Year of Superman Week 35: A Spark of Change

When I started the Year of Superman back in January, I decided early on that I wasn’t going to spend the entire year reading stories from the “Triangle Era,” even though that is hands-down my favorite period of Superman comics. I did decide, though, that I would allow myself two indulgences. I would give myself a few weeks to delve into the epic and game-changing Death and Return of Superman storyline in the early part of the year. Then, later, I would allow myself to read the longer and more divisive saga of “Electric” Superman. The period where Superman’s powers and costume changed so radically was a major point of contention for a lot of readers at the time, although I feel that — like many stories of the era — it is looked back upon more fondly than it was initially received. But I have never gone back and read that era as a whole since it first came out.

I think it’s time.

That said, there’s a question that must be answered: exactly WHEN does this saga begin and end? It’s not as cut-and-dried as the Death of Superman, beginning with Doomsday’s appearance in Man of Steel #18. This story doesn’t begin in the issue where he gets the new costume. Superman’s power change is at least partially a result of an attempt to restore his powers after they are lost during the Final Night crossover. And after he is returned to “normal,” that issue ends with a cliffhanger that dovetails into a time-travel adventure against the villain Dominus that lasts several months before things are finally reset. Along the way he participates in more than one crossover event, is a regular member of the Justice League, and makes multiple guest appearances in lots of comics, including the Ultimate Access miniseries I read last week. All told, were I to read EVERY comic book with Electric Superman, it would be more than double (possibly triple) the number of issues in the Death and Return saga. That’s a LOT.

So here’s what I’ve decided: 

I’m going to read all of the issues of the regular Superman titles from the beginning of Final Night to the end of the Dominus storyline. I’ll read the main issues of any crossover in which Electric Superman appears, as well as crossover chapters in which Superman or members of the family appear. I’ll also read the annuals with Electric Superman. I’m going to skip the JLA issues, because after all, it’s part of Grant Morrison’s run and that whole thing is really one massive story in and of itself. And I’m not going to get into every guest-appearance he makes just because I think it would be a pain to try to track them all down, but I reserve the right to sneak one in if I really want to.

Even shortened like this, it’s still going to be the single largest endeavor of the Year of Superman. And I’m kind of excited to get into it.

All of this is to say, buckle up. It’s time to get sparkly.

Wow, that was lame.

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 27

Comics: Final Night #0-4, Power of Shazam! #20, Superman Vol. 2 #117, Adventures of Superman #540, Supergirl Vol. 4 #3, Action Comics #727, Superboy Vol. 3 #33, Legion of Super-Heroes Vol. 4 #86, Superman: The Man of Steel #62, Green Lantern Vol. 3 #81

Notes: It was a weird time in DC Comics. Hal Jordan had gone mad after the destruction of Coast City and took on the villain name Parallax following Zero Hour. Kyle Rayner was Green Lantern. Half of the Legion of Super-Heroes was stranded in the 20th century. And Lois Lane had ended her engagement to Clark Kent. Then, as if things weren’t bad enough, some idiot turns out the lights.

In The Final Night, by Karl Kesel and Stuart Immonen, an alien identifying herself as Dusk crashes her ship into Metropolis, where she is confronted by Superman, the Special Crimes Unit, and the time-tossed Legion of Super-Heroes. Dusk warns that a Sun Eater is approaching Earth, and that she has rushed ahead of it from world to world, trying to save people from its devastation, but thus far she has always failed. Superman quickly rallies the world’s heroes (and even some of the villains – they’ve got just as much to lose if the sun is eaten as the heroes do) and they take to space to try to stop the Sun Eater, but despite their best efforts, at the end of the first issue, Earth’s sun is consumed and the world is plunged into darkness. 

Issue two begins in rather dramatic fashion, when Lex Luthor – who has been in hiding – appears to offer his aid to the Justice League and Earth’s heroes in saving the world, including a powerful splash page of Superman and his worst enemy shaking hands in the face of a common threat. Meanwhile, the worlds’ heroes are in overdrive trying to protect people both from the drastic climate crisis as well as from each other. It soon becomes apparent, however, that with the sun gone, Superman’s powers are declining rapidly. Amidst all of this a new hero appears: a young man calling himself Ferro. 

In issue three things go from bad to worse. Turns out the sun isn’t actually GONE, but cut off inside the Sun Eater, where it’s trying to heal itself, but Luthor and Brainiac 5 realize that they have less than 24 hours left before the sun goes hyper-nova, wiping out everything in the solar system. Dusk makes plans to leave Earth before the end, as she has so many times before, but the Phantom Stranger takes her on a whirlwind Ebenezer Scrooge-like tour of the Earth, allowing her to witness our heroes’ refusal to give up, even in what is literally the darkest of hours. And as everyone begins making preparations for the bitter end, Guy Gardner is surprised by the appearance of a bright, beautiful green. 

Final Night #4 brings us to the brink. Luthor and Brainiac 5 have constructed a series of force-field bombs they believe will contain the nova and destroy the Sun Eater, but their chosen pilot, Green Lantern, disappears. Superman insists on going himself, and takes a moment to write a farewell letter to Lois, from whom he was estranged at the time. As he’s writing, through, Ferro steals the ship with the intention of making the suicide run on his own. As they try to stop him, Parallax arrives and offers to save the sun. Despite the reservations of some of the heroes (especially Batman), he does so – at the cost of his own life. Hal Jordan, once and future Green Lantern, falls as he dispels the darkness within.

The end of the story doesn’t quite hit the same now as it did in 1996, knowing as we all do that Hal would eventually return and become Green Lantern again. But as a way to end the arc he had been on since the Death of Superman it was fitting. Also fitting was the reaction of the other heroes: Superman chooses to believe that Hal Jordan found redemption in the end for the atrocities of Parallax, whereas Batman believes a moment of good at the end can never erase the slate. It says quite a bit about each of these heroes, and the book seems to recognize that. At the end of the issue, as Clark and Bruce debate Hal’s sacrifice, Karl Kesel writes a caption that has always stuck with me: “They are the world’s finest heroes, and all the rest follow the lead of one or the other.”

It’s an interesting perspective on the philosophy of the DC Universe, isn’t it?

Let’s talk for a moment about the assorted spin-off chapters. As I said, I didn’t read all of the assorted spin-offs, only those featuring Superman or a member of the family, but that still added an additional nine books to the five-issue main series. I’ll hit the high points in order, as dictated by the reading list on the DC Infinite app:

Power of Shazam! #20: As the weather begins deteriorating with the loss of the sun, Superman and the Marvels go into first responder mode while the wizards Shazam and Ibis try to find a magical solution to the problem. Superman’s presence here is minor, but there are interesting notes. First, this happens right after the sun is lost, so Superman’s powers are only beginning to wane. Second, there’s an amusing moment where Captain Marvel promises Superman “I won’t be distracted like when I faced that Thunder God,” a funny and oblique reference to the events of DC Vs. Marvel

Superman #117: This one is a cheat. Despite the banner on the cover, it’s not really part of the crossover. The issue wraps up an ongoing story with Superman and Professor Hamilton in the Fortress of Solitude and advances a few subplots, but it only ties in to the Final Night on the last few pages, when Superman receives word that something is approaching Earth. If you’re doing a readthrough of the story, this is utterly skippable. 

Adventures of Superman #540: Perry White fights valiantly to put out an edition of the Daily Planet, reasoning that failure to do so would be like giving up and admitting defeat. Emil, still in the Fortress of Solitude, starts transmitting his own research to S.T.A.R. Labs in an attempt to help. And in Metropolis, as Superman’s powers continue to dwindle, Ferro gets a rather heartbreaking origin. The Perry stuff is great, and the Ferro stuff sets the character up nicely for his future with the Legion.

Supergirl #3: Peter David’s epic run was interrupted pretty early by this crossover appearance. Supergirl (this is the Matrix version, remember), has very recently found herself bound to a mortal girl named Linda Danvers, and in her new home of Leesburg, people are beginning to fall apart as they beg for the return of the sun. The issue is mostly spent developing subplots for the series in the context of the crossover, and skippable if you just want to read Final Night, but it reminds me as always just how good David’s run on this character was. I may not be able to fit it in before the end of the year (it’s a total of 80 issues, plus assorted crossovers, annuals, and specials), but so, so worth reading.

Action Comics #727: A somewhat quiet, subdued issue. As Metropolis is blanketed with snow, a Superman whose powers are nearly gone struggles to keep the peace. Meanwhile, a desperate man finds new hope. Inconsequential to the main story, but this is actually one of those times where I really feel a crossover event works well, telling an emotional self-contained tale against the backdrop of the greater events.

Superboy #33: In Superboy’s home of Hawaii, people are gathering at the base of an active volcano for warmth. Roxy Leech, his manager’s daughter and Superboy’s best friend, decides that with the world ending in 24 hours there’s nothing left to lose and confesses her love for him, which is kind of awkward, as his girlfriend Tana Moon is on TV reporting on the crisis just as the volcano erupts. Turns out it’s a monster with the inventive name of Lava causing trouble. The ending here is particularly bittersweet, and surprisingly effective. 

Legion of Super-Heroes Vol. 4 #86: Ferro proves his mettle (get it?) by offering to dive into the sun with an enormous bomb to get it going again. Luthor and Brainiac already have devised their plan to send Green Lantern instead, though, but when he mysteriously vanishes (whisked away by Parallax, as it happened), Superman steps up to do it instead…something that doesn’t sit too well with Ferro. 

Superman: The Man of Steel #62: An interesting little side-trip. Almost de-powered, Superman tries to help a power plant stay functional to keep people from freezing in the dark. Meanwhile, Hamilton discovers that imminent destruction of the sun and sends word to the Daily Planet, while learning about the last days of Krypton and how eerily reminiscent they are of the current situation.

Green Lantern #81: An epilogue to the Final Night story featuring the funeral of Hal Jordan. Kyle Rayner is nervous, finding himself in the position of being asked to speak the death of a man he never met until he turned bad. Superman begins the ceremony, calling Hal a hero, before calling up other speakers who knew him best: Guy Gardner, John Stewart, Black Canary (speaking in the stead of the also dead-at-the-time Oliver Queen), the Flash, Carol Ferris, and finally Kyle. The heroes travel to the Coast City memorial, where Alan Scott turns the eternal flame green, and then Swamp Thing (making a rare non-Vertigo appearance for the time period) brings life back to the desolated landscape. In the end, even Batman finds it within himself to forgive.

A lovely story, although of course, it wouldn’t be the end at all. Nor is it the end for Superman because – as you may have noticed – I haven’t mentioned anything about his powers coming BACK yet. After the sun was restored, he – and everyone else – assumed his powers would go back to normal. But as we’re going to see soon, that isn’t what happened at all.  

Thur., Aug 28

Comics: Superman Vol. 6 #29, Justice League Unlimited Vol. 2 #10, Justice League: Dark Tomorrow Special #1, Green Lantern Vol. 8 #25 (Superboy Guest Appearance)

Notes: Gonna take a quick pause from the burgeoning Electric storyline to read some of the new Superman comics that dropped this week. Superman #29 continues the “Legion of Darkseid” story as Superman plans a trip to the future to save the Legion of Super-Heroes with the most unexpected partner of all time. 

It’s going to be hard to talk about this issue – I don’t really want to spoil anything, so can I just talk about vibes? As in, “I freaking love the vibes from this book”? Superman going into the future to save the Legion is exactly what I’ve been thirsting for. What’s more, writer Joshua Williamson is showing respect for EVERY incarnation of the Legion to date, weaving them all into this story (somehow) whilst still tying everything in to the ongoing “DC All In” saga. Again, without spoiling anything, if you haven’t read last year’s DC All-In Special or the Summer of Superman Special that came out in April, you’re missing out on the building blocks of this story. Superman even gets one of his trademark rousing speeches in which he espouses exactly what I’ve always felt is true: he may have been the inspiration for the Legion, but the Legion was every bit as much an inspiration to HIM.

Despite the darkness of this story, something about it is feeling…right. It rings true. And by the time the tale ends and the dust has settled, I feel like we just might finally have a true Legion again. 

Justice League Unlimited #10 actually takes place before the “Darkseid’s Legion” storyline, and involves the League trying to protect the Doomsday Time Trapper, who feels the encroachment of Darkseid and his Legion. Meanwhile, the Trinity have a little heart-to-heart about what happened with Air Wave (the whole “tricked by Grodd” thing) and how they need to approach Justice League recruitment in the future. As always, Mark Waid proves just how well he knows these characters, placing Superman and Batman at odds with one another on this matter, with Wonder Woman as the mediator between the two. Clark also gets in a pretty sharp jab at Bruce, which I don’t think he gets to do quite often enough.

Also, Dan Mora drew both of these issues, and he’s phenomenal. Really, any time these days I read a comic book where I don’t feel the artwork is up to snuff, I wish that they could clone Mora and have him do all of it. 

I also read the Justice League: Dark Tomorrow Special, which came out a few weeks ago but, somehow, I’d missed. I’m glad I grabbed it, though, because it feels pretty significant to this whole All In/Darkseid story that’s going on. Someone is hunting down and killing time travelers, which puts roughly half the Justice League at risk – especially those time-lost heroes from the “We Are Yesterday” crossover. A mysterious time-traveler calling himself “Legend” partners up with Air Wave and the lost heroes to try to save them. The issue is both an epilogue to “We Are Yesterday” and a prologue to future stories (including “Darkseid’s Legion” and the upcoming “DC KO”), and although the Super-family participation is minimal, it definitely feels significant, and if you’re following the ongoing saga of the DCU these days, you should pick it up.

Fri., Aug. 29

Comic Books: Superman Vol. 2 #118, Superman: The Wedding Album #1

Notes: I only briefly mentioned it when I read Final Night the other day, but at this point Lois and Clark were separated, she having called off their engagement and taken an assignment in Asia to get away from him. It was a bit of a delaying tactic – Warner Bros wanted corporate synergy and refused to allow DC Comics to have the two of them get married until they were also married on the then-running Lois and Clark: The New Adventures of Superman TV show. It was actually that edict that led to the Death of Superman in the first place, when they had to scrap their plans to marry them off in 1992. Here, four years later, after one delaying tactic after another, they finally got married on the show, and DC had to quickly follow suit.

In Superman #118 we pick up on her, chasing down a heroin ring in the far East. Back in Metropolis, meanwhile, S.T.A.R. Labs is working on the fact that, despite the sun coming back, Superman’s powers are still gone. After a seemingly-pointless reiteration of his origin, Wonder Woman and Lori Lemaris convince Superman to try to get Lois back. Lois, meanwhile, encounters a young man who tells her a lesson he learned as a child from an American stranger. It’s pretty clear where this is going from the very beginning, but Lois is still taken by surprise when she learns who her new friend’s old friend happens to be, and she makes a decision to return to Metropolis. Short? Abrupt? Hell yeah. But DC wasn’t given a lot of time to get things back in order – they needed to have the wedding of the century align with the TV show.

And this brings us to Superman: The Wedding Album, an event nearly 60 years in the making. This 88-page whopper told a hefty tale written by the five writers of the Superman comics of the era (Dan Jurgens, Karl Kesel, David Michelinie, Louise Simonson, and Roger Stern), with art by the regular teams and several other artists who had worked with Superman over the years, including John Byrne, Gil Kane, Paul Ryan, Tom Grummett, and a flashback sequence using pages by the great Curt Swan. It’s a nicely fitting tribute to the characters, kicking off with Lois being Lois – pretending to want to marry the head of the drug trafficking ring as a way to both bust him, at the same time, hitch a ride on his private jet back to Metropolis. She storms into the Daily Planet office wearing a ragged and torn wedding dress, then has it out with Clark. He fills her in on what’s been going on in her absence: he’s acting as Managing Editor of the Planet while Perry recovers from chemotherapy, oh yeah, and his powers are gone. (There’s a particularly funny line here: “Remember when the sun went out a while ago, Lois?” As if that’s the sort of thing a person could just forget.) The sequence ends with the entire Planet staff crowding around, trying to peek through the door, and seeing the two of them in an embrace, back where they belong.

The bulk of the special, after that, is all about wedding preparations: Lois’s bridal shower, the happy couple picking out their dress and tux, and house-hunting. And while it’s all fairly normal, non-superhero stuff, the writers manage to really infuse it with character. Lois’s mom is desperate to control things while her father makes no effort to disguise his distaste at his daughter’s choice of partner. Clark’s parents, meanwhile, do their best to play mediator. A fight breaks out at the Ace O’Clubs during the bachelor party, and Clark gets a visit from a friend to tell him that Metropolis will be taken care of during his honeymoon. Oh yeah – and the apartment that Lois fell in love with but couldn’t get is now theirs, courtesy of the building’s owner, one Bruce Wayne.

I’m really glad that they avoided the typical superhero wedding episode, where the ceremony is disrupted by a villain causing havoc or some natural disaster. The closest thing we get is Mr. Mxyzptlk popping in right before the blessed occasion to tell Clark he’s looking forward to screwing around with Mr. and Mrs. Kent very soon. Then it all closes off with a nice, simple, uneventful wedding that is heartfelt, sincere, and lavishly illustrated (with several members of the creative team in attendance). 

It’s a sweet issue, one that finally puts the will they/won’t they of six decades to rest and allows us to move on to something new.  

Turns out they were saving the chaos for the honeymoon.

Sat., Aug. 30

Podcast: Back to the Bins Episode #685: Superman S.C.O.R.E. III

Notes: It’s finally here! Regular blog readers may recall a while back when I joined Paul Spataro to record an episode of his Back to the Bins podcast, each of us discussing comics about the relationship between Superman and Wonder Woman. The episode has finally dropped, so make sure you check it out. It’s available on the Two True Freaks Podcast Network page, or you can find it on Spotify, Apple Podcasts, or wherever you download your podcasts. Join us for a chat about this unique super-couple. 

Comics: Taste of Justice #6, Adventures of Superman #541, Action Comics #728, Superman: The Man of Steel #63

Notes: A quick peek at Taste of Justice #6 – a short but fun story in which Martha Kent is injured (mildly – this series seems to specialize in minor mishaps most of the time), leaving Clark and Jonathan to try their hand at making her famous rhubarb pie. Interestingly, whereas most chapters of this online serial comic have led up to a triumphant dish being prepared, this one takes a different tack – the resultant pie isn’t up to Martha’s usual standards, a fact which she clearly finds somewhat amusing. I didn’t see that coming.

That done, it’s a dive back to 1996, where we’re going to read the comics that make up Lois and Clark’s honeymoon. After a surprisingly low-key and uneventful wedding, their trip to Hawaii makes up for it. Adventures of Superman #541 picks up at the wedding reception, after which the happy couple whisks off to the island paradise, where their celebrations are interrupted by an explosion. With Superman still powerless, fortunately, they happen to be on Superboy’s home turf. The explosion was caused by a creature that claims to be an island spirit called a Menehune, and the happy couple wind up meeting up with Superboy and his own reporter girlfriend, Tana Moon. The story is okay – more like we’re seeing a “Lower Decks” style peek in an issue of Superboy really. But the side quest is derailed on the last page, when Clark is shot and kidnapped by men in a speedboat. Of course, these guys don’t seem to realize that they’ve just made the biggest mistake of their lives: they’ve pissed off Lois Lane. 

Action Comics #728 picks up with Clark waking up in the custody of the brother of the very drug trafficker that Lois captured in the Wedding Album. Apparently Rajiv, as his name goes, holds something of a familial grudge. I have to admit, I found this issue kind of underwhelming. Clark spends most of the issue engrossed in a flashback to another time when his powers weren’t of any use, facing a terrorist armed with a chunk of Kryptonite. The flashback really adds nothing to the story, save for eventually reminding Clark that he has studied techniques to make it appear as though his heart has stopped beating – techniques that work just as well if he has powers or not. He uses his little trick to attempt an escape, only to learn that any such effort will be futile, as he’s being held captive on a submarine at the bottom of the Pacific Ocean. Good reveal, but it leaves us with about two pages of plot progression for the whole issue.

Superman: The Man of Steel #63 picks up with Clark being brought to a private island belonging to Rajiv as Lois begins the task of doing what she does best: following leads. In this case, she’s trying to track down her missing husband, which takes her all of four pages before she begins a guerilla assault on Rajiv’s compound. (And they call Batman the world’s greatest detective.) As she attempts her rescue, Clark learns that Rajiv isn’t tracking her out of petty revenge: when she bested his brother, Lois made off with a knife that, unbeknownst to her, has hidden in its hilt computer codes capable of hacking satellite technology and bringing down aircraft at will. As Clark stalls for time, trying to convince Rajiv that Lois found and sold the codes, she breaks in and saves the day.

The honeymoon arc as a whole is okay. You all should know by now how much I love a story where Lois has a chance to kick some ass, and she most certainly does that in the Man of Steel issue. For all the times Clark has saved her over the years, it’s really great to see how capable she is when the need arises. My beef really comes with how quick the whole thing is, especially the sequence where Lois tracks down Rajiv’s island. It just comes far too easily, even for someone as smart and capable as Lois. Considering that she only appeared on one page of Action #728, that issue feels even more superfluous than it does at first blush. It would have been far more satisfying, in my opinion, to truncate the flashback sequence in that issue and devote those pages to showing Lois hunting down Clark. It would make the Action issue feel far more relevant and the Man of Steel issue feel less rushed. It’s all about the pacing, people.

Still, kudos to Lois and Clark for having a honeymoon they could never forget. But when their vacation to paradise ends, it’s going to be time to get down to the real issue at hand: finding a way to restore Superman’s missing powers. 

Sun., Aug. 31

Comic Books: Superman Vol. 2 #119, Adventures of Superman #542, Action Comics #729, Superman: The Man of Steel #64

Notes: With the honeymoon over, it’s time to figure out what’s up with Clark’s powers. In Superman #119, Superman and the time-tossed Legion of Super-Heroes both arrive at LexCorp looking for help with their respective predicaments. They take a ship to the same orbital platform we saw back in the Superman/Aliens crossover (a rare instance of such a crossover being addressed as canon, helped no doubt by the fact that Dan Jurgens wrote both of them) and Brainiac 5 attempts to draw solar energy to jumpstart Clark’s powers…an effort met with failure. And in the midst of this Lex gets some surprising news: he’s going to be a daddy.

In Adventures #542, Superman heads to Project Cadmus for help but, again, finds himself stonewalled. Instead, he simply winds up on a brief psychedelic adventure with some of Jack Kirby’s stranger creations, the Hairies, before borrowing Guardian’s Whiz Wagon. He flies it down to Action Comics #729, where – en route to his Fortress in the Antarctic – he winds up at an energy research station where the crew has unwittingly unleashed a strange entity from the center of the Earth. Superman manages to best the creature even without his powers (paralleled with a subplot about Perry White going through chemotherapy) before finally making it to the Fortress where Emil Hamilton has been all this time. But even all his Kryptonian tech doesn’t restore his powers before Mr. Miracle and Big Barda pop in via Boom Tube, saying that the fate of the universe depends on Superman’s powers.

Finally, “Power Struggle” concludes in Man of Steel #64. The New Gods tell Superman that their world of New Genesis has somehow been destroyed, and the only hope of finding the truth is to retrieve the datacore in Metron’s suit…a datacore that can only be accessed by melting the suit in the heat of the sun itself. Metron assures Superman that their dive into the sun will recharge his powers quickly enough to pull them both out of the star before they’re killed…and miraculously, it works. Superman’s powers are restored, Metron is saved, and the data is retrieved. It all seems just so…neat and tidy. TOO neat and tidy, if you catch my drift.

Getting his powers back, as it would turn out, was just the beginning. 

Bonus: Comics in the wild!

Notes: Some time ago, DC announced that they were going to start selling comics at Dollar Tree locations. The comics would all be reprints, of course: most of them either the first issue in a story that is available in graphic novel form or a standalone comic, including many aimed at kids. The program expanded to reach various convenience stores, grocery stores, and other outlets. But today was the first time I ever actually saw any in the wild. After my son’s birthday party, we stopped for gas and I saw the rack inside the station. I had to go through it, fascinated by some of the choices for their reprint specials. The first appearance of the modern Supergirl from Superman/Batman is in the mix, as well as at least two current issues of Mark Waid’s World’s Finest series (each the beginning of a storyline, of course), and the first issue of Christopher Priest’s Superman: Lost. They weren’t ALL Superman comics, of course – there was the expected assortment of Batman comics, Harley Quinn comics, and Scooby-Doo comics, some of them all at the same time – but the very existence of this rack out there, outside of comic book stores where they can be seen by anybody…it was heartwarming to me.

Of course I had to get a couple. I picked up the reprint of John Byrne’s Superman #1 from 1987, as well as the reprint of the first issue of Batman Adventures Vol. 2. Like the Compact Comics, I feel like it’s important we support these things, friends.

Mon., Sept. 1

Comics: Superman Vol. 2 #120, Adventures of Superman #543, Action Comics #730, Superman: The Man of Steel #65, Superman Vol. 2 #121,  Adventures of Superman #544, Action Comics #731, Superman: The Man of Steel #66, Jon Kent: This Internship is My Kryptonite #6, Gotham City Sirens: Unfit For Orbit #5 (Power Girl guest appearance)

Notes: There was a bit of a lull in the Superman comics after he got his powers back but before they transformed. Let’s see what we can get through today. In Superman #120, Lex Luthor has a dream about his oncoming child idolizing Superman, a dream that chills him to the bone and opens up an issue of different characters talking about what they would do with Superman’s powers: Lex, Emil Hamilton, Jimmy Olsen, Cat Grant, Perry White, and a random kid who gets locked out of his house and needs Superman’s help. It’s a cute little breather of an issue, which was probably due at this point, although it had been entirely too long since we saw Lois. She hadn’t had a significant appearance since the honeymoon ended, and it’s time to really get into the adventures of Mr. and Mrs. Superman. There is one significant piece of foreshadowing, though: when Emil studies Superman to make sure that his powers are, indeed, back to normal, the scanner he’s using shorts out due to an unexpected electrical surge.

In the immortal words of C+C Music Factory, “Things That Make You Go Hmmmm…”

Adventures of Superman #543 shows us the newlyweds finally settling into their new apartment and Superman checking into a couple of escaped villains. Turns out the villains in question are being recruited for a new version of the good ol’ Superman Revenge Squad. A strange figure watching from the shadows has pulled together Anomaly, Barrage, Misa, Riot, and most troublingly, Maxima. When DC released this year’s Superman Treasury Edition I mentioned that I was disappointed to see Maxima reverting to her old villainous ways. I guess I’d forgotten that this wasn’t the first time she’d suffered from a bout of recidivism. The Squad makes its attack in Action Comics #730, but not before one of the very-frequent scenes of Superman flying over Metropolis pondering recent events to bring any casual readers up to speed. I never noticed until this read-through just how frequently that happened in the Triangle Era. I suppose they clung to the idea that any comic book could be somebody’s first, and they were doing their best to make sure that everyone knew what was going on. Admirable – but these days I’m very curious as to whether that old adage still bears any truth at all. Anyway, the fight goes poorly – the five villains, used to working on their own, wind up stumbling over each other and stabbing each other in the back, but by the last panel they manage to have Superman down, his head covered with a slime that Misa is using the block his powers. Geez, Misa, he JUST got them back. 

Man of Steel #65 wraps the story up as the Metropolis Special Crimes Unit arrives on the scene and joins the fight. For a full-issue fight scene, it’s not bad. It’s really nice to see the SCU used to the top of their intelligence, being legitimately effective in a fight against superpowered villains instead of just coming across as the useless cops that so often populate superhero comics. As the Revenge Squad is rounded up, their mysterious benefactor watches and plans his next move. I’ll tell you what I REALLY like here – it’s been so long since I read these issues that I’ve completely forgotten who the mysterious bad guy is that pulled the Revenge Squad together. I don’t know when the reveal is going to come, but I hope it lands. 

Superman #121 has writer Dan Jurgens once again pick up penciling duties (a rarity for this era) for a “very special issue” about Clark Kent befriending a ten-year-old girl who witnessed a gang shooting. When Superman tries to eliminate the guns from her housing project, thinking it will make it safe for her…well, let’s just say I’m kind of surprised that Jurgens would have written Superman as being so naive. 

Adventures #544 starts off with what I’m comfortable calling a controversial moment: Clark Kent is gunned down in the middle of a busy streetcorner. If that’s not confusing enough, it gets weirder when Lois arrives on the scene at the same time as…another Clark. Turns out the doppelganger is tied into the return of Intergang, which no doubt is going to cause trouble later on. Action #731 features another return: Lois and Clark are trying to enjoy an evening at home together when word comes of an attack by an old foe of his Cauldron – but he’s different than before. While Clark holds him off, Lois helps unravel the mystery of who is controlling the cyborg villain this time.

Finally (for today) let’s look at Superman: The Man of Steel #66. Remember Rajiv, the creep who messed up Lois and Clark’s honeymoon trying to get his hands on codes that would allow him to take over a satellite defense network? Well, seems like he got the codes, because in this issue he starts raining fire all over the world, demanding a billion-dollar ransom to stop. The story cuts between Superman taking to space to stop him and scenes on the ground where various people, including Bibbo, Jimmy Olsen, and Perry White’s family, try to help in their own way. It’s an interesting little experiment by Louise Simonson and Jon Bogdanove, a story ostensibly about how the S-shield itself stands for something to people and the power it has even on its own. It would be another decade before the concept of the shield being the Kryptonian word for “Hope” came about, but this has some of that same feel to it, and I like it on that level.

It’s odd, in retrospect, how these stories feel so disconnected from what’s coming. Except for the electric spark in Superman #120, there’s really been no buildup to the power switch. The news had already come out that the story was coming, of course, people knew that Superman was about to get a new costume and new power set, but they didn’t expend a lot of shoe leather on the concept for the first two months after the wedding storyline ended.

That’ll change very soon. 

Tues., Sept. 2

Comic Books: Superman Vol. 2 #122, Adventures of Superman #545, Action Comics #732, Superman: The Man of Steel #67, Superman Vol. 2 #123

Notes: The final month before the big switch begins in Superman #122. At this time, DC was still under the edict that Kal-El was to be the ONLY Kryptonian who survived the destruction of Krypton. That said, they had found ways around that with alternatives to the Kryptonian characters and concepts of the past: the Matrix Supergirl, an Earth dog Bibbo named “Krypto,” and most recently, a new version of the city of Kandor. In this continuity, Kandor was still a miniaturized city in a bottle that Superman was keeping safe in the Fortress of Solitude, but rather than a Kryptonian city, it was a town made of aliens from various worlds, all collected by an entity named Tolos before Superman saved them. In this issue, his powers start to go wild, causing electrical devices to explode and his body to phase in and out. Superman takes Lois to the Fortress to try to get to the bottom of it, wondering if the dimensional phase that had brought him to Kandor could be responsible, but inadvertently winds up releasing a blue-skinned, horned alien called Ceritak. In Adventures #545, things just get worse as Superman’s powers go out of control. He sparks uncontrollably, falling through walls and losing the ability to fly, all of which contribute to a power outage that goes across the city and frees the Atomic Skull from prison. The Skull, suffering from the delusion that he was the hero of an old movie serial and that Superman and everyone else were characters in the serial, winds up in battle against Superman, seeming to atomize him. 

Action #732 continues the battle because, obviously, Superman isn’t really dead. His energy was somehow dissipated by the skull, and he finds himself reconstituting at that Antarctic energy research station he stopped by when he was powerless a few issues back. Lois plays along with the Skull’s delusion as a delaying tactic and, making his way back to Metropolis, Superman starts to learn some of the capabilities of his new powers. He isn’t strong anymore and can’t fly, but he can bound around like energy, control magnetic waves, and access computer systems by touch. Eventually, he manages to bring the Skull down, but he has no idea what’s happening to him.

Superman: The Man of Steel #67 is next, although the title has become highly inaccurate at this point. (This is a good opportunity to talk about how, were this story to be told today, it would reach this point and then DC would likely cancel all four series and re-start them with new first issues, including changing the title of this one. Man of Energy doesn’t really have the same ring, though. I don’t know what they’d call it.) As news of Superman’s mutating powers starts to leak out, Lois clashes with the Planet’s new sensationalist circulation manager over their coverage. Meanwhile, Ceritak has made his way to Metropolis, where he’s inadvertently sewing some chaos. In the midst of the battle between the two Superman’s powers go absolutely haywire, causing a citywide blackout.

A quick aside before I move on to the main event: Jon Bogdanove. He’s one of my favorite Superman artists, mostly because his style has a sort of classic, old-fashioned sensibility that meshes perfectly with Superman. He gives us a huge, barrel-chested, squared-jawed hero that not only fits, but practically DEFINES the classic Superman mold. As Superman shifts from his traditional status quo to the electrical version, you’d think it would clash with his style…but somehow it doesn’t. Along with fine art and color work by Denis Janke and Digital Chameleon, he makes a creature of pure energy still invoke the core of Superman. That, along with several well-placed and highly amusing visual gags in this issue, call to mind some of his best work on Marvel’s Power Pack. I don’t think Bogs gets enough credit in general, and I wanted to call out this issue in particular as being a high point.

Finally, after a week of reading, we come to the book that I started this journey for: Superman #123. As Superman fights with the confused Ceritak (who Bibbo accidentally renames “Scorn”), he winds up in Hamilton’s lab, unable to control his new energy-body. Hamilton is approached by Erica del Portenza, wife (at the time) of Lex Luthor, who has an experimental cyber-woven polymer that she believes may be of assistance. Loath as they are to accept help from Luthor, Hamilton sees no choice and uses the fabric to create a containment suit. In his new duds, Superman finds that he can control his power while in energy-form as well as shift back to a fully human (and powerless) Clark Kent. As he says on the last page, “there’s a new Superman in town.”

This is such a wild story so far. After a rather slow buildup, we’ve got a Superman now with a completely different power set and costume, and while I don’t think I believed even then that this change was intended to be permanent, DC did their best to pretend this new status quo was going to last. So looking ahead to reading more of this, I’m expecting to see the sort of subplots and side-stories that defined the Triangle Era while, at the same time, continuing the story of the electro-Superman, leading up to the era of Superman-Red and Superman-Blue.

And despite feeling a bit of scorn (no pun intended) for this storyline for a very long time now, I find myself kind of looking forward to it. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 23: Superman and the Legion of Super-Heroes

If you ask Joe Public what team Superman is a member of, pretty much everyone will bring up the Justice League. And they’re not wrong – Superman is a vital member of the League, and honestly, it doesn’t really feel like the JLA without the trinity of Superman, Batman, and Wonder Woman. (I love the Giffen/DeMatteis run, don’t get me wrong, but that’s the JLI.) But the thing is, the Justice League isn’t the FIRST team Clark Kent was a member of. And in truth, as far as his development as a character, I don’t think it’s even the most important. This week we’re going to look at the young people he inspired and who, in turn, helped shape him into the hero he is. Superman would still be Superman if he’d never joined the Justice League…but he’s not really the hero he is without the Legion of Super-Heroes. 

And the same goes for Superboy. And Supergirl. And Jonathan Kent, too. Because of reboot after reboot, there have been a lot of versions of the Legion over the years, and Clark, Conner, Kara, and Jon have each had their own incarnation. This week I’ll try to peek at each of them, talk about why the Legion matters so much to Superman, and discuss the best (and worst) of the 31st Century’s greatest heroes. 

The Legion is kind of complicated these days, thanks to DC’s constant rebooting of their timeline. If you aren’t already familiar with them and you’re looking for a little clarification, I wrote about their convoluted history in this Geek Punditry blog a couple of months ago. Please, go check it out. 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., June 4

Comics: Adventure Comics #247, Action Comics #276, Absolute Superman #8, Justice League Vs. Godzilla Vs. Kong 2 #1

The same thing happened to me when I tried to join the Webelos.

Notes: The Legion made its first appearance in Adventure Comics #247, during the period in which the headline character of that anthology series was Superboy. In this issue, beneath a Curt Swan cover that has become one of those legendary covers that gets “Homaged” again and again, Clark Kent is on the streets of Smallville when he is addressed as Superboy by a mysterious teenager he’s never met before. He switches to his other identity and zooms off, only to be met by another teenager calling him Clark, then a third. Horrified at first that his identity has been revealed, he is relieved when the teens tell him their secret: they are time-travelers. In their future, they are members of a club for superheroes inspired by the legendary exploits of Superboy, and they have come back in time to invite him to join. They bring him to the future, where he sees that Smallville has become a bustling…well…metropolis – but only by the standards of HIS time. In their time, it’s still considered a tiny community. The teens (Cosmic Boy, Saturn Girl, and Lightning Boy) put Superboy through a series of initiation tests, but each time he is distracted by a disaster that requires his attention. At first, he thinks he’s failed, but the heroes reveal that the disasters he stopped were of their own doing, and it was just an initiation stunt. Superboy joins the team and goes home, but joining them in the future soon becomes a recurring part of his adventures.

Like so many of the other characters I’ve looked at this year, this early version of the Legion feels terribly incomplete. Heck, it’s not even called the Legion of Super-Heroes yet, just the “Super-Hero Club.” The three founders are all there, but Lightning Boy would soon change his name to Lightning Lad, and all three would quickly adopt new uniforms that didn’t sport their full names across the chest like a Ben Cooper Halloween costume. The exact time period from which they hail vacillated over the next several stories before it finally, firmly, was set at 1,000 years in the future. And although only the three founders take active part in this first issue, we see other generic teens that I assume are intended to be other Legionnaires, including one that – in the digital version on DC Universe Infinite – appears to be re-colored to suggest that it’s Brainiac 5. But that’s kind of pointless, since we’ll see his first appearance shortly. 

There isn’t a ton of meat in this first appearance, but I guess the idea of Superboy having actual peers was too good, so they not only brought them back, but soon added Supergirl to the mix, even though she and Superboy were separated by about 20 years of time. But hey, it’s time travel, that’s not really an issue. The first time she encountered the Legion, she was rejected because she was suffering from Red Kryptonite exposure, which seems pretty mean when you consider they darn well should have known that Red K only lasts for 24 hours. But in Action Comics #276, she got her next chance.

This issue begins similar to Clark’s first encounter with the Legion. Linda Lee is walking around Midvale, lamenting the fact that she’s got no super-powered friends to hang out with. (I feel compelled to point out that this was 1961, and even the most embryonic form of the Teen Titans wouldn’t first appear until 1964, but isn’t it weird that they never had Supergirl join until the Matrix version in the 90s?) To her surprise, she’s soon approached by three girls with powers: one wearing a mask, one that can move through solid objects, and another who can split into three bodies. The girl with the mask removes it to reveal that she’s Saturn Girl, one of the members of the Legion Supergirl met before. If you need an explanation for why she bothered with the mask, the only answer I have is that in the Silver Age nobody was ever straightforward about ANYTHING. The girls – Saturn Girl, Phantom Girl, and Triplicate Girl – take her to the future for a second shot at joining the Legion, this time alongside fellow prospective members Sun Boy, Bouncing Boy, and Brainiac 5. She is shocked at first to find that a descendant of one of her cousin’s greatest enemies is trying to be a hero, but is won over by his tender affection towards her. Supergirl is given a time-traveling membership like the one Superboy had, while Brainiac becomes a permanent member. Then, for absolutely no reason, she has a brief encounter in Atlantis, which only serves to lead up to a final panel where Linda remarks on the fact that she may not have a boyfriend in Midvale, but there’s an alien 1,000 years in the future AND a merman in Atlantis crushing on her, so it ain’t so bad.

Abysmal epilogue sequence aside, this is an interesting issue. It introduces not one, but FIVE significant Legionnaires (both Bouncing Boy and Sun Boy joined the team by the next time they turned up), and gives Supergirl a peer group like her cousin – in fact, the SAME one as her cousin. And just in case you’re worried about any timey-wimey problems arising from the fact that Superboy and Supergirl were members of the same team, they found ways to play with it. They established, for instance, that Saturn Girl placed a telepathic block on each of them, so that when they returned to their respective time periods, they would lose any memories they’d gained that would be relevant to their own future. Practically, this meant that Superboy only remembered that one day his superpowered cousin would come to Earth when he was actually in the future. They also usually avoided having both of them appear in a Legion story at the same time, so it didn’t come up too often.

Over the years, they would each bond with the Legion, and this is where I really think this group becomes important. The JLA is Superman’s team, sure, and he is close to several of them. Superman, Batman, and Wonder Woman in particular are called the DC “Trinity,” and their friendship is important, the stuff of legend.

But those are the friends he has as an adult. The Legion are his childhood friends, and that’s important. That’s special. As we learned from stories such as Stand By Me and The Sandlot, the friends we have when we’re young are a fundamental part of shaping who we are as adults. And there’s been more than one story that demonstrates just how important the Legion of Super-Heroes is to making Superboy become the Superman of legend. 

At least, until Man of Steel in 1986 upended everything by that declaring that Clark Kent had never had a career as Superboy. That change in the timeline would have catastrophic consequences for the Legion of Super-Heroes. 

But I’ll read about that tomorrow. For now, why not join me in a look at the two Superman-related comics that hit the shops this week? 

Someone’s gonna pay for that window.

Absolute Superman #8 begins the second story arc of the series. Visiting Martha Kent in Smallville, Kal-El is approached by Lois Lane…unfortunately, she’s followed by the rest of Lazarus, the Peacemakers, the Omega Men, and – oh yeah – a sniper with Kryptonite bullets. Jason Aaron keeps mixing up the DC Universe here, taking familiar pieces and putting them in unfamiliar positions, like plucking a Lego brick from a castle set and using it to build a spaceship. It’s a fun exercise, though, and I keep enjoying the stuff they’re doing.  

We also get the first issue of Justice League Vs. Godzilla Vs. Kong 2. Picking up a few years after the end of the previous miniseries, it’s Barry Allen’s wedding day! Unfortunately, he still hasn’t told Iris his secret identity. As the League tries to coax him into doing so, Amanda Waller reactivates Task Force X to deal with a resurgence of Titans (not the Teen ones – that’s what they call Kaiju in the Legendary Monsterverse). I love these crossovers, and I think it’s very interesting that, for the next few months at least, Godzilla is going to feature in comics from no less than THREE American publishers: the Monsterverse version here, the Toho version fighting the Marvel Universe over there, and all the wild iterations in the regular Godzilla comics from IDW Publishing. 

Thur., June 5

Comics: Legion of Super-Heroes Vol. 3 #37, Superman Vol. 2 #8, Action Comics #591, Legion of Super-Heroes Vol. 3 #48, Secret Six Vol. 5 #3 (Super Son)

Who says you can’t go home and have a fight with another iteration of yourself from a parallel pocket dimension again?

Notes: I’ve written at length about John Byrne’s Man of Steel in 1986 and how that reboot changed the Superman mythos. But one aspect I haven’t talked about that much is the Legion. As a team who not only had Superboy and Supergirl as members, but whose entire existence was INSPIRED by Superboy, after DC changed their continuity to declare that Superboy and Supergirl never existed, how could they explain the Legion? The solution came in this four-part story from 1987, beginning in Legion of Super-Heroes Vol. 3 #37.

Cosmic Boy, having recently returned from a visit to the 20th century (in his own self-titled miniseries) reports that the past has been altered, and the Legion has to investigate. A time storm hurls them to the past, to a Smallville populated by Superboy – a time that Cosmic Boy has reported no longer exists. Arriving in Smallville, the team splits in half – one group making contact with Superboy, the others staying with the time bubble. Superboy ambushes the team, though, trapping them in a stasis-beam. When Pete Ross (an honorary Legionnaire) warns the others what Superboy has done, they attempt to flee. And in the distant future, the Legion’s old enemy the Time Trapper revels in the chaos he is sewing. Part two comes in Superman #8, set in the “present day” of 1987, where we begin with John Byrne’s Clark Kent using his powers to help Lana fix up the farm she is returning to after years away. His super-senses detect a time bubble with four super-powered teenagers appearing across Smallville, and they get into one of those required “heroes fight heroes over a misunderstanding” situations before Brainiac 5 calls an end to hostilities. Brainy tells Superman about their history with Superboy, a history he has no memory of, and as they prepare to seek answers, Superboy appears and captures the five of them in his stasis ray. 

Action Comics #591 gives us part three of the story: Superboy is being forced to attack his friends by the Time Trapper, who reveals that Superboy’s entire existence is part of a trap laid for the Legion. Over the centuries, stories of Superman’s legend had been changed, making the Legion believe in a “Superboy” era that never existed. When they first decided to time travel and meet Superboy (back in Adventures #247), the Trapper created an entire pocket universe that matched their skewed legends of Clark Kent. It was THIS Superboy that the Legion befriended, who joined them, and who they visited every time they traveled to the past. But unable to betray his friends, Superboy altered the stasis beam so Superman would escape and chase them, ultimately landing in the pocket universe. Superboy and the Legion reconcile and go to the future, returning Superman to his own universe – but this wouldn’t be his last encounter with the Pocket Universe.

We’ll get to that some other week.

The story ends tragically in Legion #38. As Superboy and the Legion confront the Time Trapper, he reveals that one of his machines has protected the Pocket Universe from the multiversal devastation that happened in Crisis on Infinite Earths. In the skies above Smallville, Superboy sacrifices his life to save his universe from destruction. The Legion brings his body back to the 30th century to mourn…with an eye towards revenge against the Time Trapper once and for all.

Paul Levitz, longtime Legion writer, had a tough task here. Remove Superboy from the board, recognize that the “real” Superman was never Superboy and never a member of the Legion, but do so in a way that was still respectful to the Legion’s history. I think he did as good a job as anybody possibly could. The “Pocket Universe” conceit manages to keep every story where Superboy, Supergirl, or the Super-Pets encountered the Legion canonical, even if they’re only canon to the Legion and not the rest of the DC Universe. Furthermore, even though Superboy may never have been “real” in the first place, Levitz gave him a sendoff worthy of the Man of Steel that he would never grow up to be — sacrificing himself to save his world is the kind of thing members of the House of El do. Kara did it in the Crisis, The Post-Crisis Superman would do it on the streets of Metropolis a few years later. Self-sacrifice is hardwired in the DNA of the Superman family, and this story demonstrated that nicely. 

Which makes it a little frustrating that six years later, Zero Hour would throw it all out the window.

Fri., June 6

Comics: “Future Tense” storyline: Superboy Vol. 3 #21, Legion of Super-Heroes Vol. 4 #74, Legionnaires #31; The Legion #25-33, Legion Secret Files 3003, Teen Titans Vol. 3 #16, Teen Titans/Legion Special

Be honest, are you Team Leather Jacket or Team T-Shirt?

Notes: The Crisis was intended to streamline the DC Multiverse, and while it was largely successful, there were loose ends that just…dangled. It caused problems for a while, and in 1993 Dan Jurgens tried to close off those issues in Zero Hour: A Crisis in Time. It was a good story, and one of the changes it wrought was a reboot of the Legion of Super-Heroes. As Man of Steel did for Superman, the Legion reboot started the characters over from page one – they were teens again, the names and costumes were made a little less “Silver Age-y” (Lightning Lad, for instance, became Live Wire, Triplicate Girl became Triad, and so forth), and in this continuity, the Legion was inspired generally by the heroes of the past, and not Superboy or Superman specifically.  Our new Superboy, the one we met in “Reign of the Supermen,” had his own title by now, and first encountered the Legion in a three-part story called “Future Tense” from 1995. 

The Legion travels back in time to rescue Valor, a rebooted version of their own Mon-El (it’s a long story) that Superboy had encountered a few issues ago in his title. After the requisite “fight over a misunderstanding” happens, Superboy tells the Legion how Valor had nearly died from lead poisoning until he entered a “zone where time stands still,” because there was NO way they would be allowed to call it the “Phantom Zone.” Brainiac 5 tries to reopen the zone until, frustrated by the technology of the time, he warps all of them – Superboy included – back to their home in the 30th century. Things get more complicated when Superboy accidentally lets it slip that Valor – who, in the past millennia, has become a religious figure – is returning, causing a massive upheaval among the millions of Valorites across the galaxy. The Legion makes it look as though their attempt to rescue Valor fails, getting his devotees to back off, then rescue him for real in private before sending Superboy home.

This story was pretty emblematic of both the Legion and Superboy of the time. They’re young and they’re highly emotional. In this version, for instance, Triad’s three different bodies each have different parts of her personality, and one of her immediately gets the hots for Superboy. Superboy, meanwhile, was in his hotheaded stage, and certain members of the Legion took severe umbrage to that, specifically Leviathan (this incarnation’s version of Colossal Boy) and Brainiac 5 himself. Still, he does manage to prove his worth, and at the end of the three issues Cosmic Boy (whose name did NOT get updated) makes him an honorary member of the Legion. The kid and the team would encounter each other occasionally over the next few years, through assorted time travel shenanigans, but we wouldn’t see Superboy as a full member until 2003. 

At this point, both the Legion and Superboy had gone through some dark times, the former having its series restarted as just The Legion, and the latter having his series cancelled and being jutted over into Teen Titans. So it was surprising to see him show up on the cover to The Legion #25, wearing a classic Superman costume rather than his own uniform, no less. The story was a bit different – after an issue largely spent recapping their recent tragedies and stacking the new status quo, they found Superboy drifting inexplicably through space. This kicks off the six-part “Foundations” storyline, in which Superboy and the Legion face off against Darkseid and wind up meeting a time-tossed Clark Kent, still a teenager, before he ever put on a superhero costume. It’s a great story, really, although it is HEAVILY mired in the stuff that had happened in the Legion in the last few years, and it would probably be unadvisable to read on its own – I feel like it would be really confusing to anyone who wasn’t familiar with “Legion of the Damned” or the stories that followed it. 

The important thing is that it showed Superboy maturing, becoming a better person and a better hero, and that’s all to the good. Superboy stuck around with the team for the rest of the run, which was all well and good…except that he was also appearing concurrently in Teen Titans with no explanation. After Legion ended with issue #38, we got a two-part story wrapping everything up. In Teen Titans #16, Conner is having lunch with Cassie (Wonder Girl) when he’s plucked up by the Stargate that sent him to the 31st Century. He reappears a moment later, now wearing his Legion uniform, telling Cassie that he needs the Titans to help save the future. So his entire tenure in the Legion, presumably, takes place between those two panels: pencil that in, continuity nerds. Anyway, they’re attacked by the Persuader, and Superboy brings the Titans to the 31st Century, where the Fatal Five have created a Legion of their own to attack Earth: an army of Fatal Fives from throughout the multiverse. Fortunately, Brainiac 5 has a plan, but it requires the work of TWO speedsters: the Legion’s XS and her cousin, Bart Allen, aka Kid Flash. They manage to defeat the Five, but the Legion is lost in the timestream, all except for Shikkari, who finds herself in another world, where the Legion is…different.

Yep. Time for another reboot.

This iteration of the Legion lasted 10 years, and it’s the first one I ever read as a regular reader. As such, I have great affection for it. The stories were solid, with a classic flavor that still felt modern, and the art was wonderful. I was really sorry to see it end, but I’m glad that when it went, at least there was a member of the House of El standing with them in what looked – at the time – like their final moments. But we would see this Legion again.

Just not yet. 

Sat., June 7

Graphic Novel: Supergirl and the Legion of Super-Heroes: Strange Visitor From Another Century (Collects Legion of Super-Heroes Vol. 5 #14, Supergirl and the Legion of Super-Heroes #16-19)

“Don’t ask ME, I thought she was DEAD.”

Notes: The “Threeboot” Legion that followed the Titans/Legion special was an interesting beast. Written by Mark Waid, with art by Barry Kitson, this newest iteration gave us a Legion inspired by stories of the heroes of the past that much of the population believed to be mere legends – nobody really BELIEVED that the likes of Superman, Batman, or Wonder Woman had ever existed. Society had grown increasingly distant and oppressive – people stayed home, alone, communicating electronically but rarely seeing one another in person. What’s more, the youth of the galaxy were particularly downtrodden, with free thinking suppressed to make sure everyone conformed. In this universe, the Legion were a group of super-powered teens who rejected this system. They adopted costumes and code-names inspired by the heroes of the past and started a movement, with other young people from across the galaxy joining them.

The volume I read today picks up after their first few adventures, where they’ve proven their worth and the United Planets has reluctantly deputized them as a peacekeeping force. As the Legion licks their wounds from a recent loss, things are tossed into upheaval when a young woman professing to be the legendary Supergirl appears. Much of the galaxy believes that she’s a hoax, because they think Supergirl is a fictional character. As for Supergirl herself, this is the Kara Zor-El who climbed out of a rocket in Gotham Harbor only a few months ago (by her reckoning, but not much longer in real time). Between her adventures with her cousin, Batman, and Wonder Woman, the devastation of the Crisis, and now finding herself 1000 years in the future, the trauma has begun to affect her mind and she believes that everything that has happened to her – including her existence in the Legion’s time – is a dream, and that any minute she’s going to wake up back on Krypton.

Waid had already created a world for the Legion dissimilar from the previous two, and this was a Supergirl that was different from any other Superman family member who’d ever joined the Legion. Despite that, though, it all worked. While the WORLD was different, the Legionnaires were staunchly themselves: Cosmic Boy was the consummate leader, Lightning Lad was impulsive, Brainiac 5 an arrogant jerk who was mainly tolerated because he actually WAS the smartest one in the room as opposed to just somebody who thought he was. There were some revisions, of course – previous iterations of Shrinking Violet had often been quiet and timid, but Waid reimagined her as the ass-kicking master of espionage that somebody with her power set would logically have the ability to be. 

Meanwhile, we’ve got this traumatized Supergirl floating around with this crew, somebody who doesn’t believe that anything happening around her is actually real. Which makes it all the more impressive, I think, that she continues to act every inch the hero. She saves lives, stops disasters, fights villains, even though she believes that it’s all a dream and that nothing around her will have any consequences. Perhaps it’s the level of her consciousness that knows it’s NOT a delusion, perhaps it’s just that Kara Zor-El can’t help but help people no matter the circumstances. Whatever it is, it made for a unique dynamic. Supergirl stayed with the book for a couple of years, going home in issue #36, and the series itself ended at issue #50.

But even before this version of the Legion went away, we got glimpses of what was next. 

Sun., June 8

Graphic Novel: Superman and the Legion of Super-Heroes, collects Action Comics #858-863

Now THIS is going home again.

Notes: I don’t mind telling you that Geoff Johns is one of my favorite comic book writers. His strengths, as I think he proved with his tenures on Flash and Green Lantern, come when he takes the framework of the past and expands upon them. He’s the writer, for instance, who used the existence of Sinestro’s yellow ring to extrapolate an entire Sinestro Corps, and from there, a different corps of Lanterns for each color of the spectrum. His runs on Superman have been short, but what he did with the six issues of “Superman and the Legion of Super-Heroes” from 2007 and 2008 is one of my favorite examples of his work. Although it was running concurrently with the Supergirl and the Legion series, in this storyline Johns brought back something that had been lost from Superman’s past, much as earlier writers had brought back Krypto, the Phantom Zone, and Supergirl: he was restoring Superman’s history with the Legion.

Johns and artist Gary Frank, who would reunite in 2009 for Superman: Secret Origin, kick things off with a bang. Superman is contacted by a probe from the future sent by Brainiac 5 reactivate suppressed memories of his past with the Legion. Suddenly, Superman remembers meeting the Legion founders, being invited to join the team, and losing contact with them after the Crisis. (I know there have been a LOT of Crises in the DCU – typically they’re referring to the original Crisis on Infinite Earths when they use the definite article, i.e. THE Crisis.) The probe brings him to the future where things have gone horribly wrong: Something has turned the sun red, diminishing Superman’s powers. Earth is being run by a xenophobic “Justice League” led by a fascist calling himself Earth-Man that has made the Legion, with its many alien members, outlaws. Oh yes – and Brainiac 5, the Legionnaire who brought Superman to the future, is missing. Earth-Man, as it turns out, is a Legion reject who can absorb powers from others. He built a following claiming that Superman was a human, not an alien, and in fact was staunchly opposed to the presence of aliens on Earth. He’s been capturing the non-human Legionnaires and stealing their powers in his quest for conquest. 

Superman and the few remaining Legionnaires manage to escape Earth and track Brainiac 5 to his homeworld of Colu, the only planet in the galaxy more xenophobic than Earth. They gather Brainy and a few others, including the Legion of Substitute Heroes, and together launch an assault on the Justice League on Earth, where they learn that Earth-Man has been using the captive Sun Boy to make our sun red, weakening Superman. In the climactic battle, a powerless Superman faces an Earth-Man with the power of the entire Legion flowing through him…but there’s one thing that Superman has that Earth-Man never will.

His friends.

I cannot express enough how much I love this story. There are plenty of stories of Superboy with the Legion, and those are great, but this is one of the few stories of the Legion fighting with an adult Superman, and that’s a dynamic I want to see more of. (Recent hints in the current Superman comic books are giving me hopes that we’ll see more of that soon, but I digress.) Like I said earlier this week, Superman with the Legion is a group of friends. The tone feels more like the Titans than the Justice League, a found family standing together rather than a group of disparate heroes united for a common cause. That “found family” trope is always something that resonates with me, and I love seeing Superman as a part of it.

It’s also good to see a story that makes its points without preaching or turning into a polemic. There’s a definite message here, with Earth-Man’s hatred of anyone not from Earth, but that message is secondary to the story. Not that Johns and Frank were subtle about it – Earth-Man’s costume is as close to a Nazi uniform as you can get without actually applying swastikas, and his real name is the egregiously German Kirt Niedrigh, juuuuuuuuuust in case we didn’t get what they were going for. But parallels to World War II aside, the story also has a point to make about being an outsider. Bringing the Subs in makes it even better, having them act as a foil for Earth-Man – they were rejected from the Legion just as he was, but rather than turning into monsters, they used their disappointment as fuel to become something good. 

There are plenty of questions raised by this story, of course. First of all, which Legion is this, exactly? It’s an older Legion: despite still having words like “Boy,” “Lad,” Kid,” and “Girl” in their code-names, they all appear to be roughly the same age as Superman. But the costumes and past they share with Clark seem to indicate this is a continuity that continued the characters from some point prior to the controversial “Five Years Later” era (which was the final era of the original Legion before the reboot in 1993, beginning between their second and third encounters with the time-traveling Superman in Time and Time Again). If that’s them, how are they coexisting with Supergirl’s Legion, which I remind you, was being published in their own series at this point? Who, or what, was the “real” Legion of Super-Heroes?

To answer that question, DC again turned to Geoff Johns, in what is my single favorite Legion story of all time. 

Mon., June 9

Comics: Final Crisis: Legion of 3 Worlds #1-5

Get ready for the most egregiously misnamed Crisis of them all!

Notes: In 2008, Geoff Johns and George Perez teamed up for this five-issue miniseries. While ostensibly a spin-off of Grant Morrison’s Final Crisis event, it really has nothing to do with the larger storyline of that series and can be read independently of it. I still may get to the main Final Crisis story at some point, since the conclusion is pretty Superman-centric, but for today I’m just going to focus on this Legion story. 

Superboy-Prime, insane survivor of Earth-Prime (see Crisis on Infinite Earths and Infinite Crisis for the full backstory if you don’t already know it) is plucked by the Time Trapper and hurled to the Legion’s time period. Finding the Superman Museum in Smallville, Prime is horrified to discover that he’s only a footnote in Superman’s Hall of Villains, and even worse, is pushed further over the edge by the veneration of Conner Kent, the Superboy that Prime murdered in Infinite Crisis. In Metropolis, meanwhile, the United Planets is turning against the Legion, whose members are in disarray. Brainiac 5 has been stripped of his Brainiac title by his home planet, Mon-El is suffering from the lead poisoning that plagues all Daxamites, and Sun Boy’s powers haven’t returned since his torture at the hands of Earth-Man. Things get progressively worse as Prime springs all of the Legion’s enemies from prison, creating an entire Legion of Super-Villains. The real Legion brings Superman back to their time to aid them, and Brainiac 5 reveals his plan: fight a Legion with a TRUE Legion – by summoning the Legions of two other worlds in the multiverse.

Brainy uses the Crystal Ball that the Justice League and Justice Society used for their very first team-up in the Silver Age to summon the other two Legions – the Reboot Legion that Conner had been a member of, and the Threeboot Legion that had welcomed Kara. Superman and the assembled Legions battle Prime’s army as Brainy enacts Stage Two of his plan: assembling all the electrical-powered Legionnaires to charge up XS and use her to pull her cousin, the presumed-dead Bart Allen, from the Speed Force to rejoin them as Kid Flash. Finally, the Brainiacs use Time Travel to implement Phase Three of their plan: a version of Starman in the 21st century robs a certain grave and transports its inhabitant to the Antarctic. A thousand years later, the Brainiacs unearth the body, which has been slowly healing and rebuilding for a millennia in the same Kryptonian device that brought Superman back after his battle with Doomsday. The final piece to restore him is a hair from one of his genetic donors – Lex Luthor (taken, naturally, from a point in the past BEFORE he went bald). After a thousand years, Conner Kent lives again. 

The battle rages on two fronts – Superboy, Kid Flash and the Legions versus Prime in the Arctic, Superman and the original founders versus the Time Trapper in deep space. It turns out the two battles are really one: this iteration of the Trapper is a future version of Superboy-Prime himself. But for all his power, all his anger, in the final battle, the Legion lives.

Ever since Man of Steel, the Legion’s continuity had become a mess, with two reboots failing to make things simpler, since their interactions with the heroes of the present kept contradicting each other. Legion of 3 Worlds finally solved the problem by establishing that each of the three Legions was from a different world of the Multiverse. The original Legion, the one that Clark had been a member of in his youth, was from the future of DC’s main universe. The Reboot Legion, Conner’s Legion, was from Earth-247, a world that had been destroyed in a Crisis, but not one of the ones that was restored when the Multiverse was brought back. And Kara’s Threeboot Legion, amazingly, was from the future of Earth-Prime, the world where all of the DC Comics heroes exist as fictional characters. All those times in Waid’s run when people had insisted to the Legion that the ancient stories about Superman and the Justice League weren’t real? In their universe, they were right

So not only was the Legion clarified in a way that made sense, but Johns used it to bring back two of the Teen Titans he’d written in an immensely satisfying way, and even used this miniseries as a springboard for the return of the Green Lantern Corps in the 31st century. The Legion was finally clear, established in a way that made sense, and ready for action. And it was done in a way that made all three Legions legitimate and viable, and set each of them up so that they could be used in different ways across the tales of the DC Multiverse. He even managed to codify the importance of the Legion in Superman’s history, explicitly stating (via R.J. Brande) that it was his interactions with Cosmic Boy, Saturn Girl, and Lightning Lad that taught young Clark Kent what it meant to be a hero, and that he would in turn become the inspiration for heroes for the next 1,000 years. It was the perfect fix and the perfect fit. 

Why, DC? WHY THE HELL DID YOU DECIDE TO REBOOT THEM YET AGAIN???

Tue., June 10

Comics: Superman Vol. 5 #14, 15

If you people ever doubt that I love you, remember that I read this comic again so I could write about it.

Notes: A few years post-Final Crisis, as we all know, DC rebooted their entire universe in the New 52 relaunch, including both Superman and the Legion. Once again, Superman was divorced from the roots of the Legion, but other than that, the Legion was one of the properties that was relatively unchanged. But it didn’t set sales on fire, either, and the New 52 version was quietly cancelled after two years. After that, their appearances became sporadic for a while until 2018, when Marvel superstar Brian Michael Bendis was hired by DC to take over the Superman comics.

I’m going to be blunt, guys, I’m not typically a fan of Bendis’s work. I don’t want to spend all day explaining the reasons why, but I don’t think I’ll need to, as my Legion-specific criticisms will make it clear. The biggest issue I had with his run was his treatment of Jon Kent. Lois and Clark’s son had been around in comics for a few years, and was about 10 years old. The stories of Clark raising his son were magnificent. They were fresh, they were original, they were something that we rarely saw in comics: an adult superhero teaching his child what it means to BE a hero is a dynamic that, somehow, had gone almost ignored in the 80 years that the superhero genre had been around. So when Bendis took over, of course, the first thing he did was have Jon fall into a spacehole with his grandfather and come out as a teenager. 

It’s more complicated than that, but the gist of it was that sweet and joyful Jon was now an angst-filled teenage superhero, of which we have thousands, and like most teenage superheroes his stories quickly began to drift towards “adults screw everything up, but kids MY age know better.” It’s a tired, stale trope that we’ve seen a billion times. But there is one good thing I can say about Bendis’s Superman comics: compared to his work on Legion of Super-Heroes, his Superman looks like Watchmen. 

It started in issue #14 of his Superman run, the tail end of a story arc about Superman, Supergirl, and Superboy teaming up with General Zod to capture an alien who has responsible for the destruction of Krypton. At the end of the story, the Kryptonians are brought before a coalition of alien races who were caught up in their battle, and Jon says something along the lines of, “On Earth, we have a thing called the United Nations…” Then, after his dad gives a brief speech about working together, a time portal opens. And the new, re-re-rebooted Legion of Super-Heroes spills out of it and offers Jon membership because he just invented the United Planets by saying ten words that point out something that already exists, and thus he’s the most important historical figure of the past 1,000 years.

I’m getting a headache.

In issue #15 of Superman, the word of Jon’s AMAAAAAZING insight starts to spread. Adam Strange even says “I can’t believe I’ve been out here this entire time and I didn’t think of it.” (Neither can anyone else, Adam – didn’t you ever watch Star Trek? For that matter, are we really supposed to believe that NOBODY had ever thought of this idea before in the ENTIRE GALAXY?) Then the Legion offers to take Jon to the future with them, because he’s so smart and awesome and cool and they wanna be friends with them. He winds up going and joins them for Bendis’s 12-issue Legion series which…I should read it again today. In the interest of fairness, I should read it again for this blog, but I just can’t bring myself to do it. It…it just wasn’t the Legion.

Yeah, the character names were mostly the same. So were the powers. And they were in the 31st century. But everything that makes the Legion entertaining was entirely absent. The characterizations were…I can’t even say they were WRONG, they were GONE. The members of this team had no life, no personality, other than being ASTONISHED that the GREAT JONATHAN KENT WAS THERE. It was like reading about Jon and the Legion of Sycophants. That’s another Bendisian trait, by the way – he introduces a younger version of the hero, then all of the other characters walk around and talk about how much better the new version is than the old one. (If you think I’m exaggerating, I offer the following as evidence: Miles Morales, Ironheart, and the teenage X-Men who were brought forward in time because Beast thought their adult versions sucked.) It was in full force here, with the Legion telling us how Jon – not Clark – would be remembered as THE Superman, as THE character who saved the galaxy. And I’m sorry, if you’re going to make a claim like that, you gotta convince me of it.

There were also a ton of arbitrary changes that drove me crazy, such as making Mon-El a Kryptonian descendant of Superman rather than a Daxamite like he’s been for his entire existence. And as usual, Bendis included his own characters (which is fair) like a new version of Dr. Fate (oooookay) and a Gold Lantern whose powers and history were ill-defined and didn’t really seem to add anything to the story. I made it through the 12 issues of his run, but when he closed it off with a six-issue Justice League Vs. the Legion of Super-Heroes miniseries I couldn’t even bring myself to buy the comics, reading it instead when it came to DC Universe Infinite and still feeling as though I’d overpaid. 

Since that miniseries ended, again, the Legion has returned to sporadic appearances. Some of them have reflected the Bendis Legion, but others evoke Legions of the past. Mark Waid himself went on the record recently to tell us that DC has plans for the Legion that he thinks will make everyone happy, and we’ve already seen glimpses of that in the DC All In Special and (appropriately) the Superman titles. We’ve been promised that Superman #29 (coming out in August) will feature Superman and a “mysterious ally” searching for the lost Legion of Super-Heroes. I’m anxious and I’m optimistic. For the most part, DC’s “All In” titles have been very satisfying, and if the new Legion (whatever it is) has Mark Waid’s stamp of approval, that gives me reason to hope. Because the Legion, at its best, is not JUST a team of heroes from the future. It’s about hope for the future, just as much as Superman is. And it’s a fundamental part of who and what Superman is. It’s one of the greatest concepts in comics, and it deserves to be treated as such.

So here’s hoping that, whatever begins in August, it ends with a story that leaves us all ready to slip on our flight rings, thrust our fists into the air, and join with a battle cry that will echo back ten centuries:

Even Brainiac 5 is irritated by Brainiac 5.

But you know, I can’t end it here. I can’t conclude my look at one of my favorite pieces of the entire Superman mythology with a discussion of their worst version. So how about a little bonus? Let’s join hands, hop in Brainiac 5’s Time Bubble, and zip back to 2006 so we can watch the first episode of the Legion of Super-Heroes animated series together, shall we?

TV Episode: Legion of Super-Heroes Season 1, Episode 1: “Man of Tomorrow”

It ain’t the Diniverse, but it’s still pretty dang good.

Notes: Young Clark Kent is about to leave home. He’s packing up and heading away from Smallville to go to Metropolis, where he’s got a job as a copy boy at the Daily Planet. On the night before he’s supposed to head to the big city, though, he’s approached by a group of super-powered teenagers from the future, teens who know about the powers he’s kept hidden his entire life. He won’t miss a thing, they promise, they can return him to the moment he left – and tantalized by the idea of not having to hide himself, he goes with them. Arriving in the future, he discovers that they need his help combatting their foes, the Fatal Five. In the end, Clark takes the costume he learns he’ll have someday and, as Superman, joins the Legion.

I love this cartoon. It’s the purest expression of my favorite thing about the Legion, namely that it helps shape Clark Kent into Superman while, at the same time, being inspired BY Superman. It’s a bit more literal in this version than others – the Clark that joins this Legion hasn’t ever really been in a fight and hasn’t learned how to use all of his powers yet. The Legion has plenty to teach him, and over the first season of the show, we see him grow and blossom. The second season takes place after a time skip, returning to the future after a few years away. It was an interesting retool, but ultimately the show only lasted for those two seasons. If you love the Legion like I do, though, it’s well worth seeking them out and watching them.

After all, we Legionnaires need SOMETHING to keep us occupied between now and August. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 14: Krypto the Superdog Week!

It’s time for another theme week here in the ol’ Year of Superman blog, and once again, I’ve decided to spend seven days with one of the greatest characters in the Superman mythos. A trusted friend, a stalwart companion, a fearless champion of justice, and the goodest boy in the entire multiverse. That’s right – this week we’re going to focus on Krypto the Superdog! 

Krypto is one of those concepts that, on the face of it, is kind of ridiculous. You mean to tell me that Krypton not only evolved a race of sentient inhabitants that are identical to Earth humans (a common enough trope in science fiction but highly improbable in real life), but also evolved a species of animals who, upon being domesticated, are indistinguishable from Earth DOGS? Not only that, but they also gain the same powers as the human Kryptonians when they get under a yellow sun? Utterly preposterous.

But I do not care in the slightest how unlikely it is. I love Krypto with every fiber of my being. No matter how silly the notion is, the inherent wholesomeness in his character, the way a Krypto story inevitably becomes one of those stories of a boy and his dog, elevates him to a point of true celebration. Krypto is one of the brightest spots in Superman’s galaxy. I think it’s telling that, no matter how many times various writers have tried a “Superman gone bad” story, I don’t think we’ve EVER seen a serious attempt at a grim, gritty Krypto. It’s not because it would be silly – it’s because he is simply too pure for such a thing. There’s a reason that the first trailer to James Gunn’s Superman featured Krypto so prominently, a clear message that he was sending to the fans: this is about someone GOOD. 

Krypto stands for that.

Let’s check out some of his greatest hits, shall we?

Wed., April 1

Comics: Adventure Comics #210, Adventure Comics #293, Secret Six (2025) #1, Justice League of America #18

And all Superboy threw was a tennis ball.

Notes: We begin our journey through the life of Krypto the Superdog, appropriately enough, with his first appearance in Adventure Comics #210. We’re in Smallville, Kansas, in the era where Clark Kent is Superboy, and he is called upon to help deal with the most dangerous of crises – a dog catcher whose lot got loose. Superboy quickly rounds all the mutts up, with one exception – a white dog that apparently ripped a hole in the side of the truck. Later, a group of crooks (incredibly well-dressed crooks, in suits and ties) try to rob Kent’s General Store, only to be thwarted by the same dog. Clark later finds the pup chewing on one of the guns left behind by the robbers, and he takes off flying, with Superboy giving chase. The dog leads Superboy to a rocketship, where he discovers that Krypto (for that, of course, is his name) was sent into space in an experimental rocket by Superboy’s own father, Jor-El, and that the two of them are being reunited. The happy reunion is short, though, as Clark soon learns that even a super-dog is still a dog, and his antics (such as chasing an airplane or trying to play fetch with a steel girder) are apt to cause some problems. In the end, Krypto decides to roam his “backyard” – the galaxy. But Superboy hopes wistfully that he’ll come back to visit. Spoiler alert: he does. 

Krypto becomes a semi-regular after this point, showing up whenever convenient for the story and eventually showing much more personality. In most of the Silver Age stories, in fact, he had thought balloons demonstrating full human-level intelligence, like Snoopy, only with a cape. That’s one aspect of Krypto I’m kind of glad hasn’t come back. I find that I have a greater appreciation for the character when he’s “just” a superpowered dog. Although to be fair, some of the stories I plan to visit before this week is over will very much go against that grain. 

Krypto also became something of a trendsetter. After all, when something works once, why not try it again? So in his wake came a bevy of other superpowered animals, including Streaky the Supercat, Beppo the Supermonkey, and Comet the Superhorse. And they all converged in Adventure Comics #293, the first appearance of the Legion of Super-Pets!

The Legion’s hazing policy was still nebulous at this point.

Sometimes I wonder about the life choices that have led me writing things like the preceding paragraph. And then I realize that this is the result of choices that have gone RIGHT.

The story begins, again, in Smallville, when Superboy is summoned to rescue an airplane in trouble. But a strange urge overtakes him and, instead of rescuing the plane, he destroys one of its propellers. Fortunately, Krypto (by now sporting a cape and thought balloons) happens to be swooping in for a visit just as this happens, and he saves the plane himself. Superboy starts going through wild mood swings, briefly attempting to kill Krypto before regaining his senses. It gets worse when he’s suddenly attacked by his friends in the Legion of Super-Heroes, who attempt to kill him with Kryptonite. Turns out the whole thing is the scheme of the Brain-Globes of Rambat (there’s another sentence that could only come from the Silver Age), who are using their incredible mental powers to destroy the heroes so they can move Earth to a purple sun, allowing them to survive. But as it turns out, the Brain Balls can’t affect the minds of ANIMALS, and Krypto goes on the offensive…only to learn that if he goes after just ONE of the four Brains, the other three will destroy the Earth. The Legion uses their time machine to collect Streaky, Beppo, and Comet from Superboy’s future, and there’s some fun here in that this is actually Comet’s FIRST appearance, with the promise that “this is a preview glimpse of a super-pet Supergirl will own some day in the future!” It’s more complicated than that, but this ain’t “Comet Week.”

With Superboy out of commission, the Legionnaires team up with the super-pets to drive off the aliens, and make the animals an official branch of the Legion, then bring the other animals back home before Superboy can wake up and learn about the super-animals of the future. I suppose it’s okay for Krypto to know the future because he can’t talk, but the story isn’t really clear on that. 

If Krypto was a silly concept, the Super-Pets take it to the extreme, but it’s so much fun. A cat, a dog, a horse, a monkey, all with super powers, all fighting the forces of evil. Nobody would EVER introduce such a thing in a serious comic book in 2025, and more’s the pity. It’s like somewhere along the line people forgot that comic books can be FUN. I really hope that the Krypto Renaissance we are currently experiencing helps people remember what it’s really about. 

Thur., April 3

Comics: Action Comics #266, Action Comics #277, Adventure Comics #310, Adventure Comics #364, Superman’s Pal Jimmy Olsen #136, Supergirl Vol. 2 #22, Action Comics #557

Notes: When I announced this as Krypto Week, I asked (as usual) for suggestions about the best Krypto stories out there. I was not surprised that my pal Lew Beitz stepped up. Lew is a good guy, a great beta reader, and the most effusive dog-lover I know, and his love extends to pooches both fictional and non. He pointed me towards some classic Krypto stories, and I’m checking a few of those out today. 

In Metropolis, it really CAN rain cats and dogs! Ah? AAAAAH? I’ll see myself out.

Action Comics #266 kicks off with “The Captive of the Amazons,” a story about an alien princess who tries to force Superman into marrying her, and honestly, sometimes I wonder just where they got off putting stories like this into a magazine called “ACTION” Comics. No, I’m here for story number two, “The World’s Mightiest Cat.” This features the return of Supergirl’s cat, Streaky, an Earth cat with a lightning bolt-shaped patch of fur. Supergirl invented an isotope called X-Kryptonite in the hopes that it would act as a cure for Kryptonite poisoning. It didn’t, but when exposed to it, Streaky temporarily gains super powers. One of the other orphans in Midvale with Supergirl sees him performing super-feats, but is humiliated time and again when he brings other people in to witness them, only to find that Streaky’s powers have worn off in the interim. After several pages of the cat treating this poor kid like Michigan J. Frog, Supergirl figures out what’s going on and has Krypto come in to “help” Streaky with his super-feats, telling the boy that what he saw was Krypto playing pranks on the cat. It sounds kind of cruel to gaslight the kid, but everybody was starting to think he was a liar, so I guess it’s a bit more kind. Regardless, this is more of a Streaky story than a Krypto one, but it’s fun to watch the two of them involved in hijinks together.

It was this or get a couple of super-chickens to fight and…there were issues.

There were more Krypto and Streaky shenanigans 11 issues later in Action #277: “The Battle of the Super-Pets.” But first was “The Conquest of Superman,” in which Lex Luthor goes after the gold in Fort Knox, holding off Superman with a weapon that can synthesize different types of Kryptonite. As far as action stories go, it’s way better than Superman trying to avoid marrying a gorgeous alien Amazon princess. But that’s not why we’re here, is it? In the second story, Streaky gets jealous of Krypto when Supergirl praises him for helping her out of a jam that’s so preposterous it only could have happened in a Silver Age comic. But after Streaky gets his powers back from the X-Kryptonite in his ball of twine, he goes after Krypto with a vengeance. Superman decides to settle the dispute between the super-pets with a “contest of skills.” Supergirl takes the two of them to a planetoid where they can battle it out without causing any damage, but the planet…is not what it seems. This story is pure absurdity, and that’s really what I like about it. The stuff that happens on the planet is wild and goofy, and makes no sense until the reveal at the end, which in and of itself is even wilder and goofier. I find that DC stories of the Silver Age often fall into two categories – a kind of ridiculous that makes the characters look mean or stupid (sadly, most Lois Lane stories from the era kind of fall into this category) and those that are just absurdly delightful. This one most certainly falls into that latter category.

And “furry” culture immediately claimed him as their own.

Adventure Comics #310 takes us back to the Superboy days, following a dandy Legion of Super-Heroes story. By the way, have you noticed how often in these days it was the second – or even third – story that got the cover treatment? That wouldn’t happen today. The second story brings us “When Krypto Was Superboy’s Master.” Lana Lang’s father, a university professor, has a promotion jeopardized when he is accused of falsifying the translation of some ancient runes. When Superboy is called in to help verify the translation, the runes somehow swap his personality with Krypto’s, causing the dog to become the master and Superboy the pet. This is another of those silly stories that I enjoy, although it’s one where the ending turns out to be unnecessarily convoluted. I’ve mentioned in this blog before just how many of DC’s Silver Age stories were built on the backs of ridiculous misunderstandings or outright trickery that serves no logical purpose, and this turns out to be one of those.

Superboy gets the kick to the gut while Cosmic Boy just has to duplicate a Coppertone ad. Seems kinda lopsided.

The last classic story I’m going to dip into today comes from Adventure Comics #364, “The Revolt of the Super-Pets!” Yes, we’ve got Streaky, Beppo, and Comet back for this one. The pets are frolicking in space and then, for reasons, decide to recap their respective origins, including that of Chameleon Boy’s shapeshifting pet Proty II, who has joined them. As they talk about how great they respectively are, Beppo and Comet in particular start to resent being treated as pets (Comet, to be fair, was a Centaur in ancient Greece who is now trapped in the form of a horse – it’s a whole thing) and decide to abandon their masters. This is followed by some various betrayals and misunderstandings before they come back together to fight the issue’s bad guys. I like this story, but it actually does raise a good point – if the Super-Pets are, in fact, as intelligent as their humanoid masters, it seems pretty disrespectful to continue to treat them as pets. Modern stories usually avoid this – Krypto and Streaky don’t display human-level intelligence anymore, and Comet and Beppo are rarely, if ever seen these days. It’s another reason I like that iteration a little bit more. The “hero and pet” dynamic is more appealing to me than a “hero and another hero that they treat as a lesser being because they happen to be in the shape of an animal” dynamic. 

Fri., April 4

Comics: Superman: The Man of Steel #112, Superman Vol. 2 #170, Action Comics #373

By this logic, shouldn’t Supergirl’s best friend by a super-diamond?

Notes: After the Man of Steel reboot in 1986, the decision was made that Superman would be the ONLY surviving Kryptonian – no more Supergirl, Phantom Zone criminals…and no more Krypto. Obviously, this edict was eventually relaxed, but even as Supergirl and Zod and the like came back, it took some time before Krypto made his triumphant return. By the early 2000s, though, he was making appearances again, such as this one in Man of Steel #112. In this story, Krypto has recently arrived on Earth, where the yellow sun is slowly ramping up his powers and causing a good bit of destruction in Lois and Clark’s apartment. Superman decides to take him out for a spin to burn off some steam, leading to a nice sequence in which he contemplates his new pal. This version of Krypto came to Earth via the Phantom Zone, after a story which cast a little bit of doubt as to the true nature of Krypton. It was from a period in which Superman’s history was kind of in flux, as though DC was attempting to determine which of the many, many iterations of Superman’s origin was the “real” one, and bringing Krypto back was emblematic of that. None of that is what I like about this issue, though. I like that short sequence, just a few pages, where Superman flies around Metropolis with his pal, thinking about how awesome it is to have a super-powered dog to romp with. Seriously, more stories should be like that.

He’s a good boy until you give him a reason not to be.

Krypto became kind of a B-plot in the Superman titles for a few months, a story that bubbled over in Superman #170. Mongul – you guys remember him, right? – comes back to Earth. (It’s actually not the Mongul we read about before, he’s dead. This time it’s his identical son, Mongul. But that’s not important.) He’s here to take out Superman, and he’s got help! His sister, Mongal! No, really! That is her given, Christian name! As Superman battles the Mongul siblings, the story has a runner of a “children’s book” about Krypto, a “good dog,” written by Clark Kent with art by Kyle Rayner (Green Lantern). The fight is going the way Superman fights usually do, until Mongul makes the mistake of threatening Lois Lane. Krypto leaps to her defense, and…well…he acts like a dog. He goes straight for Mongul’s throat, ripping it open and leaving the alien conqueror on the brink of death. Superman realizes just how dangerous it can be to have a dog with that kind of power, and makes the hard choice to bring him to the Fortress of Solitude and leave him in the care of his robots.

This is such a bittersweet story, and I give a ton of credit to writer Jeph Loeb for making it work. This is the Krypto I prefer – the one who acts like a super-powered dog as opposed to a super-human in dog shape. But that said, it DOES bring up the issue of how potentially dangerous it would be. Sure, not many people would mourn if he had actually succeeded in murdering a member of the Yellow Outer Space Genocide Family, but Superman has that whole no-kill thing, and he’s pretty strict about it. What’s more, just like if a dog in real life attacks someone, it immediately raises the question of who else could potentially be in danger. And at no point does the story imply that Krypto is anything less than a good boy – but he’s still a good boy who “did a bad thing.” It’s heartbreaking, and I mean that as a compliment. Krypto’s exile would eventually end, of course, and these days when he shows up it seems taken as a given that he’s been better trained and won’t pose that kind of danger anymore, but I’m actually really glad that they told this story the way they did back in 2002.  

Sat., April 5

TV Episode: Krypto the Superdog, Season 1, Episodes 1-2, “Krypto’s Scrypto Parts 1 & 2”

This show is almost old enough to drink and I’m not okay with that.

Notes: I didn’t realize until I sat down to watch this cartoon that the Krypto the Superdog show on Cartoon Network debuted in 2005, a full twenty years ago. That is both absurd and wrong. But the show, aimed at a younger audience than the likes of Justice League Unlimited, was delightful then and it’s delightful now. In this pilot episode, Krypto recounts his origin – how he accidentally got sent to Earth in a rocket built by Jor-El, sadly leaving behind the child he loved. He lands on Earth and makes his way to the city of Metropolis, where he encounters a boy named Kevin. Kevin is new in town, struggling to make friends, and Krypto quickly befriends him. Kevin is startled to learn that the dog has powers just like Superman, that he’s even wearing a dog tag in the shape of Superman’s shield (that of the House of El, of course), and he’s carrying a device from his rocket that allows Kevin and Krypto to speak the same language. Kevin figures out that Krypto is from the same planet as Superman, telling him about their hero, and brings him home to live with his family. Things are going great until the news reports a cargo ship full of zoo animals is sinking, and Superman is off-planet on a mission. With no one else to rescue them (apparently there’s no Justice League in this universe), Krypto rushes off to save the day. Krypto’s rescue makes the news, and Superman soon tracks him down. The last sons of Krypton have a happy reunion, but Superman decides to allow Krypto to stay with Kevin. And thus, like any good pilot episode, the status quo is established. 

While I would have preferred a cartoon about Krypto and Clark, I get why the producers did this. They wanted Krypto to be the star, and if he was actually living with Superman, it would have turned into a Superman show WAY too frequently. Krypto was a show for kids, and it hits those beats as expected. Krypto can talk, sure, but so can the Earth animals he encounters (at least to other animals), such as the squirrel who has a panic attack upon seeing his spaceship land. It’s a pretty standard pilot episode as well – seriously, how many cartoons have begun with a dog/cat/platypus/alien being taken in by a normal human family? 

While the show isn’t a straight-up comedy, there are also a few good gags, too, such as when Krypto arrives on Earth and begins both exploring the world and discovering his powers simultaneously: “It’s so beautiful! So green! And the sun is so yellow! (GASP!) I can see in color!” 

That’s an A-plus dog joke, friends.

This isn’t in the upper echelon of DC cartoons, but in terms of an entry-level show for younger viewers, it’s pretty good. Now if I can only convince my son to turn off YouTube long enough to watch a few more episodes with me. 

Comic: Absolute Superman #6, Green Lantern Vol. 8 #19

Notes: Doesn’t matter what universe you’re in, Jonathan and Martha Kent are the best people in it. 

Sun., April 6

Comics: Teen Titans Vol. 3 #7, Superman #712, Super Sons Annual #1

Notes: Today I decided to get back to the classic stories of a boy and his dog – specifically a Superboy. Not Clark, though, but the other people who have used that name, Conner Kent and Jon Kent. Both of them have had a history with the Dog of Steel, although in the case of Conner, it wasn’t exactly smooth at first.

Logo humor.

Conner, it should be noted, had previously owned a different Krypto, an Earth dog that was taken in by our old buddy Bibbo when Superman was “dead.” The dog wound up in Superboy’s possession for most of his original series, although he and the pooch often didn’t get along. But by 2003, the original Krypto from Krypton was back. In this era, the Teen Titans gathered on the weekends, spending their weeks at home, and Teen Titans #7 shows each of them wrestling with various struggles during a week apart from one another. We’re going to focus on the Superboy storyline. At this point, he was living with the Kents in Kansas and struggling with his recent discovery that half of his DNA comes from Lex Luthor. Superman takes him out for a talk and a surprise: the kid needs a friend, and Krypto (as we saw when he nearly killed Mongul) needs the grounding of a real home. 

Superboy didn’t have his own series at the time, so the Teen Titans comic was his primary home and actually gave the character a lot of development, moving him away from the devil-may-care leather wearing Metropolis Kid we first encountered and into a young man with an identity crisis that, in some ways, he’s still wrestling with today. But having Krypto along in the mix was a good look for him. It ended too abruptly, when Superboy died in the Infinite Crisis crossover (he got better). However, some time after his death – even after his resurrection – Kurt Busiek and Rick Leonardi brought us the excellent “lost story’ of Superman #712. Superboy was dead and Superman, at the time, was missing. With his super sense of smell, Krypto sets out to find them.

Honestly, you might not be ready for this one.

Busiek is one of the greatest writers in comics, and if you don’t believe that, wait until we get to the week where I focus on “other” Supermen – the first issue of his Astro City series is a straight-up masterpiece. This issue hits some of the same notes in terms of melancholy. Krypto tracks down Conner’s scent and, in so doing, retraces the last few days before his death – getting wounded in battle, being saved by the Titans, sharing a tender moment with Wonder Girl, suffering a brutal thrashing at the hands of the maniacal Superboy-Prime. Krypto senses all of it, and the reader retraces those steps with him. When originally presented, these stories played out over several months (real time) and several different series, so seeing them all stacked together in this way paints a different picture of Conner’s final days than you would have had reading those books in context. “Lost Boy” has the same sort of bitter sadness as Futurama’s “Jurassic Bark,” the same sort of agonizing pain of watching a faithful dog waiting for a master who is not returning home. Fortunately, the Kent boys eventually had a happy ending.

The premature ending of this series was a crime.

Our last stop today comes from 2017 and Super Sons Annual #1. This is the era when Jonathan Kent was Superboy, he was ten years old, he was being written by Peter J. Tomasi, and basically, everything was right with the world. Little did we know how short that golden age would last. My love for Jon as a kid is matched only by my utter disinterest in him as a teenager…or young adult, or…I don’t even know how the hell old he’s supposed to be right now, and that’s only PART of the problem of his complete lack of identity ever since…

Sorry, sorry, this is supposed to be about Krypto.

Even though this title starred Jonathan and Damian Wayne, this issue is all super-pets. After Jon goes to bed, Krypto finds himself pondering a recent spate of missing animal reports across Metropolis. He sets out to round up his old teammates in the Super Pets – including Streaky, Titus and Ace the Bat-Hounds, Bat-Cow, Flexi (Plastic Man’s parrot), and a little nugget of Clayface. Together with an assist by Detective Chimp, the animal heroes are determined to find justice for their four-legged brethren. The issue is largely free of dialogue, save for the assorted grunts, growls, and tweets of the pets, but at no point is there any difficulty following the plot. Tomasi and artist Paul Pelletier perfectly create a charming story about animal heroes saving the day, but without going so far as to hit the “talking animal” trope of the silver age, or even of the cartoons. This, to me, is peak Super Pets, and if DC ever saw their way clear to bringing back this particular team, I would be the first to trample a path to the comic shop. 

Mon., April 7

Comics: Superman #677-680, Justice League of America #19, Infinity, Inc. #4, Superman #8

Notes: “The Coming of Atlas,” by James Robinson and Renato Guedes, isn’t completely a Krypto storyline, but it does lead to one of the most famous Krypto moments in modern history, so I thought it would be worthwhile to take a look at it. Plus, it’s just a good story and worth reading. It does START with Krypto, though – specifically, with Superman and Green Lantern in space, playing fetch with the Superdog, while discussing the things life does to people with super powers. The problem is, they’re out in space when a kaiju attacks Metropolis. The monster is quickly dispatched, not by Superman, but by an old and somewhat forgotten Jack Kirby character, Atlas. He’s back, he’s in Metropolis, and he’s calling out Superman – and soon, the Man of Steel answers at the end of part one. Parts two and three are a fight, and one the likes of which Superman hasn’t seen since the battle with Doomsday. Atlas has been sent and is being manipulated by an outside force, but that doesn’t make it hurt any less as he pounds into Superman. Others come to his aid, but Supergirl, Steel, and even Bibbo are quickly dispatched. Then, at the end of part three, the REAL hero makes his debut, and the Dog of Steel is ready to defend his master.

“Regal” is the word for this dog. Just plain “regal.”

Superman #680 is, really, the reason I chose to read this story this week. Over the previous two issues, we were given a flashback to Superman and Lois debating the wisdom of keeping Krypto (remember, this is the Krypto who destroyed the Kent apartment, nearly killed Mongul, and so forth). But in issue #680, that debate is well and truly put to rest. As Krypto toes the line and holds off Atlas, Superman deduces that his foe is being enhanced by magic (which, you may recall, he has a little trouble with). After picking up a magical solar boost from Zatanna’s cousin Zachary, Superman finishes the fight, then declares to Metropolis that Krypto, his dog, is a hero, and “now he’s your dog too!”

And Metropolis cheers.

Because c’mon, Krypto is a good boy.

This was a complicated time in the history of DC Comics. That era between Infinite Crisis and the New 52 reboot was, for many titles (including the Superman books) a constant period of reintroduction and reinvention. Old concepts would be brought back, new concepts would be pushed aside, things were in a constant state of flux, and this story reflects that. Just the next month the Superman titles would become embroiled in the “New Krypton” storyline that would guide them for the better part of the next two years. But here, right now, we got a spotlight on Krypto, and it couldn’t have been a better one. 

“CAN YOU SMELLLLL WHAT THE ROCK–“
“We’re dogs, Krypto. We can smell everything.”

Animated Feature: DC League of Super-Pets (2022)

Notes: There was a time when I hoped this movie, an animated feature starring Dwayne Johnson as Krypto and Kevin Hart as Ace, would be the first movie I took my son to a movie theater to watch. Unfortunately, that didn’t work out, but we’ve watched it at home since then, and we enjoy it. In this version, Krypto made it into baby Kal-El’s rocket as Krypton exploded, and the two of them have spent their lives together. Now, as Clark Kent is an adult on the verge of asking Lois Lane to marry him, Krypto is starting to feel some pangs of jealousy. A battle with Lex Luthor brings a chunk of orange Kryptonite to Earth, an isotope that Lex believes will give him super powers, but instead only works on animals. An evil Guinea Pig uses the Kryptonite to give herself and her minions incredible abilities, then goes on to capture the entire Justice League. Krypto and a group of rescue animals similarly dosed by the Kryptonite are all that’s left to save the world.

As far as kids’ entertainment goes, I really enjoy this movie. It’s similar, tonally, to other recent movies like Secret Life of Pets, with kid-friendly characters but plenty of jokes for the adults, such as when P.B. the pig discovers her powers and declares, “This is my origin story! And my uncle didn’t even have to die!” The Lois and Clark relationship is solid as well – they’re a young, loving couple, and the idea of the dog getting green eyes (metaphorically speaking) when he realizes his person now has a new person is actually a pretty realistic issue to throw in and complicate the Superman/Krypto relationship. 

The voice cast is also really impressive. Dwayne Johnson puts just the right amount of naive energy into Krypto to suit his characterization as a good – but slightly simpleminded – dog. John Kracznyski’s Superman is solid as well, and if you’re not going to get Will Arnett (LEGO Batman) back, having Keanu Reeves deadpan the character is about the best way to make that character funnier. But Natasha Lyonne as Merton, the super-speedster turtle, absolutely steals the show. I’d watch a whole movie starring her. 

My biggest beef with this movie is that it mostly uses brand-new characters rather than bringing in more of the actual super pets from DC canon. I get that they wanted them to all share the orange Kryptonite origin, but how great would it have been to see Wonder Woman’s Jumpa on the screen or something like that? Ah well – James Gunn clearly isn’t shying away from super pets on the screen. Maybe the day will come. 

Tues., April 8

Comics: Scooby-Doo Team-Up #9, #18

I need to know where Shaggy found that shirt in green.

Notes: I thought I would end Krypto week with a few encounters between the pup of tomorrow and the world’s foremost Great Dane Detective, Scooby-Doo. There’s nothing like a good team-up, and I’ve been a real fan of how closely DC has tied Scooby to the DC characters in comics over the last few years. He’s most frequently associated with Batman and Robin, of course, owing to that whole “detective” thing, but he’s partnered up with Krypto on more than one occasion.

Scooby-Doo Team-Up #9 (or issues #17 and 18 of the digital version) brings the gang from the Mystery Machine to Metropolis. When Perry White encounters the actual Great Caesar’s Ghost in the office of the Daily Planet, Superman decides to call in some experts at busting ghosts – Mystery, Inc. The ghost turns out to be a gag by Superman’s old foe the Prankster, who doses him with Red Kryptonite, transforming him into a super-monster who goes on a rampage. Krypto rushes to the scene, along with the super-serums that have given Lois and Jimmy powers in the past, but the voracious Scooby and Shaggy drink them down instead, giving Shaggy the power of Elastic Lad and Scooby the power of Superwoman. Scooby and Shaggy have to team up with Krypto to bring Superman’s uncontrollable rampage to an end. There’s not too much “detecting” in this story, to be honest, but there’s fun to be had in seeing Scooby-Doo trying to fly or Shaggy freaking out about his limbs suddenly turning to rubber. Perhaps the best bit is when Krypto refers to Shaggy as Scooby’s “sidekick,” a label the dogs embrace with great glee.

I’m not saying that the writer of this book looked in my dream journal, but I’m not NOT saying it either.

Krypto made a return appearance in Scooby-Doo Team-Up # 18 (#35 and #36 of the digital version). The story begins with the Scooby gang wrapping up a case where they teamed up with Wonder Dog. Before they can part ways, though, they’re approached by Krypto, Ace the Bat-Hound, and the canine Green Lantern G’Nort. Gnort scoops up Scooby and the other Super-Dogs, taking them into space for help with a case on an entire planet of dogs, where their local superhero team is being haunted by the ghosts of the first dog superheroes, the Canine Commandos. 

If I’m being honest, the main draw here is just the team-up aspect. Krypto is great and all, but having a story with him, and G’nort and Yankee Poodle and Rex the Wonder Dog…it’s like a smorgasbord of the sort of goofy characters I love so much. There’s even a neat little homage to the first JLA/JSA crossover in there. Writer Sholly Fisch and artist Dario Brizuela must have had the time of their lives putting this one together…or at least, I know I would have. 

Krypto’s greatest super-feat? Saving this movie from the WB accounting department.

Animated Feature: Scooby-Doo! And Krypto, Too! (2023)

Notes: The Justice League is missing, and if that’s not bad enough, there’s a ghost haunting the Hall of Justice. Without her usual hero to save the day, Lois Lane calls in Mystery, Inc. to break the case. When they arrive in Metropolis, they find the entire city besieged by supervillains taking advantage of the heroes’ absence, but that’s a bit above their pay grade. Nobody is expecting them to thwart Brainiac, Giganta, or General Zod – Lois and Jimmy send them to the Hall of Justice to try to solve the mystery of what happened to the Justice League. When they find themselves targeted by a fiery phantasm in the Hall of Justice, Krypto arrives to defend the detectives and lock the building down. Now it’s up to Krypto and the Scooby gang to find the phantom hiding somewhere in the building.  

There’s an unusual pedigree behind this film. For a hot minute, it looked it like it was going to be a victim of Warner Bros’s stupid rash of finished or nearly-complete products getting shelved as a tax break. Then something miraculous happened – SOMEBODY leaked the movie to the internet (nobody seems to know who, but I’m betting it was Scooby-Dum) and, lo and behold, it got a great response. Warner Bros somewhat reluctantly gave it the streaming and physical media release it deserved, and thank goodness, because it actually turned out to be good. I mean, it’s got the right kind of humor for a solid Scooby-Doo movie, first of all, but there are also of plenty of gags and in-jokes for the DC Comics fans as well, such as Lois and Jimmy being unable to recognize Velma when she takes off her glasses or Fred having an obvious crush on Harley Quinn. But perhaps the stupidest joke that made me laugh was Shaggy mistaking “Great Caesar’s Ghost” for a spectral salad. 

For a comic fan, though, the prize of this movie is the tour of the Justice League’s trophy room, which is loaded with wall-to-wall comic book and cartoon Easter Eggs that will have fans hitting the “pause” button trying to identify them all. Even the audio is full of Easter Eggs – most of the sound effects seem to have been clipped straight from the old Super Friends cartoon.

It’s a Scooby-Doo mystery, so as required we get the usual slate of suspects, including a disgruntled French Fry vendor who wasn’t allowed to park her truck outside the Hall of Justice, the Justice League’s valet who resents them for their fancy and dangerous vehicles, and Lex Luthor himself. (The funny thing is that, since this movie operates on Scooby-Doo rules, you can rule out Lex as a suspect immediately because he’s far too obvious.) Despite working on Scooby logic, though, we get the kind of Krypto I prefer – the one who is intelligent and heroic, but non-communicative and still behaves (mostly) like a dog rather than a human intellect in dog form. 

League of Super Pets was a good movie, but if I’m being honest, I like this one better. It’s funnier, first of all, and it’s got more going on in it for the fans of both the comic books and of the Scooby-Doo and Super Friends cartoons, and between the two of them that makes up roughly 20 percent of my childhood. If you haven’t checked this one out yet, track it down – the DVDs are already (absurdly) out of print, and it’s not streaming on MAX (even more absurdly), but you can still rent or buy the film digitally from all the usual retailers. With Krypto’s star rising thanks to the new movie, I really hope that they push this film a bit more as summer approaches.

That’s it for Krypto Week, guys, although it’s by no means the end for Krypto. We know he’s going to be in the movie this July, and DC has also announced a miniseries, Krypto: Last Dog of Krypton, launching in June. If I wasn’t excited enough, the miniseries is going to be by the team of Ryan North and Mike Norton. The latter is a great artist with a pedigree of doing swell comics about dogs (check out his Battlepug some time), but writer Ryan North has been absolutely CRUSHING Fantastic Four and Star Trek: Lower Decks for some time now. To have him joining the Superman family as well – well, it’s like he’s getting a chance to direct the fates of everything I love. And I couldn’t be happier about that. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Geek Punditry #118: How Do You Solve a Problem Like the Legion?

A few days ago, at WonderCon 2025, prolific comic book writer Mark Waid said something that has DC Comics fans a-buzzin’. According to Waid, DC will be bringing back the Legion of Super-Heroes “soon,” and in a form that he is “confident everyone will embrace.” Those are bold words. If there’s one thing you can be certain about in comic books, it’s that there’s NOTHING that EVERYONE will embrace – there’s always some jackass out there willing to complain about something that everybody else loves. (For example, anyone who says something bad about Krypto in the Superman trailer.) But even if we’re accepting that Waid didn’t mean “everyone” literally, that he just meant it would satisfy the majority of readers, that’s still a pretty tall order. Because the Legion is kind of a tough nugget to crack these days.

Aw c’mon, how hard could it be?

Let’s do a little history lesson, shall we? Who exactly ARE the Legion of Super-Heroes?

The Legion first appeared in Adventure Comics #247 back in 1958, in the time when the headliner for that anthology series was Superboy (Clark Kent as a boy). In their first appearance, Superboy meets three super-powered teenagers like himself: Cosmic Boy, with power over magnetism! Saturn Girl, with telepathic abilities! Lightning Lad, amazing in that he is the only founding member whose name makes his powers obvious! The three of them are from 1000 years in the future. They were inspired by the stories of the legendary Superboy to become heroes in their own time, and they’ve come back to the 20th century to invite him to join their club. 

Most kids in Smallville just joined the Mathletes.

The story turned out to be a hit, and Superboy’s time travel adventures with the Legion became a recurring feature. Pretty soon, DC realized that a team with just four members could hardly be called a “Legion,” and they started adding more and more characters: the shapeshifting Chameleon Boy, giant Colossal Boy, teeny-tiny Shrinking Violet, and more! Triplicate Girl, Bouncing Boy, Matter-Eater Lad – no, I am not making up those last two – and then eventually even characters who didn’t feel the need to announce their gender identity as part of their name like Wildfire, Dawnstar, and Blok. Even the descendent of one of Superman’s greatest enemies, Brainiac 5, became a heroic mainstay of the Legion. They spun out into their own feature and were a huge success for DC.

Then came 1986. Comic fans will remember this as the year that DC rebooted Superman entirely, and among the things that they changed was his history in Smallville. In the new continuity, Clark Kent’s powers didn’t fully develop until adulthood, and he had no career as Superboy. How, then, could Superboy have been the inspiration for – let alone a member of – the Legion of Super-Heroes? 

And if there IS no Superboy, who keeps tearing up our damned billboards?

The answer came in a story where the Legion learned that the “Superboy” they knew was the inhabitant of a pocket universe created by their old enemy the Time Trapper, who had been playing a long con on them for the entirety of their existence. That Superboy, though, was still a hero through and through, and sacrificed his life to save the Legion from the Trapper. And the Legion continued. 

But DC continuity started to get even more muddled, and in 1993 they decided to try to repair the timeline in their Zero Hour crossover, an effort to trim some of the more confusing contradictions in their history and make everything fit together. Although Zero Hour turned out to be a good story, I don’t know if anyone could claim it succeeded in making things easier to understand – Hawkman, for example, became more of a mess than ever. But in the case of the Legion, it was decided that the best way to clean things up was from a page-one reboot. The Legion started over from the beginning, this time without Superboy.

And billboards everywhere breathed a sigh of relief.

The history was wiped out and began anew. The characters – who had by now grown to adulthood – were teenagers again, and some of the names were “modernized.” (Lightning Lad became Live Wire, Colossal Boy became Leviathan, Matter-Eater Lad became…well, the team chef, with no superhero name, and so on.) This Legion again did pretty well for quite some time, and in fact, it’s the version that was dominant during my formative years, so it’s actually the one I remember most fondly. Eventually the current Superboy (Conner Kent, the one who spun out of the Reign of the Supermen storyline) would meet them and become a member. 

Then in 2004, for reasons I’ve never quite understood, DC decided to reboot the Legion AGAIN. This “Threeboot” Legion, which was written by the aforementioned Mark Waid, again started from the ground-up. Waid brought back the more old-fashioned names, but this time it was a plot point. In this new continuity, galactic society had become stagnant and isolated. People kept to themselves and communicated mainly through electronics. (Waid was sadly prescient on that fact.)

Turns out Brainiac 5 was a big Beyonce fan.

This Legion was a sort of teenage rebellion story, about young heroes rising up against a culture that tried to keep them apart from one another, using the historical records (aka comic books) of the 20th and 21st century as their inspiration, hence the old-school names. Eventually, through still more timey wimey stuff, Supergirl became a member. While I didn’t WANT a reboot, I thought Waid did a good job, and I enjoyed the new version as long as it lasted…which was right up until 2007, when all of a sudden, the ORIGINAL version of the Legion started popping up again in places like the Superman and Justice League comic books. 

I’m not being hyperbolic here — this is one of the greatest Legion stories of all time.

This eventually led to the Legion of Three Worlds miniseries by Geoff Johns and George Perez (which is technically a spinoff of the Final Crisis event, but can be read entirely independent of that larger story). This story revealed that each of the Legions was from a different world in the Multiverse – the original Legion, of which Clark Kent had been a member, was from the main DCU. Connor’s Reboot Legion was from a world that had been destroyed in one of the many, many crises that happen in DC Comics. Supergirl’s Legion – most interestingly of all – was actually from the distant future of Earth-Prime, ostensibly “our” universe, where all the stories of DC Comics are fictional. It turns out they misunderstood the ancient comic book stories and thought they were “real,” Galaxy Quest-style. I friggin’ love this miniseries. Aside from just being a great story, it also kind of “legitimized” all three Legions, and even when the Legion stories being told went back to focusing on the original, the other two were still “real.”

Then came the New 52 in 2011. :sigh: At this point, DC rebooted their ENTIRE universe, including the Legion. The newest version of the Legion (fourboot?) was pretty close to the original, although still perhaps a bit younger than they had been before their first reboot, and they were okay, but didn’t light the world on fire sales-wise. So in 2019 they decided to – you guessed it – reboot AGAIN.

In an effort to keep this blog as positive as possible, I shall simply confirm that this is in fact a comic book which was published, printed on paper made from trees, and then distributed to comic book stores for purchase by the general public.

This time Brian Michael Bendis took over, bringing in Superman’s son Jon Kent as a member. His was the wildest take on the Legion yet, making drastic changes and adding new characters alien to every previous version, such as a “Gold Lantern” and a future incarnation of Dr. Fate. Bendis’s Legion was…controversial. Many beloved characters were virtually unrecognizable, there was an uncomfortable emphasis on how everyone kept declaring that history would account Jon as the REAL Superman over his father. Perhaps most concerning of all, they turned popular member Mon-El into a Kryptonian descendant of Superman, which had never been the case in any previous continuity and didn’t really sit well with a lot of people.

Bendis’s Legion lasted only 12 issues, then a six-issue miniseries where they crossed over with the Justice League, and then they vanished. Since then, the Legion and its members have made only sporadic appearances, and there hasn’t really been a consistent version of “which” Legion showed up at any given time. But the fans, among whose number I enthusiastically include myself, want them back. The Legion may not have the largest fan base in comics, but I challenge you to find a more DEDICATED fan base. On average, I can’t think of a single character or IP in all of American comic books whose fans are more devoted than those of the Legion of Super-Heroes, so the fact that they’ve been sidelined for so long is really upsetting.

So how DO you bring the Legion back? What makes it work, as a property? What’s the core of the franchise that brings back the fans who are so, so dedicated? To a degree, I think the appeal of the Legion is similar to the appeal of Star Trek — it’s the promise of a better future, a hope that no matter how bad the world may seem at times, there will be days ahead where things aren’t quite so dark. What’s more, despite the fact that my formative era of the Legion is the Reboot era, which is the time that is least-connected to the Superman line, I still feel that the Legion is at its strongest with Superman at its core. It’s like the difference between your adult friends and the friends you grew up with. The Justice League are the friends Superman has as an adult, and you love those friends, but the Legion are the friends of his childhood, the ones who helped him become the man he would be.  And that bond is unique, and irreproducible as an adult. One thing the 2006 animated Legion of Super-Heroes cartoon really got right was the notion that, although the Legion was inspired by the stories of Superman, it was joining them in their future that taught Clark Kent how to be a hero.

Whenever I see the Legion, that’s the dynamic that means the most to me.

Sometimes the adaptation just…GETS it, y’know?

Waid’s statement is particularly interesting in light of his own recently-announced project, a miniseries called The New History of the DCU. There was a History of the DC Universe miniseries back in the 80s, explaining how the timeline was changed in the wake of the original Crisis on Infinite Earths, but there have been so many reboots and changes since then that a new history is probably well overdue. I can’t think of anybody better to write it than Mark Waid. He’s not only one of the best superhero writers of all time, but he’s a walking encyclopedia of comic book history. He knows everything about everything, and if there’s ANYONE who can make sense of it all, it’s gotta be him. In fact, it was only in 2019 that he wrote the six-issue History of the Marvel Universe, doing the same job for DC’s favorite rival. He streamlined that universe and showed how everything fit in, including the future.

Presumably, this new series will do the same thing for DC. And if he goes so far as to show us the future, that means Waid knows what the new status quo is going to be for the Legion of Super-Heroes. As far as what exactly that means and how exactly that will take a form “embraced by everyone”… well, I have no idea. But I do have high hopes. Since DC’s “All In” initiative last year, I’ve been really happy with most of the stories in the DCU, and Waid has written some of the best, including Batman/Superman: World’s Finest and Justice League Unlimited, and he’s about to take over Action Comics full-time, something that has me thrilled.

No one is suggesting that Waid will be writing a new Legion series himself – in fact there are comments that suggest that he only KNOWS what the plan is, not that he’s directly involved. But if it has his approval, that gives me hope. Like I said, the Legion fans are the most dedicated in comics, and I believe that Waid is truly one of us. Whatever is coming down the pipe, if it’s good enough for him, I have every reason to believe it will be good enough for me.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He’s also started putting his LitReel videos on TikTok. He’s got his own idea for how to fix the Legion, but as usual, nobody asked him. 

Year of Superman Week 12: After the End

Another week, and finally some good news. For those of you who follow along in the blog and know about the car troubles that have been weighing me down the last couple of weeks, the car has been fixed and it’s on the road again. So I’m recharged and ready to get back into it. Let’s get started, shall we?

Wed., March 19

Animated Feature: Superman/Doomsday (2007)

Notes: Back in 2007, the big news was that Warner Bros. animation was starting a series of direct-to-DVD movies based on DC comics, starting with this one, the animated adaptation of the Death and Return saga. It was the first of an initiative that lasted (as far as I can tell) right up until last year, when the two-part Watchmen adaptation was released. I haven’t heard about any new films since then, though, save for a Japanese-produced sequel to Batman: Ninja. I hope that this series isn’t a casualty of the new James Gunn universe.

Anyway, when this movie first released, it was a big deal. We were psyched for it, excited to see a more adult animated version of the DC Universe. Don’t misunderstand, the Diniverse (home of Batman: The Animated Series, Superman: The Animated Series, Justice League Unlimited, Static Shock and more) was and remains a favorite…but within the constraints of a TV-PG rating. We wanted something a little more. The fact that it was a big deal that this movie was rated PG-13 is actually kind of quaint, considering we now live in a world where Wolverine drops F-bombs like Kanye West being dropped by his managers. 

In 2007, we thought this was groundbreaking.

All that said, although I remember enjoying this movie at the time, it doesn’t hold up that well. Condensing the Death and Return trilogy into a scant 77 minutes was probably the first mistake. The battle with Doomsday is actually pretty well done, but it feels too brief considering the gravity of the situation. Then, the movie jettisons most of the “Funeral” and “Reign” storylines entirely, going from Superman’s death to a new Superman popping up to take in a bizarre version of Toman that even the great John DiMaggio can’t make entertaining. The result is that it feels like Superman is “dead” for about 20 minutes. Of course, it’s not the real Superman at this point, something that soon becomes evident as Lois realizes that he has none of Superman’s memories. Nope, this is a clone – but it ain’t Superboy. It’s a clone created by Lex Luthor (a clone he gets off on abusing under red solar lamps in one particularly squicky scene), crafted to give him the chance to ruin Superman’s reputation from beyond the grave. It starts to work when he begins getting more violent with the criminals he thwarts, going to extremes that even the Eradicator wouldn’t. But no problem, the REAL Superman wakes up in the Fortress of Solitude because…he can. Really, it’s just that on Earth, he can come back from death. That’s the only explanation we get. 

The relationship between Superman and Lois is weird here too. The two of them are dating – he even takes her off at the beginning of the film for a romp at the Fortress of Solitude that, while not explicit, would certainly have strained the limits of a kid-friendly rating. But at the same time, she’s dating SUPERMAN, and still doesn’t know that he’s Clark Kent (although she has her suspicions). I guess it’s a more of a modernized take on the old Silver Age status quo, but that was a bad look then and it’s a bad look now. To be fair, they do work it into the plot, as she goes to seek out Martha Kent after Superman dies, trying to share her grief with the only person on Earth who MIGHT understand what she’s going through, but it could have been served just as well having a more traditional Lois/Clark relationship.

The casting has its ups and downs. Adam Baldwin is a decent Superman, and James Marsden is a great Lex Luthor, but Anne Heche is sorely miscast as Lois Lane. She doesn’t have the steel in her voice (excuse the pun) that Lois should have, and the way she goes after Superman to badger his secret identity out of him is an awful way to write the character. Plus, it makes HIM look bad for not trusting her with the secret. They even try to work around the fact that Clark goes missing after Superman dies because he was on assignment in Afghanistan, which is far too neat a solution. 

I get it. It was their first attempt not only at adapting this storyline, but at making an animated DC superhero movie. There was a pretty steep learning curve that needed to be addressed. But man, am I glad that they came back a few years ago and took another swing at this storyline, because the two-parter was much, much better. I watched Part One, The Death of Superman, back in Week Nine of this project. I’ll try to tackle Reign of the Supermen before week 12 ends. 

Comics: Black Lightning Vol. 4 #4 (Guest Appearances by Superman, John Henry & Natasha Irons), Jenny Sparks #7 (Guest Appearance)

Thur., March 20

I hear Spielberg used these covers as inspiration for that scene in Jaws.

Comics: Superman/Doomsday: Hunter/Prey #1-3

Notes: About a year after his return from the grave, Dan Jurgens gave us this three-issue miniseries featuring what fans were clamoring for: a rematch between Superman and Doomsday. Apparently, since he came back, Clark has been suffering from recurring nightmares about the battle with Doomsday, worried about the fact that the Cyborg threw his body into space and parts unknown. The fears are justified – a space cruiser picks up the rock the Cyborg strapped him to and Doomsday wakes up, resuming his quest of slaughter amongst the crew. The ship brings him to Apokalips, where he begins a rampage that causes even Darkseid’s minions terror, and then it gets worse – the Cyborg himself returns, having transferred his consciousness onto a device he slipped onto Doomsday, where he just bided his time until he had the opportunity to construct a new body. 

On Earth, Superman hunts down Waverider and the Linear Men, hoping they will tell him Doomsday’s secrets, but all he gets is a cryptic clue that points him to Apokalips. Oberon of the Justice League hooks him up with a Mother Box, and he sets out, just in time to see the Cyborg and Doomsday causing untold destruction, even beating down the mighty Darkseid.

This is the series that gives us the origin of Doomsday, and it turns out to be as horrific as one would expect. Millennia ago, an alien scientist strove to create a “perfect” being. And what better way to do that then by going to a planet so violent and inhospitable that virtually nothing could survive on the surface, jettison an infant to be brutally slaughtered, and then cloning him over and over again to find new ways to survive? The ultimate result of this experiment, after decades of violence and torture, was Doomsday, a creature who has the ability to evolve and recover from any injury. In short, he can never be killed the same way twice. Unfortunately for the scientists, he also evolved to consider literally any form of life a threat. He kills them all, then hitches a ride into space to begin a reign of terror. Oh yes, and the planet where all this happened? It was in the ancient past of a little world called Krypton. Eventually he was defeated by the Radiant, an energy being from another world, and was “buried” on an asteroid that, after untold centuries, crash landed on Earth.

Ah, you know the rest.

Issue three of this series is almost pure fight scene. By the end of it, Darkseid has trapped the Cyborg’s consciousness in a little ball, and Superman and Waverider throw Doomsday through time to be swallowed up by the end of the universe itself. He got better. 

Jurgens takes advantage of the “prestige format” of this miniseries, free from the constraints of the comics code. While still relatively mild compared to a “mature readers” comic book, he really amps up the violence this time around. We see Doomsday’s victims ripped in half, their heads pulled off, and all manner of gore that was pretty intense compared to the typical Superman comic of the Triangle Era. Keeping the bulk of the story on Apokalips also nicely sidesteps the consequences of fitting this story into the regular Triangle books. Had the rematch happened on Earth, there would have had to have been a whole new subplot about the destruction, the devastation, the PTSD everyone suffered from Doomsday’s return. This way, only a handful of people on Earth even know that it happened, and it’s taken care of with everybody none the wiser. It’s well-constructed.

It’s also a nice showcase of the way that Jurgens – like many creators – shows off his pet creations. There are a few characters that Jurgens created or co-created that he keeps coming back to time and time again. Booster Gold is probably the most famous of these, but he also loved to keep coming back to Waverider and the Linear Men. I’m a big fan of them as well – to this day, I think Waverider has one of the coolest designs of any character that came out of the 90s (not a single pouch or pocket, even), and I also like a good time travel story. He fits in nicely, and on those rare occasions he shows up nowadays, I always like seeing him. 

Of course, this wasn’t the end for Doomsday. Even throwing him into the heat death at the end of the universe wouldn’t be enough to take such a lucrative character off the table forever. But it would be a little while before he showed up in continuity again. In fact, the next time we saw him, it wouldn’t be set in the regular timeline at all. 

Literature.

Novel: The Death and Life of Superman by Roger Stern (finished)

Notes: I wrote about the bulk of this novel in last week’s blog recap, so I don’t have too much more to say, other than to note how Roger Stern tweaked the ending. He left out Green Lantern’s involvement in the finale, which seems like an odd choice, considering how meticulously he stuck to the story in the earlier scenes with the Justice League. There’s also a bit of a change at the end: in the comic book, Superman’s powers were restored when the Cyborg tried to hit him with Kryptonite, but the Eradicator dove in front of the beam. The mingling of the Kryptonite and the Eradicator’s energy was what it took to bring Superman back to full power. In the novel, though, the Eradicator chooses to pour his energy into Superman and recharge him. I have to say, I like the comic book version better. Either way the Eradicator gets his heroic sacrifice, but somehow it’s more satisfying if he dies trying to SAVE Superman, rather than dying just to give him back his powers. Even more than the Green Lantern omission, I’m not sure what spurred this change in the story. All that said, none of this ruins the book. It’s a fun read, especially for completists like myself, and I suggest you poke around and find yourself a copy if you’re so inclined.

Fri., March 21

Comic: Doomsday Annual #1

You know, technically, there’s no such thing as “first annual.” Something can’t be a yearly event until it happens twice. This one didn’t happen twice. Please enjoy “Doomsday Not-Really-An-Annual #1.”

Notes: By 1995, DC had stopped doing annual crossover storylines like Bloodlines and, instead, began doing annual THEMES instead. This year, the annual theme was “Year One,” with every annual telling an early story of the character in question. Not a bad way to do it, really, I wish that modern annuals had any sort of rhyme or reason to them. Over at Marvel their Annual editors don’t even know there are numbers higher than “one.” But most interesting was how they would occasionally drop an “annual” for a character who didn’t even have a regular series, such as this. On the anniversary of Superman’s death, people have made a pilgrimage to the site where the monster first broke free from his confinement. As it turns out, the gathering was arranged by our old friend Mitch Anderson, he whose home was destroyed by Doomsday during the original rampage. The crowd and a group of soldiers guarding the area nearly come to blows until Superman arrives, settling things down, and begins to regale the people with stories of Doomsday’s past. The anthology issue includes the creature’s first battle against Darkseid, an ancient encounter with the Green Lantern Corps, and an epilogue of sorts to Hunter/Prey. It’s not bad – the Darkseid story especially is good, no doubt bolstered by the writing and artwork of Dan Jurgens – but compared to most of the other appearances of Doomsday, it’s a little forgettable. 

Sat. March 22

Comics: Absolute Superman #5, Action Comics #1084, Batman/Superman: World’s Finest #37, DC X Sonic the Hedgehog #1

Notes: It’s that time again, friends. Once again, I’m going to spend a Saturday afternoon checking in on the recent Superman comics – most of them, anyway. This week we got the long-delayed release of the second issue of Superman: The Last Days of Lex Luthor, a Black Label comic by Mark Waid and Bryan Hitch. The first issue, as I recall, was magnificent…but it came out nearly two years ago. I’ve got no idea what the cause was for the gargantuan wait, but I’ve frankly sort of forgotten what happened in issue one. I could go back and read it, but the third and final issue is supposedly going to come out next month. I think, instead, I’ll just hold off on reading #2 and hit all three of them when the final issue is released. So here are the other Superman and Superman-adjacent comics from the past few weeks:

The weird thing is that this image was originally drawn for a Pepto-Bismol commercial.

Absolute Superman #5: The newest DC Universe continues to reveal its secrets, with this issue telling the story of the last days of Krypton. I’ve said many times that I don’t really need origin stories anymore – we’ve seen them a billion times and there’s not really a need for them anymore, especially in terms of the most popular characters. I never again need to see the murder of Thomas and Martha Wayne, I never need to see Peter Parker get bitten by a spider, and I never need to see Krypton explode. The exception to this rule is the rare story that does it differently. In the Absolute Universe, Kal-El wasn’t sent to Earth as a baby. Here, as a child, he is one of a group of Kryptonians that Jor-El has gathered in an effort to escape Krypton’s destruction – not even a fraction of her population, but more than the sole survivor their son usually is. I’ve really been enjoying what they’ve done with the Absolute line. I wouldn’t want this to be the “main” DC Universe, but as an alternate reality, it works, and it’s working quite well.

Action Comics #1084: John Ridley’s “Force Majeure” arc ends this issue, and it does – to be fair – address my biggest issue with the arc. I’ve said before, I hate recidivism stories. No matter how realistic they may be, once I’ve watched a former villain go through a redemption arc I don’t like seeing them backslide, and Major Disaster is no exception. As this story ends, we at least get a slightly more palatable reason for his reversion to a crook. It helps, but it’s still just not the kind of story I want to read, especially in a Superman book. There’s enough darkness in the world, Action Comics is a place where I want to see the light shine through.

Batman/Superman: World’s Finest #37: Although this title is ostensibly a Batman/Superman book, there are times where Mark Waid really uses it as his playground to touch upon the entire DC Universe. Batman and Superman are almost side characters in this issue, with the bulk of the story landing on the shoulders of Aquaman, Swamp Thing, and Lori Lemaris. Lori kissed Superman at the end of last issue, her old feelings for him resurfacing, and in this issue her husband is understandably having issues dealing with it. They work through their issues while the heroes fight to, y’know, save the world, as they do. Nobody knows the DC Universe like Mark Waid does, and it’s great to know that they’ve tapped him to write the upcoming New History of the DC Universe miniseries.

It’s another “who’s faster, the blue guy or the red guy?” situation.

DC X Sonic the Hedgehog #1: Man, do I love a ridiculous crossover event, and this most certainly qualifies. In this issue, Darkseid has invaded the world of Sonic the Hedgehog aboard his “Ragna Rock,” a mobile battlestation that can cross dimensions. The Justice League follows him, and join forces with Sonic and friends to take him down. This is surprisingly refreshing for one of these crossover events. For starters, whenever there’s a crossover between two universes that can’t mix as easily as, say, DC and Marvel, it’s usually the characters from the less-grounded world coming to the more-grounded one – the DC/Looney Tunes crossover from years back being a prime example. Here we get the reverse, which is a nice change of pace. Second, there’s never even an iota of the usual “heroes get into a misunderstanding and fight before they team up against the bad guy” nonsense that we see time and time again. The League and Team Sonic immediately recognize each other as heroes and quickly not only partner up, but pair off, with the members of each team gravitating towards their most logical counterpart on the other. Superman winds up with Knuckles, the “strongest” of the Sonic heroes, and while their personalities are very different, there’s a mutual respect from the outset. I suspect at least part of this is because the comic is written by longtime Sonic writer Ian Flynn, who probably knows those characters better than anybody alive, and finds it fairly easy to integrate them with the world-famous Justice League. It’s a silly book, to be certain, but you know what? I like silly. 

Sun., March 23

These covers, on the other hand, inspired a scene from Paddington 2.

Comics: Superman: The Doomsday Wars #1-3

Notes: The second Superman/Doomsday rematch, once again a Dan Jurgens joint, came in 1998. In another three-issue miniseries, we see Superman wrestling with his failures – specifically the death of Cat Grant’s son Adam at the hands of the Toyman. He keeps flashing back to a failure of his as a teenager, in which his family’s entire herd of cows froze to death while he was helpless to save them, and the dual failures are eating at him. Things are compounded when he learns that Lana Lang – who at this point was married to Pete Ross – has given birth, but the baby came prematurely and is near death. As Superman races to bring the child to medical attention, Doomsday returns and begins tearing through the Justice League…and this time, he’s not the mindless brute Superman faced before.

I have to say, as a sequel to the original Doomsday fight, I actually prefer this one to Hunter/Prey. The stakes are much more personal here, with Lana and Pete’s child hanging in the balance, and with Doomsday himself (spoiler) being propelled by Brainiac’s intelligence, making him far more dangerous. The story also takes place during the Grant Morrison era of the Justice League, so Doomsday is fighting a far more experienced and more powerful team than he did the first time. We don’t see the entire fight, but the stuff we see is really good, and in some instances (such as what he does to Plastic Man) downright chilling.

The one thing I’m not really down with is the characterization of Pete Ross. In the classic Superboy stories from the Silver Age, Pete was Clark’s best friend and the only one outside of the Kents who knew his secret identity, although Clark didn’t know that Pete knew it. After the Man of Steel reboot, the Superboy years never happened and the role of secret-keeper was switched to Lana, which was fine, but there are moments where Pete just doesn’t feel right. He’s outraged at Lana when she asks to speak to Clark privately (so she can ask him to have Superman save her son), and while a little insecurity about her speaking to the man Lana was in love with for so many years may be understandable, the blind rage he shows when he finds out that Superman is trying to save his child doesn’t make any sense at all. To be fair, Pete comes around by the end of the miniseries, but it’s a journey he never should have really been on in the first place.

Mon., March 24

Imagine this guy showing up on the bridge of the Cerritos.

Feature Film: Reign of the Supermen (2019)

Notes: The sequel to The Death of Superman picks up six months after the end of the first film, which in and of itself is an improvement over Superman/Doomsday, which made it seem as though the big guy was dead for about the length of an episode of Bluey. Almost simultaneously, four different people show up wearing the s-shield, and…oh, what the hell am I doing? You know how this story goes by now.

Instead of wasting time on a recap, let’s just talk about how this animated film works as an adaptation. The changes, for the most part, seem to be in service of making the story fit the animated DCU they were working with at the time. For example, in the absence of both Cadmus and WGBS, Superboy is a creation of LexCorp, although he still maintains his essentially good heart. In fact, his debut is interrupted by the Eradicator, showing up to eliminate “known criminal” Lex Luthor and winding up fighting the Kid, Steel, AND the Cyborg. It works pretty well – if there was anybody watching this who somehow didn’t know the story, it’s a good misdirect as far as hiding the Cyborg’s true nature. They also tie Superboy’s origin into the reconned version from his Teen Titans era – making him a mix of Superman and Lex’s DNA – which works better in this universe. An odd tweak has Henshaw, the Cyborg, initially working for Darkseid (deliciously voiced by the late, great Tony Todd) as part of his status as this DCU’s Big Bad. Instead of an attack on Coast City, Henshaw builds an army by offering them the same technology that “resurrected” him – really Apokalips tech. The end of the story isn’t quite as dramatic – we don’t get anything like the devastation of Coast City – but they manage to make the battle deeply personal, with the Cyborg’s rage being a bit more focused and less megalomaniacal. 

There’s really good stuff with Lois in here, such as a nice early scene where she and Wonder Woman commiserate over Superman’s absence. Later, she deduces John Henry’s secret identity, then teams up with him to uncover who the Cyborg is – funny for a character who, in her own words, is “the worst with secret identities.” But it makes Lois look smarter, more capable, and gives her an agency that she lacked even in the original story. She’s also present for the finale this time, taking an active role in the battle with the Cyborg, and I love seeing it. 

There are also nice Easter Eggs in this movie as well, such as newspaper cover photos that are based on the covers to the Reign of the Supermen comics. It’s the sort of thing that only the hardcore fans might notice but…well, if you haven’t noticed by now, I’m a hardcore fan. 

I don’t want to spend too much more time talking about the casting of this one, as there isn’t much more to say this time around than I said when I watched the first one a few weeks ago, but I do need to point out Rainn Wilson’s Lex Luthor again. While still slick and serpentine, Wilson plays him a bit funnier this time around. There’s a dismissive conversation with Superboy about how a clone is no different than a biological child that left me laughing, for instance, and he carries that same sensibility throughout the film.

This is a far superior adaptation of the story than the animated DC’s first attempt. It’s not totally faithful, but it works well for the world in which it is set, and that’s what I’m asking for here. 

Tues., March 25

I bought a bunch of these balloons once. My niece said I ruined her sixth birthday.

Comic Books: Superman: Day of Doom #1-4

Notes: To all things there must come an ending…even the saga of Superman’s death and return. I’m going to wrap up this surprisingly long dive into that storyline with the four-issue miniseries Superman: Day of Doom from 2002, published to coincide with the 10th anniversary of the story, written by Dan Jurgens with art by Jurgens and Bill Sienkiewicz. It’s the anniversary of Superman’s death in the DCU too (which anniversary isn’t really made explicit) and Daily Planet newbie Ty Duffy is tasked with writing a piece about people’s feelings about that monumental event. Despite not seeing the newsworthiness in a story that’s been told time and again, Duffy starts to dig, beginning with an interview with Blue Beetle and Booster Gold. (Remember what I said about Booster being one of Jurgens’s pet characters? This isn’t a complaint, I love seeing Booster Gold.) From there he begins an Odyssey that takes him to all walks of life in Metropolis, finding the stories that haven’t been told before.

The strength of this series, honestly, comes in those scenes where we hear new perspectives. Duffy talks to Perry White and Jimmy Olsen, but we saw them on the day. We know how they felt. It’s far more impactful when he talks to a random bystander who was left in a wheelchair thanks to Doomsday’s rampage, a priest who ministered to the suffering after the Coast City disaster, or uncovers the undisguised glee the Prankster felt when he heard that Superman was dead. 

There’s a running thread throughout the series as well, about someone causing disasters along a path that perfectly mirrors Doomsday’s trail of destruction. As the trail reaches Metropolis at the end of the third issue, the two storylines finally collide, with Duffy laying in to Superman with the truth about why he resents the hero’s return from the dead so much, just pages before he too is taken by the mystery villain. 

The story is surprisingly open-ended. Superman is forced to confront the tragedies that so many other people suffered during the battle with Doomsday and beyond, but the villain gets away and his true nature goes unrevealed. Even Duffy, who is the crux of this story’s emotional journey, doesn’t seem to really get the catharsis one would expect at the end. There’s a bitterness here that’s surprising. Don’t misunderstand – it’s pretty realistic. Even at the time of the original Doomsday storyline, the writers made it a point to refer to how many people Doomsday had killed, but they’d never really dug into those stories before. Even the most prominent Doomsday victims in the comics of the time – Mitch Anderson and his family – survived the rampage with the loss of their home, but no loss of life. And the Justice League showed up and built them a new house at Christmas, so where was the tragedy?

I have to wonder if writing this was a kind of catharsis for Jurgens himself. It feels almost like the writer is performing an act of penance, trying to atone for all the hundreds of fictional people that he killed (to say nothing of the seven million of Coast City) in the service of the story of the life and death of one man. It’s certainly the way that Duffy views the event, and it’s so odd that the comic book gives you the impression that – at least on some level – Dan Jurgens feels the same way.

The story of Superman’s death was tragic. The story of his return was triumphant. Day of Doom is a somewhat dark attempt to reconcile the two. It’s probably not something to be read in the immediate aftermath of the Death of Superman – after the upbeat ending of that story, it’s something that’ll bring you right down.

But it is most certainly a story that should be read.

Other Comics: Superman’s Girl Friend, Lois Lane #11,

And thus, finally, we reach the end of the epic saga of the Death and Life of Superman, and I am reminded why I decided not to do TOO many of these extended storylines over the course of this year. I do have one more planned, but it’s going to be a few months before I’m ready to tackle it. Starting tomorrow I’m planning to get a little more random again…but I’m also looking for some help. I’m asking you, dear readers, to suggest some of the best single-issue Superman stories ever written for me to dig into. After spending nearly a month with one story, I want shorts. So hit me in the comments with your suggestions. They can come from any era, any continuity, any Superman you want. They don’t even have to be from a Superman comic book – if you can find a really great story from an issue of Blue Devil or something, I’m down for it. Preference will be given to stories available on the DC Universe Infinite app, but that doesn’t mean I’ll automatically reject stories that aren’t. Next week, it’s gonna be SUPERMAN BY REQUEST!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 11: The End of the Return

This week we’ll reach the end of the “Reign of the Supermen” storyline (probably – I’m writing this on the afternoon of March 12 before I start reading any of them, so I suppose anything might happen). After that, I intend to touch upon some of the stories that follow and some of the ways that the Death and Return storyline were reflected in other media. Being such a fundamental part of the Superman mythology at this point, it shouldn’t be surprising to anyone to see that it’s been revisited many times. We won’t get to them all, but there’s plenty coming up. 

Wed., March 12

Comics: Action Comics #690, Superman: The Man of Steel #25, Superman Vol. 2 #81, Adventures of Superman #504, Adventures of Superman Annual #5

“Eradication”? Get It? GET IT?

Notes: Let’s start with Action Comics #690. The Last Son of Krypton, close to death, returns to the Fortress of Solitude only to learn that his “power source” is gone – he’d been using the real Superman’s body to generate the energy he needed. The process has helped to resurrect him, though, and now Superman is on his way to Metropolis, charging across the ocean floor in a Kryptonian mech. The Kryptonian, meanwhile, sends what amounts to a deep fake video to the Justice League, blaming Coast City’s destruction on the Eradicator and sending the League and their most powerful allies on a wild goose chase into outer space to track him down. After all, it won’t be great for his plans if Earth’s most powerful heroes are still on Earth. 

Two things of note in this issue. First of all, the robots in the Fortress help repair the Eradicator’s damaged memory, revealing to him (and the reader) his true identity. It’s been a long time, but I’m pretty sure I figured this one out ahead of this issue. You see, at this time I voraciously re-read my favorite comics. I’d start with the Man of Steel miniseries, read every subsequent Superman comic in order (I had begun – but not completed – the process of filling in the gaps) until I reached the most recent, then go back and start from the beginning. So I’d read the Eradicator story maybe five or six times, it was pretty fresh in my memory, and Roger Stern dropped a LOT of clues (unlike Dan Jurgens, who was pretty good at holding the Cyborg’s true identity close to the vest). The other thing I want to point out concerns Superboy, captive of the Cyborg, struggling to get free and save Metropolis from being destroyed like Coast City. Up until this point, Superboy had been motivated largely by his thirst for fame and adoration. There were glimpses of the good core of Superman in him, but this is the point where it really starts to come out, when he REALLY starts to see the big picture and find himself willing to put himself on the line. It’s a good look for the Kid.

That’s a face only a Martha could love.

In Man of Steel #25 Superboy is still being held by the Cyborg in the enormous engine built over the ruins of Coast City, unable to figure out why his powers don’t work the way he expects them to. He manages to escape, rushing back to Metropolis just as Supergirl, Steel, Lex Luthor, and Lois all converge at the Metropolis airport, where the Kryptonian mech we’ve been following for a few issues now emerges from the ocean. After a brief fight, Lois holds the others back, recognizing the Kryptonian battlesuit. It cracks open and spills open its precious cargo: a black-clad Superman, ready to put his life on the line for Metropolis once again. There’s so much to love about this issue. We get Lois back, for one thing: after her creepy friend Jeb Friedman makes a move on her she has a moment of crisis and realizes she’s lost herself, then is determined to make her way to Coast City to blow the lid off the Cyborg. Superboy continues gaining more of an awareness of himself as well, and bringing all of our heroes (and Lex) together again leads up to a really inspiring last page. From here, it’s a roller coaster to the end of the story, and I’m there for it.

Lois: “Superman never wore black like some executioner.”
DC: But this will sell a LOT of action figures.
Lois: I withdraw my objection.

Superman #81 picks up right here, as the others face off against this newest guy wearing Superman’s face, with nobody sure what to make of him — especially since he has no powers. He’s saying the same thing as everyone else: Ms. Lane, you know me, you’re the one who gave me my name, so forth, and Lois is struggling until he pulls out To Kill a Mockingbird. The mention of Clark Kent’s favorite movie gives Lois pause – could this actually be the real deal? After a brief conversation, he borrows a pair of flight boots from one of Team Luthor and he, Superboy, and Steel take off for Coast City. Meanwhile, one of the Cyborg’s minions fills in another one of the truth about their master – the former Hank Henshaw, reduced to a computer intelligence, conquered Mongul and is using him to destroy Earth in Superman’s name. The wraparound sequences are best here, with Clark and Lois, all touching moments even now. The middle of the book, with the Cyborg’s origin, is less interesting once you already know the story. At the time, though, it was necessary – Henshaw had been a relatively obscure character who had only made a few prior appearances, and they were actually just before I became a regular Superman reader, so I had to go back and learn who he was after the fact. I wonder if I would have picked up on who Henshaw was earlier had I already read those comics. Probably not, if I’m being honest, but I’m still curious. 

Does anyone else remember the action figure line that came out after this with the slogan “Don’t mess with the S”? Wasn’t that an AWFUL slogan?

In Adventures #504, the trio lands in Coast City, where the powerless Superman scavenges weapons from the Warworlders as they fight their way to the heart of the engine. Cyborg’s got another missile prepared, though, and Superman and Steel watch helplessly as it blasts off for Metropolis, realizing only after the launch that Superboy is clinging to the side. He rides the missile across the country, trying to take it apart, before deflecting it from Metropolis at the last second, arcing it into the air where it explodes…seemingly taking the Kid with it. Spoiler alert: Superboy survived, but man I love this issue. If the Kid was going to stick around (as he did) he really needed a Hero Moment in this story, something to show that he was worthy of wearing the shield. I would say saving Metropolis from total destruction, possibly at the cost of his own life, does the trick.

Fortunately Superboy’s sense of timing got better later.

Of course, this DOES take us to Adventures of Superman Annual #5, our final Bloodlines check-in. Superboy wakes up in the hospital, having just stopped the missile, and is approached by Maggie Sawyer for help in hunting down the alien serial killers from the previous three Superman (and a dozen other) annuals. Meanwhile we meet the improbably named Donna Carol “D.C.” Force, youngest of the Force family. Everyone in D.C.’s fam has the metagene, but hers hasn’t activated yet, and she comes to Metropolis with her Uncle Harry chasing rumors of the alien killers who are making new metahumans. She winds up getting attacked, of course, and a paramedic’s defibrillators seem to give her the final ingredient, activating her gene and giving her electrical powers. D.C. teams up with Superboy to fight the aliens as Sparx. 

Sparx was easily the most successful of the four New Bloods that came from the Superman books, becoming a series regular in Superboy and the Ravers a few years later and having assorted appearances in the years since. I really like the concept of a kid who comes from a family of metas who just wants to be a superhero, too – it’s a nice, kind of sweet idea. The real issue with this book is TIMING. Superman and Steel are back in Engine City on the other side of the country trying to prevent the Cyborg from destroying the entire planet, and Superboy takes time out for a SIDE QUEST? You’ve gotta be kidding me. 

Thur., March 13

Comics: Action Comics #691, Superman: The Man of Steel #26, Green Lantern Vol. 3 #46, Superman Vol. 2 #82

Dammit, Clark, stop breaking the covers. Do you have any idea how expensive these are?

Notes: As Superman and Steel fight their way to the heart of Engine City in Action Comics #691, we discover that Supergirl has been following them since leaving Metropolis, using her invisibility to act as Superman’s “secret weapon” (a nice little nod to the original status quo of the original Supergirl). In the Fortress of Solitude, the Eradicator drains the power from the Fortress’s devices, leaving both the systems and robots dead, in order to recharge himself enough to return to the fight. And in the heart of the Engine, Mongul finds himself planning to turn on the Cyborg, while revealing that the Engine is powered by a gargantuan piece of Kryptonite. Good stuff in here. The book leans heavily on “If Lois believes he’s really Superman, that’s good enough for me,” and the man in black’s actions back it up. By the end of this issue, Steel is fully convinced that it’s the real deal, and even Mongul recognizes that this new enemy has far greater honor than the Cyborg, whose version of events must be twisted. 

Speaking of the “man in black,” I wanted to point out something regarding the covers for these issues. You notice how, although they had Superman in the black recovery suit (which has become a fan favorite alternate Superman look) they gave him his usual short hair instead of the long hair he came out of the Kryptonian mech with and would keep for the next few years? I’ve never quite understood that. I wonder if it was a case of the covers being drawn far enough ahead of time that the long hair hadn’t been decided upon yet when they were released. It’s an interesting little artifact though, isn’t it?

I would totally wear this cover on a T-shirt.

In Man of Steel #26, Mongul reveals his plan: since Superboy stopped the missile from turning Metropolis into a second engine, which would have made Earth into a new Warworld, he’s going to content himself with firing the existing engine and just, y’know, destroying the world. As a powerless Superman faces Mongul, Steel plunges into the heart of the engine. And in a moment that will change the DCU forever, Green Lantern returns from space to investigate what has happened to his city. There are two great bits in this issue for me. First of all, the Cyborg underestimating Steel’s ability to stop the engine. No way a mere human could possibly throw a wrench into his plans, right? But Mama Irons didn’t name him after the steel-drivin’ man for no reason. The allegory of John Henry vs the Machine may be a bit on-the-nose, but holy crap, is it a fantastic story beat. The other thing, which doesn’t really have a ton of significance but I’ve always thought was funny, was Lois’s scuzzy friend Jeb Friedman watching her concern over the battle in California and asking her if her late finance Clark Kent ever realized she was really in love with Superman.

That caption would prove to be far more prophetic than anybody would have guessed.

Green Lantern #46 is next. As Hal Jordan returns from space to see the wreckage of his home, he dives into the heart of the engine to do battle with Mongul. It’s a brutal fight, Hal hampered not only by Mongul’s yellow skin, but by the fact that if he really cuts loose he’ll unleash the Kryptonite powering the engine, but in the end there’s a hell of a beatdown. You don’t usually find this issue in the collected editions anymore, and for two reasons. One, the more important of the two, is because DC (and Marvel) are reluctant to reprint any of the work of this issue’s writer, who was convicted a few years back of some rather unsuperhero-like behavior. (I’m not going to elaborate – if you don’t already know, Google will tell you.) The other reason you don’t see it is a story reason – the issue runs concurrently with Superman #82, the end of the storyline, and reveals how the reign ends, which is kind of a problem if someone hasn’t read it yet. 

You know it’s special because CHROMIUM.

And here we are, Superman #82, the grand finale of “Reign of the Supermen.” Superboy and the Eradicator return to Coast City to rejoin the battle, but the others are cut off by the Cyborg, leaving him to face Superman and the Eradicator alone. In the depths of the Engine, they battle the Cyborg to a standstill. In a last-ditch effort, the Cyborg unleashes the power of the Kryptonite engine, draining it entirely in a massive power-blast, but the Eradicator hurls himself in front of Superman. The Kryptonite kills the Eradicator, but as the radiation passes through his body it transforms, restoring Superman’s powers. The other heroes break into the engine room just in time to see him defeat the Cyborg, and the true Superman stands revealed once and for all.

This really is a fantastic end to this storyline. Sure, neither the Eradicator nor the Cyborg turned out to be truly dead, and even Superman says in this issue that he doesn’t think Henshaw really CAN die, but try to forget the 30 years of comic book history that have passed since then. It’s Dan Jurgens at his finest, writing and drawing a fight for the ages. Images like the Cyborg inhabiting Steel’s armor and turning it against him are striking, as is the sight of the jawless Cyborg staggering around in pain before the end. Even the Eradicator gets his hero moment, sacrificing himself to save Superman, having been transformed by their psychic bond and abandoning his previous goal of restoring Krypton in favor of restoring her last son. Even now, all these years later, having read this story a dozen times, it’s awesome. 

But although this is the finale of “Reign of the Supermen,” it’s not the end of the Death and Life saga. The next few issues of the Superman books would all feature epilogues of one sort or another and there were several follow-up miniseries such as Superman/Doomsday: Hunter/Prey, which I’ll be tackling over the next several days. There’s still a lot of fun to come from our favorite hero biting the dust. 

Fri., March 14

Comics: Adventures of Superman #505, Action Comics #692, Superman: The Man of Steel #27, Superman Vol. 2 #83, Adventures of Superman #506, Action Comics #693

You know it’s special because HOLOFOIL.

Notes: Now for what I’m gonna call “epilogue month” (and a half). After the Cyborg was defeated and the Reign of the Supermen ended, there were a LOT of loose ends left to tie up. Adventures #505 starts with Superman returning to Lois Lane, who had at this point spent several days worried about what was happening in Coast City. After a happy reunion, they start brainstorming – after all, Superman’s resurrection is one thing, but how are they going to explain Clark Kent being found alive after all this time? The issue continues with several other happy reunions – with Jimmy and Perry, Maggie Sawyer, and best of all, with Bibbo. There’s a good bit of set-up here, mapping out how things are going to go for Clark and Superboy in the coming months, but mostly it’s kind of a down issue in terms of action. Even the supervillain who briefly shows up, “Loophole,” is disposed of quickly and in a rather comical way. It’s like the writers knew that – after the emotional roller coaster we’d been on since Doomsday first cracked open his shell – we needed a break. 

“It’s weird, when Clark was missing the broom closet was never locked…”

But just a week later, Action Comics #692 picks up right from that point, with Superman clearing away more Doomsday rubble and finding…CLARK KENT? Well no – not really. Turns out, Supergirl has used her shapeshifter powers to help complete the masquerade that brings Clark back from the dead. Although for everybody who ever complains about Clark’s glasses being an inadequate disguise, you have to wonder how nobody ever mentioned the fact that both he and Superman got long hair at the same time or how they both got it cut a few years later (comic book time) when Clark and Lois finally got married. 

We also get more loose end-tying. Here we learn that the Eradicator’s body has been taken to STAR Labs, where a heartbeat is detected, and Steel is expected to make a full recovery. There’s also a really cute moment where Lex Luthor confronts Superman about how absent Supergirl has been lately. When Superman deftly tells him off for acting as if he owns the girl, even Lex Luthor has to smile, realizing the real Superman is back. Sure, it’s just because that means he’s still got a chance to kill him himself, but it’s still oddly sweet. 

The issue ends with an unexpected visit from lesser-known DC Comics mystic Dr. Occult, whom Superman had met before. Occult is there to tell them just how close Superman got to dying, and that only a combination of several factors (including the efforts to revive him on the scene, the Eradicator’s interference, and Jonathan stopping his spirit from crossing over to the other side) managed to successfully bring about his resurrection. The point of this sequence is obviously to add back a little more dramatic tension in the future – DC no doubt felt that they HAD to convince the readers that Superman wasn’t immortal, even though later comics would pretty much say, “No, actually, he kinda is.” The issue ends with Occult dropping Lois and Clark off in Smallville for a joyful reunion with the Kents.

It’s just who he is, folks.

Man of Steel #27 shows us Clark’s welcome return to the Daily Planet, while Jonathan and Martha Kent go on a bit of a health kick that will ultimately redefine and modernize the characters a bit. Martha, from the John Byrne days onward, had been drawn as kind of a plumper version of Peter Parker’s Aunt May, and the makeover she soon undergoes makes her more youthful and vibrant, which was a welcome change. But the whole subplot is worth it for the panel where Jon Bogdanove draws Jonathan Kent pouting over the changes, hands stuffed in his pockets like a disappointed child. It’s like Power Pack, the Golden Years here. We also get the first hint that John Henry is going to relocate to Washington, D.C., which would be the setting when he got his own spinoff series later that year. Oh, and in the main plot, Lex throws a “Welcome Back” party for Superman that gets caught in the battle between the Underworlders (and their new leader) and Project Cadmus. This is set-up for future storylines that we won’t be covering from this blog, but it shows you how forward-thinking the writers were in this era. 

“Yeah, this way we don’t have to do another cover design.”

Superman #83 is the most literal epilogue to the saga (it even says it on the cover) as the heroes of the DCU gather to mourn the devastation of Coast City. I’m really glad they did this issue – with the joy over the return of Superman, it would have been really easy to forget that seven million (fictional) people died, but they didn’t pull away from it here. Obviously it would become a much, MUCH bigger plot point in Green Lantern, but it needed to be addressed in the Superman titles as well. The memorial gets disrupted when Lex Luthor shows up and the heroes nearly come to blows over what to do with the Engine: Green Lantern wants to let the atrocity crumble into the ocean, but Aquaman points out that such a thing would be toxic to the seas. Oh yeah, and a few of the Warworld stragglers are still there, causing trouble. The ensuing battle causes the Engine to crumble, but the Lanterns use their powers to sterilize the remnants and make them safe to settle in the ocean. In the end, Superman uses pieces of the engine to construct an eternal flame in memorial to those lost. 

Although the ramifications of the death and return storyline would be felt in the Superman books for a very long time, at this point they started to become a little less prominent as new storylines moved in and took their place. It only makes sense, of course, if you’re doing an ongoing serial like the four Superman titles were at the time, you never really get to call anything “the end.” More stuff always has to come in, and the Death and Return was, at this point, giving way to the stories of the future. But there are two last bits I want to mention. Adventures #505 brings back Superboy, where he learns the truth about himself and his powers. They’re based on Superman’s “aura” that gives him his invulnerability, but this causes Superboy’s powers to differ from the man himself in some interesting ways. The Kid finally accepts the Superboy name, and just like Steel, elements are put in place for his spinoff series. Finally, Action #693 brings Superman to STAR Labs, where the Eradicator’s body is still alive, but there is no spark of consciousness within him. A terminally ill doctor named David Connor is in charge of examining the body, but somehow (through comic booky science) winds up transferring his consciousness into it, thus making David Conner the new Eradicator. At this point, the status quo is more or less established for the foreseeable future – all of the remaining “Supermen” have a new lease on life and the cleanup of his death is more or less complete.

Sat., March 15

Essay: “The Superman Mythology: A Mini-Tribute to Edmond Hamilton by Jack Williamson” from The Krypton Companion

Notes: I don’t think I realized today was going to be a hard day earlier in the week. It’s been a rough few weeks for me, guys, the kind of period where having things like this blog to complete are what keeps me interacting with the universe instead of curling up into a ball, but March 15 is different even than that. March 15th is my mother’s birthday. We lost her in 2017, just ten days before Erin and I found out we were going to be parents. My son never knew his grandmother, and she never knew he was going to be born. I miss her a lot, and when times are bad I miss her even more. The point of all this is to say that I just did not have it in me to continue on today with “Death of Superman” stuff, even the aftermath.

Pictured: literature.

So instead, I turned to TwoMorrows’ excellent book of Superman minutia, The Krypton Companion and read a short piece about science fiction writer Edmond Hamilton and his connection to the Superman mythos. I’d heard of Hamilton before, but I’d never before connected him with our own Emil Hamilton, who Jerry Ordway confirmed was named for him. Emil was originally brought in as a one-off villain in Adventures of Superman, but Ordway pushed to rehabilitate him when John Byrne wanted a scientist-type friend for our hero. Ordway says he likes stories of bad guys being reformed. Me too – which is why it still ticks me off when they make Emil bad again.

Sorry I didn’t have more to say today, guys. I hope I’ll be in a better head space tomorrow.

March 16 & 17

Novel: The Death and Life of Superman by Roger Stern (Unfinished)

Notes: I’ve been riding the struggle bus lately. A few weeks ago I started having some car troubles and, frankly, the market ain’t great to replace it right now. This has had me under some greater-than-usual stress and, if I’m being honest, on those days when the stress gets particularly bad it’s been difficult to do even the things I want to do. One of the reasons behind “The Year of Superman” was to immerse myself in things that bring me joy, but when I’m in a bad headspace it’s hard to tackle that. All of that said, I haven’t missed a day of Superman content, I’ve just spent the last few days with Roger Stern’s novelization of The Death and Life of Superman, which was published back in 1993. I haven’t finished it yet – well, not this time around, anyway – but I’ve been enjoying it. 

There are lots of novels based on comic book superheroes, but novels adapting specific storylines are a bit more rare. I guess once DC realized just how big an impact this storyline was having, they started looking for more ways to monetize it. So Stern wrote this novel, while Louise Simonson wrote a “Junior Novelization” called Superman: Doomsday and Beyond, which I’ve actually never found a copy of. This isn’t the first time I’ve read this book, of course. I got it when it first came out, and in fact, it was originally released on my birthday (a fact I remember because I still see the original ad for it when I look through comics of the time) so it’s likely I requested it as a birthday present that year. I remember enjoying it quite a bit at the time, and it must have sold pretty well because DC did another novelization the next year, this time Batman: Knightfall by Dennis O’Neil, which I also enjoyed. I’ve still got that hardback copy, but I also snagged a paperback last year in a used bookstore, having no notion at the time that I’d be using it for such a worthy cause as the Year of Superman. It’s my first time reading it in at least 20 years.

Totally not posting this just so that everyone knows when my birthday is.

Reading it concurrently with the comics has been a fun experience, and showcases just how closely Stern’s manuscript adheres to the originals. Much of the dialogue is left intact, and even minor scenes such as Lois seeing a man in a hat and mistakenly thinking it’s Clark back from the dead remain. The only large swaths Stern skips over (at least in the portion of the book I’ve read so far) are the subplots regarding the Underworlders and Keith from the Superman: The Man of Steel issues, which were great for ongoing readers of the books, but didn’t have any real impact on the story of Superman’s death, so their absence isn’t really felt.

Stern keeps the same Justice League lineup from the comics, even going into explanations of Superman’s history with the team (which, if you’ll recall, was relatively new at the time) and the backstory of Guy Gardner’s expulsion from the Green Lantern Corps. Most adaptations would gloss over these things, or change the team to a more “traditional” lineup (as was done in the Death of Superman animated film I watched not long ago), so there’s a sort of purity in this incarnation. 

I also like how Stern brings in the backstory of the main cast – Superman, his relationship with Lois, and so forth. He plucks scenes from earlier comics, especially John Byrne’s Man of Steel miniseries, and uses them to fill in the world in which the story takes place. It’s really impressive how well the world is built up. Someone who has only a cursory knowledge of Superman can pick it up and pretty quickly get up-to-speed on everything they need to know about THIS incarnation of Superman. It’s pretty impressive, although I’m forced to wonder if anyone who isn’t familiar with the comics of the era would think it’s too much.

Like I said, I’m not quite done with the novel yet. I’ve got about a quarter of the book left to go, and I haven’t even gotten to the Cyborg’s big reveal yet, so I’ll have to come back when I get there to report on how well Stern sticks the landing. As of right now, I’m really quite happy with how good the adaptation has been.

Tues., March 18

Comic: Return of Superman 30th Anniversary Special

“Return” doesn’t look a day over 29, does it?

Notes: As they did with his death, in 2023 DC Comics came to us with an anniversary special for Superman’s return. And like that previous book, this one was a blend of then and now. The main story is set in the present, with Lois Lane adjusting to becoming the new editor of the Daily Planet, as Perry White was in a coma at the time. (Long story. It was Lex Luthor’s fault. Him and Brian Michael Bendis.) On the day of the frame story, Superman is occupied elsewhere, when the Cyborg Superman returns, once again attacking Metropolis. With the real deal out of the picture, Superboy, Steel, and the Eradicator return to clean up the pretender. Meanwhile, Lois and Ron Troupe go through Perry’s journals of the time when the would-be Supermen first appeared and reflect.

I really like the structure here. Perry White is, in my opinion, an underused character. We see Lois all the time, of course, and Jimmy had his own series that lasted a really long time, but I’ve always seen Perry as sort of a second (or third, depending on how you count) father figure to Clark and Lois both, and we don’t see his insights enough. Even though he was literally unconscious at the time of this story, using his journal for the frame to the flashback stories works really well to tap into his mindset. 

The first of the four flashback sequences focuses on Steel and his effort to get the infamous Toastmaster guns off the streets of Metropolis. It’s a fine story, once again reuniting Louise Simonson and Jon Bogdanove to show off their character and what he came to mean to the less-affluent sections of Metropolis. In the Eradicator story, written and drawn by Jerry Ordway, Perry plays witness as he faces off against one of Ordway’s oft-used foes from his time on the Superman comics, mad scientist Thaddeus Killgrave. The story leaves Perry uncertain about the visored hero, and with good reason. Karl Kesel and Tom Grummett are together again for the Superboy story, and this may be my favorite of the bunch. The Kid is definitely playing the part he did back in 1993 – arrogant and thirsting for fame – but Perry is able to see the good in him. A sweet interlude at a skateboard park reveals the child inside, something few of the stories of the time bothered to do, and it works really well. 

The last story, by Dan Jurgens, deals with Perry’s skepticism over the Cyborg Superman and how he tortured himself for publishing Ron Troupe’s story (from Superman #79) that indicated he was the real deal after the Cyborg’s true colors were shown. I love the angle we get here, how Perry never quite forgives himself for that mistake. He’s the editor of the Daily Planet, damn it, and his responsibility is to the truth. To have made such an egregious error eats at him. This is honestly pretty refreshing – the idea of a journalist in the modern day having the sort of integrity to take personal responsibility for what was an honest mistake…dang, when’s the last time you saw anything even close to that in the real world? 

The special as a whole is fun. The thing that surprises me most of all is that, in the end, while it serves perfectly well as a spotlight on the four Supermen that rose up to take Clark’s place, it’s really kind of a celebration of Perry White.

Thus ends week 11. In week 12, I’ve still got some “Death of Superman” epilogues and odds and ends I intend to tackle, but I’m looking ahead to week 13. What I would like to do, friends, if you can help me, is try a sort of “Reader’s Choice” week. What are some of your favorite one-off stories about Superman? They can be from any time period, any continuity, and don’t even have to be from a Superman comic (maybe he makes a memorable guest appearance in Firestorm or something). I’d like to get a bunch of done-in-one stories to cover over a few days. Bonus points if the issue is available via the DC Universe app, but if it isn’t, that’s not necessarily a dealbreaker. I’ve got a pretty hefty collection, after all, and odds are that your favorites will be among mine as well. So head to the comments and hit me with your suggestions!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week Ten: The Reign Begins

Last week, I spent most of my Superman time reading the story of his death from 1992. This week we’re jumping ahead over that gap in publication to look into the story that brought him back. Get ready for “Reign of the Supermen,” friends! But first…

It’s gonna get CRAAAAAAAZYYYYYYY…

Wed., March 5

Comics: Adventures of Superman #500

Supposedly, you could peel off the top layer of this cover and remove Jonathan’s hand. I never tried it. I don’t know why the hell anybody would want to.

Notes: The return of Superman begins right where Superman #77 ended with Jonathan Kent lying in a hospital in cardiac arrest. I think back to 1993, when we had to wait about three months in the relative hours that passed between these issues. It truly seemed, at the time, that Jonathan had died of grief over the death of his son, and unlike Clark, we didn’t really feel certain that Jonathan would necessarily be coming back. I think that’s one of the things that still makes this issue so damned good.

Before I get too deep into this I need to make something clear – if you have never read the “Reign of the Supermen” story before, I’m going to be spoiling stuff left and right, beginning in this little recap of this issue. I’m assuming that anyone reading this blog is a hardcore Superman fan and already knows the story pretty well, but on the off-chance that you don’t, consider this your spoiler warning. I didn’t worry quite as much about spoilers when it came to the Death of Superman because…well, it’s right there in the title. But there are a few twists coming in the story of his return, so if you don’t know (for example) who the four people who stepped up to fill Superman’s shoes are, this is your warning to go read the entire story first before you come back here.

Okay, back to Adventures #500. The first half of the issue follows Jonathan into a near-death experience. In a strange realm somewhere between the living and the dead, Jonathan sees Clark being taken away by a contingent of Kryptonian spirits. He charges after his boy, uncovering the truth – the “Kryptonians” are minions of Clark’s old foe, the demon Blaze, and it’s up to Jonathan to convince “Kal-El” to turn around and come back to Earth.

I wonder if there was ever a temptation to have Superman fight this battle himself, do the sort of “power of will” ending that so many of his stories have had in the past. Certainly, it would have been adequate, but…this is better. Having him saved by Jonathan is just better. Showing the father risking everything to save his child is always something that’s going to tug on my heartstrings, and the fact that the child in question is Superman himself somehow makes it even better. “Oh, my son is the most powerful man in the world? Man of steel? Man of tomorrow? His symbol literally means ‘hope’? Shut up, hand me a shovel, and get out of my way.”

I love Jonathan in this book. 

The shovel, by the way, is a really nice callback to the last chapter of John Byrne’s Man of Steel, where Clark was mesmerized by a hologram of Jor-El and Jonathan broke him free by smashing it with a shovel. Here it’s not really Jor-El, but demon wearing his form, but the fact that Jonathan manages to summon a shovel out of the ether to save his boy just makes me want to jump up and cheer.

The main story ends with Lois and Inspector Henderson of the Metropolis PD going to Superman’s tomb to find that it empty, just in case the Christ allegory in the character wasn’t obvious enough. After that, though, we get into our first sightings of the four new characters who stepped up as the stars of the series for the next few months, and each of them has an introduction that is quite fitting for the person they would prove himself to be. John Henry Irons is first glimpsed pulling himself from rubble and proclaiming that he’s got to stop Doomsday – the hero inherent in him is already clear. The “Last Son of Krypton” first shows up dishing out a rather brutal brand of justice – the right intentions, but the wrong path. “The Kid” (who at this point had no name) is broken free from Cadmus by the Newsboy Legion and demonstrates the pigheadedness that defined his early years with a simple proclamation: “Don’t ever call me Superboy!” And finally, the Cyborg makes his first appearance in a wordless sequence in which he lands in front of the Daily Planet building and destroys the marker that designates the spot where Superman died, proclaiming simply “I’m back.” As the true villain of the piece, it’s a nice introduction. Would the real Superman necessarily destroy his memorial? Possibly…but a villain intent on destroying Superman’s good name would definitely do so.

I’m looking forward to reading the rest of this again, my friends. 

Thur., March 6

“One of these things is not like the others…”

Comics: Action Comics #687, Superman: The Man of Steel #22, Superman Vol. 2 #78, Adventures of Superman #501

Notes: The return storyline begins in earnest today. Like I said yesterday, I’m not going to bother to try to hide the reveals for these books, but at the same time, I’m also going to try to recreate the thought process we went through as readers when these books were still fresh, still coming out one week at a time (except for these first four issues, which were all released on the same day). The story begins with the “Last Son of Krypton,” who would eventually be revealed to be the Eradicator, being reconstituted in the Fortress of Solitude by the very robots that he built. Ever since he was supposedly destroyed back in Action Comics #667, the energy that made up his essence had been trapped in the walls of the Fortress, finally restored here. Roger Stern structures it in such a way, though, that it’s not immediately obvious that we’re looking at the Eradicator. It’s possible, or so it seemed at the time, that this energy-being who then went to retrieve Superman’s body, was actually Superman’s soul. He’s less compassionate than our Superman, less personal with Lois, but this too could have been an artifact of his encounter in the afterlife from Adventures #500. 

Man of Steel #22 gives us John Henry Irons’ first full appearance, and we first see him sitting on the stoop of an apartment building, telling kids the story of John Henry versus the machine. Again, subtlety was not a strong suit for these comics. Anyway, John – under the alias “Henry Johnson,” is horrified when a gang hit kills one of the neighborhood kids using a weapon he recognizes as a “Toastmaster,” something he designed in his previous life. He remembers how Superman once saved his life, and told him to “make it count,” inspiring him to make the Man of Steel armor to clean the streets of his weapons. I’ve made no secret of my love of John Henry, and how of the four Supermen, he was my favorite. I think it’s important to point out, though, that the idea of him being the “real” Superman wasn’t out of the question at the time. Although the other three all LOOKED like Superman, John Henry was the one who ACTED the most like Superman. What’s more, this first issue introduces us to John’s neighbor Rosie, the clairvoyant, who claims the Man of Steel is a “walk-in spirit,” the result of a soul whose body has been killed but who instead finds another body to inhabit. If that sounds ridiculous to you, keep in mind that this is part of a universe that includes Deadman and the Spectre. Although it didn’t turn out to be true, at the time the notion that Clark Kent’s spirit was somehow inside John Henry’s body was not something that we could safely rule out. 

In Superman #78, the Cyborg makes his big splash, breaking into Cadmus to take Doomsday’s body. In order to prevent Westfield from attempting to clone the creature, he brings it into space and chains it to an asteroid, drifting – seemingly – aimlessly. The Cyborg then encounters Lois, who insists he visit Professor Hamilton for study. To everyone’s shock, Hamilton’s tests reveal that the Cyborg’s metallic parts are indeed Kryptonian, and his body is genetically identical to Superman. He is, to all appearances, Superman brought bac to life. The truth is that Hank Henshaw, in a computer consciousness, stole the Kryptonian Matrix that brought Kal-El to Earth as an infant, giving him the material to build a convincing body. He was also clever in that the parts of his body that were replaced with metal corresponded pretty well to the areas that seemed to suffer the most damage during the battle with Doomsday. This was the Superman that I remember finding the most plausible in that first month, for the aforementioned reasons. There is, however, one other clue that convinced me pretty well that turned out to be a cheat: in his internal monologue, the Cyborg looks at Doomsday and thinks, “They didn’t bother to wash MY blood off you.” That particular possessive pronoun makes no sense for anybody to use except Superman, and was one of the strongest arguments – among readers – for the Cyborg’s claim to the throne. It still doesn’t make sense that the Cyborg would think that way. That’s a little bit of narrative cheating that bugs me to this day.

Last, we get Adventures of Superman #501, the introduction of the Metropolis Kid. The lad who would one day be Superboy comes to town saving joggers, fighting crime, and proving just how arrogant a super-powered 15-year-old would be. He’s upfront from the beginning, though, telling the world that he’s Superman’s clone, although this would later turn out to only be part of the story, and that story itself would change more than once before it settled on its current status quo. Of the four Supermen, this was the one that I never once thought could be “our” Superman brought back to life…however, that didn’t necessarily mean he wasn’t “real.” After all, if Rosie was right about John Henry’s body containing Superman’s soul, he would need somewhere to go, right? Some comic book science aging the Kid could have made a perfect vessel to contain it, had the story gone in that direction.

I’m remembering the fun of this storyline now. For the last 30 years, any time I’ve read these comics again it’s been with that perspective of knowing the ending. While I can’t throw that lens away, I’ve kinda rediscovered the way I looked at the stories at the time, trying to measure all the possibilities…and that’s a fun way to read these. 

Fri. March 7

The “telescope” is literally a giant horseshoe magnet. Trust me, this image is cooler.

Animated Short: The Magnetic Telescope (1942)

Notes: Unsure if I can get in any reading time today, I decided to squeeze in the next Fleischer short while I have a chance. In this one, a scientist (I’ll let you decide for yourself if there should be a “mad” in there) invents a telescope with an enormous magnet attached, with the intention of drawing celestial bodies closer to Earth for further examination. The problem with this, of course, is that he is DRAWING CELESTIAL BODIES CLOSER TO EARTH. It doesn’t help when the police shut down his machine, cutting off the power after he’s already pulled a comet towards Metropolis and robbing him of the ability to send it back. Superman, naturally, is going to have to get in there and save the day. The short is pretty standard, with the usual gorgeous animation and a story that is fairly predictable. The most interesting thing, I think, is the lack of common sense displayed not only by the scientist, but by Clark Kent, who is taking a TAXI to the observatory after Lois calls in to report the catastrophe. It isn’t until the cab gets stopped by falling meteor chunks that Clark decides to switch to his costume and fly there. Why is he wasting money on a cab in the first place? 

Sat. March 8

Comics: Superman: The Man of Steel Annual #2, Action Comics #688, Superman: The Man of Steel #23, Superman Vol. 2 #79, Adventures of Superman #502

It was the 90s, you see, there was nothing more important than “Edge.”

Notes: The tricky part of reading the “Reign of the Supermen” and related comics is going to be working in the annuals. As they don’t carry the “Triangle” numbers the way the regular issues do, I’m going to cycle them into the reading order as close as I can figure to when they were released, relative to the other comics, and that means I’ll be starting with Superman: The Man of Steel Annual #2. Now in 1993, DC’s summer annual event was a story called Bloodlines, in which a group of aliens came to Earth to feed on humans. Some of the humans they attacked, however, didn’t die, but instead had their metagene awakened, giving them superpowers. The result was that each annual this year introduced a new superhero or villain. Some of them were pretty cool, others were kind of lame, and the only one who had any real lasting impact was Hitman. Edge, for instance, the character that John Henry Irons meets in this issue, hasn’t made an appearance since 1995. It’s pretty tertiary to the ongoing story, with the biggest contribution being that it shows how the Man of Steel is becoming accepted in the neighborhood.

They’re fighting over who has the better hairstyle.

Moving back to the regular issues, we’d entered an interesting time. Although the Triangle Numbers and weekly serialization continued, each of the four would-be Supermen had their own plots and stories that lasted for the first couple of months of “Reign” before the Cyborg played his hand and tied the four titles together again for the rest of the run. In Action #688, for instance, we see a confrontation between the Eradicator and Guy Gardner. In a move that’s surprisingly touching, Gardner is outraged to see four people wearing Superman’s symbol, having gained a new respect for Superman following the Doomsday battle. Guy sets out to put a stop to them, but when he sees how brutal the Eradicator is with criminals, he decides that maybe this fellow IS the Superman Metropolis needs. Ah well, it was fun while it lasted. 

These two, on the other hand, are fighting over who has the goofier nickname on the cover.

Man of Steel #23 then gives us the first encounter between two of the would-be Supermen, Steel and Superboy. The kid makes a mistake that costs a Daily Planet helicopter pilot his life, and John Henry takes him to task for it, but considering that the weapon that dealt the killing blow was of his design, he grows into being more understanding. This is also the issue in which he meets Lois, who feels the same way about John as I always have – this is the only one of the pretenders who seems to have Clark’s spirit. In retrospect, I wonder if Lois’s endorsement was the reason I gravitated so strongly to John Henry, not only then, but in all the years since as well.

Schwarzenegger briefly considered copying this image for his Gubernatorial posters, but decided it was too low-key.

Superman #79 is told through a newspaper column written by Ron Troupe, who is trying to show himself worthy of replacing the (believed to be dead) Clark Kent at the Daily Planet. Perry White challenges him to bring in a story so big that he proves he deserves the job, and it’s hard to argue the SCALE of the story he brings in. Troupe lucks into being on the scene as the Cyborg thwarts a presidential assassination attempt, and in the process, uses a genetic scanner that seems to confirm that he is, in fact, the true Superman. There are two things about this issue that stick with me. First, although I don’t think I realized it at the time, it’s impressive how Dan Jurgens worked so hard to stay away from delving into the Cyborg’s life when he wasn’t in front of the public, and avoided giving us a glimpse into his thoughts (after that misstep in the previous issue). The other thing that stands out to me is that so many, so SO many comic book writers don’t have the slightest idea what a news article is supposed to read like. Even if I accept Ron’s writing as a column rather than a proper news article, the fact that he himself uses the genetic scanner on Superman makes the whole thing a gargantuan conflict of interests. I recognize the irony here, as Clark obviously made his career by writing about himself, but at least he tried to HIDE it. 

All we need is Krypto! (Actually, there’s a version of him in this issue.)

Rounding out month two of “Reign,” in Adventures of Superman #502, Lex Luthor tries to lure Superboy away from WGBS by having Supergirl prance around in front of him in a slinky dress. I wish I was making that part up. But the kid sticks with WGBS when Vinnie Edge presents him with a new manager who also happens to have a teenage daughter…all while the kid is crushing on WGBS reporter Tana Moon. It’s odd, when these books came out I was roughly the same age as the kid is mentally, and I don’t remember being bothered by just how openly he’s manipulated through sex appeal. I suppose it’s the perspective of maturity, or whatever the hell you call it when you apply that particular characteristic to me. This issue is also the first in the “Reign” era to end on a cliffhanger, as Edge hires a villain called Stinger to attack the kid, and winds up blowing up a bridge, leaving Superboy and Supergirl shocked and unable to do anything because they’re out of pages! Man, I hope they figure out a way out of this in Action #689.

Sun., March 9

Comics: Superman Annual #5, Action Comics #689, Superman: The Man of Steel #24

“Myriad!” is Latin for “character who has made one appearance in the last 30 years.”

Notes: We’ve got another Bloodlines crossover for you this time. Unusually for this particular crossover, though, it actually picks up on threads from the ongoing comic book. Back in issue Superman #77, Lex Luthor murdered his martial arts instructor, partially because she embarrassed him in training, but mostly to prove he could still get away with it now that Superman was dead. In Superman Annual #5, one of the aliens gobbling up people left and right finds her discarded body in a landfill and makes her into a quick snack, inadvertently activating her metagene and resurrecting her. She wakes up with no memory of her life, but soon finds she can absorb the memories and personality of anyone she comes into contact with, and even control them. She clashes with Luthor and the Cyborg (which I suppose is appropriate, as it was technically his book at the time) before absorbing the memory and personality of one of Luthor’s assassins and vanishes. Myriad’s future, after the Bloodlines crossover, wasn’t much better than Edge. She popped up in an issue of Action Comics a few months later, then – as far as I can tell – nothing until a surprise appearance in a Batman one-shot, Legends of Gotham, in 2023. But you know, I’ve often believed that even the least-interesting characters can be made fascinating if you give them to the right writer and put them into the right story. Who knows? Maybe Myriad could have a comeback some day. At the very least, the next two newbies we’re going to meet stuck around a little bit longer than the first two.

This is exactly the way my brother watches March Madness.

Action Comics #689 picks up immediately after Adventures #502, and this is the point where the four books begin to really intertwine again. As Superboy and Supergirl rescue the victims of the bridge collapse, in the Fortress of Solitude a man crawls from the machinery that has been recharging him. At the time, it was intended to appear as though this was the Last Son of Krypton (aka the Eradicator) having rested up, but in retrospect, this was the issue where the real Superman actually came back, although we wouldn’t know it for some time. The Eradicator had taken his body from the tomb and was using it as a sort of power source in the Fortress, but in so doing, the machinery resurrected him, a process which – at the end of the storyline – they made damn sure to insist would never work again. Except that they kinda did it again years later when Superboy died. Ah well, who’s counting? Anyway, also in this issue we see Steel face off with the Eradicator over the latter’s more lethal techniques, something Steel vehemently opposes, once more proving that if any of these four EVER had a claim to the S-shield, it was John Henry Irons. Oh yeah, and Mongul is guiding a vast warship through outer space on a trajectory to Earth in order to exact his revenge on Superman. That couldn’t possibly be bad, though, right? 

They were REALLY trying hard to make “Iron John” stick, weren’t they?

Man of Steel #24 follows this up as Steel and the Eradicator’s fight brings them to Coast City, California. Steel tries to convince the Kryptonian that his brutality is unbecoming of a Superman and, surprisingly, the Eradicator actually takes his words to heart. He promises to leave Metropolis to Steel, while he tackles injustice out on the west coast, a decision that would prove to be really, really unfortunate for an awful lot of people. The rest of the issue is concerned with John’s return to Metropolis and a battle with the White Rabbit, the source of the Toastmaster weapons plaguing the city and who also happens to be John’s ex. This issue – as well as most of the “Reign” issues – also briefly checks in with Lois, who is still struggling with Clark’s loss. As much as I like this storyline, I don’t care for how little of Lois we see. I get it – they need to tell the story of the four wannabes and, frankly, there isn’t too much to DO with Lois other than show her skepticism. Still, she’s as important to these books as Clark himself, and when she only shows up on two or three pages in an issue, I miss her. 

Mon., March 10

Comics: Action Comics Annual #5, Superman Vol. 2 #80, Adventures of Superman #503

Notes: I’m going to break with my effort to read the annuals in release order because I realized that, after this point, the Eradicator (at least in this form) doesn’t return to Metropolis for the remainder of the “Reign of the Supermen” storyline, however his Bloodlines annual is set in Metropolis, so even though it came out after, it must take place BEFORE the issues I’ve already read. Being a nerd is fun. 

Note: nothing even remotely like this happens in the issue.

Anyway, Action Comics Annual #5 introduces us to Loose Cannon. Eddie Walker is a former Metropolis Special Crimes Unit officer whose reckless behavior (they always called him a “Loose Cannon” – GET IT???) leaves him partially crippled in an encounter with a metahuman perp. Maggie Sawyer calls him back into service to investigate the murders that are being carried out by the alien visitors , and he winds up becoming their next victim. Now, by night, he turns into a seven foot tall bruiser with blue skin that changes to different colors depending on his mood, because they had to make him at least a LITTLE different than the Hulk. He and the Eradicator throw down with the aliens, but they escape because the crossover was only halfway finished at this point. Loose Cannon fared slightly better than previous two “new bloods” we’ve read about, getting his own miniseries and sporadic appearances in the years since, but he’s never gonna be an A-lister. Not that this really sets him apart from the rest of the Bloodlines characters. 

That Newstime ad I mentioned last week seems more prophetic now, doesn’t it?

Superman #80 is where “Reign” REALLY takes a turn. Mongul’s warship arrives on Earth and heads to Green Lantern’s home of Coast City, which is conveniently where the Last Son of Krypton is currently operating. The Cyborg sweeps in to “investigate,” and riiiiight up until this point, you might still be thinking he’s the real Superman. Right up until the page where he blasts the Eradicator in the back and tells him, “You’ll be blamed for the deaths of millions.”

Oh. So HE’S the bad guy. 

Three pages later, Mongul’s ship detonates 77,000 individual explosive devices, annihilating Coast City and murdering the seven million people who call it home.

I cannot stress this enough, the Cyborg really IS the bad guy.

The explosion reduces the Eradicator to his energy form and he retreats to the Fortress of Solitude, where again we get one of those fake-out scenes of “someone” piloting a Kryptonian mech, implied to be the Eradicator, but whom we who have read this story before know is our boy Clark. The issue ends with a wonderfully ominous page of Mongul kissing the Cyborg’s hand as he declares that Metropolis is his next target. 

This issue was probably a bigger shocker back in the day than the actual death of Superman was. I mean, we all knew that Superman was going to die. It was on the NEWS. But nobody leaked word that Coast City – home of Hal Jordan and one of the more established fictional cities in the DCU after Metropolis and Gotham – was going to be wiped off the map. This wasn’t just something huge for the Superman books, it was going to have radical consequences for Green Lantern, which in turn would have consequences for the Justice League titles, Guy Gardner’s book, Flash…it was the beginning of a domino chain that reverberated for years. Even now, looking at the current status quo of the Green Lantern corner of the DC Universe, where Parallax is an entity that powers the Yellow Lanterns and each color has its own such entity…this is the book that led to the stories that led to that particular status quo years later. You have to wonder if, in that Superman retreat where the writers were trying to figure out what to do since Warner Bros made them delay the wedding of Lois and Clark because of the Dean Cain/Teri Hatcher TV show, they had any inkling of just how big the consequences of someone joking “Let’s just kill him!” would be. 

Cyborg is really just envious of the leather jacket.

The Cyborg’s plot continues in Adventures of Superman #503. Having taken care of the Last Son of Krypton, he requests that Superboy be sent to the remains of Coast City to “assist” him, really planning to eliminate another of his rivals. He takes the Kid down fairly quickly, but not before making a grave mistake – talking about having powers like the Kid “when I was your age” on the WGBS news feed. Back in Metropolis, Lois hears this and knows for certain he’s an imposter – in this continuity, Clark’s powers hadn’t fully developed yet when he was 15. The real Superman, meanwhile, stumbles from the Fortress in his Kryptonian mech and begins the march back to civilization, and the Kid shows the first glimpse of the power that will later be called “tactile telekinesis,” further evidence that he is NOT – as Paul Westfield at Cadmus claimed – simply a clone of Superman. Without belaboring the point, because I don’t think it actually is clarified until after the “Reign” story ends, we eventually learn that Cadmus couldn’t totally crack Superman’s genetic code, so they manipulated a clone to LOOK like him and used what information they COULD get to give him similar – but different – powers. Years later Geoff Johns came in and further retconned the origins to its current status quo: Superboy is a clone whose DNA is a mix of Superman and Lex Luthor. But they co-parent like champs.  

Tues., March 11

TV Episode: Justice League Unlimited Season 2, Episode 3: “The Doomsday Sanction”

“Okay, tell me when this starts to hurt…”

Notes: I didn’t have any reading time today, guys, and by the time I finally had a chance to sit down I was kind of exhausted. As much as I love reading, sometimes your brain just isn’t in that place, you know? So instead, I decided to dip into the excellent Justice League Unlimited cartoon to check out an episode centering around our old pal Doomsday.

Written by the late, great Dwayne McDuffie, this episode starts with Batman popping into Amanda Waller’s shower in a hell of a power move, confronting her over her activities with Project: Cadmus, which in the DCAU is a project dedicated to creating weapons capable of defeating the Justice League, including clones. One of the Cadmus doctors, Dr. Milo, is told his research is going to be defunded. Angry at being cut off, he goes to the cell where Doomsday is being held and tells the creature that he is an altered clone of Superman who was trained to hate the Man of Steel by Waller and Emil Hamilton, and it’s the two of them who should be his REAL target. Doomsday doesn’t care WHY he hates Superman, though, just that he does, and after dispatching Dr. Milo, he sets out, confronting Superman on a volcanic island the League is trying to evacuate. As the battle rages, Cadmus’s General Eiling sends a missile with a Kryptonite warhead to destroy both Superman AND Doomsday, not caring what it will do to the inhabitants of the island where the battle takes place…an attack that even Waller realizes is going too far. Batman stops the missiles while still over open ocean and Superman stops Doomsday by chucking him into the volcano. The League takes Doomsday into custody, and Superman exiles him to the Phantom Zone. That action doesn’t sit right with the recovering Batman, though, causing him to fear that maybe Cadmus has a point.

This was such a fantastic series. McDuffie’s handling of the characters was amazing, and the way he and the other writers pieced together all the different nuggets of the different DC heroes into a cohesive whole that made sense for this universe is nothing short of astonishing. They never did a real “adaptation” of the Death of Superman storyline, but they found interesting uses for Doomsday nonetheless. It’s a very different TYPE of Doomsday, I must say. He’s not a mindless beast – he’s intelligent and at least relatively verbose, able to exchange taunts with Superman and tell him he’ll live to regret exiling him before they send him off to the Zone. He is also clearly far less powerful than the Doomsday from the comics. Superman’s fight with him wasn’t EASY, don’t get me wrong, but considering that the only way he could be stopped in the comics was by the two of them killing each other, the fact that a mere volcanic eruption seems a little less impressive. Even more so the fact that he is held prisoner – both by Cadmus and by the League – with relatively little difficulty…this is a different Doomsday than the one who kills Superman in the comics. But for this world, for this universe, for a Saturday morning Cartoon Network series that was ostensibly aimed at children, it’s not a bad fit at all. 

If there’s one thing I don’t like about this episode – this series as a whole, to be honest – it’s placing Emil Hamilton on the side of Waller’s Cadmus mad scientists. Hamilton is one of those characters from “my” Superman era – the good-hearted and sometimes absentminded scientist who, after making one mistake which Superman stopped before it could go TOO far, turned into one of Superman’s greatest allies. In the comics they eventually gave him a heel turn as well, and that’s something that has never sat right with me in all the years since. It’s been well over a decade since he’s made more than a token appearance anywhere, and honestly, I’m not even sure what his status even is anymore, vis-a-vis his relationship to Superman, after all the years of reboots both hard and soft. But they always say that comics are cyclical – it’s probably only a matter of time before somebody who loves Emil Hamilton the way I do steps into the shoes of writing Superman and finds a way to rehabilitate him and bring him back. At least, I sincerely hope so.

The Reign continues next time, friends!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week Seven: Superman Vs. the Flash

After the chaos of the last couple of weeks, I wanted to stabilize things a little bit, so it’s time for another theme week. He’s called the fastest man alive, but he’s often been forced to defend that title against the Man of Steel, so for the next seven days I’m going to put my attention on the competitions between Superman and the scarlet speedster himself. Yes, it’s Superman Vs. the Flash Week!

(Superman versus the) FLASH! (Bum bum bum bum bum) AAAH-AAAAAH!!!

Okay, I think I should make one thing clear here: in a straight-up foot race between Superman and the Flash, the Flash should win every time. Whether we’re talking about Barry Allen or Wally West, it doesn’t matter. The Flash’s entire job description is the fact that there’s nobody faster than him, and if you take that away it diminishes the character. Even Superman shouldn’t be allowed to do that.

That said, there have been many stories over the years that pit them against each other, and some of them are an awful lot of fun. 

Wed., Feb. 12

Comics: Superman #199, Flash #175

Literally, the starting line for this whole thing.

Notes: The first-ever Superman/Flash race, at least as far as I can tell, is Superman #199 from 1967. The United Nations recruit Superman and Flash to race for one another to raise funds for charity, a basic enough premise that reasonably pits the two of them against each other without some sort of contrived misunderstanding, which I greatly appreciate. Unfortunately, a pair of major crime syndicates also bet a fortune on the outcome of the race, one on Superman and one on the Flash, and so they both hatch schemes to make sure their chosen hero is the winner. After uncovering the schemes and beating the gangsters, Superman and Flash conspire to end the race in a precise tie so that neither crime syndicate can cash in on their winnings and, conveniently, so that DC Comics doesn’t have to definitively answer the question of which of the two men is the faster. 

What I find funny about this story is that, even though the story is contrived in such a way that the race ends in a tie, writer Jim Shooter almost seems to do so grudgingly. There are several times that we see the Flash doing things that seem to demonstrate that, as far as foot speed goes, he’s superior. As they race across the ocean, Flash is running on top of the water, whereas Superman has to swim at superspeed. Similarly, Supes has to burrow through sand dunes and climb over pyramids in the desert, while the Flash is simply vibrating right through them. At one point, Flash even employs a super-speed trick to rescue Superman from a random chunk of Kryptonite vomited up by a volcano without Superman even noticing. The only times Superman has an advantage is when his invulnerability or other non-speed powers give him an edge – in freezing cold, diving down a waterfall, or maintaining his balance across a frozen lake. Every task shows that the Flash’s super-speed tricks are superior, even if the story itself has to skirt the issue at the end. This would be a running theme through future competitions between Superman and Barry Allen.  

It’s covers like this, Superman. Covers like this are why some people call you a jerk.

Only a few months later, they got together for a rematch in Flash #175. It starts when the two heroes wind up muscling in on each other’s territory, each of them getting an emergency alert from the other on their Justice League signal devices that their teammate denies sending out. When the JLA assembles, it turns out the signal was sent by a pair of aliens Superman and Batman have encountered before. The aliens had placed a wager on the first race and, as it ended in a tie, insist on a rematch. Instead of lapping the Earth this time, though, they’re going to force the heroes to race across the Milky Way. Oh, and just in case they need a little added incentive, they promise to annihilate Central City if the Flash loses and Metropolis if Superman is the loser. So as sports commissioners, they’re still slightly less evil than Roger Goodell. 

The aliens throw lots of traps and obstacles in front of our heroes, each of whom independently finds evidence that the race isn’t all it’s cracked up to be. But it’s the Silver Age, so neither of them ever thinks to just TELL his teammate that the race is a fake, they make vague statements about things being “off” until they beat the aliens on the last two pages, with the race once again not having any definitive winner. 

As snarky as I sound, I actually did enjoy this issue. It was a pretty decent follow-up to the first race, and it gets bonus points for the last panel, where Flash and Superman look directly at the reader and invite them to go back to the finish line on Page 21 and decide for themselves who they think won. You can’t get away with stuff like that these days.

Thur., Feb. 13

Comics: World’s Finest Comics #198-199

“Okay, we’re ACTUALLY gonna declare a winner this time, right? No more cop-outs?

Notes: Three years after the first two races, DC decided to try it again. Although World’s Finest has, historically, been the Superman/Batman team-up book, there was a period in which it was a Superman team-up title, with Superman as the anchor and different guest-stars for each issue, so it was here that they staged the next installment in this saga. And THIS time, the cover of issue #198 proclaims, “There MUST be a winner!”

Race #3 has the wildest conceit yet – the Guardians of the Universe (the little blue guys who sponsor the Green Lantern Corps) have detected an incursion of “Arachronids,” faster-than-light lifeforms that are disrupting space and time. The only way to save the universe is for two people to race in a path opposite that of the Arachronids, and the only ones speedy enough to do the job are Superman and the Flash. (This is in the days before the “Flash Family,” of course, there was only Barry and Wally West as Kid Flash. If this were to happen today there are roughly a dozen speedsters more qualified than Superman to handle this deal.) Anyway, the Guardians provide the Flash with an amulet that will allow him to race in space and he suggests – since we never actually settled the question of who’s faster – why not make this another race? 

Things are going swimmingly until the Arachronids destroy a sun, knocking our heroes off-track on a planet where the sunlight keeps shifting from yellow to red, which negates Superman’s powers. Oh, and did I mention that the time-disruptions have chucked Jimmy Olsen back to ancient Rome, where he’s about to get executed by a firing squad of archers? 

Part two of the story reveals the truth: the Arachronids were created by General Zod and a group of Phantom Zone escapees, and they’ve got Superman and the Flash captured on a planet that straddles the line between dimensions. They wind up on a world where the red sun is draining Superman’s powers and the Flash has his swiftness curtailed when the baddies steal the amulet given to him by the Guardians, leaving them to crawl towards the device that’s causing all the chaos. WHO WILL MAKE IT FIRST?

This is the first time I’ve read this particular two-parter and, I’ve gotta say, I really enjoyed it. It’s a different angle on the Superman/Flash race, one that’s apart from the usual “racing for charity” conceit or the other various contrivances that have pit them against one another. No, this time it’s a totally original contrivance, and I appreciate that. I also appreciate the fact that they TECHNICALLY declare a winner of the race this time (it’s the Flash, spoiler alert), but they do so on a world where both heroes are virtually powerless and are literally crawling towards their destination, so the question as to who’s really faster when they’re at normal power is still left up in the air. I’m sure that was the mandate at the time. I’m glad that they eventually got over that mandate, though, as some of the later stories we’re going to get around to reading will demonstrate. 

Other Comics: Jenny Sparks #6 (Superman appearance), Black Lightning Vol. 4 #3 (Steel II appearance), The Question: All Along the Watchtower #3 (Superman Cameo), Superman’s Girl Friend, Lois Lane #10

Fri., Feb. 14

Comics: DC Comics Presents #1-2

“Barry? Clark. Hey, wanna be the first guest in my new team-up book? Noooo…not a race this time…I wouldn’t do that to you…”

Notes: Eventually, World’s Finest went back to being a Superman/Batman book, and while Batman had his own team-up series (The Brave and the Bold), Superman was given his own with DC Comics Presents. In the first two issues of this series, published in 1978, we got the next installment of the friendly rivalry between Superman and the Flash – and, in fact, I’m pretty sure this was the last such story before Barry’s death in Crisis on Infinite Earths. (If I’m wrong, by all means, correct me in the comments.) 

This time around, our heroes are captured by a pair of warring alien races, one of whom has sent an agent forward in time to go through the “cosmic curtain” that separates the end of the timeline to the beginning. (Time, you see, is evidently a giant loop, but their time machines only go FORWARD, so they have to take the long way around, as if they were flying across Europe and Asia to get to California from Florida. Flat-timers hate this issue.) Since the Flash “won” the previous race, they send him to help their agent in the future, with the consequence for failure being the destruction of Earth. The other aliens, though, force Superman’s hand by telling him that if their enemy succeeds in changing time, Krypton will explode SOONER than it was supposed to, and Superman will never exist. 

The major difference between this two-parter and the previous three races between Superman and the Flash is that the race is across time, rather than space, and it’s a significant enough change to really make this one stand out. Superman’s actions seem a bit out of character, of course – he’s risking the destruction of Earth to save his own life, a task even the VILLAINS are surprised to see him willingly take. Naturally, it turns out to all be part of the plan.

This one, unlike the other three races we’ve seen, doesn’t even really try to address the issue of who “wins.” Once Superman’s plan is unveiled, the heroes work together (as it should be) to thwart BOTH sects of warring aliens and fix all the timey-wimey chaos before anyone is killed, especially Jimmy Olsen. The conclusion, then, is satisfying, but leaves the central question essentially unanswered. In fact, the first time we get anything resembling a true answer, it would have to come from Barry’s protege, Wally West, another 12 years later.

Other Comics: Superman’s Pal, Jimmy Olsen #135, Justice League of America #16, Action Comics #372

Podcast: DC Studios Showcase Episode 1 (Discussion of documentary film Super/Man: The Christopher Reeve Story)

Valentine’s Day Stuff: Today is, in case you forgot, Valentine’s Day. (And if you DID forget, this isn’t going to be posted until February 19th, so you are SERIOUSLY out of luck.) But I couldn’t let the day pass without noting my darling wife, Erin, and how she indulged my quest for the Year of Superman today.

Pictured: Love. And personal hygiene products.

She got me the McFarlane Toys Super Powers Fleischer-style Superman, a figure I’ve been hunting for ever since I found out it existed, but have been resisting paying eBay prices. If I won the lottery, I would build an entire toy display room in my palatial mansion, and one full wall would be dedicated to a collection of Super Powers figures, Marvel Secret Wars figures, and figures from comparable toy lines like the Archie Mighty Crusaders and Defenders of the Earth series of my youth. She also got me a set of the new Superman-branded Old Spice body wash and deodorant, which I first saw in an ad a week or two ago where it was being promoted along with Batman-branded products, prompting me to ask her, “Who do you think smells better? Superman or Batman? I bet Batman sweats a lot.”

And yet, she’s been married to me for over 10 years now. Get you one who understands you like mine understands me, friends. 

Sat., Feb. 15

Comic Books: Adventures of Superman #463, Flash Vol. 2 #53

“On your marks! Get se–wait a second, haven’t we done this before?”

Notes: The next time the Man of Steel and the Scarlet Speedster would face off against one another wouldn’t come until 1990, at which point both of them had experienced some drastic changes. Superman had gone through the post-Crisis John Byrne reboot, whereas Barry Allen had died in Crisis on Infinite Earths and been replaced by his protege, former Kid Flash Wally West. Like a lot of Superman history, it’s unclear if any of the previous races with Barry were canon to Superman at this time, but the story makes it quite clear that it’s the first time he’s faced off against Wally, at least, and it’s a distinction that Superman takes pretty seriously.

This story involves our old pal from the Fifth Dimension, Mr. Mxyzptlk, who shows up on Earth this time restructuring Mount Rushmore to include his own face. The Flash happens to get there first and, when Mxy finds out that he’s supposedly the “fastest man alive,” he decides to put that claim to a test. If Superman can beat the Flash in a race around the world, he says, he’ll pop out of our dimension for the usual 90 days. Superman notes, rather dismissively, that Wally hasn’t been the Flash that long and strongly implies that beating KID Flash won’t be too difficult, and Wally does his best impression of Michael Jordan in that meme. The race is on. 

From here out, the story is actually pretty straightforward. Unlike most of the races we don’t have to deal with any shady stipulations, misdirects for the reader, or bad guys trying to fix the outcome of the race, except for your typical Mxy shenanigans. There is a nice little scene I’d forgotten about, where Mxyzptlk tries to offer Lex Luthor a hunk of red Kryptonite but Lex turns him down, which actually makes this story a stealth prequel to the Krisis of the Krimson Kryptonite story we read last month. But as far as the actual RACE goes, it’s pretty cut and dried, with both heroes putting the pedal to the metal until, in the final stretch, Wally reaches out and beats Superman by a nose. 

Totally saving the day! As it turns out, Mxy had learned about deception from Lex in a previous visit and so he was trying it out. Although he SAID he was only going to leave Earth if Superman won, he had always REALLY planned to leave if the FLASH won. It never occurs to him to simply lie again, which is actually kind of a silly, charming hat to put on this dude in his silly, charming hat.

This was the first Superman/Flash race I ever read, and as such it’s always held a place of esteem in my personal pantheon of Superman stories, but I think it’s important to note which versions of the characters we’re looking at. Superman was only a few years post-Byrne, an era in which his power had been scaled down dramatically to make him less “godlike.” Over the years his powers would slowly creep up in strength again until today he’s more powerful than ever before, but as Supermen go, the one in this story was relatively slow. However, this was also early in Wally’s tenure as the Flash, a period during which he was much slower than Barry ever was. When Mark Waid took over Wally’s series a few years later he established that Wally had a subconscious fear of overshadowing his predecessor and had a self-imposed mental block limiting his speed. Once he got over that, he became the fastest Flash there ever was. The point is that if you took the current versions of either Superman OR the Flash and popped them into the race during this era, either of them could smoke the two characters we watched race today.

This time it’s a METAPHORICAL race! The greatest kind of race there is!

I also read issue #53 of Wally’s first solo title, a story which was NOT actually a race, despite what the cover promised. In this one, Jimmy Olsen has gotten himself captured by some South American warlord (because that’s what Jimmy Olsen DOES) and Superman decides to recruit the only person alive faster than him (as established in the previous race) to help find Jimmy before he’s unalived. This is a typical superhero team-up story: good, not special, but enjoyable. I think the most interesting thing about it, the thing that gives it a spot of interest in superhero history, is that this happens to be the issue in which Wally’s pal the Pied Piper (former villain, now reformed) comes out to him as gay. I don’t know if this is the FIRST openly gay character in mainstream comics, but he’s certainly ONE of the first, and while it’s no big deal in today’s comic book landscape, for 1991 it was a pretty surprising revelation. There ya go, ya learned something today. 

Sun., Feb. 16

Comic Book: DC First: Superman/Flash #1

Big Good Vs. Big Good.

Notes: I’ve got a sick kid to take care of this afternoon and, as a parent, that has to take precedence over pretty much everything. But in-between far too frequent trips to the bathroom and a larger-than-average number of baths, I made it a point to squeeze in the next story in the Superman/Flash pantheon. This time we leap ahead to 2002 for DC First: Superman/Flash. This was a series of one-shots DC did that showed the first meetings between various characters – but as Superman’s first races between Barry Allen and Wally West were already pretty well documented, for this special they did something a little different and very cool: they showed Superman’s first race with Jay Garrick, the original Golden Age Flash. 

This issue reads more as a special issue of the then-current Flash run. It’s written by Geoff Johns, who was writing that book at the time, and it deals with subplots involving Pied Piper and Jay’s wife, Joan, with Superman’s involvement coming in coincidentally. Wally and Jay head to Metropolis to a bookshop where they’ve sourced a rare book as a gift for Joan, only to run afoul of the old Flash rogue Abra Kadabra. The faux wizard of the 64th century casts a spell that begins causing Wally to age rapidly, then tells Superman and Jay they can save him if they can catch him in a race – with the caveat that whoever touches Wally first will take the curse upon themselves. What you’ve got, then, is perhaps the greatest conceit for a Superman/Flash race of them all. They aren’t racing for charity, they aren’t racing for ego, they aren’t even racing with the fate of the world at stake. They are literally racing one another for the RIGHT TO SACRIFICE THEMSELVES TO SAVE WALLY. There is no better motivation for these two heroes.

I know I read this book when it first came out. It’s in my collection, and I was an avid reader of both the Superman comics (duh) and Flash, so I am 100 percent certain I read it. But it came out 23 years ago, and I didn’t really remember the story at all until I sat down to read it this afternoon, and it honestly blew me away. Even though it’s more of a Flash story than a Superman story, it really exemplifies the values of Superman in a way that a lot of these other races failed to do. It may be my favorite read for this week to date.  

Mon., Feb. 17

Comics: Flash: Rebirth #3, Superman #709

This issue, as far as I’m concerned, is the final word on the whole thing.

Notes: I actually struggled with whether to include this issue of Flash: Rebirth from 2009 in my Year of Superman reading. It’s the middle of a storyline, and Superman’s appearance is barely a cameo, but that one sequence in which he appears is significant enough that I felt it warranted inclusion. Barry Allen, having returned from the dead in the terribly inaccurately named Final Crisis event, is being transformed into a new Black Flash, essentially the spirit of death for speedsters such as himself. To protect Wally, his grandson Bart, and everyone else he loves, he decides he’s going to rush back into the Speed Force before the transformation can happen, and Superman takes off after him. At this point, the League had gone through its share of recent tragedies, and both Aquaman and the Martian Manhunter were dead (they got better), so Clark isn’t about to let Barry die again. 

This leads to one of my favorite pages that Geoff Johns ever wrote, as the two of them are racing each other up the Daily Planet building and Superman says, “I’ve raced you before, Barry. I even won some of those races.”*

Barry simply says, “Those were for charity, Clark.”

And then he leaves him in the dust.

Like I keep saying, the Flash SHOULD be faster than Superman. This issue is the best evidence of that ever.

(*By the way, despite what he says, I don’t actually recall Superman ever winning one of those races. There were a few ties, but every time a victor was declared it was the guy in red. I’m going to assume, from the way Clark talks, that there may have been other charity races off-panel that we didn’t get to watch. And now that I’ve said it, it’s going to manifest in the universe as a seven-part time-travel crossover event, coming this fall.) 

“You’re GROUNDED young man! That means no disrupting the time stream! Just do your homework and straight to bed!”

The final Superman/Flash face-off I could find in comics came in Superman #709 from 2011, part of J. Michael Straczynski’s “Grounded” storyline. In this arc, Superman decides he needs to reconnect with the ordinary people he is sworn to protect, so he commits himself to walk across the United States. It’s an interesting concept, to be certain, and Straczynski is an excellent writer, but the general consensus on this storyline is that it sort of fell flat. I think the problem is that it went on for far too long (who wants an entire year of Superman just…walking?) and even Straczynski himself seemed to lose interest in it, as evidenced by the fact that he bowed out before the story was over and it was completed by Chris Roberson. 

The “race” part of this issue is over fairly quickly. While walking through Boulder, Colorado, the entire town is suddenly transformed into a Kryptonian city. Superman soon figures out that the transformation is the work of the Flash, who has been overtaken by a Kryptonian artifact and he needs Superman to set him free. After he does so, they have a cup of coffee and talk about legacy. This is what I mean, by the way, when I say that the “Grounded” story went on too long. The story of this issue is perfectly fine, in and of itself, but when you read it in the context of the entire year-long storyline, it was too much of the same thing over and over: Superman walking somewhere, doubting himself, having a significant encounter with various characters (both new and previously established) and coming to a peaceful resolution. That’s great ONCE, but do you really want to read it twelve issues in a row?

The most interesting thing to me about this issue is that it happens concurrently with that month’s issue of Superboy, in which the Kid of Steel races KID Flash for the first time, and which Clark and Barry catch a glimpse of on a diner television. I’ll take a look at that issue tomorrow when I look at the few races I could find between members of the Superman and Flash families other than the patriarchs. 

TV Episode: Superman: The Animated Series, Season Two, Episode 4, “Speed Demons”

“Loved you on Wings, by the way.”

Notes: That’s all the comic book Superman/Flash races I could find, but there’s still this episode of Superman: The Animated Series, the first appearance of the Flash in the DC Animated Universe. In this episode he’s voiced by Charlie Schlatter, although Michael Rosenbaum would take over the character for the Justice League cartoons. (Tim Daly would be replaced as Superman by George Newburn too. I guess not everyone can be Kevin Conroy and Mark Hamill.) In this episode, Superman and the Flash are pitted against each other in, as per their first-ever encounter, a charity race. This time the rules are a bit more sensible for the two of them: the winner will be the first to complete 100 laps around the globe. Of course, just like many of their races in the comics, there’s a catch – the arm bands they’re wearing to track their progress are, in truth, using them to build up ionic energy to power a plot by the Weather Wizard. (Weather Wizard, by the way, was voiced by the late Miguel Ferrer in a delightfully dastardly way.)

This episode never makes it clear which Flash we’re watching, Barry or Wally. In terms of attitude and personality, it’s definitely influenced by the early days of Wally’s solo title. He’s slick, he’s cocky, and he relentlessly flirts with Lois Lane, none of which are things you could ever imagine Barry doing. It takes plenty of cues from the classic comics, though, such as the race itself being derailed halfway through when Superman and the Flash catch wind (rimshot) of the Weather Wizard’s plan and call it off to get around to some good ol’ fashioned thwartin’. It’s easy to forget that the Batman cartoon almost never had guest-stars from outside the Batman family, so this was one of the first times we really started to see an animated universe begin to form in the Paul Dini/Bruce Timm era. It was a real delight to revisit this episode again. 

There is ONE other Superman/Flash race that I haven’t covered here, but for what I consider a good reason. It’s part of Tom King’s Superman: Up in the Sky series, which is a magnificent comic in its own right, and I intend to cover it in its entirety at some point this year. Plus, looking at the issue with the race on its own wouldn’t really make a ton of sense, absent of the context. I’m bringing it up here mainly so that nobody thinks I forgot about it.

Tues., Feb. 18

Comics: Superboy Vol. 4 #5, Supergirl: The Fastest Women Alive #1

“I don’t know why Barry and Clark always make such a big deal about this.”

Notes: I had one day left in “Superman Vs. The Flash Week,” but I had run out of actual Superman/Flash races, so I decided to close it out with a pair of comics featuring other members of the respective Super- and Flash-Families strapping on their jogging shoes to see who’s swiftest. First was Superboy Vol. 4 #5 from 2011, the first ever Superboy/Kid Flash race (this Kid Flash being Bart Allen, Barry’s grandson, who previously had gone by “Impulse” and since has retaken that name). In this era, Superboy was living in Smallville, and his presence had rocked the town with a few supervillain attacks that resulted in some pretty major damage. This time around, the race is scheduled to raise money to rebuild the town. As the two old friends zip across the globe, though, Bart can tell that Conner Kent’s mind is elsewhere.

This issue is part of Jeff Lemire’s run on the title, a tenure that was cut tragically short by the New 52 reboot later that year. Lemire was doing a great job at grounding Superboy in a way that this version of the character so rarely is, giving him a home and a family in Smallville to contend with, and making his adventures a mix of the cosmic and the mundane, something Lemire is exceptionally good at. (And if you don’t believe me, check out his series Black Hammer.) Despite the race being a backdrop, the mundane part is the focus of the issue, with nary a supervillain plot or alien invader to disrupt things. Instead, in the midst of a race across the globe, Conner just confides in his friend about his pain over his recent breakup with Wonder Girl.

The ending of the race is a cop-out, which we’ve all come to expect, but this may be the biggest one yet. (Spoiler: somehow, Krypto crosses the finish line first and everyone accepts it, even though it feels as legit as Harry Potter’s name being tossed in the Goblet of Fire.) Still, if you’re thinking of reading this book, the Lemire run is extremely worthy of your time – it’s just that this issue, by itself, may not be quite so satisfying without the context of the rest of the run.

Finally, we’ve got the bizarre little one-shot Supergirl: The Fastest Women Alive, a special comic from 2019 presented by Snickers. Very, very much by Snickers. There is Snickers branding on nearly every page, and even the captions that tell you where the racers are at the moment are branded in the Snickers logo font. The message, just in case you missed it, is: Snickers.

Did we mention it’s presented by Snickers?

For the first half of the issue, though, this is actually a decent enough race between Supergirl and Jesse Quick. It uses most of the tropes of the previous races, such as it being a charity race, Supergirl not being allowed to fly, and so forth. The turn comes halfway through, though, when the racers discover that the Parasite has attacked the arena where the race began and will end, and he’s already got Superman and the Flash on the ropes. The lightning ladies rush back to save the day, but how can they possibly get the energy they need to overload and defeat the energy-sucking Parasite?

HOW CAN THEY FIND THE NECESSARY ENERGY?

SNICKERS? GOT A SUGGESTION?

This story is a full-issue equivalent of the delightfully goofy old Hostess comic book ads, only way less subtle. 

I kinda love it.

And thus, friends, concludes Superman Vs. The Flash week. My feelings haven’t really changed, I must say. In any contest of speed between a Super of any stripe and a Flash by any name, the Flashes should always be the ones to come out on top. Sorry, Superman, but it’s their whole entire deal. You can’t really compete.

But this week has proven it’s fun to watch you try anyway.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!