Year of Superman Week 37: The Big Split

The Year of Superman continues our journey through the Electric Superman era! This week we peek at the Pulp Heroes annuals, explore Superman’s activities during the Genesis crossover, and see that electric blue spark into crimson. Join me, why don’t you?

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 10

Comics: Superman Annual Vol. 2 #9, Superman: The Man of Steel Annual #6, Adventures of Superman Annual #9, Action Comics Annual #9, Batman: Gotham By Gaslight-A League For Justice #2.

Just like old times.

Notes: By 1997, DC had fallen off of the annual crossover events such as Armageddon 2001 and Bloodlines, instead shifting to a policy of doing annual THEMES, where the creative teams would tell one-off stories that fit into categories such as Elseworlds or Legends of the Dead Earth (which was also essentially Elseworlds, but post-apocalyptic, although one of the characters from these language later showed up as a member of the Legion of Super-Heroes). The 1997 theme was Pulp Heroes, in which each annual was tasked with placing the hero into a genre from classic pulp magazines – westerns, potboiler detective stories, old-fashioned sci-fi. The Supergirl annual for that year even did a romance comic, with a love story between Supergirl and Brainiac 5 (the Legion was still stuck in the 20th century at the time). It was a fun summer, with different types of stories that sported some gloriously painted covers that really evoked the time period they were paying tribute to. 

These stories were all self-contained and could really be inserted almost anywhere into the timeline before the Blue/Red split, so I’m going to punch through them all here since we’ve got a sort of hard stop before the Genesis crossover. And I’ll start off with Superman Annual #9 by Dan Jurgens and Sean Chen. Labelled “My Greatest Adventure” on the cover, this issue drew its inspiration from the same sort of globe-trotting adventure yarns that inspired the likes of Indiana Jones. In the country of Bhutran, a mysterious cult called the Black Crucible is setting its sights on Jimmy Olsen, because it’s been at least twelve minutes since his life was endangered. In this story, set before he was canned from WGBS over the “Superman’s Secret Identity” fiasco, Jimmy is undercover trying to get the scoop on a smuggling operation when Bibbo accidentally outs him to the same crooks he’s trying to catch. He finds himself being targeted by an assassin who – upon failing in his task – kills himself. What’s even stranger is that the assassin, save for an enormous dragon tattoo on his chest, is a perfect doppelganger for Jimmy. 

Jimmy and Bibbo assemble Lois, Clark, and lawyer Ed Drysdale at Professor Hamilton’s lab to try to get to the bottom of things, and the group uncovers a link to Bhutran. One plane ride later, they’re off to investigate. From here the story comes off as kind of a Doc Savage pastiche (with a bit of a lampshade to that fact in the end), with the hero operating alongside a team of specialists who each contribute something unique and invaluable to the mission (even Drysdale). We even get to see de-powered Clark using his own fists when he gets into a situation where Superman’s powers lose their advantage. It’s easily the best Jimmy story of the era, although that’s a low bar to jump considering the way he was being played in the main comics of the time.

Man of Steel Annual #6 bears the banner “Suspense Detective” for a story by Louise Simonson and Tommy Lee Edwards. In “Pierced,” SCU head Maggie Sawyer steps into the narrator’s box, agonizing over recent losses to her unit in their battles against the more unorthodox villains that seem to plague Metropolis. This time out it’s a telekinetic assassin with a face loaded with piercings, and Maggie gets understandably outraged when the FBI steps in and wrests control of the investigation away from the SCU. Lois, similarly, is frustrated with the lack of cooperation from law enforcement in getting her story out, with Maggie told not to talk to any reporters, ESPECIALLY Lois Lane. (Honestly, if you’re trying to keep something low-key  in Metropolis, that’s a sensible demand to make.) 

This isn’t a bad story at all. It feels like a chapter from the Metropolis SCU miniseries that guest-stars Superman in a prominent role, and that’s not a bad thing. I’ve often enjoyed the sort of “lower decks” storytelling we got from that comic and the brilliant Gotham Central. That said, I don’t think it’s as successful as the Superman Annual at capturing the feel of a pulp novel. The story is too contemporary, not really having the flavor of the kind of two-fisted cop stories that it seems to want to invoke. But if I didn’t know that was the goal, I wouldn’t give it that note, either. It’s a complete story, just a tad out of place.

Adventures of Superman Annual #9 brings us an absolutely gorgeous cover by Laurel Blechman with Electric Superman swinging into an old west saloon present a few Weird Western Tales. First is “Terror of the Sierra Madre” by John Rozum and artist Alcatena. Perry White sends Clark to New Mexico to look into a “major archaeological discovery” which promises to link the disappearances of three different tribes from the region. Joining the dig, Clark descends into an underground structure with iconography from the three different tribes all in the same place, suggesting that it was used for some sort of meeting between them all. As they investigate, strange spirits begin to inhabit the bodies of the archeological team – and then they come for Superman! This is one time where the Electric Superman particularly works, I think, causing an even sharper contrast with the western theme than it would if Superman had his conventional powers in this story. The bizarre juxtaposition of the energy man in a tale of the old west is a nice, zesty combination that I really enjoy.  

Mike W. Barr and Dale Eaglesham then pitch in for “The Return of Saganowahna,” a story of a town where native American residents are being compelled into selling land that has been in their families for generations by the ravages of a creature called Saganowahna, “Chief of All Chiefs.” (No, it has nothing to do with Perry White) If you think it sounds like the plot of an episode of Scooby-Doo, you’re not far off. Eaglesham, for absolutely no reason, draws Superman in a white cowboy hat and duster, which looks absolutely fantastic over his electric blue costume. I want a Funko Pop of this guy.

The third story in this one is “The Journey of the Horseman” by Paul Grist and Enrique Villagran. In this one, an alien comes to Earth just as a new experimental energy source is about to be tested. The alien sets out to destroy, which I’m sure you can imagine, causes him to run afoul of Superman. Of the three stories in the book, this is the one that strains the theme the most. There’s really nothing “western” here, except for possibly casting the alien in a sort of “Man With No Name” sort of role, where he’s under suspicion even though his motives may ultimately turn out to be benevolent.  

We’ll wrap up our Pulp Heroes journey with Action Comics Annual #9, a horror-inspired “Tale of the Unexpected” by David Michelinie and Vince Giarrano. Clark Kent is investigating a recent rash of museum thefts where ancient artifacts have been stolen – crimes that Clark believes are connected. The crooks are assembling pieces of a mystical stone, one which leaves Superman in the unenviable position of fighting an army of the dead. Of the four annuals, this is the one that feels most pertinent to the ongoing storyline of the regular comics. Ever since his shift to his energy powers, Clark says, he’s wondered if this has changed his vulnerability to magic. In this issue he’s forced to face it, along with dealing with the fear of forces that he can’t defeat, and he learns a little bit about the relationship between magic and energy that could definitely come in handy in later stories. That is, if any of the remaining stories from this era feature magic and if the writers of those stories actually remember that. 

Thurs., Sept 11

Comic Books: Genesis #1, Steel #43, Superman: The Man of Steel #72, Genesis #2, Supergirl Vol. 4 #14, Superman Vol. 2 #128, Genesis #3, Adventures of Superman #551, Genesis #4, Batman: Justice Buster #27 (Superman Cameo), Jon Kent: This Internship Is My Kryptonite #8

This crossover just wasn’t the same after Peter Gabriel left.

Notes: Superman’s power struggles started during DC’s 1996 summer crossover event Final Night. Now we’ve progressed through a solid year’s worth of comics and we’re colliding with their 1997 crossover series, Genesis, which spun out of the pages of John Byrne’s Jack Kirby’s Fourth World series. The concept here was that the “Godwave,” a cosmic phenomenon, was about to pass through the universe. It had gone through twice before, the first time creating gods on multiple planets, and the second time creating humans. This time, reality itself seems to be threatened by its approach. As I did for Final Night, here I’m going to read the main Genesis series and any of the crossover issues featuring Superman or a member of the Superman-family, starting off with Genesis #1.

In Genesis #1, written by Byrne with art by Ron Wagner and Joe Rubinstein, heroes and villains start to feel their powers going haywire. The Flash’s speed is drained, as is Green Lantern’s ring, and Captain Marvel simply falls out of the sky. Others find their powers enhanced: Ultra Boy (the Legion is still in the 20th century) can suddenly use multiple powers at once, and Superman’s electrical powers feel an unexpected surge of energy. There doesn’t seem to be any rhyme or reason to it – heroes may be affected whether they’re metahuman, alien, mutant, or just have a powerful weapon like Green Lantern’s ring, while others like Aquaman suffer no changes at all. Batman theorizes that people from other dimensions, such as (the Matrix version of) Supergirl are not affected, but that never explains Aquaman. And as they debate and discuss what’s happening, an alien armada shows up in the skies above Earth. I never got the hang of Thursdays either.

The first Superman-family crossover comes in Steel #43 by Christopher Priest and Denys Cowan. This is a weird one, with the first half of the book mostly devoted to the ongoing stories and subplots of the series before touching upon Genesis – John Henry flies into Metropolis to check on Superman when he hears about the power fluctuations, only to suddenly start suffering from wild bursts of anger. He talks to Superman, who asks him to keep an eye on Metropolis while he meets up with the League (something that happened in Genesis #1), but when he flies off his new electromagnetic powers act like an EMP burst, frying the circuitry in John Henry’s armor and causing him to plummet from the sky! Cliffhangered!

Next up is Man of Steel #72. Lois and Clark are hanging out at the Planet when Clark’s powers spontaneously create an image of a meteor striking the Earth, freaking out Perry White’s assistant Alice, who decides she’s been working too hard. As Allie goes home, she’s attacked by Baud and her crew called Mainframe. Superman dives in to save her, but his powers again cause him to freeze and start projecting images, and Mainframe captures him, bringing him to their hideout. Override, the leader, is trying to use Superman to power a dimensional window, but Superman manages to get free, busting up a barroom brawl at the Ace O’Clubs between Bibbo, Scorn, and some monsters. This issue really has little to do with the crossover, just Lois theorizing at the end about some of the wild power fluctuations that have been happening lately. I hate that.

Genesis #2 picks up where the first issue ended, with the heroes at the Justice League Watchtower seeing the alien armada arrive in Earth orbit. Meanwhile, on the fused world of New Genesis and Apokalips (it’s a Fourth World thing), Darkseid seems to have vanished, which one would usually consider good news, except in this case it’s making the New Gods believe he’s behind the power fluctuations. One of the oldest of them, Arzaz, chooses this moment to reveal his true form as one of the “Old Ones,” the first Gods, who warns that if they do not stop the Godwave the Fourth World will be destroyed and replaced by a Fifth World. The changes don’t seem to be limited to powers, though – it’s also creating crises of faith. For instance, in Gotham City Robin, Huntress, and Catwoman seem to find themselves beset by a plague of fear and doubt that they normally don’t have. The Earth is suddenly besieged by Darkseid’s armies of Parademons, while the fleet in the sky turns out to be lead by the Darkstars leading an assault on Earth. Highfather finally shows up and says there’s one chance – some of our heroes will have to ride into the Godwave with a set of special Mother Boxes to focus the waning power of the Source. And all it’ll take is a few volunteers to run a suicide mission. He has no shortage of volunteers, of course.

The story moves from there to Supergirl #14. The crux of this series is that Supergirl saved the life of a woman named Linda Danvers that caused the two of them to merge into one person. This issue she goes to both of her sets of “parents” – the Kents, who raised her as Matrix, and Linda’s parents the Danvers – to tell them about it. It goes considerably better with Kents, who are far more used to weird stuff. Again, though, while Peter David’s whole run was great, the relationship to the crossover is tangential at best.

Superman #128 is – wonder of wonders – a crossover chapter that actually has to do with the main storyline. Picking up seconds after Genesis #2 ended, Green Lantern has had our heroes draw straws to decide who’s going to go on Highfather’s suicide mission. Before they can act, though, Highfather receives a psychic burst alerting him to danger at the Source Wall, the barrier between the universe as the cosmic energy of the Source itself, in which everyone who has tried to penetrate the wall has instead become bonded with it. They send Superman to investigate while the others continue their plans to deal with the Godwave. Superman is briefly dazzled by the sheer brilliance of the Source Wall, but his astonishment is broken when the giants bound to the wall begin trying to grab him and pull him in. He is trapped in a sort of living bubble, surrounded by memories of a human who turns out to be Hank Henshaw, the Cyborg Superman! Cliffhangered AGAIN! 

In Genesis #3 the inevitable happens – Darkseid returns. He gives an infodump on the Godwave before noping out and having his army attack the heroes until the New God Takion breaks it up, before reverting to his human form and dying for some reason. Can you tell I’m getting tired of this crossover?

Adventures of Superman #551 apparently forgot that it was supposed to be part of Genesis, at least on the cover, since it’s missing the trade dress, despite being far more linked to the story than the Man of Steel or Supergirl issues. Picking up where Superman #128 left off, Superman is in the clutches of the Cyborg, who has been inside the wall for some time. They fight and Superman hurls the Cyborg back into the wall before returning to Highfather and the others, meaning this two-issue excursion apparently took place between two panels at the beginning of Genesis #3. Oh yeah – and although Superman doesn’t know it, the issue ends with a hint that Henshaw, who has the power to hop from one electronic device to another, is actually now riding around inside Superman’s new techno-suit.

In Genesis #4 Earth is in utter chaos, with people giving in to despair and rage all around. But it’s okay! Because the heroes save the universe by…holding hands and believing? I don’t even know at this point. I’m going to be blunt here – this is one of the most poorly-structured crossovers I’ve ever read in my life, and I’ve read a LOT of them. Things happen for no reason and the individual installments feel pointless. Too many of them have barely any connection to the main event, and even the main event itself is a complete mess. Why the hell did the Darkstars invade Earth? Why is Darkseid and his entire army just allowed to appear and disappear at will? The two-parter with Superman fighting the Cyborg isn’t even referenced in the main story, we just kind of have to ASSUME it happened somewhere between panels of issue three. And none of the characters have personality – even the strike force that is assembled to use Highfather’s special Mother Boxes never gets any real development. We only learn in a flashback which 13 characters were chosen, and the choices are pretty irrelevant – you could swap any of ‘em out with anybody else and there would be no impact on the story because they don’t DO anything except show up, shoot at things, and then come back with a dead Takion.

John Byrne has been responsible for some of the best, most memorable comic books of all time. His runs on X-Men, Fantastic Four, and indeed, Superman are legendary. This book? This is the platonic ideal of phoning it in. 

Ugh. Now I’m grouchy. Here’s hoping tomorrow is better. 

Fri., Sept. 12

Comic Books: Action Comics #738, Superman: The Man of Steel #73, Superman Vol. 2 #129, Adventures of Superman #552, Action Comics #739, Taste of Justice #9

That’s more like it.

Notes: We start today with Action Comics #738, the one Superman title that dodged the bullet of having to tie in to Genesis. Superman returns to Metropolis following the crossover and almost immediately runs into a thief with the power to phase through solid objects. He escapes through an electronic store, where the Cyborg (hiding in Superman’s suit) jumps into the store’s computer system and begins plotting his revenge. This is a pretty-low key issue, mostly there to set things up and progress subplots like Clark and Lois dealing with the new circulation manager at the Planet who has the hots for Clark, and Jimmy – who has been on the run from Intergang for several issues now – finding himself in ever-hotter water. 

Man of Steel #73 picks up Jimmy’s predicament as Intergang finally catches up to him, just to run afoul of a group of high-powered hippie bikers that call themselves the Outsiders and who aren’t happy about Intergang’s encroachment on his territory. Meanwhile, Morgan Edge manages to convince Desaad (Edge works for Darkseid, by the way) to lend him some Parademons to help him wrest control of Intergang from Boss Moxie. Now Jimmy’s caught between three fighting factions. Superman finds himself in the unenviable position of defending Lex and his pregnant wife from them, and in Australia, Lois is on assignment to interview a native tribe whose Chief tells her “we are honored, for we have been chosen to witness the coming of the giants…and the end of all that is.” 

Nicely ominous, and I’m surprised that they started referencing the Millennium Giants – the story that would be the endgame of the Electric Era – so early. 

Superman #129 brings the focus back to Scorn and Ashbury, who has decided to start keeping a diary, beginning with the tale of bringing Scorn along with her to help decorate for her high school homecoming dance. Clark Kent also happens to be there (funny how that happens) working on a column when a fire breaks out. Fortunately, as Ashbury recounts, Superman ALSO shows up to help put it out. The issue mostly tracks Ash and her art teacher, Mr. Sormon, who it turns out isn’t a Superman fan. It also turns out there’s a reason for that. I have to admit, I got irritated with Sormon proselytizing in the classroom, which is the absolute last thing any decent teacher should do, until we got to the reveal that clarified it all. 

Adventures of Superman #552 has Big Blue face the Parasite again, for about two pages. Most of the issue is actually taken up with Lex Luthor and Intergang, as Lex makes his own play for control of Metropolis’s organized crime cartel. We also check in with Clark, missing Lois (she’s still in Australia) and trying to deal with things like getting tired in his human body, which has never happened before. 

And in Action #739, Ashbury takes Scorn to her homecoming dance, moved to a swanky hotel after the school caught on fire. Sounds nice – until an explosion rocks the hotel. Superman swoops in to save the day, only to discover the whole thing is a scheme by his old foe Carl Draper, now going by the name Locksmith. (Previously he was “Deathtrap.” In the pre-Crisis era he was the Master Jailer. And when he went to Smallville High with Clark, he was “Moosie.” The guy does not have a knack for good names.) As Scorn works on saving the kids at the dance, Superman works out his escape, getting back to the hotel just in time to stop it from collapsing. Back in Australia, though, Lois is kidnapped by Rajiv Naga, the guy who tried to kill Clark on their honeymoon. Fortunately for her, her dad gave her a GPS tracker before she left, which is why Clark is pretty surprised on the last page when Sam Lane shows up and demands Clark join him on a little trip down under to save her. 

I’m looking forward to the next few issues – Sam Lane and Clark Kent working together? Sounds wild. 

Sat., Sept. 13

Comic Books: Superman: The Man of Steel #74, Superman Vol. 2 #130, Adventures of Superman #553, Action Comics #740.

Faces. Faces are cool.

Notes: DC used to occasionally do these interesting events on their covers – one month every cover featured the hero on the top half of the cover with the title incorporated into the artwork at the bottom, for instance. This month was “Faces of the DC Universe”: each cover was a close-up of the face of the main character, or one of the main characters. I really liked these sort of mini-events – they had no bearing on the story inside, not disrupting the story like a Genesis-type crossover did, but it really made the books stand out on the racks in a pleasing, fun way. You still occasionally get cover themes like this, but they’re almost always restricted to variant covers these days, which isn’t nearly as much fun and don’t even catch the eye randomly. Ah, here I am getting nostalgic instead of talking about the comics. I guess I’ll do that now. I do it for YOU.

In Superman: The Man of Steel #74, Rajiv reveals his plan to the captive Lois. Back when he had Clark captured on their Honeymoon, he doused him with truth serum, during which Clark admitted to being Superman. Rajiv dismissed it at the time, but now he’s starting to wonder – so if Superman shows up to save Lois, he’ll consider it confirmation. Clark and Sam, meanwhile, are on their way to Australia, Clark lamenting the fact that he CAN’T get away and save Lois as Superman without Sam noticing something is up. There’s more “Clark’s Secret ID” stuff during this run than I remembered. Anyway, after a few close calls, Clark and Sam make it to Rajiv’s base, where Clark pulls off some quick-change shenanigans and figures out how to go invisible to save Lois without blowing his identity. This is the kind of stuff that works best in this period of Superman lore – forcing Clark to find alternative ways to pull off a rescue, while at the same time having to find new ways to protect his identity, since he can’t use his powers as “Clark” anymore. There have been several stories where the power change was really negligible – a few slightly rewritten panels and the stories would have worked just as well with “Classic” Superman. This time around, it’s a story where the different powers have a clear and measurable influence on the plot. 

In Superman #130, with art by the late, lamented Norm Breyfogle, it’s Halloween! Lois and Clark are on their way to a Halloween ball, but are briefly detoured to S.T.A.R.Labs, where Superman examines the recently-uneared Dragon’s Tooth artifact. This large rock formation has an unusual molecular structure, almost like DNA, as if it were alive. That can’t possibly mean anything, right? Anyway, at the party Lois and Clark stride in wearing Robin and Batman costumes and we go through a half-dozen subplots. Perry is feeling better and he ribs Clark on his recent weight gain (turns out that Mr. Perfect Kryptonian Metabolism is struggling with being a normal human half the time). Lex Luthor is still trying to play Metropolis Mayor Berkowitz, while Dirk Armstrong is on the anti-Berkowitz bandwagon. When Ashbury winds up getting into it with her dad, she and Scorn bounce from the party only to be picked up by a guy wearing Doctor Doom knock-off armor and riding a fancy motorcycle. It turns out to be Jimmy Olsen. The guy, I mean, not the motorcycle. Oh yeah – and apparently Superman’s energy caused something inside the Dragon’s Tooth to awaken, releasing a gigantic spirit that quite publicly kidnaps Clark from the party, leading to him switching to Superman and finding himself battling not one, but THREE of the giants as the issue cliffhangers.  

Adventures of Superman #553 picks up with Superman facing the three figures, who reveal themselves to be part of something called the “Millennium Guard.” He barely manages to escape, but they’re hot on his trail as he stumbles upon Jimmy, Scorn, and Ashbury – who’ve also picked up the Hairie called Misa (who not too long ago was part of Morgan Edge’s Superman Revenge Squad). They load the stunned Superman into Jimmy’s super-motorcycle and jet out of there to Cadmus. They manage to trick the Millennium Guard into thinking that Superman has been killed, at which point they each turn into a new Dragon’s Tooth. Well, at least that’s the end of it, right?

Nah, of course not. Also, Misa teleports Jimmy, Scorn, and Ashbury away before Superman can bring Ash back to her father or Guardian can arrest Misa. And in a subplot, Lucy Lane is terrorized by a super-powered serial killer that signs his name on walls as “The Ripper.” 

Action Comics #740, the police find some of Lucy’s things in the sewer, the first actual clue they’ve got in the Ripper case. Superman follows the trail into the sewer and winds up fighting an enormous beast. It gets away, but Superman finds Lucy trapped in a makeshift cage. The word “Ripper” is, again, inscribed on the wall, but this time there are more characters, leading Superman to theorize that the word isn’t actually English at all, but part of a different alien language, and that the creature – whatever it is – was trying to tell Lucy something. It’s an interesting idea, I suppose, but kind of a stretch. I mean…what are the odds of a symbol in some sort of alien language resembling a character from our English alphabet? Come on, Superman, think about it.  

Sun., Sept. 14

Comic Book: Superman: The Man of Steel #75

Wait, this looks…familiar.

Notes: 1998 began with Man of Steel 75 and a book that must have had Jon Bogdanove utterly delighted to draw – a spoof of Superman #75 on the front, and between the pages, a one-off story of Mr. Mxyzptlk. Lois and Clark happen to stumble upon a funeral procession of such size that they have to stop and check it out, only to find Mxyzptlk hamming it up over the casket. Mxy has decided that he wants to explore the concept of mortality, which (as a 5th dimensional imp) he’s never had to really think about…so he decides to die. Superman and Lois, as you can imagine, are not particularly concerned about this proclamation. Mxy whips up a new version of Superman’s killer to face – Bada Bing Bada Boomsday – and gives up his powers so he can REALLY die in battle.

Then it starts to get weird.

This is a really great little story. It’s goofy, silly, has no consequences and not even any real stakes. But Louise Simonson and Jon Bogdanove paint Mxyzptlk in a way that comes across more as a naive imp than the malevolent trickster he can be sometimes. He’s genuinely just there to experience something new, and the havoc he causes comes across not as the result of spite, but of genuine ignorance as to how we mere three-dimensional organisms live our lives. The whole thing boils down to a hilarious revelation as Mxy sees his version of the afterlife. You could skip this book. You could simply pluck it from the omnibus editions of the Electric Superman era. You could pretend it’s not there. But you’d be missing out on something that’s actually a lot of fun.  

Mon., Sept. 15

Comic Books: Superman Vol. 2 #131, Adventures of Superman #554, Action Comics #741, Superman: The Man of Steel #76, Superman Red/Superman Blue #1, Jon Kent: This Internship is My Kryptonite #9

One last burst of blue…

Notes: It’s the big day! Lex’s wife, Erica, is about to give birth – so naturally, Lex is at a photo op with Mayor Berkowitz. He gets into it with Perry White over their shared history, which fills us in on a lot of things about this continuity’s version of Lex that had slipped my mind. I knew he hadn’t grown up in Smallville with Clark like so many versions of the character, but I’d forgotten he and Perry had taken on a similar dynamic: children of Suicide Slum that grew up as friends but broke apart. It’s also worth noting that Perry and Alice’s son, Jerry, had turned out to actually be Lex’s son – the product of an affair decades before. Although Perry and Alice had reconciled, the bitterness over Jerry’s death still lingered over Perry at this point. Perry gives Lois a reader’s digest version of Lex’s life – growing up in the slums, his parents dying in an “accident,” and being taken in by a foster family that was only interested in him because they suspected he had money. Lex fell in love with another of their fosters, a girl named Lena, who their foster father accidentally killed in a fit of anger. From then on, Perry says, any remnant of warmth in Lex Luthor was extinguished forever. 

The ending of this issue is pretty shocking, even for Lex Luthor, and is kind of disturbing to read in the current climate. But by the time it’s over, Lex has a new daughter, he’s thrown his wife aside, he’s gotten what to him no doubt seems like a satisfying revenge, and Metropolis is on the hunt for a new mayor.

Adventures of Superman #554 returns to the far more comic booky story of the Ripper, the monster patrolling beneath the streets of Metropolis, but not before a scene where Lex lords his new daughter – Lena Luthor – over Superman, gloating that his studies of Kryptonian DNA have suggested to him that it would be utterly impossible for him to ever have a child with a human. 

This is an example of what TV Tropes calls “Hilarious in Hindsight.” 

Anyway, Metropolis’s new mayor calls in a Kraven wannabe called Burton “Hunter” Thompson to try to track down the Ripper in the sewers, much to the chagrin of SCU head Maggie Sawyer, who is forced to work with him. At the Planet, Dirk is upset because he hasn’t heard from Ashbury in over a week. When Clark tries to comfort him, saying that Scorn will keep her safe, Dirk snaps back that he can’t understand because he’s not a father, a remark which visibly disturbs Clark. Damn, the Superman writers were REALLY leaning into that angle, weren’t they? It almost makes me wonder if they were planning to do a super-baby storyline way back then, but then it got sidelined for some reason. 

Superman joins the SCU and the Hunter in the sewers where they manage to find the Ripper. Hunter kills it while the creature is clearly trying to communicate, and Superman is left wondering what more there is to the Ripper that Hunter is trying to hide. 

Action Comics #741 brings back the time-tossed Legionnaires one last time. In their efforts to return home in their own comic, they’ve kinda sorta accidentally created a malevolent AI that’s taking control of tanks and other heavy machinery and causing havoc. Fortunately in the real world AI is totally benevolent and can only do good things. In the comic, though, they wind up struggling against out of control aircraft – which Brainiac 5 discovers aren’t being controlled by his C.O.M.P.U.T.O. after all, but from a signal coming from LexCorp Tower, because of course it is. They find Lex in the middle of telling his new daughter a rather slanted version of Chaucer’s tale of Chanticleer the Rooster (great segment there by the way) and end the issue with a particularly nice dig against Luthor. Superman doesn’t get petty often, but when he does, he finds a way to hit you where it hurts.

This would be the last time we saw the Legion before they went home, by the way. Their search for C.O.M.P.U.T.O. continued from this issue into issue #100 of their own series, which featured them finally returning to the 30th century. It was nice while it lasted, though.

In Man of Steel #76, Bogdanove does a nice take on his own over for Superman: The Man of Steel #1 (a trick he repeated a couple of years ago for the first issue of the Steelworks miniseries), and we pick up on Jimmy’s group, now on a quest. The DNAliens Simyan and Mokkari, meanwhile, are cooking up a new creation in a kind of weird meta-story. The two storylines collide with the release of a monster in midtown Metropolis. Superman takes care of it fairly easily and Ashbury is finally returned to her father…but Simyan and Mokkari are picked up by Morgan Edge, who hears they have a habit of creating monsters. It’s a really weird issue – visually fun, but it feels like they’re trying to cap off the Ashbury thing quickly to move on to what’s next.

Pictured: Next.

What’s next, you ask? Why, that would be Superman Red/Superman Blue #1, the beginning of the final act of the electric era. So important that it even had a 3-D variant cover! On Christmas, the Cyborg returns yet again, teaming up with the Toyman (who, at this time, was in his child-murdering phase) with a plan to destroy Superman. They capture him in a sort of energy bottle, with the Cyborg planning to rip his energy-body apart and store it in a thousand containers. At the same time, Toyman has Lois captive, and takes her away. As Superman’s body is dispersed he panics and explodes, the Cyborg’s machine splitting him into two – neither of which is aware of the other. “Blue” rushes off to save Lois from the Toyman, while “Red” brutally battles the Cyborg and traps his electronic consciousness inside an orbital antenna. The two villains disposed of, both Supermen return to the Planet office, switch to Clark Kent, and proceed to make an entrance…I gotta tell ya, that’s the way to do a cliffhanger that isn’t a life-or-death situation. The story itself is a little surprising, with such a big change in the status quo happening really quickly with absolutely no buildup. Unlike the transformation to Electric Superman, which was seeded and hinted at for months, this just HAPPENS. 

Even odder, this issue spends a lot of time on the ongoing subplots of the Superman saga. Scorn is captured by a hologram controlled by Lex Luthor, who wants to study him to learn more about Kandor. Jimmy returns to his ransacked apartment to find the medallion he got in the Pulp Heroes Superman Annual, which freaks Misa out. There’s really a shocking amount of stuff happening here that ISN’T directly related to the Red/Blue split, but that does help it to feel like a significant chapter of the ongoing saga, which is a good thing. 

Tues., Sept. 16

Comic Books: Superman Vol. 2 #132, Adventures of Superman #555, Superman: Man of Tomorrow #10, Action Comics #742, Superman: The Man of Steel #77, Jon Kent: This Internship is My Kryptonite #10

See what they did on those bottom two covers? Idn’t that NEAT?

Notes: We’ll finish up this week with the first month’s worth of the adventures of Red and Blue. I know I’ve been on this storyline for three weeks now, but it doesn’t feel like it to me – I feel like I’ve whipped through this much faster than I expected, and I think I’ll be able to finish it off next week. Fortunately I’ve still got several other themes lined up to get me to the end of the year.

We’re starting things with Superman #132, picking up right where the cliffhanger at the end of the Red/Blue special left off. The two Clark Kents both return to the Daily Planet building at the same time, with Blue coming down from the roof and Red entering from the ground level. Blue goes off to a lunch meeting with Perry, while Red finds Lois and effusively shows his joy that she’s okay, even though he doesn’t know how she escaped the Toyman. Most of the issue is taken up with Three’s Company style shenanigans, with the two Clarks narrowly missing each other at the Planet office, at the JLA Watchtower, or Dooley’s restaurant, but the JLA quickly discovers that there are two Supermen. Their genetic scanners, furthermore, confirm that BOTH of the men are genuine, something Blue doesn’t accept, leading to the two Clarks confronting each other in the alley behind the restaurant on the last page. 

It’s subtle, but this issue also lays the groundwork for the way these two are going to differentiate from one another, aside from the color. As we see Red bounding around Metropolis, he’s very energetic, free-wheeling, and emotional. He cracks jokes like Spider-Man and has no hesitation dropping a friendly put down on Green Lantern. Blue, on the other hand, is already coming across as colder and more stoic, with a short but clear moment of rudeness to a waiter who spills some coffee on his tie. There are a lot of stories about a character splitting into two that pull this same trick – each version gets PART of the character’s personality. In Superman’s case, Red is his emotional side, Blue the logical, and it’s going to be very clear soon that neither of them is as effective without the other.

Adventures of Superman #555 continues with the fight in the alley, both Clarks swearing to be the genuine article. As they argue, a lunatic with a pair of guns and dynamite strapped to his chest barges into Dooley’s. Red punches out Blue and rushes in to tackle the attacker, scared for Lois’s safety, without even changing to Superman. The bomb is still ticking, though, and Blue switches to his energy form to whisk the bomber out of the restaurant. He manages to contain the explosion and save the bomber, but winds up confronting Red again, each of them convinced that the other is the Cyborg pulling some new scheme. When they touch each other, though, something happens…

Meanwhile, Jimmy and Misa make their move to rescue the captive Scorn, a plan that gets slightly derailed when the Black Crucible – the cult Jimmy took the Medallion of the Damned from – shows up in an attempt to reclaim it. They get him free and the three of them, along with Ashbury, are on the road again.

Man of Tomorrow #10 picks up with Lois confronting her husbands at home. When they came into contact their minds temporarily fused together, making them realize how the Cyborg’s machine split them. Unfortunately, they don’t know how to merge into one again, prompting them to zip to the Fortress of Solitude to look for a solution. When they get there, though, they find that the Fortress has been invaded by Dana Dearden, aka Obsession, a highly-powered woman who is…well…obsessed with Superman. To make matters worse, Maxima shows up at the same time, hopefully convincing Superman that he’s gotta work harder in this continuity to hide the Fortress. The two women fight over him, trashing the Fortress and nearly destroying Kandor before Maxima tricks Dana into leaving via a telepathic trick, and the Supers capture Maxima and drop her off at Belle Reve. It’s a pretty good issue, but true to the Man of Tomorrow ethos, it doesn’t really have any major plot momentum in the Red/Blue saga, except for Maxima confirming that both Red and Blue are really Superman (which we already knew) and that Kryptonian tech isn’t going to fix the problem. 

Action Comics #742 is next. Red and Blue split up, Blue being more concerned with finding a solution to their problems, but Professor Hamilton is nowhere to be found. In the meantime, an eco-terrorist calling himself Kirichitan releases all the animals from the Metropolis petting zoo, with Blue zipping in to fight him. Meanwhile, the home where Luthor has been keeping his wife under sedation since the birth of their daughter mysteriously burns to the ground. Meanwhile, Man of Steel #77 shows us what Red is up to at the same time, zipping home to be with Lois, but being called to investigate the fire that seems to have consumed Erica. Red and Scorn wind up, through timey-wimeyness, fighting some dinosaurs and robots in Suicide Slum, and Scorn decides that his presence is too dangerous for Ashbury, leaving her behind and breaking her heart.

There’s a fun little trick with these two issues, taking place simultaneously and showing some of the same events from different perspectives. It’s not quite a Rashomon situation, but writers Stuart Immonen and Louise Simonson have a little fun with the conceit, as do Immonen and Jon Bogdanove on the two covers that match each other as a single image.

Oh yeah – also, at Cadmus, something is happening to the Dragon’s Tooth artifacts. We’re on the cusp of the Millennium Giants, and the end of this era.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 36: Electric Boogaloo Part I

After last week’s extended wind-up, this week it’s time to do a deep dive into the era of Electric Blue Superman. I’ve honestly got no idea how far into the run I’ll get in the next seven days, but I intended to have a good time finding out.

Before I get into it, though, some fun news hit today. James Gunn hopped on social media earlier with a post of image by Jim Lee: Superman (in the David Corenswet costume) and Lex Luthor in his power armor. Along with the image came the caption, “Man of Tomorrow. July 9, 2027.” This is pretty exciting. We knew he was working on the next movie already, but this is far more information than I thought we would possibly get before next year. We’ve got what seems to be a title, and maybe even a hint of the plot, with Lex in his armor. Obviously, I’m pumped.

After all, isn’t the one thing Superman has always been missing a screwdriver?

But I gotta tell you this story. I got a message right before lunch and, being in class at the time, I obviously couldn’t stop to look at my phone. When the lunch bell rang, the students left the room and I checked to see that Mark had shared this image. I got excited, I replied, and then I stepped out into the hall. Not 90 seconds after I got Mark’s message, a student ran up to me – not even a student I teach, just one who knows me – who wanted to know if I had seen James Gunn’s announcement yet.

I have a brand, don’t I? 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 3

Comics: Adventures of Superman #546, Action Comics #733, Superman: The Man of Steel #68, Superman Vol. 2 #124

That image looks…familiar somehow.

Notes: In Adventures of Superman #546, Lois Lane has her first meeting with her new and improved husband. As glad as she is to see him okay, he’s just as angry when he sees that the Daily Planet’s inflammatory new columnist Dirk Armstrong has painted him as a menace…mostly because Clark thinks he was right. When word comes in that Dirk’s blind daughter, Ashbury, has been kidnapped, Superman races to search for her, only to get sidetracked when he’s attacked by his old foe Metallo, who wants to try his hand at facing the new Superman. Don’t worry about the kidnapping victim, though – Ashbury is rescued by Scorn, who she briefly mistakes for Superman. Liking the role of hero, Scorn puts on Superman’s old symbol as his own. 

In Action #733, Superman just manages to escape from Metallo’s clutches by switching to his human form, but winds up injured in the process. Hoping to gain more control over his new powers he seeks out someone who has similar experience: the energy-hero called the Ray. After a few tips, Metallo rises again, and Superman figures out some new tricks to take him down. This is an interesting issue – Ray only appears on a few pages, despite getting a nice “guest-starring” credit and half the cover. But what he does here isn’t insignificant, helping Superman start to figure out his powers and even theorizing that the reason he has no powers in his human form is because he subconsciously is imitating humans as he sees them. I like the fact that Superman isn’t above going to a younger hero for help when he needs it, even one as relatively inexperienced as the Ray. It’s the sort of thing that works well as a character beat, showing how even-tempered and nuanced he is.  

The battle with Metallo continues in Man of Steel #68, and courtesy of Jimmy Olsen, it gets a lot harder. At this period, Jimmy was working as a TV reporter for WGBS news instead of his traditional photographer gig, and desperate to stay on top of the ratings heap, he starts covering the Metallo fight and explaining Superman’s new powers based on information he got from Professor Hamilton. Metallo is monitoring the TV broadcast, though, and using Jimmy’s broadcast to change his tactics. Superman manages to beat him, but winds up spinning into space, having absorbed far too much energy. 

After ending Man of Steel #68, Dan Jurgens makes the rather odd choice to begin Superman #124 after the crisis has been resolved, with Lois and Clark discussing how the Planet’s publisher, Franklin Stern, is angry over his frequent absences lately. Then Clark dives into a flashback in which he’s saved from dissipating into energy in outer space by the timely intervention of one of Jurgens’ favorite creations, Booster Gold. The rescue fries the armor Booster has been wearing for some time, though – actually, ever since his original super-suit was destroyed in battle with Doomsday. Superman brings Booster to Hamilton, who uses the leftover weave from Superman’s containment suit and combines it with the remaining future technology Booster brought back from the future with him, giving him a new suit that’s a bit more in line with his classic one. I love when you see stuff like this – Jurgens clearly wasn’t happy with how the writers that followed him on Justice League America changed Booster’s armor and used this opportunity to fix it a little bit.

This issue gives us a lot of advancement on several subplots as well. Jimmy kind of patches up his relationship with Lois and Clark, ashamed of how his broadcast had endangered Superman, just in time for Perry White to storm into the Planet office and announce that his cancer is in remission and demand his job back. In Kandor, the town’s rulers find evidence that the bottled city – which is actually out of phase in another dimension – is on the verge of destruction. And Scorn is drawn to Lois and Clark’s apartment, where he finds one of Clark’s old costumes. 

Reading these issues this way, one after another, following the story for long periods of time, is really making me feel nostalgic for the Triangle Era in a way that not even the Death of Superman. I love having this quick progression of story, so unlike a typical monthly comic book story. Even right now, when the Superman comics are really good, this is a different feeling. It’s a feeling I like.

Ah, I wish we could get it back. 

Thur., Sept. 4

Comics: Adventures of Superman #547, Action Comics #734, Superman: The Man of Steel #69, Superman Vol. 2 #125, Secret Six Vol. 5 (Super-Son)

The Atom only went along because Superman told him they’d go spelunking instead of skydiving.

Notes: Still adjusting to his new powers, in Adventures #547, Superman is alerted to the crisis in Kandor and decides to reach out to a hero with experience in size manipulation: the Atom. At this point, though, Ray Palmer had gone through an even more radical transformation than Superman, having been reduced in age to a teenager. He was currently the leader of a new, very different version of the Teen Titans in a book written and drawn by our old pal Dan Jurgens. Still, despite having a teenager’s body and attitude, he retained his memories, and as a former Justice Leaguer, jumps at the chance to work with one of the big guns. Hamilton journeys to the Fortress with the two heroes, and Superman and the Atom dive down into Kandor. Scorn, meanwhile, is wandering around Metropolis stalking Ashbury and carrying around the Superman costume he took from Clark’s apartment, seemingly trying to decide what he wants his path to be now that he’s free of Kandor. 

Action #734 picks up with Ashbury reuniting with Scorn, although the blind girl is still under the misapprehension that he’s Superman. At that same time Rock – a villain Superman caught a few months back – breaks out. With Superman and the Atom in Kandor, though, Scorn takes care of Rock by himself, to the confusion of the SCU, who sees this horned, blue brute wearing Superman’s old costume. In Kandor, Superman and the Atom fight off some of the city’s peacekeepers who are still loyal to their original captor, Tolos, and a group of dissidents manage to attack the city’s environmental generator. The city is beginning to freeze, but that’s not even the real issue. They’ve got one hour to get the generator back online before everyone in Kandor suffocates to death.

 In Man of Steel #69, Superman, the Atom, and a telekinetic local named Faern try to get to the generator to start it up again. But the generator is bombed, and in the explosion, Tolos is revealed to be alive and hiding in Faern’s body. He escapes and takes over Superman, which I’m sure you can imagine is inconvenient for everyone. Outside of Kandor, Scorn has crashed at Ashbury’s apartment, with the blind girl finally figuring out that he’s not actually Superman, but she befriends him anyway. When her dad shows up, though, he thinks Scorn is a menace and Scorn, not realizing Dirk is Ash’s father, leaps from the window with her in his arms. Perry White demands that Planet staff get to the bottom of the Scorn situation, and still more questions about Clark’s attendance issue are raised. 

I bring up that last point mostly because I think it’s an interesting note for the character. One of the reasons for Clark choosing the job of a reporter is usually the notion that it will allow him to be absent frequently to act as Superman under the guise of “covering a story.” That might work if he’s gone for a few hours, but as we’ve seen in these books lately, his other job sometimes has to take him away for days, weeks, even months at a time. The excuses he (and later, Lois) come up with to explain his disappearances often strain credulity and are frequently lampshaded these days. All of this is just to say that things like this are why I like the interpretation of the characters that say Perry White knows – or at least strongly suspects – that Clark is Superman, because otherwise he’d never put up with this.

The Kandor story wraps up in Superman #125. Tolos, controlling Superman’s body, frees himself from Kandor and attacks Hamilton, who’s been holding vigil over the bottled city. But Hamilton manages to science Tolos out, sending them both – separately – back into the bottle. Superman manages to trick Tolos, trapping him in the “glass” of the bottle, which is actually an energy barrier containing the city in its pocket dimension. Reuniting with the Atom, the two heroes manage to fix the machines that maintain the city’s environment, and the story ends with Superman swearing to the people of Kandor to find a way and a place to release them from the bottle and set them free.

It sounds awfully familiar, actually.

The first extended team-up between Energy Superman and the Atom is an interesting glimpse at the characters and the time. Superman is still learning the ropes of his energy form, but he’s still essentially the same person at his core. The Atom, on the other hand, has his memories and powers intact, but the brashness and eagerness of a teenager. Almost every other page in these four issues includes a reference to him hoping to impress Superman enough that he’ll score an invitation into the newly-formed (at the time) Justice League. The story flows together the way the Triangle Era did, and although this version of Kandor has been excised from continuity, there’s some interesting stuff going on. I especially like Scorn – a character who looks like a monster but decides that, if he’s gonna be stuck on Earth, there are worse things to be than Superman. He’s not wrong. 

Fri., Sept. 5

Comics: Adventures of Superman #548, Action Comics #735, Superman: The Man of Steel #70

“Why you electrocuting yourself? Why you electrocuting yourself?”

Notes: In an epilogue to last month’s adventure, Kandor is shifting its allegiance from Tolos to Superman. In fact, his shield (the current, electric blue one) is showing up as a graffiti tag on city walls. Superman tells the Atom he’d be willing to recommend the Atom to rejoin the League, but suggests he could be of more use leading the Teen Titans, which he decides to take as a challenge. Clark returns to the Planet and tries to excuse his absence by saying he was hunting down the story on the new Superman, to which Perry replies, “Which one?” But while working on the story, Lois drops a bomb on Clark that he hadn’t been made aware of before: that the electronic fabric in his new suit was supplied by Lex Luthor. He rushes to LexCorp Tower, suspecting Lex of being involved with his power change as he’s tried tampering with them in the past, but leaves when Erica fakes a problem with her pregnancy. And in a moment that’s chilling to any long-time DC fan, the Phantom Stranger pops in to tell Clark that there’s some great disturbance in the universe, something that may or may not be connected to Superman’s new powers. And the fact that he’s not sure should be pretty scary to anyone.

(Wait — has anyone told Booster Gold that HIS suit has LexCorp tech too?)

Action #735 brings us the return of Saviour, a delusional serial killer who wants to “punish” liars and fakes, and who doesn’t believe that Superman actually returned from the dead and is dedicated to killing the “imposter” using his name. Ashbury, meanwhile, has found a hiding place for Scorn in the abandoned pool at her school. When Scorn hears Saviour on the radio calling Superman out, he is determined to help. Superman’s new energy powers allow him to find a way to cancel out Saviour’s energy, taking him out, but he manages to slip away and vow revenge. 

In Man of Steel #70 Superman and Scorn part as friends, but not before Superman tells the alien he has to bring Ashbury – a 17-year-old girl – back to her father. Although Ash protests, Scorn trusts Superman’s judgment, and she finally acquiesces upon learning her absence is taking its toll on Dirk’s health. WGBS, meanwhile, airs Jimmy’s interview with Hamilton about Superman’s new powers, despite the fact that it gave Metallo an edge in the fight, and this time Saviour picks up on it. With his reality-warming, he starts to mimic Superman’s new powers to get his attention. Scorn and even Bibbo get in on it, with Bibbo snatching a crib sheet Saviour wrote to keep track of what he learned about Superman’s powers. Superman and Scorn beat Saviour, but Jimmy’s relationship with his friends is damaged even further. 

Jimmy could rarely catch a break during the Triangle Era. A running theme seemed to be him making a foolish mistake and then having one consequence after another stacked up on him like an enormous Dagwood Sandwich of Suck. It honestly could get a little tiresome after a while. These days we don’t see him quite as often as I’d like, but when we do, it’s usually more in the vein of the weirdness magnet that Matt Fraction (and, to a lesser degree, James Gunn) used him as. I prefer that. 

Sat. Sept. 6

Comic Books: Adventures of Superman: Book of El #1, Absolute Superman #11, Justice League Vs. Godzilla Vs. Kong 2 #4

Notes: I’m taking a break today from the electric saga to pick into this week’s new Superman titles, starting with Adventures of Superman: Book of El #1.

🎶”Who wrote the book of El?”🎶
“I told you, Phillip Kennedy Johnson. Stop singing.”

This new miniseries is written by Phillip Kennedy Johnson as sort of the conclusion to his run on the Super-titles that followed Brian Michael Bendis’s run and lasted into the Dawn of DC era before he stepped aside. I had mixed feelings about his run. Coming off of the (ahem) previous writer it was inevitable that it would be an improvement, and there were certainly things about Johnson’s run that I enjoyed, but I ultimately got turned off. In this period, Johnson wrote about a Superman that was depowered on Warworld, and for most of that run, it was the only regular comic featuring Clark Kent. (The Superman title was sidelined and replaced with Jon Kent as Superman: Son of Kal-El.) I got burned out on Warworld eventually. Towards the end of the run I realized what the problem was – it was simply too long. A solid year of Superman on another planet and separated from Lois, Metropolis, and all the other elements that make Superman so great just didn’t work for me. In the Triangle Era they could have gotten away with it because a twelve-issue storyline would still only last three months, but 12 was too much. I greatly preferred the final section of Johnson’s run, after Superman returned to Earth and Action Comics became kind of a Superman Family title. 

All that said, let’s look at what Book of El gives us. The story starts on a lazy day in Smallville, with the Kent family all together: Lois and Clark, Jonathan and Martha, Jon, and the adopted twins from Johnson’s run, Otho-Ra and Osul-Ra, who have ostensibly been living with Lois and Clark this whole time but who even the good writers of the modern Superman titles consistently forget about. Their idyllic afternoon is shattered by an attack by Kryl-Ux, an enemy from Warworld, leading an invasion force and – seemingly – hurling Superman into the future. On the last few pages Clark encounters Ronan Kent, a descendent of his from Johnson’s Future State comics, and the knowledge that he disappeared from Earth hundreds of years ago.

I really do like the way Johnson writes the whole Kent family together. He gives each character a voice that fits them, and his Lois and Clark interactions (so infrequent during his Warworld storyline) are excellent. The revelation at the end takes all the air out of the tires, though. Clark is missing for centuries? Presumed dead? And the invasion of Earth is successful? The whole thing may as well end with a big banner that says “THIS STORY WILL BE RESET AND THIS FUTURE WILL NOT HAPPEN.” By the end of this miniseries, I have absolutely ZERO doubt, something will happen that will eliminate the future of Ronan Kent from being a potential future. That doesn’t mean the story can’t still be good, but it excises the whole thing from consequence in continuity, and that hurts.

Brainiac doing his best Cryptkeeper voice: “What the matter, Kal? Got GORE-gia on your mind? HEEHEHEEHEHEHEHEEEE!!!”

In Absolute Superman #11, Kal-El is in the clutches of Brainiac, who is forcing him to experience hundreds of torturous simulations of the final days of Krypton with the intention of brainwashing him into becoming a tool for Ra’s Al Ghul. Despite some early success, though, Kal-El begins to resist the reprogramming. Meanwhile, Lois and Jimmy are captives of Talia, and find a very unexpected rescuer coming to their aid. This series is progressing a little slowly, to be honest, but this issue is solid. There’s a lot of action and great stuff with Kal-El and Brainiac, and I particularly like the way Jason Aaron is playing with [REDACTED] when that particular character comes to the rescue. Good stuff here.

Finally, we have Justice League Vs. Godzilla Vs. Kong 2 #4. The League is trying to recruit Godzilla to help with the current situation, but something in the other realm where Godzilla resides is preventing the Kryptonians from fully processing the solar radiation that powers them. To even the score, Mr. Terrific whips up a device that will temporarily make Superman kaiju-size…but at the same time, reduce his intellect to a point where he’s operating on pure instinct. That’s right: it’s Godzilla vs. Kaiju-Superman!

And somebody decided to go with a cover of a few random League members facing a water monster that doesn’t even appear in this issue. I swear, boneheaded movies like this are the reason I should be put in charge of comic books. 

Sun., Sept. 7

Comic Books: Superman Vol. 2 #126, Adventures of Superman #549, Action Comics #736, Superman: The Man of Steel #71, Superman Vol. 2 #127

Clark had trouble making friends in this era.

Notes: It’s back to the electric era today, starting with Superman #126, in which our new electrified hero faces his Dark Knight buddy. Lex Luthor is planning his legal defense for his…well, trillions of crimes. But his scheme is to argue that he was somehow influenced by the Kryptonite ring that gave him cancer. Despite the fact that it might help Luthor, Mr. Truth and Justice Superman has no choice but to go to Batman and retrieve the ring. He returns it after some tests or run – or so he thinks. Luthor had one of his “scientists” pull a fast one, replacing the ring with a duplicate. Superman and Batman don’t know that the ring in the Batcave is a fake…but Luthor doesn’t know that Kryptonite no longer affects Superman in his energy form.

There’s an awful lot going on in this issue. In addition to the main plot I just recapped, there’s a great sequence where Superman saves the city from a plane crash, having to figure out how to use his new powers to do something that would have been relatively simple for the “old” Superman. Scorn is also convinced to abandon the Superman costume he’s been wearing and forge a name for himself. There’s good stuff there, but the actual Superman/Batman meeting is kind of a letdown. I would have hoped Batman would have more to say about Clark’s transformation, as this is presumably the first time they’ve encountered each other since it happened, but Batman barely seems to notice. It feels like those early Byrne issues where the two were tense rivals at best. Granted, they weren’t yet Superbesties again at this period, but as teammates in Grant Morrison’s Justice League, I would have expected them to be a bit more cordial to one another. 

Adventures of Superman #549 stars with Superman forced to do something he didn’t need to do when he had hearing and vision powers: go on patrol. Instead of stumbling on Intergang, though, he winds up in the middle of a rumble between the Newsboy Legion and the Dingbats of Danger Street. No, really, those are actual comic book characters. Jimmy, meanwhile, is struggling to find some credibility after his recent struggles. He decides to check in on Lois and Clark, but arrives just as Intergang firebombs their building as a warning to Lois to back off. Superman evacuates the building, but is then forced to go back in as a powerless Clark to protect his identity. After spending the night in the hospital suffering from smoke inhalation, he goes to Professor Hamilton to ask if he’s discovered a way to restore his powers to normal, but Hamilton gives him the shocking news that this change seems to be permanent. Also at the end, Superman brings in yet another obscure group of DC kid characters to settle the issue between the Newsboys and the Dingbats, and Jimmy decides he’s going to resurrect his career by making one of the stupidest decisions he’s ever made in his entire life, and keep in mind that this is a man who once married a gorilla.

Action Comics #736: The mysterious shadowy figure who recently assembled a Superman Revenge Squad starts assembling…well…a new Superman Revenge Squad. He busts Barrage out of prison, then recruits Rock and the Parasite to his cause, with a promise of more to come. Clark, meanwhile, is depressed over the revelation that the change to his powers will be permanent. He heads to Pennsylvania on assignment for the Planet, only to get trapped in a coal mine collapse with a bunch of miners. The old Superman could get them out in moments, of course, but if he were to fire up his new electrical powers, he runs the risk of igniting the coal dust in the air and killing them all. This is the kind of story that they do every so often to prove that Superman is more than his powers – he’s actually got a brain, too. Clark finds a way to save everybody without his powers, because that’s what Superman does, no matter what costume he’s wearing.

Man of Steel #71 picks up on the Jimmy Olsen Bonehead Show. After the incident at the apartment, Jimmy is convinced he’s figured out Superman’s secret identity, and the rest of the crew at WBGS news is trying to convince him to pursue and report it. But at the same time Bibbo, who punched Jimmy out a few issues ago for his LAST boneheaded move, gets back in the boxing ring and wins, then surrenders his title as penance for hitting Jimmy. Somehow this is enough to cause a moral quandary in a man who should have NO moral quandary about the question of WHETHER OR NOT TO RUIN THE LIFE OF HIS BEST FRIEND, JAMES BARTHOLOMEW OLSEN, WHAT IN THE NAME OF NERON ARE YOU THINKING?

Ahem.

Also, the mysterious recruiter picks up a new villain, an electrical woman named Baud, to join his new Revenge Squad, and his identity is revealed as…Morgan Edge. It’s not the most dramatic reveal, honestly, but it tracks. He sends them to fight Superman, because that’s what he does.

And in Superman #127, Superman narrowly escapes the Revenge Squad as they start to fight amongst themselves. Superman lets the Parasite take out the other three, then bounces in and reverses things on his magenta rival, defeating him by using his new powers to suck the excess energy from him and leaving him helpless. Then, Lois and Clark get a visit from Jimmy, who asks their advice on whether he should pursue the story of the century, even if it will get someone “really mad at him.” Clark, being Clark, tells him that the truth is the most important thing, and Jimmy leaves renewed in his determination to blow Superman’s secret identity, because they are really writing him as unforgivably stupid at this point in the series. Honestly, I’d forgotten about all this. Jimmy. James. Jimothy. What the hell, dude? 

Mon., Sept. 8

Comics: Adventures of Superman #550, Action Comics #737, Superman: The Man of Tomorrow #9, Jon Kent: This Internship is My Kryptonite #7, Justice League of America #28

Or “The Adventures of Superman’s Stupidest Friend, Jimmy Olsen.”

Notes: Jimmy’s giant bonehead extravaganza comes to a head in the “double-sized anniversary issue” Adventures of Superman #550. As he prepares his news special in which he plans to reveal Superman’s identity, he tries to justify it in his head by saying that, without his hearing and vision powers to alert him to danger, Superman’s identity being public would make it SO MUCH EASIER for people to come to him for help, displaying the kind of mental gymnastics that wouldn’t be associated with Superman again until Zack Snyder fans started to desperately try to pretend that the James Gunn movie wasn’t successful. Jimmy invites Lois and Clark to the taping of his special, along with two other guests: former football pro Johnny Dakota and Newstime magazine publisher Collin Thornton, both of whom also happen to live in the same building as our happy couple. Lois storms out of taping as Jimmy reveals what’s up his slave, but Clark instead gives Jimmy a kind but firm dressing-down about how Superman wouldn’t do anything to hurt anybody. The speech doesn’t fall on deaf ears, but Jimmy realizes it’s too late to back down now, and so on live TV he announces that Superman’s secret identity is…NOBODY! 

Okay, he did the right thing in the end, but Jimmy B. Olsen comes across – both in-universe and to the reader – as one of the dumbest characters in the entire DCU. 

Predictably, he gets fired from WGBS and he decides to take a little time off, even keeping the truth about Superman’s secret to himself…that Superman is really, of course, Collin Thornton.

I dislike this take on Jimmy so, SO much. I’ve talked before about how I prefer it when characters are played to the top of their intelligence, and this is as far from that as it could possibly go. Not only does Jimmy completely miss every clue that Clark is, in fact Superman, a fact that even a child could infer from the speech Clark gives him in this issue, but his emotional intelligence would have that same child look at him in disgust. One of my favorite bits of the new movie is the scene in the end, where Perry White and Jimmy Olsen quip about how long Lois and Superman have been hooking up. The scene can be read one of two ways: either they know Lois is involved with their biggest headline, OR they know that Lois is involved with Clark and that Clark happens to be Superman. There’s been quite a lot of chatter online about this, and personally, I prefer the latter interpretation, much for the same reason that I believe that James Gordon knows that Batman is really Bruce Wayne – he’s just too smart NOT to have figured it out, but he knows it’s best to keep it to himself. THAT’s the Perry and Jimmy I want to read about.

Not this assclown.

But as it turns out, the dumbification of Jimmy Olsen wasn’t over yet. Action Comics #737 picks up the thread, as (in an issue by guest writer Mark Waid) Olsen is attacked by Intergang, who isn’t buying his claim that Superman has no secret identity, and they’re ready to get the truth out of him. Jimmy just barely manages to escape – in only his boxers, which only serves to deepen his public humiliation when he’s picked up by the police. It just gets worse when the people who bail him out turn out not to be family or friends, but the same Intergang agents who were after him before. Meanwhile, at Lex Luthor’s trial, Lex’s lawyer argues that Lex, while dying of Kryptonite radiation, was saved by one of his research team, but lay comatose for months, only coming out of it shortly before the Final Night crisis. The real criminal was his clone, “Lex Luthor Jr.” (which is technically true, if you ignore the fact that Junior was just Lex’s brain in a younger body). The real kicker, though, is when the defense actually produces the clone – now aging, infirm, and raging in court. The judge, reluctantly, allows Lex to go free. 

There are a couple of good bits in this one, even as Jimmy continues to act like a bonehead. First, after Lex’s trial, a snide and confident Lex Luthor informs his lawyer that everything he just said in court was bupkis, he was indeed the one responsible for the “clone’s” crimes, and he’s about to go launch a plan to destroy the Justice League which the attorney can’t tell anyone about due to attorney/client privilege. It’s just the kind of utterly arrogant thing that makes Lex such a delicious villain, and Waid sells it nicely. Another good bit is at the end, when a desperate Jimmy turns to Bibbo for help. The same Bibbo who punched Jimmy out for his jackass behavior not that long ago comes to his aid because, in his own words, “We’re both pals o’ Superman, and dat’s a pretty solid brotherhood.”

The world needs more Bibbo Bibbowski in it. 

A quick note about the next book I’m going to be reading, Superman: The Man of Tomorrow #9. During the “Triangle Era” we had four monthly Superman comics, which equaled 48 issues of Superman a year. As you may have heard, though, years actually have about 52 weeks. Comic books come out on Wednesday, and roughly four times a year you get a month with five Wednesdays in it instead of four. DC decided to fill in these gap weeks with Man of Tomorrow, a bonus title that only appeared in these missing Wednesdays. It was a fun idea, but they rarely added anything substantial to the ongoing storyline (I suppose DC knew that even with a triangle on the cover some people would skip it) and eventually it was phased out in lieu of DC’s “fifth week” events, where they’d fill Wednesday #5 with a series of themed one-shots like Girlfrenzy or New Year’s Evil

Anyhoo, Man of Tomorrow #9 is kind of the perfect expression of this series. It’s a one-off story in which Jonathan and Martha – talking about their son’s recent transformation – run down all of the other trials and tribulations he’s faced over the years. The book is really nothing but a condensed history lesson of all the main storylines that had happened to the character in the decade since John Byrne’s Man of Steel reboot, which is kind of an odd choice for a book they’re afraid would only be purchased by the most intrepid of readers, because they would be far more likely than the casuals to already know all of this stuff. The cover is pretty misleading too, with a banner that proclaims “The Secrets of Superman’s Costume!” Spoiler alert: there are absolutely no secrets in this book, just a parade of Superman’s history with a visual focus – courtesy of artists Paul Ryan and Brett Breeding – on the assorted different costumes and appearances Superman had over the years. We got glimpses of pretty much everything, from the armor he wore during Krisis of the Krimson Kryptonite to the circus strongman getup from Time and Time Again to the battle suit Mother Box gave him in Superman/Doomsday: Hunter/Prey. In fact, if I were a toy manufacturer looking to do a really comprehensive line of figures featuring every different getup Superman ever wore, this book would be a pretty valuable resource for this time period. As a story it’s cute, but kind of a throwaway. 

Tues., Sept. 9

Short Film: Superman 75

And he doesn’t look a day over 87.

Notes: My original plan for today was to read the Superman annuals that featured ol’ Electric Blue, but September 9th turned out to be one of those days that just gets away from you. I had my hands full with various things, and by the time I’m writing this at nearly 7:30 pm, I haven’t had a chance to indulge in any Superman content. It’s time to play one of the little “emergency cards” I had planned out at the beginning of the year – a quickie I could sneak in on a day like this one, when time is of the essence and I might not have another chance to keep my streak alive. Today I chose Superman 75, a two-minute animated short directed by Zack Snyder and Bruce Timm to celebrate Superman’s 75th anniversary back in 2013. 

Say what you will about Snyder (and at some point, before the year ends, I intend to do so), but this short really does show a respect for the character of Superman. In two minutes, Snyder and Timm craft a wonderful little visual retrospective of Superman’s 75-year history, which I still can’t believe was already 12 years ago. I hope DC has some plans in place for year 90, it’s going to be here before they know it. 

Anyway, over the two minutes of the short – which is mostly set to the classic John Williams score — we start off with an extreme close-up of the S-shield from the cover of Action Comics #1, which then springs to life and then begins evolving through the various ages of the character. At turn, we see glimpses of the Fleisher Superman, some Golden Age comics, George Reeves, the proliferation of new heroes and villains that joined Superman in the Silver Age, a glimpse of the Super Friends, a dip into the 70s when Superman boxed Muhammad Ali, the death and return, the electric era, the Animated Series, Smallville, Kingdom Come, and the New 52 (WHEW!) before the short finally wraps with a glimpse of Henry Cavill in that first promo shot we ever saw of him, where Superman was standing in the rubble of what looked like a bank vault. For the last segment the music shifts to the Hans Zimmer score, paying what I still think was a suitable tribute to the character as he was at the time.  

I’ve watched this cartoon probably a half-dozen times since it was first released, and I enjoy it every single time. It’s a nice visual history of my favorite hero, and it’s the sort of thing I’d like to see them revisit and update every so often. But when I watched it on my laptop this time, something interesting happened. My son, Eddie, heard the now-familiar strains of the John Williams music coming from the computer and asked what I was watching. So I had him sit on the couch next to me so we could watch it together. As we went through the short I briefly informed him which eras we were passing through, and he thrilled at the appearance of Krypto during the Silver Age segment. Of course he did – we all love Krypto. If James Gunn throws Beppo into the Man of Tomorrow movie, I’ll show this short to Eddie again and he’ll go wild over that.

Assuming I have a little more time tomorrow, I’ll get around to those annuals, and then continue on my journey through Superman’s electrical era. Until then, friends!  

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!