Year of Superman Week 14: Krypto the Superdog Week!

It’s time for another theme week here in the ol’ Year of Superman blog, and once again, I’ve decided to spend seven days with one of the greatest characters in the Superman mythos. A trusted friend, a stalwart companion, a fearless champion of justice, and the goodest boy in the entire multiverse. That’s right – this week we’re going to focus on Krypto the Superdog! 

Krypto is one of those concepts that, on the face of it, is kind of ridiculous. You mean to tell me that Krypton not only evolved a race of sentient inhabitants that are identical to Earth humans (a common enough trope in science fiction but highly improbable in real life), but also evolved a species of animals who, upon being domesticated, are indistinguishable from Earth DOGS? Not only that, but they also gain the same powers as the human Kryptonians when they get under a yellow sun? Utterly preposterous.

But I do not care in the slightest how unlikely it is. I love Krypto with every fiber of my being. No matter how silly the notion is, the inherent wholesomeness in his character, the way a Krypto story inevitably becomes one of those stories of a boy and his dog, elevates him to a point of true celebration. Krypto is one of the brightest spots in Superman’s galaxy. I think it’s telling that, no matter how many times various writers have tried a “Superman gone bad” story, I don’t think we’ve EVER seen a serious attempt at a grim, gritty Krypto. It’s not because it would be silly – it’s because he is simply too pure for such a thing. There’s a reason that the first trailer to James Gunn’s Superman featured Krypto so prominently, a clear message that he was sending to the fans: this is about someone GOOD. 

Krypto stands for that.

Let’s check out some of his greatest hits, shall we?

Wed., April 1

Comics: Adventure Comics #210, Adventure Comics #293, Secret Six (2025) #1, Justice League of America #18

And all Superboy threw was a tennis ball.

Notes: We begin our journey through the life of Krypto the Superdog, appropriately enough, with his first appearance in Adventure Comics #210. We’re in Smallville, Kansas, in the era where Clark Kent is Superboy, and he is called upon to help deal with the most dangerous of crises – a dog catcher whose lot got loose. Superboy quickly rounds all the mutts up, with one exception – a white dog that apparently ripped a hole in the side of the truck. Later, a group of crooks (incredibly well-dressed crooks, in suits and ties) try to rob Kent’s General Store, only to be thwarted by the same dog. Clark later finds the pup chewing on one of the guns left behind by the robbers, and he takes off flying, with Superboy giving chase. The dog leads Superboy to a rocketship, where he discovers that Krypto (for that, of course, is his name) was sent into space in an experimental rocket by Superboy’s own father, Jor-El, and that the two of them are being reunited. The happy reunion is short, though, as Clark soon learns that even a super-dog is still a dog, and his antics (such as chasing an airplane or trying to play fetch with a steel girder) are apt to cause some problems. In the end, Krypto decides to roam his “backyard” – the galaxy. But Superboy hopes wistfully that he’ll come back to visit. Spoiler alert: he does. 

Krypto becomes a semi-regular after this point, showing up whenever convenient for the story and eventually showing much more personality. In most of the Silver Age stories, in fact, he had thought balloons demonstrating full human-level intelligence, like Snoopy, only with a cape. That’s one aspect of Krypto I’m kind of glad hasn’t come back. I find that I have a greater appreciation for the character when he’s “just” a superpowered dog. Although to be fair, some of the stories I plan to visit before this week is over will very much go against that grain. 

Krypto also became something of a trendsetter. After all, when something works once, why not try it again? So in his wake came a bevy of other superpowered animals, including Streaky the Supercat, Beppo the Supermonkey, and Comet the Superhorse. And they all converged in Adventure Comics #293, the first appearance of the Legion of Super-Pets!

The Legion’s hazing policy was still nebulous at this point.

Sometimes I wonder about the life choices that have led me writing things like the preceding paragraph. And then I realize that this is the result of choices that have gone RIGHT.

The story begins, again, in Smallville, when Superboy is summoned to rescue an airplane in trouble. But a strange urge overtakes him and, instead of rescuing the plane, he destroys one of its propellers. Fortunately, Krypto (by now sporting a cape and thought balloons) happens to be swooping in for a visit just as this happens, and he saves the plane himself. Superboy starts going through wild mood swings, briefly attempting to kill Krypto before regaining his senses. It gets worse when he’s suddenly attacked by his friends in the Legion of Super-Heroes, who attempt to kill him with Kryptonite. Turns out the whole thing is the scheme of the Brain-Globes of Rambat (there’s another sentence that could only come from the Silver Age), who are using their incredible mental powers to destroy the heroes so they can move Earth to a purple sun, allowing them to survive. But as it turns out, the Brain Balls can’t affect the minds of ANIMALS, and Krypto goes on the offensive…only to learn that if he goes after just ONE of the four Brains, the other three will destroy the Earth. The Legion uses their time machine to collect Streaky, Beppo, and Comet from Superboy’s future, and there’s some fun here in that this is actually Comet’s FIRST appearance, with the promise that “this is a preview glimpse of a super-pet Supergirl will own some day in the future!” It’s more complicated than that, but this ain’t “Comet Week.”

With Superboy out of commission, the Legionnaires team up with the super-pets to drive off the aliens, and make the animals an official branch of the Legion, then bring the other animals back home before Superboy can wake up and learn about the super-animals of the future. I suppose it’s okay for Krypto to know the future because he can’t talk, but the story isn’t really clear on that. 

If Krypto was a silly concept, the Super-Pets take it to the extreme, but it’s so much fun. A cat, a dog, a horse, a monkey, all with super powers, all fighting the forces of evil. Nobody would EVER introduce such a thing in a serious comic book in 2025, and more’s the pity. It’s like somewhere along the line people forgot that comic books can be FUN. I really hope that the Krypto Renaissance we are currently experiencing helps people remember what it’s really about. 

Thur., April 3

Comics: Action Comics #266, Action Comics #277, Adventure Comics #310, Adventure Comics #364, Superman’s Pal Jimmy Olsen #136, Supergirl Vol. 2 #22, Action Comics #557

Notes: When I announced this as Krypto Week, I asked (as usual) for suggestions about the best Krypto stories out there. I was not surprised that my pal Lew Beitz stepped up. Lew is a good guy, a great beta reader, and the most effusive dog-lover I know, and his love extends to pooches both fictional and non. He pointed me towards some classic Krypto stories, and I’m checking a few of those out today. 

In Metropolis, it really CAN rain cats and dogs! Ah? AAAAAH? I’ll see myself out.

Action Comics #266 kicks off with “The Captive of the Amazons,” a story about an alien princess who tries to force Superman into marrying her, and honestly, sometimes I wonder just where they got off putting stories like this into a magazine called “ACTION” Comics. No, I’m here for story number two, “The World’s Mightiest Cat.” This features the return of Supergirl’s cat, Streaky, an Earth cat with a lightning bolt-shaped patch of fur. Supergirl invented an isotope called X-Kryptonite in the hopes that it would act as a cure for Kryptonite poisoning. It didn’t, but when exposed to it, Streaky temporarily gains super powers. One of the other orphans in Midvale with Supergirl sees him performing super-feats, but is humiliated time and again when he brings other people in to witness them, only to find that Streaky’s powers have worn off in the interim. After several pages of the cat treating this poor kid like Michigan J. Frog, Supergirl figures out what’s going on and has Krypto come in to “help” Streaky with his super-feats, telling the boy that what he saw was Krypto playing pranks on the cat. It sounds kind of cruel to gaslight the kid, but everybody was starting to think he was a liar, so I guess it’s a bit more kind. Regardless, this is more of a Streaky story than a Krypto one, but it’s fun to watch the two of them involved in hijinks together.

It was this or get a couple of super-chickens to fight and…there were issues.

There were more Krypto and Streaky shenanigans 11 issues later in Action #277: “The Battle of the Super-Pets.” But first was “The Conquest of Superman,” in which Lex Luthor goes after the gold in Fort Knox, holding off Superman with a weapon that can synthesize different types of Kryptonite. As far as action stories go, it’s way better than Superman trying to avoid marrying a gorgeous alien Amazon princess. But that’s not why we’re here, is it? In the second story, Streaky gets jealous of Krypto when Supergirl praises him for helping her out of a jam that’s so preposterous it only could have happened in a Silver Age comic. But after Streaky gets his powers back from the X-Kryptonite in his ball of twine, he goes after Krypto with a vengeance. Superman decides to settle the dispute between the super-pets with a “contest of skills.” Supergirl takes the two of them to a planetoid where they can battle it out without causing any damage, but the planet…is not what it seems. This story is pure absurdity, and that’s really what I like about it. The stuff that happens on the planet is wild and goofy, and makes no sense until the reveal at the end, which in and of itself is even wilder and goofier. I find that DC stories of the Silver Age often fall into two categories – a kind of ridiculous that makes the characters look mean or stupid (sadly, most Lois Lane stories from the era kind of fall into this category) and those that are just absurdly delightful. This one most certainly falls into that latter category.

And “furry” culture immediately claimed him as their own.

Adventure Comics #310 takes us back to the Superboy days, following a dandy Legion of Super-Heroes story. By the way, have you noticed how often in these days it was the second – or even third – story that got the cover treatment? That wouldn’t happen today. The second story brings us “When Krypto Was Superboy’s Master.” Lana Lang’s father, a university professor, has a promotion jeopardized when he is accused of falsifying the translation of some ancient runes. When Superboy is called in to help verify the translation, the runes somehow swap his personality with Krypto’s, causing the dog to become the master and Superboy the pet. This is another of those silly stories that I enjoy, although it’s one where the ending turns out to be unnecessarily convoluted. I’ve mentioned in this blog before just how many of DC’s Silver Age stories were built on the backs of ridiculous misunderstandings or outright trickery that serves no logical purpose, and this turns out to be one of those.

Superboy gets the kick to the gut while Cosmic Boy just has to duplicate a Coppertone ad. Seems kinda lopsided.

The last classic story I’m going to dip into today comes from Adventure Comics #364, “The Revolt of the Super-Pets!” Yes, we’ve got Streaky, Beppo, and Comet back for this one. The pets are frolicking in space and then, for reasons, decide to recap their respective origins, including that of Chameleon Boy’s shapeshifting pet Proty II, who has joined them. As they talk about how great they respectively are, Beppo and Comet in particular start to resent being treated as pets (Comet, to be fair, was a Centaur in ancient Greece who is now trapped in the form of a horse – it’s a whole thing) and decide to abandon their masters. This is followed by some various betrayals and misunderstandings before they come back together to fight the issue’s bad guys. I like this story, but it actually does raise a good point – if the Super-Pets are, in fact, as intelligent as their humanoid masters, it seems pretty disrespectful to continue to treat them as pets. Modern stories usually avoid this – Krypto and Streaky don’t display human-level intelligence anymore, and Comet and Beppo are rarely, if ever seen these days. It’s another reason I like that iteration a little bit more. The “hero and pet” dynamic is more appealing to me than a “hero and another hero that they treat as a lesser being because they happen to be in the shape of an animal” dynamic. 

Fri., April 4

Comics: Superman: The Man of Steel #112, Superman Vol. 2 #170, Action Comics #373

By this logic, shouldn’t Supergirl’s best friend by a super-diamond?

Notes: After the Man of Steel reboot in 1986, the decision was made that Superman would be the ONLY surviving Kryptonian – no more Supergirl, Phantom Zone criminals…and no more Krypto. Obviously, this edict was eventually relaxed, but even as Supergirl and Zod and the like came back, it took some time before Krypto made his triumphant return. By the early 2000s, though, he was making appearances again, such as this one in Man of Steel #112. In this story, Krypto has recently arrived on Earth, where the yellow sun is slowly ramping up his powers and causing a good bit of destruction in Lois and Clark’s apartment. Superman decides to take him out for a spin to burn off some steam, leading to a nice sequence in which he contemplates his new pal. This version of Krypto came to Earth via the Phantom Zone, after a story which cast a little bit of doubt as to the true nature of Krypton. It was from a period in which Superman’s history was kind of in flux, as though DC was attempting to determine which of the many, many iterations of Superman’s origin was the “real” one, and bringing Krypto back was emblematic of that. None of that is what I like about this issue, though. I like that short sequence, just a few pages, where Superman flies around Metropolis with his pal, thinking about how awesome it is to have a super-powered dog to romp with. Seriously, more stories should be like that.

He’s a good boy until you give him a reason not to be.

Krypto became kind of a B-plot in the Superman titles for a few months, a story that bubbled over in Superman #170. Mongul – you guys remember him, right? – comes back to Earth. (It’s actually not the Mongul we read about before, he’s dead. This time it’s his identical son, Mongul. But that’s not important.) He’s here to take out Superman, and he’s got help! His sister, Mongal! No, really! That is her given, Christian name! As Superman battles the Mongul siblings, the story has a runner of a “children’s book” about Krypto, a “good dog,” written by Clark Kent with art by Kyle Rayner (Green Lantern). The fight is going the way Superman fights usually do, until Mongul makes the mistake of threatening Lois Lane. Krypto leaps to her defense, and…well…he acts like a dog. He goes straight for Mongul’s throat, ripping it open and leaving the alien conqueror on the brink of death. Superman realizes just how dangerous it can be to have a dog with that kind of power, and makes the hard choice to bring him to the Fortress of Solitude and leave him in the care of his robots.

This is such a bittersweet story, and I give a ton of credit to writer Jeph Loeb for making it work. This is the Krypto I prefer – the one who acts like a super-powered dog as opposed to a super-human in dog shape. But that said, it DOES bring up the issue of how potentially dangerous it would be. Sure, not many people would mourn if he had actually succeeded in murdering a member of the Yellow Outer Space Genocide Family, but Superman has that whole no-kill thing, and he’s pretty strict about it. What’s more, just like if a dog in real life attacks someone, it immediately raises the question of who else could potentially be in danger. And at no point does the story imply that Krypto is anything less than a good boy – but he’s still a good boy who “did a bad thing.” It’s heartbreaking, and I mean that as a compliment. Krypto’s exile would eventually end, of course, and these days when he shows up it seems taken as a given that he’s been better trained and won’t pose that kind of danger anymore, but I’m actually really glad that they told this story the way they did back in 2002.  

Sat., April 5

TV Episode: Krypto the Superdog, Season 1, Episodes 1-2, “Krypto’s Scrypto Parts 1 & 2”

This show is almost old enough to drink and I’m not okay with that.

Notes: I didn’t realize until I sat down to watch this cartoon that the Krypto the Superdog show on Cartoon Network debuted in 2005, a full twenty years ago. That is both absurd and wrong. But the show, aimed at a younger audience than the likes of Justice League Unlimited, was delightful then and it’s delightful now. In this pilot episode, Krypto recounts his origin – how he accidentally got sent to Earth in a rocket built by Jor-El, sadly leaving behind the child he loved. He lands on Earth and makes his way to the city of Metropolis, where he encounters a boy named Kevin. Kevin is new in town, struggling to make friends, and Krypto quickly befriends him. Kevin is startled to learn that the dog has powers just like Superman, that he’s even wearing a dog tag in the shape of Superman’s shield (that of the House of El, of course), and he’s carrying a device from his rocket that allows Kevin and Krypto to speak the same language. Kevin figures out that Krypto is from the same planet as Superman, telling him about their hero, and brings him home to live with his family. Things are going great until the news reports a cargo ship full of zoo animals is sinking, and Superman is off-planet on a mission. With no one else to rescue them (apparently there’s no Justice League in this universe), Krypto rushes off to save the day. Krypto’s rescue makes the news, and Superman soon tracks him down. The last sons of Krypton have a happy reunion, but Superman decides to allow Krypto to stay with Kevin. And thus, like any good pilot episode, the status quo is established. 

While I would have preferred a cartoon about Krypto and Clark, I get why the producers did this. They wanted Krypto to be the star, and if he was actually living with Superman, it would have turned into a Superman show WAY too frequently. Krypto was a show for kids, and it hits those beats as expected. Krypto can talk, sure, but so can the Earth animals he encounters (at least to other animals), such as the squirrel who has a panic attack upon seeing his spaceship land. It’s a pretty standard pilot episode as well – seriously, how many cartoons have begun with a dog/cat/platypus/alien being taken in by a normal human family? 

While the show isn’t a straight-up comedy, there are also a few good gags, too, such as when Krypto arrives on Earth and begins both exploring the world and discovering his powers simultaneously: “It’s so beautiful! So green! And the sun is so yellow! (GASP!) I can see in color!” 

That’s an A-plus dog joke, friends.

This isn’t in the upper echelon of DC cartoons, but in terms of an entry-level show for younger viewers, it’s pretty good. Now if I can only convince my son to turn off YouTube long enough to watch a few more episodes with me. 

Comic: Absolute Superman #6, Green Lantern Vol. 8 #19

Notes: Doesn’t matter what universe you’re in, Jonathan and Martha Kent are the best people in it. 

Sun., April 6

Comics: Teen Titans Vol. 3 #7, Superman #712, Super Sons Annual #1

Notes: Today I decided to get back to the classic stories of a boy and his dog – specifically a Superboy. Not Clark, though, but the other people who have used that name, Conner Kent and Jon Kent. Both of them have had a history with the Dog of Steel, although in the case of Conner, it wasn’t exactly smooth at first.

Logo humor.

Conner, it should be noted, had previously owned a different Krypto, an Earth dog that was taken in by our old buddy Bibbo when Superman was “dead.” The dog wound up in Superboy’s possession for most of his original series, although he and the pooch often didn’t get along. But by 2003, the original Krypto from Krypton was back. In this era, the Teen Titans gathered on the weekends, spending their weeks at home, and Teen Titans #7 shows each of them wrestling with various struggles during a week apart from one another. We’re going to focus on the Superboy storyline. At this point, he was living with the Kents in Kansas and struggling with his recent discovery that half of his DNA comes from Lex Luthor. Superman takes him out for a talk and a surprise: the kid needs a friend, and Krypto (as we saw when he nearly killed Mongul) needs the grounding of a real home. 

Superboy didn’t have his own series at the time, so the Teen Titans comic was his primary home and actually gave the character a lot of development, moving him away from the devil-may-care leather wearing Metropolis Kid we first encountered and into a young man with an identity crisis that, in some ways, he’s still wrestling with today. But having Krypto along in the mix was a good look for him. It ended too abruptly, when Superboy died in the Infinite Crisis crossover (he got better). However, some time after his death – even after his resurrection – Kurt Busiek and Rick Leonardi brought us the excellent “lost story’ of Superman #712. Superboy was dead and Superman, at the time, was missing. With his super sense of smell, Krypto sets out to find them.

Honestly, you might not be ready for this one.

Busiek is one of the greatest writers in comics, and if you don’t believe that, wait until we get to the week where I focus on “other” Supermen – the first issue of his Astro City series is a straight-up masterpiece. This issue hits some of the same notes in terms of melancholy. Krypto tracks down Conner’s scent and, in so doing, retraces the last few days before his death – getting wounded in battle, being saved by the Titans, sharing a tender moment with Wonder Girl, suffering a brutal thrashing at the hands of the maniacal Superboy-Prime. Krypto senses all of it, and the reader retraces those steps with him. When originally presented, these stories played out over several months (real time) and several different series, so seeing them all stacked together in this way paints a different picture of Conner’s final days than you would have had reading those books in context. “Lost Boy” has the same sort of bitter sadness as Futurama’s “Jurassic Bark,” the same sort of agonizing pain of watching a faithful dog waiting for a master who is not returning home. Fortunately, the Kent boys eventually had a happy ending.

The premature ending of this series was a crime.

Our last stop today comes from 2017 and Super Sons Annual #1. This is the era when Jonathan Kent was Superboy, he was ten years old, he was being written by Peter J. Tomasi, and basically, everything was right with the world. Little did we know how short that golden age would last. My love for Jon as a kid is matched only by my utter disinterest in him as a teenager…or young adult, or…I don’t even know how the hell old he’s supposed to be right now, and that’s only PART of the problem of his complete lack of identity ever since…

Sorry, sorry, this is supposed to be about Krypto.

Even though this title starred Jonathan and Damian Wayne, this issue is all super-pets. After Jon goes to bed, Krypto finds himself pondering a recent spate of missing animal reports across Metropolis. He sets out to round up his old teammates in the Super Pets – including Streaky, Titus and Ace the Bat-Hounds, Bat-Cow, Flexi (Plastic Man’s parrot), and a little nugget of Clayface. Together with an assist by Detective Chimp, the animal heroes are determined to find justice for their four-legged brethren. The issue is largely free of dialogue, save for the assorted grunts, growls, and tweets of the pets, but at no point is there any difficulty following the plot. Tomasi and artist Paul Pelletier perfectly create a charming story about animal heroes saving the day, but without going so far as to hit the “talking animal” trope of the silver age, or even of the cartoons. This, to me, is peak Super Pets, and if DC ever saw their way clear to bringing back this particular team, I would be the first to trample a path to the comic shop. 

Mon., April 7

Comics: Superman #677-680, Justice League of America #19, Infinity, Inc. #4, Superman #8

Notes: “The Coming of Atlas,” by James Robinson and Renato Guedes, isn’t completely a Krypto storyline, but it does lead to one of the most famous Krypto moments in modern history, so I thought it would be worthwhile to take a look at it. Plus, it’s just a good story and worth reading. It does START with Krypto, though – specifically, with Superman and Green Lantern in space, playing fetch with the Superdog, while discussing the things life does to people with super powers. The problem is, they’re out in space when a kaiju attacks Metropolis. The monster is quickly dispatched, not by Superman, but by an old and somewhat forgotten Jack Kirby character, Atlas. He’s back, he’s in Metropolis, and he’s calling out Superman – and soon, the Man of Steel answers at the end of part one. Parts two and three are a fight, and one the likes of which Superman hasn’t seen since the battle with Doomsday. Atlas has been sent and is being manipulated by an outside force, but that doesn’t make it hurt any less as he pounds into Superman. Others come to his aid, but Supergirl, Steel, and even Bibbo are quickly dispatched. Then, at the end of part three, the REAL hero makes his debut, and the Dog of Steel is ready to defend his master.

“Regal” is the word for this dog. Just plain “regal.”

Superman #680 is, really, the reason I chose to read this story this week. Over the previous two issues, we were given a flashback to Superman and Lois debating the wisdom of keeping Krypto (remember, this is the Krypto who destroyed the Kent apartment, nearly killed Mongul, and so forth). But in issue #680, that debate is well and truly put to rest. As Krypto toes the line and holds off Atlas, Superman deduces that his foe is being enhanced by magic (which, you may recall, he has a little trouble with). After picking up a magical solar boost from Zatanna’s cousin Zachary, Superman finishes the fight, then declares to Metropolis that Krypto, his dog, is a hero, and “now he’s your dog too!”

And Metropolis cheers.

Because c’mon, Krypto is a good boy.

This was a complicated time in the history of DC Comics. That era between Infinite Crisis and the New 52 reboot was, for many titles (including the Superman books) a constant period of reintroduction and reinvention. Old concepts would be brought back, new concepts would be pushed aside, things were in a constant state of flux, and this story reflects that. Just the next month the Superman titles would become embroiled in the “New Krypton” storyline that would guide them for the better part of the next two years. But here, right now, we got a spotlight on Krypto, and it couldn’t have been a better one. 

“CAN YOU SMELLLLL WHAT THE ROCK–“
“We’re dogs, Krypto. We can smell everything.”

Animated Feature: DC League of Super-Pets (2022)

Notes: There was a time when I hoped this movie, an animated feature starring Dwayne Johnson as Krypto and Kevin Hart as Ace, would be the first movie I took my son to a movie theater to watch. Unfortunately, that didn’t work out, but we’ve watched it at home since then, and we enjoy it. In this version, Krypto made it into baby Kal-El’s rocket as Krypton exploded, and the two of them have spent their lives together. Now, as Clark Kent is an adult on the verge of asking Lois Lane to marry him, Krypto is starting to feel some pangs of jealousy. A battle with Lex Luthor brings a chunk of orange Kryptonite to Earth, an isotope that Lex believes will give him super powers, but instead only works on animals. An evil Guinea Pig uses the Kryptonite to give herself and her minions incredible abilities, then goes on to capture the entire Justice League. Krypto and a group of rescue animals similarly dosed by the Kryptonite are all that’s left to save the world.

As far as kids’ entertainment goes, I really enjoy this movie. It’s similar, tonally, to other recent movies like Secret Life of Pets, with kid-friendly characters but plenty of jokes for the adults, such as when P.B. the pig discovers her powers and declares, “This is my origin story! And my uncle didn’t even have to die!” The Lois and Clark relationship is solid as well – they’re a young, loving couple, and the idea of the dog getting green eyes (metaphorically speaking) when he realizes his person now has a new person is actually a pretty realistic issue to throw in and complicate the Superman/Krypto relationship. 

The voice cast is also really impressive. Dwayne Johnson puts just the right amount of naive energy into Krypto to suit his characterization as a good – but slightly simpleminded – dog. John Kracznyski’s Superman is solid as well, and if you’re not going to get Will Arnett (LEGO Batman) back, having Keanu Reeves deadpan the character is about the best way to make that character funnier. But Natasha Lyonne as Merton, the super-speedster turtle, absolutely steals the show. I’d watch a whole movie starring her. 

My biggest beef with this movie is that it mostly uses brand-new characters rather than bringing in more of the actual super pets from DC canon. I get that they wanted them to all share the orange Kryptonite origin, but how great would it have been to see Wonder Woman’s Jumpa on the screen or something like that? Ah well – James Gunn clearly isn’t shying away from super pets on the screen. Maybe the day will come. 

Tues., April 8

Comics: Scooby-Doo Team-Up #9, #18

I need to know where Shaggy found that shirt in green.

Notes: I thought I would end Krypto week with a few encounters between the pup of tomorrow and the world’s foremost Great Dane Detective, Scooby-Doo. There’s nothing like a good team-up, and I’ve been a real fan of how closely DC has tied Scooby to the DC characters in comics over the last few years. He’s most frequently associated with Batman and Robin, of course, owing to that whole “detective” thing, but he’s partnered up with Krypto on more than one occasion.

Scooby-Doo Team-Up #9 (or issues #17 and 18 of the digital version) brings the gang from the Mystery Machine to Metropolis. When Perry White encounters the actual Great Caesar’s Ghost in the office of the Daily Planet, Superman decides to call in some experts at busting ghosts – Mystery, Inc. The ghost turns out to be a gag by Superman’s old foe the Prankster, who doses him with Red Kryptonite, transforming him into a super-monster who goes on a rampage. Krypto rushes to the scene, along with the super-serums that have given Lois and Jimmy powers in the past, but the voracious Scooby and Shaggy drink them down instead, giving Shaggy the power of Elastic Lad and Scooby the power of Superwoman. Scooby and Shaggy have to team up with Krypto to bring Superman’s uncontrollable rampage to an end. There’s not too much “detecting” in this story, to be honest, but there’s fun to be had in seeing Scooby-Doo trying to fly or Shaggy freaking out about his limbs suddenly turning to rubber. Perhaps the best bit is when Krypto refers to Shaggy as Scooby’s “sidekick,” a label the dogs embrace with great glee.

I’m not saying that the writer of this book looked in my dream journal, but I’m not NOT saying it either.

Krypto made a return appearance in Scooby-Doo Team-Up # 18 (#35 and #36 of the digital version). The story begins with the Scooby gang wrapping up a case where they teamed up with Wonder Dog. Before they can part ways, though, they’re approached by Krypto, Ace the Bat-Hound, and the canine Green Lantern G’Nort. Gnort scoops up Scooby and the other Super-Dogs, taking them into space for help with a case on an entire planet of dogs, where their local superhero team is being haunted by the ghosts of the first dog superheroes, the Canine Commandos. 

If I’m being honest, the main draw here is just the team-up aspect. Krypto is great and all, but having a story with him, and G’nort and Yankee Poodle and Rex the Wonder Dog…it’s like a smorgasbord of the sort of goofy characters I love so much. There’s even a neat little homage to the first JLA/JSA crossover in there. Writer Sholly Fisch and artist Dario Brizuela must have had the time of their lives putting this one together…or at least, I know I would have. 

Krypto’s greatest super-feat? Saving this movie from the WB accounting department.

Animated Feature: Scooby-Doo! And Krypto, Too! (2023)

Notes: The Justice League is missing, and if that’s not bad enough, there’s a ghost haunting the Hall of Justice. Without her usual hero to save the day, Lois Lane calls in Mystery, Inc. to break the case. When they arrive in Metropolis, they find the entire city besieged by supervillains taking advantage of the heroes’ absence, but that’s a bit above their pay grade. Nobody is expecting them to thwart Brainiac, Giganta, or General Zod – Lois and Jimmy send them to the Hall of Justice to try to solve the mystery of what happened to the Justice League. When they find themselves targeted by a fiery phantasm in the Hall of Justice, Krypto arrives to defend the detectives and lock the building down. Now it’s up to Krypto and the Scooby gang to find the phantom hiding somewhere in the building.  

There’s an unusual pedigree behind this film. For a hot minute, it looked it like it was going to be a victim of Warner Bros’s stupid rash of finished or nearly-complete products getting shelved as a tax break. Then something miraculous happened – SOMEBODY leaked the movie to the internet (nobody seems to know who, but I’m betting it was Scooby-Dum) and, lo and behold, it got a great response. Warner Bros somewhat reluctantly gave it the streaming and physical media release it deserved, and thank goodness, because it actually turned out to be good. I mean, it’s got the right kind of humor for a solid Scooby-Doo movie, first of all, but there are also of plenty of gags and in-jokes for the DC Comics fans as well, such as Lois and Jimmy being unable to recognize Velma when she takes off her glasses or Fred having an obvious crush on Harley Quinn. But perhaps the stupidest joke that made me laugh was Shaggy mistaking “Great Caesar’s Ghost” for a spectral salad. 

For a comic fan, though, the prize of this movie is the tour of the Justice League’s trophy room, which is loaded with wall-to-wall comic book and cartoon Easter Eggs that will have fans hitting the “pause” button trying to identify them all. Even the audio is full of Easter Eggs – most of the sound effects seem to have been clipped straight from the old Super Friends cartoon.

It’s a Scooby-Doo mystery, so as required we get the usual slate of suspects, including a disgruntled French Fry vendor who wasn’t allowed to park her truck outside the Hall of Justice, the Justice League’s valet who resents them for their fancy and dangerous vehicles, and Lex Luthor himself. (The funny thing is that, since this movie operates on Scooby-Doo rules, you can rule out Lex as a suspect immediately because he’s far too obvious.) Despite working on Scooby logic, though, we get the kind of Krypto I prefer – the one who is intelligent and heroic, but non-communicative and still behaves (mostly) like a dog rather than a human intellect in dog form. 

League of Super Pets was a good movie, but if I’m being honest, I like this one better. It’s funnier, first of all, and it’s got more going on in it for the fans of both the comic books and of the Scooby-Doo and Super Friends cartoons, and between the two of them that makes up roughly 20 percent of my childhood. If you haven’t checked this one out yet, track it down – the DVDs are already (absurdly) out of print, and it’s not streaming on MAX (even more absurdly), but you can still rent or buy the film digitally from all the usual retailers. With Krypto’s star rising thanks to the new movie, I really hope that they push this film a bit more as summer approaches.

That’s it for Krypto Week, guys, although it’s by no means the end for Krypto. We know he’s going to be in the movie this July, and DC has also announced a miniseries, Krypto: Last Dog of Krypton, launching in June. If I wasn’t excited enough, the miniseries is going to be by the team of Ryan North and Mike Norton. The latter is a great artist with a pedigree of doing swell comics about dogs (check out his Battlepug some time), but writer Ryan North has been absolutely CRUSHING Fantastic Four and Star Trek: Lower Decks for some time now. To have him joining the Superman family as well – well, it’s like he’s getting a chance to direct the fates of everything I love. And I couldn’t be happier about that. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Geek Punditry #98: Playing in the Kitchen Sink

I’ve never been much of a video gamer. Oh sure, I’ve played SOME, but the last time I owned a console was when my parents gave my brother, sister, and me a Sega Genesis for Christmas one year, to give you an idea of how long it’s been since I had regular access to any platforms. Still, I live in the year 2024, so even though I don’t PLAY video games, I get constantly bombarded with the advertising for them and have a basic knowledge of what at least the most popular ones are. Because of that basic awareness, there was a moment not that long ago where I felt a bit of an urge to get into a new game: when I heard about Multiversus. This is a video game that draws characters from dozens of properties owned by Warner Bros, including characters from Looney Tunes, Scooby-Doo, Rick and Morty, Steven Universe, Adventure Time, Game of Thrones, and of course, the DC Universe. A fighting game in and of itself doesn’t really appeal to me, but…a game where I can pit Superman against Bugs Bunny or Tom and Jerry? Where the Powerpuff Girls can take on Jason Voorhees or Beetlejuice? Where Gizmo from Gremlins can face off against Agent Smith from The Matrix

It’s like being a kid again.

And did I mention the Iron Giant? Did I mention the Iron Freaking Giant?

I didn’t play a ton of video games as a kid, but I DID have a lot of action figures, and while some kids are meticulous about keeping the different lines of figures separate, I always mashed mine together. I saw no contradiction in having my G.I. Joes interact with the Masters of the Universe even though, relative to Duke and Snake-Eyes, He-Man and his crew were giants with a serious thyroid problem. And although there was no way Lion-O from Thundercats could actually fit inside and ride Optimus Prime, that didn’t stop me from PRETENDING he could as they rushed off to tackle Darth Vader and his army of B-level DC and Marvel villains culled from the Super Powers and Secret Wars lines. (Side note: a personal dream of mine would be to begin a collection of those superhero figures from my youth. I don’t need them in the packaging or in mint condition, but I at least need them to have all the limbs and, when appropriate, capes. There was also a short-lived line based on Archie Comics’ Mighty Crusaders that I would like to include. Christmas is coming up, people.)

In a way, I think this is even why I like certain modern toy lines. Things like Funko Pops take characters from virtually any franchise you can imagine and recreate them in the same style and the same scale, something I would have been all over as a child. Even LEGO has appeal for that same reason, although LEGO’s appeal obviously goes much further.

Anyway, Multiversus seems to run with this idea in the same way that I would have when I was a kid, and although I still haven’t (and probably will not) play the game, I AM reading the comic book miniseries based on it, Multiversus: Collision Detected, written by Bryan Q. Miller with art by Jon Sommariva and covers by Dan Mora, who is perhaps my favorite artist working in comics today. The comic is fun and wild, with the characters from the different universes all spilling into the DCU as the Justice League tries to make sense of what’s going on. It gets really crazy when the bad guys show up, including the Wicked Witch of the West from The Wizard of Oz and, wildest of all, The Nothing from The Neverending Story. Obviously there was never a “Nothing” action figure back in the day, but you better believe this is the kind of story I would weave on the living room floor with mountains of figures from every conceivable IP of the 80s battling it out with one another.

“Yeah, a collision of FUN!”
“For the last time, Stuart, stop pitching taglines.”

There is a certain thrill that comes with combining characters that we don’t normally see together. Comic books do it all the time, with crossovers between different publishers and different universes. Marvel and DC just last month released the first of two giant omnibus hardcovers collecting most of their crossovers to date, a hefty volume that’s a testament to the fact that geeks like me love stuff like this. How would these characters who should never meet react to one another? Would they fight? Would they get along? Would they team up? Would they fall in love?

Considering the love lives of their respective mentors, only having an impermeable dimensional barrier between them is practically a win.

For some reason that last one is often a sticking point in crossovers. There’s a certain segment of the population that thinks that the best love story Tim Drake (the third Robin) ever had happened in the pages of the DC Vs. Marvel crossover, when he and the X-Men’s junior member Jubilee fell for each other in a tragically doomed romance that had to end when their universes were separated again. In the 90s, Valiant Comics and Image Comics based their Deathmate crossover on the fact that their nigh-omnipotent characters Solar and Void met and came together, causing their universes to merge. 

Other crossovers are based on how ridiculous the idea may be. Archie Meets the Punisher is a real comic that happened because their respective publishers recognized that the two properties couldn’t be more different from one another, but somehow turned into a story that was not only entertaining, but respectful of BOTH very diverse universes. Then there was the Star Trek/X-Men crossover, a story that you will NEVER convince me wasn’t conceived entirely around the page where Nurse Chapel calls for “Dr. McCoy” and both Leonard “Bones” McCoy of the USS Enterprise and Henry “Beast” McCoy of the X-Men answer at the same time, then look at one another incredulously.

“My work here is done.”
“Lobdell, we need 47 more pages.”
“I already wrote the only one that matters.”

I think this mashup madness is the main reason I’m still playing one of the few mobile games I play, Disney Magic Kingdoms. It’s an idle game, where you build up your theme park by adding rides and concession stands and the like, but the real appeal to me is the ability to “collect” characters from various Disney-owned properties, including not only the classic Disney characters and the films of the Disney animated canon, but also the characters from Pixar, the Muppets, Indiana Jones, and Star Wars. Earlier this year they started adding properties from the franchises they acquired in their absorption of 20th Century Fox as well, beginning with the heroes of the Ice Age movies. While I don’t expect them to add EVERY IP in their catalog (it’s hard to imagine the Xenomorph from Aliens running around outside Dumbo’s Flying Elephants), I’m really surprised that they have not yet started including Marvel characters, but I also suspect it’s only a matter of time.

Marvel is slowly starting to take advantage of their corporate parentage as well. They’ve done crossovers where the Predator has fought Wolverine and Black Panther, and another where the Avengers deal with Aliens. Less likely but more fun, we’ve had a series of one-shots casting the Disney heroes as the Marvel superheroes. So far we’ve gotten Donald Duck as Wolverine and Thor, and upcoming specials will give us Minnie Mouse as Captain Marvel and the Fab Four (Mickey, Minnie, Donald, and Goofy) as Marvel’s Fantastic Four. They’ve also taken their popular “What If?” comic book and released an Aliens miniseries based on an alternate universe where Carter Burke, Paul Reiser’s character from Aliens, survived. And as a curious note, the comic book is co-written by Paul Reiser himself. No further miniseries have been announced yet, but I thought the Aliens comic was really entertaining, so I wouldn’t be surprised if we start seeing more “What If?”s based on Marvel’s corporate siblings like Predator, Planet of the Apes, or Star Wars either. 

Got my fingers crossed for “What if Goofy Became the Punisher.”

(That joke is WAY darker when you realize it has to be Goofy because, canonically, he’s the only father in the group.)

We don’t get these sort of “everything but the kitchen sink” crossovers much on TV or in the movies, though. Oh sure, we get the occasional crossover like Godzilla Vs. Kong, Freddy Vs. Jason, or Kramer Vs. Kramer, but real multi-universe mashups are kind of rare. I think it’s part of the reason that we all loved Who Framed Roger Rabbit? so much. Yeah, it’s a great movie, but it’s also the only place, canonically, where we’ve ever seen Mickey Mouse and Bugs Bunny together, or Donald Duck face off against Daffy Duck. The film also included Droopy Dog, Betty Boop, Woody Woodpecker, and a real Who’s Who of cartoon stars of the 30s and 40s – and as those are still the greatest cartoon stars of all time, we loved it. Wreck-It Ralph would do the same thing with video game characters, and the Toy Story films did a lot of that with the classic playthings of our youth, and yeah, we love them for it.

Eat your heart out, “DeNiro and Pacino in Heat.”

And of course, let’s not forget the greatest crossover event of all time, 1990’s Cartoon All-Stars to the Rescue, which combined the forces of the Smurfs, the Muppet Babies, Alvin and the Chipmunks, Garfield, Winnie-the-Pooh, Alf, the Looney Tunes, Slimer from The Real Ghostbusters, and Huey, Dewey, and Louie from Ducktales in a half-hour anti-drug special that’s so bizarre you have to imagine that they were actually ON drugs while making it. (This is a real special, people. Don’t take my word for it, you can watch it on YouTube.)

And yet, even THAT has a certain weird charm to it. 

It’s important to remember that the people who make cartoons, movies, comic books, and video games, were once children as well – at least, until they are all replaced by AI – and as such they enjoyed throwing their toys together just as much as we did. That’s why I’m digging the Multiversus comic, why I’m reading the “What If” specials in which the Disney stars become Marvel heroes. It’s not because I’m looking for something huge, something life-changing, something of great profundity.

It’s just fun.

And honestly, guys, shouldn’t that be enough?

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. If you’ve played Multiversus, he’s got a question for you: have they overpowered Shaggy in deference to his status as a meme? Because honestly, that would be kinda cool. 

Geek Punditry #81: Whatever the Era

During the school year, I spend most of my time around teenagers. I teach high school English, and as such I am constantly exposed to the youth of today, with their thoughts and their ideas and their imaginations and occasionally their aromas, because some of these kids pay as much attention to the personal hygiene lessons in health class as they do when I’m trying to get them to understand 1984. But it’s July and school is not currently in session, and the only teenager in my usual orbit is my 13-year-old niece, Maggie, so the only teen ideas I am exposed to are mostly about something called Five Nights at Freddy’s.

“Thank you for bein’ a frieeeeeend…”

When I AM surrounded by the kids, though, one of the battles I fight a lot is attempting to convince them that just because something is old doesn’t mean it has no value. Shakespeare is the most frequently-cited example of this: yes, the language is old-fashioned and frequently archaic, but once you get past that the stories are pretty darn timeless. Romeo and Juliet is about a couple of kids YOUR AGE (or often younger, as I teach 11th and 12th graders) who want to date but their parents hate each other. Othello is the story of a man driven to homicidal envy because the girl he likes married someone of a different ethnicity. Hamlet is about a college kid whose father is murdered and then his mom marries his uncle, which everybody can agree is pretty messed up and will make Thanksgiving very awkward. When you boil it down, the greatest works of the past are just as relevant today, except that they’re too deep to discuss in-depth in a 15-second TikTok video.

Helping kids to see this, to understand the value in works of the past, is part of my job. In fact, in many ways, it’s my favorite part of my job. Don’t get me wrong, reading a well-written essay from a kid who struggled to put a sentence together at the beginning of the year is a badge of honor, but if that essay is explaining what they think the whole Green Light thing from The Great Gatsby is about in a way that makes sense…well, that’s like winning an Olympic medal. And most kids, I find, are pretty open to this, once you can find the right path in. It may take some trial and error, but I sincerely believe that any young scholar can find the value in the classics if you try hard enough.

I wish the opposite was true of their grandparents.

Tag someone you know in this picture.

A few weeks ago, I wrote about the creation of a new over-the-air broadcast network, MeTV Toons, dedicated to showcasing classic animation 24 hours a day. It’s a great idea and one that I truly hope to be able to watch if the New Orleans affiliate – which finally launched just TODAY – would boost their damn signal a little bit so I could pick it up from my house. But that’s not the point. In that previous column, I also talked about a few online communities that have sprung up around this new network. The communities are thriving now. The largest of them, which was at 17,000 members when I wrote the previous column a month ago, has ballooned up to almost 65,000 people. And as is expected, there’s a lot of talk about the cartoons and what people’s favorites are and how much they’re enjoying the network, which I love. There are also a minimum of 750 posts a day from somebody who doesn’t understand how to watch the network, because apparently many of these people, who I would estimate are largely in their 50s and 60s, have completely forgotten how antenna television works. But the worst part of this community are the entirely-too-frequent posts that exist not to talk about the classic cartoons, but to complain about modern ones.

“I hope they don’t start making NEW shows. That’s what ruined Cartoon Network.”

“They shouldn’t show anything from later than the 70s. All of that stuff sucks.”

“You know who’s a fan of Powerpuff Girls? Hitler.”

And so forth.

I find it incredibly frustrating to read through this stuff, for a few reasons. First of all, and most importantly, is the sheer negativity of it. The world has enough negativity in it, and I hate the fact that Social Media – an invention that SHOULD have been used to bring all the people in the world together – has instead merely given us different ways to tribalize ourselves and spit venom at anybody who’s not part of Our Group. And second, it’s just not true. I can’t fathom the mindset of somebody who can turn on an episode of Help!… It’s the Hair Bear Bunch! and then claim with a straight face that this is the apex of animated entertainment.

Where the culture of Western Civilization apparently reached its climax.

The thing is, guys, both my Bard-averse teens and their Cartoon Network-hating parents and grandparents are suffering from the same problem, and it’s a problem that most of us have to overcome in some form or another. We are exposed to certain media when we grow up, and that media fundamentally contributes to the structure of our preferences in our brains. In other words, the stuff that we like when we’re young is the blueprint for the kind of stuff we like throughout our entire lives. If one of my 11th grade students tells me how much their mom hates the music she listens to, I suggest she ask her mom what HER parents thought of New Kids on the Block, and what THEIR parents thought of the Beatles, and so forth. Every generation firmly, steadfastly, believes that music reached its absolute pinnacle during their own formative years, even though it’s obvious that the best decade for music was the 1980s.

The same is true for everything: movies, TV shows, books, fashions, food, sports, and of course, cartoons. The big difference between my kids and their parents is that by and large, I find the kids FAR more likely to expand their horizons and look at work from another time. My students were in diapers when The Office was popular or not even born when Friends was a hit, but they’ll binge those shows and come to school talking about them. But trying to get one of these Toon-haters to give a chance to a modern cartoon like Bob’s Burgers, Star Trek: Lower Decks, Gravity Falls, or the finest cartoon of them all, Bluey, is a challenge that would make Sisyphus ask if he can just go back to pushing that rock up the hill.

Sorry, guys. I’m being told by the Facebook group that none of you are as good as… *checks notes* ‘Yakky Doodle.’

I know I’m generalizing here, and that’s not really fair. There are most certainly older people willing to give more recent works a chance. I know, I’m one of ‘em. And there are a lot of people like that. My uncle Wally, who happens to be an animator, would frequently talk to me about Animaniacs in the heyday of that particular cartoon – which was after his time, obviously, but one of the favorites of my time. He obviously PREFERRED the classics of his youth like the Looney Tunes and the Hanna-Barbera all-stars, but he was (and still is) always willing to give the new stuff a CHANCE.

The problem with the MeTV Toons group – like any other group – is that the most obnoxious people also tend to be the loudest. They’re the ones that complain, the ones that whine, the ones that come in with a sense of entitlement because the network has the TEMERITY to show Captain Planet instead of a 23rd rerun of The Flintstones for half an hour. 

Is it true that there are a lot of bad cartoons these days? Sure. But that’s true of ANY field of creative endeavor in ANY era. As sci-fi author Theodore Sturgeon once observed, “Ninety percent of everything is crap.” For every Scooby-Doo that was turned out, there are a dozen Hanna-Barbera cartoons that died after one season. Looney Tunes gave us the work of Bugs Bunny, Daffy Duck, and the Road Runner and Coyote…but it also gave us Merlin Mouse and Cool Cat.

I swear, these were actual, official Looney Tunes. Google it.

Hell, even my beloved Willie Shakes is considered the greatest writer in the history of the world…but name five other writers from the late 16th century. Unless you’ve got an English degree, chances are you can’t. There’s just as much good stuff being produced now as there ever was. The reason the past seems “better” is because it’s only the good stuff that gets REMEMBERED. If you lock yourself in to the work of your own formative years, you will miss out on a wealth of great storytelling, great music, great ART. And if you’re okay with that, I can’t change your mind, but at the very least you need to RECOGNIZE that bias and not make blanket statements about everything that’s from outside of your time period, because that’s not fair to anybody. 

I have a challenge for you, my friends. Right now, I want you to identify your formative decade. Are you an 80s kid? 90s? What was the time period in which you did the majority of your growing, say from first grade through twelfth? For most of us, that is the period where these preferences and feelings are most firmly established.

Okay, have you got your decade identified? GREAT. Here’s the challenge then: this week, I want you to go out and find something from OUTSIDE that decade that you think is worth watching, reading, or listening to. I don’t care if it’s from before your time or after, but I want you to find something from a different time period that you think is worthwhile, something that you can get excited about, something you want to tell people to check out. And then I want you to come back here – or hit me on Facebook, Twitter, or Threads – and tell me WHAT you read or watched and WHY you like it. 

There’s plenty of great stuff out there, guys – from any era. The trick is just to figure out where to look.

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. He considers himself an 80s kid, but he has just as much love for The Honeymooners and The Good Place as he does for Mama’s Family. Wow, that’s a weird list.