But this particular scientist is a Native American, angry that the island was taken from his people and demanding it back. The cartoon leaves you with mixed feelings, honestly. On the one hand, it’s somewhat problematic to paint the Native American as the villain in this story. On the other hand, he’s oddly progressive in that he doesn’t wallow in any kind of stereotypes, and he’s obviously intelligent and crafty. If it weren’t for the whole “destroying the whole island and murdering everybody” thing, it would be one of the more positive portrayals of the time.

And as a Superman fan, I find it interesting that – at this point – it seems that the filmmakers at least still viewed Superman’s “Metropolis” as another name for New York, as the scientist quite clearly calls the island “Manhattan.” I wonder just when, exactly, they decided to definitively establish Metropolis as its own separate city.  

“Dammit, for the last time, I am NOT doing an R. Kelly joke.”

Volcano, thankfully, breaks us free of the necessity of yet another mad scientist, and sets the man of steel loose against the danger of an erupting volcano. With word of an impending eruption making global headlines, Perry White sends Lois and Clark off to cover the event. Lois sneaks Clark’s press pass, though, leaving him frozen out of the danger zone so she can get the story herself – a decision that she may come to regret when the volcano begins to erupt before the scientists can blast the side of the mountain and divert the lava flow to an uninhabited area. Naturally, this looks like a job for Superman.

I’ve talked a lot about just how beautifully animated the Fleischer shorts are, and from that perspective, this may be one of the absolute best. The flowing lava, flickering flames, the waves crashing in the ocean…it’s all absolutely gorgeous to look at, and the movements of the characters all feel very realistic and authentic. When you think about how awfully stilted some animation was at the time, it’s astonishing that they pulled this off. Hell, there are cartoons being turned out today that don’t look this good. Plus, the lack of a human antagonist (especially yet another “mad scientist”) makes this cartoon a nice refresher from the others of the line.  

Comics: Green Lantern Vol. 8 #20 (Guest Starring Superboy)

Sun., April 13

TV Episode: Superman and Lois Season 2, Episode 6, “Tried and True.”

“Golly, Blake, how nice of you to remember we exist.”

Notes: You see, this is why I never finished watching Superman and Lois when it was on the air. I start watching it, and I get into a pretty good rhythm for a few days, then I get distracted by something shiny and the next thing I know I haven’t watched an episode in two months. I’m not blaming anybody else, it’s my fault. I’ll try to do better.

Oh wow, this episode starts with creepy-ass Bizarro with his creepy-ass eyes fighting a bunch of DOD agents. It’s odd that this version of Bizarro is as surprising as it is. I mean, the concept of an imperfect Superman, with all of his power but an inverted sense of his morality, SHOULD be pretty frightening. But instead, the character is almost always played for laughs, with joke stories or full of silly misunderstandings. There have been attempts to make him a bit more serious over the years, but this “reverse Superman” from a parallel dimension is the most chilling incarnation of the character I’ve ever seen. 

We’ve also got the usual dose of Superman and Lois drama – Jordan and Jonathan dealing with the powers the latter got from his dose of X-Kryptonite, Sam having to play referee between Lois and Lucy, Lana’s marriage falling apart, and the mother of one of the DOD agents killed by “Inverted Superman” demanding justice. It’s probably because it’s been a little while since I watched an episode, but it feels like there’s just an enormous number of plots and subplots going on in here, and I’m kind of hoping that things are whittled down a bit. I’m seeing the reason a lot of people have called Tyler Hoechlin the best on-screen Superman ever (I don’t know that I’d necessarily agree, but he’s definitely very good). The show itself, though, at least at this point in season two, feels like standard CW fare. 

Mon., April 14

Comics: Superman: Earth One Vol. 1

It doesn’t matter the universe, this pose is a requirement.

Notes: Back in 2010, DC began this “Earth One” experiment, a series of original graphic novels re-imagining the characters from the ground up. It was similar to Marvel’s Ultimate Universe, with the big exception being the fact that the stories were being told in graphic novel format rather than monthly comics. It was interesting, and some of the books were very good, but the line petered off somewhat. I don’t think DC ever really established “Earth One” as a cohesive universe the way Marvel did with the Ultimate line. There was little – if any – cross-pollination between the graphic novels, and in fact, some of them didn’t feel like they belonged to the same universe as the others at all. It’s been quite some time since there were any new Earth One books, even though DC does keep them still in print, but as far as launching a whole new UNIVERSE, the current Absolute line seems to be doing the job much more successfully.

All that said, let’s look at the first of the Earth One graphic novels anyway. Written by J. Michael Straczynski with art by Shane Davis, this is a pretty solid way to recontextualize Superman in the early 21st century. We begin with young Clark Kent, fresh from Smallville Junior College, moving to Metropolis to find himself. The trouble is, he isn’t quite certain who he wants to be. He tries several different jobs, all of which he excels at, none of which he finds fulfilling…everything except for his attempt to get a job at the Daily Planet, where Perry White basically tells him he’s not good enough yet, but there’s a high turnover rate, so they may give him a call. The whole question may be moot, though, when an alien invasion force attacks Earth, searching for the last child of Kryton, whom they have been chasing across the stars for twenty years. They are the race responsible for Krypton’s destruction…and they are here to finish the job.

I don’t remember noticing it at the time, but I’m a little shocked at how similar the story here is to the movie Man of Steel, which of course came out three years later. It’s not exactly the same, of course – in the movie the antagonists are Kryptonians hoping to rebuild their planet, not a new race hoping to complete their extermination – but the aspect of the alien invasion drawing out Kal-El, but instead being a facade to hide their true intentions for Earth – is spot-on. It’s different tonally, and it ends things pointing in a very different direction than the film, but I am sorely tempted to go back into the credits for Man of Steel to see if Straczynksi and Davis were among the comic book creators given special “acknowledgements” in the film. (“Acknowledgements” is Hollywood talk for “we used ideas from these guys but we’re probably not going to pay them. Kind of like ChatGPT.)  

One of the things I like about this book is the way Straczynski addresses the fact that Superman doesn’t wear a mask. People with no imagination constantly harp on how the glasses are a bad disguise, but they’re missing the point. There’s a nice conversation where Martha tells Clark that he can’t wear a mask, that someone with that much power would be terrifying to people if they thought he had something to hide, and thus he has to allow them to trust him. We’ve seen echoes of this in countless Superman stories over the years. Dozens of antagonists, from Lex Luthor to Sam Lane, have all feared or hated Superman because they can’t conceive of a man with his kind of power using it for good. It’s the reason he wears bright colors, it’s the reason he operates in the light instead of the darkness. Supposedly David Corenswet himself, our new Superman (July 11th can’t come soon enough) lobbied hard to include the trunks for the costume because the trunks look like a circus performer, and he wants his Superman to be someone that nobody is afraid of. That’s PERFECT. That’s EXACTLY who Superman should be, and this graphic novel explains that pretty succinctly in a single page. 

I know I’ve read the second volume in this series, but I can’t quite recall if I ever got around to the third one. If the story of the death of Krypton and the mysterious force behind it was resolved before the Earth One line kind of faded away. But hey, this is the Year of Superman, and I’ve still got 36 whole weeks left to go – that’s plenty of time to dig into the last two books in this line. I’m sure this isn’t the last we’ll see of this particular version of Superman. 

Tues., April 15

Comics: Superman: For Tomorrow (From Superman Vol. 2 #204-215), Superman’s Pal, Jimmy Olsen #137

Do you think Jim Lee knew he was designing DC fans’ favorite bookends when he drew these covers?

Notes: Coming pretty quickly on the heels of Batman: Hush, superstar artist Jim Lee (who would go on to be one of the heads of DC Comics) partnered up with writer Brian Azzarello for another year-long run on DC’s other flagship superhero. Lee and Loeb had turned out to be a magic team on Batman, but I wasn’t a huge fan of Azzarello’s take on Superman at the time. In truth, I don’t think I’ve re-read this story since it was first published in 2004, though, and it’s possible that the perspective of time – as well as reading it all at once instead of doling it out a month at a time – will make me more charitable towards it. Let’s find out together, shall we?

For Tomorrow begins with Superman visiting a Catholic priest, Daniel Leone, in a discussion that is clearly about absolution without ever actually using the word. We’re coming in after a year-long time-skip, and in that time something has happened called “The Vanishing.” Eventually, we determine that a year ago one million people across the globe simply disappeared, among them Lois Lane, and Superman is carrying great guilt over this event. However, it doesn’t seem like his guilt is the normal “wanting to save everybody” thing Superman carries with him, but rather something more specific.

I’m reminded immediately of why I struggled with this story the first time around. The entire first chapter is hints and veiled innuendo, not actually getting to what the story is about until the last couple of pages. That’s certainly something that works better in the collected format, but which can be infuriating if you’re waiting a month between installments. What’s more, Azzarello – who at the time was known for more noir comic books like 100 Bullets – brings that sensibility to Superman. We get glimpses of what’s going on, people talking AROUND the issue instead of actually discussing it, and while that works well for the style of story he’s accustomed to, it doesn’t really feel like a good fit for Superman, not to me at least.

As the story continues, Superman starts to regularly visit Father Leone, unburdening himself with the story of how he became embroiled in a conflict in the Middle East (obviously even more topical in 2004 than it is today) and his battles with a cybernetic monster called Equus, and of course, how these things tied into the Vanishing. 

As the year goes on, Superman finds himself in conflict with the Justice League over the events that lead to the Vanishing, particularly Batman, in an exchange that I find particularly distasteful. This is in a period where tensions between DC’s Trinity were building up heavily, which eventually lead to Infinite Crisis, and while it fits in that context, that doesn’t make the scene where Superman says to Batman “You’re my friend, but I don’t like you” any more pleasant to read. Both heroes feel out of character here, Superman in particular. He even insists that Batman call him “Kal-El” instead of “Clark,” something that doesn’t feel natural or appropriate at all. 

“Look, Cla–Kal…just tell us what name to put on your locker in the Watchtower.”

It goes on in the next chapter, when Wonder Woman attacks him at the Fortress of Solitude because he’s trying to do something about the Vanishing, which she calls “suicide.” Even Superman lampshades the fact that her using a deadly weapon against him (in this case, a magical sword) to prevent him from doing something that could kill him doesn’t make any damned sense. But like in the first chapter, Azzarello keeps dancing around exactly what IS going on, dodging the question of what Superman’s plan is and why Bruce and Diana oppose it. If you want to create conflict between heroes, fine, but that conflict works better when everybody has clear motivation – otherwise it’s just a frustrating fight that doesn’t seem to have any purpose other than to showcase Jim Lee’s (admittedly masterful) artwork. 

But perhaps there’s no other moment so off the wall as the scene where Superman has a conversation with Clark Kent (for reasons) about retrieving Lois from whatever the Vanishing is. Clark tells Superman that Lois was “uncomfortable” seeing him because “I’m not the man she loves.”

The hell? 

Granted, this isn’t really Clark, it’s a robot, but there’s a subtext here that’s painful and uncomfortable. There was an awful lot of shoe leather spent in the first 50 issues of this very title built around the fact that Clark Kent is EXACTLY the man that Lois Lane loves, and both characters are better for it than they ever were before. Furthermore, the notion that Superman and Clark are two different “people” is a similarly outdated Silver Age idea. Superman and Clark work best when they’re the same man wearing different clothes. Change my mind.  

Azzarello delves heavily into musing about the nature of good and evil and what Superman’s place is in a world where these concepts are more concrete than abstract. In and of itself, there’s nothing wrong with that. There are some great Superman stories that have been written about that very topic. However, the style is far more ponderous than most Superman stories, with lines like “To be in the presence of evil is to be both utterly offended and absolutely afraid.” A line like this would feel right in place in a Vertigo comic book, but in Superman it gives the impression of someone working very hard to be serious. That’s not to say that a serious Superman story isn’t possible – in fact, I’ve got a week planned for later this year where I intend a deep-dive into Superman’s darkest hours – but at the same time, this isn’t math class. Azzarello is showing his work too much, and that distracts the reader from the story. 

Once we finally get to the revelation of what the Vanishing was and why Superman is carrying around the responsibility for it…I’ll concede this much: it is a very Superman solution to a Superman problem. And it explains why the League was so antagonistic towards him. It doesn’t explain why Bruce and Diana were trying to prevent him from reversing it, though. And the truth is so massive that it should have left a stain on the character for years, but the story was rarely referenced after this, perhaps because of the way the world was reshaped relatively soon when Infinite Crisis kind of hit the reset button. 

I wanted to like this story. I hoped that the years would have changed my perspective, but in the end I still just can’t feel it. But I’m glad I made the effort – there’s some fine artwork here, and I know that my perspective on some stories changes over time. It’s worth trying again, even if in the end, I land in the same place that I started. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Geek Punditry #10: Shouldn’t Have Slept on This

There are a lot of comic books published every month. Like, at least four of them. And for someone who has been reading comics since childhood, there are times where the sheer volume of books being published can get overwhelming, even if you don’t read X-Men titles. The two biggest publishers, Marvel and DC, each have an intricate universe that carries on a complex interwoven meta-narrative that has run continuously, in one form or another, for decades, somehow subsisting even before variant covers were invented. And if you’re the sort of person who has things like a job or a family, or who enjoys eating food, there simply isn’t enough time to read everything that’s being published.

Fortunately, both Marvel and DC have in recent years launched online subscription services, where you can read a substantial portion of their respective libraries, with more books added each week. I’m a comic book collector, I can’t imagine a future where I didn’t want to get printed comics, but I consider myself a reader even more than a collector. And there’s a definite comfort to knowing that I don’t have to get all 1,124 books published a month (that’s 10,419 covers) in case there’s something I might want to read later. For books that I’m not enthusiastic about, things that I would be reading just to fill in a gap, it’s great to know that I can always go to the app a few months after release and it’ll be waiting there.

The best part about this system, though, is that when you go back and look at the stuff you missed, sometimes you find a gem that you may not have otherwise read at all. Since I’ve started reading these comics digitally, I’ve stumbled on several titles that I passed on in print, but really came to enjoy after the fact. So this week, for your edification, I’m going to share four comic series from the last few years that I didn’t read when they came out, but I’m sorry I slept on now.

Duo (DC/Milestone Comics)

Milestone Media, which has published through DC on and off for 30 years now, came back in 2021 in a big way, and while a lot of attention was given to the return of characters like Static, Icon, and Hardware, less attention was given to some of the new properties released in that universe. Duo, from writer Greg Pak and artists Khoi Pham and Scott Williams, focuses on David Kim and Kelly Sandborne, an engaged couple whose research in nanotechnology is on the verge of a breakthrough. With the right funding, David and Kelly believe they could revolutionize medicine: healing injuries, combating disease, even reversing the aging process itself. When they approach an investor to take their work to the next level, instead they find themselves under attack. Kelly is thought to be killed, but David soon discovers that she’s been saved by the nanobots the only way they could: transplanting her consciousness into his own mind. Now, sharing one body and immense power, David and Kelly have to stop her killers and find a way to separate.

Duo is a really great book. It takes elements from one of the old-school Milestone comics, Xombi, but also incorporates concepts and themes that feel more like the Starhawk/Aleta body-sharing dynamic from the old Guardians of the Galaxy or Valiant’s original Second Life of Doctor Mirage, about a married couple in which the husband was a literal ghost. The character beats between the two of them are great, with some surprisingly funny moments even turning up at Kelly’s memorial service, and the book deftly deals with the troubles of having the person you love literally living inside your mind. We don’t get a real grasp of what the villains are up to until the third issue, but the character building and questions raised by the story are more than compelling enough to pull us in even before that point. Modern Milestone is doing a lot of interesting stuff, but I’m surprised to discover that this book is my favorite of the pack.

Aquaman and the Flash: Voidsong (DC Comics)

Ah, the miniseries. When the concept first really came to prominence in the 1980s, a comic book miniseries felt like an event, like something special. Now it almost feels inconsequential, with “ongoing” titles being relaunched every twelve minutes and proper miniseries feeling somewhat inconsequential. The idea of a miniseries starring the Flash and Aquaman facing an alien invasion felt like the sort of book that would never be referenced again, never have a serious impact on that “meta-narrative” I mentioned before, and therefore would be easy to skip. And I was wrong to feel that way.

The above description of the series, written by Jackson Lanzing and Collin Kelly and with art by Vasco Georgiev, is technically correct, but despite what Futurama would have us believe, that’s not always the best kind of correct. As the story goes, an invasion fleet immobilizes the entire planet with a sort of harmonic weapon (the titular “Voidsong”) that affects everyone except for the Flash and Aquaman – who were both insulated from the sound for Comic Book Reasons – leaving those two heroes as the only ones who can save the world. The great thing about this is that Aquaman and the Flash are not a traditional team-up pair. Sure, they’ve both been members of the Justice League since the very beginning, but when time comes for the heroes to pair off you’re more likely to see the Flash pal around with Green Lantern, while Aquaman hangs out with Wonder Woman or the Martian Manhunter. You almost never see these two, specifically, in a story together, and the story neatly moves from an early personality clash to a more respectful relationship in a very entertaining fashion. If you skipped this book because it wouldn’t “count,” I hear ya, but I’m telling you that we all missed out.

Daredevil by Chip Zdarsky (Marvel Comics)

Among Stan Lee’s Silver Age creations for Marvel Comics, Daredevil is probably the one I’ve read the least. It’s not that I dislike the character, but an awful lot of writers over the years have taken the approach that Daredevil is the hero that absolutely can never be allowed a single moment of joy. A lot of the modern runs on his book have had him suffer one tragedy after another without ever even a hope of peace or happiness. Years ago, when I was sent Marvel comics to review for the late, lamented Comixtreme website, I reached a point where I started to dread any new issue of Daredevil not because the book wasn’t good, but because I knew it would be so bleak I would need a shower afterwards.

Fortunately, Marvel seems to have decided that Spider-Man is now the character that will never be allowed anything resembling happiness, cheer, or entertainment, so Daredevil has lightened up a little bit. Chip Zdarsky, who is one of the more interesting writers working in mainstream comics today (under duress, it sometimes seems), took over the series in 2018. His version, admittedly, isn’t all rainbows and puppy dogs: early in the series, Daredevil accidentally kills a young man in the commission of a crime and eventually turns himself in to the police, getting sent to jail still wearing his mask. It’s a ridiculous concept, the masked hero in maximum security with a bunch of criminals, but once you accept the sheer lunacy behind it the story is fascinating. Zdarsky’s interpretation of Daredevil feels very in-character but, despite the dark inciting incident, manages to avoid the utter hopelessness so many writers have brought to the title.

Zdarsky’s run on the book went for 36 issues before it was restarted with a new #1 because it was a Wednesday. The current volume is on issue 11 and I don’t know how much longer it’s going to go, but I’m certainly along for the ride.

The Nice House on the Lake (DC/Black Label)

DC’s Black Label imprint is…well, I’ll be honest, it’s a mess. It was originally announced as a place for more “mature” versions of traditional DC heroes (“mature” here is being used in its traditional Latin definition, “more likely to drop an F-bomb”). The stories were also said to be out of continuity, except for the ones that aren’t. And sometimes they’re oversized and sometimes they’re not, sometimes they have characters formerly published by Vertigo and sometimes they have characters related to Batman. That’s about 90 percent of the time, actually. But sometimes they have absolutely nothing to do with established DC characters whatsoever. If you asked me to define what exactly the Black Label comics are supposed to be, the only consistent answer I could give you would be “something I would not give my eight-year-old nephew.”

Fortunately, it doesn’t matter what Black Label is, James Tynion IV and Alvaro Martinez Bueno’s The Nice House on the Lake is the gem in the crown. In this sci-fi/horror series (which I should stress has absolutely nothing to do with the DC Universe), ten people are invited for a week-long vacation by their mutual friend Walter at a…well, at a nice house on a lake. The cast is a very eclectic mix of people from Walter’s life – friends from high school, friends from college, friends from later. Some of the characters have a history with each other, others are nearly strangers, with Walter being the only link between them all. Before they can even settle into their vacation getaway, though–

Ah hell, I don’t want to tell you anything else, because this is a book built on mystery and surprise. There’s so much going on here, and almost all of it is built on character, which is fantastic. It’s a wild comic that takes a horrific turn at the end of the first issue, at which point it becomes virtually impossible to predict where things are going from one minute to the next. The book ends with a sequel hook, and I desperately hope that DC (or Black Label or whatever) is already well into working on the next volume, because while this series does come to a relatively definitive conclusion, there’s plenty more to explore and I can’t wait to do it. I won’t be sleeping on the sequel.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His current writing project is the superhero adventure series Other People’s Heroes: Little Stars, a new episode of which is available every Wednesday on Amazon’s Kindle Vella platform. There are, of course, other books he slept on besides these. For example, if you didn’t read Justice League Vs. the Legion of Super-Heroes, you can consider yourself one of the lucky ones.