Year of Superman Week 38: Electric Boogaloo III-The Giant-Sized Finale

It feels like I just started yesterday, but here we are in the fourth week of my journey through the era of Electric Superman. The Man of Energy has been split into two – a red and a blue version of himself. But time is almost up, because we’re on the cusp of the crossover event that ended this era, the Millennium Giants. Let’s get into it!

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Sept. 17

Comics: Superman Vol. 2 #133, Adventures of Superman #556, Action Comics #743, Batman: Wayne Family Adventures #6 (Guest Appearance), Taste of Justice #11 (Supergirl and Krypto)

Notes: Superman #133 starts with Red and Blue bickering over which of them is going to go in to work and write their column, with Red winning the argument and banging out a piece that’s both more pointed and more jovial than his usual style, to the point that Perry asks him to rewrite it. An explosion summons Superman Red to Cadmus, where he finds Guardian beaten to hell and the three deities that Superman fought on Halloween proclaiming “The Time of the Millennium Giants is at hand!” In a backup story, Jimmy and Misa are still on the run from the Black Crucible. When they get pinned down, Misa uses a device to signal for help. Blue Clark, meanwhile, is back at the Planet office where he’s rewritten Red’s column, only to turn in one that’s too bland and analytical. He bolts away and saves Jimmy from the Crucible, whose leader says the Medallion Jimmy is carrying will signal the end of the world. Suddenly, the Medallion AND the members of the Black Crucible just…disappear.

Ominous, no?

Adventures #556 picks up right there with Red facing off against the Millennium Guard. They summon the Medallion to them (explaining where it went in Superman #133) and then take off in three different directions. Blue, meanwhile, is helping Jimmy and Misa fix up their vehicle when the three of them are attacked by a huge monster straight out of a Kirby sci-fi comic. The conclusion of that fight is ALSO the sort of supremely goofy thing that would have happened in a book of this era, but it’s actually pretty charming as well in its silliness. And even though at the end of the book Jimmy is still running for his life from Intergang, his standing up to the monster convinces Misa that maybe he’s not so lame after all – it’s a rare win for Jimmy in this era.

Action Comics #743 has Blue returning to Metropolis, where he encounters detective Slam Bradley, who’s chasing a nasty sort that calls himself the Inkling. Blue stops Inkling, who the reader learns is another product of Hunter Thompson’s experiments at S.T.A.R. Labs (the same ones that gave us the Ripper not long ago). He knows Thompson is bad news, but has no proof, which has gotta be frustrating for a guy as cool and logical as Superman Blue. Also, in space, the Millennium Guard has taken positions in orbit ready to “purge the Earth,” which always sounds like a good time.

In Red’s story, the Guard has bolted away, leaving Superman drained of energy. Jimmy and Misa find him and give him a lift back to Metropolis, where they stumble into the Intergang squad that’s been chasing Jimmy for months. Misa finds a dandy solution, using a device that makes Jimmy completely invisible to them and, in fact, making them forget he ever existed. That’s a quick little solution to that subplot just before things get wild next week.

These three issues all use the same format, with two different stories for the respective Red and Blue, and I have to say, I’m impressed with how well it works. The stories weave in and out of each other, connecting at various points and showing the consequences of one story in the other. It works so well, honestly, that I’m surprised it really only happened for three issues, plus the two issues we read at the tail end of last week, Action #742 and Man of Steel #77, which each devoted an entire issue to one of the Supermen but otherwise worked the same way.

I suppose time has shaped my perspective, but I could have sworn the Red/Blue era lasted longer. As it turned out, only about two or three months pass between the split and the story that’s going to end with the two of them re-forming and Superman’s powers going back to normal. Maybe it was the fact that back then I had to wait a week for each new issue to come out, whereas today I’m simply clicking “next issue” in the DC Universe app and bouncing ahead seven days to get the next installment. 

At any rate, I really liked the way these issues were told, and while I don’t want Superman to get split in half again, I’d like to see someone else use this trick. I’m not sure how, exactly – maybe Firestorm, whose whole gimmick is that he’s two people who fuse into one superhero would be a good candidate. Or perhaps a run about a couple of Green Lantern sector partners that used this formula. Or hell, do it with Jonathan and Conner Kent, the two Super-Brothers. That might actually give Jonathan something interesting to do for a change. But somehow, it’s a trick I would like to see done again.

Thurs., Sept. 18

Comics: Superman: The Man of Steel #78, Aquaman Vol. 5 #43, Challengers of the Unknown Vol. 3 #15, Superman Vol. 2 #135, Teen Titans Vol. 2 #19, Supergirl Vol. 4 #20, Jon Kent: This Internship is My Kryptonite #11

Notes: There are different degrees of crossover events. There are the bigs ones, the huge ones that have a main miniseries and spin-offs and chapters appearing in various different comics – from the original Crisis on Infinite Earths down to lesser examples like Genesis. There are the small-scale ones that only involve titles in the same group, like the Superman or Batman titles. Then there’s stuff in the middle like Millennium Giants. This one is clearly a Superman story and it plays out in the four main Superman titles, but it also brings in Steel and Supergirl, as well as a few books with no relation to Superman at all. They also did a neat thing with the covers of the first nine (out of 11) issues: they assemble into a sort of large puzzle featuring the giants and the respective heroes facing them, along with our two Supermen zipping around and appearing on every cover.

The fun starts off in Man of Steel #78. The three members of the Millennium Guard have taken their spots in three places on the globe, including the site of a volcanic eruption where the native religion sees them as a harbinger of the end of the world. Red and Blue, after a brief squabble, agree to split up and each take on one of the Guard. But as it turns out, the Guard are only there to facilitate the release of the Millennium Giants – three enormous deities who burst from the ground.

The story picks up in Aquaman #43. One of the giants is marching through the ocean on a beeline for the Atlantean city of Poseidonis. Aquaman and Tempest try to confront it when he takes out Superman Red, but the creature keeps walking, sending tidal waves towards nearby coastlines. As Tempest protects the shore, Aquaman tries to communicate with the giant telepathically, but he fails and it goes into battle against the heroes and the HEAVILY armed Poseidonis. Man, this really makes me want to go back and read Peter David’s Aquaman all the way through. Maybe next year. Anyway, Superman and Aquaman try their best to hold back the creature but it crushes an underwater city on its march across the ocean.

This is really how a crossover SHOULD work. It’s not a coincidence or shoehorned in – it makes PERFECT sense for Aquaman to get involved when a freaking giant is threatening his kingdom, and it brings him in to make him a player in the rest of the crossover too. Perfectly done.

The next installment brings us to Challengers of the Unknown #15. Classically, the Challengers were a group of daredevils and specialists who each survived a near-death experience and, believing themselves to be “living on borrowed time,” became adventurers. They weren’t QUITE superheroes, but they often ran across them. This series was one of DC’s periodic attempts to update the concept with new characters and a dash of X-Files style paranormal investigation. The Prime Minister of the UK summons the Challs to investigate the giant that erupted from Stonehenge and is marching across the countryside. This issue is more skippable than the Aquaman chapter, seeming to take place BEFORE that one (the English Giant is the one Aquaman and Superman Red fight in the ocean), and Superman doesn’t actually appear. It does end with the Challs uncovering some info that they want to bring to Superman’s attention, though.

In Superman #135, the two Supermen have reconvened in Mexico, where another Giant has climbed out of a volcano. Blue wants to evacuate, but the impetuous Red charges in headfirst, attacking. They manage to barely pull off a save, and Lois (who is there covering the Giants, of course) confronts her two husbands, both of whom now seem to be pretty happy with the ability to be in two places at one and have no intention of trying to fuse together again. The split up yet again, with Blue staying on the giant in Mexico and Red zipping to the Pacific. Back in Metropolis the Teen Titans (whose book, you may recall, was written by Dan Jurgens at the time) decide to head to Egypt to take on the third giant, while the Challengers are on their way to Mexico. Neither of the Supermen are effective in their attacks on the giants, though, with Red failing to save an entire pacific fleet of 200 American ships.  

Teen Titans #19 starts with Tempest saving Red after his failure in the Pacific before following the people whose comic it actually is as they attempt to hold off the Giant that’s threatening Egypt. The bulk of the issue is Superman Red and the Titans facing off against the Giant, failing time and again and finally accepting that they need to focus on saving the people in its path rather than fight it directly. That may not sound like the most exciting take for this issue, but Jurgens does a good job of painting it as the sensible route, showcasing his Titans to readers who may not have been exposed to them before and showing some hidden depths to a few of them as well. The issue ends with the Giant marching off to sea and the team planning to head to Markovia, where the third Giant is wreaking havoc. 

Supergirl #20 brings back Peter David again, kicking things off with a woman in a mental institution claiming to be Cassandra (the Greek one) and screaming with terror about the encroaching giants. And like Cassandra, her fears are dismissed. Supergirl, meanwhile, has just left her family in the midst of a personal crisis to help deal with the crisis of the Giants. She tries to use her powers as an “Earth Born Angel” (read everything Peter David ever wrote, really) to hold it off, but falls into the ocean where both she and “Cassandra” are saved by Superman Red. It’s kind of a quick chapter, really, but it showcases Supergirl well and it’s always a delight to read David’s stuff again.

Fri. Sept. 19

Comics: Adventures of Superman #557, Steel #50, Action Comics #744, Superman: The Man of Steel #79, Superman Vol. 2 #135, Superman Forever #1

Notes: In Adventures #557, Steel calls in Superboy and the Justice League to join the fight as Blue faces the Mexican Giant Cabraca while Geo-Force and Terra hold the line against Cerne in Markovia. Blue, Aquaman, and the Martian Manhunter face Cabraca while the others join the Titans, Supergirl, and Red in Markovia, where Cerne and Ronal are now converging. The giants lift an entire chunk of Markovia into the sky, the heroes only barely managing to evacuate it before it’s gone. And the icing on the cake comes when Cerne crosses the Atlantic to re-emerge in Metropolis harbor.

Steel #50 continues as John Henry – who has recently joined the Justice League and is eager to prove himself – works with J’onn J’onzz to construct a weapon to stop the Giants by disrupting their connection to Earth’s magnetic Ley Lines. The device seems to work, but John shuts it down, fearing that it will cause even greater destruction than the Giants if the field breaks down. He winds up fighting his own teammates over it, destroying the device and finding himself on the opposite side of the rest of the JLA. 

In Action #744, while Cerne approaches Metropolis, the Challengers of the Unknown come to Lois Lane in the hopes that she can get their findings to Superman. Their theory is that the Giants – who appear in myths from cultures all over the world – have arisen because of an anomaly in the Earth’s energy field. They believe that the two Supermen, working together, could drain the Giants of their energy and stop the rampage. Red draws all the power from Metropolis to turn himself into a giant, ripping Cabraca into space. The effort is fruitless, however – Cabraca crumbles, falls back to Earth as a meteor shower, and re-forms in Australia. His suit shredded, Red begins to dissipate. 

Blue zips into space to save Red in Man of Steel #79, but Red refuses his help, fearing that weaving the circuitry of their respective suits will cause them to re-merge. Blue saves him anyway, and although they don’t merge, the two Supermen are now tethered together. Steel has modified his device and gives it to the Supermen to try to trigger it in Cabraca’s heart – which they do but find themselves transported to the “Heart of the World,” where a strange being calling himself the Keeper of the Flame says that their alien energies awakened the giants. He can help them, but only at the cost of their lives. The Supermen trigger a chain reaction that topples the Giants, but their victory is short-lived. It turns out that stopping the Giants has also stopped the flow of the energy that binds Earth together, and it’s on the verge of a massive eruption that would duplicate the fate of a little world called Krypton.

It all comes to a head in Superman #135! An old Aboriginal man tells the Supermen that salvation can be found with the Medallion of the Damned, which is deep inside Cerne’s body. The three of them dive into the Giant’s form, where they find the Medallion on the body of an insectoid creature. Here they learn that the only way to restore Earth’s magnetic lines is for each of them to expel their energy, one at the center of the Earth and one from orbit. And although they have spent this entire time fighting and bickering one another, the two Supermen do it – because at the core, they’re still both Superman. The skies turn red, the ground turns blue, and Earth is saved…but when it’s over, J’onn J’onzz casts out a telepathic web to search for the men of energy…and finds nothing.

Are they gone? Are they dead?

Of course not. They’re in Superman Forever, a giant-sized one-shot with a fancy lenticular cover by Alex Ross to tie the whole thing up. The Kents are driving through their fields at night, worried about their missing son, when they see a meteor streak across the sky. It’s not the first time this has happened, and they rush to the site to see Clark lying in a crater: unconscious, naked, and burning with fever. They bring him back to their farmhouse where he sleeps for over 24 hours before waking up and realizing he can hear them speaking outside. Somehow, the expenditure of his energy powers made him fuse back into a single being with his original powers again. How? Clark himself theorizes that it was some kind of “reward.”

Who am I to argue?

Martha being Martha, she just happens to have one of his original costumes handy for him to put on,and he takes off to let the world know that Superman is back!

Of course, it’s only page 14, and there’s a lot left to go. Turns out Superman is being watched by Kismet, a cosmic entity he’s encountered a few times before, who sees (YET ANOTHER) threat on the horizon. Superman returns to Metropolis where he joins in with Supergirl, Superboy, and Steel saving an airplane from a crash… a plane that just happens to have Lois on it. The woman has the WORST luck when it comes to air travel, I tell you. 

Also in this special, Jimmy Olsen returns to the Planet with his tail between his legs to beg for his job back, only for Perry to give it to him without hesitation. While they’re celebrating, though, Lex Luthor barges into the office, furious that the Planet published a photo of his daughter. While he’s railing against Perry, he gets  call that Lena has been kidnapped.

The creative team on this book (like the Wedding Special and the Red/Blue special, it’s a mashup of the creators of the regular books with a few guests) took an interesting approach. There are really three different, almost totally unconnected sections of the book. The first act, where the Kents find Clark and he returns to Metropolis, is part one. Act two is the kidnapping storyline, with Superman doing everything he can to find the missing daughter of his worst enemy, because that’s the kind of man he is. This has virtually nothing to do with what happened before, except for the fact that every person who encounters him makes a comment about the fact that he’s gone back to his original powers and costume, then goes on with their day because they all live in Metropolis and they see more inexplicable stuff than that before their Pop-Tarts come out of the toaster in the morning. Then, after that story is resolved, we get four separate epilogues, each of them showing Superman in different eras that seem to roughly correspond to the Golden, Silver, and Bronze ages, and a third that is set 1000 years in the future. It’s a setup for the Dominus story that would consume the books for the next several months – which is totally fair, except for the fact that, again, it seems to have nothing to do with anything that’s come before it. In fact, I almost feel like I don’t need to read these books again , but it’s been a long time and I enjoy a good timey wimey story.

Besides, if I don’t read them, I’ll just be cliffhangering myself. And I promised me that I would treat me more nicely. 

Sat., Sept. 20

Comics: Marvel/DC: Deadpool/Batman #1, Superman: The Kryptonite Spectrum #2, Action Comics #1090, Krypto: The Last Dog of Krypton #4

Notes: I’m not going to get to Dominus just yet, though. After a couple weeks, I’ve once again liberated my new comics from my local shop and I’m going to spend today (and maybe tomorrow too) reading the new Superman-related books. And although only one of the back-up stories is Superman-related, I’ll start with the painfully-titled Marvel/DC: Deadpool/Batman #1.

I objectively got the best cover.

The main story and most of the back-ups are really quite good. Zeb Wells, who writes the Deadpool/Batman tale, finds a new spin on combining the universes that’s really quite suitable for Deadpool. Most of the others simply take the old-fashioned tactic of assuming the characters inhabit the same world. The Captain America/Wonder Woman story by Chip Zdarsky goes so far as to showing a whole history between the two characters that goes all the way back to World War II. There are also two pages by Frank Miller, the less is said about which, the better.

But mostly, I’m here to talk about the Krypto/Jeff the Land Shark story by Jeff’s usual creative team of Kelly Thompson and Gurihiru. This mostly-wordless story is set in the Arctic, as Krypto and Jeff romp and play games with one another outside the Fortress of Solitude. That’s it. That’s the whole story. And it’s really adorable. It fits perfectly in with the usual Jeff stories, and were it not for the fact that his co-star is an inhabitant of the DC Universe, it could easily be an issue of his own comic. 

Now I have to say, were you only buying this book for a Superman story, dropping $6.99 for a story co-starring Krypto is probably too much. But if you’re a fan of comics and crossovers in general, this really is a great package. 

The second issue of Superman: The Kryptonite Spectrum is next. Continuing from issue one, Superman and Batman are still experimenting with the new types of Kryptonite when one of them turns the man of steel into a giant. Batman thinks he can concoct a fix, but before it’s ready, Lex Luthor ups the ante by exposing the Kaiju-sized Superman to a dose of RED Kryptonite, sending him on a rampage that the Justice League has to come in and try to stop. Like the first issue, I’m tremendously impressed at how W. Maxwell Prince and Martin Morazzo are applying their signature style to the DC Universe. There’s still very much the same flavor of weirdness we get from Ice Cream Man, but the horror elements are replaced with a take on silver age-style superheroism that feels more like a loving parody than an attack. It’s a glorious little story with a climax and cliffhanger that literally made me laugh out loud. That doesn’t happen often, even with comics that are intended as straight-up comedies. This is rapidly climbing my list of best comics of the year. 

In Action #1090 Mark Waid and Skylar Partridge continue the story that – no matter what the eventual trade paperback is gonna be called – is essentially “Superboy: Year One.” Clark finally gets a date with Lana, only for two disasters to happen. First, she tells him how she REALLY feels, and second, Captain Comet summons him to a battle scene. Raze, the villain Superboy caught a few issues ago, has come back with some friends and he’s attacking the lab of noted AI specialist and metallurgist Will Magnus, and Superboy is needed to save the day. Turns out that Comet had a little surprise of his own, though. 

Waid is taking classic tropes of the Pre-Crisis Superboy and putting a modern spin on them, particularly in the context of Clark and Lana’s relationship. Although the writing is modern, the themes and tone could fit in just as well in the 1950s, and that’s really perfect. On the other hand, the more sinister Captain Comet is an interesting choice, although I imagine we’ll get some sort of revelation on his part before this story ends to keep from casting him as an outright villain. 

Krypto: The Last Dog of Krypton #4 starts with a content warning. It says “This is a sad one. Read it with someone to hug nearby.”

THIS is a sad one.

AS IF THE LAST THREE ISSUES DIDN’T ALL REDUCE ME TO A GIBBERING MESS.

Anyway, in this one the still-wandering Krypto befriends another stray dog, and together the two of them befriend a group of children, and together the kids and the dogs activate an alien intelligence that threatens all life on Earth. And Krypto is a very good boy. And so is his friend. And eventually, after I soak through a couple of Kleenex, we get to a last page that promises – FINALLY – a glimmer of hope in this terrible, heartbreaking, gut-wrenching, magnificent, beautiful series. 

Sun., Sept. 21

Comics: Supergirl Vol. 8 #5, Batman/Superman: World’s Finest #43, Justice League Red #2 (Team Member Power Girl)

Notes: Supergirl #5 is a largely one-off issue that focuses on the Super Pets. Supergirl and Lesla leave their respective superpowered animal pals with Lena, who loses them almost immediately, leading to two separate adventures. Krypto and Kandy the Super-Rabbit wind up in battle with Princess Shark, who has come to Midvale to get her revenge on Supergirl, while Streaky and the miniature Super-Ape Tinytano stumble across a litter of kittens who have inadvertently gained super powers. The story is light, airy, ridiculous, and charming. 

Sophie Campbell takes this issue off from the art chores, but she still writes the issue. Pencils instead are handed over to Paulina Ganucheau for the Krypto half of the issue and Rosi Kampe on the Streaky half. Both of their respective styles are fine, but they’re very different from one another. Ganucheau’s art is a little looser and cartoony, more in line with Campbell’s usual style. Kampe’s art is tighter and looks like a more traditional superhero comic. Again, neither of them are bad, but the switch halfway through the book is somewhat jarring. 

In World’s Finest #43, the Bizarro World storyline comes to a close. As we learned, the alien who infected the Bizarros with a pandemic that “fixed” their brains did so in the hopes that they would realize their planet was about to be destroyed by the physical laws that say a square planet can’t exist. This issue, our heroes struggle against the twin problems of the planet’s collapse and the pandemic, and in each case, a solution is found by a most unexpected mind. I really love the way Mark Waid plays these characters here, showing an intelligence in one of our heroes that he isn’t usually credited with having, and pulling a rabbit out of his hat with a new Bizarro that is hilarious and brilliant. This arc was an awful lot of fun, and that’s all we really want out of World’s Finest, isn’t it? 

The new Super-titles wrap up with Power Girl in Justice League Red #2. Power Girl, Green Lantern, and Cyborg are comparing notes, all of them realizing that the missions Red Tornado has been sending them on are less than savory, and they demand answers from their teammate. Red Tornado reveals that his actions are linked to another Leaguer in jeopardy, but none of that quite explains just how underhanded he’s been acting. The heroes don’t know what to make of it but, at the same time, they’re not going to abandon one of their own. I’m still not quite sure what to make of this title. I’ve enjoyed the first two issues, but I can’t tell where they’re going with Red Tornado here. If the miniseries ends with him becoming a villain I’m going to be pretty disappointed, but as I said after issue one, I think it’s going to turn out to be more nuanced than that when all is said and done. All that said, the cliffhanger at the end of this issue is just dandy.

Mon, Sept. 22

Comics: Adventures of Superman #558, Action Comics #745, Superman: The Man of Steel #80, Superman Vol. 2 #136, Adventures of Superman #559, Action Comics #746, Superman: The Man of Steel #81, Superman Vol. 2 #137

Notes: Welp, Superman is one person again and his powers are back to normal. You’d think his troubles are over, right? No, you silly person. Now it’s weirder than ever, because it seems as though there are FOUR Supermen (again), except this time, each of them is in a different era. In Adventures of Superman #558, we’re in a world that seems highly reminiscent of the Silver Age, with Superman and his family having a friendly game of baseball that spans the globe using a mine launched by an enemy submarine as the ball. We’ve got Steel on the top of Mt. Everest, Superboy (wearing an old-school costume) in France, and most surprising, a Kara Zor-El Supergirl in outer space. And the game stops when Krypto fetches the ”ball!” (I feel like we should remember that, at this point, the “Superman is the only Kryptonian survivor” edict was still in place – neither Kara nor Krypto existed in this continuity.) Jimmy Olsen, meanwhile, has stumbled into yet another of one of those transformations that seemed to happen to him so frequently in this era, this time drinking an alien isotope that turns him into a green-skinned spaceman. When word gets out that Alien Jimmy has been blessed – or cursed – with a Midas Touch, turning anything he touches into gold, he’s kidnapped by the world’s most ingenious criminal scientist, Lex Luthor.  

I can only imagine co-writers Karl Kesel and Jerry Ordway putting this one together, an issue that’s a wild and charming mashup of the modern Superman (with elements like Steel and Dabney Donovan) with a story that could very easily have been a lost plot from an issue published in 1955. Jimmy’s wild transformations were a staple of the time, and we see the old (and often frustrating) trope of Lois being desperate to marry a Superman who keeps resisting her advances. By the end of the issue, nothing has really been resolved – it comes across as an entertaining oddity, but as of yet there’s no clue as to what’s actually happening. 

Action Comics #745 takes a similar approach to what the writers call the “Polyester Age” in a story that roughly approximates the Superman comics of the late 70s. Superman comes in to save an unruly mob that has gathered on the collapsing Queensland Bridge, each of whom is carrying a bogus deed indicating they own it. Superman plans to investigate, but first he has to head to his job at WGBS to report the news with his co-anchor, Lana Lang. The story spins out into a fairly standard Prankster story, in which he takes over a cruise ship, kidnaps Lana Lang, places her in a trap that Superman can’t spring without exposing her to a deadly toxin, and in a script-flipping cliffhanger, asking Superman to officiate his and Lana’s MARRIAGE.

We journey back to the Golden Age with Man of Steel #80, and in the most literal way possible. The story begins reenacting a scene from Action Comics #1, with Superman barging into the governor’s mansion to demand a stay of execution for a woman he’s proven to be innocent of the crime for which she’s about to be electrocuted, then immediately bounding in to stop a man from beating his wife. It’s here, for the first time, that we really get a glimpse of what’s actually happening – a little girl with white hair appears briefly as Superman stops the wife-beater proclaiming “It’s all wrong! Everything’s wrong!” When Superman looks out the window to see that the police has arrived, the child vanishes. Superman doesn’t have time to solve the mystery, though – he’s expected by his editor, George Taylor, at the Daily Star. Lois and Clark are sent to cover an American Nazi rally that is eventually broken up by Superman, making Lois swoon. 

Louise Simonson’s writing on this issue evokes the tone of the Golden Age, especially with a cold, aloof Lois that doesn’t give Clark the time of day, while he is utterly smitten with her. On the other hand, she manages to avoid some of the more problematic tropes of the original stories – she recreates the wife-beater scene almost perfectly, but omits the infamous “You’re not dealing with a woman now!” line. Jon Bogdanove, for his part, is perhaps more in his element than ever before. He adjusts his art style just SLIGHTLY, and it becomes a perfect update of a Golden Age Superman. He even gives us a panel emulating the legendary cover to Action #1. Reading this issue makes me ache for a full Elseworlds-style series set in this time period with Bogs handling the pencils. 

Superman #136 takes us to the year 2999 (with yet another Action #1 homage cover, by Dan Jurgens this time). Years after the death of the last great champion, Superman XVIII, a new Superman appears saving a spaceship from disaster…or at least, he tries, but the rookie Superman winds up ripping off one of the ship’s stabilizers. Another craft manages to save the ship in a stasis field, including Lena Luthor, who gives us the infodump that Superman’s father died bringing Lena’s father to justice. We explore this future world, meeting “Klar Ken’s” coworkers, his younger sister Kara, and get information about the Superman legacy that has lasted a millennium. This one, too, ends with a cliffhanger, as Superman 2999 faces against a futuristic menace called Muto, and we get another glimpse of the girl with the white hair. 

Back to the Silver Age for Adventures of Superman #559, which kicks off with Superman busting Brainiac and his shrinking ray. The next morning, though, things get really bizarre as some mysterious force gives everyone in Metropolis super powers. And I do mean everyone – Perry, Lois, Jimmy, Maggie Sawyer, the Newsboy Legion – it’s an epidemic. Everyone, it seems, except for MCU Officer Dan Turpin. It comes in handy when Metallo attacks and his Kryptonite heart affects EVERYONE except for Dan and his bazooka. The reveal about where the powers came from is fantastic, perfectly in keeping with a Silver Age story, and it’s really nice to see Turpin get hailed as the hero for once…until the girl with the white hair shows up again on the last page repeating her warning: “Can’t you feel it? It is ALL WRONG!” And then poof – she’s gone. 

Things aren’t going great in Action Comics #746. Superman manages to save Lana from the Prankster, but she’s so angry that Clark bailed out on the situation (so he could be Superman) that she gets him fired from his job at WGBS. He’s doing the cardboard box walk of shame when the White Haired Girl AGAIN shows up and vanishes. They gotta start going somewhere with this soon, right?

And they do! Man of Steel #81 begins immediately with the White Haired Girl stuck on a railroad track as a train speeds towards her. Fortunately, ol’ “More Powerful Than a Locomotive” gets her away even as she keeps pleading “Everything is wrong.” She vanishes as soon as she appears, though, and we get to the main plot – Superman and Lois each stow away on a ship to Nazi Germany. The issue really does showcase the vast changes Superman underwent after the Golden Age. While for most of his history, Superman has been reluctant to involve himself in political situations (in fact, in the 1978 movie Jor-El specifically forbid that), here he actually thinks “Someone has got to settle these world affairs once and for all – and who else can do it but me?” 

This issue gets pretty bleak, as Superman and Lois each independently delve into the Nazi concentration camps. Simonson doesn’t hold back from showing the horrors of the era, and in the end we’re just left more unsettled as we end on a cliffhanger, with Lois in dire straights that make being caught by the Prankster seem like a tropical vacation.

I’ll end today with Superman #137, in which the man of tomorrow (that being 2999) faces Muto – a fight that’s going poorly before he’s rescued by some of the other heroes of the era: 2999’s Green Lantern, the future Aquaman, and from Gotham City, “The Bat.” Superman and the other heroes face Muto at his orbital Fortress of Solitude, and Dan Jurgens plays off of Despero’s chess set from Justice League of America #1 for the second time this year (the first being when we read Superman’s adventures with the JLA in the era just before Doomsday).

Tues., Sept. 23

Comics: Adventures of Superman #560, Action Comics #747, Superman: The Man of Steel #82, Superman Vol. 2 #138, Adventures of Superman #561, Action Comics #748, Superman: The Man of Steel #83, Superman Vol. 2 #139

Notes: Today I’m getting into the finale of the Dominus storyline (at least this one), starting with Adventures #560. Silver Age Superman is stunned to find out that Lois Lane – the girl he loves but keeps at arm’s length – has a date with his pal Batman. The story seems to be going in the same direction as the previous two issues – a kind of standard Silver Age type story involving Lois’s feelings, Batman, and a sliver of Red Kryptonite. Halfway through, though, there’s a turn, as Batman reveals – even to Superman – that the two of them were BOTH adopted by the Kents after their respective origin tragedies and grew up as brothers. From there we get a quick chain reaction as all of Superman’s dreams seem to be coming true: Emil Hamilton shows up with a cure for Red Kryptonite, Jor-El and Lara appear alive, promising to take him back to Krypton’s Hypersector with them, Lois professes her love and vows to go with him…but Batman transforms into the White Haired girl, who reveals herself to be Kismet. The universe fades as Superman and Lois embrace one another.

Action #747 goes in a very different direction. The story, free of dialogue, unfolds as we watch Clark return to the Daily Planet, Lois kidnapped by the Prankster, and Superman come to the rescue. Throughout, although there are no speech bubbles or conversations among the characters, an unseen narrator gives us a monologue about godhood, divinity, chaos, and order. The narrator is manipulating Lois, trying to bring her into a position where she kills Superman, but in the end she can’t do it. The dialogue finally comes back in the last few pages, when the White Haired girl  again reveals herself as Kismet and the narrator redoubles on his plan to control the universe, revealing himself as an entity called Dominus. This issue is really jarring, being SO different from the previous two (and, in fact, from the rest of this storyline altogether). I’m not sure if it entirely works, to be honest, especially since the girl’s reveal at the end was done in the previous week’s issue, and now I’m sure we’ll see it again two more times. 

Man of Steel #82 picks up with Golden Age Superman determined to halt a train laden with prisoners bound for the concentration camps, unaware that one of the prisoners is the captive Lois. Saving her from the train he kisses her and – just for a second – glimpses the real, modern world. Kismet (still as the White Haired Girl) hopes that putting the two of them together again will help them to break whatever Dominus has been doing, but Superman’s attention is focused on liberating the Nazi’s prisoners (because, you know, he’s Superman). Kismet tells Lois and Superman that their bond is the one thing Dominus can’t break, and when she brings them together again, the three of them find themselves back in Metropolis in the modern day. But the Nazi Commandant has come with them, revealing himself to be Dominus. Superman again recognizes the girl as Kismet, who helped lead him back to life back in Adventures of Superman #500, but Dominus attacks the girl and Superman is swallowed by nothingness.

The future ain’t what it used to be in Superman #138. Superman returns to Metropolis with his allies – and several new ones – announcing the formation of a Justice Alliance (with a logo that looks like an odd mashup of the Justice League and Legion of Super-Heroes emblems). But the ceremony is disrupted by the White Haired Girl, and we begin flashing between the four timelines we’ve been following. Kismet reveals that Dominus has trapped Superman in a sort of “reality prison” and split his consciousness into four separate simulated realities. As he breaks free from Dominus’s will, he returns to the real, modern Metropolis with Kismet. We discover that, in the last moments of Superman Forever, Dominus placed him in this “reality prison,” and Superman has been tearing through Metropolis ever since, acting out the scenarios we’ve been reading across the four titles. (It really makes you wonder what people were watching him do when he was carrying around his sad little box after being fired from WGBS.) Kismet brings Superman to a secluded place where she tells us that she thought Dominus was trying to control him, but it turns out that she’s his REAL target, and Dominus was using the false scenarios to draw her out of Superman so he can usurp her power. Dominus appears and attacks, hurling Superman away as Kismet flees.  

In Adventures #561 Waverider appears and implores Superman to help find Kismet, as if he needed to ask. The White Haired Girl reappears as Clark is having lunch with Jimmy and Lois, and he takes off after her. It turns out NOT to be Kismet, though, but rather the girl whose appearance Kismet adopted. And as Superman takes her home, Waverider reveals himself to be Dominus in disguise, using Superman to find the REAL Kismet. 

Incidentally, this issue also sets up the NEXT big story arc for the Superman titles, in which the Daily Planet is put up for sale. That’s an interesting arc in its own right, but I’m not going to get into the whole thing because…well geez, I gotta draw the line SOMEWHERE.

Action Comics #747 brings Dominus – disguised as Superman – to Smallville to talk about Kismet with Jonathan Kent, who also met her back in Adventures #500. He fails to draw her out, though and leaves. Dominus makes his next play against Superman, but his constant manipulation of reality leads the two of them into a conflict that spirals into some really cool page design by Stuart Immonen before finally – hopefully – bringing the REAL Waverider into the conflict. In Man of Steel #83, Waverider and the Linear Men try to break Superman from all the reality warping that Dominus has been putting Superman through, but by now he doesn’t trust his old allies, believing them all to be Dominus. Finally, in Superman #138, as Superman holds Dominus off Waverider – the real one – takes Kismet back in time and hides her inside a young girl from Smallville, Kansas. Dominus leaves, swearing his revenge, and the story finally ends…

For now, at least. Both Dominus and Kismet would return in later story arcs, but this is as good a place as any to draw the line and end the saga of Electric Superman, plus the Dominus epilogue. So let’s do a post-mortum of the era, shall we? When this saga was originally being published, back in 1996 and 1997, I remember having some rather uncharitable feelings about it. I knew even then that it was a temporary change, and I felt like it was disingenuous of DC to try to paint this as a new status quo for Superman. With age, I’m definitely wiser in that respect. I realize now that DC was never really trying to pretend this would be Superman “Forever,” and any comments to the contrary were nothing more than kayfabe. I think that accepting that sort of thing has made me more accepting of other, later long-form stories, like when Dr. Octopus took over Peter Parker’s body for a year or two, or when Captain America was revealed to be a Hydra Agent. I’ve gotten better about judging stories like these on their own merits, rather than having a knee-jerk reaction to any sort of change, and I think I enjoy comics better because of it.

As for the Electric Saga as a whole…I’m actually struck by how much I enjoyed reading these comics again. This time around I’ve really gained an appreciation for how intricately the stories of the Triangle Era were woven together. Even when I read the whole Death and Return of Superman earlier this year, it wasn’t as clear because EVERY storyline was put on hold at the time to serve the larger one. This time around, between the time Clark’s power changed and the time he split into two, the power thing was almost incidental. We were still getting Superman stories with the ongoing plots and subplots, with things being set up far in advance that would pay off much further down the line. It’s really impressive to me just how well these things were plotted, and frankly, I miss the days when a comic book like this could put out a new installment each and every week. These days, likely, will not come again.

Next, I think I’ll take a week to be random before I get back to themes. I’ve only got 14 weeks left, and I definitely have several categories that I intend to dig into before it’s all over…but for now, I’m going to give myself a teeny break and just spend a week with whatever Superman Stuff suits my fancy. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 34: Crossover Chaos Part III-The Final Amalgamation

I spent last week dipping my toes into the DC Vs. Marvel crossover, as well as the first wave of Amalgam Comics titles. But I’m not done yet: I’ve still got over half the huge Amalgam Age Omnibus to get through, including two sequel miniseries and the second wave of Amalgam Comics. Not only that, but after a few weeks where the beginning of the school year has kept me busy, I finally get a chance to sit down and catch up on more recent Superman comics. Oh yeah – and Peacemaker season two drops this week, and while I don’t expect to see Superman to show up, James Gunn has promised that the story of this season follow on from the film, so there’s a pretty good chance I’ll have some thoughts to share about that. Let’s begin, shall we? 

And as always, you can check out earlier blogs in the Year of Superman Archive!

Wed., Aug. 20

Comics: DC/Marvel: All-Access #1-4

I had the same look on my face as Access when I read Civil War II.

Notes: I’m going to say something that may be controversial here. I actually like the follow-up miniseries, like DC/Marvel: All-Access, better than the DC Vs. Marvel event itself. DC Vs. Marvel was a fun experiment, but the plot was really just a flimsy excuse to show off fights between the characters and frame the Amalgam specials. All-Access, on the other hand, has an actual STORY to it, and I appreciate that. Written by Ron Marz with art by Butch Guice, whom you may remember passed away earlier this year, All-Access starts out with Axel Asher, the man who straddles the line between the Marvel and DC Universes as Access. A psychic flash warns him that Venom has somehow hopped universes, and if anyone from either universe stays in the other one for too long it could cause the worlds to fuse into the Amalgam Universe again, so the cosmic hall monitor has to get to work. He comes across Venom in Metropolis, where he’s throwing down with Superman, and so Access decides to get some backup by calling in someone who knows what Venom’s deal is: Peter Parker, the Amazing Spider-Man.

This is all in the first issue of the miniseries, by the way, which almost works very well as a standalone Superman/Spider-Man team-up. There’s no gratuitous hero-on-hero fighting here, just two good men teaming up to take down one bad one, and Marz plays them both perfectly. Re-reading this issue is where I started to realize that this is kind of what I had hoped DC Vs. Marvel would have been all along.

Superman doesn’t show up again until the last page of issue #3, but in the meantime, Jubilee convinces Access to take her back to the DC Universe because when she and Robin were supposed to be fighting each other, they kind of fell in love. (To this day, it’s probably the best relationship Tim Drake has ever had.) Their reunion is interrupted by an encounter with Two-Face, then again when the Scorpion appears, once again mysteriously having been pulled from the other universe. Access recruits Batman to help him solve the mystery of the “crossovers,” and Batman suggests that they track down the man who, in the combined universe, was supposed to be its defender: Dr. Stephen Strange. Batman approaches Strange, suspecting that he’s causing the crossovers somehow, and Jubilee calls in the X-Men to hold him off. Issue three ends with Access once again calling in the cavalry, bringing in the rest of the Justice League.

Issue four is X-Men vs. JLA, at least at first. Things change when Access discovers that Dr. Strangefate has been hiding in Strange’s subconscious ever since the merger and used him to cause the crossovers in an attempt to restore the Amalgam Universe. He fuses Wonder Woman and Storm once again into their Amalgam counterpart, Amazon, but when he realizes he doesn’t have the right parts to put together anyone else, he starts creating NEW Amalgams: Superman and Bishop! Iceman and Aquaman! Jean Grey and the Martian Manhunter! Things get wild!

The story ends with a nice little promise, the Amalgam Universe restored as a sort of pocket universe where Strangefate is locked away, and the Marvel and DC Universes get to remain separate. But this miniseries was so much fun, seeing the characters actually interact in ways that didn’t go straight to the fisticuffs. The Robin/Jubilee stuff in particular was fantastic, and I loved seeing Superman and Spider-Man working together again. 

It’ll never happen, but I’d love to see a longer Access series, say a 12-issue event in which he’s trying to solve some sort of mystery that encompasses both worlds. And I’d love if, during this year, he appears not only in his own series, but in the ongoing comics of both companies, bringing surprise guest stars with him. But seeing as how the original plan was for DC Vs. Marvel to end with She-Hulk and Martian Manhunter swapping universes for a year until that plan was nixed by the lawyers, it’s doubtful that anything like that could happen. It’s not like the world has gotten LESS litigious since 1996, after all. 

Thur., Aug 21

Comic Books: Super-Soldier: Man of War #1

The amalgamated Snyder Brothers fans get SO angry that they gave Super-Soldier his trunks back.

Notes: A year after DC Vs. Marvel, a second wave of 12 Amalgam one-shots were released, six of them continuing adventures of the characters from the first, six of them with all-new Amalgamations. What’s interesting is that even the books that carried over didn’t continue the STORIES from the original. Some of them were unrelated stories, some made brief reference to the previous, and some went REALLY wild, like Dark Claw Adventures giving us an adventure of the Amalgamated Batman/Wolverine combo in a Batman: The Animated Series style. For our first visit with the Super family, Super-Soldier: Man of War dipped back in time to give us an adventure of the character from World War II. Mark Waid and Dave Gibbons reunite for this story, which kicks off with Super-Soldier at a meeting of the All-Star Winners Squadron. But he’s only there long enough for us to notice some new Amalagams (such as the Human Torch/Green Lantern mashup Human Lantern) before it’s off to join Jimmy Olsen for a special undercover Daily Planet assignment overseas. 

On the ship to Europe, Clark and Jimmy make the acquaintance of Sgt. Rock and the Howling Commandos, and Clark is later chagrined to find that Winston Churchill has fallen for the do-gooder act of his arch-nemesis, Lex Luthor, husband of Lois Lane. In a way, Luthor’s involvement actually makes this a prequel to the previous story, as the issue ends with him unveiling the plans for the Ultra-Metallo that Super-Soldier fought the first time we read one of his adventures. Kinda makes you wonder why it took Luthor 50 years to get it together.

As before, Waid and Gibbons do a great job lacing together the Superman and Captain America characters, this time bringing in the World War II-era heroes of Easy Company and the Howlers as well. Peggy Carter, for instance, shows up here as a member of the French Resistance (although I couldn’t figure out which member of Easy Company she was supposed to be mashed up with). The appearance of Major Zemo and his War Wheel pushes this over the top – silly and gleeful. These Amalgam books, when done well, are just an enormous amount of fun. Is it too much to hope that the new DC/Marvel crossover books that are about to come out will open the door for the return of this mixed-up universe? 

Fri., Aug 22

No, you give YOUR dog an invisible bone!

Last night was the premiere of Peacemaker season 2. I thought that meant I would be able to watch it when I got home from work, but apparently, it dropped at 8 p.m. EST, by which time my sports fanatic son was engrossed in a preseason game between two teams that nobody in our house has any personal connection to. But that was okay, I figured that I would just watch it the next day. I guess that was pretty stupid of me, though, to assume that I could wait a whole 20 hours and not have anything spoiled for me. Before the game was even over, though, posts were appearing on social media that spoiled something that really pissed me off. You see, season one was made BEFORE James Gunn was given the job of revamping the DCU, and was intended as part of the previous iteration of the DC Extended Universe. With the new DCU that began in Creature Commandos and continued into Superman, though, there were questions as to which parts of the season were still canon. Gunn has been exploring that in the official podcast for the show, but there was a moment in the finale that they were going to have to work a little bit to reconcile. 

Naturally, looking at Facebook last night, I was spammed with different pages that I don’t even follow sharing a screenshot that ruined a pretty amusing moment. How dare I assume that people wouldn’t make it into a headline? It had been an entire 180 minutes since the show dropped! What are they, made of stone?

Here’s the rule: If you’re posting spoilers about a show on the day it airs, you’re an asshole. That goes for individuals as well as all of those pages that I have since blocked.

By the time you read this it will have been nearly a week since that episode, and I STILL wouldn’t talk about it without giving you a warning. So in the next paragraph I’m going to spoil a few things about the end of Peacemaker season one and the beginning of season two. If you haven’t watched them and want to remain pure, skip ahead to Saturday.

TV Show: Peacemaker Season 2, Episode 1: “The Ties that Grind.”

Season one of Peacemaker ended with the titular hero and his team, the 11th Street Kids, saving the world from an invasion of alien butterflies. It’s more impressive than it sounds. But in the battle, Emelia Harcourt was nearly killed. Towards the end of the episode, Peacemaker is carrying her to safety when, lo and behold, the Justice League appeared – too late to do any good. The League, in this case, included silhouettes of Superman and Wonder Woman, as well as Jason Momoa as Aquaman and Ezra Miller as the Flash. It was a funny scene, but as that Justice League doesn’t exist, that scene clearly was no longer canon.

Gunn promised to explain it away and he did at the very beginning of the episode, in the “Previously on…” montage, where the League was replaced by the Justice GANG from the movie. The silhouettes of Superman, Mr. Terrific, and Supergirl all appeared, as well as a quick and the cameos have been replaced by Isabela Merced’s Hawkgirl and Nathan Fillion’s Guy Gardner. It was a funny bit. But I bet it would have been funnier if not for the asshats on the internet posting it the night before I got to watch it.

Fillion and Merced appear later in the episode as well, alongside Sean Gunn as Maxwell Lord allowing Peacemaker to audition for the Justice Gang. Watching the episode, it’s clear why DC put out the digital version of Superman last week – there are a lot of things in this show that build directly on that movie, although it’s still Peacemaker’s story of course. Rick Flagg shows up, worried about another dimensional rift like the “Luthor Incident” that happened this summer. Besides the connections to Superman, the show also starts trickling in new characters, like a surprising cameo by White Rabbit and references to the likes of the Ultra-Humanite and Captain Triumph. Rick Flagg is even working with Sasha Bordeaux, a supporting character from Greg Rucka’s Batman comics. Gunn seems to be using this season of Peacemaker to lay in chunks of the history of the DCU that Superman only hinted at, and I’m really quite excited by that. 

Look, it’s not a HUGE Superman link, and it’s DEFINITELY not a show I’m gonna watch with my seven-year-old like the movie, but this show is starting to look like it’s going to be part of the fundamental fabric of the new DCU, and that would make it worth watching even if it WEREN’T really good. 

Comics: Jon Kent: This Internship is My Kryptonite #5

Sat., Aug 23

Comic Books: Superman: The Kryptonite Spectrum #1, Superman Unlimited #4, Supergirl Vol. 8 #4

This is why you don’t watch whites with colors.

Notes: The beginning of a new school year traditionally keeps me busy, and today was the first time I’ve made it in to pick up my new comics in a few weeks. As such, I’ve got a hefty nine Superman or Superman-related comics sitting in my stack, waiting to read and discuss, including the much-anticipated Superman: The Kryptonite Spectrum #1. This Black Label series is by W. Maxwell Prince and Martin Morazzo, the creative team behind Image Comics’ incredible existential horror series Ice Cream Man. That’s the only thing of theirs that I’ve read before, however, and while I’m a big fan, I’ve been curious ever since this was announced as to just how their sensibilities would translate over to the Man of Steel.

As it turns out, they translate wonderfully.

In this story, Superman discovers four new strains of Kryptonite beyond the usual colors we’re aware of, and recruits Batman to help him experiment with them and find out what they do. The first, a Purple K, distorts Superman’s perception of time – something that is especially concerning as Lex Luthor chooses just that minute to unleash Solomon Grundy in Metropolis.

It would be fair for someone to question whether a creative team best known for a cosmic mind-tripping horror comic would be an appropriate choice for a Superman story, but Prince and Morazzo acquit themselves right away. The Kryptonite Spectrum isn’t a horror story by any stretch, but when Superman’s concept of linear time is skewed, we get a story that drifts into the kind of psychological twists that make Ice Cream Man so compelling while skipping the actual terror. Prince uses this conceit to play with the reader’s concept of time as well, and the script even twists Superman’s interactions with his friends, with a few scenes with Lois Lane dipping into the very real anxieties that Ice Cream Man so frequently mines for pure horror. Here, though, rather than terror, Prince uses them for character drama, displaying things about the relationships between the characters that feel very true, very human. This may not have the “Elseworlds” label, but the story clearly isn’t set in the mainstream DC Universe, with Superman and Lois’s relationship framed in a way that doesn’t fit that world, but feels quite appropriate for the story that Prince and Morazzo are telling. This is a great first issue of a very different kind of Superman story, and I enjoyed it heartily. 

Remember this the next time one of you wants to give me grief for putting up my Halloween decorations in September.

Dan Slott and Rafael Albuquerque are back with Superman Unlimited #4. With the Daily Planet expanding to a global operation, Jimmy Olsen has been tasked with helping set up their Gotham City office. While he’s in town, he and his ape city sidekick Tee-Nah run across Man-Bat and wind up summoning Superman for help. What they don’t know, though, is that this is a new Man-Bat, one who can transmit its curse via a bite…and a chance encounter with all the Kryptonite on Earth these days has left Superman just vulnerable enough to get nipped. Soon it’s Robin and the Birds of Prey vs. Superman-Bat! 

This book is really turning out to be just what I wanted. There’s an ongoing storyline – that of the Kryptonite meteor that fell to Earth and the consequences of that – however, each issue feels like it’s telling a complete and self-contained story. The A-plot, the “Superman-Bat” thing, is done in one and it’s over. The background story of the Kryptonite and the expanded operations of the Planet continue. Although it’s a single monthly comic, in a lot of ways it feels like the structure of the glorious “Triangle Era” of the Superman comics, and I love it for that. Slott also works in some nice tidbits regarding Superman’s interaction with the Batman family, which – coming right on the heels of having read The Kryptonite Spectrum #1 – makes it feel as if DC is using the month of August to make sure everyone remembers that Superman and Batman are best buds. Which, of course, I approve of wholeheartedly.

This is what happens when you don’t use fluoride.

Supergirl #4 continues Sophie Campbell’s new(ish) take on the Woman of Tomorrow. Having defeated her doppelganger Lesla-Lar last issue, this issue Supergirl takes her back to Kandor where she does something her cousin would most certainly approve of wholeheartedly: she goes to bat for her. Supergirl argues that Lesla has the drive to become a real hero, if only given the proper guidance, and volunteers to take that task upon herself. That’s the very beginning of the issue – afterwards we see Lesla make earnest attempts to prove her worth, leading up to a strange but entertaining encounter at a Goth club where she makes a mistake in judgment that winds up having the Supergirl squad face the forces of Decay. 

I just adore Campbell’s take on Supergirl. This issue in particular feels so true to the character – she comes off as someone who has demons in her past but, having largely conquered them, is sworn to help other people do the same. And following Lesla in this issue just magnifies that fact, demonstrating the effect that just being in proximity of someone like Supergirl can have on a soul that’s not truly evil, but merely lost. It’s such a good look for her and for the entire Superman family, and Campbell is nailing it in a delightful way. I also appreciate how Campbell is mining Supergirl’s past – the “new” villain, Decay, is a new version of an obscure character from Supergirl’s ‘80s series who, to the best of my knowledge, hasn’t reappeared since then. She knows this character’s history and she’s using it to her best advantage, which makes for a really rewarding read. 

Sun., Aug. 24

Comics: Krypto: The Last Dog of Krypton #3, Action Comics #1089, Justice League Red #1

Notes: After a busy Sunday of groceries, shoe shopping, making my weekly LitReel and, of course, a required stop at Spirit Halloween, it’s nearly 7 pm before I have a chance to sit down and read anything. Fortunately, I’ve still got six more new Superman-related books to dig into. Let’s see how many I get to this evening.

Beware the fetch.

Krypto: The Last Dog of Krypton #3 is first. Wandering alone after abandoning Lex Luthor, Krypto is stumbling through the woods when he comes across a little girl who’s as lost as he is. Roaming through the freezing woods, Krypto takes it upon himself to take care of the child, and in the process, proves just what a good boy he really is.

The first two issues of this miniseries blew me away. This one… DAMN it, Ryan North. Three issues in a row – THREE ISSUES IN A ROW – and you’ve got me in tears reading about KRYPTO THE SUPERDOG.

Honestly, if you’re not reading this comic book I don’t know what even is wrong with you.

When a teenager loses one of his contact lenses.

Action Comics #1089 may not have me sobbing over the adventures of a dog, but that doesn’t mean it’s not good. Last issue, young Clark Kent was surprised when his history teacher showed up on his doorstep and revealed that he knew Clark was Superboy. This issue, Mr. Blake has a reveal of his own and, frankly, I’m kind of irritated with myself for not picking up on who he was in the first place. Mark Waid is being Mark Waid here, tapping on his seemingly infinite awareness of the DC Universe to bring back a character who hasn’t been seen in a while and recontextualizing him in the world of Superboy’s Smallville. I can’t get much more specific without spoiling anything here, and in case you haven’t read the issue yet, I don’t want to do that But Waid is doing really interesting stuff in this issue.

My one complaint is actually the cover by Ryan Sook. It’s a great piece of art – evocative and certainly sure to get a reader’s attention…only it doesn’t seem to actually fit anything in the story. I hate when comic book covers are dull, generic pin-ups, but it may be even worse when the cover is of a scene that doesn’t even appear in the book.

Wait, some of these costumes need more red.

The last book I squeeze in before I’m alerted by my child that he’s hungry and he has expectations of something called “dinner” is the first issue of the latest DC All-In era Justice League spinoff, Justice League Red. Ever since the Justice League re-formed, Red Tornado has been serving as the computer intelligence running the operations for the team. This issue, Power Girl and Green Lantern Simon Baz get a red alert on their League ID cards that summon them to a satellite Red Tornado built without the knowledge of the rest of the League. His computer mind has been running millions of simulations and has determined that the new League is somehow going to lead to a catastrophe on Earth, and he needs a few trusted members to handle secret tasks the rest of the League cannot learn about in order to stop it.

Writer Saladin Ahmed is taking an interesting path in this book. The story leads us to believe that Red Tornado is unstable, and that all of these predictions and algorithms he’s run are unreliable. Even as Power Girl and Simon carry out their first mission, they’re skeptical as to whether they’re doing the right thing and whether they can trust their robot teammate. But to play that hand so early, to make it seem from the very beginning that Red Tornado may be going off the rails…it feels kind of like a feint to me. I’m willing to bet that we’re going to find out along the way that things are even worse than believing Red Tornado is wrong: we’re going to find out that somehow, he’s RIGHT. Interesting set-up, and I look forward to seeing where this goes. 

Mon. Aug. 25

Comics: Absolute Superman #10, Batman/Superman: World’s Finest #42, Justice League Vs. Godzilla Vs. Kong 2 #3

Confirmed: I still can’t see John Cena.

Notes: Time to wrap up my catch-up weekend (plus one day) with the final three Superman-related comics from my visit to the comic shop. I’m kicking it off with Absolute Superman #10. The battle continues between the Omega Men and Ra’s Al Ghul’s Peacemakers, with Peacemaker Smith on the front line in the hunt for Kal-El. With a Kryptonite bullet in Smith’s gun, Kal-El is faced with a decision, and a reflection onto a hard choice his father once made brings about a surprising result.

The conceit of the Absolute comics is that this is an entire universe tainted by Darkseid, where hope is the eternal underdog and the sort of values that characterize the traditional DC heroes are absent. This issue, Kal-El is faced with the kind of choice that Superman inevitably comes down to at some point in his career, and it’s a testament to Jason Aaron’s writing that, right up until the choice is made, I’m not entirely certain which way I think he’s going to go. 

I like the way the Absolute world plays with characters as well. Concepts like the Omega Men, Peacemaker, and especially Ra’s Al Ghul are not traditional elements of the Superman corner of the DC Universe, but they work in the story we’re getting here. Overall, it’s a good chapter in this saga. 

This am bad serious book.

In World’s Finest #42, Superman and the Dynamic Duo have been summoned to Bizarro World to help with a plague. The Bizarros (including Bizarro Superman #1 and Batzarro) who are infected find their minds realigned to a more Earth-like way of thinking. Such a danger can’t be allowed to spread, so they’ve turned to our heroes to save them…but together, they find that the danger may be greater than even the plague seemed to be.

Mark Waid is doing some really interesting things with the Bizarros here. He plays with the notion of how science and physics don’t really allow for something like a square planet and what the consequences of such a world would be. At the same time, he tackles the Bizarro philosophy of things being “backwards” as well, in a way that makes me feel slightly abashed for my criticism of the Bizarro story in the recent Kal-El-Fornia Love summer special. There’s also a great moment for Batman here – Robin (understandably) questions why it would be such a bad thing if the Bizarros all had their minds reversed to what we think of as “normal.” Batman’s response is a little unexpected, at least until he gives his reasoning, displaying a depth of compassion that Batman isn’t often given credit for. It’s a good look on Bruce.

So they’re sitting around watching Japanese movies, so what?

I finally get to the end of the new Superman titles (less than 48 hours before this week’s comics go on sale) with Justice League Vs. Godzilla Vs. Kong 2 #3. At the center of the Earth, Superman and Lex Luthor are forced into an uneasy alliance as they come across a herd of giant gorillas. (A herd? A pride? What are a group of gorillas called? I should probably look that up.) On the surface, meanwhile, Supergirl and Wonder Woman get to work liberating a Monarch base being held captive by Task Force X, and Harley Quinn gets involved in a rather…unique therapy session. 

Obviously, I love crossovers, and seeing the League facing off against the Kaiju of the Legendary Monsterverse is a lot of fun. I particularly like bringing in the Suicide Squad as an alternative antagonist in this story. But it’s the sort of thing that’s a little hard to hold in your head from month to month. Waiting for the trade isn’t a practice I care for, but this is probably a situation where the story will read better in collected form than issue-to-issue. Once it’s over, I’ll have to re-read the whole thing in a lump. 

Tues., Aug. 26

Comics: Spider-Boy Team-Up #1, Unlimited Access #1-4

They don’t call ’em “Legion” for nothing.

Notes: We’re going to end our journey through the Amalgam Universe and the DC/Marvel Omnibus today with Spider-Boy Team-Up #1, and the subsequent Unlimited Access miniseries. The final one-shot, written by Roger Stern and Karl Kesel (cleverly Amalgamated into R.K. Sternsel) with art by Jose Ladronn, features the return of the Arach-kid with a special guest appearance by his pals in the Legion of Galactic Guardians 2099, and that in and of itself should tell you that at this point they were going WILD with the Amalgamations. At Cadmus, as preparations are made for the Kid’s upcoming nuptials to Mary Jane Watson, aka the Insect Queen, the Kid is plucked from the timestream and brought to the far-flung future, where the Legion is about to elect a new leader. Will it be Vance Cosmic? Martinex 5? Cannonfire? Multiple Mai–you know what, there’s too many, I’m not going to list them all. But it’s pretty interesting to note that there are so many Legionnaires that there aren’t enough Guardians to Amalgamate them all (or at least, there weren’t at the time) so they wind up mashing together with virtually any Marvel character that fits: Dream Girl and Destiny made up Dream Date, Matter-Eater Lad and the Trapster made Paste-Eater Pete, and my personal favorite, Bouncing Boy and Speedball mashed into Bouncing Ball. Unfortunately, Spider-Boy’s time displacement is causing stress on the time stream, and he winds up falling into different time periods, meeting different incarnations of the Legion.

The book turns out to be a real celebration and gentle parody of the Legion, poking some lighthearted fun at the various reboots the team has undergone over the years, a topic with which I have some passing familiarity. Even Ladronn’s artwork works really well, emulating the different styles of Keith Giffen’s Five Years Later era just as neatly as he does the Chris Sprouse-inspired Reboot Legion. The ending is a really nice touch, tying together the “2099” part of the melding with the only Legionnaire that it could possibly have been. Even divorced from the rest of the Amalgam comics, Spider-Boy was a glorious, joyful, wild experiment. Man, I hope the upcoming facsimile edition is just a precursor of things to come.

Something about Thor-El is kinda…compelling…

The last gasp – both for the Amalgams and for the Access concept of Marvel/DC Crossovers, came in the 1998 miniseries Unlimited Access by Karl Kesel and Pat Olliffe. The story starts with Access, the “Cosmic Hall Monitor,” popping back to his home in Marvel’s New York after sorting out a recent encounter between Spider-Man and Batman. Kesel implies here that this particular crossover had Access looking on from the background trying to keep things straight. As a concept, it actually would work to explain EVERY Marvel/DC crossover – Access, or someone like him, keeping an eye on temporary fusions between the worlds, which the respective heroes forget after the fact. If they decided to run with it that way.

Access has to untangle the appearance of Mantis – one of Darkseid’s lesser goons – in battle with Spider-Man, a fight that gets escalated when Juggernaut and Wonder Woman wind up in the mix. Things get even crazier when he takes Diana home only to find himself tangled in a fight between a still-savage Hulk and Green Lantern Hal Jordan…who is DEAD.

Superman doesn’t actually show up in the first few issues of this miniseries, so I’ll cut to the chase: as it turns out, Access doesn’t just bounce back and forth between universes, but discovers he can bounce back and forth in TIME as well, allowing him to meet the different versions of the Marvel and DC heroes from any point in the timestream (including the “Days of Future Past” X-Men from the distant year 2012). He’s also got the ability to create Amalgams, merging characters from the two worlds into one, which comes in handy when it turns out he’s being tracked by Darkseid, who wants his ability to traverse the worlds. By issue three, Amazing Grace has hypnotized the original Avengers and Justice League into battling each other, and Access decides to reach out for the only hero who stands a chance of fixing this mess: big blue himself, Superman. And I mean Superman during his electric blue era. It takes literally seconds for Superman to jolt everyone back to their senses, then he and Captain America mobilize the two teams to fight off Darkseid’s invasion of the Marvel Earth. But the crazy just keeps coming with the Brotherhood of Evil Mutants, the original X-Men, and a group of teen heroes who – just months later – would wind up getting their own title as Young Justice. 

By issue four, Darkseid and Magneto are teaming up to take over the world (this is early Magneto, when he was still into that kind of thing) and the heroes decide to combine their powers – literally – into a single strikeforce of Amalgams. Black Canary and Jean Grey: Jean Black! Giant-Man and Green Lantern: Green Goliath! Captain America and Captain Marvel Jr.: Captain America Jr.! I know, I didn’t write it. And of course, Superman and Thor are fused together as Thor-El. 

The fun part here is seeing these new Amalgams throw out casual references to help the reader to understand what they’re like in their own minds: Captain America Jr. possessing the “wisdom of Lincoln,” for example, or Thor-El referencing the Valhalla Zone. The series, and the history of Access, end with him accepting the truth about himself, beating Darkseid, and swearing to prevent a future he doesn’t want to experience. 

Reading this story again now, there’s so much potential left in this concept, and thanks to the nature of Access’s powers, there’s no reason that Marvel and DC couldn’t pick up on it again at any time. With new crossovers (finally) on the horizon between the two of them, the chance is right there. I don’t know if they’ll take it – I certainly hope so.

But for now, at least, our journey with Superman and the heroes of other worlds has come to an end. And I think it’s time to rededicate myself to stories focused around Clark Kent himself. That in mind, next week, I’m going to embark upon my re-read of the longest Superman saga I’ll have yet tackled for the Year of Superman blog. See you then!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week 11: The End of the Return

This week we’ll reach the end of the “Reign of the Supermen” storyline (probably – I’m writing this on the afternoon of March 12 before I start reading any of them, so I suppose anything might happen). After that, I intend to touch upon some of the stories that follow and some of the ways that the Death and Return storyline were reflected in other media. Being such a fundamental part of the Superman mythology at this point, it shouldn’t be surprising to anyone to see that it’s been revisited many times. We won’t get to them all, but there’s plenty coming up. 

Wed., March 12

Comics: Action Comics #690, Superman: The Man of Steel #25, Superman Vol. 2 #81, Adventures of Superman #504, Adventures of Superman Annual #5

“Eradication”? Get It? GET IT?

Notes: Let’s start with Action Comics #690. The Last Son of Krypton, close to death, returns to the Fortress of Solitude only to learn that his “power source” is gone – he’d been using the real Superman’s body to generate the energy he needed. The process has helped to resurrect him, though, and now Superman is on his way to Metropolis, charging across the ocean floor in a Kryptonian mech. The Kryptonian, meanwhile, sends what amounts to a deep fake video to the Justice League, blaming Coast City’s destruction on the Eradicator and sending the League and their most powerful allies on a wild goose chase into outer space to track him down. After all, it won’t be great for his plans if Earth’s most powerful heroes are still on Earth. 

Two things of note in this issue. First of all, the robots in the Fortress help repair the Eradicator’s damaged memory, revealing to him (and the reader) his true identity. It’s been a long time, but I’m pretty sure I figured this one out ahead of this issue. You see, at this time I voraciously re-read my favorite comics. I’d start with the Man of Steel miniseries, read every subsequent Superman comic in order (I had begun – but not completed – the process of filling in the gaps) until I reached the most recent, then go back and start from the beginning. So I’d read the Eradicator story maybe five or six times, it was pretty fresh in my memory, and Roger Stern dropped a LOT of clues (unlike Dan Jurgens, who was pretty good at holding the Cyborg’s true identity close to the vest). The other thing I want to point out concerns Superboy, captive of the Cyborg, struggling to get free and save Metropolis from being destroyed like Coast City. Up until this point, Superboy had been motivated largely by his thirst for fame and adoration. There were glimpses of the good core of Superman in him, but this is the point where it really starts to come out, when he REALLY starts to see the big picture and find himself willing to put himself on the line. It’s a good look for the Kid.

That’s a face only a Martha could love.

In Man of Steel #25 Superboy is still being held by the Cyborg in the enormous engine built over the ruins of Coast City, unable to figure out why his powers don’t work the way he expects them to. He manages to escape, rushing back to Metropolis just as Supergirl, Steel, Lex Luthor, and Lois all converge at the Metropolis airport, where the Kryptonian mech we’ve been following for a few issues now emerges from the ocean. After a brief fight, Lois holds the others back, recognizing the Kryptonian battlesuit. It cracks open and spills open its precious cargo: a black-clad Superman, ready to put his life on the line for Metropolis once again. There’s so much to love about this issue. We get Lois back, for one thing: after her creepy friend Jeb Friedman makes a move on her she has a moment of crisis and realizes she’s lost herself, then is determined to make her way to Coast City to blow the lid off the Cyborg. Superboy continues gaining more of an awareness of himself as well, and bringing all of our heroes (and Lex) together again leads up to a really inspiring last page. From here, it’s a roller coaster to the end of the story, and I’m there for it.

Lois: “Superman never wore black like some executioner.”
DC: But this will sell a LOT of action figures.
Lois: I withdraw my objection.

Superman #81 picks up right here, as the others face off against this newest guy wearing Superman’s face, with nobody sure what to make of him — especially since he has no powers. He’s saying the same thing as everyone else: Ms. Lane, you know me, you’re the one who gave me my name, so forth, and Lois is struggling until he pulls out To Kill a Mockingbird. The mention of Clark Kent’s favorite movie gives Lois pause – could this actually be the real deal? After a brief conversation, he borrows a pair of flight boots from one of Team Luthor and he, Superboy, and Steel take off for Coast City. Meanwhile, one of the Cyborg’s minions fills in another one of the truth about their master – the former Hank Henshaw, reduced to a computer intelligence, conquered Mongul and is using him to destroy Earth in Superman’s name. The wraparound sequences are best here, with Clark and Lois, all touching moments even now. The middle of the book, with the Cyborg’s origin, is less interesting once you already know the story. At the time, though, it was necessary – Henshaw had been a relatively obscure character who had only made a few prior appearances, and they were actually just before I became a regular Superman reader, so I had to go back and learn who he was after the fact. I wonder if I would have picked up on who Henshaw was earlier had I already read those comics. Probably not, if I’m being honest, but I’m still curious. 

Does anyone else remember the action figure line that came out after this with the slogan “Don’t mess with the S”? Wasn’t that an AWFUL slogan?

In Adventures #504, the trio lands in Coast City, where the powerless Superman scavenges weapons from the Warworlders as they fight their way to the heart of the engine. Cyborg’s got another missile prepared, though, and Superman and Steel watch helplessly as it blasts off for Metropolis, realizing only after the launch that Superboy is clinging to the side. He rides the missile across the country, trying to take it apart, before deflecting it from Metropolis at the last second, arcing it into the air where it explodes…seemingly taking the Kid with it. Spoiler alert: Superboy survived, but man I love this issue. If the Kid was going to stick around (as he did) he really needed a Hero Moment in this story, something to show that he was worthy of wearing the shield. I would say saving Metropolis from total destruction, possibly at the cost of his own life, does the trick.

Fortunately Superboy’s sense of timing got better later.

Of course, this DOES take us to Adventures of Superman Annual #5, our final Bloodlines check-in. Superboy wakes up in the hospital, having just stopped the missile, and is approached by Maggie Sawyer for help in hunting down the alien serial killers from the previous three Superman (and a dozen other) annuals. Meanwhile we meet the improbably named Donna Carol “D.C.” Force, youngest of the Force family. Everyone in D.C.’s fam has the metagene, but hers hasn’t activated yet, and she comes to Metropolis with her Uncle Harry chasing rumors of the alien killers who are making new metahumans. She winds up getting attacked, of course, and a paramedic’s defibrillators seem to give her the final ingredient, activating her gene and giving her electrical powers. D.C. teams up with Superboy to fight the aliens as Sparx. 

Sparx was easily the most successful of the four New Bloods that came from the Superman books, becoming a series regular in Superboy and the Ravers a few years later and having assorted appearances in the years since. I really like the concept of a kid who comes from a family of metas who just wants to be a superhero, too – it’s a nice, kind of sweet idea. The real issue with this book is TIMING. Superman and Steel are back in Engine City on the other side of the country trying to prevent the Cyborg from destroying the entire planet, and Superboy takes time out for a SIDE QUEST? You’ve gotta be kidding me. 

Thur., March 13

Comics: Action Comics #691, Superman: The Man of Steel #26, Green Lantern Vol. 3 #46, Superman Vol. 2 #82

Dammit, Clark, stop breaking the covers. Do you have any idea how expensive these are?

Notes: As Superman and Steel fight their way to the heart of Engine City in Action Comics #691, we discover that Supergirl has been following them since leaving Metropolis, using her invisibility to act as Superman’s “secret weapon” (a nice little nod to the original status quo of the original Supergirl). In the Fortress of Solitude, the Eradicator drains the power from the Fortress’s devices, leaving both the systems and robots dead, in order to recharge himself enough to return to the fight. And in the heart of the Engine, Mongul finds himself planning to turn on the Cyborg, while revealing that the Engine is powered by a gargantuan piece of Kryptonite. Good stuff in here. The book leans heavily on “If Lois believes he’s really Superman, that’s good enough for me,” and the man in black’s actions back it up. By the end of this issue, Steel is fully convinced that it’s the real deal, and even Mongul recognizes that this new enemy has far greater honor than the Cyborg, whose version of events must be twisted. 

Speaking of the “man in black,” I wanted to point out something regarding the covers for these issues. You notice how, although they had Superman in the black recovery suit (which has become a fan favorite alternate Superman look) they gave him his usual short hair instead of the long hair he came out of the Kryptonian mech with and would keep for the next few years? I’ve never quite understood that. I wonder if it was a case of the covers being drawn far enough ahead of time that the long hair hadn’t been decided upon yet when they were released. It’s an interesting little artifact though, isn’t it?

I would totally wear this cover on a T-shirt.

In Man of Steel #26, Mongul reveals his plan: since Superboy stopped the missile from turning Metropolis into a second engine, which would have made Earth into a new Warworld, he’s going to content himself with firing the existing engine and just, y’know, destroying the world. As a powerless Superman faces Mongul, Steel plunges into the heart of the engine. And in a moment that will change the DCU forever, Green Lantern returns from space to investigate what has happened to his city. There are two great bits in this issue for me. First of all, the Cyborg underestimating Steel’s ability to stop the engine. No way a mere human could possibly throw a wrench into his plans, right? But Mama Irons didn’t name him after the steel-drivin’ man for no reason. The allegory of John Henry vs the Machine may be a bit on-the-nose, but holy crap, is it a fantastic story beat. The other thing, which doesn’t really have a ton of significance but I’ve always thought was funny, was Lois’s scuzzy friend Jeb Friedman watching her concern over the battle in California and asking her if her late finance Clark Kent ever realized she was really in love with Superman.

That caption would prove to be far more prophetic than anybody would have guessed.

Green Lantern #46 is next. As Hal Jordan returns from space to see the wreckage of his home, he dives into the heart of the engine to do battle with Mongul. It’s a brutal fight, Hal hampered not only by Mongul’s yellow skin, but by the fact that if he really cuts loose he’ll unleash the Kryptonite powering the engine, but in the end there’s a hell of a beatdown. You don’t usually find this issue in the collected editions anymore, and for two reasons. One, the more important of the two, is because DC (and Marvel) are reluctant to reprint any of the work of this issue’s writer, who was convicted a few years back of some rather unsuperhero-like behavior. (I’m not going to elaborate – if you don’t already know, Google will tell you.) The other reason you don’t see it is a story reason – the issue runs concurrently with Superman #82, the end of the storyline, and reveals how the reign ends, which is kind of a problem if someone hasn’t read it yet. 

You know it’s special because CHROMIUM.

And here we are, Superman #82, the grand finale of “Reign of the Supermen.” Superboy and the Eradicator return to Coast City to rejoin the battle, but the others are cut off by the Cyborg, leaving him to face Superman and the Eradicator alone. In the depths of the Engine, they battle the Cyborg to a standstill. In a last-ditch effort, the Cyborg unleashes the power of the Kryptonite engine, draining it entirely in a massive power-blast, but the Eradicator hurls himself in front of Superman. The Kryptonite kills the Eradicator, but as the radiation passes through his body it transforms, restoring Superman’s powers. The other heroes break into the engine room just in time to see him defeat the Cyborg, and the true Superman stands revealed once and for all.

This really is a fantastic end to this storyline. Sure, neither the Eradicator nor the Cyborg turned out to be truly dead, and even Superman says in this issue that he doesn’t think Henshaw really CAN die, but try to forget the 30 years of comic book history that have passed since then. It’s Dan Jurgens at his finest, writing and drawing a fight for the ages. Images like the Cyborg inhabiting Steel’s armor and turning it against him are striking, as is the sight of the jawless Cyborg staggering around in pain before the end. Even the Eradicator gets his hero moment, sacrificing himself to save Superman, having been transformed by their psychic bond and abandoning his previous goal of restoring Krypton in favor of restoring her last son. Even now, all these years later, having read this story a dozen times, it’s awesome. 

But although this is the finale of “Reign of the Supermen,” it’s not the end of the Death and Life saga. The next few issues of the Superman books would all feature epilogues of one sort or another and there were several follow-up miniseries such as Superman/Doomsday: Hunter/Prey, which I’ll be tackling over the next several days. There’s still a lot of fun to come from our favorite hero biting the dust. 

Fri., March 14

Comics: Adventures of Superman #505, Action Comics #692, Superman: The Man of Steel #27, Superman Vol. 2 #83, Adventures of Superman #506, Action Comics #693

You know it’s special because HOLOFOIL.

Notes: Now for what I’m gonna call “epilogue month” (and a half). After the Cyborg was defeated and the Reign of the Supermen ended, there were a LOT of loose ends left to tie up. Adventures #505 starts with Superman returning to Lois Lane, who had at this point spent several days worried about what was happening in Coast City. After a happy reunion, they start brainstorming – after all, Superman’s resurrection is one thing, but how are they going to explain Clark Kent being found alive after all this time? The issue continues with several other happy reunions – with Jimmy and Perry, Maggie Sawyer, and best of all, with Bibbo. There’s a good bit of set-up here, mapping out how things are going to go for Clark and Superboy in the coming months, but mostly it’s kind of a down issue in terms of action. Even the supervillain who briefly shows up, “Loophole,” is disposed of quickly and in a rather comical way. It’s like the writers knew that – after the emotional roller coaster we’d been on since Doomsday first cracked open his shell – we needed a break. 

“It’s weird, when Clark was missing the broom closet was never locked…”

But just a week later, Action Comics #692 picks up right from that point, with Superman clearing away more Doomsday rubble and finding…CLARK KENT? Well no – not really. Turns out, Supergirl has used her shapeshifter powers to help complete the masquerade that brings Clark back from the dead. Although for everybody who ever complains about Clark’s glasses being an inadequate disguise, you have to wonder how nobody ever mentioned the fact that both he and Superman got long hair at the same time or how they both got it cut a few years later (comic book time) when Clark and Lois finally got married. 

We also get more loose end-tying. Here we learn that the Eradicator’s body has been taken to STAR Labs, where a heartbeat is detected, and Steel is expected to make a full recovery. There’s also a really cute moment where Lex Luthor confronts Superman about how absent Supergirl has been lately. When Superman deftly tells him off for acting as if he owns the girl, even Lex Luthor has to smile, realizing the real Superman is back. Sure, it’s just because that means he’s still got a chance to kill him himself, but it’s still oddly sweet. 

The issue ends with an unexpected visit from lesser-known DC Comics mystic Dr. Occult, whom Superman had met before. Occult is there to tell them just how close Superman got to dying, and that only a combination of several factors (including the efforts to revive him on the scene, the Eradicator’s interference, and Jonathan stopping his spirit from crossing over to the other side) managed to successfully bring about his resurrection. The point of this sequence is obviously to add back a little more dramatic tension in the future – DC no doubt felt that they HAD to convince the readers that Superman wasn’t immortal, even though later comics would pretty much say, “No, actually, he kinda is.” The issue ends with Occult dropping Lois and Clark off in Smallville for a joyful reunion with the Kents.

It’s just who he is, folks.

Man of Steel #27 shows us Clark’s welcome return to the Daily Planet, while Jonathan and Martha Kent go on a bit of a health kick that will ultimately redefine and modernize the characters a bit. Martha, from the John Byrne days onward, had been drawn as kind of a plumper version of Peter Parker’s Aunt May, and the makeover she soon undergoes makes her more youthful and vibrant, which was a welcome change. But the whole subplot is worth it for the panel where Jon Bogdanove draws Jonathan Kent pouting over the changes, hands stuffed in his pockets like a disappointed child. It’s like Power Pack, the Golden Years here. We also get the first hint that John Henry is going to relocate to Washington, D.C., which would be the setting when he got his own spinoff series later that year. Oh, and in the main plot, Lex throws a “Welcome Back” party for Superman that gets caught in the battle between the Underworlders (and their new leader) and Project Cadmus. This is set-up for future storylines that we won’t be covering from this blog, but it shows you how forward-thinking the writers were in this era. 

“Yeah, this way we don’t have to do another cover design.”

Superman #83 is the most literal epilogue to the saga (it even says it on the cover) as the heroes of the DCU gather to mourn the devastation of Coast City. I’m really glad they did this issue – with the joy over the return of Superman, it would have been really easy to forget that seven million (fictional) people died, but they didn’t pull away from it here. Obviously it would become a much, MUCH bigger plot point in Green Lantern, but it needed to be addressed in the Superman titles as well. The memorial gets disrupted when Lex Luthor shows up and the heroes nearly come to blows over what to do with the Engine: Green Lantern wants to let the atrocity crumble into the ocean, but Aquaman points out that such a thing would be toxic to the seas. Oh yeah, and a few of the Warworld stragglers are still there, causing trouble. The ensuing battle causes the Engine to crumble, but the Lanterns use their powers to sterilize the remnants and make them safe to settle in the ocean. In the end, Superman uses pieces of the engine to construct an eternal flame in memorial to those lost. 

Although the ramifications of the death and return storyline would be felt in the Superman books for a very long time, at this point they started to become a little less prominent as new storylines moved in and took their place. It only makes sense, of course, if you’re doing an ongoing serial like the four Superman titles were at the time, you never really get to call anything “the end.” More stuff always has to come in, and the Death and Return was, at this point, giving way to the stories of the future. But there are two last bits I want to mention. Adventures #505 brings back Superboy, where he learns the truth about himself and his powers. They’re based on Superman’s “aura” that gives him his invulnerability, but this causes Superboy’s powers to differ from the man himself in some interesting ways. The Kid finally accepts the Superboy name, and just like Steel, elements are put in place for his spinoff series. Finally, Action #693 brings Superman to STAR Labs, where the Eradicator’s body is still alive, but there is no spark of consciousness within him. A terminally ill doctor named David Connor is in charge of examining the body, but somehow (through comic booky science) winds up transferring his consciousness into it, thus making David Conner the new Eradicator. At this point, the status quo is more or less established for the foreseeable future – all of the remaining “Supermen” have a new lease on life and the cleanup of his death is more or less complete.

Sat., March 15

Essay: “The Superman Mythology: A Mini-Tribute to Edmond Hamilton by Jack Williamson” from The Krypton Companion

Notes: I don’t think I realized today was going to be a hard day earlier in the week. It’s been a rough few weeks for me, guys, the kind of period where having things like this blog to complete are what keeps me interacting with the universe instead of curling up into a ball, but March 15 is different even than that. March 15th is my mother’s birthday. We lost her in 2017, just ten days before Erin and I found out we were going to be parents. My son never knew his grandmother, and she never knew he was going to be born. I miss her a lot, and when times are bad I miss her even more. The point of all this is to say that I just did not have it in me to continue on today with “Death of Superman” stuff, even the aftermath.

Pictured: literature.

So instead, I turned to TwoMorrows’ excellent book of Superman minutia, The Krypton Companion and read a short piece about science fiction writer Edmond Hamilton and his connection to the Superman mythos. I’d heard of Hamilton before, but I’d never before connected him with our own Emil Hamilton, who Jerry Ordway confirmed was named for him. Emil was originally brought in as a one-off villain in Adventures of Superman, but Ordway pushed to rehabilitate him when John Byrne wanted a scientist-type friend for our hero. Ordway says he likes stories of bad guys being reformed. Me too – which is why it still ticks me off when they make Emil bad again.

Sorry I didn’t have more to say today, guys. I hope I’ll be in a better head space tomorrow.

March 16 & 17

Novel: The Death and Life of Superman by Roger Stern (Unfinished)

Notes: I’ve been riding the struggle bus lately. A few weeks ago I started having some car troubles and, frankly, the market ain’t great to replace it right now. This has had me under some greater-than-usual stress and, if I’m being honest, on those days when the stress gets particularly bad it’s been difficult to do even the things I want to do. One of the reasons behind “The Year of Superman” was to immerse myself in things that bring me joy, but when I’m in a bad headspace it’s hard to tackle that. All of that said, I haven’t missed a day of Superman content, I’ve just spent the last few days with Roger Stern’s novelization of The Death and Life of Superman, which was published back in 1993. I haven’t finished it yet – well, not this time around, anyway – but I’ve been enjoying it. 

There are lots of novels based on comic book superheroes, but novels adapting specific storylines are a bit more rare. I guess once DC realized just how big an impact this storyline was having, they started looking for more ways to monetize it. So Stern wrote this novel, while Louise Simonson wrote a “Junior Novelization” called Superman: Doomsday and Beyond, which I’ve actually never found a copy of. This isn’t the first time I’ve read this book, of course. I got it when it first came out, and in fact, it was originally released on my birthday (a fact I remember because I still see the original ad for it when I look through comics of the time) so it’s likely I requested it as a birthday present that year. I remember enjoying it quite a bit at the time, and it must have sold pretty well because DC did another novelization the next year, this time Batman: Knightfall by Dennis O’Neil, which I also enjoyed. I’ve still got that hardback copy, but I also snagged a paperback last year in a used bookstore, having no notion at the time that I’d be using it for such a worthy cause as the Year of Superman. It’s my first time reading it in at least 20 years.

Totally not posting this just so that everyone knows when my birthday is.

Reading it concurrently with the comics has been a fun experience, and showcases just how closely Stern’s manuscript adheres to the originals. Much of the dialogue is left intact, and even minor scenes such as Lois seeing a man in a hat and mistakenly thinking it’s Clark back from the dead remain. The only large swaths Stern skips over (at least in the portion of the book I’ve read so far) are the subplots regarding the Underworlders and Keith from the Superman: The Man of Steel issues, which were great for ongoing readers of the books, but didn’t have any real impact on the story of Superman’s death, so their absence isn’t really felt.

Stern keeps the same Justice League lineup from the comics, even going into explanations of Superman’s history with the team (which, if you’ll recall, was relatively new at the time) and the backstory of Guy Gardner’s expulsion from the Green Lantern Corps. Most adaptations would gloss over these things, or change the team to a more “traditional” lineup (as was done in the Death of Superman animated film I watched not long ago), so there’s a sort of purity in this incarnation. 

I also like how Stern brings in the backstory of the main cast – Superman, his relationship with Lois, and so forth. He plucks scenes from earlier comics, especially John Byrne’s Man of Steel miniseries, and uses them to fill in the world in which the story takes place. It’s really impressive how well the world is built up. Someone who has only a cursory knowledge of Superman can pick it up and pretty quickly get up-to-speed on everything they need to know about THIS incarnation of Superman. It’s pretty impressive, although I’m forced to wonder if anyone who isn’t familiar with the comics of the era would think it’s too much.

Like I said, I’m not quite done with the novel yet. I’ve got about a quarter of the book left to go, and I haven’t even gotten to the Cyborg’s big reveal yet, so I’ll have to come back when I get there to report on how well Stern sticks the landing. As of right now, I’m really quite happy with how good the adaptation has been.

Tues., March 18

Comic: Return of Superman 30th Anniversary Special

“Return” doesn’t look a day over 29, does it?

Notes: As they did with his death, in 2023 DC Comics came to us with an anniversary special for Superman’s return. And like that previous book, this one was a blend of then and now. The main story is set in the present, with Lois Lane adjusting to becoming the new editor of the Daily Planet, as Perry White was in a coma at the time. (Long story. It was Lex Luthor’s fault. Him and Brian Michael Bendis.) On the day of the frame story, Superman is occupied elsewhere, when the Cyborg Superman returns, once again attacking Metropolis. With the real deal out of the picture, Superboy, Steel, and the Eradicator return to clean up the pretender. Meanwhile, Lois and Ron Troupe go through Perry’s journals of the time when the would-be Supermen first appeared and reflect.

I really like the structure here. Perry White is, in my opinion, an underused character. We see Lois all the time, of course, and Jimmy had his own series that lasted a really long time, but I’ve always seen Perry as sort of a second (or third, depending on how you count) father figure to Clark and Lois both, and we don’t see his insights enough. Even though he was literally unconscious at the time of this story, using his journal for the frame to the flashback stories works really well to tap into his mindset. 

The first of the four flashback sequences focuses on Steel and his effort to get the infamous Toastmaster guns off the streets of Metropolis. It’s a fine story, once again reuniting Louise Simonson and Jon Bogdanove to show off their character and what he came to mean to the less-affluent sections of Metropolis. In the Eradicator story, written and drawn by Jerry Ordway, Perry plays witness as he faces off against one of Ordway’s oft-used foes from his time on the Superman comics, mad scientist Thaddeus Killgrave. The story leaves Perry uncertain about the visored hero, and with good reason. Karl Kesel and Tom Grummett are together again for the Superboy story, and this may be my favorite of the bunch. The Kid is definitely playing the part he did back in 1993 – arrogant and thirsting for fame – but Perry is able to see the good in him. A sweet interlude at a skateboard park reveals the child inside, something few of the stories of the time bothered to do, and it works really well. 

The last story, by Dan Jurgens, deals with Perry’s skepticism over the Cyborg Superman and how he tortured himself for publishing Ron Troupe’s story (from Superman #79) that indicated he was the real deal after the Cyborg’s true colors were shown. I love the angle we get here, how Perry never quite forgives himself for that mistake. He’s the editor of the Daily Planet, damn it, and his responsibility is to the truth. To have made such an egregious error eats at him. This is honestly pretty refreshing – the idea of a journalist in the modern day having the sort of integrity to take personal responsibility for what was an honest mistake…dang, when’s the last time you saw anything even close to that in the real world? 

The special as a whole is fun. The thing that surprises me most of all is that, in the end, while it serves perfectly well as a spotlight on the four Supermen that rose up to take Clark’s place, it’s really kind of a celebration of Perry White.

Thus ends week 11. In week 12, I’ve still got some “Death of Superman” epilogues and odds and ends I intend to tackle, but I’m looking ahead to week 13. What I would like to do, friends, if you can help me, is try a sort of “Reader’s Choice” week. What are some of your favorite one-off stories about Superman? They can be from any time period, any continuity, and don’t even have to be from a Superman comic (maybe he makes a memorable guest appearance in Firestorm or something). I’d like to get a bunch of done-in-one stories to cover over a few days. Bonus points if the issue is available via the DC Universe app, but if it isn’t, that’s not necessarily a dealbreaker. I’ve got a pretty hefty collection, after all, and odds are that your favorites will be among mine as well. So head to the comments and hit me with your suggestions!

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!

Year of Superman Week Nine: The Beginning of the End…

As I have said many times, the golden age of Superman comics – for me at least – was the late 80s and early 90s, the period we now wax nostalgically for as the “Triangle Era.” I could honestly have just spent this year reading John Byrne’s Man of Steel miniseries (that’s still coming – at some point I’m going to do an “origins” week) and then continuing on until the triangles ended ‘round about 2000 or so. But instead, I made a list of some of the most important stories and high points of the time and, those that don’t necessarily fit into another theme I have planned, I’m trying to hit in roughly chronological order. And as of now, I’m only planning to read two of the longer storylines from the era (although I reserve the right to add more later if I feel I’ve got the room), and having moved forward appropriately in the timeline, it’s time to get into one of the defining storylines of the character. 

It’s October of 1992. I’m a 10th grade student with a subscription to the four Superman comics, eagerly awaiting their arrival each week and getting pretty darn mad when the US Postal service delivers them out of order (which happened, I must tell you, more than once). And even though I knew it was coming, even though it had been bandied about on TV and in newspapers for weeks prior to the beginning of the story, I didn’t know if I was really prepared for the story that — at the time – was called “Doomsday,” but that these days we typically refer to as “The Death of Superman.”

This was pretty much all I thought about for two months in the fall of 1992.

Wed., Feb. 26

Comics: Superman: The Man of Steel #18, Justice League America #69, Superman Vol. 2 #74, Adventures of Superman #497, Action Comics #684, Superman: The Man of Steel #19, Superman Vol. 2 #75

Notes: After a month of one-page prologues, the creature who would be known as Doomsday burst free from his subterranean prison in Man of Steel #18, and spends this issue stomping through the countryside, ripping up landscape and crushing animals before finding civilization. But the surprising thing, if you’re reading this for the first time, may be that Doomsday is the B-plot of this first issue. Most of the pages are used to deal with a running story from this particular series regarding a community of monsters in Metropolis’s underground. In the 90s, although the four separate Superman comics of the era continued into one another each week, each series tended to have its own subplots and stories to focus on, including the Underworlders. This issue also features Keith, an orphan who has befriended Superman and hopes to find his lost mother, and who would eventually be adopted by Perry and Alice White. 

I really love the Keith sequences in particular. The creative team on this book of Louise Simonson and Jon Bogdanove had previously done a wonderful run together on Marvel’s Power Pack, a comic book about a group of brothers and sisters who are all given powers by a benevolent alien. It was one of Marvel’s best comics of the era, and whenever Simonson writes children she brings a really authentic feel to them. Her children are inexperienced and naive at times, but never stupid or foolish. There is an inherent realism to her kids that I absolutely love. Keith was out of focus in the comics for a very long time, and with all the reboots that have happened over the years I wasn’t even sure he still existed in the DCU until recently, when Perry White was running for mayor and Keith showed up at an event with him. I hope, now that Perry is the mayor of Metropolis, we see a little more of Keith White.

Next up was what essentially was the end of Superman’s tenure with the Justice League, which had begun only nine issues before. The JLA is called in to stop Doomsday’s rampage, but Superman is on live TV doing an interview on the Cat Grant show and unaware of their battle, leaving his teammates to face the beast without their most powerful member. As Superman talks to a group of high school students, the League – if we’re being candid – gets their asses handed to them. Guy Gardner is hurt, Bloodwynd is chucked into a fire, and Blue Beetle is rendered comatose just as he was about to crack the mystery of who Bloodwynd really is. (If you remember a few weeks ago from the Justice League issues I read, that was Beetle’s primary preoccupation in this period, and if I may toot my own horn a mite, I remember solving that mystery myself when I read this issue, using the same clue that made it click for Blue Beetle. It wasn’t confirmed in the comics for several months, though.) The fight is intense, and rolls right into the next issue of Superman, #74. 

In fact, this was a running theme through the rest of this storyline. Each issue from this point on flowed seamlessly into the next and, starting with Adventures of Superman #497, each issue began to reduce the number of panels per page. Every page in that issue had four panels, the next three, then two, and in the final chapter the entire issue is told in full-page splash panels. What this does, essentially, is give the story a sense of ACCELERATION. Fewer panels means the story goes more quickly, each issue faster than the last, until we get to the final showdown on the streets of Metropolis in Superman #75. 

Superman #74: Superman joins the League to take on Doomsday. In the battle, Booster’s power suit is destroyed, Fire burns out her powers, Guy Gardner’s face is swollen so badly he can’t see, and Ice and Bloodwynd are taken down. The only one to escape unscathed is Maxima, and only because she leaves early to bring the near-death Blue Beetle to a hospital. 

Adventures of Superman #497: When Superman has to go back to rescue a family and his teammates from the house Doomsday destroyed in the previous issue, he gets a head start and starts creating havoc, taking down military helicopters and smashing into a small town before Superman can catch up to him. Supergirl (the Matrix version) sees the destruction on TV and wants to help, but her boyfriend Lex Luthor Jr. (long story, just read the Wikipedia explanation) holds her back. Maxima returns but is taken out in short order, and Superman vows to defeat the beast alone. 

Action Comics #684: The fight with Doomsday crashes into a department store, where a TV ad for an upcoming pro wrestling match at the Metropolis Area causes the beast to take notice of his destination: “Mhh-Trr-Plss…” A road sign that matches the advertisement points him towards Superman’s city as the Daily Planet helicopter – carrying Lois Lane and Jimmy Olsen – arrives to report on the carnage. The battle destroys an abandoned territory called Habitat, but the creature escapes and bounds towards Metropolis.

What it feels like being a teacher the week before a holiday.

Superman: The Man of Steel #19: Doomsday arrives in Metropolis. Cameras broadcast the battle across the world, including Smallville, where the Kents watch their son’s battle for his life on television. Supergirl finally is sent to help, but one blow from Doomsday disrupts her synthetic body and takes her out. Emil Hamilton and Bibbo (perhaps the greatest supporting character ever) bring a laser cannon to the roof to try to help, but to no avail. The Metropolis Special Crimes Unit open fire with everything they have, but they don’t even chip his hide. And in the end, Superman vows to draw the line in Metropolis.

When I read this story in high school, this issue was a great fight scene, sure, but like so many things it hits different for me now, as a parent. It seems quite telling to me that most people, like Jimmy, have the attitude that he’ll be OKAY. He’s SUPERMAN. He always comes out of it okay. But his parents, Jonathan and Martha, voice the fears of parents: “They don’t think anything bad can really happen to him.” The implication, obviously, is that the Jimmys of the world are wrong…and wrong he is.

Superman #75: The end. 

I remember distinctly the day this issue arrived in the mail. I got home from school before either of my parents got home from work, before the school bus dropped off my younger brother and sister, and I found this issue sitting in the mailbox. I brought it into the house, didn’t turn on the TV, didn’t even turn on the lights. The window in the living room gave me all the sunlight I needed as I slit open the plastic bag and opened the pages to witness the end of Earth’s greatest hero in quiet and solitude.

The story is swift, as befits an issue where every page is a single panel. Superman and Doomsday tear through Metropolis, trading blows until finally, with one last all-powerful punch, each of them collapse on the street. Lois rushes to his side and cradles him, his last words asking if Doomsday is defeated, his last thought for the city he was trying to protect, before the light fades from his eyes.

Yeah, I will admit, I cried when I read that. I still get misty today, even knowing that this was just the beginning of a much longer storyline it still hits like a kick to the gut. And even in 1992, when this was released, nobody really believed that Superman would stay dead. It was a story, and at the end of the story the status quo would be restored. That’s how these things went. 

It didn’t make it hurt any less.

This BROKE me.

And that’s what makes it one of the all-time great comic book epics, that I can read it again today and still feel that pang of loss I had when I was 15 years old. 

Man, this is a heavy way to start the week.

Thur., Feb. 27

When I woke up this morning, I went through my usual routine of showering, dressing, getting together a lunch for work, and then popping online for a few minutes until it was time to leave. Usually I want to see what the weather is going to be, if there’s any traffic snarls I should be aware of, that sort of thing.

I did not expect to begin the day with the news of the death of Gene Hackman.

1930-2025

Hackman, of course, was a legendary actor, known for countless roles in dozens of classic films, but to me (and, I suspect, most people around my age) he is indelibly linked to the role of Lex Luthor. His Luthor was smooth, slimy, cheerfully manipulative and yet prone to brief outbursts of rage when faced with incompetence, which makes you wonder why he so often surrounded himself with incompetence. As much as Christopher Reeve shaped our perception of Superman and Margot Kidder our Lois Lane, so too did Gene Hackman shape our Lex Luthor.

As of when I write this, Thursday morning, the news is reporting that Hackman, his wife, and their dog were all found dead in their home in Arizona. Although foul play is not suspected, no cause of death has been determined. It goes without saying that my heart goes out to their families, those who knew and loved them personally. But also, it feels like a moment to raise a glass in tribute as another little piece of our childhood has left us forever. And at my age, it feels like we lose one of those pieces every other day. 

RIP, Mr. Hackman. See you in Otisburg. 

Comics: Death of Superman 30th Anniversary Special #1

Ah yes, “Death,” the traditional 30th anniversary theme.

Notes: Am I going a little out of order? Absolutely. But it feels more appropriate to read this now than to do so chronologically. In 2022, DC released this special with new stories by the same writers and artists behind the original Death of Superman event, followed up the next year with a special for the 30th anniversary of his return. I’ll get to that one too.

In the first story, Lois and Clark’s son Jon (still 10 years old, this is set before the Bendis aging controversy) in school when a familiar survivor of the Doomsday attack comes to talk to his class. This, as it turns out, is the first time Jon learns that his father died before Jon was born. I love this story – Lois’s talk with Jon is a nice sort of postmortem for everybody who read that story back when it was first published, encapsulating the feeling and emotion of the day while maintaining a bit of hope for the future. But as if that weren’t enough, we get a hell of a fight scene as well, as a construction worker who kept a chunk of Doomsday’s shattered bone all these years is suddenly transformed into a new version of the monster. The battle scene in the streets of Metropolis is pretty epic, and shows that Dan Jurgens hasn’t lost a step. It could have been published in 1992 and fit right in. It just makes it feel like more and more of a crime that he was bumped from Action Comics after issue #1000 when the status quo was upended. DC, I plead with you, find some way to have Jurgens writing and drawing Superman regularly again, preferably doing stories of Lois, Clark, and Jon in the past, like this one.

We also get three more stories, the first reuniting Adventures of Superman creators Jerry Ordway and Tom Grummett for a focus on Jonathan and Martha Kent. In the original “Death of Superman” we saw glimpses of the two of them watching the fight on TV. This story expands upon that, as they talk about some of the dark places and brutal battles their son had been in over the years. It’s a pretty good recap of the ‘86-’92 era of Superman through the eyes of the people who made Clark Kent the hero that he is. Martha’s Superman scrapbook is legendary, but this issue takes that concept one step further, showing the invisible impact Superman has on the world. It’s a really nice look at the character from a different angle. 

The third story brings back Roger Stern and Butch Guice, then the creative team on Action Comics, for a story starring Guardian at Project Cadmus, which was one of their ongoing subplot. The story shows the events of the day of Superman’s death from Guardian’s perspective, and although it doesn’t really offer any new insight into the story, it’s really great to see Guardian, Dubbilex, Dan Turpin, and some of the characters that were so important to the books at the time.

Finally, Man of Steel creators Louise Simonson and Jon Bogdanove return for a story about John Henry Irons, the man who will be Steel, and what happened to him during the Doomsday rampage. Having recently been saved from falling to his death by Superman, John Henry is determined to help him fight Doomsday, but as he follows the path of destruction, he find himself stopping at one disaster after another, pausing to save other people even as Superman fights for his life. This is why I love John Henry as a character so much – out of the four “new” Supermen that rose after his death, he was always the one who most embodied the spirit of Superman. With no powers, no weapons, without even the armor he would soon build, John Henry risks his life again and again to save others. And that’s what a Superman is for. 

Fri., Feb. 28

Legitimately some of the best stories of the era.

Comics: Justice League America #70, Adventures of Superman #498, Action Comics #685, Superman: The Man of Steel #20, Superman Vol. 2 #76, Adventures of Superman #499, Action Comics #686, Superman: The Man of Steel #21, Superman Vol. 2 #77

Notes: Although I can’t recall quite where, I remember reading an interview once with the creators behind the Death of Superman saga where one of them (probably Dan Jurgens) said that the stories that they were really interested in telling, the ones they found most compelling, were those from the “Funeral For a Friend” storyline. How does the world cope with the loss of Superman? How do we move on? How do we choose to honor his memory? The Doomsday story was a necessity to get them to that point, the “Reign of the Supermen” was the necessity to bring him back, but these stories are the heart of the saga.

Justice League America #70 picks up moments after the end of the battle with Doomsday, picking up the same dialogue – even the same narration – from the final pages of Superman #75. (And let’s hear it for Dan Jurgens, getting paid to write the same pages twice. Nice trick, sir!) The League is in a shambles: Blue Beetle comatose, Fire’s powers burned out and not returning, Ice injured, and Booster Gold’s future technology completely destroyed. As they try to pick up the pieces, the rest of the DCU’s heroes begin to assemble at JLA headquarters in New York to pay their respects to the fallen hero. It’s a touching book, with words of deep mourning and emotion that fit the grim day. For all intents and purposes, this was the end of Superman’s tenure with the League until it was restructured a few years later by Grant Morrison, but for what it was and when it was, this was a suitable ending.

Adventures of Superman #498 also picks up on the heels of Superman #75, showing the efforts to resuscitate the Man of Steel, and the ultimate futility of the attempt. This issue takes us everywhere: Supergirl tries to pull herself back together, Gangbuster is angry at himself for not being there, and in Smallville Jonathan and Martha Kent cling to one another and pray for a miracle. Somehow, even now, the thing that hits me hardest is the scene of Bibbo strapping on one of Professor Hamilton’s force field belts so he can withstand the jolt as he tried to hit Superman with hyper-charged defibrillator paddles. Bibbo is just one of those characters that’s too wholesome for the world – a big, gruff bruiser with the brains of a kid and the heart of a prince. The inherent goodness in him, in a man that the world would have cast aside, is what makes him such a perfect member of the Superman supporting cast. He’s another one we don’t see nearly enough nowadays. 

Action Comics #685 picks up that evening, as a Daily Planet extra edition announces the news no one wants to hear: “SUPERMAN–DEAD: METROPOLIS MARVEL KILLED IN ACTION.” Paul Westfield and Project: Cadmus get into a fight with Guardian and Supergirl over the right to claim the body, while everywhere else we see the world beginning to mourn. Meanwhile, at the Daily Planet, people are starting to worry about Lois. In the wake of the fight with Doomsday, thousands of people are missing – and one of them is her fiancé, Clark Kent. When they say that this is the section of the story the creators were most interesting in telling, this is the issue that I always come back to. The final page is one of the single most affecting pages I’ve ever read in a comic book, as Bibbo – having cleared out his bar so he can be alone – gets down on one knee, says a “Hail Mary,” and prays…not for Superman, but for the protection of the world he left behind. 

If this page doesn’t rip at your heart I’m not sure how to talk to you.

Superman: The Man of Steel #20 gives us the funeral. On a rainy day in Metropolis, millions of people line the streets to watch the processional as his body is brought to a hastily-erected monument in Centennial Park. In Kansas, meanwhile, the Kents hold a solemn, quiet ceremony of their own. Again, this issue shows us the impact of Superman on the world – people recalling the times he saved them, Batman deciding to take care of a guy with a bomb “Superman’s way,” and so on. We also get more of those Simonson-written kids that I like so much. 

In issue #76 of Superman, it’s Christmas! Doesn’t quite feel that way, though, with Superman gone. So in his memory the Justice League and a few others gather in Metropolis to carry out one of Superman’s annual traditions – reading and answering letters from people in need. This is a great issue, a sequel to an earlier story where we saw how Superman spends Christmas, and which I’ll no doubt read and write about this December. We also get a pair of subplots: Jimmy Olsen and Bibbo help out Mitch Anderson, the kid whose house Doomsday destroyed, and the Kents come to Metropolis with Lana Lang to hold a private wake with Lois, as four of the only people who knew who Superman really was. 

After this issue the stories take a turn. The immediate aftermath of his death and the period of mourning over, the story now becomes the struggle over his remains. In Adventures #499 we see that Westfield – defeated on the day Superman died – has burrowed into his tomb to steal his body for genetic experimentation. Action Comics #686 shows us that Cadmus is hoping to clone Superman, a storyline that obviously would become prominent later. Superman: The Man of Steel #21 takes us back to Smallville, where Jonathan’s memories of his lost son become overwhelming. In Metropolis, flooding helps Lois uncover the theft of Superman’s body, and takes the story to the front page. Finally, in Superman #77, after Supergirl and Lois recover Superman’s body and put it back where it belongs, Lex Luthor II (Lex pretending to be his own son) takes a moment to gloat in the tomb. In Smallville, though, Jonathan has been rushed to the hospital after collapsing in his field. After an issue of memories of his son, “Funeral For a Friend” ends with a chilling flatline.

The second half of “Funeral For a Friend” isn’t bad at all, but it’s there largely for setup. It plants a lot of seeds that would bear fruit in the upcoming “Reign” storyline. For pure emotional impact, the first half is one tearjerker after another, with a few more coming in the final two issues as Jonathan’s personal grief overtakes him. I know I say this a lot, but reading these issues as a parent makes them far, far more powerful than they were when I was a kid. As painful as it is to see Superman fall, seeing the utter devastation to the father who helped shape him into the hero he is may be the most heartbreaking part of the entire saga. 

Other Comics: Justice League of America #17, New Adventures of Superboy #32

Sat. March 1

Animated Film: The Death of Superman (2018)

Notes: Everywhere else, it’s just Saturday, but here in Louisiana it’s the weekend before Mardi Gras. And while I’m not a particularly enthusiastic paradegoer, my son is, and as such I make the effort to take him. Today was the Krewe of Lul parade, a nice little family-friendly small-town parade local to my community, and even better, I’ve got a cousin who lives on the parade route and always invites us to watch the parade there. It was a great day, and someone on one of the floats threw my son a ridiculously large stuffed snake, which my wife doesn’t yet know about as she had to work today, and I cannot WAIT to see her face when she gets home.

It’s got nothing to do with Superman, but c’mon, LOOK at this thing.

Parades are a little exhausting, though, especially when it’s hot outside, and I’m still a little too sun-dazzled to want to read anything today. So my Year of Superman continues at the moment with the 2018 The Death of Superman animated movie. This was actually the second attempt at animating the story, but as the first condensed the entire trilogy into one film rather than splitting it into two like this one, I’m waiting until after I finish reading the whole thing before I rewatch it. It’ll come soon enough.

Clearly, this is traditional carnival viewing.

This film was made during the period of DC animation where the movies were all set in a single universe largely based on the New 52 incarnations of the characters. As such, the story is tweaked appropriately to make it fit: the Justice League that faces Doomsday is that incarnation of the team rather than the Jurgens-era lineup, for example. And while Lois and Clark weren’t a couple in the New 52 era, here they’re in the early stages of a budding romance. Lois wants to keep their relationship a secret from their coworkers at the Planet, she hasn’t met his parents yet, and – probably most importantly – she does not yet know the secret of his duel identity. Other changes aren’t necessarily New 52 related, but help to condense the story: Doomsday’s coming to Earth, for example, is connected to the disaster that kills Hank Henshaw’s crew and sets him on the path of villainy he’ll occupy in the next movie. 

I’ve always been a fan of the voice cast here. It’s a little bit of stunt casting, placing real-life husband and wife Jerry O’Connell and Rebecca Romijn as Clark and Lois, but I like them both in their assigned roles. Rainn Wilson, meanwhile, is a deliciously wicked Lex Luthor, and Patrick Fabian has always sort of straddled the line between clean-cut and white collar crook, which somehow fits Hank Henshaw very well. We also get Rosario Dawson as a highly convincing Wonder Woman and Nathan Fillion as Hal Jordan, the Green Lantern that a lot of us thought he should have played in live action (although I have every confidence he’ll nail Guy Gardner). 

Pictured: First Officers Jack Ransom of the USS Cerritos and Una Chin-Riley of the USS Enterprise. (Colorized)

There’s a considerable amount of buildup here – it’s almost halfway into the movie before Doomsday’s rampage begins – but I think it’s necessary. This movie leans more heavily on the developing Lois/Clark romance, and that buildup is focused largely on that. We see Clark agonizing over whether to tell her his secret, Diana berating him for not telling Lois who he really is yet, even asking for advice from the soon-to-be-married Barry Allen about his relationship with Iris. That buildup to what should be the happiest moment of their lives, the engagement (and the reveal of the secret) is well-done, and thus when the battle with Doomsday begins and the inevitable happens, the whole thing feels even more tragic. The reveal is handled well too – I love the fact that Lois’s first reaction, once the shock wears off, is “This is so unethical! You’ve been writing stories about yourself!” The emotional resonance echoes after the battle too, as we see the Kents unable to get close to their son’s funeral, then see Bibbo’s beautiful prayer sequence recontextualized into a montage over the city in mourning. 

The animation isn’t my favorite, to be honest. The characters are a bit too blocky, and they’re using the New 52-era designs, which means excessive lines EVERYWHERE, and Superman’s suit is too dark and kind of bland. But once we finally get to the fight with Doomsday it’s brutal and pretty epic. The killing blow is actually far more graphic than I expected, with Superman actually hitting Doomsday hard enough to make his head spin around, and it doesn’t look “cartoony” at all. 

Also, Bibbo is in this movie. So, y’know, I like it. 

Sun. March 2

Comics: Superman Vol. 6 #23, Justice League Unlimited Vol. 2 #4, Power Girl Vol. 3 #18

But certainly, Doomsday must have mellowed out in the last 30 years, right?

Notes: I’m taking a quick break from the Death and Return saga to check in on this week’s new Superman-related titles. First up: Superman Vol. 6 #23, the latest in Joshua Williamson and Dan Mora’s ongoing saga. Doomsday is now the Time Trapper, and his control over the timestream is giving Lois a chance to pause while the contemporary Doomsday and Radiant battle it out in Metropolis as the Superman family tries to hold the line. I like what Williamson is doing here, using the original Death of Superman storyline (so I guess I’m not TOTALLY taking a break) as the framework for this new story, and giving us a neat focus on the characters . There’s a great speech from Lois when she talks about how she wept on the day Superman died, and how her tears may not have been for exactly the reasons one may have expected. It’s not a retcon, but rather a subtle recontextualization of the moment that I think actually works really well. And as usual, Dan Mora is killing it. I can’t say enough good things about his artwork. Over the past few years he’s become probably my favorite current artist in comics, and he’s earning his place on the Superman Mt. Rushmore with the likes of Curt Swan, John Byrne, and Dan Jurgens.

I’m not done with Mora yet, though – he also drew this week’s Justice League Unlimited Vol. 2 #4, this time teamed up with writer Mark Waid. The terrorist group called Inferno is unleashing havoc all over the world, with global fires crippling the Martian Manhunter and perhaps even killing Swamp Thing. In response, Mr. Terrific tries to recruit Alec Holland’s daughter Tefe, while Batman sees to the fallen J’onn J’onzz. Superman’s actual participation in this issue is minimal, appearing in just a few panels helping with the evacuation efforts from the wildfires while the big brains and the magic users try to solve the problem, but that’s actually one of the reasons I like this book so much. Waid has really stacked the deck by including virtually every hero in the DCU. It would be really tempting to still spend most of the time with the Big Guns, but Waid has done a great job crafting a story that allows for the lesser-known characters to rise to the front lines instead of Superman and Wonder Woman to be the A-team every single issue. It may be tangential to my “Year of Superman,” but it’s still maybe the best book DC is publishing right now.

Last but not least, Power Girl Vol. 3 18 continues Leah Williams and David Baldeon’s tale of the housewarming from hell. The grand opening celebration for the new Star building, complete with a bunch of guests from Asgard, is disrupted when a strange barrier traps everyone inside. Superman and Steel (John Henry) try to crack it open from the outside, while inside, Power Girl, Omen, and Steel (Natasha) attempt to get to the bottom of their predicament. This is an issue that feels very much like a middle chapter, incomplete and with a lot of questions. In and of itself, there’s nothing wrong with that, but I don’t know if they structure the story quite enough to get us started before the story begins. We kick it off with the barrier already in place, then after several pages, flash back to how we got there. I don’t object to in medias res, but I don’t know if it really works well for this issue. Hopefully the next chapter of this particular story will clarify things a bit. 

Mon., March 3

Comics: Legacy of Superman #1, Supergirl/Team Luthor Special #1

Notes: After the conclusion of the “Funeral For a Friend” storyline, DC took the rather bold – for the time – step of ceasing publication of the four Superman titles for a few months. They resumed in the spring with Adventures of Superman #500, and I have to give them credit for not doing what they would do today – namely, restart each series with a new first issue. Actually, in the gap they would have published four separate miniseries for the four Supermen who took his place, THEN restarted each series with a new first issue. But I digress. In the gap, they published a few specials about what was happening in Metropolis in the wake of the Death of Superman

Don’t get too attached to that kid in the upper right-hand corner.

Legacy of Superman includes five short stories about different defenders of Metropolis. First was a Guardian story, set during the time before Lois and Supergirl retrieved Superman’s body from Cadmus, about their efforts to map Kryptonian DNA. As several of the characters wrestled with the ethics of the situation, we are introduced to the hyper-advanced Guardian clone called Auron, a character who, as I recall, seemed like he was going to be more important that he eventually turned out to be. Next was a story that brought back the old character(s) Rose and Thorn. Rose Forrest is secretly the vigilante called Thorn – a secret that even she herself does not know. It’s what at the time was called Multiple Personality Disorder, or at least a comic book-level understanding of it. With Superman dead, crime in Metropolis is on the rise, and Thorn comes back to help out. It’s a perfectly fine story, but other than reintroducing Thorn, it’s not particularly significant. Of more significance is the Gangbuster story. The longtime Superman supporting cast member is trying to step up and fill his shoes, but the fight against Metropolis’s criminals is getting harder on him, wearing him down, and making him more brutal. Story number four features Sinbad, a young boy with telekinetic powers who had appeared in a three-issue storyline a few years prior. This story, like the issues that introduced him, was by the creative team of William Messner-Loeb and Curt Swan, and I’m pretty sure it’s the last time the character ever appeared. 

The last story features Waverider, and for reasons I cannot fathom, it is not included in the DC Universe Infinite edition of this comic book. I swear that app seems less and less Infinite all the time. Fortunately, I’ve got the week off work and I’ve got the issue in my collection. Waverider (from the Armageddon 2001 storyline) has at this point joined the Linear Men (from the Time and Time Again storyline) and, upon learning of Superman’s death, is determined to use their time travel powers to save him. That is until their leader, Matthew Ryder (an alternate-timeline variant of Waverider himself) starts listing people whose contributions to history could have been greater had they lived longer and asking where they drew the line. It’s a good argument, but I’ve always wondered why Dan Jurgens didn’t take it a step further to the logical conclusion – that manipulating time for your own ends is as dangerous as the enemies to the timestream you fight, and that doing so (even with good intentions) has rarely ended well.

Laugh if you want, but do YOU have hair that magnificent?

The Supergirl/Team Luthor Special has two stories. The first, by Roger Stern and June Brigman, focuses on Supergirl and “Lex Luthor II”’s private police force stepping up to help fight crime in Metropolis, similar to some of the stories in the previous volume. Louise Simonson writes the second story, where Supergirl encounters some of the Underworlders whose story has been one of the major plots in Superman: The Man of Steel. Both of these stories, while perfectly fine, seemed somewhat insignificant at the time. With the benefit of hindsight, though, I see that they were planting seeds for stories that would play out in the next Supergirl miniseries and the accompanying Superman titles featuring the collapse of Project: Cadmus, the fall of the Underworld, and the end of Luthor’s charade – stories that, I’m fairly certain, wouldn’t be published for nearly a year. They plotted things REALLY well, those Triangle Era Superman writers. 

Tues., March 4

Magazines: Newstime, Wizard Superman Tribute Edition

Did Jimmy win a Pulitzer for this photo, or am I just imagining things?

Notes: In addition to the two one-shot comics published during the Superman Gap, DC also released a one-off edition of Newstime, a fictional news magazine that Clark Kent worked for briefly in the comics. The magazine, featuring a “photograph” on the cover taken by Jimmy Olsen as Superman lay dying, is a sort of defictionalized artifact of a news magazine from the DC Universe, giving us in the real world a glimpse into how the DCU reacted to Superman’s death. There are, as expected, news articles written about the battle with Doomsday, the reaction of the world to Superman’s death, and the chaos that the Justice League was left in with Superman dead and so many of their members injured or powerless. The magazine fits really nicely in with the comics, with bits updating the status of some of the celebrities that were reported missing in the comic books after Doomsday’s rampage. Baseball player Hank “The Hammer” Halloran, you’ll be happy to note, survived the attack, but comedian and actor Morty Beckman died in a collapsing building. Daily Planet reporter and former Newstime editor-in-chief Clark Kent is still among the missing. 

Other things in the magazine are somewhat odd, like the article featuring quotes from assorted famous people about the death of Superman. Many of them are DC characters like Bruce Wayne, Lex Luthor II, Wonder Woman, and so on. Others, though, are from real-world figures, and they don’t all seem to be written from an in-universe perspective. A quote from William Shatner tells about how he used to dress as Superman when he was a child, Penn Jillette comments that Superman will have to die a few more times before he’ll be impressed, and John Goodman regales us with a bizarre story of his own personal encounter with Mr. Mxyzptlk following Superman’s death. I’m forced to wonder if some of these are legitimate comments they got from these people. After all, Superman’s death is one of the few comic book stories (especially back then) that made the major news cycles. 

The book finishes off with a few pages of fake movie and music reviews and lots of fake ads, and I have to give the DC crew credit for how well it’s all put together. Except for the fact that the “photos” are mostly panels taken from the comics, this looks and feel like a real news magazine, albeit much thinner than most of them. And just in case anyone thought that they’d let a book like this go without any foreshadowing, there’s a two-page ad early in the book that was meaningless when the magazine was originally published, but became quite jarring in hindsight just a few months later. 

😬

There’s one last thing I wanted to read from the “Death of Superman” era before we begin with the return tomorrow, and that’s this special Wizard Magazine tribute edition. I was a big fan of Wizard in its early years and was a subscriber for quite a long time. Eventually I got rid of all my old issues, a move which I now deeply regret, especially in the case of those few issues in which they published letters I wrote. But I held on to this Superman special, a nice little package released after the Death storyline but before the return really wrapped up. I haven’t read it in many years, though, and it’s interesting to go back and look at what the contents include.

Do you think anyone in comics has drawn versions of the same scene as many times as Dan Jurgens has this one?

There’s a piece by legendary Superman artist Curt Swan about his time with the character, to start. Jack Curtain provides a fairly comprehensive (although somewhat cynical) history of Superman, while Joel W. Tscherne gives us a good piece of the history of the post-Crisis Superman to date. Reading this article again, I’m jarred to realize that more time has passed for the most recent incarnation of Superman (the one we’ve had since DC Rebirth sort of merged the 90s Superman with the New 52 version) than had passed between John Byrne’s Man of Steel and the Doomsday story. Good grief, somebody get Waverider in here to make time slow down.

We get a retrospective on great Superman artists throughout history, a piece that is dying for a contemporary update to include all the greats who have worked on the character since then (including Stuart Immonen, Barry Kitson, Ron Frenz, Jim Lee, Ed McGuinness, Tim Sale, Frank Quitely, Alex Ross, Patrick Gleason, Jamal Campbell, and my current favorite Dan Mora – and that’s just off the top of my head). Next is a look ahead at the return of Superman, including interviews with the creators, especially Jerry Ordway, who ended his tenure as a Superman writer with Adventures of Superman #500. Then the writers for “Reign of the Supermen” talk about the four characters we’re going to meet very soon. Action Comics’s Roger Stern says that their Superman will be more “Kryptonian,” but cautions us that it’s not going to be someone trying to turn Earth INTO Krypton, like in the Eradicator storyline. Stern, you cheeky monkey. Ordway’s successor Karl Kesel talks about how Adventures of Superman will give us a more “modern” Superboy (he didn’t like being called that) who ties himself to WGBS, a TV station, rather than a stodgy old newspaper. Dan Jurgens talks a bit about the Cyborg Superman, although to me the part of this section that stands out is where he discusses Lois’s skepticism. Good for you, Lois. And Louise Simonson talks about John Henry Irons, even giving a lot of backstory about his family that I don’t know has ever been explored very much in the comic books, which is a shame. 

There’s a lot more in here, including a piece from Elliot S! Maggin about Superman as a pop icon, Andy Mangels talking about Superman’s history on TV and in film, and lots of other articles about various pieces of Superman’s history. I’ve gotten psyched to go back and read more of these, and I probably will in the coming weeks, but hopefully the stuff I’ve talked about will give you the impetus to dust off your copy (or find one on eBay) to go back and revisit this interesting time capsule of who and what Superman was in those months between his death and his return.

And speaking of his return…

…well, I’ll see you tomorrow. 

Blake M. Petit is a writer, teacher, and dad from Ama, Louisiana. His most recent writing project is the superhero adventure series Other People’s Heroes: Little Stars, volume one of which is now available on Amazon. You can subscribe to his newsletter by clicking right here. You can join in the Kryptonian Konversation every day in the Year of Superman Facebook Group!